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professoruber · 3 months

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Hazbin Hotel Season 1 Finale Thoughts (and a few hopes for Season 2)

Spoilers for Hazbin Hotel Season 1 Episodes 7 & 8

That finale was amazing. The season as a whole was amazing, even if it felt kinda rushed/fast-pace, which is admittedly most likely a symptom of the episode count they were given so I don't mind it too much. But still.

Anyway. the finale was great, and it does seem like its setting up quite a bit of stuff of future season(s). Between the exterminations getting cancelled, the successful fighting off of the exorcist army, and death of Adam, the deal between Charlie and Alastor, Lilith's role in all this and most of all....

MY BOY SIR PENT GOOD HIMSELF A REDEMPTION! GOOD FOR HIM!

Emily is (naturally) completely ecstatic at a sinner getting redeemed and ending up in Heaven. Sera meanwhile seems... crossed between confused, concerned and maybe a tad horrified (hard to say).

Honestly was kinda hoping for Emily to have been more involved in the finale or even go behind Sera's back to intervene in the extermination and/or help the hotel in some manner, but I suppose sneaking out to help is easier said than done.

Nonetheless; Emily is so adorable in this short scene that I don't mind her lack of presence in the finale too much.

I suppose part of my mild disappointment is a symptom of getting slightly invested in some of the theories and fanart which has been made over the past week. There's been a lot of discussion and fanart of her becoming fallen; based on her condemnation of Sera and Heaven during "You didn't know", her insistence that she'd figure something out to help Charlie and that Sera warns her of the possibility of becoming fallen.

(I've even seen it pointed out that Emily looks like she has horns here; which seems like foreshadowing so hm.)

So It does arguably feel a tad anticlimactic that Emily apparently wasn't able to do anything even after promising she'd figure something out.

So... I don't know; it did seem like they were setting up for Emily to do something but in the end she didn't really do anything. She was quite willing to very strongly call out Sera and Heaven via song, but didn't seem able to do much more considering that the Hazbin crew had to rely solely on themselves and other denizens of Hell.

But still, there's a lot of room her character in season 2 especially now that its been proven sinners can become winners.

As I noted above; Sera looks much less happy than Emily at Sir Pentious' arrival. Is this just guilt/horror that her 'necessary evil' wasn't so necessary after all? Will she change her mind or will she continue to be an antaongist?

Hard to say at this point; but considering how they spent time showing the cracks forming between the two seraphim; it feels like that probably has to build up to something?

Anyway, the hotel is definitely getting some credibility/notoriety now. Not only due to ending the exterminations and killing Adam, but also because one of their patrons did indeed get redeeemed.

On that note; if a sinner can become a winner, does that mean a winner can become a sinner? Because Adam's been committing a lot of sins in his every appearance, so much so that now that he's double dead he might go through divine judgement again and end up in hell as a sinner. In which case he could still be quite the problem (although if other demons work out who he is, he'd have a pretty massive target on his back considering all the exterminations). If Adam does become a demon, I wonder if the same would happen to the other dead exorcists? Hm.

Also there's her. Lilith.

...

Honestly right now I'm still not sure if I know enough to really make much of a judgement. She's been a mysterious and enigmatic figure from the start and the fact she's apparently been in Heaven and made a deal with Adam is... uh... I'm not sure.

Did she sell out her family/people for a life in paradise? Does she have some kind of grand plan? Are there more unseen forces/plots we don't know yet? Is she the one who owns Alastor's soul?

Who knows!

Alastor shows again he's not the all-powerful enigmatic badass he initially presented himself as. He narrowly escaped double-death at the hands of Adam and still has soul owned by another. Still, he definitely does appear to have some serious ambitions to rise in his station.

He managed to make a deal with Charlie for a favour (presumably freeing his soul?) and also talks with Rosie about how powerful Charlie is and how he'd like to be the one to guide her. So hm... I do think Alastor is aiming high, not only intending to free himself but also use Charlie as a vehicle to achieve even greater heights.

To finish off with some final few thoughts (this post ended up getting a tad bigger than I intended, but eh)...

Lucifer was great, seeing him go full King of Hell on Adam was amazing.

I mentioned it before, but Emily was adorable as always - Can't wait to see more of her, including her interactions with Sir Pent

I wonder if Sera will face any consequences now that its been shown the exterminations are not as necessary as she thought

Emily becoming fallen (either getting casted out or choosing to leave) was a really fascinating idea and I do still feel there was a bit much build up for it.

Lucifer apparently got together with Eve at some point. I'd like some more details on that.

Going to be interesting to see what kinda upheaval the finale has in Heaven and Hell; with redemption being proven and new threats likely emerging.

Even if redemption's possible, not everyone wants to be redeemed... and now that its been proven angels can be killed, that might lead to some ambitious figures (such as the Vees) making ambitious plots. Especially since Lucifer is an angel and that's why he's king (of course, Lucifer's probably not as easy to kill as exorcists).

There's other stuff I haven't really discussed, but these are my main fresh thoughts for now.

Can't wait for next season!

#professoruber thoughts #hazbin hotel #hazbin hotel spoilers #hazbin hotel season 1 finale #charlie moringstar #sera the seraphim #emily the seraphim #sir pentious #hazbin hotel adam #hazbin hotel exorcists #lilith morningstar #alastor the radio demon #lucifer morningstar #hazbin hotel season 2 predictions #hazbin hotel theory #hazbin hotel thoughts #spoilers

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she-posts-nerdy-stuff · 4 months

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PJO TV SHOW (and book) SPOILERS beneath cut!!!!!

What follows is simply a bunch of my nonsensical responses to the first 2 episodes in no particular order; I really cannot explain that any other way I’m afraid

“Whose side are you on?” “Hers, always. She’s my little sister” JUST RIP OUT MY HEART WHY DON’T YOU

Mythomagic. Mythomagic. Mythomagic.

Sally saying not everyone who looks like a hero is a hero and not everyone who looks like a monster is a monster - THE FORESHADOWING??? THE REFERENCE TO BOOKS THAT ARENT EVEN BEING ADAPTED YET IM LOSING MY MIND - Also, the justice for Medusa in this was absolutely gorgeous and so well done because it didn’t black and white anyone as just a hero or just a villain but very well highlighted the woven and layered morality of a very complex web of stories, personally I’m mostly a Medusa defender but give me a good quality, well written Perseus retelling and you could probably convince me otherwise I think the point of many of these stories is that there is never a true victor and nothing is ever as easy to understand as a hero and a monster. I’m getting distracted now but hey let’s keep going, I really love Stone Blind by Natalie Haynes, which very strongly labels Perseus as the monster and Medusa as the victim, but I also think there is an argument that Danaë’s plight was diminished/overlooked in it and I would be open to hearing opposing views on that. Since I’m in this tangent I should add I don’t study classics I am just a fan, so I’m not the expert and would generally expect others to know more than me so get it out there I’m eager to learn. Anyway, Percy Jackson (sorry for the tangent)

Percy saying he thinks he’s made real friends I WANT TO CRY

They softened Gabe up quite a bit, or at least I thought they did maybe you guys think otherwise, but I wonder how his death will come across in this case(????)

I actually really like that they had Annabeth clock who Percy’s father was and push him into the water instead of it being Clarisse shoving him into the creek and stumbling upon it by accident, because it really heightened that idea of her being six steps ahead

I think the conflict between Grover and Percy was interesting and I’m intrigued as to how easily it’s resolved with the quest coming up, and on that point am I right that Sally making Grover swear to protect Percy was a new addition? Because I’m guessing that if the conflict between them is still heightened then that’s going to be the logical reason Grover uses to get into the quest, but also they made a big deal out of that and I kept expecting her to request he swear it on the Styx but she didn’t, I wonder if it was meant to be implied (?) or maybe I’m just reading into it

There was less Annabeth screen time than I was expecting but every second she was on screen was PERFECTION

The casting could literally l not have been better I love them all omg

I was kind of surprised they didn’t confirm Percy’s dyslexia and ADHD in the first episode and instead had Luke mention it because I always thought that Percy had already been diagnosed long beforw he call to camp but maybe I misremembered that (?)

THE D’ANGELO REFERENCE YES - like I know it wasn’t about them but it has to be intentional right?

The blink and you miss it Kane Chronicles reference amused me I haven’t actually read all of the Kane Chronicles yet but I really should

WAS THAT BLACKJACK!!!!!??????

I’m guessing that mechanical monster Percy saw out the window was reference to the bulls in book three sorry I can’t remember what they’re called, and with that the doodles in his notebook YES!!! I noticed a cyclops, Medusa, the minatour, and what I think might have been the hydra but I haven’t rewatched yet so stay tuned for possible correction on that lol

I love camp so much! The cabins are incredible and the interior of the Hermes is so much nicer than I imagined whilst still maintaining a kind of overcrowded atmosphere, I love it.

“You are Poseidon’s son” “I am Sally Jackson’s son” y’all don’t understand I almost screamed oh my good lord yes yes yes yes yes

Also, sassy Percy

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anderscim · 10 months

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bagel’s drdt death predictions but they’re all based on character relationships and assumptions (lots of assumptions)

//spoilers for drdt ch1 + ch2 pt. 1

//long, long wall of text warning (nearly 4k words am i right 😭)

i mean, the title explains it all.

there’s really nothing else other than my unhinged predictions which will likely be wildly incorrect compared to the actual outcome in DRDT

so, as always, take this with a grain of salt

alright, let’s get straight into it.

arturo and j:

obviously these two have a… very interesting dynamic. they’re constantly at odds with each other, and this worsened especially after arturo found out about j’s family through her secret.

arturo is following j around and she hates it. arturo constantly crosses j’s boundaries, idolizes her, places her in his own “perfect image” that she doesn’t want to be a part of, and she (justifiably) hates it.

meanwhile, arturo sees j as one of the “beautiful people” that he idolizes and tries to get close to in order to improve his self value, possibly in an attempt to resolve his own insecurities. (okay i don’t think i’m gonna talk about this later so i’m gonna say it now. but based on the fact that arturo seems very attached to “societally valuable” things and people (major brands, celebrities, etc.) and the fact that he instantly pushes away things he sees as “ugly,” arturo may actually be trying to preserve a certain image of himself and/or his ego by surrounding himself with valuable things—which could be due to holding some sort of insecurity that he can’t be as “valuable” as others without those factors surrounding him constantly. maybe because he sees himself as “ugly.” just a thought. not justifying his actions though. idk)

but though i love j with all my heart… i’m very, very scared that she’s going to be the culprit for this chapter.

except for the possible motive, there’s actually a suspicious amount of logical conclusions and reasonings one can make that point to j being the culprit.

this isn’t my post, but i’m going to put this here because u/Difficult-Parfait627 on reddit explained the logic significantly better than i could have:

i also saw some theories on j’s secret weapon (the remote) possibly opening trapdoors that only she could access, so that’s definitely another possible advantage.

aside from that, i find it intriguing that MonoTV makes specific mention of this detail regarding the playground:

it would be very, very interesting if this proved to be foreshadowing of some sort regarding arei’s murder. whether it would just be the height of the room that plays into a factor of the case, or the fact that the movie screening room and the playground are only separable by a single wall, or both—that, i don’t know. but seeing multiple prevailing theories it could be possible that this is more important than we think.

not only this, but during the trial j constantly pointed fingers at many people and jumped from suspect to suspect—which is exactly what min did as well, and might be an indication that j is desperate to pin the crime on someone else.

though i’m probably wrong

revision: the following is… likely incorrect (_ _;) i’ll keep what i originally said here for the sake of it, but just know that arturo is more likely to double down and shun himself even further from any guilt if this theory proves to be true. here’s a reblog chain ft. @/aquariiium that explains it really well!

but if j is the culprit for this case, it could actually lead to character development for arturo. after all, if j gets caught, he would probably blame himself—if he didn’t get so worked up over eden and the reveal of his secret, if he didn’t let j overhear the conversation—she might’ve not committed a murder. i think he might feel intense guilt that he let j die—especially since he’s so (unhealthily) attached to her.

don’t know man. just trying to give him redeeming qualities here lmao

essentially, i think j might die this chapter as the culprit for arei’s murder, and arturo will survive for at least the next few chapters. whether he’ll be a victim/killer in the last few chapters i’m unsure about at this current moment, but bear with me

side note: it would be absolutely cruel if whoever the killer is, they get a quiet execution in a way that reflects arei’s body discovery ;-; also tbh i’m probably wildly wrong about all of this. for you guys who say the true culprit is someone else (especially people who think it’s levi, eden, or whit), i see you and i do see why that’s definitely a possibility. take all of my theorizing with a grain of salt lmao

whit and charles:

(sorry i couldn’t find a proper CG for them haha)

ah, one of my favorite dynamics. i love these two so much

it’s cool to see how they’re actually quite open with each other now, compared to the beginning where they were established as near-total opposites of each other (mainly looks at the free time event)

but as it goes with many ships in danganronpa…they’ll probably end in tragedy. unfortunately

i believe i made a really brief analysis earlier on how whit deals with grief by completely deflecting his true sentiments through the use of humor, and i think as of now this still holds true. whit’s bottling up his grief, and sooner or later he’ll have to come to terms with it.

whit has developed an understanding for charles, though, and seems to be genuinely considerate towards him. plus, he’s willing to admit to any mistakes he makes and is very open about it to charles, which indicates how close they actually are

charles struggles with not only his hemophobia + necrophobia (fear of blood and fear of corpses/things associated with death), but with the pity from others that result from it.

he really, really hates being pitied. we actually saw this earlier in the FTE between charles and whit as well—he seemed very worked up with how whit was “belittling” charles to make teruko laugh. obviously whit figured this out, admitted what he did, and eventually became more considerate of charles’ feelings. charles notices this and decides to open up to him.

