Illustration: Carol Of The Field Mice. :: from The Wind in the Willows by Kenneth Grahame :: by Inga Moore.
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It was a pretty sight, and a seasonable one, that met their eyes when they flung the door open. In the fore-court, lit by the dim rays of a horn lantern, some eight or ten little field-mice stood in a semicircle, red worsted comforters round their throats, their fore-paws thrust deep into their pockets, their feet jigging for warmth. With bright beady eyes they glanced shyly at each other, sniggering a little, sniffing and applying coat-sleeves a good deal. As the door opened, one of the elder ones that carried the lantern was just saying, "Now then, one, two, three!" and forthwith their shrill little voices uprose on the air, singing one of the old-time carols that their forefathers composed in fields that were fallow and held by frost, or when snow-bound in chimney corners, and handed down to be sung in the miry street to lamp-lit windows at Yule-time.”
~Kenneth Grahame, The Wind in the Willows.
[The Queen's English]
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The Top 40 Most Popular Operas, Part 3 (#21 through #30)
A quick guide for newcomers to the genre, with links to online video recordings of complete performances, with English subtitles whenever possible.
Verdi's Il Trovatore
The second of Verdi's three great "middle period" tragedies (the other two being Rigoletto and La Traviata): a grand melodrama filled with famous melodies.
Studio film, 1957 (Mario del Monaco, Leyla Gencer, Ettore Bastianini, Fedora Barbieri; conducted by Fernando Previtali) (no subtitles; read the libretto in English translation here)
Donizetti's Lucia di Lammermoor
The most famous tragic opera in the bel canto style, based on Sir Walter Scott's novel The Bride of Lammermoor, and featuring opera's most famous "mad scene."
Studio film, 1971 (Anna Moffo, Lajos Kozma, Giulio Fioravanti, Paolo Washington; conducted by Carlo Felice Cillario)
Leoncavallo's Pagliacci
The most famous example of verismo opera: brutal Italian realism from the turn of the 20th century. Jealousy, adultery, and violence among a troupe of traveling clowns.
Feature film, 1983 (Plácido Domingo, Teresa Stratas, Juan Pons, Alberto Rinaldi; conducted by Georges Prêtre)
Part I, Part II, Part III, Part IV, Part V, Part VI
Mozart's Die Entführung aus dem Serail (The Abduction from the Seraglio)
Mozart's comic Singspiel (German opera with spoken dialogue) set amid a Turkish harem. What it lacks in political correctness it makes up for in outstanding music.
Royal Opera House, Covent Garden, 1988 (Deon van der Walt, Inga Nielsen, Lillian Watson, Lars Magnusson, Kurt Moll, Oliver Tobias; conducted by Georg Solti) (click CC for subtitles)
Verdi's Un Ballo in Maschera
A Verdi tragedy of forbidden love and political intrigue, inspired by the assassination of King Gustav III of Sweden.
Leipzig Opera House, 2006 (Massimiliano Pisapia, Chiara Taigi, Franco Vassallo, Annamaria Chiuri, Eun Yee You; conducted by Riccardo Chailly) (click CC for subtitles)
Part I, Part II
Offenbach's Les Contes d'Hoffmann (The Tales of Hoffmann)
A half-comic, half-tragic fantasy opera based on the writings of E.T.A. Hoffmann, in which the author becomes the protagonist of his own stories of ill-fated love.
Opéra de Monte-Carlo, 2018 (Juan Diego Flórez, Olga Peretyatko, Nicolas Courjal, Sophie Marilley; conducted by Jacques Lacombe) (click CC and choose English in "Auto-translate" under "Settings" for subtitles)
Wagner's Der Fliegende Holländer (The Flying Dutchman)
An early and particularly accessible work of Wagner, based on the legend of a phantom ship doomed to sail the seas until its captain finds a faithful bride.
Savolinna Opera, 1989 (Franz Grundheber, Hildegard Behrens, Ramiro Sirkiä, Matti Salminen; conducted by Leif Segerstam) (click CC for subtitles)
Mascagni's Cavalleria Rusticana
A one-act drama of adultery and scorned love among Sicilian peasants, second only to Pagliacci (with which it's often paired in a double bill) as the most famous verismo opera.
St. Petersburg Opera, 2012 (Fyodor Ataskevich, Iréne Theorin, Nikolay Kopylov, Ekaterina Egorova, Nina Romanova; conducted by Mikhail Tatarnikov)
Verdi's Falstaff
Verdi's final opera, a "mighty burst of laughter" based on Shakespeare's comedy The Merry Wives of Windsor.
Studio film, 1979 (Gabriel Bacquier, Karan Armstrong, Richard Stilwell, Marta Szirmay, Jutta Renate Ihloff, Max René Cosotti; conducted by Georg Solti) (click CC for subtitles)
Verdi's Otello (Othello)
Verdi's second-to-last great Shakespearean opera, based on the tragedy of the Moor of Venice.
Teatro alla Scala, 2001 (Plácido Domingo, Leo Nucci, Barbara Frittoli; conducted by Riccardo Muti)
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What’s the best edition of “Wind in the Willows”? The one I’ve had since childhood was from a publisher called Apple Classics, and now I really want one with E.H. Shepard’s coloured illustrations
Honestly, I'm not sure there really is a definitive "best" edition of witw. The story will be the same regardless, so it's more a case of personal taste and which illustrations you prefer. (And there have been a lot!)
That said, some of the more common ones I've heard of are:
Arthur Rackham (1940)
Inga Moore (1999)
Chris Dunn (2023)
And of course, E. H. Shepard (1931)
Personally, I'll always have a love for the EHShepard one, since that's the copy I grew up with, and I adored the map on the inside of the cover <3
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