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#international eames appreciation day
mister-eames · 2 years
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belbeten · 2 years
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Happy International Eames Appreciation Day!
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[Image ID: two photos of a cross stitch hoop. The first photo is taken from directly above; the second photo is a closeup taken from an angle. Both photos depict a casino poker chip that has been cross stitched in orange, red, and yellow thread. The text on the poker chip reads "100 Shillings Mombassa District Casino". /.End ID]
To celebrate our 2nd annual International Eames Appreciation Day, I decided to cross stitch his totem.
It was my first time designing a pattern this large, and my first time using stitch software. I really should've allowed myself more time for a full coverage piece, as I just finished it today! I based the design on an image I found online, and I'm quite pleased with how it turned out. It's a bit garish, but then again, so is our favorite forger!
The finished piece is 14 count aida in a six inch embroidery hoop. The orange thread is DMC 900, the red is DMC 816, and the yellow is a random leftover I had in my thread box *shrug*
(Edit: Now with a companion piece for Arthur's totem)
Hope you all have a happy International Eames Appreciation Day! And don’t forget to dream a little bigger, my darlings 😘
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IT’S INTERNATIONAL EAMES APPRECIATION DAY, BABY
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get out there and show some love to the True King Forger
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INTERNATIONAL EAMES APPRECIATION DAY
#fuck your bestie #eames appreciation #arthur is smitten
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inceptionart · 2 years
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Today’s highlight is on the super talented Ash @mister-eames! Read on for her thoughts on art, and you can find all of her incredible artwork here!
🎨 When did you start creating art for the Inception fandom, and what is your inspiration?
August 2021 for International Arthur Appreciation Day! I'd been lurking in the fandom since late 2020 and was just so blown away by the breadth and magnitude of talent!! I say this with love: because, in the best way, I felt like I had nothing to offer. I still feel that way and, oddly, I think that is what inspires me—that there are so many brilliant minds and ideas in this fandom; we took this one movie and we created an entire ecosystem out of it, we cross-pollinated other fandoms. It's... kind of calming, I feel like I don't have to burn myself out here. I can sit, observe, feel and create at my leisure. I don't have to worry about sequels or new seasons, my imagination can go as crazy or as calm as it wants to.
🎨 Tell us about your creative process, and which part do you enjoy the most about it?
I get very stuck on a single feeling or visual. Then it pesters me for days or hours or weeks until I do something about it, haha. I'll throw on a playlist and use the music as a footpath to reach that feeling/visual, if that makes sense. What I enjoy most is finishing it lol, getting it out of my head and releasing it into the universe so it's not mine to carry anymore.
🎨 Link us to your first and latest artwork, and how your style has evolved since then?
My first artwork for fandom, in general, was when I was a young teen for the Suikoden fandom—and is lost forever haha—but my first "artwork" for inception was a moodboard for Arthur Appreciation Day and my last was a gifset here.
Mmm, in terms of evolving... I've played around with moodboards since 2019 in other fandoms and I've just recently taught myself to make gifs in the last 8-12 months, and I have recently returned to traditional art so I'd say my style is a work in progress!! But I'm having fun dabbling in different mediums and hope to get better at them all!
🎨 What is your absolute favorite piece of art that you've made, and why?
The collab I did with @finelydressedspacemen for Inception Big Bang 2022 - it was my first real venture into digital art outside of gifs and moodboards and it was a fun experience to try and dip my fingers into a different medium!
🎨 What is something about Inception that you really want to make art for someday, and why?
I'd love to make art or gifsets for others existing fics but I'm always too shy to ask!! Outside of that, I have a large blank canvas in my home that I have been meaning to start a traditional art piece that is inception inspired. Very poker-esque. But yeah, I'd really love to make gifsets for fics.
🎨 Give a shoutout to your favorite Inception artists here!
@hcnnibal @stormofsharpthings @hirunoka @halfofawhole @birdlawco @youcantsaymylastname @darlingandmreames @mizunoir @sin-repent and I'm sure there are so many I'm forgetting, the wealth of talent that has contributed to this fandom is incredible. It's made me want to be both a better artist and writer.