👆 this line is so cute btw

i think though, especially because they’re so close to each other it’ll really impact their characters when tragedy strikes. personally i’m more scared that charles is going to die (as a victim) because plot-wise it would force whit to come to terms with his grief—the grief over not just his mother but the participants of the killing game—that he has pushed into the back of his mind for a long time.

but at the same time charles surviving is also definitely a possibility given his importance in the plot right now—and not only that, if whit dies, i think he would have a clear moment of feeling ashamed of himself for not even being able to look at his partner’s body and being unable to come to terms with whit’s death until later.

either way, one of them is definitely doomed to die, and the other is probably going to be a survivor.

for me, regardless of who bites the dust, they’re going to be a chapter 3 death. i personally believe this because it would give both of them time to cope and face their grief in their respective character arcs over the next few chapters—but also because i think chapter 4 is going to be surrounding a separate character dynamic.

nico, ace, and hu:

yes, it’s the “two people who absolutely hate each other and the one person that stands in between” trio.

as already established within the series, nico and ace hate each other. i don’t even need to put screenshots as proof—plus nico literally attempted to murder ace.

and by the way, for those of you who said other people manipulated nico into doing it, i think that would be very contradictory with what the series is trying to get at. nico is their own independent person—and they’ve tried to solidify that fact. this specific murder attempt was to probably establish that nico has their own limits, despite how much they are infantilized by others. if it’s true that someone manipulated nico, i feel like it would… just take away from nico’s individuality and turn them into someone to be pitied upon.

not only that, even nico established themselves that they have a tendency to be agressive.

there’s not much to analyze here, but it definitely is a strong indication that nico does have their own limits and will not act all innocent-like if those boundraries are crossed. it’s interesting though, because this kinda makes nico a foil to ace. while ace is “all bark and no bite,” and/or accusing and insulting everyone 24/7 but never acting upon it, nico is the opposite: not the type for words but will genuinely act if they are pushed hard enough.

i genuinely think nico attempted to murder ace on their own accord. plus, it would fit perfectly with one of the themes from this chapter

anyways—though i’m not going to condone her for infantilizing nico—there’s one person who’s kinda been keeping both of them in check. (or moreso, keeping ace in check) quite literally, hu defending nico, despite the fact that her way of doing so was really flawed, temporarily stopped their conflicts with ace from escalating in a short amount of time. at least until ace almost got murdered though.

the thing is, hu sees things in black and white. she trusts a little too much into nico and she thinks they desperately need to be protected. meanwhile, she essentially antagonizes ace, and didn’t seem to attempt to sympathize with the fact he almost got murdered. she didn’t make many attempts (especially during the second chapter) to genuinely understand their “grey areas,” instead jumping to what she knows. and… it’s understandable why she does this, but regardless, it’s one of her greatest flaws. however, that flaw is exactly what humanizes hu. she cares immensely about others, even if that means trusting them too much. she puts it on herself to help anyone she can. she wants others to rely on her, even if that means she inadvertently forces the role of “the damsel in distress” onto them as a result. though it doesn’t exactly justify her actions, i felt it was still important to bring up. (by the way i actually like hu, plus i love the concept of a really flawed but sincere mother figure. i don’t hate hu at all lmao i think she’s a really good character)

especially as of ch2 ep11, hu seems to show possible signs of change after getting called out by david. his so-called “betrayal” (by throwing hu’s personal impression and expectations of himself out the window) might begin a development arc allowing hu to see past her… i guess… her biases.

but, i’m scared that hu’s character arc would end (whether abruptly or gradually) in the middle of the series, rather than continuing to the very last episode of DRDT—and that she’ll get killed/executed before she can truly develop and leave the killing game with a new perspective.

additionally, as far as i can tell i don’t expect nico and ace to ever make up during the killing game—because in traditional danganronpa, that never seems to be an actual occurrence. not only that, but the whole tension surrounding their situation has already gone too far—neither of them will probably ever forgive each other after how far this conflict went (especially ace, who almost got killed by nico). i personally think hu, though the way she went about this was not exactly the best, acted as a “mediator” of sorts between ace and nico by throwing herself in and breaking up each conflict. if hu dies, their relationship will completely fall apart and their arguments will likely escalate past the point of no return—which seems to be a perfect setup for a murder case. personally i’d put hu as a chapter three death (regardless of victim or culprit), nico and ace’s dynamic escalating to a breaking point during chapter four, and either nico or ace dying in chapter four (with the other one surviving the killing game). my personal opinion as for who dies is nico, but mainly because i think ace might actually be a survivor.

ace and levi:

oh no i wasn’t done talking about ace yet, did you seriously think i would stop talking about him after all of that? plus i. didn’t give ace a proper character analysis in that previous section

ace and levi’s relationship is very unique as well. at first, ace and levi felt at least relatively comfortable around each other—which was really rare for someone like ace, who’s essentially scared of everything and holds many insecurities that prevent him from easily trusting people/processes/objects.

over time during chapter 1, ace and levi get closer to each other. ace develops a feeling of safety when around levi, since to him, he seems like one of the only few people who don’t just see him as a coward.

and that was true for a while, at least, until this happened.

this blog post by @thefandomenchantress explains the effects of levi’s dialogue here better than i ever could. go read this. please but essentially—the death threat is really important because it essentially shattered ace’s sense of security around levi, but the fact that levi out of all people called ace a coward really seals the deal for him. this is my interpretation, but ace probably felt that levi was more non-judgmental than the others and was also one of the few people that saw past his insecurities. so levi specifically targeting one of his largest weaknesses, probably hurts a lot.

not only that, but ace genuinely seems to believe that this is what levi actually thinks about him. though he focuses on the death threat here, i think it still holds true that he’s really paranoid of levi and thinks he actually hates ace, despite their dynamic in the first chapter.

on the other hand, levi regrets threatening and insulting ace in the first trial, and makes attempts to apologize and make up with him. he even asks teruko for advice here.

since ace is really insecure, it’s really difficult to make him actually forgive levi. ace’s paranoia makes him believe that others are out to “get him” and cause him harm, especially when it comes to people who bluntly pointed out his insecurities in the past. and as a person who genuinely hates those parts of himself and wants to get rid of his paranoia, it makes ace act really aggressive when people begin pointing out those issues again. after all, they’re reminders of what he thinks he is.

👆this quote is actually from an earlier point, and is ace talking about why he still races despite being scared of horses. but it’s representative of how he hates his own reputation and his insecurities that are connected with it—which he desperately doesn’t want people to see. that’s why ace is so aggressive. it’s because he feels he needs to bluff and act all “strong” to prevent people from targeting his insecurities.

the reason why i actually believe ace would be a survivor is because of some personal unhinged interpretations i have for chapter four. like i mentioned earlier, i personally believe that the current conflict between nico and ace will reach its climax during chapter four, which will likely also be a major part of the murder case during that chapter. and uh. if we go by traditional danganronpa patterns we know which character is probably doomed during that chapter (that is, assuming DRDT still follows a similar equation). though i admit the stereotype of “buff character dies during fourth chapter” is a bit overused—the thing is, if the conflict between nico and ace does actually reach its climax during that chapter, it actually makes sense relationship-wise for levi to play a major part of it. getting into major “this is probably wrong” territory here despite the fact that ace is currently distrusting towards levi right now, i think there’s still some part of him that harbors more personal feelings towards levi (whether that’s positive or negative)—i don’t think ace would be attacking levi so much otherwise. he probably feels like he was betrayed by levi, likely due to their changes in character dynamic during the first chapter. i also find it interesting how ace has always harbored a feeling of resentment towards nico—and i personally feel that this is because nico also reminds ace of one of his insecurities. they represent something that ace hates about himself, or they represent the antithesis of this insecurity—as for what specifically, i’m not sure, but it likely has something to do with ace’s paranoia. that’s probably why he attacks nico so much—because they remind him of something he hates about himself.

if both of them die, in the same chapter, i think ace would start doubting himself. all that would be left are people who have already seen how insecure he is. i think he’d lose his “purpose” and “relationships” in some ways, in that case—which would actually be a great setup to his secret quote: “i don’t know what to do with myself anymore.” ace markey existential crisis at 3 anyone /j

okay but. like. idk what i was even trying to say there. just take all of that with a grain of salt

okay, finally:

david:

(okay he’s literally just his own category at this point.) (i like to psychoanalyze him independently because i uh. have so much to say about him)

if you couldn’t already tell from my multiple theory posts about david, i have a considerable amount of interpretations regarding his character:

his current demeanor doesn’t reflect his true personality, but it’s not exactly like he’s a constantly optimistic person either

he’s not actually manipulating everyone into making the worst decisions. even his plan, though it wasn’t foolproof, was probably better than any of the options the cast had. however he did try to preserve his own image a little while presenting the plan since he’s trying to hide his depression

(both of those bullets are linked to other theory posts i made that elaborate more on these points)

either way, david is currently established as the “antagonist” character for this series, which was especially solidified after his breakdown in ch2 ep11. i think we all know what usually happens to the antagonist character in chapter 5.

however—david, unlike other canon danganronpa antagonists (especially nagito and kokichi from goodbye despair and killing harmony), has different motivations. rather than acting fully evil and/or cynical in an effort for the “greater good,” to me, he just… seems like he’s acting cynical and manipulative because that’s who he thinks he actually is. he’s playing a glorified version of his self-doubts and insecurities. so, to be completely honest, i think rather than him acting in a way to throw everyone off and ultimately end the killing game, i think david’s just in the middle of a breakdown and is acting suicidal. he’s actually pretty smart, so unless he was really emotional/desperate, i don’t think his lying would be as obvious as it is now. i think he honestly would’ve thought about it more (/lh) if he was genuinely attempting to end the killing game through lying and making everyone vote wrong. plus, we have already seen in chapter one that david doesn’t really… think straight when he’s emotional. we saw this during xander’s trial with the way he kept accusing teruko and thought she was the culprit despite the gradual accumulation of evidence that proved her innocence. (i think it’s general consensus that david actually did care about xander—and arei actually—and was therefore pretty emotional regarding their deaths, but i will make a post on that later if necessary.)

if david really is breaking down and acting suicidal in the second trial, i think it would fit if the plot decided to pull some irony and… y’know, have the one person who wants to die the most actually be a survivor. i really have no backing to this (and tbh i think i’m saying this because i want david to live LMAO), and i don’t exactly have any concrete evidence that establishes david as an antagonist character that doesn’t follow canon danganronpa antagonist traditions, but even then i still think it would be pretty cool if that happened.

god. this was. unhinged.

