you ever think about how gerome and fake pep are the only two guys who really only ever knew the tower as their home? i do
lots of fp text in this one so full un-ciphered script is going under cut below. [mostly just a bunch of headcanon nonsense about his whole Situation in the tower :p] [there is also a second bonus after because i am insufferable] anyway,
bonus:
hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino] [gustavo] [gerome] <-u are here [noisette again]
gerome: i say there monstrosity! do you know the times?
fp: …?
gerome: haha! just an old joke, lad.
gerome: but seriously, i never saw you around the tower much. what's your deal?
fp: ...
fp: 👈 ??
gerome: yes you! you never struck me as just some hired goon like the rest.
fp: i… i don't really know.
gerome: oh come now, you needn't be modest.
fp: i'm not! i-
[fp takes a seat]
fp: they…. didn't tell me much. the…the lab. you know it?
gerome: i'd pass though, now and again.
fp: i was there for awhile, with lots of other copies
gerome: oh, you knew the other clones? what were they like?
fp: nutritious.
gerome: ah.
fp: they-the tall one- moved me to….「bruno's」 later.
gerome: tall one… you mean pizzahead?
fp: uh….right.「pizzahead」 …started changing it. kept changing it. i think i was waiting for something. waiting… to open? but he told me to keep-stay in there. to guard it. was there…longer than the labs but we never got to finish…. but i think we were close. But then「pep-
pep: woah. never seen him this chatty
gerome: just have to ask the right questions, i suppose
pep: I mean, sure but-- wait, you can understand him???
gerome: it's only natural, after all, he is at least in part- part of the tower; made from its power and resources, and so connected with my brother...and to some extent, myself. his speech resonates with the old echoes through its chambers, and while i may not be as omniscient, it has no secrets that would fully elude me.
pep: ...uh. ok, sure. what's he saying?
fp: ..!
fp: XXX!
gerome: ah…. seems he's a bit embarrassed.
pep: aw. er…look, it may not be my business, but whatever happened in the tower is behind us now, yeah? i know i sure try to forget it too
fp: 😬
fp: ...😓👍
[fp turns back to gerome]
fp: ............i wasn’t done
gerome: he wasn't done.
fp: yeah. then 「peppino」 came through. you probably know. hard to miss him.
gerome: heh, I'll say.
fp: We fought, I stayed…. didn't know anything else until 「pizzahead」grabbed me. fighting more on the roof...
fp: You know the rest? you ran out with us...
gerome: mhm
fp: And… now we’re here.
gerome: now we’re here…
fp: ...that's all i had. so..... i still don't really know. sorry...
gerome: ah, don't be. that's just how it goes, i guess. not much that can be done now...
gerome: i suppose we both left some things behind in that tower. i certainly know it can be daunting to leave the fold of familiarity.
gerome: but, for what it's worth...i think it’s for the better things worked out for us as they did.
fp: yeah…
bonus! 2!!
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Wait, does the cheating thing on the bond always works? bcs that would be kinda freaky for R!Dipper like imagine you get pinned down by someone in the corner of a br or smthng and then said person kissed you and proceeded to explode into red mist and you literally have no idea what happened.
Also, would the constellation mark be a "cursed" Mark over the years, like you would give birth to a baby and the doctor says "😟 I am so sorry ma'am,,, I'm afraid your baby has the Cipher Companion mark. ( could also be something equally as science-y like Ursa Major, Constellation Calamation, etc idk)" And you just burst into tears.
Would that mean that dipper would get into a special program(demon wrangling program or smthng, demonologist? Maybe)? Or would the parents hide it away hoping that Bill would never take their child away?
(Sorry this au is just very interesting to me,,,, I hope u get more motivation, keep writing author 💪)
These are all options! The fun part of reincarnation AU being left ambiguous is that technically any of them could happen.
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Also what if I said the show taking time to show that Luz and Hunter aren't unhealthily dependent on one another post time skip the way they were in thanks to them (but still close seen in Luz's patches on her clothes or Hunter taking time off work to go to Luz's bday) actually plays in to the cycle of sibling betrayal motif w/ the Clawthornes and Wittebanes????
