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#in conclusion was this really fun to do
lunarin64art · 13 days
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That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔
#scott pilgrims precious little life#scott pilgrim vs the world#spvtw#spto#scott pilgrim#wallace wells#lisa miller#scollace#kim pine#natalie adams#envy adams#don't rlly know if I like how this turned out but oh well;;;#hope its obvious that this is based on the song “Scott Pilgrim” which the creation the comics were inspired from#the lyrics always make me think of Wallace and Lisa's feelings for Scott every time I hear it#ofc you could also relate it to Kim especially since the singers voice kind of reminds me of her#but overall the lyrics fit these two much better since Scott never truly “saw them that way” despite how long they've liked him#and they always seem happier to see him compared to Kim#Im surprised tho that I havent yet seen anyone draw these two together now that their dialogue parallels have been acknowledged more lately#also tho I wish more people pointed out that they both got cucked by red heads LOL#and Kim and Envy actually do look really similar when scott first meets them#makes me wonder if Scott subconsciously went for Envy since she reminded him of Kim (which would be fitting given that you could argue that#Envy dated Scott because he reminded her of Todd. Since he and Scott are confirmed to be meant to be seen as similar to one another#so much so that even their first and last names rhyme#last thing I'll add tho is that while Wallace and Lisa are very similar even personality wise#the one big difference is that despite that whole conclusion on vol4 of Scott not cheating on Ramona with Lisa because he loves her#the writers apparently think it would be “organically correct” for him to have an affair with wallace LMAO#but I guess we shouldn't be surprised since Wallace and Ramona are both in the front of the official valentines art which is clearly#a deptiction of Scotts wet dream or smth (oh and you could also argue that Wallace and Lisa parallel on that art since they're both#shirtless with white socks.. which could be a reference to how lisa wears skimpy clothes for Scott and Wallace often only wears boxers#to like sexually frustrate Scott for fun or smth
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bongo-clash · 2 years
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Peacock Au Part 2
Okay so!!! Part two of this post about the DPxDC eldritch Danny fic that I'm now calling the peacock au lmao!!!!
(Chapter two of the fic under the cut) (Edit: You can now find part 3 Here!!!)
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When the feeling of being just slightly dispersed settles onto the outer layer of his skin while he’s lying in bed, Danny knows what’s about to happen.
The thing is, he’s in his pyjamas. Sure, he could just stay in his human form for the summoning- because he’s done it before and it went fine- but he never knows who it’s going to be, and being spirited away to some college students’ dorm in his pyjamas is embarrassing. And sure, having something appear in the circle in the first place is probably enough that they’re not paying attention to what he’s wearing either way, but he refuses to bank on that. So, with a sigh, he allows himself the transformation, his human appearance falling easily away. 
It always feels more natural to be a ghost during rituals, probably because they’re summoning a ghost and not a human, but still, it’s different. He feels that little bit looser, maybe even a little more himself, though he guesses being a bit more glow-y is just nice generally, and the space decals that tend pop up as part of his whole light-show-summons are a homely touch. On the other hand, it does make it harder to take stock of his surroundings when he finally fades into view wherever he is. He can make out vague grey walls and floors, but that’s about it. 
Well, that and the man in front of him. Blond, taller than him if he wasn’t in the air, somewhere past his forties, wearing a beige trenchcoat and looking oddly terrified. Danny can see his hands shaking just a little. Does he know this guy from somewhere?
“Uh, dude?” Danny calls, going for something light. It’s annoying being dragged from the comfort of his own home, definitely, but this guy doesn’t look like some cult member, and if he’s alone and this scared it might mean he really needs the help. Danny can sympathise with doing stupid things in stupid situations. “You good? You’re not looking too hot there.”
He knows he’s using ghost speak, but it feels weird to use English in a summoning like this, and fortunately, Danny spies a translation sigil wrapped around the inner centre of the circle, so he knows it should be translating right back to the guy in front of him. Very handy for language barriers, he’ll admit- and it’s working, too, if the reply is any indication. 
“I was told you could- you could help with the pits?”
His voice is gravelly, and he can’t tell if it’s because he’s nervous, doesn’t speak much, a smoker, or all three. Either way, probably not Danny’s business, and right now he’s just curious about what the man’s talking about. “Pits? That’s kinda vague, man. What pits?”