okay but watch me be entirely wrong on this lmao

i hope you guys could actually understand that entire wall of text because i don’t even know what i was writing halfway through also i didn’t put chapter 5/6 here because i literally have no idea what’s going to happen. it’s just going to be full of plot twists and i know it

i also didn’t exactly put a clear amount of killers/survivors so they don’t exactly. match up. plus i didn’t actually do a thorough analysis on veronika, rose, eden, teruko, etc so i’m probably going to have to go through those if i genuinely feel like doing a proper death order. (something is telling me rose and veronika are both going to get significant character development though, especially in the later chapters. we don’t have too much information on either of them yet (moreso veronika than rose) so i’m kinda waiting until we get more scenes to make assumptions about those two in particular)

but in summary:

j might die this chapter, arturo’s going to get significant character development as a result

no matter what, charwhit is absolutely doomed and one of them is going to die in the third chapter while the other is a survivor

hu will probably die in the third chapter, leading the conflict between nico and ace to escalate and reach a climax during the fourth chapter

(of course, this is assuming drdt follows traditional danganronpa and has a double murder during the third chapter. i’m not too much of a fan of the trope myself, but for the sake of organization)

nico and levi, who ace has the most personal (mostly negative) emotions towards at the current moment, will probably die during the fourth chapter leading ace to have an existential crisis and get character development (and will have to navigate his way to the end)

david is a non-traditional antag so he might die during chapter 5, but i personally see it more ironic and fitting to see him survive until the end seeing his current emotions and character

anyways.

i know there’s a lot of you who are significantly better at analyzing certain characters than i ever could so please please don’t hesitate to correct me if there’s an assumption i made that’s incorrect, and/or if you have anything i said that you could refute

plus i didn’t like. rewatch the entire series to make this i just had a long train of thought and searched for certain scenes that fit the most to what i was saying even if my assumptions weren’t correct

and as always. take this all with a grain of salt

(no but seriously, feel free to voice your opinions on this as well! i’ll definitely listen to them)

#bagel’s train of thought #drdt #danganronpa despair time #j rosales #arturo giles #charles cuevas #whit young #nico hakobyan #hu jing #ace markey #levi fontana #david chiem #despair time #okay but. this is nearly 3.8k words holy shit #sorry about that #i really went overboard 😭

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thegoldheartlocketandkey-blog · 2 months

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911 Spoilers Season 2: You’ve been warned. 😅

Episode 8-10

Episode 8

• Buck talks down woman who is upset with her husband, Norman, who isn’t giving her enough attention, after she points a gun at him.

• Eddie is watching this interaction right below him. He’s also overhearing their conversation that includes Buck accepting that Abby is never coming back and having to get over her.

Buck and Eddie continue to have this life/ death experiences, while also navigating their love life’s. I really felt bad for Buck during this scene because it was obviously that he only recently started to process that Abby is gone. This rescue is also the origin of Buck wanting to be seen.

• Buck talks to Bobby by the engine about the rescue. Makes it clear that he finally accepts that Abby is gone and that he’ll be okay.

• Buck goes out as a single man with Chim. Buck discusses wanting to upgrade to Buck 2.0. A better version of Buck that’s moved on from Abby.

• Buck reminiscences about his old single days.

• Chim invited Maddie with out telling Buck. Buck becomes third wheel. While left alone, Taylor makes an appearance and buys him a drink.

• Buck and Taylor hook up in the bar bathroom after having a conversation about restraint. This happens all while Chim and Maddie are singing karaoke.

This scene in general really show cases how lonely Buck is and how he feels he’s lost his identity. He wants to improve, but easily falls back into old habits.

• Buck tells Bobby about his hook up. He’s dissecting the situation and explains that he feels bad/weird about the it.

This really small interaction between Bobby and Buck is one of my favorite Father and Son bonding scenes. Buck is being vulnerable and Bobby is setting him straight, while making a quick joke. I also need to give the director or the person who edited the scene a big hug, because as Buck is talking about his mess of a love life the camera cuts to Eddie not once but twice. It’s subtle and I may be delusional, but it’s there.

• Buck asks Taylor out on a “real” date. She denies it but they hook up in news van (or at least they start too)

•Rescue with newlyweds. No particular Buddie moment, but Buck and Eddie are the primary firefighters trying to pull them out of the vehicle.

• Buck hangs out with Chim and Maddie again. They address his sex life and lack of love life. Chim tells him that by going after Taylor he is basically dating Buck 1.0. Buck points out that Chim and Maddie are actually dating, but are in denial. Buck receives suspicious call asking him out to coffee. In that moment I believed it was Taylor, but we later find out it was actually Ally.

• The emergency with the old gay couple that were celebrating their anniversary and had a scrap book of their lives together, breaks my heart every time. It also likely foreshadows Buck and Eddie growing old together.

• Buck gets the love advice of "You don't find it. You make it"

• Buck calling for Eddie first when the old man was found unresponsive. After CPR fails, Buck notices the couple holding hands. Buck states, “That is love.”

I whole heartedly believe that this emergency has helped shape what Buck is looking for when it comes to love. He’s found true love. Still he’s not fully understanding that you don’t search for it. Jumping a head to Season 6, this mirrors Eddie’s search for love. I’ll probably go into more details when I get to that episode/season.

• Montage of all posside romances. Buck reaches out to Ally. They go out for a coffee date. Ally mentioning Eddie in the first few moments of their date. Ally stating, “Maybe I should have called Eddie instead.”

I like to pretend this is the writers very subtle way of stating Buck should have called Eddie. 😏

Episode 9

Hen Begins ❤️ An amazing episode, but no Buddie content.

Episode 10

• Buck annoys the hell out of Chimney as his roomate, moves in with Maddie.

• Eddie and Shannon hookup, and apparently have been hooking up for a while. Chris is brought home early and unknowingly has the possibility of seeing his mother for the first time in forever. Eddie decides that this is not the time for a reunion and has Shannon hide. Making Shannon out as a shameful secret.

I will say Shannon and Eddie’s dynamic and situation is really weird, given the fact that they are still technically married. That was practically a shitty situation to be in, but I also understand it not being the best time to reintroduce her to Chris.

• Eddie is afraid of Santa.

• Shannon makes a dramatic entrance and announces that they are sleeping together, in front of Chimney and Buck. Both Chimney and Buck pretend not to have heard the statement and uncomfortably look away.

• Eddie establishes that he can’t trust his wife and that being the reason why she can’t see Chris yet.

Eddie at this point has made it really clear that he loves Chris and will do anything to protect him. We see this more as the seasons continue, but him not trusting the woman that created and cared for Chris in the beginning when he was gone, is a little wild. I think Eddie is justified in his feelings, but he is being a little harsh. I think this moment in specific is very important to capture and break down because we can use Eddie’s relationship with Shannon as a foil to Eddie’s relationship with Buck, specifically pertaining to their involvement with Christopher.

• Buck becomes overly concerned and seemingly obsessed with Eddie's circumstances and is eagerly trying to discuss what just happened with Chimney.

• Buck and Eddie take Christopher to go see Santa. Eddie is as far away from Santa as he could possibly be, by sitting with Buck at the water fountain.

• Buck admires Christopher and vocalizes this to Eddie. Eddie suspects that Buck really wants to say something the whole Shannon situation.

• Eddie feels like he needs to justify sleeping with his wife to Buck. Buck seems to easily understand Eddie’s thought process and doesn’t judge him for it. Eddie becoming extremely vulnerable and revealing how he’s failed Chris, similarly to the way Shannon has failed Chris. Eddie admits to being confused about his relationship status with his wife.

The conversation Buck and Eddie have at this water fountain is very intense and vulnerable. I honestly believe that the conversation they are having should have been the conversation Eddie has with Shannon directly. This scene show cases a level of trust Buck and Eddie have developed since first meeting.

• Elf walks up to Buck and assumes Buck and Eddie are together as a gay couple with a child. She saw those two men and thought “gay”! 😂 That elf is the embodiment of all Buddie Shippers.

• The Bus emergency with the Marine. After rescuing those involved the 118 takes the Marine to his daughter’s school for her performance. There is a mutual understanding between Eddie and this Marine. Buck and Eddie cry at the marines reunion with his daughter.

• Eddie finally allows Shannon and Christopher to reunite. Very cute and heartwarming moment.

Now that Season 7 is quickly approaching, I’m going to challenge myself to transcribe all my notes and upload them on Mondays-Thursdays before the Season 7 premiere. I finished my rewatch, just have to go through my notes and transcribe them all. No promises that I’ll actually get this done in time, but I will actually try.

All my notes from Season 2 should be posted by this Wednesday.

#buddie #911 abc #eddie diaz #evan buck buckely #buck x eddie #911 spoilers #chimney #bobby nash #maddie buckley #911 rewatch #911 season 2 #911 fandom #christopher diaz

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abybweisse · 6 months

Note

Hey Aby! In anticipation of the 205 chapter, I decided to go back and re-read Mey-Rin's and Bard's for clues of what may happen next to Snake and Finny. I noticed something interesting with both arcs - they both seem to hint at what their ultimate fates will be. While Bard's arc is all about meeting with wife and son while in a coma and he practically promises to return to them, Mey-Rin is an unwitting witness to a sex act, in an uncharacteristically graphic scene for Yana. Do you think that death is ultimately on the cards for Bard and (I guess) a marriage for Mey-Rin? Or is it all contained to their arcs themselves and does not mean anything beyond completing a mission?

⚠️ long post ⚠️

Assignments as foreshadowing?

I think that if Mey-Rin gets married, it would not be foreshadowed by her seeing sex acts through a keyhole.

She joined Qīng Bāng at a very young age and worked as a sniper, but she saw a lot going on around her. Well, as much as she could see without glasses. There were drugs, alcohol, and probably prostitution in and around the opium den, as well as throughout Limehouse district. One of her early assignments as an assassin was to shoot this guy at a hotel or perhaps in his own huge manor, right? He was a rival gang leader, and she shoots him while he's naked with some unnamed woman. He might have even been right in the middle of having sex when she shoots him. She's witnessed a lot in her young life.... Getting married to anyone would be despite the things she has seen and done. Reminds me of how Katniss finally settles down and has kids in The Hunger Games, even though she's been thoroughly traumatized by her experiences. So far, at least, Mey-Rin seems to have kept her mind pretty well intact. I hope she can continue to do so.

I think we can safely say she has somehow managed to remain a virgin up to this point, too. Otherwise, Georg von Siemens' inappropriate actions towards her wouldn't have been enough to make her question whether she was still worthy of marriage. Going by "Rin" and dressing as a boy until she joins the Phantomhive household might have been partly to protect her virtue. Good thing Haku was apparently only interested in her sniper abilities.

In Baldo's case, the interaction with Joanna and his son might be an indication he will have to break whatever promises he's made to them. At least for now. I mean, his claim he can now properly cook fried eggs is an exaggeration "Sebastian" calls out even before Baldo can fully return to the living realm.

I put Seb in quotations because I'm not sure whether Sebastian has infiltrated Baldo's coma or if he's just a nagging figment of his imagination.

Then again, maybe he will soon join them. We still don't have confirmation that he and the others safely made it out of Athena Sanatorium, thanks to a cliffhanger and moving on to the next assignment, with Finny and Snake. Next time we see Baldo et alia, they might be trying to take leave of the place... when Polaris freaking shows up, mad as all hell. Even if Ronald and William stick around and actually enter the fray (since it's another bizarre doll to take down), I don't see it ending too well. Baldo does seem to have this uncanny ability to survive, though, even if everyone else around him doesn't....

Either way, I highly doubt he will ever make it to Shanghai with the others, even if the others do. And if he stays in England and somehow still survives to the end of the series, this is most likely a false promise, as well:

Mostly because he's just that terrible in the kitchen.

I still somewhat hope Mey-Rin and Baldo end up together, despite their age difference. At least she is an adult already. Also, it was a very common practice in Victorian England for older men to marry much younger women, especially if those men were widowers. Much like Katniss again, perhaps Mey-Rin would only pair well with a man who has experienced much of the same trauma. Likewise, Baldo might now have trouble settling down with some completely innocent sort of woman. Katniss and Peeta go through the deadly and maddening games together. Baldo's been altered by war and losing his wife and son. Mey-Rin has been altered by her years as an assassin for a drug dealer and gang. Mey-Rin and Baldo have both been enlisted as servants for our earl, chosen because of their abilities and previous training; now they volunteer as pawns in this deadly game of chess against their young master's brother. Perhaps their bond will be strengthened by all this... if they live to see the end of it.

The main thing the first two assignments have in common, besides their basic instructions, is that Mey-Rin and Baldo each flashback to the events directly leading up to being offered positions as our earl's servants. Mey-Rin's flashback is triggered by Jane offering her the opportunity to switch sides. Her flashback shows us why her loyalty stays with our earl and Sebastian -- with the Phantomhive household.