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there are many things to vouch for watching spider riders for but being a good adaptation of the novels is such a weird one to throw out there. good show? Yes, extremely. but that does not mean that it was particularly faithful to its source material in most capacities. like in fact in more capacities than not it fails to stay true to anything but the baseline information like locations (even then... arachnia vs arachna) and character names; the bare essentials needed to be considered the same franchise.
a vast majority of the worldbuilding that the novels established for themselves gets tossed out in favor of a new set of rules for the anime's world, aqune definitely experienced a character assassination / got completely 180'd in the way of personality, and thats not even to mention art style and character designs,
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What are the ethnicities/races or the celestial bodies in your story ?
Howdy! Actually I don't really have 100% set ethnicities or races for each character, due to them being celestial bodies. This is so that there's freedom of interpretation for the viewers, but still taking inspiration from real life!
Here are some coding I've made for some of the characters although if you have a different headcanon, it's fine as long as it's respectful to me and other people who may have different perceptions.
Sun, Jupiter, Saturn - Caucasian, likely of European descent
Mercury - Southeast Asian (I personally pin him as Filipino because I'm Filipino. Haha. But he's meant to be broadly coded as SEAsian)
Venus - Latina or black/Latina mix
Earth - probably SEAsian or Latino + Caucasian mix (not sure yet)
Luna - likely East Asian mix, or purely East Asian
Mars - East Asian
Uranus - Caucasian (may be pure, may be a mix of some sort, but I personally see him as Russian)
Neptune and Pluto - at least part Asian (not sure yet, but probably a mix too)
Earth and Venus + Uranus and Neptune having different ethnicity/race coding is due to a piece of Heliospheric lore I wrote back then; nobody's literally "blood-related" and most of their "relationships" are simply titles of the bond that they feel towards each other.
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thinking once again about how eliot's safety and ability to do his job well relies on him being seen as a Big Bad Scary Hitter - that's what his grift in the french connection job etc is for, it's a useful reputation, it keeps the wolves at bay - and how he hires quinn for what he knows is gonna be a high-stakes job. he brings quinn with him to intercept dubenich, lets quinn see his hand shake as he tries to talk himself into-or-out-of killing the mark, then turns around and chats with him afterwards. bickers with him easily when they shake hands at the end.
there's a trust between them from the moment eliot lays out the job offer, and it has to be more than "we have no particular reason to betray each other yet."
I'm thinking about... the code of honour in hitter circles, where A Favour is both a recognised thing and a respected currency. about eliot's confidentiality with regard to old employers. about the network of contacts (I have to assume) who can tell you if someone can be trusted and if they're as good as they claim. about eliot's seemingly thoughtless trust in quinn.
(he had to have researched, surely. if only to know where to find him. if only to be sure there aren't any big players currently after his blood. if only to find out that quinn is exactly the kind of dangerous they need for the job, no more, no worse.)
I just have a lot of fondness for He's A Killer But He's Not A Jackass quinn, who would take on a hit and accidentally go up against eliot spencer (uh oh), but can be trusted with more delicate things.
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I agree with your list ! People being asshole about lesbian & other headcanons gtfo! That list could work for many other things too.
But to be sure everyone don’t mix thing up i just want to point out that not liking/ not being fan of an headcanon don’t equal being an ass about it. It’s the mean actions or words afterwards that are bad.
hey! i’m glad you found it generalizable. there’s a lot of things on there that get used against pretty much any “diverse” perspectives both inside and out of fan spaces. as for your second point, i don’t disagree with you. there are some queer headcanons that i don’t personally hold, but i’m going to be cheering them on rather than contributing to the negativity we face on a regular basis. you can personally hold a different headcanon without being a jerk.
this is not @ you anon, but there are a lot of people who believe that underrepresented groups seeing themselves in characters — whether through the lens of race, gender, sexuality, disability, etc — is “politicizing” fandom and ruining it somehow, as though a white/cishet/male/abled perspective is the default in art and anything else is “tainting” the “pure” fanspace. some of them might believe those voices can exist — so long as they keep their heads down and don’t take up too much space. the fact of the matter is that’s a bigoted thing to believe. our existence has been politicized against our will. for the marginalized, fan spaces are just another front we have to push to participate in. if someone finds themself constantly disliking one specific type of queer/nonwhite/disabled/etc. headcanon and feels the need to say over and over how much they don’t like it, they ought to seriously interrogate why that is.