“The Lazarus pits to, uh, to be specific. There’s a huge one cropping up under Gotham that’s not supposed to be there, and the local- I mean, the locals are getting antsy about it. I… heard you could take care of ‘em.”
Lazarus Pits. He’s heard of those, Clockwork’s mentioned them a couple of times. They’re natural portals that open when enough energy is built up, and end up stabilising into the ground instead of collapsing to help seep ambient ectoplasm into the air. They don’t work as actual portals after that, but it’s vital to keep at least a few around no matter how corrupted they can get through human interference, because it keeps the balance of both realms steady. Having too many around isn’t a good thing, though, and especially not in populated areas. It can cause ecto-contamination, which is a lot more dangerous when you haven’t been around it since birth (or if you aren’t from Amity). 
Speaking of which, it certainly is stinking up the place, now that he’s aware of it. Or maybe that’s just Gotham, he’s heard a lot about-
Hang on. Gotham. Weird potentially magic dude. He knew he recognised him! That’s John Constantine! Danny’s heard of John Constantine! Sam’s got her fingers in enough credible occult spaces that they’re at least vaguely aware of some of his endeavours, but if he’s in Gotham then that probably means he’s doing something for the Batman and, wow, Danny totally would’ve tried to go more professional for this if he knew this was going to be his first encounter with the Justice League,of all things. 
Well, he guesses it’s too late now. At least the guy’s not being too weird about it or anything. “Man, yeah, I’ve totally got the smell stuck up my nose now that you mention it. Do you get that as well? Since, y’know, you’ve probably dealt with a couple ghosts.”
“Uh… no, I don’t think so. But can you fix it?”
Dang, the guy seems stressed about this. Maybe he just doesn’t like being in Gotham territory? He’s pretty sure he’s heard of Batman having a thing about magic. “Sure I can.”
“…Will you fix it?”
Danny figures that if they already know about his status through his Zone maintenance duties, and he’s going to be helping the Justice League, he might as well show off a little bit. Assenting with a hum and trying not to grin, he puts his hands to the floor, and lets his ectoplasm reach out to the source of the smell, sending a flash of light across the ground as it goes through. When it twinges back a response, he closes his eyes, and his energy curls around it, threading through like needles to seams, and pushes it shut with a gentle nudge. Luckily, it hadn’t been around for too long- barely fully formed and not even corrupted by human contact yet- it would’ve be a lot more difficult if it had. 
He lets his hands rise up again after a long moment, looking to Constantine for a reaction. He can’t quite gauge what the man is thinking. “Alrighty, that should’ve done it.”
“Uh… cheers?”
He’s about to say something along the lines of ‘no problem’ or ‘you’re welcome’, but then he remembers he should probably warn him about the aftermath so he doesn’t freak. “The pit shouldn’t come back again, but just as like, a PSA: you might see more shades than usual hovering around for the next while. It shouldn’t be too big a deal so long as you leave ‘em alone, though, so don’t worry about it.”
For all that Danny’s trying to be considerate here, Constantine doesn’t look very considerated. “Can I- uh, yeah, great advice. ‘Appreciate it. But, can I ask just, y’know, what you are? Or not.”
“…Dude, what d’you think I am?”He replies, thoroughly bemused. Isn’t this guy supposed to be one of the League’s paranormal experts or something? He really should be able to recognise a ghost by now. “I keep your Lazarus Pits in check. You know, the pits of the dead?”
Okay, maybe a little rude on his side, but he thinks Constantine’s expression is a bit of an overreaction; he can see the sheen of sweat across the man’s forehead reflecting the light of the sigils. “Fair enough! Forget I asked- cheers for sorting out that pit, though. Uh, don’t suppose you’ll just let me go on my way or anything now.”
“Well, I mean, this was a favour for Batman, right?” He asks blithely, pointedly not paying attention to the way the man’s face keeps contorting. He swears Sam said he was more stoic than this. “I’m gonna go- ‘cause I’ve got things to do- but I guess if something comes up I’ll come to you? Or Batman, since this is his city and all. Don’t worry, I’ll let you know.”