Baldo's is triggered by Ada admitting her guilt as a survivor during warfare; Baldo feels much the same.

And he also develops loyalty towards our earl, Sebastian, and the other servants. Just like Jane ends up aiding the infiltrators, so does Ada.

As I'm typing this up, I realize "hunger games" describes both Mey-Rin's and Baldo's lives before: Mey-Rin is once fooled into biting a boot and is regularly given moldy bread to eat... while Baldo's battlefield starvation tempts him to cannibalize his fallen comrades. Sebastian barely arrives in the nick of time to stop him from eating the arm of Terry, or whoever that poor dead dude was, if it wasn't Terry. Sebastian shows up with a picnic basket filled with afternoon tea items and possibly more. The first thing our earl does to extend any kindness to Mey-Rin is provide her with the first hot, freshly prepared meal she's had in ages, perhaps as far back as she can remember.

Back to their assignments; they are paired with people who are in our earl's network but are not his servants. But Finny and Snake (and his snakes) are both Phantomhive servants, so do we get a major flashback from Finny, from Snake, from both, or from neither one? So far, Finny is having single-panel flashbacks and even briefly stating things he recalls to Snake and the top students. The orphanage reminds Finny of the research facility in some ways, and that could segue him into a major flashback. Since Doll is there, she could trigger Snake into one. However, before the assignments, they were the two we already knew the most backstory for, and we might never learn all that much more about either one. To deal with both characters, we might just continue to get tiny snippets here and there.

But Mey-Rin has a choice to make -- choose Jane's offer or remain loyal to our earl. She remains loyal, and Jane even helps her and Ran-Mao break up the blood collection operations there before parting ways. Mey-Rin and Ran-Mao just need to get to our earl and make their report.

Baldo still has a choice to make -- stay in England and return to our earl... or go with Lau and the others to China. Like I said before, he might never get to China, even if he tries. I do expect him to ultimately end up staying behind, possibly loaded down with fresh feelings of survivor's guilt. If Ada is still around when we get back to them, she might also decide to stay back and help Baldo take down the Aurora Society.

With Finny and Snake, I don't think Finny's loyalty could ever come into doubt. His choice might come down to whether he has to fight Snake. But I don't think Finny will see much, if any, choice in the matter if it comes to that.

Snake is probably about to hear Doll's full tale about the circus members' fates. Then his choice (and the choices of his individual snakes) is to either help Doll get revenge... or attempt to destroy her and shut down the orphanage. Snake is the last to join our earl's household, so he could end up the first to leave it (I don't think Tanaka has truly left). There's also the possibility that one of his snakes, like Emily, chooses Doll and must be eliminated.

There is foreshadowing in each assignment, but most of that pertains to what ends up happening in each assignment. I don't know what long-term foreshadowing there is in the assignments, other than perhaps some things not directly related to them... like:

The chance of Jane popping up again later because she hinted that she might

The shapes of souls and "aptitudes" hinting about soul transplants

If Layla ends up being Heathfield's daughter

If Layla/Al ends up being some experiment of Undertaker's regarding soul transplants

What I do see is each servant's loyalty being put to the test, and they must make quick, fateful decisions. Whatever choices they make during their assignments, they will ultimately affect the outcome of the story. Each assignment definitely has long-reaching consequences; they are not little bubbles of existence.

I hope I answered your question thoroughly. I stayed up too late working on this -- but not finishing it -- and have been half asleep all day.

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aicosu · 9 months

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Ooh if you’re still taking numbers for the prompt thingie, 14! I adore your writing so much!

"Talk to me, prithy, I know you hath something stuck in that throat, and it's not ocean."

She stares through his soul before ducking her head into the wafts of her hair, scooting backward in aqua and shadow.

No avail.

"Well, fuck." Eddy sighs, sitting down in front of the glass coffin, boots spread.

Don't open the crate. They had decreed. An extra sixty pence for him to turn his eyes away and whistle over his morals.

He'd taken the gold and opened the crate anyway, as soon as he was out of the city walls.

And it was a fucking mermaid they had him smuggling. A siren of the sea. A Poseidon witch. A femme enchantress who robbed men of mind and blood before drowning them at the bottom of the darkest trenches.

She looks terrified.

But isn't that part of the play? She's the most ethereal beauty he'd ever seen in his life, just likes myths said they would be. Then her glowing blue eyes and milk skin framed by golden floss hair was all just the meat under a propped up box with a stick. She'd use them to lure him to a watery death and lay eggs in his chest… or something.

He doubts she could drown him in less than a trough of water, though. It barely reaches past her shoulders. And she had no space to turn or fold, let alone swim or kill.

She's stationary and shivering. Stolen and smuggled.

And Eddy doesn't smuggle people. And… Mermaids were… people shaped enough to fall under that honor code. Exotic birds of fire, beatles made of gold, and dogs that could bark open portals—sure. If the buyer liked animals and not just greed.

His normal fare is usually just illegal spices for the recreational minded. Liquors that controlled dreams for something to relieve a wounded day. Rare books with incantations for better genes and the like. Maybe some rare weapons and metals when he was in a legitimate mood.

Buying and selling people was sadly common and sadly profitable but not so sadly in his repertoire.

Til' now.

Accidental, promise. And the bad taste he'd had since stepping foot in the Duke Brenner's caste of forbiddens was a pretty big foreshadow, but one he could feel a rebellious itch against. Something that told him to take the job and ruin it.

So here he was, in the back of his caravan with an open crate to a mermaid case outside the forgettable village of Pitty Glen, ruining it.

Pitty Glen, because it is the complete opposite direction of the High Lord Creel's manor he's been directed to take her to, and it's also where his pseudo boy lives. Boy as in knave. Though smugglers didn't technically have knaves, they had accomplices.

And Dustyn Son of Hender was a good one of those, with his endless tomes and scrolls of legend and mysticism.

"Verily, let's… see what we have here." He waves the Books of Seas at her.

She bobs ominously in response, siren eyes illuminated like foggy moons. Her eyelashes clump, wet and golden, and the effect is such a detail of humanity. Eddy finds himself staring at the contrast of her very real details to her very unreal ones. The pearlescent skin pressed gently with patterns of scales that come and go with the refracting light. The golden thick of her tail, adorned in flimsy paper wet fins, pink and waving like a lady's chiffon wrapped around her. And the sparkling stones man made and otherwise crowned over her hair. Brooches and coral and pearls and possibly the broken chains of a man's pocket watch—like she had maybe slaughtered some humans and created jewelry from their leftovers as souvenirs.

"Apologies, good fuck, let's just—" Eddy pulls his eyes away because it's rude to gawk at a woman even if she probably eats people. "...see if anything in this blasted thing helps our dialogue."

Turns out the trinkets aren't souvenirs but status.

Mermaids are actually pretty courtly, even despite the book's pages being littered with illustrations of naked beautiful women with large gnashing teeth and bloody claws—Eddy doesn't appreciate the over exaggeration of their gruesomeness, and flicking his gaze up to the even flow of her sineous scales, hair, and tail: the under exaggeration of her countenance.

They apparently make trade and fashion with each other by gifting all things… sparkling. Shiny was the only name on their currency. And the more one had, the more high up the court they were.

"So, you're a mermaid lady-in-waiting? Or maybe a duchess of some reef?" he asks, flipping the book to spread its pages against the glass to show her the drawings of different mermaid treasure jewelry.

She shrinks at first, the underwater jerk fluffing her chest, curls, and gems. But then she's bending close, touching her own little tiara of compasses and rubies.

Eddy stands, looking about the crates and baskets of his caravan, past the other cargo he'd taken on of opiates and weapons, shuffling through his own cot bedding and trunk to find something suitable. Something sparkling.

"I suppose maidens' love for bobbles is true on dry or wet land, ha!" Eddy barks, watching the aquarium case rock with her obvious excitement. She tries to follow the book when he takes it back. "Greetings, condolences, compromises, forgiveness, so forth, so forth—are begun with such gifts. Greedy! But understandable. I too, start all my friendships only if they pay tribute. Granted, I don't have friends, I have customers but…"

A metal brooch clatters to the floor, stopping beneath the wedge of his boot.

The Templars sword and sheild.

He picks up the richly engraved cape closure and frowns.

"Well, it's not like I fucking need it anymore," he tells it and himself.

When he comes back to the coffin, the siren’s webbed fingers splay on the glass. Long sharp knives’ end nails tapping lightly as she peers close to see what he’s doing.

“Whoa, terrifying. Verily, the book is… not wrong then.” His eyes dart to the codex again and the drawings of bloody, horrible ends to the men who trifle with these creatures.

But she looks curious. Innocent. Absolutely entrancing.

Gold all over and blue where it counted, she’s the sea itself in the space of refracted light. Even the junk in her hair she’s collected does it’s job, shining and glittering to match the deepness of her eyes and the wetness of her lips. Wetness of her lips—she’s in water, you absolute buffoon. Still. Entrancing,

That’s the point, that’s the point, that’s the point…

He shakes himself. Murderous mythical creature or not, he’s not selling her to some high bidder who will display her in a dining hall for lords and ladies to gawk at for the rest of her life before someone decides they haven’t tasted mermaid morsel or some lord deems her fit for a deadly romp.

And he can’t help her return to… wherever she hails from if he can’t commune with her.

So this.

Flashing the brooch at her proves worth it. The water inside splashes with her excitement, her eyes on the shine with rapt attention so much so she doesn’t notice the case above her pry open. Eddy drops the metal inside and yelps back when she twists and jumps upon it.

“F-for you! Dear… lady. Y-ye! You fancy that? It's a gift! Want to keep it?”

Curled in her palms, she grins.

Oh.

“Ohhhhhhhh….” he wobbles, staring at her teeth. The incisors are familiar. Flat like his. her canines and the rest however… Sharp and long. A beautiful skin she has, wrapped tight around a body made for destruction. Like engraved plating on a blunderbuss. Gem-encrusted sheaths on blades. Many, many, many blades. “You... you must need those… for something, then.” Egads.

She ignores him though, too busy closing her eyes to focus on attaching his old Templar’s medal to the collection in the crown of her head.

Eddy picks up the book again quickly, reading fast down the passage of gifts. “...once received, placement of parcel upon each siren is denotation of class… huh, hmmm… wrists, no, necklace, no…. hair! AH–”

Royalty.

“Oh, oh no. Oh… god.”

Royalty. Only those of high lineage within the matriarch may crown themselves.

Mermaid… princess.

“Y-you don’t think that would look nicer on, perchance, a lapel or, or, or an earring or—”

She blinks at his rambling, smiling with such grace and poise he’s only getting more and more upset.

Then she opens her mouth again.

But this time he’s not distracted by the fangs as much as he is the note. The singular, sweet, unearthly, and altogether unworldly note of music. Of voice—nothing of any sheet he’d ever known, and he’d known them all. A high-pitched, low-pitched, tuning fork flicked against the chords of time and space and heavens.

Around them, the caravan wobbles in color and picture, and Eddy falls back on the slats, dizzy as the world around him tilts, reverberates, and her face illuminates with a literal sun behind it—Golden and perfect. Oh, mighty sun, sweet maiden, to go to her and let her have him—! To allow him to sink into that noise. He would be so happy, so content—

Whoa—what?

“S-STOP! Stop, stop, stop!”

Her shoulders jerk, teeth snapping shut.

“N-no singing! Uh—”

Singing. Siren. Mermaid. Ships crashing into rock and men getting their face pried off for egg nesting. Bad.

“—I, I’m not, I don’t really enjoy music and, you're not really in pitch for that… diddy. Sorry. I’m pretty particular about… I have a sensitive… bard’s ear…”

She stares back at him, hands wringing through her hair fast and uneven, looking very much like a girl he’s yelled at and now was insulting and not a vile witch who’d just tried to enthrall him into a cannibalistic ritual.

“S-Sorry. Let’s. how about we just… we’ll wait to sing until you know. Never, maybe.”

At least not until he put her back in water and sailed weeks away from her.

He puts his hand on the glass for recompense, eyes still dizzy with her beauty and whatever that had been.

And… incredibly, without prompt or circumstance, she does too.

Calm and graceful, and smiling full of needles and joy, she matches his rounded, thick fingers with her delicate points and laughs.

And it sounds… Boy, does it sound.

Eddy cries to it. Quite literally the sound of it yanks something up his throat and past his nose until he’s spilling tears. He feels magic in his veins. And not in a dreamy pathetic poet way—no, magic, scroll-full magic with history and weight in it that he knows for sure she is doing it.

