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#in general the character development was amazing in season 2
tropicalcryptid · 6 months
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Ok so She-Ra pulled such a great hat trick with Hordak's characterization, and I LOVE it
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One of my favorite things about 2018 She-Ra is Hordak's story and development (and Entrapdak cough but that's not the point of this particular post), and the cleverest thing is that so much of it is actually being set up and told to us in seasons 1 and 2 before we even realize that that's what's happening.
When we first see Hordak in the show, he's giving "generic evil overlord" vibes. Garden-variety baddie. Maybe a little more reasonable than some and clearly capable of long-term thinking, but that just serves to make him intimidating. Everything about him--the way he runs his empire, his armor, his color scheme, his minion, his Villainous Eye Makeup(TM), even his name--are all projecting to the audience "yup, Acme Bad Guy here. Move right along."
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But then, backstory. And everything snaps into focus. Not only is it one of the first big oh SHIT moments of the show, where we suddenly zoom out and realize that there is SO much more going on than we realized--it's also the start of the audience seeing Hordak as a character rather than an archetype. Suddenly we realize that he's not conquering Etheria because he wants power, or hates happiness and sparkles, or whatever--he's doing it out of a desperate attempt to prove his worth to his brother/creator/god. This moment where Hordak lets Entrapta in is also the moment the show lets us in on what makes our favorite spacebat tick.
On top of that, we've also seen him bonding with Entrapta and opening up to this person that he respects and trusts...probably the only person he's ever respected or trusted apart from Prime. And she's Etherian--someone of a lower species, someone he's supposed to subjugate, someone who he has been raised and trained and programmed and mind-controlled into believing is below him in every way.
But instead she's brilliant and creative and mesmerizing. She's not afraid of him, and she's fascinated with his work. For the first time since being abandoned by Prime, Hordak finally has someone that he can talk to, who is on his level and both understands and cares about the science! (because he is a giant nerd). She's kind to him, a mere defect. And it just sends his whole worldview into a spin, and that's all before--
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Bam, mans is a goner. Entrapta's "Imperfections are beautiful" comment punches right through all the toxic bs that Hordak has been steeped in his entire life. You can see on his face here--I think it's the moment Hordak fell in love with Entrapta, but this is also the face of a spacebat reevaluating his entire worldview. If Entrapta, who is amazing, believes something different from Prime...what does that mean? If Entrapta, who is brilliant, believes that he is worth something, and that she herself is a failure...
Well. We know what happens after that, and how Hordak begins to doubt, and eventually fights back against Prime (and remembers his love for Entrapta after TWO mind wipes help my heart ack). But we also get to see what life in the Galactic Horde looks like: the only life Hordak ever knew before coming to Etheria.
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It's not nice.
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It's really not nice.
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Prime operates in a very specific way, and we learn a lot about it in season 5. Prime expects complete obedience, devotion and worship from his clones. He allows no individuality from his subjects, not even a name. Failure or deviations are punished, mind-wiped, or destroyed. We even learn from Wrong Hordak that facial expressions are considered a privilege reserved for Prime (apart from, presumably, expressions of rapture caused by being around Prime).
And once we learn all of this, suddenly thinking about season 1 Hordak becomes very interesting indeed. The time we spend with the Galactic Horde and Prime throws absolutely everything that we know about Hordak into a whole new context. Now all those traits that made him a generic villain are actually hugely effective characterization! And what that characterization is telling us is that Hordak had already moved much farther away from Prime than we (or, probably, he) had realized, even long before he met Entrapta.
Horde Prime does not allow his underlings to have names, personalities, or any differences of appearance. Not only does Hordak allow this among his own troops, he chose a name for himself as well! Season 5 tells us that his very name is an act of blasphemy against his god. And yet Hordak took one for himself, and that name is part of the core identity he is able to hold on to when rebelling against Prime.
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Horde Prime cast Hordak out when he showed signs of physical imperfections. Hordak not only keeps Imp (who is by all appearances a failed clone or similar experiment) around, he treats Imp more gently than we see him treat anybody or anything before Entrapta. Imp is not simply "generic evil guy's minion," he is proof of Hordak's capacity for compassion, and evidence that Hordak cannot bring himself to cast aside "defects" as easily as Prime. Considering where Hordak came from, Imp's existence is a huge, flashing neon sign telling the audience this guy here is better than the hell that molded him, and we don't even realize it until 4 seasons after it's been shown to us!
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Very cool, ND.
There's more, though. Hordak's red and black color scheme? His dark eye makeup and lipstick? Very Evil Overlord chic. But nope! Actually these are actually expressions of individuality on a level that Hordak knows would be abhorrent to Prime!
Reading between the lines, I see this as Hordak desperately trying to reconcile two diametrically opposed beliefs in his head: (1) devotion to Prime, whose approval he desperately craves, and (2) maintaining some degree of unique personhood, of Hordak, from which to draw strength. Because a failed, defective clone cannot survive on a hostile world, cut off from the hivemind and from Prime's light. A failed clone cannot create an empire to offer Prime as tribute, nor build a spacetime portal from scraps and memory to call Prime back. A failed clone cannot create cybernetic armor to keep his hurting, weakened body alive; to force himself to keep going no matter what, to fight through the pain and the doubt by sheer force of will.
But maybe Hordak can.
And so there it is. Hordak had plenty of time to gain and explore his individuality while separated from Prime, but I think the reason he did it so effectively (while still deluding himself that Prime would forgive him for these little sins, if only Hordak could prove his value) is because he had to.
Wrong Hordak gained his individuality surrounded by kind, quirky people who took care of him; Hordak was ripped from the hivemind by Prime himself and had to fight for his survival against all odds. And that produced a dangerous and damaging foe for Etheria. But it also produced the one clone with the strength of will to defy Prime himself.
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This is long and rambling, but ultimately my point is that 1) I love Hordak, and 2) I love love love love that the show was so clever about his characterization. We learn so much about him and how much progress he's already made in breaking from his psycho abusive cult upbringing, and we don't even recognize it until the show wants us to. Hordak had come so far, all on his own, before he met Entrapta. She just helped push him over the edge and finally realize (at least consciously) that Prime's worldview might not be the correct one.
Idk, I just don't know if I've ever seen all the trappings of Basic 80's Villain(TM) so successfully subverted, where looking back 4 seasons later is actually a smack in the face with the "effective character building" stick. Amazing.
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selkie-siren · 6 months
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⚠️Ofmd S2 spoilers ahead⚠️
I’m just gonna say it:
Season 2 was painfully rushed. I didn’t wanna admit that fault, but it REALLY damaged the quality of the show. Part of what made S1 so great was watching the slow and steady character development and story arcs. We developed attachments to the characters because we saw them go through everything leading up to the end.
This entire season has had abrupt changes in character development (especially with Izzy. I love that they made him more human, but he went from masochistically devoted to Edward to terrified of Edward all within the span of a time jump we didn’t even see.)
Ed and Stede’s relationship shifts way too abruptly. And I know them taking it fast is part of their arc, but it still felt like they were just trying to move from arc to arc within the span of one episode each.
I also hate how none of the sideplots really tie into the story on a deeper level. (They have amazing parallels to S1, but aren’t great plot-wise.) Not to mention they almost completely abandoning the relationship they built between Olu and Jim. (I love the polyamory aspect, don’t get me wrong. And I love that they don’t blatantly explain the polyamory / tokenize it. But, the way Jim was willing to just give away Olu to Zheng in episode seven, even if they and Archie couldn’t go with him, made me upset. Not to mention that at times, it feels more like they’re trying to write off Jim and Olu as fwb, but that may just be me. And the two of them didn’t get a lot of screen time in general compared to season 1.)
The parallels to season 1 and overall symbolism were amazing, and I do still like this season overall. But it really is heartbreaking how Max sacrificed the show’s quality all for the sake of profit. I know David could have done much better with more resources.
The main reason this upsets me so much is because not only does it hurt on a personal level (damaging the quality of my comfort media), but it’s also the perfect representation of how streaming is KILLING the quality of TV. S1 was a masterpiece. The whole show is a masterpiece. But TV productions can only work with so much. And streaming services aren’t willing to accommodate to the demands necessary to make real art.
