a common doctor who take i really disagree with is that the reset button at the end of 'last of the time lords' cheapens the story's stakes. like, the doctor, jack, martha's family and martha herself went through a year of hell and they still have all those memories. sure the literal stakes of World Domination are kind of toppled over but the emotional stakes are preserved perfectly well and are what push martha to finally leave the doctor. it's fine that that happens. plus i think it's actually set up really well, much better than other RTD resolutions (cf. journey's end, which really is a deux ex machina). the master has something called a Paradox Machine, he's killing off humanity with a future version of humanity, both those things are established early on -- it makes perfect sense that destroying the Paradox Machine undoes the paradoxical massacres. yes doctor jesus is very very silly but i also dont think the logic behind that is particularly warped or out of nowhere by doctor who standards
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@esper-aroon has enabled me, so here let me scream at y'all about The Imperial Uncle.
Okay, so I recently read The Imperial Uncle (Huang Shu) by Da Feng Gua Guo from Peach Flower House and I really loved it??? It's first person pov, mlm, about the Emperor's uncle Jing Chengjun, who is mistrusted by everyone simply because of who his parents were and his position, and so he's basically given up on trying to convince people that he's actually a nice, decent person without ulterior motives. He's super trapped by his position, and there's so much he can't say and do, and he's also a hopeless romantic, like, from his own mouth all he really wants is to sleep beside and wake up next to someone who actually gives a shit about him, and even that is basically out of reach in his life. Like, the book starts with his wife (who he has never once had sex with) storming into a meeting he's having and announcing he's a cuckold and she's pregnant.
But also, this poor bastard really thinks he knows what's going on and his very smart. Very unreliable narrator. He's actually kinda a hilarious, impulsive himbo. But the TL:DR is that his loneliness and isolation and the extent to which he's politically trapped routinely lead him to make absolutely terrible decisions.
E. Danglar's translation is absolutely gorgeous, too, and... idk, if you love political plots, melodramatic idiot main characters, a dose of pining, and a slow burn that eventually pays off, come take a look??? (some people think it's a love triangle??? idk, I never really got that vibe, I never felt it was really in doubt which of the two potential dudes he'd end up with, but maybe I only feel that way because I got it right, lmao).
Anyway, I can't stop thinking about how these two idiots end up finally finding each other and getting together, and I have an entire AU in my head (a modern corporate one) and part of another (canon divergent from like a decade before the book starts), and I just want people to love this book as much as I did and scream with me about it.
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terfs so funny for defending hp and shitting on asoiaf lol. dany's White Saviour™ trope is annoying but at least she is going around freeing slaves and burning slaveowners to the crisp while everyone in the hp made fun of hermione for being into elf activism and it turned out slavery is okay actually bc elfs love being slaves lol
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okay so larian really just shat all over minthara’s character and her arc huh
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I realized that like, Little Women is the antithesis to Gone with The Wind, but Little Women is actually more accurate and was written by someone who actually lived through the Civil War, but GWTW was written by someone who only heard biased secondhand accounts from their relatives
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i would like to thank the final girl trope being popularized to create an influx of black female characters who are multifaceted and their trauma rooted in manipulative decisions has nothing to do w being racially traumatized. very small amount but says a complete “foh” to the strong black woman trope and it is so freeing
dre in swarm
isabella larue in cruel summer
monet de haan from gossip girl (if the writers had budgeted her screentime better. bc this weird dichotomy of her being treated as worse than audrey when both of them make shitty choices whilst dealing w the trauma of their neglectful mothers and take their crap out on zoya makes zero sense bc monet is villified and audrey glamorized for it yet only monet has an actual reason)
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GoT fandom stop saying masculine and feminine with regards to female characters when you actually mean active vs passive challenge
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In retrospect mildly confused by how many Christian songs my state school sang but at least we didn't miss out the second verse of O Holy Night. Like COWARDS.
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Anakin Skywalker and the ¿Rebellion?
One of my favorite parts of the Clone Wars series is how given the increasing number of problems all over the galaxy as a result of the Clone Wars, there just wasn´t enough Jedi or Clone soldiers to cover them so Anakin´s idea to approach this problem was teaching civilians how to defend themselves and other kind of guerrilla tactics, one of the people who was trained was Saw Guerrera and his group, later he would become one of the biggest leaders in the rebel alliance, who had a big role protecting Galen and Jyn erso which would give the rebellion the plans for the first Death Star.
It´s even better the fact Obi-Wan and the Council called this tactic "terrorism" while Anakin called them "rebels" :)
This gives a new meaning to the fact Vader called the rebellion traitors to the Empire but never terrorists, even if looking at them that way would have gotten the Empire some points in the eyes of the public.
Vader tempted Luke by calling for an end to this "destructive conflict" and put "order in the galaxy" even in the darkside, Vader didn´t deny the rebels had reason to their actions and the Empire was part of the problem even if he didn´t agree with the rebellion.