“M-maybe no laughing either princess,” Eddy says, scrubbing his tears away with his hair. “That mayhaps be best!”

She laughs again and he curses as he puts his head in his knees and sobs past his own barks of mirth at the ridiculous situation.

He cries and laughs and stares at the wood of the caravan floor and her again, shining and sweet—and h-how?

How in the realm did he get himself into such a mess? Such a divine mess?

Or is that the Siren’s song talking?

#hellcheer #eddie munson #chrissy cunningham #fanfic #eddissy

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lishenkaaa · 1 year

Text

so we all agree gideon died after the avulsion trial right?? like palamedes thought she should be dead,

or in a coma,

and her wounds (which in this case should be severe brain damage at the least) don't magically heal any different to anyone else, considering she'd probably notice if they did after a lifetime of fighting w/ harrow, so like i think she just died lmao?? after the trial we also get one of gideon's supposed fakeouts,

and with tasmuir's love of extreme foreshadowing, i think the "air of resurrection" gideon felt was an actual resurrection lmao.

considering all this, im imagining her immortality (?) is more like she CAN die, but she can also come back, which also hard resets her body back to usual health. the only reason this didn't work after being railed (sorry lol) is because harrow was holding gideon's soul, preventing it from returning to her body.

im guessing this is also the reason why john couldn't resurrect her? idk im so confused why he didn't do it considering so far it doesn't seem to do anything but hurt her, but if harrow absorbed part of gideon's soul, maybe a full resurrection isn't possible?? (if anyone has any ideas about this pls lmk)

the immortality as death-and-rebirth rather than never-dying also adds up in regards to john. at the end of htn, he acknowledges the fact that dominicus WAS affected by mercymorn blowing him up,

implying that he did actually stop powering the sun for a moment, which makes sense if he DID die and come back! very interested in how this will affect things in atn...

#the locked tomb #gideon nav #kiriona gaia #john gaius #nona the ninth spoilers #where this post starts and where it ends are two very different places but im not bothered to make two posts LMAO #just UGH so excited for atn i hope we learn more about all of this #omodru talks

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jingchu-time · 1 year

Text

Hello Charwhit fans, I am here to make you sad.

Okay, so plenty of people have brought up the concept of Culprit Whit, and I do enjoy that concept, I do.

However, I'd now like to bring up the idea of Victim Charles (mainly for Chapter 3).

Whit made a funny little comment about Charles dying at 3 for being fatally unfunny. DRDT likes to foreshadow stuff. Take Teruko's Prosopagnosia for example, which was foreshadowed in the prologue, with her not recognizing Charles by his appearance. I'm not saying it will happen, I'm just saying consider.

As discussed in my way to long analysis, Whit tends to keep a calm persona. He's never given much reaction to the deaths of the others.

He wasn't close to any of them though.

If Charles were to die, then Whit would be forced to face it. Whit can't just pretend it never happened like he does with his mom. He and Charles stand next to each other in the trial room, so he has to acknowledge it, whether he likes it or not.

But also imagine how bad that would mess up his mental state. Charles is Whit's only real friend in the killing game. He's social with everyone else, but not extremely close to them. If Charles were to die, then that leaves Whit completely alone. His mom is dead, his father isn't active at all in his life, and his only friend is dead.

He could try and think positive, but there only so far you can push something like that before there is no positivity left to hold on to (trust me).

This all goes without me mentioning that they'll (probably) continue to grow closer during Chapter 3 (if neither is the culprit of the 2nd case).

Idk, I just find the idea interesting.

(I'd like to bring up Teruko, someone that both Charles and Whit are (semi-)close to. How she'd act is dependable on how she develops. Maybe she'll show sympathy, maybe she'll be like, "Now you see how terrible trusting others is because they all leave you" or something like that. I bring her up since she's close-ish to Charles and Whit has lots of interactions with her. Plus how she reacts could lead to some interesting reactions from Whit)

---

I'll reorganize my thoughts in the morning. Take this more messy version for now.

#drdt #danganronpa despair time #whit young #charles cuevas #charwhit #teruko tawaki

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samasmith23 · 11 months

Text

Kamala Khan's death in Amazing Spider-Man (2022) #26 leaked NOT once... but TWICE in a row!!!

It looks like someone at Marvel RRREEEAAALLLYYY wants this whole publicity stunt of killing off Ms. Marvel (aka, Kamala Khan) to FAIL super hard considering that the pages for tomorrow’s Amazing Spider-Man (2022) #26 have been leaked not once, but twice now! And now we sadly know exactly just how Kamala dies…

Umm… last time I checked, Kamala has a healing factor. Sure it’s nowhere as powerful as Wolverine’s (and it does require Kamala to eat a lot in order to replenish her energy reserves), but unless that sword is powered by some kind of magic bullcrap which completely shuts off her healing factor, this makes zero sense! Kamala literally healed from a bullet wound to the stomach in her opening arc, and even survived having an entire building collapse right on top of her (just barely, but still)!

Also, it feels so random and arbitrary to have Kamala randomly use her shape-shifting powers to pose as a body-double Mary Jane, especially since she’s not utilized them a lot due her opening arc centering around Kamala becoming comfortable in her own skin after previously trying and failing to resemble her idol Carol Danvers (therefore overcoming her personal insecurities and internalized Islamophobia).

Plus, last time I checked Kamala's only since then shape-shifted into a couch, James Rhodes, and a scary cartoon face.

While it does feel somewhat in character for Kamala to risk her life to save someone she barely knows as part of her characterization as a superhero, the actual execution of it feels incredibly at odds with her past character development (whether it be struggling with her fears of death and mortality in Magnificent Ms. Marvel, or already receiving validation from her family, friends, and dozens of other superheroes, including Peter Parker, so why does she need it from him again when she dies?!).

Based on these leaked pages, I get the general impression that Zeb Wells originally fully intended to kill off Mary Jane here since all throughout his Spider-Man run he’s heavily hinted at it and foreshadowed it with that Paul guy (seriously... WHO THE HECK IS PAUL?!) and their two kids (who are apparently actual mystical constructs or something…), and that mystical supervillain wanting “the Scarlet Woman’s blood” (I know the phrase "Scarlet Woman" is specifically meant to refer to MJ’s red hair, but it is also unfortunately a derogatory slang term for a sex-worker). But maybe Marvel editorial told him to rewrite his planned death of Mary Jane at the last minute as a desperate effort to promote the upcoming The Marvels movie (which Wells shares a co-writing credit for the screenplay of), or Wells wanted to subvert reader expectations but did so in a distasteful manner?

I honestly don’t know... but if I had to guess I’d probably say it’s the former option since Marvel previously killed off Doctor Strange and the Scarlet Witch before resurrecting them a few months later to hype up their upcoming MCU films, plus the Spider-Man offices in particular are notorious for their editorial mandates and interfering with writer’s plans at the last minute (just look at how they recently forced Nick Spencer to settle on retconning Sins Past out of existence instead of One More Day like he was originally building-up towards). And do I think that Zeb Wells himself is an Islamophobic misogynist because of this? Probably not... especially considering I don’t know the guy’s personal politics (maybe he's a swell person IRL) and editorial mandates are likely at play here. I do think that killing off Kamala in such a random and distasteful manner is still a bad look and does give off those unfortunate implications. However, based on what I know I feel that this is more a case of judging the actions as bigoted (whether they were intentional or not) instead of labeling the person themselves as a bigot.

But regardless of whether or not the decision to fridge Kamala Khan is the fault of Zeb Wells, or Nick Lowe or someone else over at Marvel Editorial, I do want to make one thing perfectly clear... DO NOT... I repeat... DO NOT SEND ANY OF THEM DEATH THREATS! Like, I've already lost count of how many people I've encountered on both Twitter and Tumblr who are seriously outright calling for both Wells and Lowe's blood in response to these leaks.

And since the issue is being released tommorow, I feel the need to reiterate that harassing creators and sending them death threats is NEVER acceptable under any circumstances, and that doing so makes you no better than the kinds of supervillains that Kamala regularly fights against! We can criticize a bad story WITHOUT becoming supervillains ourselves! Follow the advice of @atopfourthwall here for heavens sake people:

youtube

Now this is hopefully going to be the last time I discuss Amazing Spider-Man (2022) #26 here on Tumblr as I have zero plans on giving any actual money to the issue myself. I may consider reading the Fallen Friend: The Death of Ms. Marvel one-shot, if only because it's being written by several of Kamala's past creators G. Willow Wilson, Saladin Ahmed, and Mark Waid, so I trust them to be able to salvage something decent out of this whole fiasco. But that's it. I do plan on releasing a future post which provides an in-depth analysis about the ways in which Ms. Marvel comics have discussed themes of death in a much more nuanced and respectful manner, but I have no idea when it will be released.

Until then folks... vote with your wallets. Please do not cave into the outrage machine and feed into the publicity stunt that this whole mess so obviously is. Don’t give tomorrow's issue of Amazing Spider-Man any more attention than it's already received. Instead go support all of Kamala's past adventures to show your love and appreciation for the character if you do not own the graphic novel collections already. And most importantly... for the love of all that is holy, DO NOT attack the creators involved with this terrible decision and especially DO NOT send them death threats!

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ripaxed · 1 year

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Forgive the lazy and rough graphic but, Season 2 team ideas?

Should note I made these with the self imposed and probably unnecessary restrictions of having an equal split of former Ferocious Trout and Frogs of Death members.

Splitting up both Wayne & Raj and, to a lesser extent, Millie & Pryia just feels very natural to me. Wayne & Raj were nearly always together so separating them AND making them compete against each other is just a natural source of conflict. Whereas Millie was of course very dependent on Pryia during the first season to make it far so isolating them from each other seems like the natural next step. This would force Millie to try to make new allies and use whatever skills that stuck from Pryia’s training.

Having Bowie/Raj and Emma/Chase on the same team not only creates the contrast of a very healthy couple vs a very toxic one, but also forces interaction between Bowie and Emma after their fallout.

Also for Bowie, there’s drama in him interacting with Caleb, as he would now know that it was Bowie who got him voted out day one. His reaction in the first episode tells me he wouldn’t let that go.

Axel and Scary Girl can kind of work on any team, so I don’t have much to say for them. Though I do think the idea of Axel and Bowie contrasting against each other to be rather funny.

(I know a lot of people want a Lauren-Damien-Pryia thing to happen and I support that, I just think it can happen with not all of them being on the same team)

I’d like to see Julia and MK on the same team again. It was MK who jumpstarted Julia’s whole villain arc and, more notably, it was Julia who got MK eliminated, which she’d definitely not be over. I could definitely see them having a strong rivalry, or a bit of a villainous alliance. Either way I think they should be gay about it.

Speaking of MK being eliminated, I’m imagining her line about “At least [she] didn’t make any friends” to be some sort of foreshadowing. Who’s the character I think has the best shot of being an actual friend to her? That’d be Zee. He’s shown to be able to get along with pretty much anyone. MK typically avoids having any deep interactions with other characters by overloading her conversations with sarcastic insults, and I literally couldn’t imagine Zee actually comprehending that she’s insulting him. Instead, he thinks they’re just having a pleasant conversation. I see them becoming ‘friends’ by Zee just hanging around her a lot and MK eventually getting used to it (and start to enjoy his company, not that she’d admit that).

In contrast, I actually like the idea of there being someone Zee doesn’t like, that being Nichelle. In Taste Buddies there’s that whole exchange with Julia and Zee about how rather than him not wanting to talk about a very disgusting alien movie because it was gross, he didn’t want to talk about it because he felt it was a weak directorial effort. I could imagine this idea of Zee being a bit of a film buff being expanded to him not vibing with Nichelle like he does everyone else because he finds the movies she stars in to be vapid or something along those lines. I easily see this bothering Nichelle since she’s so used to being praised and beloved. (Should note: I saw someone else come up with this concept, but I don’t remember where)

Speaking of Nichelle, something I’d like to see is her being contrasted with Priya, as she’s someone who actually has the skills everyone believed Nichelle to have. Though, I like the idea of despite that, they actually end up bonding, as I could see Priya’s parents making sure she knows a lot about the entertainment industry (both because of Total Drama of course being a show and in case of a TDA like season) and them getting along from there.