Thank you for coming to my TED talk. Be gay, do piracy 🏴‍☠️🍊🧜‍♂️(for legal reasons, don’t actually do piracy)
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dapper-lil-arts · 1 month
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So, what are your favorite MLP ships? I don't know if you've already been asked this before, but meh
less about being asked, more about me posting them nonstop lmao;
#1 Sunlight - (Sunset Shimmer and Twilight Sparkle) Number one and two are interchangable due to my mood, because theyre both incredible, and easily fit on a "favorite ships of all time" list i could make for myself. Sunset and Twilight shipping is to me in general all about potential. And if im talking endgame, the show would have ended so, so much better, if there were two lesbians inheriting the night and day. These two are it, with flying colors. Going from rivals to friends to close friends to lovers that would do anything for eachother, to ruling the world in a golden age together, my goodness, this ship is like the chef's choice at a menu. I also may have written a large fanfic of how i would write an entire season of the show with Sunset on it, heheheheheh. Also worth stating, i concider Sunset x Scitwi To be on the same level, if not being the same ship, even if Scitwi is a diffrent character, if someone loves Twilight Sparkle, they would love her in all her versions. #2 Rarijack - (Rarity and Applejack) Did i say sunlight is the chef's choice at a menu? Rarijack is the whole fucking menu. What more can be said about the legend of how the most beautiful Unicorn and the strongest Earth Pony fell in love? The City girl x Country girl vibes are incredibly strong, the opposites attract is at it's PEAK, and both of these girls can easily concider themselves the luckiest women in the world for having the other. It was the first couple i shipped on the show when i watched passively, 'cause i instantly noticed their potential, and c'mon how couldn't anybody. They're the hydrogen bomb of mlp ships, and they could easily sustain an entire season on their back if it was about their love story, which is, painfully, not canon, like any of these ships. Also i'm literaly writing a fic that takes Shrek 1 and makes it about Rarijack and it's as dumbly amazing as it sounds #3 Startrix - (Starlight Glimmer and Trixie Lulamoon) Honestly this one is easy to ship because it's just endlessly funny. The biggest fail girl that almost destroyed the world falls for the only girl thats a bigger loser than her, and that is endlessly entertaining; specialy because compared to trixie, Starlight is the baddest bitch lmao, and they would hype eachother so much. (insert that post of loser ass gf being hyped up by other cool gf) And there's just an appeal to two unhinged women finding eachother and making eachother... better? worse? I think theyre both at their best when traveling together. #4 Flutterdash - (Fluttershy and Rainbow dash) Fun fact, i didn't ship this until i wrote "the return of midnight sparkle" i just had to write scenes with certain themes, and i realised it would be helpful to further the themes and plot and character development of the protagonist if Rainbow and Fluttershy were macking on eachother. And it grew on me! Daredevil girl and shy girl lift eachother up and improve eachother. Honorable mention: That one ship with with Cadance, Shining armor, and Chrysalis; because it is honestly funny as fuck; no matter how you spin it, be it cadance and chrysalis mack on eachother and shining tolerates it, or the Princess and the Queen have a silent rivalry as they try to be with their himbo, or even if the three of them gross together. it's always funny. (queue chrysalis with the "im not the stepdad im the dad that stepped up" shirt while playing with flurryheart)
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sylvies-kablooie · 5 months
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the problem w loki s2: hey, where did the women go?
this is criticism so if that isn’t your thing you have been forewarned! i knew by episode 2 that something was off compared to s1 and i couldn’t quite place it. was it the sole focus on drab retro futurist TVA aesthetic instead of the colorful cinematography in s1? was it the focus being placed upon this Loom that we just found out is a thing and also Hey we have to stop it right now? Was it the lack of sylvie content?
but i think it just comes down to bad writing and whilst also trying to salvage what we DID get, i would feel dishonest to pretend that my problems with s2 arose from the finale alone. and while there were narrative inconsistencies between the seasons, i think a central error in s2 was sidelining the female characters.
s1 had beautiful themes, including self-acceptance and the power of love, and was building up to a ton of unanswered questions. a central theme of s1 (like it or not) was the connection between sylvie and loki. it was intended by waldron and herron from the start to be a romance, but beyond the romantic aspect, sylvie was the driving force of the show. she’s the variant the TVA is chasing, she’s the one who reveals that the TVA is a lie and makes everyone question what they were taught, it’s her that plunges the blade into HWR and opens the multiverse- and it’s no secret that in s2 she was largely off screen, only to show up at key plot points and kind of make things difficult rather than allow a further explanation into her character. and i could and might make a whole post on the sidelining of sylvie, but also- renslayer.
we saw a lot of renslayer in s1! she was pretty damn integral to the plot. her connection with mobius was fascinating, her dedication to doing what she saw as the right thing even when she learned all her gods were dead, her willingness to prune her best and maybe only friend to protect the big TVA lie- that was captivating. she’s also the first character we get to see the real non-TVA life of! she’s a principal at a school! and what did we get from her in s2?
she throws the book at victor, we learn she was his general and she’s Mad, and then exiled to the void. she’s barely there this season despite being central to s1! why, when you have an actor as talented as gugu mbatha-raw, would you not take advantage of that! we see threads of what COULD have happened in her storyline- her alliance with miss minutes, realizing maybe they never needed him at all- but at the end she’s pruned, thrown in the void and That’s That’s, stay tuned to see if anything happens in one of the endless future installments. we get that amazing I’m order line, and then what? and what type of order is she even representing? why is she so willing to toss mobius to the curb? you see why we need more development here?
b-15 met a similar fate. actually, i was really excited at the start of s2 to see her get her moment defending the new branches, realizing those were people, seeing the grief on her face; remember, sylvie showed her her life on the timeline, so this is personal for her. but she’s also quickly regaled to the side after her speech in the war room. she was a doctor, she is VERITY WILLIS, but do we get into any of this? No! (I also didn’t like her willingness to negotiate with Dox after the bombed the timelines, saying deep down I know you’re good right after we watched her cry over the devastation that had brought to the timelines, but maybe that’s another point)
and dox? what’s the deal with her! we are introduced to this strong general with a weird connection to brad, someone who is willing to go against TVA orders to bomb the timelines in the defense of what she believes is right, but then- squashed in a cube. that’s that. no examination into why she would be willing to betray the TVA in that way but also NOT join renslayer, no explanation into what was going on w brad.
(brad is worth a whole separate post but this is focusing on the ladies so just keep that in the back of your mind)
and back to sylvie. i saw some people point out how gross her being frozen during the final battles between her and loki was; how it eliminated her agency and allowed the men to have a Serious Talk. i have to say i agree with that judgement. in this season we get to see glimpses of what sylvie wants, but the unresolved relationship (whichever way you wish to characterize it- you do you!) between her and loki just hangs in the air like a heavy storm cloud i kept waiting to break but it… didn’t. the closest we got was the pie room scene, but everything between them was stilted and awkward when she was onscreen, which wasn’t that much.
it was almost as if the connection with loki was considered in opposition to her role as a Strong Woman, in a way- she was Strong and Angry. in s1 we see sides of her that defy stereotype- giving that doomed child her candy to ease the pain, her admitting to loki that she numbed herself with flings; there’s a vulnerability there, a complexity. the two of them rehashed their first fight again and again instead of moving onto something new (that being said sophia’s performance in episode 3 added a weight to the story that pleased me greatly) but overall she was regarded as a plot obstacle to be hidden away- at least past episode 3.
anyway i do think it comes down to writers biting off more than they could chew and losing the central concept of the show and focusing on sciencey plot rather than characterization. you can’t make season 1 centered around a love story and then pretend that didn’t happen and expect a cohesive transition between seasons. you can’t bombard us over and over again with the centrality of loki and sylvie’s duality- all of the we’re the sames, all of the i’m not you’s, and then move into s2 deciding it’s time to focus on only one half of that duo you spent the whole series focusing on.
you also can’t give us a “aHH we’re all gonna explode” thing over and over again and expect us to give a damn when you’re not letting the characters have dialogue that makes us say, oh man, i hope this loom thing doesn’t blow up, because i want to see where the connections they have going on end up! you can’t replace emotional weight with a ticking time bomb and expect it to do the work for you.
there are other problems with the series as well, and other people are far more articulate than i am, but the lack of female gaze and only one episode having a female writer this season was glaring, imo.
thank u for coming to my tedtalk and i’d love to hear ur thoughts!
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matt0044 · 6 months
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On RWBY, The Amazing Digital Circus and Toxic Indie Fandoms...
Fans of cartoons, animated movies and animation in general have a... bit of a complex. Largely when it come to snubbing a new movie and/or show for not being just like what ever the standard bearer is at the time. A mentality that really hurts critical discussion than help. Like... getting mad at, say, Big City Greens of what Disney pulled with The Owl House is just not cool.
I find it happens a lot with Animation Twitter spaces being all about taking Disney down a peg be it because Spiderverse or Puss In Boots (take your pick at this point). Though in that case, it's a case of one-up-manship getting way too out of hand since there's at least a vocal push back.
With RWBY being pitted against every other indie animation, it's actually not too much of a unique case.
It has been a small scale project getting massive amounts of hype from the pilot (or Trailers as with RWBY's case) only for the show to come out and split its pre-established audience down the middle.
This split starts and widens when it comes to how a character may be initially presented only for more facets to them to be revealed. It should go without saying buuuuuuut the creative team are not mind-readers. Even the most popular of fanworks will inevitably NOT reflect what the show will develop into whether they come close or not.
However, that investment in fanon is liable to clash with what canon goes with. Some fans take it is stride and are willing to hear the showrunners on their direction. Others... take it personally.
Maybe a character that seemed mean but wronged turns out to be a very shitty person.
Maybe a character that seemed shitty has some hidden depths beyond how they initally came across.
Maybe the story is taking a turn that, well, had precedence but feels alienating to those who preferred the previous status quo.
Maybe the pacing feels off with certain reveals that may be a skill issue on the writer's part.
The issues may vary but a lot of this comes from a sort of "bigger they are" type of backlash with a lot of specific expectations formed of the story before there even was one.