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Hmm trying to find writer friends who haven't been tagged:
@cannotgiveafuck, @queenangst, @awake-my-oceans and ofc anyone who thinks this looks like fun
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Okay so having adventures in Trespasser, and there’s a good chunk of emphasis on Fen’Harel insisting all the elf gods aren’t gods at all, they’re just powerful mages who are as mortal as everyone else
Guys
Guys
The fucking ELVES were not mortal at this point in history???? Like it’s a whole fucking thing there’s so much lore about the Quickening and humans brought elves the concept of death because they didn’t fucking have it
So… yes, technically, I’m sure the gods were exactly as mortal as the elves no matter what at this point, because that wasn’t a meaningful distinction
“Maybe it just means they couldn’t be killed at all-”
Nah there’s stories of the gods being killed by stabbing and shit it’s a whole Thing at the temple of Mythal
Fucking Solas running around telling all the elves “look we’re just as mortal as you” when it should already have been common fucking knowledge because no one else was dying either
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My best friend and I were talking about our favorite moments in the SW prequels even though we both have issues with them, and there was one that we solidly (but kind of unexpectedly) agreed on.
It's actually in Attack of the Clones and from Hayden Christensen as teenage Anakin, in a moment where we really thought he shone—the return to Tatooine.
In particular, we both loved how he questions Watto, his former owner, who talks as if their history would be nostalgic for Anakin somehow and as a Jedi, Anakin might do him favors now. Watto admits he sold Anakin's mother to some guy who freed and married her, but is purposefully vague on the details, and Anakin just quietly says something along the lines of "I'd like to know."
This could be kind of empty or OTT hostile, and in our opinion, it's really neither! There's a certain, hmm, lingering politeness, but there is also an underlying menace that we thought perfectly fit the circumstances and his character.
(We also thought and liked that he seemed weirded out by the Lars situation. I mean, when you think about "this guy bought my mother in order to marry her, but also legally freed her" from Anakin's POV, it is an extremely strange situation to be in.)
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send STRAINED for a scene from my muse's past in which they interact with someone they have a difficult relationship with
see into Fannar's history / accepting
There is yelling from somewhere behind him, and his breath comes out in short, jagged pants. In his arms, he clutches a loaf of bread he stole from an open window.
"Vagrant!" The man hollers, and Leifur can hear the door swing open after him. He tries his best to run that little bit faster. "Thief!! You little—"
He knows he is going to be in trouble, again. The goði has already made clear that thievery is not tolerated, although the vagrancy — that always seems to get a pass. That said, he's stolen from this man before and - aside from a stern telling off by the local chieftain - nothing had come of it. The man would have been given the authority to enact justice as he saw fit— the responsibility fell on his own shoulders, and yet he had not taken the boy as slave with a sickle to the throat as soon as he saw his sticky-fingered little self prowling around his cattle.
It's not like Leifur particularly realises, though. The talkings-to from the goðar, fearless enforcers of law and justice in their land, receive only blank stares. The instruction to stay away from this man's farm is never heeded, nor are the instructions not to steal. He would be enslaved as punishment, were he a human. He's been smacked upside the head a few times, but it appears not to phase him as he goes tottering off back into the countryside merely an hour later. He is a strange, strange little boy — everyone knows him for who, and what, he is. He is their land, a God, a strange little boy that nobody will strike too hard. How do you punish he who is God's given, after all? Nobody dares attempt.
Leifur skitters across a thin river on the outskirts of the man's property, and turns back when the man comes to a halt. He jabs a finger towards Leifur.
"You owe me work," The man demands. "Thieving little bastard. You've stolen from me twice now, I remember you. I could have you, all legal! Granted by the chieftains themselves. Be lucky I'm merciful, you hear me?"
Leifur just stares at him, the loaf held protectively to his chest. After a second, the farmer spits in his direction, and appears just short of stamping his foot like a petulant child.
"Dumb little fucker. You never say a fucking word, do you? Don't you come back around here, you hear me? I'll have you worked to the bone."
Leifur slowly takes a bite of the crust of the bread, all without breaking eye contact.
The farmer just sucks air through his teeth and turns back to his little stead, cursing loudly enough that his cattle start, and Leifur trots off. He will share this bread with his friends, tonight — although he always ends up eating most of it.
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i think this is because i just looked at s2 of vinland saga again, where they really improved how much einar mentioned his mother and sister, but einar here feels weird. maybe the manga's not as mindful of women before this arc where it feels like the author suddenly remembered they existed beyond family, victims, or lost potential wives, but seeing einar say this here... i cant help but think... he wouldnt say that lol...
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i am so fucking tired today HOYL SHIT. anyways when the unsullied/freedmen, the dothraki, and the wildlings all meet and it's this giant fucking mess of cultures clashing and different fighting styles meshing. and maybe under other circumstances they would all hate each other but they can't because they have to work together to stop the literal end of the world. and their respective godkings are working together and possible fucking? so they really gotta make this work now. the wildlings teaching the dothraki and dany's freedman how to survive the cold and fight in the north. the unsullied and the wildings sharing different spear techniques because maintaining distance from the wights is the best way to fight them, besides just setting them on fire. the dothraki showing the wildlings how to make better long range bows. everyone from essos despairing at the food they're forced to eat in westeros. everyone in westeros being like 'yall were starving too stfu.'
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If you've followed me for this year (or prior) you'll know I'm not too keen on doing a 'end of year games wrap up' for the ever looming reason of 'this year was shithouse for developers'.
You can't really eat your cake when the bakers aren't there to make it, and while i've mostly focused on what's happened within the local scene, it's still something present (and still occurring! I just had a dev mutual get laid off the other day...it's the end of the year, they won't be able to find work for a while, especially off of a unannounced project!!)
But otherwise I want to highlight HeavyEyed's excellent vid (that barely even scratched the surface tbh! But for most folks not in the know, it's scarily telling) on the "best" year of games:
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