🎨 Anything else you'd like to talk about art and the Inception fandom in general ❤
As someone who joined this fandom late I just have all the love and respect for this everyone who has come before me, who is still here, and those yet to come. I think this is a really special place to be and everyone is so very welcoming and kind and creative. To another 12 years!! Thank you all x
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little-specificity · 3 years
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Happy International Eames Appreciation Day!
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stormofsharpthings · 3 years
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In honor of International Arthur Appreciation Day, I’ll like to include a link to Sea Change, which is a BAMF Arthur-centric sexy supernatural creature romp / love story which includes Eames as a part-time merman and Saito as an actual dragon 😁
Rating: Explicit for sexytimes
Ships: mainly Arthur/Eames, a bit of not easily categorizable Arthur/Eames/Saito and Arthur/Saito
Tags: Mild D/s Play, Light Bondage, Kinbaku, Supernatural Creatures, Cuddling & Snuggling, a bit of pining, no actual penetrative dragon sex y'all sorry, Japanese Mythology & Folklore, Kinda Crack, no really it's mostly crack, but a little not, Human/Monster Romance, merman eames, Saito is a dragon, Love Story, Really it’s almost completely sweetness and fluff, with just a bit of absolutely consensual rough sex
They had known each other for nine years and had been together for four before Arthur realized he had never seen Eames in salt water. Oh, he swam like the proverbial fish, but only in pools, or lakes, or far enough up rivers that the water wasn't even remotely brackish.
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inceptionpositivity · 3 years
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@finelydressedspacemen - You're super nice and fun and omg thank you so much for the International Eames Appreciation Day! 
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darlingandmreames · 3 years
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Title: Gestalt 
Rating: Gen
Wordcount: 4.3k
Summary:  Arthur always thought falling in love was something that happened all at once, but he fell in love with Eames bit by bit
He’d thought it was maybe just a fluke, nothing more than being caught a little off guard, but it kept happening. He’d be in the middle of a sentence when Eames would flash a smile at him and whatever thought he’d been trying to express would simply halt in its tracks. Not even the time and distance of a few jobs apart helped, with the same issue happening on the second job they worked together and then again on the third. It was frustrating and annoying and Arthur looked forward to every time Eames smiled at him despite it all.
Happy International Eames Appreciation Day! 
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bookish-mbti · 3 years
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Some Frasier MBTI types
Scott has gotten me into watching Frasier and these characters are satisfyingly typable, so I wanted to make a post elaborating on the MBTI types of the Crane brothers.
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Frasier Crane | ENFJ
Frasier’s functional stack is easily readable and because of it, he is a fantastic example of an ENFJ. The outer world and social structures are what defines Frasier’s reality.
Frasier exists in the outer world of established external structures, measurements of value, and social status. He appreciates things that can be thought of as impressive based on external reference, even such as the items he so values in his apartment: “This lamp by Corbusier, the chair by Eames, and this couch is an exact replica of the one Coco Chanel had in her Paris atelier.” He likes things that are socially recognized to be impressive or renowned.
ENFJs also use auxiliary Ni, and as such, Frasier is very insightful and thrives when guiding individuals towards their best path and potential. His radio show allows him to do this on a broader scale with a wider audience, while also allowing him to fulfill his role in a way noticeable externally within the societal structure he values. Fe-Ni tends to work with groups of people such as a classroom as a teacher, and in Frasier’s case, it is his radio show.
Se is tertiary in Frasier. ENJs, though they are not Se dominant, are often very action-based. This advice from Frasier, in my opinion, exemplifies healthy use of an ENFJ’s functions: “Six months ago, I was living in Boston. My wife had left me, which was very painful. Then she came back to me, which was excruciating. On top of that, my practice had grown stagnant, and my social life consisted of... hanging around a bar night after night. You see, I was clinging to a life that wasn’t working anymore, and I knew I had to do something, anything. So, I ended the marriage once and for all, packed up my things, and moved back here to my hometown of Seattle. I took action. And you can, too. Move, change, do something; if it’s a mistake, do something else.”
Tertiary Se is more noticeable than inferior and ENJs may score surprisingly high on Se, caught between their penchant for deriving meaning and passion for making their dreams realities.