Now this might sound like RWBY but... a lot of them were inspired by the polarized comments of Helluva Boss Season 2.
It happening to Vivziepop.
It's happening to RWBY.
And let me tell you, it WILL happen to The Amazing Digital Circus even if it has a limited run planned.
A character will become more than just some fan's blorbo for better or worse and said fans will loose their shit.
A ship will sail however much they wanted sunk.
No matter what, there will always be ONE FAN that will be pissed off.
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pennyserenade · 9 months
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there is a plethora of good x-files fanfics out there and i've just started to develop the problem of reading a very good one and not being able to find it again. because of this - and because all of these are genuinely novel worthy and the writers are INSANELY talented - i've decided to compile a list of some of my absolute favorites. some of these are from ao3 & some of them i found on other websites, such as x-libris and the gossamer project. i hope you enjoy these as much as i did and do. they mean the world to my romantic heart.
incrementum by lepusarcticus (explicit) - this was the first x-files fanfic i ever remember reading. i was trying desperately not to spoil the show for myself and i found out that this fic followed along the narrative, which was a godsend. i got the best of both worlds: a delectable, angsty passionate mulder/scully fic (in which they fucked from day 1) and no spoilers. it was so so so so fun reading this alongside watching the show. this writer is brilliant
omens by lepusarcticus (explicit) - i was not lying when i said this writer is brilliant. this entire thing reads like a novel and i could not for the life of me put it down when i stumbled upon it. its angsty and interesting, and could very well be another episode of the x-files because the case mulder and scully are one is so compelling. it is not easy feat to write something this good. chris carter, eat your heart out
triptych by iconicscullyoutfits (not rated but i'd say mature) - THIS WAS SO FUCKING GOOD. i can't speak highly enough about this one. its an au where mulder is married to diana fowley when he meets scully. its so so so so amazing. like i'd very well call this literature because it expanded my mind (i learned a great deal from this, especially from the chapter ice). i think diana was a very interesting character and i feel as though this fic treats her with the interest she deserves. the writing in this one is simply insane too - i'm envious of it and so so so in love with it.
love in all the wrong places by sisterspooky1013 (explicit) - mulder and scully accidentally have cybersex with each other while trying out online dating group chats. what more can i say? (also i applaud this author for making mulder's online handle allshookup61. that's so fucking mulder)
universal invariants (set from 1 to early season 2) and its sequel, laws of motion (set season 5) (both explicit) by syntax6 - these both hold such a special place in my heart. it is an au that takes on the idea that scully's bf (who was cut from the pilot, never to see the light of day) stays in the picture and there when dana starts working with fox. universal invariants makes me want to weep to because dana and fox are both so young and earnest and stupid! and laws of motion is great because they're still stupid but they're wiser about it. this is very dana and fox. i love, love, love the parts of universal invariants that cover dana's abduction arc. god these are GOOD.
arizona highways by fialka (explicit) - if you're one of those girlies who really likes an x-files episode that has a lot of case-file and scully going on, this one is FOR you. it is angsty in the worst of ways, covering more of what we see in the episodes christmas carol and emily. this is another one that i would call a novel, both in length and content. it is great and it is a very good dive into the character of scully and how she handles problems in her life
heart's desire by malibusunset (explicit) - this another really great scully-focused fic, where mulder is being a bit of an ass - as he is prone to - but she makes him come to his senses accidentally. i love a good jealous mulder and i love it even more when scully isn't exactly aware she's making him that way. this is so good that i stayed up an entire night reading it. you should too!
the guts / the incision / cauterize by wtfmulder (not all of the chapters are explicit but i would call this explicit in general) - this one is so fucking angsty it made me ache incredibly. it is a sucker punch to the gut that only the lovers (or rather, dedicated haters) of the diana/fox/dana situationship can truly appreciate. also, if you like your mulder a bit of an ass (i do! i think he really can be! i think its good to talk about!) this author is for you!!!
doorway to gods by wtfmulder (explicit) - a fic where mulder & scully go investigate a supposed portal to other dimensions shortly after scully recovers from cancer, and they both find themselves in separate hellish alternative universes where other mulder & scullys aren't doing so well. this is angsty, TOP TIER angsty. some of the scenes from this i think about often still and i read this a month ago. also this is hot. i can't not mention that small fact
the tiger complex by longgunguy (i'd say r for graphic violence but no sex or anything) - i'll be real, there isn't a whole lot of mulder/scully romance in this thing, aside from the a hand hold and a lot of quiet affection but this IS the x-files. in another world, this fic is an episode and it is brutal. you'll be biting your nails as you make your way through this one. its got a great cast of original characters and an incredible case-file, up there with an episode like ice.
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Here's MY thoughts on the love island the game's seasons, for no reason other than I want to:
Also because the majority of the people following me are here for OM! & I want to drag more people down into the litg hell with me :)
Season 1: why is everyone so bitchy for no reason????? Talia & Jake are okay but other than that it's meh... don't really like the art style either
Season 2: Immaculate. Chef's kiss. They hit a high they never reached again. Somehow managed to balance the drama & the found family aspect and created a dynamic where you can actually believe everyone is friends and having fun even if sometimes they try to kill each other. Characters are flawed but generally decent people who are allowed to grow throughout the season. You get the option to make MC a bi gym-bro who can devour an entire cake in one sitting and bench press her partner. There's a reason this got two sequels.
Season 3: It's fine ig. Short and kind of boring. Nothing much happens. AJ is so cute though she almost makes up for it.
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Season 4: Honestly a close 2nd favourite. We get a lot of character backstory and like s2 it touches on some serious issues. The season with some of the funniest moments/lines of dialogue - multiple moments where I just laughed out loud. I'm still only half way through it but the "villain" is just straight up mean for no reason and doesn't get any character development like the characters in S2 but makes up for it by having some of the funniest interactions with other characters and I was so sad to see her go. Also the season where I desperately wish MC was allowed to be in an open relationship till the very end and finish off the season in a polycule with every other islander who was in the love "triangle"s of the the season because this was the hardest season to pick a LI - Najuma is just all around amazing, Bruno is sweet & funny, Tom is so pathetic* MC & Thabi's friendship is also the best thing? It's great seeing a platonic relationship that is as loving (if not more so) than the romantic relationships. It's literally:
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Season 5: Psychological horror. The producers said 'hey wouldn't it be funny if we torture this woman on national tv' and then committed to the bit. My memories are hazy because even though I only played it earlier this year it upset me so much I did my best to block most of it out but also I'm 100% sure there was actual galighting happening. Don't know why MC stuck around till the end because all she's gonna be able to use the money for is to pay for her therapy. Anyway I think MC should have been allowed to brutally murder everyone, she deserved it <3
Season 6: I liked the concept but I think they should have utilised it more. I'm still right at the very beginning (around ep 9) and I KNOW the general consensus from everyone who has reached the last eps seems to be that Amelia sucks MAJOR ass. But look, this is the first time a game has given me a MC with a canon family member who is also part of the game so in my opinion Amelia could commit war crimes and she's still be the most precious little uwu ever because I'm activating MC's insanely overprotective oblivious to all faults ""big"" sister mode
Edit:
*I just played more of S4 and holy shit someone needs to get this man away from his parents and also maybe get him some therapy jfc
Edit 2:
** youcef, mc & valentina helping tom figure out he likes flowers and pink and tie-dye clothes and makeup and being complimented and called pretty and getting hugs is getting to me okay his parents better watch the show and see their adult son finally discovering himself and what he likes instead of what they think he should like and finally being able to let loose and have fun without worrying about what others think of him and finally being happy and they better get some sense knocked into them OR he should go to therapy and realise that no matter how much he loves his parents their love and regard being so conditional to the point that he's hidden his entire personality and is now so extremely self-conscious of it whenever it does manage to peak out, that he nearly cries on national tv after a practical stranger compliments those hidden bits is not good. Also the man has some of the most insane repressed queer vibes???? What do you mean he sees a canon nonbinary person wearing a floppy hat and is reminded of the floppy hat he loved as a child that his father threw away and replaced with a baseball cap and then when he "lost" the baseball cap his father bought him the exact same one again
Edit 3:
*** i was 100% sure i was going to get mc to stick with najuma (dorky mischevious goth who is so so bad at flirting hello!!!?) but i got caught by "sad & shy with serious self-worth issues hidden badly behind an overconfident exterior (who blushes & gets flustered easily because he so rarely receives genuine praise/compliments) experiences postive regard for the first time and loses his shit" for the third fucking time
Edit 4:
Okay but why does Dylan get (rightfully) called out by everyone in S4 for all the bullshit he does to MC from blatantly lying to her to not listening when she says "No" But in S5 when Suresh (admittedly, more subtly) pulls off the same shit no one says anything, even MC's "friends" don't believe her.
