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#inspired by gravity falls
inkshine · 2 years
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*A pair of news reporters*
News Reporter 1: Attention everyone, breaking news! Silco is dead!
News Reporter 2: *starts crying*
News Reporter 1: I know, this isn't easy.
News Reporter 2: No, it's just that- I'm so happy!
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glknight · 1 year
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LINCOLN WELLER from MILLER’S CREEK
“Yeah, this town’s weird. Always has been. Doesn’t stay in one place, always stays within Oregon’s borders. People come and go in the strangest circumstances. Things happen that defy explanation. The child of paradox and enigma in one convenient location.
But that doesn’t matter. Something more important is going on. Something no one’s willing to talk about. And I gotta find out what it is. Otherwise, whatever’s hiding will come out to play.
And if my dreams are anything to go by, that means the end of everything.”
Artwork drawn by @sethsmithart
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ask-bolin · 1 year
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date me 🤭💗
Yes, definitely, absolutely! (I rigged it!)
I'm on my way to pick you up!
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bispy-agent214 · 1 year
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risotto38 · 1 month
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he's exasperated because no one understands quantum mechanics enough to keep up with his rambling
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ckret2 · 4 months
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is this anything
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time-and-spuds · 3 months
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A few Screenshot edits of how I would Imagine the Portal Scene, in the Portal-swapped AU, to Go down :]
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abyssalzones · 19 days
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who killed stanford pines?
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fordford · 5 months
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ok confession time i have never been a fan of monster falls but i have always loved him. i'm not immune to a guy who is a kitty cat. idgaf if youre masc. start meowing
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doctorsiren · 1 month
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Trucy in even more of my recent outfits :3
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eldragon-x · 11 months
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x
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callipraxia · 5 days
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Further Interview Analysis: the "Ford Plan," and Bill's Blind Spot
I didn’t sleep again the night after the “musical Weirdmageddon” post, and wrote a lot of loopy stuff the next day, and posted none of it. But then I slept, so yay, time for an attempt at some actual analysis! Original interview is, as before, here, with credit and thanks to @fordtato and @hkthatgffan.
"I think that Bill was trying to find Ford, but I think- I always think of Bill as like, this guy who has, like - you know, he’s stirring the pot of soup that is the Ford plan, and he’s got like 900 pots of soup across the universe of different things he’s working on, and at any given moment, he’s so cocksure that it’s all gonna work his way eventually."
Bill’s a trillion years old, so it’s like, Ford disappearing for thirty years is like- [snaps fingers] is like somebody saying they’re ghosting you and then texting you the next weekend, you know what I mean? He’s like- he’s like [handwave] “Ford’s gonna- Ford’s gonna be back. Ohh, [air quotes] we had such a big fight, Ford’s sooo mad at me,” oh, you know, “our will-they-won’t-they-take-over-the-universe relationship, like, he’s gonna- he’s gonna march off in a huff, and he’ll be back, ‘cause we’re- is Ford gonna find anyone else in the multiverse that strokes his ego as well as me?” Is there anybody else in the universe that’s gonna make Ford feel as important as Bill? No, of course not, Ford needs validation, and so Bill knows Ford’s gonna be back eventually. 
...so, Bill still had a "Ford plan," did he? Like, some active plan that involved using Ford in some way to escape the Nightmare Dimension? Interesting.
I always interpreted his cliche-villain-gloating routine when Ford confronts him about being a liar as the point where Bill was ready to discard Ford altogether. If he had wanted to - if he could have been bothered - after all, he probably would have had a very high chance of somehow manipulating Ford out of the realization that he'd been played: Ford had been literally worshiping Bill a few days earlier. He was basically a cultist, and he was not only someone who'd spent way too long talking to Bill, he was also someone who could only confront Bill on Bill's turf, so to speak. But Bill didn't even try to turn it all around, because (ran my reasoning) he'd gotten what he really needed: the Portal existed, and you can't close Pandora's box. The technology was there. It would not, from Bill's trillions-of-years perspective, have taken very long to find some way to manipulate someone else into rebuilding the Portal once it existed even given Ford's attempts to hide the plans. Bill was scribbling on the Journal in invisible ink after Ford's last entry, before he buried it but after he wrote all about his plans in some detail, even drawing a map to J2. The Journal separation plan would have been laughably easy for Bill to work around. So at that point, I assumed that the only reason Bill didn't arrange for Ford to - if I may be blunt - kill himself the first time he blacked out was because Bill was basically getting off on the psychological torture and wanted to see how long he could keep it going/enjoy himself until Ford literally died of exhaustion. Ford certainly seems to think he'd have been killed if he had lost the game of 'hide and seek' in the asteroid field. I thought the idea that "Bill used Ford until he used him up, and now he was done with him" was basically canon, and that Bill paid no more attention to him from that point onward than you would pay to a broken Solo cup in the trash until Ford did something unexpected - ie, survived the Multiverse, came back with a death ray, apparently took out a few Henchmaniacs, almost shot Bill himself, and then survived the experience.