Figuring there’s nothing left to be said, Danny lets the return sigil on the edge of the circle activate and punt him back home, wheezing a half-sigh and arching his back once the wispy image of wherever they’d been recedes. He probably looks exhausted after all that- no matter how recently formed the pit was, it still takes a little strain, and he’d just been about to sleep before he got summoned- but looking in the mirror on his wall for confirmation, he doesn’t find his usual face. Something twinges against where his spine should be, confirming its own previously unnoticed presence in the mortal plane. 
…He didn’t go ghost when Constantine summoned him, he used his true form. That must be why he looked so nervous that whole time! And, man, ghostspeak never translates over quite right in this form, either- the Ancients use a different dialect to original ghostspeak- the man probably wasn’t hearing what Danny thought he was at all. What if the only reason he wasn’t attacking was because he was terrified? What must Constantine have thought of him? 
Crap. He has to fix this. How is he going to find him?
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good-beans · 12 days
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Do you love the color of the Mahiru?
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To complete my set with Yuno and Fuuta 👍 Huge thanks to @waivyjellyfish for sharing your character color reference, it was a godsend for this lol ✨️
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lotus-pear · 2 years
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xiaoven ft. kny crossover!!✨
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kaltacore · 3 months
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i know many people are afraid of being rude and roleplaying as someone besides people pleaser (which is not not-understandable tho. especially for the first time players) but i think bg3 is the game that tries to motivate you not to be agreeable and obedient all the time. usually in rpg games with approval systems there are one or two characters who will approve of you being an asshole mostly for the sake of it but that's it. also actively challenging character's beliefs in most cases will just gain you a whole lot of disapproval and no actual change. meanwhile in bg3 there are many characters who will approve of you losing it in some situations and disapprove if you act too gullible and let everyone use you.
also following someone else's orders and desires every time won't get you far. if you'll blindly support your companions' initial goals (and they're very insistent and defensive about it and questioning their ideas may also naturally result in disapproval) it won't automatically get you their best ending and in the most cases it is literally the opposite. shadowheart wants to become dark justiciar real bad but if you support her on that path she'll be claimed by the evil goddess she unconsciously resisted her whole life. astarion wants to get ascended but helping him do it won't drive away his fears and just will lock him in the same cycle his master was trapped in. lae'zel worships vlaakith and is really hesitant to give up her faith and everything she was taught no matter what she's witnessed and not challenging her beliefs will make her just another sacrifice for a tyrant. if you play durge and decide to accept their father (which is also actively encouraged by durge's sidekick and, well, the other present option is an inevitable death) they'll forever lose their freedom and will become their father's dreadful instrument with no will of its own. if you decide to give gortash the netherstones as a goody two shoes you are when he asks he'll fuck you over on principle. this game lacks a truly unique completely evil run for sure. but it does reward your character for questioning other people and standing up for themself and does punish them for being too lenient when they shouldn't be
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akkivee · 4 months
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read a post that classified?? explained??? the various ways kuukou’s been written across hipumai’s media and it made laugh lol so it went
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stage:
DEMON
anime
functions on actual common sense
actually uses fundamental buddhist monk arguments
his father will tell him to do something and he will actually do it diligently
the kuukou with the least corrupt personality
arb
a completely pure individual. purity at its finest
he’s living his best life out here, the kinda guy that excitedly runs to his dad to show off his decorations, and had a blast celebrating halloween, christmas, hinamatsuri etc
adults tend to treat him to food
will also throw away the mattress his teammate sleeps on
the kuukou with the most corrupt personality
drama tracks/manga:
a healthy 19 year old that may have experience with women
the kinda guy who will sing a song like get busy and can also make a lady ghost experience nirvana
because of an intense and overwhelming love for his family, he will occasionally adopt a buddha-like tone of voice
he has a corrupt personality
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hella1975 · 1 year