Frasier is sensitive to criticism, which comes from inferior Ti. When he is criticized in a column in the Times with the simple statement “I hate Frasier Crane,” he can’t help but feel as though it is an unwarranted personal attack. Ti is a function based in impartial analysis and criticism of structures or methods, completely independent of people and in conflict with an Extraverted Feeling approach.
Further, after he is sold a false piece of artwork, he is infuriated by the injustice, the blatant lack of regard for ethics. His idealism that people are good, respectful, and care for the well-being of others (Fe-Ni) is shattered. He keeps grasping for some way others and systems may help him—first through calling the police, and then by considering hiring a lawyer. When both Martin and Niles say it isn’t worth it and when Martin tells him that sometimes bad things happen in life and there’s nothing you can do, Frasier has immense trouble coping with the concept. Feeling dominants often run into conflict with the approaches of the Thinking functions, which they perceive to be cold, heartless, and, in the more extreme, immoral.
Another characteristic of Frasier’s inferior Ti can be seen in the second episode, when he is still adjusting to his father and Daphne moving in with him. In the case of an inferior Ti eruption episode, Fe dominants become uncharacteristically cold and withdrawn. In this episode, Frasier is perturbed by all of the ways Martin and Daphne have infiltrated the life he worked to build for himself. He is uncharacteristically in a bad mood, seeking solitude, and short with understanding; his tertiary Se is used defensively to defend his uncharacteristic, self-based need for solitude by saying that since the situation isn’t working out now in the present moment, then there is no hope of it getting better and he should change something about it.
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Niles Crane | INFJ
Niles’ function stack is also one that is very readable and makes him a great example of an INFJ.
While he is similar to his older brother, there are some distinct differences. Where Frasier’s typical impulse is to seek out others and talk to them, in need of feedback, Niles is more private and withdrawn, mulling over things internally before externally voicing a conclusion. Where Frasier thrives navigating the social world and being a prominent face in the community, Niles considers his radio show “pop psychiatry” and values a more typical setting where he can see patients one-on-one rather than seeking a broad audience and outward recognition. This is not to say that Extraversion and Introversion have to do with sociability or ability to perform in front of an audience—Niles frequently holds group therapy sessions and workshops etc.—but than IFJs and EFJs tend to differ in their natural preferences. EFJs like to immerse themselves actively in a society and have engagement and involvement. IFJs don’t require this external feedback or engagement, and many times like to help others in more controlled, individual sessions.
One example Niles’ Ni is evident is after he and Frasier see their father having dinner with an old family acquaintance. They remember that her family used to be close to theirs until one summer they had a falling out and were no longer acquainted. The next day, Niles arrives at Frasier’s apartment and announces he had been doing some thinking, wondering why their father was with that woman, so he dug up his old childhood journal and an old photo album their late mother had put together. In the journal around the time they remembered the family friends having a falling out, Niles had written that he had seen his father and her in each other’s arms. In the photo album photos from that summer, there were multiple photos with a woman cut out of them. With these things brought to attention, Niles suggests a theory that their father had an affair. This is Ni—seeing something, mulling it over, connecting separate pieces, and arriving at a conclusion. Frasier first strikes down the accusation, saying there isn’t enough evidence. Again, this is Niles’ Ni—the connections he has made are based on internal thought processes, not totally tangible, but make sense in his linear internal logical deductions based on a couple of pieces of evidence. Ni can derive insight and theory based on minimal things in reality and is not dependent exclusively on what is experienced through the senses.
Another example of Niles’ being his type, and perhaps a good example of how INFJs tend to offer advice in general, can be seen in this conversation between him and Frasier in episode 2.
Frasier: Niles, I don’t know what I’m going to do. Dad and I had another fight. I’m afraid if we stay under the same roof together we’ll do irreparable harm to the relationship we have as it is.
Niles: Well, what are the alternatives?
Frasier: Well, if I didn’t feel so guilty I’d, I’d do what I should have done in the first place: just move dad and Daphne into their own apartment.
Niles: Oh, for goodness sake, Frasier. It hasn’t been that long, you have to give it a chance. And you might remember why you moved him in in the first place.
Frasier: Refresh me.
Niles: You wanted to get closer to dad.