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it's Crab who does the saving. of course it is, the nurse, the silent, confident, so very calm one of them. the one who loves Benzedrine more than he could ever speak. of course it is. but he's not calm, and he's not confident. he is not the doctor. he's not meant to be. he's always been meant to be the support. that's where he thrives, where he was born to be. of course he would be the nurse. his heart is pounding and he's breathing fast, too fast, and sweating, he can feel it. he's terrified that he's wrong, that he's going to be wrong, that he's going to do something wrong and kill Benze instead of save him. he can't get the moment out of his head. the split second, not ten minutes ago, walking into the station and Benze on a chair, slumped over the table, unresponsive. he thinks his heart stopped, but it's beating too hard for asystole right now. he knows diagnostics. Benze taught him this. he knows what an overdose looks like not because of books the way Benze learned it but because he's seen it happen before. not often, but when partiers in the Zones get their hands on City drugs, they're prone to taking it too far. this isn't party drugs, though. that isn't Benze. the bottle on the table, empty but for a drop, reads morphine. Crab thinks of this morning, before they'd left for the track. Benze had been down, and hard, with a headache. he said it was normal. he said it was fine. but he hid under a blanket and groaned whenever Sandman or Donnie talked too loud. he'd been in pain. how long has this been happening? how bad has it gotten to warrant this? how desperate must he have been the first time to stop the pain? how hadn't Crab known? he'd sat on the edge of the bed before leaving and kissed Benzedrine's temple. he's morbidly glad for that. fatalistic, but if that's the last interaction they'll ever have had, at least it was that. his hands are shaking when he signs at Sandman and Donnie, either or, whoever has more presence of mind, to find- he doesn't have the time to fingerspell it. Benze's lips are turning blue. he's not responding to- the word is stimuli. the sign is a mimicry of poking someone. so it's Crab who retrieves the medicine, of course it is, of course it's Crab. this vial is labeled kloxxado. Benze called it naloxone when he found it in their inventory the first time. Crab's hands are shaking as he preps a new injection. most things work fastest intravenously. the blood does it. the heart does it. his heart is thumping out of control. his heart is beating just to keep Benze's the same. his best friend doesn't even respond when he sticks the needle into his arm. Benze might be the one who’s dying (he can’t die, Crab won’t let him, of course he won’t, he can’t-) but Crab thinks maybe he’s only alive for Benze. like maybe if Benze dies he will too. like maybe the only thing keeping his heart beating is the fluttering pulse he can feel as he holds onto Benze’s wrist. he feels like he’s gonna pass out but he does all the right things, keeps his best friend alive despite himself because of course he does. he’s the caregiver. he’s the nurse. his heart is beating for this. (his heart is beating for Benze)
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Me watching the episode “Exposed” for the first time as a kid: haha Rex wants the news station to give him attention
Me rewatching that episode now, coming to the realization that the reason Rex wants so much attention from the camera crew is because he’s been disregarded so many times in his life as nothing more than a weapon and has never received any attention from other people besides Holiday and Six that aren’t negative for so long, which also explains why he’s such a people-pleaser, since he just wants positive attention and be accepted outside of just being a literal weapon:
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Trying to decide if my antagonist is enough of a pretentious shithead to have his house named “Phoenix Roost” or something.
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I read a while ago that you were reading 'our wives under the sea'. I've also recently finished the book and was wondering what you thought of the ending?