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tams azula is sooo fascinating bc while canon azula doesn't really show her age at all like she's completely desensitised to so much shit 'she is fourteen' is not a justification for ANYTHING both in her own mind and in other people's, in tams she has zuko. and yes the world has been abundantly cruel to her but zuko hasn't. he's basically raised azula and he's done so in a way that she's allowed to show her age, but she still only shows her age in very azula-esque ways. there's no reluctance to see violence like you'd expect from a fourteen-year-old, and like ive said before, that means zuko can't play on that reluctance in order to shield her, but he still wants to shield her from that violence because regardless of what SHE feels about it, as the eldest he knows fundamentally that she shouldn't be seeing certain things no matter how well she can handle them. and seeing zuko effectively PLAY azula in order to protect her is so interesting and complicated and fun
#and also a little heartbreaking bc it's the 'you protect azula but who protects you?'#like in order to shield azula from these things zuko is metaphorically standing in front of her and seeing them himself#as if he's not only sixteen and a child too#but yeah taking azula's canon traits and manipulating into the tamsverse is soooo fun#like the example that inspired this post is how canon azula is logical NOT cruel#like time and time again she follows only the logical route and even actively avoids the cruel route#e.g calling off torture in the boiling rock bc she knew that he was telling the truth and therefore continuing to torture him was illogical#im not saying azula is averse to/incapable of cruelty i just hc that she genuinely just thinks it's stupid#just like any other unnecessary act would be considered stupid. if it's not logical or being used for a greater plan then what's the point?#and tams azula STILL HOLDS THIS TRAIT except because i lean more into her age in tams bc she's been given the freedom with zuko#to liberally be a CHILD without any consequences as a result of that simple thing#her intense logic actually becomes a certain naivety on azula#like she cannot comprehend other people NOT coming to the conclusions she comes to#and that expands to needless cruelty. like she wont factor a person's cruelty into her calculations#because in her head all she needs to dismiss that calculation is 'excessive cruelty here would waste time which is illogical'#she assumes everyone is as smart and to-the-point as she is so when they ARENT and will actively waste time just to do dumb shit#it catches her off guard and she DOESNT PLAN FOR IT so it can really fuck them over sometimes#so this is one instance where zuko has azula beat despite it being STRATEGY aka azula's strong point#bc zuko's immense cynicism and assumption that Everyone Is Awful doesn't hold up against logic 9 times out of 10#but the one time it does is the time azula gets caught out#i just think tams zuko and azula's dynamic is so fucking interesting im so clever for that tbh#twice as many stars
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kishimotomasashi · 11 months
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A "what-if/fix-it" AU for Sasuke's story set past Sasuke Shinden... there's so much potential there
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lord-squiggletits · 9 months
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I wish to love and appreciate idw optimus more too. But I also don’t want to read through the entirety of IDW 1.0. Can you please recommend me any specific issues/parts?
My best friend and fellow IDW Optimus lover made a post compiling all the comics with major story beats involving Optimus. Her list has a lot of the same things mine does, but also a lot more specific issues because she actually knows which specific issues of which series you can read specifically for ones focused on IDW Optimus. We don't agree on everything (I love some comics she dislikes and vice versa), but I would recommend her list simply because it's the most well-documented and thorough. Link I also have a lot of far less coherent but still genuine posts about IDW OP on my #idw op love tag.
As for specific parts I would recommend... since you don't want to read through all of IDW1, I'll go ahead and recommend you things based on in-universe chronological order rather than story release order, but if anything here interests you then I would recommend reading IDW1 in release order so that you get a better grasp of the story's context and how new lore was given out over time:
Chaos Theory and Police Action by James Roberts (The Transformers 2009 issues 22-23): I love love LOVE the way JRO writes Optimus talking to Megatron during the present day, it's very IDW-Optimus flavored because of how blunt, abrasive, and snappy Optimus is. There's a part in the comic where Megatron claims that he "knows [Optimus] better than anyone else," and he's right, but it's also true that Optimus knows Megatron well enough to see that he's bullshitting and it's very entertaining watching Optimus slowly lose his patience with him. I love the dialogue especially, no one (canon or fandom) has ever quite written the same IDW OP who's in this set of comics. It's also the most MegOP comic of all time because the sexual tension and the subliminal imagery of them doing BDSM together is unreal, plus it really captures their dynamic of two old soldiers who snap together with chemistry despite (or perhaps because of) being such long-time enemies. They just UNDERSTAND each other so well. Also, as a bonus point, Chaos Theory is where the pre-war lore for IDW1 began being published, so if you read Chaos Theory then the context for future pre-war lore makes a little more sense.