Frasier: I still do. There isn’t anything I’d like more, but he makes it impossible. I can’t read my book, I can’t have my coffee, I can’t have any peace in my own home.
Niles: So what you’re saying is, you want to be closer to dad, but you don’t actually want him around. Ask yourself Frasier, have you tried to sit down and talk to him—I mean, really talk to him?
Frasier: Well, I... Maybe I haven’t done my best. I guess I owe that to the old man, don’t I? Well, ah, thanks for the chat, Niles. You’re a good brother, and a credit to the psychiatric profession.
Niles’ dominant Ni urges Frasier to see past the interpersonal rifts and down to the heart of what matters most, which was Frasier’s original goal: to become closer to his father. Conflict that seems unsolvable through talking it out is a trigger to Fe dominants, and as such, it was hard for Frasier to see past it. Niles’ Ni reminds him of the goal despite this conflict, as Ni as a dominant function is more zoomed out and big-picture; while Niles too uses Fe and is people-focused, he primarily views the world through Ni, which sees things outside of the framework of relationships, whereas Frasier’s dominant Fe was stuck seeing only the relationships and the conflict within them and he forgot the original goal. Additionally, Niles’ use of Ni prompts Frasier to point his own auxiliary Ni at himself and remind himself of his personal responsibility and purpose to the situation with his father.
Niles’ inferior Se is noticed more comically, such as how he doesn’t remember meeting Roz even after he has met her multiple times, nor does he remember where they met. Ni is a very internally-based function, and with inferior Sensation, Ni dominants can have trouble recalling concrete information about their surroundings or people they come into contact with in the external world. Another example of an INJ’s inferior Se can be seen when Niles is gripping shortly after his divorce. He begins to date someone completely opposite from his normal temperament and is impulsive, spontaneous, and doesn’t give any deep thought to his actions or the purpose for these actions. He stays out all night, drinks more, plans a trip with his new girlfriend to another country. It is all very out of character for him, which happens when an INJ is gripping—usually notoriously inert and cerebrally-based, they become active and spontaneous in the outer world, over-indulging in sensory activities.
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belbeten · 9 months
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Day 29: Self-Rec
For the @inception30daychallenge Day 29 Self-Rec:
I'm reccing the matching totem cross stitch hoops I made last year for the respective International Eames and International Arthur Appreciation Days:
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[ID: A photo of two embroidery hoops with white aida fabric. The first hoop is a casino poker chip that has been cross stitched in orange, red, and yellow thread. The text on the poker chip reads "100 Shillings Mombassa District Casino". The second hoop is cross stitched in red thread, and shows three sides of a six-sided die. /.End ID]
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You didn’t think I forgot, did you?
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Just because I’ve got brain rot right now doesn’t mean I didn’t remember that it’s time to post the collection link for International Eames Appreciation Day 2022 (May 11, 2022)
Get your shiz together, y’all. The day rapidly approacheth!
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dippedanddripped · 4 years
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In the brief history of street culture, Hitomi Yokoyama is one of its most prominent hidden figures. If Hiroshi Fujiwara is considered the de facto “godfather of Japanese streetwear,” Yokoyama is most definitely its godmother. A contemporary of UNDERCOVER founder Jun Takahashi and Tomoaki “NIGO” Nagao — who would go on to establish A Bathing Ape and Human Made — Yokoyama was at the forefront of Tokyo’s Ura-Harajuku movement that gave rise to Japan’s cadre of covetable brands like WTAPS, Neighborhood, Bounty Hunter, and countless others.
As a teenager growing up in Tokyo’s Yotsuya neighborhood, Yokoyama became fixated with the British punk bands she saw on TV and heard on the radio. “I was listening to The Clash, Adam & The Ants, and The Sex Pistols,” she says. “The first thing in fashion I got really excited about was Malcolm McLaren and Vivienne Westwood’s clothing I saw Johnny Rotten wearing.”
It was through seminal Japanese magazines like Takarajima that she got put onto McLaren and Westwood’s Seditionaries clothing line and SEX shop in World’s End. She also discovered “Last Orgy,” an influential Takarajima column started by Hiroshi Fujiwara. It was basically a cheat sheet of what brands, bands, and trends were about to blow up.