*Feel free to ignore this ask if you haven't finished it yet! I'm just curious ☺️*
ahh thank you for asking! i was a little disappointed with the ending, but i don't think it was bad, i just think it was different from my expectations of it
i loved the concept of the book, but i come from a background of reading more traditional science fiction and i think that was what i was expecting/hoping for from that premise. idk about you but i REALLY wanted to know what the hell was going on!! shady organisations sending marine biologists to some mysterious part of the ocean, and when they come back they're like. possessed or something and then they turn into water? or into fish or something? absolutely intriguing!!! and of course my gut reaction to that mystery was to want to see it solved, so i was a little disappointed when the ending left so many questions unanswered
BUT i do realise that that is simply not the story that armfield was intending to tell. the sci-fi/fantasy elements are just a vehicle to tell a deeper emotional story about love and grief, and to that effect it doesn't actually matter that they're not 'solved', since the central conflict of the novel is miri's inability to let go of the past/of leah, rather than the mystery of what the hell was going on in the first place
i read a book last year called the first time lauren pailing died, and it was about this girl stuck in this weird time loop where every time she died she was reborn into another version of herself, which sounded FASCINATING, but it took a similar route to our wives under the sea in that the time loop was a fairly unimportant device to tell more important stories on interpersonal/emotional themes, and the time loop/multiverse situation was never really explained or solved in any way
and i do 100% think that's a valid narrative choice!!!!! but also as a reader who loves sci-fi i think it's possible to still include those themes AND solve the mystery, and so both books left me feeling slightly unsatisfied despite being really good overall
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my god people who send Neil Gaiman asks don't half talk some fucking shite
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honestly i feel like the culture of sequels has rotted peoples ability to enjoy a story on its own, to enjoy something for what it is and to enjoy their own interpretation for it rather than being spoonfed sequels after sequels
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you'll never be fucking happy with what people say just shut the fuck up. other POC are using BIPOC too. its whatever terminology and acronyms you feel comfortable using and feel represent you and your people best. i'm not gonna stand there using fourteen fucking sentences to say 'black people' when i can just say 'black people'
this might be a disproportionate reaction... (tbf tho there was a tone shift in the post from playful to frustrated b/c the first half was an old draft, which this tag dates back to. Still, I didn't deride people who use "BIPOC", just their lack of consensus, or swear at anybody.)
I literally said people should say "black people" when they want to say "black people". but uh. go off I guess.
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I do want to say, my views on AI “art” have changed somewhat. It was wrong of me to claim that it’s not wrong to use it in shitposts… there definitely is some degree of something problematic there.
Personally I feel like it’s one of those problems that’s best solved via lawmaking—specifically, AI generations shouldn’t be copywrite-able, and AI companies should be fined for art theft and “plagiarism”… even though it’s not directly plagiarism in the current legal sense. We definitely need ethical philosophers and lawmakers to spend some time defining exactly what is going on here.
But for civilians, using AI art is bad in the same nebulous sense that buying clothes from H&M or ordering stuff on Amazon is bad… it’s a very spread out, far away kind of badness, which makes it hard to quantify. And there’s no denying that in certain contexts, when applied in certain ways (with actual editing and artistic skill), AI can be a really interesting tool for artists and writers. Which again runs into the copywrite-ability thing. How much distance must be placed between the artist and the AI-generated inspiration in order to allow the artist to say “this work is fully mine?”
I can’t claim to know the answers to these issues. But I will say two things:
Ignoring AI shit isn’t going to make it go away. Our tumblr philosophy is wildly unpopular in the real world and most other places on the internet, and those who do start using AI are unfortunately gonna have a big leg up on those who don’t, especially as it gets better and better at avoiding human detection.
Treating AI as a fundamental, ontological evil is going to prevent us from having these deep conversations which are necessary for us—as a part of society—to figure out the ways to censure AI that are actually helpful to artists. We need strong unions making permanent deals now, we need laws in place that regulate AI use and the replacement of humans, and we need to get this technology out of the hands of huge megacorporations who want nothing more than to profit off our suffering.
I’ve seen the research. I knew AI was going to big years ago, and right now I know that it’s just going to get bigger. Nearly every job is in danger. We need to interact with this issue—sooner rather than later—or we risk losing all of our futures. And unfortunately, just as with many other things under capitalism, for the time being I think we have to allow some concessions. The issue is not 100% black or white. Certainly a dark, stormy grey of some sort.
But please don’t attack middle-aged cat-owners playing around with AI filters. Start a dialogue about the spectrum of morality present in every use of AI—from the good (recognizing cancer cells years in advance, finding awesome new metamaterials) to the bad (megacorporations replacing workers and stealing from artists) to the kinda ambiguous (shitposts, app filter that makes your dog look like a 16th century British royal for some reason).
And if you disagree with me, please don’t be hateful about it. I fully recognize that my current views might be wrong. I’m not a paragon of moral philosophy or anything. I’m just doing my best to live my life in a way that improves the world instead of detracting from it. That’s all any of us can do, in my opinion.
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