Shadowplay by James Roberts (More Than Meets the Eye issues 10-11): More pre-war lore that picks up where Chaos Theory/Police action left off. Important because it establishes a lot of IDW OP's character relationships, especially with "the Senator," Roller, and to a degree Ratchet and some minor side characters. I don't really know what to say about this besides it's just really fucking fun to read and features IDW OP getting to do cool shit like fight bad guys, investigate conspiracies, and do heists while also establishing one of his key character traits: being disastrously gay for suspicious men that he places entirely too much trust in to tell him what the right thing to do is.
Spotlight: Orion Pax by James Roberts: Okay, I'm really sorry for recommending JRO's stuff because it feels like favoritism and I don't even think JRO does the best version of IDW OP, it's just going in in-universe chronological order means that a lot of JRO stuff ends up first on the list. This one doesn't really have much of consequence in it and is honestly one of the weaker Spotlight issues, but like Shadowplay, it involves Orion Pax doing fun action shit and having way too much trust in a suspicious man (a new one from the suspicious man in Shadowplay).
The Autocracy Trilogy (Autocracy, Monstrosity, Primacy) by Chris Metzen: Oh my fucking god this is THE IDW Optimus to me, this trilogy is literally what made my ears perk up to even start liking IDW OP because it's what took me from "Optimus Prime, that's the guy who's the super awesome leader that everyone likes and is a paragron to everyone, yeah I know him" to "Oh.... holy shit this is such a good plot/worldbuilding, Optimus has so much CONFLICT and DRAMA with other people." It covers one of my favorite periods of the general Transformers formula, namely pre-war and early war plot events as conflicts come to a boiling point, there's political conflicts and personal conflicts, the planet is falling to shit and everyone is trying to escape and things are as depressing and scary as you would expect for a war that's literally about to consume a whole planet. I found the general plotlines to be gripping and intense (Autocracy is the weakest in this regard, but the writing gets better with each book) and I really like seeing how Optimus grapples with leadership. Especially the negative parts where people hate/fear him because of his association with Zeta's regime (the previous Prime, who Orion worked for), call his judgment into question, refuse his calls to action or waver in their faith in him, and so forth. I found it to be a really nuanced yet sympathetic view of IDW Optimus that made me fall in love with him. Because really, the thing that humanizes a character the most is making them flawed, and Autocracy trilogy Optimus is so incredibly flawed and conflicted. And also it shows him being shit on by other characters in a way that's well written in a plot that makes sense and doesn't feel like the entire plot is conspiring to shit all over him.
The Death of Optimus Prime by James Roberts and John Barber: This comic is basically the transition from phase 1 to phase 2, it establishes the branching plotlines of MTMTE and exRID, so this is another one of those comics that will help you understand IDW1 better if you want to read for more than just Optimus. Anyways, DoOP is great because it has a similar vibe to the Autocracy trilogy in that society is chaos and full of people who fucking hate Optimus' guts for the role he played in the war. You can also compare/contrast the way OP was before the war and early in the war versus the way he is after the war and see how much the war changed him (Chaos Theory also kind of is like this but it more shows bitchy Optimus specifically in his dynamic with Megatron). It also features a fair amount of Optimus Heroic Moments, Optimus Brooding, and Optimus being so fucking depressed he's literally sad when he wakes up and realizes he's not dead dude get some fucking therapy please I'm begging you--
Punishment by John Barber: This skips ahead quite a bit in the story but I think stands decently well on its own without having to understand the wider context. It's one of Barber's best-written stories and one of the only ones I've come back to reread for its own sake. It features Optimus trying to solve the murder-mystery of a bunch of Decepticons, featuring really cool plot conflicts like Optimus trying to navigate post-war society and the tensions that still linger from the Autobot-Decepticon war. I really like this one because it has that whole "not everyone loves OP and a lot of people hate him for justified reasons" thing that makes IDW OP a much more 3D character, PLUS it has some politics with the way Decepticons are treated post war. And I think it does really interesting things with Optimus in terms of showing how he DOES have this idealistic, merciful side that wants people to choose peace and letting go of vengeance, but of course it's not so easy to expect that of people after a 4 million year war. So when people inevitably choose violence, Optimus gets frustrated and angry and lashes out in a way that feels very real and understandable. It's a really good example of a comic that shows IDW OP in a nuanced way, showcasing both his virtues and flaws in a complicated situation that shows that there's no easy solution to these problems and no way for Optimus to escape without getting his hands dirty. Unlike future comics which involve OP being in complicated situations but instead the plot is super contrived and seems to overwhelmingly shit on OP without ever mentioning the very obvious ways that he could be defended, creating a story that's conceptually fascinating but incredibly mediocre in execution.