In S2 when Luke/Henrik gets a little too forceful after MC says no, he gets called out by MC's partner and immediately apologises
In S4 when Dylan does the whole "stop pretending you don't want me" routine after MC rejects him multiple times, the rest of the islanders band together and basically chase him off the island
In S5 when Suresh pulls literally the same thing from the very first episode itself but none of the other islanders believe MC, and Suresh keeps getting to do this until almost the very end while also managing to constantly play hot & cold with MC and chase away all of MCs other romantic interests
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So, a post with a series of great reblogs came across my feed today -- here — regarding two concepts that are often discussed in fandom: Daddy Dean and Spoiled Sam (in a non-kinky way).
It's funny that this post came across my feed today because l've been thinking about Sam and Dean's childhoods a lot lately and how their different experiences, or perspectives, have shape who they are and how they express their emotions as adults. To start, I wanted to comment on these specific ideas that seem to pop up in fandom so often: Selfless Parent Dean and Selfish Spoiled Sam.
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This one got long (shocking, I know), so if you’re interested, please do read on under the cut.
Dean: The Selfness Parent?
Do I think Dean was given too much responsibility, at a way too young age? Yes. Do I think Dean, even as a child, would have died to protect Sam? Yes. Do I think Dean's protectiveness over and love for Sam are two of his best qualities? Yes. Do I think Dean's influence contributed to the man Sam became? Yes. Do I think Dean did both some pretty general level (Lucky Charms, anyone?) and extraordinary sacrifices (giving up a chance to start over at the boy's home because he saw Sam in the car) for Sam? I do. Do I think this makes Dean the one who raised Sam, entirely on his own, acting as both a mother and a father to Sam? Kind of … there was also this other guy around who they called Dad (however absent he might have been, he still was a fixture in their lives). Do I think Dean could also have a quick temper (“Don’t you ever talk about mom, ever!”, be insensitive, and even neglectful (Sam developing Clown fears at Plucky's) at times. Yes. Do I think Dean could also be irresponsible (losing food money on gambling)? Yep. Do I think this makes Dean a bad person, or even a bad brother? No. He was just a kid himself.
So, this is where I balk at the reading of Dean as Sam's "real", selfless, supportive father, or mother stand in. Even at the time of Season 1 and 2, which were peak seasons for supportive and empathetic Dean, for me, he can still be a dick. Children and teenagers who grew up to be amazing people can even start out as jerks. So, I don’t understand where this idea of a perfect father-figure Dean comes in, especially when he wasn’t even a perfect father figure to Ben as an adult (snapping at him, pushing him and smacking him in times of peak danger). He was Sam’s protector, absolutely, but not this super-human provider of protection, and giver of affection and cuddles, that some fans insist on seeing him as. Dean, despite his heroism, bravery and love for Sam, is still a flawed character. And that’s okay. He was a brave and protective kid in a difficult situation, but he wasn’t perfect. When we woobify Dean, we miss out on the complete character and who he actually is, good and bad.
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Sam: The Spoiled Selfish Brat?
Do I think that Sam almost come off as a little bit callous regarding his family when we first meet him? Yes. When the show begins, do I think Sam is maybe a bit arogant and ignorant to some of the things Dean did for him growing up? Yes. But, do I totally blame him for the latter? No, because he wasn’t told much by Dean or John, and he was a child when a lot of things happened. Does the fact that Dean started hunting at a younger age, and didn’t tell Sam about it at first, make Sam sheltered? Yes and no. I would argue that he’s been more sheltered than Dean regarding hunting, but he also begins hunting when he’s pretty little. In "just my Imagination" we see that Sam gets permission to joint John and Dean on his first hunt (by taking a bus alone, no less) when he’s 9. Even if Sam was more often the research guy than the actively hunting guy, he was still exposed to a lot of crazy crap and lived in near constant fear for himself, his brother and his dad. The fact that Dean started hunting before Sam also suggests that Sam spent more time fully alone than Dean did, not to mention, a lot of the time, Dean liked hunting and thought it was cool, and he did it with his dad who he idolized. So, while Sam was physically safer, more removed from the action, he also didn’t get the perceived "perks" (it feels weird to call them that) that Dean had, or to be with his family as often. So, do I think Sam is selfish for leaving a dangerous situation, where he was often lonely, to go away to school? Um, no. Do I blame Sam for feeling differently about family than Dean when he was also often the odd man out? Nope. We know that when there was family turmoil, Dean usually sided with John or at least appeared to (Dean himself says this a couple times). Finally, do I think Sam is spoiled or selfish for leaving his family at 18 (like many young adults do around the world) to get an education, on a full-ride scholarship that he somehow earned despite their crazy lifestyle, and escape a literally life-threatening mission and turbulent home life. Yeah, no. Do I feel bad for Dean who desperately wants his family to stay together? Absolutely, I sympathize more with him than Sam at first in the show. However, I think a lot of the things people hate on Sam for are actually pretty understandable or justified in the early seasons. So, it’s just as damaging to vilify Sam as it is to woobify Dean because we miss so much important detail about the characters. The same is true of the reverse, woobifying Sam and vilifying Dean, but I just don’t see that as often in this fandom.
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The Winchester Family Experience: Dean vs Sam's Perspectives
So, another thing that I think gets ignored a lot is just how different Sam and Dean's early, early years are. Dean had almost five years of "normal" family life (Dean being born in January and Mary being killed in November of his forth year around the sun). That’s a tragically short amount of time with his family being whole, but Dean did know safety, comfort, love and affection in his earliest years, and those things leave impressions. In the opening scene of the pilot, we see an adorable little Dean kissing his baby brother goodnight, and getting affection from both parents, and even a hug from a comparatively soft John. In Contrast, what were Sam's earliest years like? From the time that Sam would be old enough to remember, all he knew was that he had no mom, but wasn’t allowed to talk about her. He had an older brother that he looked up to and who watched over him, but who was keeping secrets from him. And he had a grief and revenge fueled father who barked orders, was gone a lot of the time and who seemingly only ever hugged him in fearful relief as a child (from what we see as an audience), not in casual affection. Sam had no foundation of safety, or comfort. So, is it any wonder that he can’t see family, or their family, in the same way Dean does? The fact that Dean had that time to bond with John, and got to experience some softness does matter because, even though he had more responsibility thrust on his shoulders than Sam, he also had an earned connection with his dad, and at least some warm memories to fall back on.
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Saying "I Love You"
I think it’s interesting how their different early childhood experiences, potentially as well as their temperaments, not only shaped who they are as people, but their ability to express emotions. In this case, I’m going to focus in on verbally expressing love in particular because this post Is getting very long.
Dean says "I love you" to a heaven Memory!Mary in "Dark Side of the Moon." He also tells a Mary inside her own head that he loves and hates her. He says, "I love you for trying," when Sam is begging him not to lock himself up in a metal box at the bottom of the ocean with Micheal locked up in his head. He says, "I love you, too" to John when he’s about to disappear in "Lebanon." And finally, he says "I love you … so much" to Sam in "Carry On." Dean's 'I love yous" are few and far between, but he can say it, and he only says it to his I’m immediate family. (Unless I’m missing someone.). It’s not like I think people have to say it all the time, and those words can be hard to say for a lot of people (myself included), but he CAN say them directly to the people he loves.
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Sam says "I love you" to a Hellucination!Jess and to his mom's grave stone. Also, I believe he says it to Mary on the phone once? He says, "You’re my brother, and I still love ya" to Dean in "Sam, Interrupted." Can we count it if he’s tripping balls on medication and he says "ya" instead of "you"? Well, I’m going to. He also tells Dean, "We all love you," which I half-count because he lumped other people into his declaration. Sam does tell a young John that he loves his dad ("The Song Remains the Same”), but John doesn’t know he’s talking about him at the time, so it’s not entirely a direct declaration. And, I think, that’s it. So, does the fact that Sam says it less directly to his immediate family mean he doesn't love them? No, obviously. But, I think it’s interesting that the brother who had no memory of "happy family" (I know things weren't actually perfect with John and Mary) is the one who seems to have a harder time saying "I love you" directly, and with his full chest, to family. This sort of tells me that a) Sam, by nature has a harder time expressing deep emotion or b) Sam didn’t hear it much, or ever even, as a little kid, so it’s hard for him to say the words, especially directly.
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So, why did I go down the "I love you" rabbit hole? Well, I think it has some merit in the whole Dean is Selfness and was a martyr vs Sam was selfish and spoiled debate. It also shows how close both brothers keep the verbal expression of that feeling to themselves. Obviously, both brothers are bigger on show than tell in terms of expressing love. Selling your soul or potentially dooming the world for each other tends to get the message across.
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In short, both brothers are selfless and selfish at times, and both are flawed but heroic. If we stan one brother so hard that we refuse to see their faults while constantly vilifying the other, we miss all the nuance in the story. It’s really a disservice to ourselves to woobify characters, not in the harmless, "Sam/Dean Winchester has never done anything wrong in his life. End post" kind of way, but in the "This charter is perfect and only did good things, and never hurt anyone who didn’t deserve it, and … and … and" kind of way.
Anyway, if anyone made it this far, thank you for coming along with me on my bumpy rambling road of thought on this. If I missed any "I love yous" from Sam or Dean, or if you’d like to chime in on the topic, I’d love to hear it.
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the-64th-gamer · 3 months
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I FINISHED MLP YEAAAAAAAAAAAAAAAAAAAAAAAAAA!!!!!!!!!!