But here we have what I suppose amounts of authorial commentary which seems to directly contradict the idea that Bill didn't even regard Ford was worth finding and/or killing. Bill was looking for Ford, all those years - not all that intently, apparently, or really very long from Bill's point of view, of course, but still - and Bill still had a plan for Ford. Bill also, if I'm reading that right, seems to have really just expected Ford to come back, of his own free will, to join him eventually, not to kill him.
Of course, it's possible I'm reading that wrong, and Bill just knew that killing him would also give Ford a massive ego boost and that Ford would have to eventually reenter his orbit in order to attempt to do so. It's also true that Bill just not being able to accept rejection in no way, by itself, implies he wasn't planning to go "hahahaha, no" and kill Ford fifteen seconds after he finished begging Bill for forgiveness. But the 'Ford plan' bit seems to undermine that. Let's assume the hesitations and half-sentences are Hirsch improvising, not Bill actually cutting off a thought he might not like the end of. So was Bill genuinely never planning to kill Ford after he bumbled into the Nightmare Realm back in '82? And if not - what in the world was he planning to do to him once one of the Henchmaniacs caught him, then? And why do I have the feeling that whatever it was would have made murder seem both a) kind and b) not at all disturbing by comparison?
Also gives us, in a way, some insight into Bill. Kinda. We've always known that there's this...level, this very deep, seldom-relevant but very important level, on which Bill doesn't quite understand how people work. We see it primarily in the mistakes that Bill makes with Stan and Mabel. Maybe there was nothing he could have said or done in the situation with Stan to save himself, Stan had reached the point of literally suicidal determination and there's really not much you can do to budge someone at that point and especially not once their consciousness has already caught fire, but with Mabel - in Sock Opera, all Bill needed to do to win was keep his mouth shut for three more seconds. He was clever enough to see how Dipper and Mabel's relationship could be exploited to get Dipper to do what he wanted, but he did the exact opposite of what he should have done to get Mabel to do what he wanted, because for one thing he underestimates Mabel and for another...it comes back to that elusive Thing that Bill can't or won't understand about the deeper levels of humans. Or maybe it's Things, plural, and a distinct one for each person, but there's something there at the bottom of the personality that Bill apparently can't jive with.
With Ford, for instance, he clearly underestimates the power of genuine self-hatred and remorse. Bill may feel bad in some way about what he did to his homeworld, but look at the actual words of the Axolotl's prophecy: he feels that way not because he has realized at some point that what he did was fundamentally wrong, but because he wants to go home and can't. Essentially, his regret is for his own inconvenience. And in a lot of ways, I can see how that could have translated into him feeling he did, in fact, know all he needed to know to push Ford's buttons, because while it's never spelled out for us, it seems, based on his habit of carrying around family photographs on his person apparently since college despite not getting on well at all with his family, that there was maybe some tiny part of Ford that also wanted to "go home," and not just to flip off the town. Ford was also someone who deeply feared the consequences of his actions, if you read between the lines in the Journal - his worries about a 'Close Encounter' with the government, his scrawling that he must not lose his nerve on some early Portal notes, his talking more and more about Fiddleford losing his nerve in a way that starts seeming kind of projection-y - and Bill could certainly understand that fear perfectly well: we see Bill panic outright in the finale when he realizes he's out of options he's going to remotely like. In the unlikely event Stan would or even could save him, Stan obviously wouldn’t have done so so on Bill's own terms: Bill would have been stuck making an honest deal for once, or else left with the options of "die" and "take a one-in-a-million shot and do his invocation of the 'Ancient Power,' possibly putting himself squarely into the hands of an enemy whose full aims he probably does not know." But then, that's Bill's flaw - the things that drove him to become what he did were revenge and the fear of Death, of the ultimate loss of control. His arrogance makes him think he can take most any situation, no matter how disadvantageous it might seem, and twist it around sooner or later, but Death - well, that's it, ain't it? Or, as Horace might say in a really old translation:
When life is o'er, and Minos has rehearsed The grand last doom, Not birth, nor eloquence, nor worth, shall burst Torquatus' tomb.
(Horace, Ode 4.7. The Odes and Carmen Saeculare of Horace. John Conington. trans. London. George Bell and Sons. 1882.)
Bit different from most translations I've read, but close enough and in the public domain I believe, so we'll go with that. It's possible that Bill's...unique...state of existence may actually make dying an even more terrifying prospect for him than it for the rest of us. He became what he was to escape limitations, including mortality - but after all that killing and burning and transformation, he found out that he might not ever die, but that he could still be destroyed. And even when he found his own 'territory', it started decaying around him, which proved that dimensions, too, can die even if nobody is apparently actively trying to destroy them. What happens to him then? That's what he's afraid of, and he cannot quite grasp that others might be able to overcome that fear in service of either another principle or another fear. That's where he keeps running into trouble in the series timeline, too. It never occurred to him that Gideon might have enough humanity to want Mabel to actually care about him, instead of just about possessing her - much less that Gideon could want that enough to risk death for it. It was inconceivable to him that Dipper and Mabel could voluntarily turn their backs on even a blatantly false paradise to willingly walk into a living hell, just because it was the right thing to do. And as for Ford and Stan....