If I had to recommend any single one of these to read, I would recommend the Autocracy trilogy the most because it's literally the story that made me love IDW Optimus and made me realize "whoa, this guy is super nuanced and not what I expected of him." That's not to say that no other Optimi have depth and nuance, but I think the Autocracy trilogy was great for me personally as one of the first IDW1 comics I read. It struck a really good balance between "uh Optimus was part of some bad things that warrant being shit on" and "Optimus is struggling to overcome those bad associations he did, succeeding with some people and failing with others" and "Optimus is an optimist who has faith in others even when they don't have faith in themselves." Also, as a bonus, the Autocracy trilogy also features cunty murder-husband Megatron, an interesting character arc for Hot Rod, and the Dinobots as really interesting supporting characters (including their leader, Grimlock, having a cute veteran-rookie dynamic with Hot Rod that I wish we got more of).
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moe-broey · 2 months
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Very quick and messy doodle for Valentine's cause I don't believe in romantic love BUT I ALSO don't believe in being a hater because of that 😤😤😤
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molotov-girls · 2 months
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I feel like I so frequently go though this cycle: Oh this is so weird, why would people like this? > better check this out, out of pure curiosity and confusion > uh oh it’s really interesting/cool/compelling/good > now I’m the weirdo who is deeply into it
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sysig · 6 months
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For requestober ! do you have anything in mind for some yanderapy angst?
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Day 28 - Better dead than caught
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waywardsalt · 11 months
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mmmgh
#salty talks#this one is personal but not in a scary just in a i need to say this shit somewhere way#botw/totk… i do not fucking like th. like gameplay is fun puzzles are cool world is cool but like.#the lackluster story and characters honest to god drag it the fuck down for me#none of the characters are actuslly interesting and ganondorf is the only one i want to see in totk#like i got the master sword. i got it and its like whatever. i know whats up with the light dragon and i dont care#totk is making me start to dislike this version of zelda and idk how to feel abt that#no one feels like. interesting. everyone is either good or evil or a fucking side character with a paper thin life#and totk with its fucking no-nuance go kill ganondorf plot is just. stop making half of the plot take place in the fucking past#i havent really done much story stuff but like. GOD. no one in totk is meant to be morally gray its all so fucking black and white#what happened to having major characters who were morally dubious and were actually fascinating to watch#i dont like that most of the major characters in totk/botw are Good Guys and Nice To Link nobody actually interests me#i was SO excited that the lurelin pirates would be a new group of characters to contend with but no. monsters. fuck#they had a chance to maybe get into the kingdoms more dubious past concerning the sheikah and then made the sheikah barely important#and then made the yiga more of a joke instead of like. doing anything with their interesting past#no fuck you heres some all new shit that has nothing to do with what came before and the same shallow conflict and characters#theyve dipped their toes into morally dubious characters and genuinely fascinating characters and the idea that the kingdom of hyrule isnt#all that and gave more room for drawing your own conclusions and totk just hands over the most black and white experience#im playing to finish the story and finish the game i actively do not care or expect much from these characters#and it just seems like the narrative is going to bend over backwards to put hyrule as the ultimate moral good and any opposition as bad#and all but force you to accept that because it just proves that sentiment correct over and over again and its fucking bland#idk. aomething about the writing of this game fucking frustrates me esp when i think abt how past games were written#imperialist shit aside this game’s story and characters are so fucking. par for the course bland. i dont care beyond ‘oh thata charming’#i dont think about this game’s story. it doesnt make me think it just shoves events and character actions at me and moves on#fuck.#it feels like its just. telling me shit. not giving me much room to really decide for myself. zelda is good ganondorf is bad fuck nuance ig#it seems so fucking scared of being a little bit complex. this is why i say 'i miss linebeck' i miss complicated ideas and characters#just. totk seems like it REALLY wants you to have specific thoughts about these events and characters. doing everything it can to prove#the good guys right and the bad guys wrong and having pretty much no one be in between or like. anything. its all standard
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northern-passage · 1 year
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this video is wild. even if you don’t want to watch the entire thing, the conclusion is really good and really highlights some of the issues faced in game preservation and the failure to recognize contributions and properly credit artists that work on these games.
