Wish more adaptations would take the route like Mike Flannigan works or House MD or Hannibal. "Based on" in the sense of taking inspiration from source material and playing with them like dolls and saying something unique and creative with it outside of the material while maintaining key dynamics and themes that make it recognizable to the source.
Really sick of "faithful" adaptations that mean all the aesthetics and names and plots but told in such a soulless themeless mess. Did you think because the source already taught the lessons you don't need to say anything this time, you can just copy-paste?
The equivalent of cutting up the source to make a collage versus bringing it back from the dead wrong.
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I headcannon that after 3rd Kinslaying, and especially after Elrond and Elros left them in whatever fashion, Maedhros was a total dick to Maglor.
You know how sometimes old or sick people are nice to neighbours/nurses/strangers, but are horrible to their primal caretakers? That's them.
People aren't dicks to their caretakers just to be dicks - it's because they are often frustrated with themselves or their situation and don't know how else to deal with it or they can't deal with it the usual way. It also happens because, paradoxally, they feel safe around their caretakers - you can be a dick because you know they won't leave just because of that.
And boy, did Maglor cast himself in a role of caretaker (let's not kid ourselves, he wasn't qualified, and with his own problems to boot), and BOY, did Maedhros resent him for it. He did not NEED help, he did not DESERVE help, he's not another kidnapped child MAGLOR, I'M the older brother, I should take care of YOU YOU WRECK, WHY DO I ALWAYS HAVE TO BABYSIT YOU GROW UP ALREADY and leave me Nothing is EVER your fault, even when you left me to Angband as you should Why would you care now, it amounted to NOTHING before, it's WORTHLESS
And about half the time Maglor just takes it, actually likes it even. Mostly because of his guilt complex about how he deserves it, but also because Maedhros is only like this with him - he's trying his best to pretend to be fine and be a leader to few followers they have left, because they deserve better and that's the only thing he can give them now, and their brothers are all dead and would always be Too Little to act like that around them anyway. Maedhros would behave himself even around Fingon, to make him think rescuing him was worth something. So by being a dick to Maglor, Meadhros sees him as an equal, a safe haven. Maglor basks in that.
But obviously no one could just take such abuse like it's nothing, and Maglor is a Feanorian too, is prideful and stubborn, with his own laundry list of complains about Maedhros, and also unwell, and also thought of a new insult while lying awake at night and just wants to yell too. So half the time Maglor yells back and their yelling matches would bring orcs to tears, with hate and blame dripping from every word. I don't have enough imagination to picture it realistically, and actually I don't want to, it's too heartbreaking.
And sometimes, one or the other just starts crying. They don't talk about these times.
After some time, their arguments and insults are just a noise, something to repeat endlessly to the point of boredom.
By then, what actually hurts are the words that were not meant to harm.
Example 1:
Maedhros: 'did an all-night inspection of their stores cause he couldn't sleep' I found a herb you always liked to wash your hair with.
Maglor: 'doesn't remember last time he washed his hair, no less scented them'
Maglor: 'choked up' Appreciated.
Example 2:
Maedhros: 'feels like he's dragging Maglor to damnation with him' You could go with the twins, you know.
Maglor: 'doesn't want to upset Maedhros today so decides to pretend as if that was actually an option' Vanyar would probably like my singing but you know they would get mad at you for having better battle plans than them.
Maedhros: 'now KNOWS he's dragging Maglor to damnation with him'
Maedhros: 'dying inside' Of course they would.
When love hurts, it's easier to be a dick.
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the fact that imogen was 18 when her dreams first started reveals so much about why she was so bitter and angry and lost all her faith in the world. now we know that it wasn’t because imogen didn’t experience her youth and the kindness of it; it’s because she did. and then it was ripped away from her. friends, people she cared about, people she loved - all of them turning on her. she had a community, a life, a job, something of a future built in gelvaan. she worked for someone. she was his apprentice. that was imogen’s whole life planned out (just starting, really) and she had a taste of it before she started dreaming and hearing things she shouldn’t. and then everyone turned their backs on her.
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I love the dichotomy we get between jinshi and the emperor that shows off how the traits that make jinshi a great prince, boss, friend (husband 👀👀👀👀) are the very same traits that will make him a terrible emperor.
His hard working streak that lets him handle his weird assignments with grace and manage the clashing egos of the inner palace is what will get him killed by overwork as emperor since he has no real head for delegation. It took 11 volumes and the intervention of most of his immediate family just to get jinshi to hire a secretary. The emperor always being free to host parties, sleep with the consorts, and bust jinshis balls in-between it all is, much like lakan always being free to annoy maomao, actually a sign of him being god-like at delegation and organizational management.
His lack of ego and willingness to look the fool if it gets the job done is great for avoiding political snafus and getting to the truth of things. It's genuinely the thing that makes all his expeditions to the western capital so wildly successful: he really doesn't gaf about how he's seen by the public, so long as the job gets done and his friends aren't in immediate danger. It's also the exact opposite of what you need from a head of state who's legitimacy is not-insignificantly based on the public perceiving you as an instrument of the will of heaven. The emperor being willing to kill people and their families over slights jinshi (and most sane human beings) would be willing to let slide is cruel and inhuman, but it's also what keeps the populace at large from being able to organize against him and challenge the imperial power.
Jinshis compassionate streak, his urge to save as many people he can and find the best solution for everyone possible, makes him great to work for. He'll give you assignments that match your hyper fixation, work around your crippling social anxiety, give you a post that just-so-happens to involve you staying with the love of your life for a few months. More over, he isn't gonna risk his life and your position over petty ego or greed when he can find a peaceful solution instead. But the hesitation he feels at using people like tools, and his unwillingness to act if it means throwing people under the bus, is what will lead to death and destruction if he's the emperor. Especially in a time of war. The current emperor is willing to ruin lives and crush nations if it reaches a goal, advances an agenda.
Finally, jinshis loyalty, I'd say even more than his looks, is what draws people to him. He loves his toys, can't stand to give them up. It makes him a great romantic figure. But when you're the emperor, and you need to be willing and able to marry someone for political ends, produce as many heirs as possible regardless of who with, and set aside the feelings of those women for your own sake, that loyalty is poison.
Idk, so often in stories with these systems they sorta follow the logic of "if he's a good person he'll be a good leader." I think it's cool to have a series talk about how being a leader involves being EXTREMELY comfortable with being an asshole, for a myriad of reasons, and how someone being pleasant to work for wouldn't make them an effect monarch.
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