(Started December 3, 2022 - Ended January 1, 2024 - 413 Days)
Am absolutely mindblown to see such an amazing series go through 9 seasons and literally continuously keep getting better and better!!!!!!!
Its been very cool binging it so quickly compared to most old fandom members watching it through syndication. Similar to when I rewatched SU there's such a difference seeing ideas and characters evolve at normal pace than to sit there for years brewing in fandom content that makes you expect them to go a different path. Lots of what I've heard be controversial things like Slice of Life and Starlight in general were some of my favorite parts of the show!!
Fav episode is The Perfect Pear, I was spoiled William Shatner was gonna play someone in the series and was SO FUCKIGN EXCITED when I realized it was him and in such an amazing episode!!!!! The ending was so fucking sweet omg.
Second fav was Slice of Life cause I get it was fanservice but on its own it was a great change of pace in the season to focus on background and side characters!!! After that it feels like they focused on background characters way more and it was very rewarding.
Seeing ***every single shot of Derpy*** was the funnest part of the show, I have personal screenshots of every single time I spotted her and stopping in the middle of songs or big fights just to scream and snapshot them was such a fun scavenger hunt. It made me go NUTS to see them do actual stuff on screen (ESPECIALLY THE SCENE IN BEST GIFT EVER WHEN SHE FINALLY GOT TO SPEAK IN FOREVER). It was also hilarious to see all the error derpies with fucked up colors and hair!!!!! It stopped in the later seasons except a time where she had a purple eye in a single shot, and one where she had big mac's face???? I was having a blast.
Similarly I was also just watching every single background character all the time every time, got to figure out which ponies would be used for which locations, when they'd appear in other places, which special ones could show up anywhere, which ones would do funny stuff, seeing new super cute background characters come in like Sweet Biscuit and Rainbow Stars!!! As someone hyperfocused on stupid stuff this was so fun watching the background nonstop.
Favorite season was season 6 or 7. Starlight was a great link for the episodes and it was the most normal seasons while the writing had gotten really good. Season 8 and 9 are still super good and I love that they were so willing to be bold and change things up a ton to keep interest, but 6 and 7 are closer to the usual baseline episode stuff so they're the best to go back to if I wanna rewatch.
I think the early seasons were still looking for a longterm identity for the show but I think starting season 5 it became this really great constant escalation of things. I really expected the show to just linger around the same ol' topics but it it kept changing the characters lives, the plot, and circumstances a ton while developing old characters and introducing new ones! Out of everything I've watched so far it was like the most masterful way to run a longterm series I've seen. Never felt burnt out or that anything was dragging, but also never felt like it ever lost its core identity!
Season 9 also was just a masterclass on ending a series, every single episode focused on bringing back some side character to give them an interesting spin, or conclude some arcs left behind. There were maybe one or two normal episodes but even those didnt feel like filler! I think the show was at its best throwing new ideas out and then taking a break with a standard friendship problem episode in a normal location. After watching it I don't think there was any missing thread or interesting thing they didn't try out! (Though also the series is formatted well enough they definitely could have continued making tons of standard episodes)
I can't remember if it was season 2 or 3 but I think when they first started introducing like regular songs to non adventure/important episodes it was really off, didn't really mesh well having the show be so musical, but they definitely incorporated it better as they went along and its kinda crazy it worked out well.
BTW I've steered clear from almost all opinions on the show outside of what Ray tells me so I dont know what of my opinions are universal to the fandom, but holy shit the season 8-9 intro sucks so much ass, all of the timing is COMPLETELY lost, theres that stupid school zoom out shot thats just maud hitting a rock in the middle of the road as it slowwwwwly pans, the backgrounds are way too visually noisy in the classrooms and the castle and its just an absolutely horrible nightmare that was thrown together in a day.
But yeah great show favorite show best show!!!!! I now get to see a decade of fan content and reviews and discussions n such!!! I watched some that were time appropriate for the current season I was watching to avoid spoilers but nows time for the floodgates!!!!! I'm glad I'll be able to hold onto my opinions now though and seperate them from anything I'm gonna further see discussed by all the old fans. I'm sure there will be tons of complaints I never considered but as I see it now that was a perfect run of television that I love very dearly!!!! Its certainly changed my life going forward lol.
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mobumi · 17 days
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So Here's my final Bucchigiri review!
Overall a fun ride, but something is missing.
I give it a 6.8/10.
First time I saw the teaser and trailer for this l was so curious because the visuals looked amazing and I couldn't wait to see it. When I finally watched it, I have to admit I was disappointed, not because I thought it was bad, but because I thought the plot would be something completely different, especially judging Utsumi's previous works. I wanted it to be my new Buddy daddies, but alas.
As I mentioned before, I noticed some problems in the pacing and writing which, in my opinion, affected the quality of the show. But what I really enjoyed was how entertaining it was. The comedy seemed just right, the running gags were okay, and just the vibe in general worked for this universe they created. The 1001 nights lore was really well used!
I liked how this anime subverted my expectations and played with the shonen genre and overused tropes, that was definitely the fun part. There were some very good parts and metaphors that I think elevated the show and gave it something special.
But with this finale, you can clearly see all the things that the show lacked, more so in the writing. Ichiya's motivations were nonsensical and it didn't justify manipulating a teenager or killing him just to fight his former bestie. Arajin has such a rocky development and seeing him the exact same at the end felt kind of useless after his face off with Matakara. Added to that, the genie lore that doesn't make sense even with the great metaphor of being a Honki person and some plot holes here and there that are hard to look past. It almost feels like the people working on this project were not fully invested in developing the world more or the characters, just enough to keep the audience guessing. For me it was like eating something good but lacking in seasoning. I wanted more SEASONING, and not just salt and pepper (ok I'll stop with this analogy 😂) but yeah something more consistent.
I didn't expect something incredible though, so in terms of ending it did do the job and overall gave us something more than satisfying for what it was.
I had fun watching Bucchigiri and getting involved in the fandom! Though I have conflicted feelings about this show, it made me watch until the end so that means they did a good job making the audience interested and see its potential.
If there is a season 2, I would probably check it out of curiosity, but I think it'd be better to just end on this note and move on...
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fanstuffrantings · 3 months
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Alright I've watched the whole season so I'm going to mention things I did and didn't like about Hazbin hotel
Likes
I've never been the biggest angel dust fan but I enjoyed how he was handled. I think the decision to have him bond with husk and husk just be able to see through everyone's facades was smart
Husk and mimzy were always my favorite designs from way back when and after the pilot I really wanted to see more of husk since he had no screen time so I enjoyed his plot. Hope season 2 gives us more of his backstory as an overlord.
I liked mimzy's inclusion, wish she stayed longer but I understand why she didn't.
The overlords and their disputes were a lot of fun, vox vs Alastor was something that kept me wanting to watch. Very interested to see where alastor goes.
Nifty consistently had some of the funniest lines to me. I feel like they balanced her screen time well.
Vaggie and Charlie were cute in the screentime they got together
The music was great.
The decision in the rewrite to make Vaggie fully nonhuman was smart. I remember Viv originally had her being from the 80s but the choice of making her an angel who fell I did like a lot.
Sir pentious was a fun addition.
Those bits of Alastor's true demon form coming out were amazing. Favorite animation moments.
Generally I enjoyed the show for what it was. I can name more but just know largely I liked a lot of it. Way more than I expected.
Dislikes
I didn't really care for Adam. Not an "oh he's horrible I hate him" more that I just didn't find him to be a compelling antagonist.
I don't understand why all the angels were so shocked their weapons could harm each other when they seemed to be aware of it when vaggie got her eye gouged. I feel like they could've written that plot point better (like they're aware but just keep the knowledge hidden and make sure no angelic metal makes it to hell, like why does Adam seem more annoyed than shocked when he finds a dead angel.)
Sir Pentious death feels like it happened too soon. It didn't hit as hard as someone like Husk, Angel, or Vaggie's would have because we just didn't get as much time with him as most of the cast. I don't even remember them focusing on his backstory at all (I'm aware he's been redeemed and will return, but for those moments of thinking he was dead it just didn't feel as impactful as it could've)
I wish for characters like Alastor they'd leaned into making their costumes look more like the times they were from. His hair and his coat feel so modern.
I wish they'd had more episodes for character development/time. 6 months happening over an 8 episode period is too fast. Especially because (again) they killed off a hotel character.
Continuing the previous point, more episodes could've introduced us to more characters like Cherrybomb. Characters who know the main cast but opt not to stay in the hotel. So that the final battle would've felt a bit bigger/more tense with a bunch of characters we know on the line.
This one is more personal preference: I wish they'd gone more horrific with true forms. Charlie is fully not human, give us a beastial form for her.
People have mentioned it before, but they really should've axed Alastor's connection to Voodoo in the rewrite.
I once again want to say: largely I enjoyed the show. I went into it as a person who was a massive fan of vivziepop between 2015-2017. I wasn't the biggest fan of the humor in Helluva boss but liked the hazbin crew so I wanted to give it a shot and it was so much better than I expected. I just had some parts I didn't personally like.
