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#influencer magazine
volumniafox · 10 months
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Since the only way our fresh government managed to get rid of a literal nazi as a minister was when foreign press started taking notice... It would be a shame if some recent developments gained international attention :-)
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sunburnacoustic · 28 days
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I knew it was too late for me to really catch up to that level of technique to play those kinds of pieces [classical pieces by composers like Mozart, by the time Matt was 19/20]. But I just wanted to try and incorporate that kind of mystery [that artists like Phillip Glass, Rachmaninoff and Franz Liszt had] into the band. And something that has had such an emotional resonance through history that it’s managed to live nearly two hundred years. I think a little bit of that started to creep through the second album, Origin of Symmetry, and then the new album [Absolution] as well.
It's so fascinating to me to hear Matt thinks there's an age beyond which you cannot get into more technical classical music. This is also funny because he's regarded as one of the finest pianists in rock music. Guess the takeaway is, sometimes your self-assessment of your abilities aren't the most accurate, huh? Keep going!
Taken from "Innocence And Absolution", Keyboard Magazine, June 2005
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rebelontheroad · 5 months
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justtuesdays · 5 months
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moodboard: bryson
“life it's too short to not be with the right person.”
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bdsmsub67 · 6 months
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Vinnie Hacker, the famed influencer with a staggering 15 million followers on TikTok, shines as the cover star of the newly launched zine, GEN V. Published by the renowned independent magazine, V Magazine, Vinnie’s captivating images were captured by the adept photographer, Jack Bridgland, while the sartorial expertise of Nicola Formichetti added the right allure to the frames. Besides his undeniable presence on the social media platforms, Vinnie is also known for his modeling projects, represented by the global agency, IMG Models.
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topnotchquark · 6 days
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Vale never got mentioned on the times list of 100 most influential people in the world ever just goes on to show the list ain't shit tbh.
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daz4i · 5 months
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it should be illegal to advertise products that encourage starving yourself i think
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I just found out that Fyodor's "Crime and Punishment" was influenced by Edgar Allan Poe's writings.
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k-i-l-l-e-r-b-e-e-6-9 · 8 months
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Danzig in RIP Magazine, 1994
📸: Lisa Johnson
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strangesickness · 3 months
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i think richie tozier is really into glam metal. i think as a preteen he was really into rock n' roll because bill was really into rock n' roll, and i think bill would mostly listen to very core rock n' roll, not branch off into sub genres too much, he really appreciates the early stuff i think. but richie, at like 11 years old hears livin' on a prayer on the radio and he's immediately hooked. his parents buy him slippery when wet for his birthday and a bon jovi poster. his parents are pretty clueless about this stuff so wentworth takes him to the store so they get the right one. maggie's pretty sure bon jovi's for girls, but is just excited she isn't going to have to deal with her son playing the same three records over and over again anymore.
when richie's twelve the bon jovi poster gets moved to his door, so that it's hidden when he has it open. he feels guilty when he looks at it. it's his favorite poster though and it gets rotated around his room a lot.
when he's fourteen there's a bon jovi concert in maine and he convinces his parents to let him go so long as his sister goes with him to chaperone. it's a pretty life changing experience for him. his sister ends up really liking the music too, so thats cool. he gets a t-shirt that quickly becomes faded and soft from constant wear.
all the lights and effects and just the energy really flips a switch for him. it's not just bon jovi anymore, he's spending hours in the record store, he gets a job so he can buy a CD player, it takes a ridiculously long time to get to that point.
he also gets big into KISS because of course he does. he probably spends more time looking at the cover of his paul stanley album than he does listening to it. he may spend an unhealthy amount of time gazing longingly into paul stanley's eyes but his favorite is probably ace frehley. he has a ridiculous amount of magazines that he just got for interviews with them. this is the era of glam haircuts for richie. it takes him at least two years to figure out he actually has to style it though, so that's fun.
he tries to make his own music but he's hot garbage at it, he moves on to trying to play his favorite songs on guitar, which he also sucks at, he eventually gets desperate and tries to play on bill's mom's piano. he is swiftly removed from the household. he gets really good at singing his favorite songs though.
i'm not really going anywhere with this. richie tozier likes glam metal. it awakens something gay in him.
you can find some relevant images and some more of my commentary under the cut.
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slippery when wet, the first album richie sought out on his own, and the beginning of the end of his heterosexuality.
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i'm not going to say this is the poster, because i don't know enough about this stuff to confirm if this poster would've been sold around the right time. but you get the picture. ideally it would be this exact poster, but i'm not picky. i think richie comes home from school one day and looks at this poster and has a fucking. biblical experience. like it's just a normal school day, and then he just goes home, closes his bedroom door, turns around to take off his shoes, and stares this man straight in the eye and just thinks "holy shit he's beautiful" i think the poster sleeps in the closet that night.
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this is the paul stanley album i'm talking about. i think this is also richie's main haircut inspiration, but it takes him years to figure out what hairspray is. lucky for him his hair is naturally curly so he didn't look too stupid, but things weren't ideal.
i think he takes a lot of style influence from various musicians, but he's never willing to part with his dear patterned button ups, so his workaround is: obnoxious button up + leather jacket as we saw in the movie.
he really likes cinderella, and feels a little betrayed when they change genre direction in the 90s. i think he sees tom keifer
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wearing a lot of jewellery and decides he also wants to wear a lot of jewellery but ends up either hating it, or forgetting it, he also never convinces his parents to get his ears pierced. if he ever manages it, it's because bev did it herself, she probably screwed it up pretty bad too, and he just ends up with some pretty gnarly scaring on his right ear.
originally posted january 27th. reposted january 29th.