Well, on one level, he's right about Ford. When he met Ford, they did have certain things in common: frustration, ambition, deep and secret regrets, loneliness, and fear of facing the consequences. Ford's desire for respectability and honor from those who had rejected him his whole life may have extended this even further for him than it went for Bill in some ways: he couldn't even admit to himself that what he was doing was totally self-interested, whereas Bill, like Stan, has long since come to terms with his own selfishness. And like Bill, Ford probably didn't even have the ability to see that no matter what he did, it would never be enough, and would never really satisfy him. But death? Ford doesn't fear death. Never really has, as far as I can tell, but he certainly doesn't now. The way he lives his life, the man might as well be courting death - sending it roses every week and buying all its drinks at the bar, so to speak. He and Bill both fear the consequences of their actions, but 'consequences' are a category, and it's just as possible to be afraid to live as it is to be afraid to die. And Stan...Stan is harder to be sure of. Certainly Stan's priority is always for self-preservation. He's probably depressed to some degree, and he will risk life and limb without hesitation when he perceives a threat to that which he loves, but that's something that usually happens in a crisis. He doesn't hesitate because he doesn't think about what he's doing, which is what makes the Final Deal such an incredible gesture for me - he not only had plenty of time to think about what was going to happen, but he had to actively take steps himself to enable it to happen. To me, at least, that seems the hardest thing...but then, the whole situation in the Fearamid is one that brings to mind some of my worst fears, to the point that I find the scene difficult to watch and I almost scrapped an entire 22,000-word story once just because it required me to write about a small part of it. I'm sure Bill risked death, in some fashion, to become what he is, and I'm sure he was afraid of failure every time - but he was less afraid of a bad outcome that might come from leaping at the chance for some semblance of life, any semblance of life, no matter what that might look like or how long the odds might be, than he was of doing what he knew would lead to...wherever even destructible gods go, when they go. This is why the Stans were the thing he couldn't account for, really. He couldn't conceive of having a priority higher than self-preservation, of overcoming his worst fear - and that was what destroyed him. Maybe, anyway.
It's sort of funny, actually - I started writing a completely different post yesterday about how to develop a new character based on some of Hirsch's remarks, and in the course of it, I made the remark that I found it hard to fathom how you could write any of Gravity Falls, at all, without knowing ahead of time that it is the story of (if I can make so bold as to quote my own story's dialogue) "the Faustus of New Jersey and His Knucklehead Brother and the Hazard Sign From Hell," and without at least a fairly good understanding of who those three people are and how they got there. If one looks at the story that way, I suppose you could say the events after their starting situation are also the story of these three being thrown up against the places where their real deepest fears lie, and seeing who has something he really, really will not compromise on...or at least, it did at the start of this paragraph. But did any of them, really? Bill blatantly fails that test, of course - Bill runs, just like he's been, in a way, running for his entire miserable existence. Ford comes close to what might have been a couple of breaking experiences for him - either surrendering to Bill or, had the memory wipe worked the way he thought it would, with living with whatever the fallout of essentially killing his brother would have been - but the universe was kind and stacked the deck just enough to let him cheat his way out of that one, at least for the most part. But what about Stan? He didn't want to die, but we already knew that he'd risk it for the kids, because we've seen him do that before. The way he went about it this time arguably took more courage than the others, when he just went in swinging at an immediate and obvious threat, but it was still an escalation on an established thing. Stan's real worst fear isn’t death - it’s of being alone again, of losing his family. That's the principle that overrides self-preservation for him. What would have happened if he'd been in Ford's shoes - required to take up the role not of the sacrifice, but of the one who performed it, giving up one member of the family to save the others? Could he have done that?
...though that is wandering from the topic I was originally talking about, isn't it. Which was that yeah, Bill is, in his way, as fallible as anyone else despite his immense resources - which is gonna be a fun topic to get into when I get around to the post in this series about writing higher intelligences, but that's also not the point, which was that Ford was never going to go back to Bill the way Bill thought he was, because Bill's inability to understand other people's ability to do things that he can't is a serious blind spot for him. It's the thoughts he can't have that doom him (probably...hopefully, anyway...), fortunately for the rest of us.
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call-me-cosmic · 5 months
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“Wow all this art is so gorgeous, I just wanna–“ *eats it and gains it’s power*
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Ok, well, I didn’t gain ALL of its power, but the art still inspired me nonetheless. Here’s a peek at a short comic I’m working on!
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I believe the artworks are done by @hadroncollider on Twitter, but I’m not sure. I’ve been having a hard time tracking the artist down! If I’m incorrect, please let me know!!
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dipperpines-kin · 1 month
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Silly Straw Billy doodle
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risotto38 · 9 months
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How about a Grunkle in these trying times (please excuse my poor lighting)
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tinglecannon · 9 months
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For @fordtato's hilarious smash or pass Bill Cipher contest. Enjoy a quick sketch
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