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floatingcatacombs · 4 months
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Bandai Taketh Away
12 Days of Aniblogging 2023, Day 1
Last year I wrote a post extolling the virtues of Birdie Wing, 2022’s breakthrough “how the fuck did this get made” mafia golf campfest. It’s the little show that could, animated on a shoestring budget to an audience of maybe two dozen extremely online yuri fans who tried their hardest to get literally anyone else to watch it.
It was almost certainly a financial failure for Bandai Namco, whose hopes for kicking off a VR-focused franchise fizzled in real time during season 1. But the resulting anime was a blast, a shoujo sports melodrama where literally anything could happen.
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Birdie Wing took a few seasons off between its cours, during which Bandai Namco’s second lesbian anime of the year began airing: Mobile Suit Gundam: The Witch from Mercury. My jaw dropped as I watched the first episode recreate Utena’s setup beat for beat, including the female main character taking another girl as her fiancé. It’s a gutsy move which set my expectations high. G-Witch was my introduction to Gundam, and the highs of the first season were amazing. Even if I had some occasional complaints with the pacing, the cliffhanger ending and narrative ambition left me very excited for more.  
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Season 2 of Birdie Wing was set to fill the gap between cours of G-Witch, but ~something~ happened behind the scenes. It ended up being delayed to Spring 2023, where the two shows would air together. Great! That means double the lesbians. Or…zero?
Fair warning: From here on out I will be both a hater, and a spoiler.
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Both seasons start without a hitch. G-Witch finally pops the safety bubble of its setting, with a terrorist attack on the academy followed up by an episode from the viewpoint of Dawn of Fold soldiers trying to survive a retaliatory crackdown from the Spacians. It pulled no punches with its violence and war orphans and trauma, a good sign for the struggles that awaited the main cast. Meanwhile, Birdie Wing continued to pay tribute to old-school Class S after its boarding school arc by involving its cast in a nightmare incest soap opera concerning Eve and Aoi’s parentage and the sins of the previous generation. Both are great developments for their respective shows, suggesting plenty of good stuff ahead.
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Unfortunately, this is when both of these shows begin to fall apart. Eve and Aoi manage to beat the incest allegations, but afterwards their relationship just…stops. Their chemistry all but dissipates, the homoerotic rivalry giving way to their personal relationships with golf instead of with each other. The plot keeps the two of them apart as much as possible, devoid of the angsty longing from season 1, as the girls each succumb to a different form of golf cancer (even without the gay-baiting, at least Birdie Wing is still insane).
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For G-Witch, a much more ambitious anime, this decline manifests as a creeping realization that they’re simply going to drop most of the open plot threads. The show takes its sweet time, even as it becomes clear that it’s barreling towards a finale at 24 episodes. The long-awaited plot twists are handled fine, I guess. But any sense that the show is aiming for greatness fades away, as it simply tries to drag itself to the finish line, buckling under its own weight. What we see on screen is what we get, and you’ll have to fill in the blanks yourself to really be happy. The Earthian-Spacian conflict ends up as mere set-dressing, and characters who clearly had intertwined backstories never even get the chance to interact. The obvious examples are the man who killed Suletta’s dad in the prologue resurfacing and that never really coming up, and everything to do with Chuchu and Nika’s backstories. I’m not here to nitpick, but it’s a shame that everyone’s characterization is left so thin. G-Witch really feels like it was meant to be a full 50-episode series, and I’m led to believe that this trimming down happened during production, as there’s just no other reason to set so much up without resolving it.
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At last we reach each show's conclusion. Birdie Wing is saddled with a final arc full of professional tournaments, which is always going to be weaker than the dirty mafia golf on a conceptual level. The timeline begins to rapidly accelerate and suddenly we’re skipping ahead months, and then entire years. We don’t get to see most of Eve and Aoi’s final game, or even the period of time where they reconcile. An enduring friendship and rivalry is implied at the end, but it’s nowhere near the mutual obsession that the prior season depicted. Not an ounce of queerbait remains, even for the terminally yurigoggled such as myself.
Meanwhile, G-Witch dedicates some of its precious final minutes to a fight with Lauda (Jesus Christ is the Schwartzette is wasted on him), and just like Birdie Wing the two girls at the heart of the show barely get any time together as the end draws near. They ultimately opt for a Macross-Symphogear ending in which Suletta pilots a Gundam that shoots gay rainbow lasers and defeats her mom with the power of love and friendship. That’s fine! But that’s the ending for a show that didn’t happen! In its last act G-Witch retreats into its shell, unable to commit to the moral weight of the world it had built up. Laughably, the epilogue time-skips to a neoliberal utopia where Miorine solves the earth-space conflict through her sheer girlboss acumen. Suletta and Miorine’s gay wedding is implied at best, and an after-credits message states that this is the conclusion of The Witch from Mercury as a story, prematurely killing any potential follow-up.
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The rest is history. Kadokawa redacts an interview to remove references to Suletta and Miorine being married, Bandai releases a statement that their status at the end of the show should be left up to interpretation, and everyone is mad forever.
What happened? Both of these shows fell apart at the same time, and both in a manner that defused their implicit queerness. Birdie Wing was always a bit of a trainwreck even at its best, so in a vacuum I would have just concluded that the production ran out of steam, unable to live up to its earlier writing. But the timing of Season 2’s delay, combined with the corporate meddling that affected G-Witch, makes me downright conspiratorial. Something went down at Bandai Namco, and it led to them ordering their productions be revised halfway through to scrub out all the gay shit and play things safe. I wouldn’t be surprised if this occurred at the same time as G-Witch was trimmed down from its initial 50 to 24 episodes with no chance of a continuation. It’s also not too much of a stretch to imagine Birdie Wing receiving a “stick to sports" mandate and Yosuke Kuroda subsequently phoning it in. I don't know how else to say it: there's no reason to do an incest fakeout if you're not even going to follow up on it afterwards once you've gone through the difficult work of exonerating them.
Witch from Mercury was a commercial success (it sold a shitton of gunpla, at least!) so it seems like a surprise that Bandai Namco would clamp down creatively in such a destructive way. Or maybe not. This may be the first female-led Gundam, but in a lot of other ways it’s fairly restrained as far as Gundams go. Perhaps BN decided that G-Witch had to be a balancing act to please everyone, preventing the creative staff from truly swinging for the fences in the end. Of course, that backfired horribly and they ended up pissing off himejoshis and regular mecha fans alike. I know it’s something of a fool’s errand to expect undeniable LGBT representation from anime, but when you begin with an explicit Utena homage, I expect better.
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This has all been a bit of a downer, so I wanted to end things by sharing the anime I watched this year that actually gave me what I wanted out of those two shows.
Watching through the original Mobile Suit Gundam made me realize just how conservative G-Witch is in a lot of its storytelling. 0079 is a deeply radical show for its time, and still would be if you made it today. The unhesitating depiction of war and death through the aesthetics of a 70’s children’s show is particularly bold, and even the parts of the anime notorious for being overlong successfully reinforce the overall mood of the work. Amuro’s transformation from innocent child to unrelenting psychic soldier is as inevitable and upsetting as it should be, and even with all the “filler” the script feels much tighter than the G-Witch, which ambles around with side stories that don’t resolve and characters that don’t go anywhere. Imminently watchable. I love that the mommy issues in Gundam go all the way back, and I'm also starting to understand why you fuckers have been arguing about Char Aznable for 40 years.
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you.
I also watched Kakegurui this year, which served as a great alternative to Birdie Wing. It doubles down on the best parts of that show – mostly-female cast, high stakes gambling, dubious lesbian rep – with an all-consuming sleaze to it. Grab some friends who aren't easily scandalized and try not to worry too hard about gaze or the intended audience, and it will be a hoot. The production values are great, even if most of it inevitably goes to girls making upsetting faces. The first opening in particular is an animation highlight. Of course, this is a MAPPA production, so they’re far too busy flaying their workers alive in the pits of hell to ever get around to another season. May their company unionize or perish.
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writingforfun0714 · 3 months
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So I wanted to wait and let the new Bad Batch trailer sink in before posting about it.
Warnings: Spoilers, some thoughts/opinions will be critical
Alright so I don’t think it’s any secret that I don’t care for the Bad Batch. Even ignoring the horrible, incredibly RACIST clone model, the writing is mid/passable at best and not even watchable for me. Most of S1 and 2 combined is the typical ‘mission of the week’ type of story where only a few Empire-focused episodes stand out. There are also instances of ableism concerning Echo in particular (CF99 are also super dismissive of him in general—going along with that whole fucking ‘superiority over regs’ thing—seriously wtf).
Most episodes were very bland and predictable. S1 had no stakes despite its finale. By Mando/ST it’s clear that something has happened to Kamino. Didn’t really need to see a 2pt ep of the city getting wiped. Plus AZI should’ve been sacrificed. Even Ahsoka learns the lesson that you can’t save everyone in S1 when she disobeys Anakin and Admiral Yularen. TBB S2 had no character development from anyone besides a little bit for Omega (and Tech—but that was always speculated by fans since S1 and he’s dead now so it doesn’t really matter). A lot of the dialogue felt…basic. I think the only thing that TBB does well is the music. It’s really amazing and beautiful along with the smooth, crisp animation/scenery. Shame they ruined it with racist clone models, racist tones with the ‘reg’ dispute in both seasons, and being ableist and dismissive towards Echo.