But Yokoyama didn’t just read about what was cool — she lived it, too, exploring Tokyo’s underground nightlife at clubs like Picasso and Nabaron, which played everything from ska, rockabilly, and reggae to the hottest bands in London at the time. The scene got her close to Jun Takahashi and future Bounty Hunter founder Hikaru Iwanaga, who played in a tribute band called the Tokyo Sex Pistols, and NIGO, who sometimes stepped in as their drummer. Yokoyama remembers how the now-icons dressed at the time, recalling Takahashi as a would-be Johnny Rotten and Iwanaga as a stand-in for Sid Vicious.
“This kind of place was more like a culture school than just a club,” she says. It’s where she learned how to dress and met like-minded people who shared the same passions, like Vivienne Westwood and punk. “It was a real life social network in the days before the internet.”
NIGO and Takahashi had met at Tokyo’s prestigious Bunka Fashion College, the same institution that produced Yohji Yamamoto and Junya Watanabe. Yokoyama worked at a hair school in the neighborhood called Ciao Bambina, which doubled as a community hub for area youth, since their parents weren’t allowed in. NIGO got his hair cut there, and Yokoyama admits she used to steal a product called Rock Gel, a hard hair gel ideal for Takahashi’s avant-garde punk hairstyles.
At the same time, Takahashi and NIGO were becoming a dynamic duo in their own right. They had taken the reins of Fujiwara’s “Last Orgy” column and brought it to Popeye magazine (the newer, younger answer to Takarajima) under the moniker “Last Orgy 2.” It was clear they had the juice now, so under Fujiwara’s mentorship they turned their platform into a first-of-its-kind retail concept: NOWHERE.
Before that store opened, Yokoyama remembers the small network of streets as a neighborhood with hidden gems interspersed throughout. There was Hitomi Okawa’s MILK, Nobuhiko Kitamura’s Hysteric Glamour, and punk boutique A Store Robot, which Yokoyama frequented. But NOWHERE began the evolution of Harajuku’s backstreets into an in-the-know shopping destination. The shop launched both Takahashi’s UNDERCOVER and NIGO’s A Bathing Ape.
“Jun started making clothes on a domestic sewing machine, making one-off items. He was a genius at an early age,” remembers Yokoyama. “Then you had NIGO, who was a massive expert on vintage clothing and had great style.”
The Ura-Harajuku scene and the brands to emerge from it would expand from a small underground community to a huge global movement, and Yokoyama would play a crucial part in that transition when she moved to London in 1993.
“My plan was to study English and go to make up school,” she explains. “One day, I was walking down the street and I met a guy called Barnzley. He recognized my Seditionaries clothes and was very curious about my UNDERCOVER clothes.”
Fate made it so that one of the first people Yokoyama met in London was one of its most well-connected people. Simon “Barnzley” Armitage is a fixture of London’s club scene and its underground subculture. As a shop guy for Vivienne Westwood and Malcolm McLaren, he took advantage of the store’s screen printer to make bootleg Chanel T-shirts before getting into deconstructing clothes. He’s donned many hats and worked on numerous projects throughout the years, including co-founding the label A Child of the Jago with Joe Corre — Westwood and McLaren’s punk progeny.
Yokoyama’s Seditionaries fit caught his eye immediately, and they connected over a shared love of clothes, music, and punk culture. Yokoyama was still looking for a room, and Barnzley actually had an opening at his flat, recently vacated by Spanish artist Luciana Martinez de la Rosa.
“I think Hitomi was quite happy to move into a flat full of cool clothes, art, and records,” recalls Barnzley. “Maybe not so happy I kept her up all night with loud music, girls, insane pop stars, and messy graffiti artists.”
Yokoyama admits she didn’t get much sleep thanks to the loud music, but describes the London she found as “like Disneyland.” With Barnzley as her cultural sherpa, she rubbed shoulders with Joe Corre, Nellee Hooper of The Wild Bunch, Paul Cook of The Sex Pistols, Primal Scream’s Bobby Gillespie, and Paul Simonon of The Clash. Many of the figures she previously only read about, that seemed worlds away in the translated pages of Japanese glossies, now became face-to-face acquaintances.