I also want to keep Priya and Damien on the same team. Wether it be to develop them romantically or further their friendship, I’d just like to see more of them together. Maybe make up for the lack of ‘knows everything about TD vs knows nothing about TD’ interactions that I’m surprised we didn’t get in the first season. Maybe they could even have a bit of a brains and brawn duo thing going on.

I don’t have too many thoughts on Ripper, I’m kind of imaging him as an early boot this time around. Still, this gives him a chance to interact with characters he hasn’t before. And maybe Priya finds out he was who suggested that Millie cut her raft, and something happens from that? Could be something there.

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evaglass · 2 months

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Four men, four countries

So I'm just posting and speculating for fun. This is a small theory, but I think it would be interesting if each of the four men were from each country in the British Isles.

So we already know that Fowler is from Ireland, but we don't know about Violet's, Skeffington's, and Routley's origins aside from the fact that they're most likely from the British Isles. Usually, you can tell where someone is from by their surnames, not always, but usually; however, I don't think that will help us in this case. The reason why I don't think the mens' surnames will give clues on where they're from is because I don't think they're using their real names.

The reason I think those names are aliases rather than their actual names is due to the timeframe and historical context. There is no way around the late 16th century to early 17th century would an Irish child be named Abijah Fowler; he would have most likely been named after his paternal grandfather if he was the oldest son, and it would be an Irish Gaelic name, along with his surname also being Irish Gaelic.

It also makes sense that the men are not using their birth names as they are participating in the black market.

However, I think I can at least make an educated guess on where each the men could be from.

Violet - I think he's English, I also think he was somewhat of the leader in that group. Violet was referred to as "old Violet," which could mean he's an old friend or he was possibly very elderly, maybe the eldest out of the four men.

It would make sense if he was the eldest, considering in the flashback he seemed very easy to kill. I also want to bring up that Fowler genuinely seemed upset about Violet's death and looked like he was genuinely going to kill Mizu for it. I believe each of the four men came from harsh upbringings, like Fowler, and I think Violet was likely the first to go into that sort of black market lifestyle and took the other three men under his wing. It's likely Violet took Fowler in after he lost his sister and thought him everything he knew.

It's a bit tricky to figure out Skeffington and Routley, especially if the surnames do turn out to just be aliases. So, let's look at the names from a more metaphorical lense instead.

Skeffington - so when I do a quick Google search of the name Skeffington, its meaning has roots in the words 'sheep' and 'farmstead', which you'll find a lot of both in Wales. A bit on the nose, to be honest.

Routley - looking into the meaning of the surname, Routley was a bit more difficult as apparently to some sources, the meaning is lost, but according to ancestry, the surnames can be associated with the term 'cliff', and Scotland makes 60% of cliffs in Britain. RIP Welsh Routley theory, you will be missed

Another thing is that I believe that Skeffington will be the most sadistic, as someone on another post pointed out that Skeffington can also be referred to as Skevington, which is also the name of a torture device know as Skevington's daughter. His last name having ties to the term sheep can also be used to foreshadow his personality as a wolf in steep clothing, someone who's a mindless sheep (a blind follower), or even a sheep in wolves clothing because deep down he's a coward.

As for Routley, I can assume he's probably the youngest out of the four. Also, let's be honest, many of us believe he's either Mizu's father, or if you believe in the European mother theory, then most would believe he's at least her uncle because of the 'pretty eyes' comment. It's very likely that Routley will be the most significant target to Mizu, and he'll play a big part in season 2. Which might mean Mizu be half of

In all seriousness, it could be possible that each for four are from one of each country in the British Isles as during that time frame it could be beneficial for the group for one person to know Welsh, another to know Irish Gaelic, and another to know Scottish Gaelic. I also want to point out that, apparently, the surname Violet comes from the term 'pathway', I guess Violet painted the pathway for the other three men to join him.

Take this with a huge grain of salt as this is just a theory for fun.

#bes #blue eye samurai #blue eye samurai theory #mizu #abijah fowler #skeffington #violet #routley #kind of wanted routley to be the Welsh one #wales needs to be noticed more #it's a nice country

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coraniaid · 7 months

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Anne is such a well constructed episode. It’s not the best season opener (that’s Bargaining) and it’s not my favorite season opener (probably When She Was Bad), and if you’re feeling cynical you could argue it’s at least partly a pilot for the Angel spin-off series in disguise (since … it is?), but it’s just so well put together and full of so much foreshadowing and symbolism and references to previous episodes. I really like it and I really liked rewatching it, almost more than I was expecting to.

The last time I watched it I remember being annoyed by the fact it didn’t focus entirely on Buffy in LA. I thought the scenes set back in Sunnydale were a distraction from her story: I don’t care about Xander and Cordelia’s relationship and I don’t care about the Scoobies' attempt to stake one very obliging random vampire. And yet, for some reason, this time around I felt a lot better disposed to this half of the episode. I do still think it would have been interesting to have a whole episode away from Buffy’s friends, and that the Sunnydale plotline is a lot less intense than what’s going on in LA. But I think it’s a mistake to conclude the scenes in Sunnydale are a waste of time or don’t do something important.

The juxtaposition between a Buffyless Sunndale and a Buffy who’s stopped being Buffy felt a lot more deliberate this time around, whether that meant cutting directly to Buffy’s dream about Angel after Willow said she wished she knew where she was, or the way the big, noisy crowd at the first day of school hard cuts to Buffy sitting alone in silence in her tiny rented room, or Joyce asking Giles “and who exactly is she?” right before Lily comes back to the diner to ask Buffy for help. And, having set up this pattern, the fact that we never once cut back to Sunnydale while Buffy and Lily are trapped in the hell dimension suddenly feels weirdly claustrophobic, and makes that final jump back to Joyce at home at the end work a lot better than it otherwise would.

I also really really like Lily. As Chanterelle in Lie To Me she wasn’t really given much to do, but Julia Lee is really good here as – not quite a proto-Faith, but another alternate Buffy who’s quietly hinted to have a pretty horrible backstory. That pause after Buffy asks her “what do they call you at home?” speaks volumes, as does the way she assures Buffy she wouldn’t tell anyone about who she is or where to find her because “I know how it is when you’ve got to get lost”, or how quickly she resigns herself to believing they’re in hell later because she “always knew she belonged here”.

And, almost at the same time, she’s also a great comic foil (asking Buffy if she can “come with her” right after agreeing that they should split up, or coming back to apologize to her when she's meant to be getting away "in case we die"). I love that she gets to push Ken off the balcony mid-speech (in fact, I almost think the episode would be stronger if that really was the last we saw of Ken: I’m not sure his reappearance later just to be killed by Buffy herself really adds much). And I love the argument about Rickie’s death (that isn’t really about Rickie) that she has with Buffy: “he didn’t do anything wrong, why would this happen to him?” versus “These things happen all the time. You can’t just close your eyes and hope they’re going to go away.”

I really like the fact that Lily (as Anne Steele) goes on to be a minor character on Angel, but I do wish we’d had some hint that Buffy really had stayed in touch with her after this episode the way she promises she will. Once again I am imploring the Buffy writers, decades after the fact, to please let Buffy have a few more friends.

(Oh, and, look: neither Buffy nor Lily get magically pregnant and die this episode! The possibility doesn’t even come up! Maybe this wasn’t a stealth Angel pilot after all...)

And I've not even touched on the wonderfully unsubtle foreshadowing of Ken’s repeated lines about kids “getting old fast here”, or the way this episode almost acts as a proto-Bargaining (with Willow very clearly taking charge of the group in Buffy’s absence, even taking on the Slayer role in the pre-credits scene), or Oz throwing his stake at a retreating vampire and then ruefully noting that “that just never works” as it bounces harmlessly wide, or just how much everyone in Sunnydale seems to miss Buffy in their own different ways, or Larry insisting this is the football team’s year if only they can “keep discipline, maintain focus and not have quite so many mysterious deaths”. Or that last shot of Buffy back home, and how it’s deliberately framed from her mom's perspective rather than her own.

Honestly, I just think Season 3 is so good and I love it so much (I furiously remind myself, knowing that Dead Man’s Party is up next and will try its best to convince me I’m wrong…)

#btvs #buffy rewatch 2023

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brightnote · 10 months

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A Secret Invasion Math Problem (Spoilers Episode 3)

Here’s a math problem for you, if Gravik kills two women how many of them will come back? LOL did you answer 1? I think you are correct. -- at least I don’t think this is the end of Emilia in the series regardless of whether it is G’iah who comes back or the character whose identity G’iah stole!!

What major potential reveals do we have here: Rhodey is probably being impersonated by a skrull and he’s the one who told Gravik that Nick returned to earth and was with Hill. This will replace my Talos set up Hill theory to Rhodey set up Hill theory as Rhodey also knows that separating Hill and Fury would be important and disadvantage Fury significantly.

What supports this reveal? Fury says “no one calls him Nick” and finds Bob impersonating Talos and using his name Nick on the phone. Rhodey calls Fury Nick when he fires him. This could be a sign of a skrull or it could be Rhodey setting Fury straight with the seriousness of what happened. Hill called him Fury at the bar in this series but we know she has called him Nick many times before. Kind of a silly thing to change for her.

We also know other people have called Fury Nick, including Tony Stark -- maybe what he means by no one calls him Nick is that anyone who does... dies? (Tony, Natasha, Maria, if skrull Rhodey is killed it’s foreshadowing and then Bob is killed by Talos) Was this just a line of Fury trying to be cool (another ‘even when i am out i am in’ line with a reference back to Captain Marvel!) maybe a total a misdirect, too or red herring!

My guess it’s just an attempt and IMO a failing at a cool line. (he’s kind of 0/2 on this right now because “even when he’s out he’s in” despite how good that scene was wasn’t really accurate to the events that had just happened when Fury, Talos, and Hill got caught up in the trap so I wouldn’t say even when you are out you are in... because clearly CLEARLY he was not in during the bombing and this line ‘no one calls him Nick’ also not true... so maybe we are getting to the big reveal .... double Fury? I did not buy this at first but I am starting to now. One theory out there right now is that Nick sans glasses is actually Soren and Nick with glasses is true Nick. Except of course in the very first episode we see Nick with and without glasses around Talos and Maria so when does second Fury slip in? If that’s the case, Nick sans glasses was the one at Maria’s funeral/body transfer and if that’s the case wooo boy, if he wasn’t really there idk. Unless there is a third Fury who went out and saved Maria and we just didn’t see that, and I am fine with that fyi. When would second Fury have tapped in? (well I guess third because of Gravik’s Fury)

We also see have a scene where Priscilla is on the phone asking to speak to Gravik. Some people say this was Rhodey’s voice I rewatched and can hear that it is Rhodey for sure. The tension between Rhodey and Fury is very good and would be interesting to flesh out. If Rhodey is being impersonated by a skrull this can explain how a skrull Ross infiltrated and was able to contact Hill---this still wouldn’t totally explain skrull Ross calling Hill for an extraction unless they wanted to involve Fury? I keep going back to this initial sequence for a reason, because it matters!! There are a lot of gaps here in how these events came to be.

Gravik’s plan to out G’iah works and he tries to kill her but we know at least that Emilia will be back in the show. Some are saying she comes back as a super skrull because she was in the lab! If they bring G’iah back as a super skrull i think that would be kind of dumb. If G’iah is for real dead this binds Fury and Talos in their fight against Gravik even more ~CUTE~ that these men are being motivated by their complicity in the deaths of women in their lives that they paternal relationships with. Such a dangerous way to display these kind of relationships and pretty lazy FYI. This may also explain the Maria and G’iah encounter in the tunnel which is such an awkward unexplained scene so far. These two women intertwine allegedly on the same side (unknown to them) and then are killed (or believe they are killed) by men in their lives with paternal relationships to them.

Fury knows his wife is a skrull. Fury is relatively happy for having watched his bff die in his arms and then being fired and is now eating eggs and tomatoes which he later calls dog food when he sees Talos in the diner. Hm.

Knowing there is no Maria in this episode it is hard to pay attention. I am holding out because IMBD credited Cobie in episodes 4 and 6 after her death in episode 1 but then it reverted back to episodes 1-6.

Notice: We also see a green and red wine bottle on Sonya’s desk. Not dissimilar to the green and red beer bottle we saw with Maria at the bar! This may be an indication of a ‘skrull in the room’ OR that if a character has a red and green bottle or item that they will be killed by a skrull and we have seen Sonya wear green and red before unlike Hill whose color scheme was blue and white (or very light gray and blue) Sonya is relatively fine being bugged by Fury. She’s chill that that WWIII is about to start, and so is Talos, so let’s talk about dogs--dogs come up a lot with Talos.