#this video is fun he really spirals after the first section#but im certain there are plenty of people like tommy tallarico out there that just arent as stupidly vocal as him#and the way tiktok uses sound effects or uncredited clips as well as games like fortnite stealing dances#so it's not just singular people but also entire companies and corporations that do this kind of shit#idk this is kind of gaming related so. here you go#i know it's like 2hrs but it is really interesting and again even if u just skip to the conclusion he makes some interesting points#basically this guy tommy tallarico is trying to claim he created the roblox oof sound#but he didnt. lol. and then he finds out that this guy has lied about a whole bunch of other gaming shit#and steals credit from a lot of artists along the way#and is just. A Liar and a weirdo#but again i think there are definitely far more tommy tallaricos out there particularly in the gaming industry#where crediting has always been..... questionable at best#and especially lately i feel. there has been a huge uptick in plagiarism in indie games and even IF games#and in book publishing. watched a video the other day that was a review of a book that was literally just#fanfic. and was NOT edited enough to remove the blatant plagiarism that comes with trying to publish literal fanfic lol#i mean publishing fanfic has always been a Thing but it definitely feels like it's gotten far more blatant recently#and it feels that people just. don't care? especially again in indie spaces whether gaming or publishing#i mean there's a whole genre of indie horror games that are just 'asset flips'#that are usually made in a rush to profit off another game's success#and there's nothing wrong with using premade assets if you.... Credit them. but these games dont do that lol#and again are usually stealing the storyline of another more popular game#and again. publishing fanfic... liike...... it's questionable and can easily just become plagiarism#anyways. just something to think about i guess ! if nothing else the video is funney#video#personal
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yelloworangesoda · 6 months
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sometimes homestuck theory posts are like "the blood aspect is intrinsically linked to having red blood and the rage aspect purple! theres somethng fishy about dammek and xefros" like along the lines of fully forgetting we have 1 and a half examples for every troll blood color
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thedreadvampy · 1 year
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sorry I'm on one now. Narnia is one of my Big Rant triggers.
but like. I would be lying if I said I didn't love Narnia
(everything except the Horse and His Boy, which a) even as a tiny kid made me uncomfortable with how fucking racist it is (literally there is ONE. ONE. character of colour who isn't evil, selfish, greedy and violent. even when you're 5 and white and don't really understand racism it's like. sorry there are just no nice people in this whole country? and every Narnian is lovely?) and b) is just fucking DULL partly bc of the 2 dimensional racist caricatures populating the world)
but I can't pretend for a second that it isn't specifically built around a Christian theology that's explicitly racist, hierarchical, supremacist, colonialist and The Bits I Like Least Of Anglicanism
and my FAVOURITE books in the series (except the Silver Chair which tbh is WAY less theological and way more mythology-nerd) are the first and last, which are by far the most explicitly Christian. even more so than TLTWATW.
and I can just about stand by the Magician's Nephew bc it's mostly just a mix of Christian creation myth and CS Lewis's sci fi interests in the esoteric and multiverses and it honestly feels fine. but my all time favourite most iconic Narnia book is The Last Battle and I just. cannot. justify it for a second from a political or philosophical standpoint.
it's got it all bc it's the book where Lewis is like ok hold up let me lay out explicitly what my theology is. and what he thinks it's important to say is:
Almost all Muslims are bad and evil
They worship Satan by doing Bad Evil Deeds to please him
There are a couple of Good Muslims who do good deeds. they need to be brought to the light, understand that the voice calling them to do good deeds is the Christian god, and they too can achieve the kingdom of heaven
Some people will use Christianity as a mask for exploitation and mistreatment. They are bad and their faith is false (ok fine)
...and they're doing that because they're CONSPIRING WITH THE EVIL MUSLIMS TO OPPRESS GOOD CHRISTIANS
...and THAT'S THE ONLY REASON ANYONE WOULD TELL YOU THAT GOD AND ALLAH ARE DIFFERENT NAMES FOR THE SAME GOD. because they're either conning you or because they've been misled and can't really think for themselves.