“Everybody seemed to be a pop star, artist or model,” she says. “It was nonstop ’til 4 a.m. most nights.”
In addition to putting Yokoyama on to London’s hippest clubs and clothing stores, Barnzley also introduced her to Cuts, an underground hair salon that was pretty much the city’s answer to Tokyo’s Ciao Bambina. Founded by the late James Lebon, younger brother of fashion photographer Mark Lebon, he created a template for a new breed of alternative hairdressers. Inspired by the DIY ethos of punk, Cuts was the first in a new type of independent hairdressers whose multi-ethnic aesthetic chimed with that of Ray Petri’s wabi-sabi Buffalo style.
“It was a hub for street fashion as there were shoots for i-D and The Face. It was also where you’d find out information on clubs, clothes, and all that culture,” Yokoyama says. “Working there was more like a very fashionable club than a hairdresser. It was my introduction to fashionable London.”
International Stüssy Tribe member Michael Kopelman was also a Cuts regular. In 1989, he founded Gimme 5 as a distribution company, spreading the gospel of Japanese streetwear by introducing brands like Neighborhood, UNDERCOVER, visvim, BAPE, and Hiroshi Fujiwara’s GOODENOUGH into ahead-of-the-game boutiques like Hit and Run (later renamed The Hideout). By 1995, Kopelman and Yokoyama’s mutual appreciation had grown to the point where he felt comfortable enough offering her a job. “We were both into similar things from Japan. Nobody else in London was,” he says succinctly.
With no previous background in art (and never even having worked on a computer before), Yokoyama’s strong sensibilities informed what would become Gimme 5’s aesthetic. Inspired by everything from Eames chairs, old record sleeves, and comic books, she taught herself to use programs like Illustrator, eventually designing a Gimme 5 clothing logo cribbed from Jack Kirby’s Fantastic Four comics. Her work went on to impress her friends back in Japan, leading to graphic work for UNDERCOVER, A Bathing Ape, Real Mad Hectic, and Let It Ride as well as New York brands like aNYthing.
By the mid-2000s, Yokoyama received a major profile boost when she designed a purple and maroon Air Stab for Nike’s sought-after 2006 Air-U-Breathe pack. She was inspired by the lightness of the sneaker, as well as images of rabbits and cats jumping around in her head, leading to the striking graphic on the heel she describes as “paws with eyes.” She followed it up in 2008 with a mostly gray Air Max 90 Current created under Nike’s Co-Lab program for the Beijing Olympics.
Despite her impressive pedigree, Hitomi Yokoyama’s work seems largely swept under the rug in the story of streetwear. Perhaps that’s because she’s always gone under the pseudonym “HIT.” It was a conscious decision on her part, creating an air of mystery around this cryptic, Japanese designer in the vein of a SK8THING or SKOLOCT.
“I started working with all these men’s brands and they wanted to the put the designer’s name on the shirts,” she says. “There weren’t many females around at the time, and I was worried that people from that scene would not take me seriously if they knew I was female. So with the alias HIT, I would not be discriminated against; it’s genderless.”
Yokoyama’s most prolific collabs aren’t just with products, but people. Through her friendships in Tokyo and London, she helped foster long-lasting relationships, like linking Mo Wax impresario James Lavelle and NYC graffiti writer Stash with NIGO. She also became especially close with the late, legendary stylist Judy Blame, who was the inspiration for Dior’s Fall/Winter 2020 men’s collection. Yokoyama is in the final stages of her own Judy Blame tribute, a brand called Available Nowhere that uses Blame’s archive on a series of T-shirts, jackets, shirts, and scarves.
Whatever she’s doing, Hitomi Yokoyama is eternally grateful for the chances London gave her as a wide-eyed young woman from Tokyo. She admits that if things hadn’t worked out abroad, she’d have probably moved back to Tokyo and worked at a Shinjuku sushi restaurant. Now she wants to pay that kindness forward to the next generation.
“I hope to work with artists, designers, and interesting people who might be not well-known,” she says. “I want to help young people with lots of energy learn from old people with experience.”
Words: Andy Thomas
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thirstaidkitpodcast · 6 years
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THIRST AID KIT | S2E11 | TOM HARDY, CHAMELEON
You don’t have to tell us, OK? Another British Tom?