Which brings me to the trailer. Oh boy. First, right off the bat I noticed how similar the trailer opening is compared to the S2 trailer. I do like that Phee is back. She did take time to grow on me but I do like her character and am curious to see where they will go with her.
It’s interesting we are seeing Crosshair back with the group so soon. Personally I do believe that is Crosshair and not just someone else wearing his armor like some think. I like the idea of Omega and Crosshair escaping early on but Omega gets recaptured/separated and taken back to Tantiss.
I’m interested in Hemlock and his backstory (is his gloved hand robotic?). I wish they’d create more interesting and unique characters like Phee and Fennec Shand instead of relying on cameos of established characters/fan-favorites like Ventress. I loved Dark Disciple and I thought it was a great ending for her.
I know it’s officially said that Ventress’ story will follow Dark Disciple but I don’t see how unless they retcon her death or pull a ‘somehow she survived’. Either way that sucks. Reminder!! DAVE FELONY DIDN’T EVEN FOLLOW REBELS FOR AHSOKA. SABINE IS NOT FORCE SENSITIVE IN REBELS. DAVE RETCONS THE SHIT OUT OF EVERYTHING. I have no faith that they will remain loyal to DD. Anything that will be ‘canon’ will be mid at best because even Crosshair’s arc has been messy (which is due to the weird S1 ‘reset’ the characters go through. Like they totally should’ve appreciated ‘regs’ by the end of TBB arc in TCW S7–there was no need for that awkward food fight scene in S1).
I hate that this show has to rely on cameos to get the viewing numbers. Here is a list of every character cameo we’ve seen so far:
—Rex*
—Tarkin*
—Palpatine*
—The Lawquane Family
—The Syndullas/Chopper
—Nala Se/Lama Su*
—Cad Bane
—Bail Organa
—Riyo Chuchi
—Gungi
—Gregor
—Wolffe
—Cody
—Scorch
—Saw Gerrera
—Martez Sisters
—Kanan/Depa*
—Muchi/Rancor from RotJ
—Taun We/Halle Burtoni
—Ventress
*I consider these important/relevant cameos and am not bothered by them like the others*
What a list right? I might even be missing one. These were just off the top of my head. Some are big players, others smaller and almost not-relevant to the plot. Not counting the one’s I asterisked, it’s 15 characters. There are original characters but a lot of them, especially in S1 felt like one off, not important characters. And I hate Cid so much—glad to see she was absent in the S3 trailer. I’m really starting to love Phee and I’ve always loved Fennec Shand, and Hemlock is definitely an intriguing villain and Emerie feels like a total mystery (though the reveal was not shocking due to the similar design and accent to Omega). Like why can’t they create more characters like these? The rest just feel forgettable. And it’s clear that characters like Saw, Gungi, Scorch, Cad Bane and even the Syndulla and Lawquane families just felt like fan service. The rest kind of make sense that they’d show up but it also feels a bit like fan service.
Moving on..
I know a lot of people think that new weird dark trooper at the 1:40 mark is Tech. While I’m inclined to agree as I think the ‘Winter Soldier’ story is an obvious choice to pick, I also think that Tech is dead. I’ve changed my mind and kind of hope that Tech isn’t brought back.
I hope this is someone new. I also wouldn’t mind if it was a bounty hunter we’ve seen before. Due to the frame and stature, I could almost think of Boba due to him being older than Omega but it’s definitely more likely to be Tech than either of these choices.
It’s interesting a lot of cameo characters from S2 do not make an appearance in the trailer. Bail, Riyo, Gungi, Gregor and Cody are all absent from the trailer. Trailers usually show action shots to avoid story spoilers, but with Gungi, Gregor, and Cody all being capable fighters, I’m surprised they didn’t appear (usually stuff with politics is a story spoiler).
Overall I’m skeptical of the trailer. I don’t like Ventress being alive/in TBB being a Dark Disciple lover. There’s a lot of mystery surrounding the story of S3 so I don’t feel like I can give an accurate take on that. I hate how Omega’s longer hair looks. Curly haired Omega is adorable!! The animation (everything but the clone model) is definitely getting better. However, based on how S2 was marketed as a ‘darker story compared to S1’ and was like 80% fetch quest I’m definitely skeptical.
Those of you that made it through this post, thank you for your time and I hope I gave you something to think about. If you wanna learn more about the racism and ableism portrayed in this show, check out @unwhitewashthebadbatch for more info.
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What's happened with Jackson's Diary lately?
If you don't read all of this, at least scroll to my point on Dexer as that's my main issue.
Please don't take this too seriously, its just my opinion and im very open to having my mind changed.
So season 1 JD had me absolutely hooked, I loved the drama and the characters. There was a lot of character development and tension with underlying notes of supernatural mystery and the artstyle was consistently good and it was just... good. It was really good.
Come mid-season 2, I think we actually start to see a significant dip in quality- the characters, in my opinion, kind of lose the edge they had in season 1.
Let me explain. In season 1, the characters feel like REAL people in the sense that they were simultaneously flawed and fun. They had redeeming traits that made them likeable enough to the reader, but they all had flaws that made them act in ways that drove the plot. For example, David was funny, loyal and outgoing, but he was overprotective, slow on the uptake and jumped to conclusions. Exer was also cool, sarcastic and funny at times, but he had some pretty obvious flaws that i won't bother listing off. Jackson was sweet and easygoing but far too trusting. Ronald was intimidating but independent and thought for himself, Brenda was generous and bubbly but prioritized popularity over true friendship, Pamela was kind but standoffish, etc. All of these characters had different dynamics with one another, they weren't all friends and they weren't consistently friends. It was these contrasting flaws and virtues and dynamics that DROVE THE PLOT. And did so brilliantly.
But by the time season 1 finished, JD had taken off and was a very popular comic with thousands and thousands of readers. And these readers had become attatched to a particular ship, Dexer, which i think might be one of the reasons for the decline in character individuality. Paola has some amazing ideas and she is clearly a very capable storywriter and is good at writing and developing characters, so i think both time pressure and pressure from the fanbase caused these problems.
Season 2 was essentially three things- Exer's redemption, one long Exer and David will-they-wont-they storyline, and Jackson being therapized by everyone around him.
Exer's redemption
First of all, Exer's redemption. I think the inversion of Jackson and Exers roles in the plot is INCREDIBLY clever, but to be honest i would have liked to see that translated differently- rather than have Exer do a complete 180 and transform into a perfect person, i would have liked to see him keep some of his snark, some of his trademark moody eyeroll attitude from season 1, but show him becoming a better person at his core. Currently, i feel like he's just way too NICE. It makes his dialogue less interesting to read and it makes me less invested in him as a character because now, instead of his actions being affected by his conflicting character traits, i know he will just try and do the right thing no matter what. Maybe thats ideal for real people in real life, but it makes for a less interesting story.
He's also lost most of his motives from season 1. These used to be 1. Liking Brenda, 2. Maintaining reputation, 3. Competing with jackson and 4. Dealing with his powers and keeping them a secret. These motives conflicted each other and made it so he never truly gets what he wants, but now he just sort of... does. He got David. He got jacksons forgiveness. His friends and dad know about the powers. Hes a better person. Feels sort of like he ended up on top, really.
I would love to see Exer faced with a decision that makes him choose between keeping David or his integrity, for example. That would be really interesting. I would love to see some of the characters fall out again because them all just being good, supportive friends just makes it quite boring and low stakes. Even Jackson, with his new power, just uses it to help Exer and David and doesn't seem to have any intention or motive to use it for something more nefarious than that. Making the diary move by itself is just a way of removing Jackson's autonomy in the matter when i would rather see him make a decision himself and be responsible for his own actions, as Exer was. I want a power shift from Exer to Jackson, not Exer to Jackson to the diary.
The problem with Dexer
Now for Dexer. I think this is a key sign that the characters are now more driven by the fanbase and their desires then by what actually drives the plot. Yes, they're cute together. But they had more chemistry in season 1 when they were characters with edge. And it seems like, David in particular, his other character traits and struggles have been completely forgotten and now his character is "poor gay boy/ Exers boyfriend". And David's reaction to the trauma of what happened to his dad is just that hes... sad? What if, for example, he went manic and kept himself constantly busy because his need to be liked by other people has been harmed by this experience? Acting irrationally or seeking distraction to cope? Or even just being ACTUALLY sad instead of looking kind of sad but still doing and saying all the right things so the fandom continue to like him. David used to have other personal problems outside of Exer, for example his need to be liked by others and for popularity, or his dad telling him his future relies on football because he isn't so great at school. Now it's all about his sexuality.
It just feels like Exer and David aren't individuals anymore and have morphed into a two headed being called "Dexer". It would be SO much more satisfying to watch them get together as they were in season 1, with Exer's cynical, sarcastic and broody remarks contrasting David's endlessly sunny and optimistic personality, gullible and airheaded humour.