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femininitemagazine · 1 month
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sunburnacoustic · 28 days
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One song that really shows that [mystery] is on the second album, a song called “Space Dementia.” I always wanted to make a heavy rock song that could just have a piano without a guitar. I think we got there again on “Butterflies and Hurricanes” on the new album [Absolution]. I was trying to find a classical type of piano style that would be heavy and work with bass and drums. It had that sort of mechanical paradiddle thing all the way through, and then it breaks down into this kind of romantic, flowing weird bit in the middle.
Matt Bellamy on writing heavier, mysterious sounding rock songs on pianos rather than on guitars | "Innocence And Absolution", Keyboard Magazine, June 2005
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stevienicksquotes · 3 months
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Well, I do really kind of live in a world of dreams and fairy tales. I mean, my life is a fairy tale, that's for sure. And I actually read fairy tales — Grimm's Fairy Tales and Hans Christian Anderson — and a lot of my songs come out of that kind of fairy-tale genre, because of the reading that I do, and because when I was a little girl I loved to dress up and put feathers in my hair and sparkle dust on my face. You know, that's something that I just was kind of born with.
Stevie Nicks, US Magazine interview, 1990 (x)
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destinyc1020 · 1 year
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👏🏾👏🏾😃
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bdsmsub67 · 6 months
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Vinnie Hacker, the famed influencer with a staggering 15 million followers on TikTok, shines as the cover star of the newly launched zine, GEN V. Published by the renowned independent magazine, V Magazine, Vinnie’s captivating images were captured by the adept photographer, Jack Bridgland, while the sartorial expertise of Nicola Formichetti added the right allure to the frames. Besides his undeniable presence on the social media platforms, Vinnie is also known for his modeling projects, represented by the global agency, IMG Models.
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thislovintime · 2 years
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Peter Tork in the studio with Lowell George, Reine Stewart, Judy Mayhan, and others; photos by Nurit Wilde.
“Shortly after the [Factory and] Fraternity [of Man] party ended, [Lowell George] took on a job for Peter Tork of Monkees. Tork quit the group early in 1969 [ed. note: actually late 1968], was doing some teaching, formed a production company [ed. note: Breakthrough Influence Company (BRINCO)], and managed a folk singer, Judy Mayhan. One of his students was a cousin of Lowell’s, and Peter gave him a call, inviting him to help with the music for a demo for Atlantic Records. Mayhan got the deal, [but] Tork was soon out of the picture.” - Ben Fong-Torres, Willin': The Story of Little Feat (2013)
“I had a group called Release, which I couldn’t keep together because I didn’t know enough about management. [We recorded] just a few basement tapes. Actually they were attic tapes.” - Peter Tork, Goldmine, May 1982
“Tork did form a group after The Monkees, named Release, but none of the band’s records efforts managed to escape Tork’s hillside mansion practice room. ‘We recorded some demos,’ Peter says, ‘but I think they’re lost. It was just a garage band, no particular skill or charm. I also did a demo for Atlantic Records. Ahmet Ertegun gave me a session to see how I would do, but it wasn’t good enough.’” - Head 1994 liner notes
“Briefly last year I considered putting together a RELEASE forty years later retrospective article; it never happened, and I only got as far as speaking with Reine Stewart on the phone (I had also spoken with RELEASE 'fourth' member Judy Mayhan in 2002). According to Stewart, RELEASE were supposed to go to Muscle Shoals as the backing band for Judy Mayhan's Atlantic Records solo album (a record deal brokered by Peter Tork). I can't remember who she told me had kaiboshed this plan, possibly Ahmet Ertegun, whom she described as a longtime friend. Anyways, she expressed this with regret -- said the album would have been much better with her, Tork and Riley Wildflower backing her up (the album is still worthy of a listen -- I have a copy somewhere: Judy Mayhan Moments)...She also told me that Riley Wildflower died many years ago, so a full RELEASE reunion is not a possibility. Tork had denied the existence of RELEASE demo tapes as early as a 1982 interview in Goldmine; he had said that there had been ‘attic tapes,’ I recall, but when I asked Reine about this, she said they didn't use the attic but the main room in the house. She had planned to speak with Peter about these tapes' whereabouts...” - "djbh35," "The Peter Tork 1969/1970 Thread," Steve Hoffman Music Forums, July 19, 2010
More about Release here.
"These pictures are not from my sessions with Atlantic, for I recorded most of it in Mussel [sic] Shoals, Alabama...Rather they are pictures from sessions that Peter produced himself BEFORE I got that opportunity...and it was Peter that made that opportunity possible to begin with...He was a very important person in my life and did his best to guide me...Nurit Wilde is the photographer and sent me these originally. The reason I shared this [first] pic with you all is that Lowell George was one of the many musicians that were on these experimental sessions and even had a hand at the engineering hat in my memory, while playing many other instruments as well..tabla, sitar, and flute along with guitar and vocals...Peter told me many years ago that he had no clue as to what happened to all those recordings." - Judy Mayhan, via Forrest George on Facebook, February 21, 2019
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