Definitely a change in tone in this one and not really for the better. I love Talos and Fury together but I think they need Hill to cut up the banter or set them both straight because some of it is kinda ugh. Talos pulls a Thor in Endgame TYPICAL men. Maria never would have let that happened and probably would never let Fury take a child hostage, and to be honest i have a hard time believing Fury would take a child hostage. Especially because Fury has figured out that Bob is a skrull so why would taking his human son hostage matter? Is Bob’s son a skrull or is this fake Fury / Soren and Soren knows that acting as a person for a long time will invest those emotions into the skrull actor. It seems more like a skrull move than a Fury move to be honest. Overall, the stakes feel relatively low during this allegedly tense start of WWIII moment probably because it is a fake plot. We don’t even know how Fury got these plans but we are to assume it is from him listening or getting a read on Priscilla’s phone in the early scenes when he was wearing his glasses.

AND we are 2/2 for killing the women in this show. You know they will bring Emilia back and not Maria/Cobie and I realized it the second she was shot also there was do dramatic pan out bleeding sequence. LET ME TELL YOU IT’S GONNA BE DUMB if it’s because she’s a super skrull and not because we are getting to know the person who G’iah stole the identity of. Tbh when people said they felt nothing for Maria Hill dying I was like HOW COULD YOU! THIS IS EVERYTHING 12 YEARS WE HAVE BEEN WATCHING HER SAVE AVENGERS AND I AM STILL TALKING ABOUT IT 3 WEEKS LATER. I know G’iah or at least Emilia is coming back. I think a lot of people presume Hill is coming back because of Coulson and Fury also returning from death (Fury two times) Additionally, Sharon Carter also survived a bullet to the gut. The people around Hill always returning is probably a sign that she in fact, will not. Additionally all of the trailer in the footage or clips we have seen of Hill have been used in the first episode (except for the opening scene in the teaser trailer at the bar which is different than the scene in Episode one!)

Part of me is like I can’t believe I was ever excited for this show.

Theories I may have to throw out or edit: Talos set Maria up to ice Fury out. It seemed possible in the first two episodes as we still don’t know how Gravik got his details about Fury returning but of course the show is setting it up that Priscilla with Rhodey are the double spies with Gravik. Since we actually don’t know Priscilla it’s not a super interesting set up that Priscilla is the traitor. It would be much more interesting to see the tension between Fury and Talos, Fury and Rhodey, or Fury and Hill tbh.

I do like this theory that one Fury is Soren and that would explain why I am really excited about a twist that Talos and Fury have been having a secret affair for years because they definitely have something going on.

The Maria G’iah Swap theory I think is potentially out maybe it is a symbolic scene about Gravik killing G’iah. If the G’iah body woman allegedly Abbigal Brand is true then she’s on Fury and Talos’ side this would also explain why the had to kill off Hill in episode 1 because for some reason in spy thrillers there is a rule where there can’t be two women---there can only be one?? This is still true in 2023 apparently and as the lead in TO THE MARVELS WHERE THERE ARE THREE LEADING WOMEN. ARE YOU KIDDING ME?

Overall this one was a 3/5 for me. A lot of people seemed to really like it but idk it did not hit for me, i’m a sore loser over Maria. I did think there were some good parts but overall I didn’t think it was cut very well and some the lines were rough. I know the WWIII plot was a fake out for Gravik to get G’iah but have you ever felt lower stakes for the start of a major international incident before? And uh shooting women must be like a Gravik kink or something, has he even shot any men? Also why do these men keep doing dumb shit to hurt the women in their lives and do them so dirty, Since it was revealed that G’iah was actually in contact with Talos, Talos calling her for the intel seems like a definite way to get her killed but as we know from Far From Home Talos is actually really kind of bad at anticipating what’s going to happen.

Oh my only remaining theory: misdirect vs trope on the Maria fridging still leaning hard that this is a classic trope that we hate but given the marketing I will give it a 1/5 chance that marvel pulls some cool twist. The director did say Hill “played a big role” in it, but since her time in the first episode and Fury being mostly unaffected by her death (at least it seems that way and if there are two Furys this could explain the disconnect) and it coming up only two times in the second episode and no times in the third episode does this mean a big role or reveal is yet to come? There’s basically very few to none Maria theories out there on the popular breakdown videos so I guess I will just keep advancing them here.

No special guest star billing for Cobie on this one so we know IMDB is just lying to us, and I guess that hurts more not seeing special guest star than it does seeing it. This is definitely the weakest episode so far.

#maria hill #nick fury #talos #g'iah #samuel l jackson #ben mendelsohn #emilia clarke #cobie smulders #marvel #mcu #marvel cinematic universe #secret invasion #agents of s.h.i.e.l.d.#disney+#don cheadle #james rhodes #rhodey

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rev3rb · 3 months

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Hey again. Just read the latest chapter, and umm idk how to feel. It was nice to get some more insight into Ferid and see how even as a teen he was always just ~ like that™️. But, I’m a bit taken aback by the implication that Crowley might be Ferid’s reincarnated brother?? Bc to me it read like that was either the 440th person he killed or 440th time he killed his big bro. And knowing Ferid, 440 does not seem like a high enough body count. But idk maybe the brother flashback isn’t related to Crowley at all and is just used to establish a pattern? Regardless, rip to Crowley, Chess, and Horn.

Plot relevant things aside young prince Ferid with his classic ponytail bow was adorable, still unhinged, but also pretty adorable.

I get that. Personally I'm kinda angry about it.

You're right in that it was nice to get some insight into Ferid, but I don't know if that was worth the trade off of what we got. What the HELL do you mean that named characters that were prominent at one point (even if it wasn't THAT prominent) got killed OFF SCREEN with no indication that this was the case up until now. I would probably be fine about it if we'd had ANY foreshadowing about it, but no. Instead they disappeared without explanation and then are just declared dead. Their disappearance didn't even ring as that weird since Ferid, and therefore Crowley since he's following him around, are up to things that aren't popular with the majority of the vampire population. I remember mentioning that they hadn't shown up in a long time semi recently in one of these, but the reason I hadn't harped on it as much as someone like Narumi is bc they disappeared at a natural point instead of in the middle of the arc. I'm getting side tracked though. Ultimately, this felt INCREDIBLY dumb and a bit like Kagami just wanted to kill them off since he had no further purpose for them. If you're going to do that, at least HINT that the fact that they haven't shown up in a bit is weird. I just. oooough. I'm talking in circles. But yeah. Imagine if this happened to Rene and Lacus too :) (likely won't since Lacus has that whole thing with Yoichi).

I also find it annoying that Crowley was killed with so little fanfare. I get that it's because of the whole vampires have no feelings thing, but still. It's just insane to kill a character who has been around for so much of the story like that. It really makes Crowley come off as a plot device for Ferid's story rather than anything of real importance outside of that. Without the added context from the Mikaela light novel spin off (which reminder, still hasn't been finished) he feels like there's just so little going on with him other than his relationship with Ferid. Don't get me wrong. I think Crowley is a fun character, which is why I think this is just doing him so dirty. Was I asking for some drawn out fight between him and Ferid before he was killed? No, not really. I just find the situation of Ferid killing him off at all kinda dumb. idk. I have no suggestions about what I'd like to see. It just... wasn't that. Maybe I'll feel better about it later if his death is revealed to be more plot relevant.

ANYWAYS! I better move on before I'm here all night. ...Okay but last thing. YET A FUCKING GAIN we're jumping from one subject to another JUST to draw out some reveals and give us more questions. I'm going to pull my hair out lol. I really shouldn't be surprised that the second Shinoa starts diving into The First's memories we flip to this scene. I have a bit of a feeling that it's because she's going to learn what the audience already knows, but I just don't get why that wasn't lumped into the previous chapter. Would have felt much better if we'd just started this chapter with Ferid and Crowley. I guess page count could have factored in but... just feels like maybe you could have cut down some of the last chapter to make space for this. Ah... but maybe I'm just being a hater at this point. Anywho...

I too was wondering if that was the implication, but yeah, the number tripped me up. That DOES seem too frequent to be his brother, so I'm also wondering if that's the number of people he's killed. Yes, it seems a little low, but maybe that's people he's killed with a specific purpose in mind. Ones that tie into that rebirth mentality he has going on here. I'm sure we'll find out eventually. It does seem like we need more context to figure out what it is exactly Ferid is doing. Maybe he IS just killing people because he feels like it's time for them to go, but you'd think that he wouldn't bother to count them. Who knows.

Okay, maybe I'm just imagining it but I SWEAR we'd seen a younger Ferid design before at SOME point, but for the life of me, I can't remember where. Something about him talking about how he was a Mikaela candidate too or something like that? I bring it up to say that I swear we've seen a Ferid design somewhat similar to this before, but regardless, you're right. It is nice to see that design and that he really doesn't seem to have changed much over the years. Vampirisim apparently didn't change him.

#Owari no Seraph #OnS 134 spoilers #Ons 134 #Crowley Eusford #Ferid Bathory #Anonysis asks #My posts #Owari no Seraph spoilers

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spacemagicandlaserswords · 9 months

Text

The Clone Wars 5.18 ‘The Jedi Who Knew Too Much' Reaction

I always like trying to spot which characters are in the background of big group scenes like this. So far I’ve spotted 3 admirals (Coburn, Yularen and Tarkin), assorted jedi, Master Sinube, Kit Fisto, Bail Organa and I think that’s Mon Mothma as well.

Oh, hi again Barriss. Fancy seeing you here again! Funny that we keep meeting like this after so long.

I think that’s Ki-Adi-Mundi and Plo next to Barriss.

So, Barriss killed one of her childhood mentors? I’m probably going to collate my thoughts on Barriss at the end of this arc, rather than scattering them across various recaps. But so much of her characterisation here doesn’t make sense and doesn’t feel right, at all.

I’m not sure if I mentioned this in the recaps when Barriss first appeared, but why is she British?

There’s a shot of 6 beams of light going up from the floor so I’m presuming that means 6 Jedi died in the temple bombings, which seems like an awfully large amount. What were 6 Jedi doing in a hanger of the temple? 1 or 2, maybe 3 at a stretch, makes sense, but 6? I’m guessing this is a story telling decision to make it more impactful, rather than for any logical in-universe reason.

I really despise Tarkin.

Oh, so now the deaths of clones are convenient for you Tarkin. “Military matter” my arse.

Who are the military police? Is that not the Coruscant Guard? I know the general fandom take is that the Corries are saddled with having to do everything but is that the case in canon?

Ahsoka’s angry attitude is definitely going to come back and bite her in the arse later.

“Remember, revenge is not the Jedi way.” says the future DARTH VADER

“Nothing will ever change.” FORESHADOWING KLAXON

Ok, Tarkin is getting very close to being up there with Krell and Nolan. His fucking contemptuous finger waggle at Ahsoka. Ugh.

“I assure you that he [Palps] rarely does anything without a strategy.” Oh, if only you knew Tarkin. Or maybe he does? Hmmm.

Is Barriss a Jedi Knight here or is she still a Padawan? I haven’t seen Luminara anywhere so I’m guessing she’s a Knight by now.

Barriss seems a lot more conflicted and upset than I thought for someone that’s just bombed the Jedi temple and killed a childhood mentor who clearly meant a lot to her. Maybe she’s regretting what she’s done? Hmmm, not sure.

Saleucami! I hope Cut and Suu and the kids are doing ok.

Lmao that ominous brass section was not subtle. FOREBODING KLAXON

Why do they have the Venator shipping yards next to the prison?

That shot of the prison felt very Imperial Empire. All stark architecture, sharp shadows, black and white lighting, red flags and giant symbols everywhere. It’s interesting how Imperial iconography and visuals are starting to creep into Republic locations and situations. Something something visual metaphor about the end approaching.

Why is the memorial to the clones outside the prison? Or is this not the prison and is some other building? Is this the same clone memorial that Crosshair and Cody have their little chat in front of in The Bad Batch?

Corries! Wow, they do all match and have exactly the same armour paint.

FOX!

That grumpy “Yes?” spoke volumes.

