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#in the comics weiss is the same height as yang and pyrrha
greekfiire · 4 years
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Here's a global warming/frozen warriors art. I don't give you context. It's just based on the dc comics
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rwalrus · 4 years
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you know what is the absolutely worst thing about rwby DC comics?
they made Weiss, Yang and Pyrrha the same height.
i can forgive many things, but this...
this is horrible
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itsclydebitches · 5 years
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RWBY Recaps: Vol. 5 "Lighting the Fire"
This is a re-posting from Nov. 4th, 2017 in an effort to get all my recaps fully on tumblr. Thanks!
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I would like to begin this review by extending a heartfelt apology to Yang Xiao Long. I should have never doubted her.
A few posts ago I mentioned how surprised I was that Yang would choose her Mom over Ruby, especially given her character short on top of an already single-minded personality. If there’s one thing that can be truly said to define Yang, it’s the love and protective streak she has for her sister. So I was thrilled at the reveal that this whole trip was essentially a strategic smokescreen. As Yang puts it bluntly: “I’m not here for you.” She’s always been heading towards Ruby. The only reason Yang is making this emotional pit-stop is because Raven can save her time.
We’ve known since the train that Raven can open portals, but until now it’s been up in the air whether that’s her semblance, something extra (like Qrow’s morphing ability), something that was bestowed on her, etc. Well, it turns out that first time’s the charm. Raven’s semblance allows her to bond to certain people—Yang, Tai, and Qrow—and form portals to their immediate location. Pretty nifty when you think about it, especially since Yang knows Qrow will have found Ruby by now. If she gets to Qrow, she gets to her sis. Except for the fact that Qrow is off looking for more huntsmen. Potential problem?) Still it’s a wonderful twist, especially since RWBY already has enough character arcs about kids trying to reconcile with their abusers. Given Yang’s headstrong nature, it just didn’t feel right for her to try and bond with a long-absent mom. Demand a favor though because “nothing is going to keep me from my sister”? Yeah. That’s Yang.
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Not to say she hasn’t changed, of course. Though many are still uncomfortable with the way her PTSD is being written, I’m glad to see that this persistent shaking remains. Obviously not glad in the sense of, “Yay kids suffering!” but glad that we’re given acknowledgment that trauma has lasting effects and Yang will need to continue to work at her new life and against her new fears—things aren’t solved through one good crying session. We get to see her in a real fight for the first time since Beacon and, as many guessed, her new arm is outfitted with a gun to balance out the other half of Ember Celica, doubling as a decent shield in a pinch. It’s also notable that Yang’s style has changed a bit. Her movements are more controlled; graceful even, more like Weiss’ (and isn’t that something given the end of the episode). In short, Yang’s hand-to-hand has become more measured, as opposed to the ‘charge and hit as hard as you can’ technique that we saw pre-Volume 3. It makes sense, given that the last time Yang rushed in without thoroughly evaluating her opponent she lost that arm. Even her conversation is a little cooler. “Good to know, thanks.” This is a Yang that retains her confidence, but with less of the arrogant taunts. She’s growing up and though much of that growth stems from trauma, it’s still lovely to see.
Back in Haven training has begun. Ruby is… really not good at hand-to-hand. But she’s improving! This whole sequence is a study in excellent facial expressions, as two kids—both of whom are uncomfortable with this situation—attempt to beat each other up the old-fashioned way. The animation moves smoothly from comic fear to stubborn determination. Oscar actually manages to land a punch that knocks Ruby down and I laughed aloud at his frantic apology. He shouldn’t have lost focus. Ruby comes back with a swing of her own seconds later.
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However, as usual there are significant details paired alongside these humorous scenes. After Oscar takes his hit Ozpin asks, “Mind if I give it a shot?” and immediately takes control. This is interesting, given that just last episode (only a day earlier?) Oscar had to focus and deliberately give up control to Ozpin. It took time. Now we don’t even get to see whether Oscar agrees to the switch—Ozpin is already there.
Now yes, they’re eventually meant to merge into one person, or at least share this body in a way reminiscent of that. That’s presumably the end goal (unless Shannon McCormick’s recent comments hint at something we don’t know yet). However, the fact that we see Ozpin’s power over Oscar in the same episode that Raven drops her cryptic comments brings back the theory that Ozpin isn’t quite as benevolent as we’d like to believe. The only true evidence for that (given his actual kind nature and the fact that Raven herself definitely can’t be trusted) is because that’s just how these stories go. Oh, I have no doubt that he’s doing things for “the right reasons,” but like Dumbledore and Gandalf before him, Ozpin’s quest to do what’s right for the world no doubt involves a great deal of sacrifice, complicating the morality there. If Raven considers Ruby a “lost cause” for so much as associating with Ozpin, that’s a pretty heavy implication--if we choose to believe her--that anyone near him will get chewed up and spit out by this war, regardless of what Ozpin might do to try and stop it. AKA, Pyrrha. Casualties are inevitable. (In fact, there’s a lot of potential similarities here between the corners Ozpin is backed into and Qrow’s semblance. For both, everyone around them suffers, regardless of intent). Ozpin’s screen-time this season has been just a little too lighthearted and his persona just a little too grandfatherly. I’m waiting for when these complications come back up and bite everyone on the ass, reminding them that they’re in the middle of a war. 