DID I MENTION. THAT MUSLIMS ARE EVIL AND TRYING TO BRING DOWN CHRISTIANS.
and other than the GOD AREN'T MUSLIMS JUST THE WORST of it all, he also goes back over to more fully explain several points he's made throughout the series, such as:
white Christian public school kids are the god ordained leaders of the world and attempts to think otherwise are heretical
god places people where they need to be to serve his purpose
free will is largely an illusion - your only choice is faith or chaos, and as a godly person your actions are preordained
the problem is though. he's kind of a really good character writer? and in The Last Battle he pulls out most of his best classics (hi Reepicheep! hi Frank! hi Jill!) and gives us a whole wealth of really fun new characters (Tirian and Jewel, Emeth, Puzzle, Shift, Griffle and Ginger are all just SO FUN) and it's such a solid adventure. for me it's hands down the most FUN Narnia to read and an effective and affecting end to the series.
but like. god its unjustifiably fucked philosophy is baked into every single character and event. it's so hard to ignore. it's my favourite book in the series. it's the book that makes me angriest. it's everything right with Narnia and everything wrong with Narnia. I like it cause it asks me to engage critically with Lewis' philosophy and I hate it cause it requires me to engage critically with Lewis' philosophy.
in conclusion, Narnia is a land of contrasts. also occasionally brownface.
#red said#i love these books. i love the last battle especially.#fuck me they're awful philosophically though#they were probably the first chapter books i read when i was 3 or 4. they are such a big part of my life.#and I've always loved them and i still do. I'm so fond of them.#and part of that is inextricable from the Christianity of them. i think there's something really fun and interesting in the fusion of#christian myth and celtic paganism and classical myth and arthuriana and new age mysticism and sci fi multiverse stuff#like it's not. new to blend those things. but lewis is such a nerd about all of them and he blends them up in a really flavourful way#and also i think like as a kid. the utter claroty with which These Are Metaphors About Theology And Philosophy#really worked for me even though I disagreed with most of it. because it kind of wants to engage with you directly as a child#it is. to me. pretty honest about its intentions. and it digs into some moderately complex ideas for a young audience.#like they're parables not morality plays. the Goddier ones are inviting you to think and engage in a conversation about the ideas#which tbh. not a lot of kid's books did at the time and age i was reading them?#they wanted me to be thinking about the whys and hows of morality. like obviously Lewis SUPER has an opinion on the Right Answers#(i would usually. say we're diametrically opposed on most conclusions but then i was rooting for Jadis' army in LWW)#but idk Lewis's theology is interesting. he's very much pro faith and determinism but he ALSO thinks you should question stuff i think#like. it's often kind of self-contradictory but the books are pretty pro asking questions pushing back straying from the path#as long as you come back#and the last battle particularly is really clear that you're not doing a good job of engaging with faith if you don't think about it#like other than MUSLIMS ARE EVIL AND BAD the main message of the last battle is.#if you don't think critically about faith then someone else will think for you and fuck you over#tirian is our hero bc he has a personal and often uncertain relationship with faith that means he refuses to get swept up in the crowd#puzzle is painted as someone who is too scared of conflict to voice his concerns#he's prepared to believe he's too stupid to have his own questions or relationship with faith and so he becomes a tool of the powerful#because he is told to trust the teachings of the church not his own heart#now. do i think this is philosophically good? generally yes but it also props up the I'M A BOLD TRUTHTELLER AGAINST THE ESTABLISHMENT#reactionary tendency. and it's written by a guy whose Unpopular Truthtelling is partly 'Allah is Satan' so. grains of salt.#buuuuut. it's probably why it resonates a lot with people like me or my mum who as kids often felt constrained or patronised#by the way adults approach obedience and blind faith#like. Lewis is advocating for FAITH. he DOESN'T think that faith should be uncritical or without discomfort
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