Fox, can you not cross your arms properly? What was that? I’m guessing it was more of a functional animation limitation than Fox not actually being unable to cross his arms. Insert your own fandom theories here about injuries that Palps inflicted on him while torturing him or similar that meant he can't cross his arms. Maybe he's got Force lightning burns across his back and it's painful and pulls when he moves too much.

The scan has Ahsoka standing there with her arms out but then the next shot of her is with her arms crossed? Continuity, hello?

At “Leave your comlink and lightsabers here.” Fox gestures down with his index and middle finger outstretched next to each other and oh boy did my mind go straight to the horny bin.

“Follow me.” Omg Fox did you have to say that in such a low, husky voice? That had a distinct feel of ‘Come with me if you want to live’ about it. If Fox basically whispered that to me it’d be “Sir, yes Sir, immediately Sir, however you want me Sir.”

The reference to the first 4 notes of the Imperial March theme there was pretty damn obvious. I remember reading a really interesting theory that Fox was a prototype for Vader and basically functioned as Palps’ attack dog before he turned Anakin to the Dark Side. I wish I could find it again because it was a fascinating read and might explain the presence of the Imperial March here. The music for the entire scene from when Ahsoka entered the prison was particularly foreboding, which makes sense seeing as it’s a prison. However, I’m not entirely sure who the theme is referencing because I don’t think it’s Ahsoka and Anakin isn’t here. Or perhaps it’s just adding to the general foreboding atmosphere. It’s entirely possible I’m reading too much into this.

Surely there are cameras and microphones recording this information that Letta is telling Ahsoka?

Is Barriss Force choking Letta from outside the prison? If so, then she’s fallen quite a long way to the Dark side because that seems like quite a powerful use of the Force.

That shot from the camera in the cell is definitely going to make it look like Ahsoka is the one choking Letta. And how convenient, the feed from that camera just cut out too.

Lmao Fox didn’t even hesitate. He was ready to fuck shit up.

Oh hey, Fox also duel wields.

Hmmm, I’m not sure how I feel about Fox immediately arresting Ahsoka. I think this is another example of the struggle I have with canon Fox vs fanon Fox. I’m going to have to collate my thoughts on that somewhere as well, probably after the chip conspiracy arc *sobs*. I think I’ve come to the realisation that I’m going to have to treat them as completely separate characters. I adore the version of Fox that the fandom has created. And every time I see the tiny bits of canon Fox that we get, it’s almost like a disappointment compared to the depth and layers of fanon Fox, to the point that canon Fox almost feels out of character. I know he doesn’t have any choice in the matter (none of the clones do) and I’m viewing this from an outside perspective looking in. I guess it’s more of an interesting conundrum to be aware of.

That shot of the prison felt even more evil Imperial Empire than the first one.

Great, fucking Tarkin again. Accompanied by hints of the Imperial March while marching down a stark corridor with harsh, ominous lighting. Definitely leaning on the Imperial Empire visuals this episode.

Called it. The footage from the cell is being used to frame Ahsoka as choking Letta. And the sound didn’t work either. How convenient.

Called it again. Tarkin using Ahsoka’s earlier attitude against her. Attitude doesn’t feel like the right word but it’s far too early in the morning and I can’t think of the right one.

Tarkin makes understandable points if this was some kind of detached, impersonal debate about an imaginary situation. But it’s not. He’s just being a deliberately abusive bastard. Definitely getting up there with Krell and Nolan.

Anakin being very Dark Side there when threatening Fox.

Who is helping Ahsoka escape? Is it Barriss? I don’t think it’s Anakin because he arrives after Ahsoka escapes. Plus clones were killed and injured and while we just saw Anakin threaten them and be all very Dark Side about it, I don’t think he’s fallen far enough to that level of Sithliness yet.

Utterly unnecessary acrobatics but ok.

“If you see the target, shoot to kill.” Oh no, that is some painful foreshadowing right there.

Fucking yes, thank you Rex. Knew we could count on Rex to believe in Ahsoka.

“Then who did?” Fox asking the question we’re all wondering.

Why is Anakin telling Rex to call security when Fox, the Commander of the Coruscant Guard, is right there? Surely he is the security?

How does Anakin telling Rex to tell security to search the entire base translate to an all-points bulletin on Ahsoka?

You can really tell from Rex’s voice how much this is affecting him. How he can’t believe that Ahsoka could do this. It was almost like he didn’t want to issue the order that he had to. I’m really glad that someone apart from Anakin believes Ahsoka, and that it’s Rex. Of course we could rely on our king. He can’t actually do anything to help her though. None of the clones can. They’re slaves. They have to follow orders. But at least we actually get to see that Rex doesn’t believe Ahsoka is capable of this and that he believes her, and believes in her. We’ve seen Rex’s belief and trust in Ahsoka crop up a few times now. The most obvious being his defence of her to Tarkin in the Citadel arc.

Complete switch of tone but Rex, do you ever clean your armour? I know he’s busy fighting a war and all that but I’ve noticed his armour being especially dirty in a number of episodes now. It’s particularly noticeable on his bucket. That’s a lot of gunk and grime across the top of his visor.

Wtf is that giant vehicle and isn’t that just a little bit of overkill for trying to find one Jedi Padawan? I feel like there’s a point about excessive police violence in there somewhere.

So many of the shots of the prison feel very Imperial Empire. They’d barely have to change anything to make the switch from the Republic to the Empire. That’s probably the point too.

Grizzer!

Hound sounded distinctly Aussie there. More funkiness happening with the clones' accents.

Thunder and lightning? That is hilariously on the nose.

Clone troopers shooting like stormtroopers. Fanon Fox would not stand for this lack of accuracy from his Corries. He has standards and he expects them to be met.

Jhc they just used a canon to fire on a child. Fuck me that is far too excessive.

“Set weapons to stun.” The foreshadowing is causing me great, deep pain.

Ahsoka is deflecting stun bolts so I’m guessing the training that happens in episode 5 ‘Practice Makes Perfect’ of Tales of the Jedi has happened already? I wish I could find a resource of where all these episodes happen in the timeline and around which dates they happen as well.

We need to talk about the kama, because I am now utterly befuddled about which clones can get one.

Hound has a kama, but he’s an ARF (Advanced Recon Force) Scout Trooper.

The other ARF trooper in the Coruscant Guard also has a kama.

Fox has a kama and he’s a clone commander and the Commander of the Coruscant Guard but he isn’t listed as having ARC training.

I think I’ve seen other Corrie Guard commanders with kama’s as well.

Rex, Fives and Echo (and eventually Jesse) all have kama's and they are ARCs.

Cody is a clone commander and The Marshal Commander but he doesn’t have a kama and isn’t listed as having ARC training (I cannot believe that The Marshal Commander Cody doesn’t have ARC training but that’s another point for another time).

Ponds had a kama and was a clone commander but isn’t listed as having ARC training.

Bly is a Marshal Commander and has ARC training and has a kama.

Wolffe is a clone commander and has a kama but isn’t listed as having ARC training (I also can’t believe that Wolffe doesn’t have ARC training either but that’s the same point as Cody so for another time).

Keeli was a captain, not a commander, isn’t listed as having ARC training but did have a kama.

So what decides whether a clone can have a kama or not? I thought it was an ARC thing but clearly not seeing as other clones that aren’t ARCs can have one.

They’re mobilising a giant rolling tank thing and gunships to hunt down a child? This is definitely beyond excessive. I know at this point Ahsoka is considered armed and dangerous but she’s also A Child. This just feels completely excessive and cruel. And not that far removed from the Empire, which, again, is probably the point.

And now it’s raining. Because of course it is.

“Do not shoot to kill.” I hate all of this foreshadowing. All of it.

What are these pipelines supposed to be for? I’m guessing not petrol seeing as nothing has exploded yet.

That is a lot of skill from Ahsoka to be able to deflect multiple repeated stun bolts while sprinting flat out.

Did you just really fire on a child with a fucking rocket launcher?!

Oddball, what are you doing? I know you’re just following orders but you don’t have to sound so gleeful about it. Also, why is his helmet yellow? Actually that kind of looks like 212th orange. I thought Oddball was in the 501st? A quick google says he’s in the 212th but none of the search results seem particularly definitive or legit. If he is part of the 212th, what is he doing on Coruscant? We saw Obi-Wan on a holocall at the start of the episode talking about going to the Anoat system so presumably the 212th is there, and not on Coruscant?

Is this the first time we see Ahsoka do the move of cutting a hole in the floor with her lightsaber?

Ah, so the pipes are for water. Or at least I think they are.

Anakin is looking particularly conflicted and upset throughout all of this.

TW: Discussion of abuse below. If you want to skip this, it's the section between the three dashes '---'

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That exchange at the end between Ahsoka and Anakin was very interesting. Anakin is making some fairly reasonable and understandable points, which is intriguing given he’s characterised as the opposite of that most of the time. It’s another insight into how complex of a character he is. I think TCW has done a very good job of showing not only the depth and complexity to Anakin’s character but also how much more there was to his fall to the Dark Side. He is undoubtedly aggressive, possessive, abusive, and dangerous. Yet he’s also being groomed by a monster in a position of power that no one even notices or realises before it’s all too late. He was also a slave and had an abusive and traumatic childhood and seems to falling into the pattern of how abusees can often turn into abusers.

Amongst all of this, you can also see how much he cares for those who mean a lot to him. He and Rex are the only ones that believe Ahsoka, but Anakin is the only one in any meaningful position of power with the ability to do something about it. It’s plainly obvious how much he cares for Ahsoka.

However, that care and belief still veers too far into aggression and possession and he continues to cross the line multiple times with unacceptable actions and behaviour. I wonder if he lets Ahsoka go at the end of the episode because he trusts her or because he doesn’t know what to do?

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Ahsoka was also making wholly valid and understandable points, which I think Anakin knew as well, even as he was trying to convince her to come back. Is this the first time we hear Ahsoka call Anakin by his first name? She usually calls him ‘Master’ or ‘Skyguy’ and her use of his first name here feels particularly personal and loaded with meaning. I’m glad Ahsoka knows that at least Anakin trusts and believes her, even when no one else does.

I wanted to include this gif because look at Rex looking like James Bond in the background being framed by the pipe.

Then this gif and the two above made me realise another thing about Anakin.

TW: Discussion of abuse and domestic violence below. If you want to skip this, it's the section between the three dashes '---'

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As much as Anakin cares about Ahsoka and is trying to help her, his possession and controlling is very evident here. The way he said "I would never let anyone hurt you Ahsoka" felt very much like something a domestic abuser would say after hurting their partner. Or what a possessive and controlling domestic abuser would say to their partner. There's a dangerous and desperate edge to it. You can also see Anakin doesn't agree with what Ahsoka is doing and is angry at her for not doing it his way. He thinks his way is the best way to try and fix this and of course he immediately gets pissed as soon as someone doesn't do what he says and follows what he thinks should be done. Anakin is refusing to let Ahsoka go, even while trying to help her. His possession and controlling is still here, even if it isn't as overt as when he's with Padmé.

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The voice acting throughout TCW has been pretty damn excellent and Ahsoka is no different. Ashley Eckstein did a fantastic job. But it felt like it stepped up another level, particularly in that exchange between Ahsoka and Anakin at the end. There was so much emotion and upset and betrayal in Ahsoka’s voice.

There is the subtlest of hints of the Imperial March after Ahsoka jumps and we get a shot of Anakin, Rex and Fox at the mouth of the tunnel, followed by a shot of Ahsoka falling. It’s very subtle, probably the subtlest I’ve heard throughout the whole series but it’s definitely there. The intervals between the notes of the Imperial March are very distinct. Again, I’m not sure what it’s referencing or emphasising here. Probably Anakin seeing as he does turn into Darth Vader. But like the scene earlier where Ahsoka first enters the prison, it also feels slightly out of place. Usually when the Imperial March turns up, it’s fairly clear that it’s referring to Anakin, like when he killed Merrik in ‘Voyage of Temptation’. It could also be a misdirection to make Ahsoka appear to be falling to the Dark side. Though that doesn’t entirely make sense seeing as we know that she didn’t kill Letta and is being set up. Hmmm.

I know it’s meant to be a big climactic ending to the episode but couldn’t Anakin just follow Ahsoka and jump down onto the ship that she’s standing on that’s floating down the giant tunnel? And couldn’t Fox just comm some Corries to follow the ship and meet it when it lands? He is the Commander of the Coruscant Guard after all.

That episode was intense and A Lot. And there’s still 2 episodes of this arc to go. Oof.

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