Anyone who spends five minutes with me in the RWBY fandom knows that Ozpin is my favorite and I’d like nothing more than for him to remain the wise, kindly headmaster figure indefinitely. I want him alongside Team RWBY to the very end. However, I wouldn’t be at all surprised if Raven drops some very uncomfortable information about him next episode, the “truth” that she insists Yang and Weiss don’t know about yet. She could be referring to Ozpin’s cursed nature, but Raven has already admitted that she was once in his employ and can clearly never go back to that, so I suspect there’s far more to her discomfort than just a little reincarnation. Whether we believe her—whether that will be enough to turn the audience against Ozpin even more than they already are, especially when it’s coming from someone like Raven—we’ll have to wait and see. And no doubt all of this will tie back to Raven’s work in securing the Spring Maiden.
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The implications of all this are still at least a week off though. For now the training session remains as happy as possible when you’re preparing to take down your world’s embodiment of evil. Ren has a lovely moment where he explains various theories on semblances: how they might be a reflection of your personality, or vice versa, or have no true connection to who you are at all. So basically... semblances could be anything. The magic structure keeps getting flimsier as time goes on. Regardless, Ruby confirms a long-held belief that her semblance came out during training one day (with Qrow?) and Nora was… struck by lightning. And survived. Good god this girl’s life is horrifying.
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The big question then is: What is Jaune’s semblance? And what is Oscar’s? It honestly never occurred to me that he’d have a semblance of his own to unlock, rather than just inheriting something from Ozpin. In fact, what’s Ozpin’s semblance? Does he still have one? Or was it lost long ago after his first merge? I'd like to think that he has at least two at all times: his original semblance (or magic, perhaps) and whatever his host is capable of. I'd actually be interested in seeing an Ozpin who retains the semblances of every person he's merged with, but given that Cinder managed to kill him, I doubt we'll be seeing that kind of power. I suppose time manipulation is still a possibility given how that fight was animated, but again, I think we’d have already heard about such a powerful ability if that card was on the table. It's certainly not the curse itself… that was forced onto Ozpin by the Gods. So maybe—just maybe—Volume 5 will give us three semblance reveals instead of just one. And Ozpin’s comment that there are heights to achieve beyond just unlocking your semblance opens doors for power-ups within our main cast.  
This is actually a lot packed into the shortest episode of the Volume thus far and if you thought we were finished…
Weiss: “Your mom kidnapped me?”
Yang: “YOU KIDNAPPED HER?”
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I nominate this as one of RWBY’s greatest moments. I honestly couldn’t have asked for more from their reunion. Harking back to last week’s episode, Weiss demonstrates that she really doesn’t need anyone to save her. Yes, she was still in that cage, but only because she was going for subtly and strategy over a brute-force escape plan. (Remember, that’s Yang’s territory.) When she sees that Yang is somehow here that plan goes straight out the window. One knight at full strength and Weiss has busted out of her prison, running to back up Yang in a very outnumbered fight.
RT knows when to cut things back though and reminding everyone that, ahem, the Grimm are still a formidable enemy was a smart move. Raven might not have any qualms about fighting family, but she won’t let that anger draw a whole horde of Grimm to her camp. She gives Myrtenaster back to Weiss and invites them inside for that talk.
But first we have this.
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I love that Weiss hugged first. I love that she freely abandons Myrtenaster in hostile territory to do so. She never would have done that a year ago. They’ve been through so much though and the fact that she can freely say how much she missed Yang says heaps about her character development.
It’s a beautiful shot to end the episode on. And if you listen closely, there’s the sound of Freezerburn shippers sobbing happily in the distance…  
Other Details of Note
Raven’s bandit sitting waaaaay far back on Yang’s motorbike. Bet you ten lien he tried to wrap his arms around her waist and got another punch for his trouble.
The click of gears we hear as Yang stretches her arms. Nice touch there.
“I’m her daughter, after all.” There’s some of the taunting Yang we know and love.
Can’t say I was a fan of the music during the RJNR-Ozpin-Oscar chat scene. It felt… sitcom-ish? That’s not quite right, but too upbeat and noticeable for the moment. I shouldn’t be distracted from the conversation by whatever the music is doing.
I found Raven’s first greeting to Yang creepy in the extreme. You’re so strong and patient, doing everything you can to make your dream a reality. Talk about trying to butter someone up when you don’t actually know anything about that person. Raven’s attempts at welcoming Yang ring so false that it just hits home how estranged they are.
We've had a lot of 'crane shots' (for lack of a better word) this Volume: during Salem's conversation with Lionheart, before Sienna's assassination, now as Yang confronts her mother. I'm not sure what exactly to make of this yet, only that it's been a frequent technique the last few episodes and has definitely caught my attention.
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