Some of my favourite interactions in the whole comic are between Exer and David in season one. Like:
Jackson: "Hey, is that Meryl Streep?"
Exer: "Seriously, do you think we're idiots or something?-"
David: *letting go* "Where?"
Or David constantly calling Jackson "Jacob" in early episodes, or him being totally oblivious to Exers dislike of Jackson or his crush on Brenda and enthusiastically trying to help with what he misinterprets to be reality, or slipping up about liking guys in really funny ways, Exers dramatic "After all we've been through?" And all of the funny misunderstandings and coincidences in season 1... small but entertaining things that made the characters who they were. THESE are the characters i wanted to get together. Not the ernest, well intentioned and flawless people they are now. They don't complement each other any more because they have the same basic values and traits. Like, where did Himbo David go? Where did broody Exer go?
And may i just mention, the OTHER characters have also been done absolutely dirty by this. Brenda is barely part of the plot anymore aside from helping Exer and David, same for Ronald. Brenda's thing with Ken might just save her character and has already introduced some quite funny moments, but throughout season 2 Brenda did not have any motives or development of her own outside of Exer and David (and occasionally Jackson)
Ronald had none of his funny moments, really, either. He was just David's emotional support russian. Maybe all of the character dynamics were hurt by the fact that most of the characters are all friends with each other with zero conflict except between Exer and Jackson.
Basically as the fanbase started to revolve around Dexer, the story actually seemed to mirror this. I don't blame Paola, she was giving the people what they wanted to see.
Therapized Jackson
I hate to break it to you, but real life people are self absorbed. People, especially young people, can be clueless and tactless and don't always say the right thing. When this is reflected in fictional characters, it can lead to interesting and tense scenes and character growth.
The detention kids, however, seem pretty damn perfect friends. They're always there, right time right place, and say all the right thinks to make Jackie feel better. They don't seem to have problems of their own that get in the way of their ability to constantly support Jackson, nor do they have any apparent reason for their devotion to Jackson. I mean, do they have endless time? How are they always free to help him out? Do they just wait around until he needs them? Seems kind of like they're in it for the Exer drama.
I know Jackson healing is important, but i think some of it should be internal, because realistically, who is going to have these zero-maintinance friends who follow you around giving you life advice?
Despite this, i still like them as characters and i think they have good comedy potential. They just need motives of their own and to slip up sometimes, or talk about something other than Jacksons mental health. The main characters have also fallen into doing this since making up with Jackson.
That's another thing, actually; in season 1, the characters bonded and talked about things other then whats currently happening in the plot. Now they just give each other advice and constantly talk about Jackson and David and Exer and literally nothing else, its tiring.
Anyway end of rant i haven't proof read this and i love you paola you're brilliant season 1 is a masterpiece
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monpalace · 11 months
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@july-angel-wings
full disclosure, i haven't touched skyward sword or first's story ever in my life aside from secondhand fanfic knowledge and tauberpa's abridged vids more than 8yrs ago,, 😁
(this turned into informal general romantic hcs with first im sorry 🗿)
anyways, i imagine first would be more than apprehensive when it comes to you rescuing him. out of survival instincts, he doesn't know how you managed to find him? how'd you break in? why were you here in the first place? were you someone else who had been imprisoned, or did you want him for your own purposes?
he's thankful, don't get him wrong, but a man questions all intentions once you've put poison in his food, even the hand that heals.
following his rescue (and the establishment that you were friend and not foe), first would likely be more open to you assisting him in his goddess-given duty. most certainly to the point that there are no secrets between you.
time would feel as though it went in the blink of an eye when it came to defeating demise— and, in a sense, it did. it could have been months, or weeks, or hours, or seconds, and he wouldn't know any better.
first wouldn't be ashamed to admit that he's romantically interested in you. he'd be normal about courting you after he grows out of the "crush formed via trauma-bond" phase and evolves into the "okay, yeah, i actually like-like you" phase.
but me, personally? i think he's really fucking stupid and doesn't know how to properly court someone. i think he's seen people court each other to many times to count in his home village, but he doesn't have fond memories of the village so it kind of murks and muddles everything to the point he's confident enough to say "yeah, that wouldn't work at all."
assuming this is first after his character development, i feel he wouldn't be ashamed to act like his old self if that makes sense? like, less of a seasoned veteran and more of just some guy on the side of the road you drive past.
pushing my "most links are illiterate" agenda to say that link courts you by asking you to read to him, sometimes teach him if he's confident enough. he says it's because he likes watching you become so invested in the story if it's good enough (and hearing your voice if you're able to speak).
uhhh,, this is where my bullshitting abt skyward sword lore comes in,,
anyways, i imagine first is able to travel between skyloft and the ground using the ancient equivalent of a skywing made specifically for him by hylia because 1.) triforce of courage, hylia's chosen hero, and protector of skyloft be damned, he is afraid of heights and 2.) he already built a house for you and him he's not moving it.
yeah, that last part was def a surprise to you.
"why don't you want to go live on skyloft permanently again?"
"we already have a three bedroom, four and a half bathroom, full kitchen, full dining room house with an entire backyard and amazing view waiting for us? why would we want to live there?"
"we?"
"🧍🏼idk what you want me to say.. it's kind of like a gift? you didn't notice how i've been disappearing the last few months?"
"i thought you were out taking care of monsters?"
"i mean, yeah? i was taking bounties so i could work up enough funds to get the stuff to make an engagement ring?"
"who are you proposing to?"
"you? who else do i tolerate enough at this point of our lives? we can turn the house into a honeymoon spot, or a vacation house if you want?"
iirc after everyone and their mother moved up to skyloft, monsters started spawning more often and dangerously, so i dont think first would mind putting in more of an effort to protect you if they were to surround the house— but i also don't think that he'd be dumb enough to not make protective measures like a gate n whatnot.
(i'm being so fr when i say he probably dug out a moat.)
anyways, yh no first is def happy to surround himself with you and whatever animal companion y'all managed to find like you're in "i am legend" or whatever.
let me stop 🗿
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churchofthecomet · 3 months
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I haven't watched Leverage in a while, see my last complaint post about their Stuxnet episode. But in the meantime I've been consuming other media, and it just struck me how equal the dynamic is between all of the Leverage characters.
Every character in this show is competent. They each have Their Thing that They Do, and if one of them is absent for an episode, the rest of the team suffers until they get back. I complain about them short-changing Hardison by making the tech stuff unrealistic and incomprehensible (so you can't get a feel for how good he is at it, like you can with Eliot punching people -- although if I knew more about fighting I'm sure I'd be complaining about Eliot's scenes too). But at least within the narrative he is really good at his job, and the other team members know it. Likewise for Eliot, Parker, Nate, and Sophie -- they're each at the top of their respective classes. They have separate specialties and they're amazing at those specialties.
And what's more, the interpersonal dynamics reflect this. Nate is an asshole to the rest of them, but there are FOUR OF THEM so it balances him out -- they can commiserate with each other, sit him down and have a talk with him, threaten to strike, whatever, and their side of the relationship is treated with importance because the team couldn't function without them.
Hardison and Eliot's sniping is just friendly banter, and they know it. Everyone is so supportive of Parker's social problems. Sophie is the one with the most traditionally-feminine skillset, something which might be demeaned in another show (and I have some complaints with Leverage's treatment of her), but she's taken seriously both in-universe and by the show itself. They all work wonderfully together. They balance each other out, and they become more than the sum of their parts.
Contrast this with the dynamics in a bunch of other modern media. Let's grab my favorite punching bag of late, BBC Sherlock. Sherlock is far and away the more useful member of the Sherlock-and-John team. The narrative places incredible weight on his intelligence, and John is stuck in a support role. Sherlock is also mean to John, and since John is one person (without much of a spine for standing up to Sherlock!) it feels utterly abusive. The "friendly banter" isn't banter. The "aww look they really DO care about each other" moments were enough for me when I was 13 or 14, but now it just feels like a cycle of abuse. The dynamic is fundamentally not equal. If I'm watching a TV show and I start to think "man character A really needs like 6 months of therapy to stop hating themself and they NEED to leave character B," when the show's message is "character A and character B are a match made in heaven you guys," the show has failed.
See also Our Flag Means Death season 2 with the relationship between... honestly Ed and the rest of the crew, but mostly Ed and Stede. Ed is the best pirate anyone's ever seen -- the rest of them are pretty good but no match for him. The one guy who had a chance of standing up to Ed and equalizing things got killed off at the end of the season, and Stede (as we've seen) lacks a spine to stand up to Ed. Controversial take but Good Omens might be heading in this direction? They defanged Aziraphale and made him into way more of a softie than the book or Season 1 imply. Meanwhile Crowley is Competent and Right About Everything by comparison. The general pattern here is that couples (or whatever the fuck was going on with BBC Sherlock and John) are worse off. I don't know if it's lasting heteronormativity or "two-person dynamics are hard," but the urge to make sunshine-and-stormcloud pairings where the stormcloud acts like shit towards the sunshine is just... too strong.
Leverage is this rare show that refuses to shit on any of its protagonists. Everyone's in the loop, everyone sees some character development, and it fucking RULES. I wish they could make more TV shows like this in 2024.
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