You’re right. But this one is a whole different kettle of fish, innit! Observe the potency, if you will.
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*bra is incinerated*
We had to put Tom Hardy under our thirst-microscope (thirstoscope?) to examine his uncanny ability to disappear into roles. Remember him as a slightly grotty Heathcliff in Wuthering Heights? Or how about as smooth-and-hefty Eames in Inception? We went a little deep (heh) to Tuck in This Means War, perhaps the best worst romcom ever. (Rotten Tomatoes’ Critics Consensus read: “A career lowlight for all three of its likable stars, This Means War is loud, clumsily edited, and neither romantic nor funny.” Meow!
Feast your eyes on this mess:
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We also delved deep into Tom’s past when he briefly operated under the pseudonym “Tommy No 1” and made a rap mixtape, Falling On Your Arse in 1999. Let’s also not forget those wonderful thirst trappy MySpace photos that we appreciate to this day. What a wild time that era was...
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WHAT DAT MOUF DO?!
We spoke of his chameleon-like ways when it comes to selecting roles (MAD MAX: FURY ROAD 4EVA)!, and how he transforms himself physically, and how that it’s hot as hell not knowing what he will look like! And then we talked a little bit about Tom’s early career and some of his troubles with alcohol and drugs, and how he has made much-needed changes, and then we spent a fair amount of time on his voice, which is so raspy and hot and makes it so that his every utterance is intense. 
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Finally, we spoke a little about Tom’s overwhelming love for dogs. It is pure and endearing, and only a little bit weird. Tom, let’s raise a (dog-inclusive) family together, bb!
We also have a delightful Thirst Sommelier request from someone who needs a new Shia LaBeouf in their life, and Fanfic Wars might burn your brain but we wouldn’t have it any other way. Strap in, thirst-buckets! You can listen to the whole episode RIGHT HERE (more ways to listen are listed below).
SOME STUFF TO WATCH AND READ, IF YOU LIKE!
The tribute Tom wrote to Woody, his dog
This great Alan Carr interview
“Pain is weakness leaving the body.”
Tom’s strict trousers rules.
Here’s Tom talking with Jonathan Ross about his substance abuse problems from a few years back.
“You mustn’t be afraid to dream a little bigger, darling.”
You don’t need to ask Tom about his sexuality, OK?
We’re on Twitter at @bimadew and @tnwhiskeywoman.  The show is at  @thirstaidkit. Send us your Thirst Sommelier requests at 765-884-4778 aka 7658-THIRST (international listeners: send us a short recorded message via email, please) and your (short!) drabbles at [email protected]. Please, if you can, rate and review us on Apple Podcasts. We appreciate it!
Subscribe to get new episodes every Thursday. We’re on: Apple | Stitcher | Spotify | Podbean | Overcast or search ‘Thirst Aid Kit’ wherever you get your podcasts.
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Please thirst responsibly — but you can take it. We appreciate your ears, and want them to remain perfectly in place on your heads so you can keep listening. Thirst responsibly! 
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Corporate Event Party: A Essential Part Of Any Business
For a corporate event a success, you need a well-planned, well organized and well executed event. To do this, you need the services of a professional Corporate Event Organisers in Bhopal. If the corporate event is a business or a social problem, a large or a small, one a formal or informal one, no matter the goal, it needs to be planned with the assistance of professional event managers and business experience.
With your hosting company's corporate event, would have decided whether to plan the event yourself or hire professional managers of corporate events. Of course, you may feel that most of you have planned an event or the other, a meeting with business partners, meeting with friends and family, so organizing a corporate event would be the same. A corporate event is not similar to the organization of meetings and gatherings.
There are many event management companies in Bhopal. And it is infect one of the growing sectors which have employed a large number or employees.
There are many advantages to hiring event management companies for corporate events. They bring a range of
1.      Assets
2.      Skills
3.      Services and economic advantages that only with the experience
4.      Expertise of professional managers of corporate events.
 Why one need to plan corporate parties earlier? Here are 4 reasons:
Get inform your guest
Great Corporate party really flourished with cheerful decor, the right music, entertainments, activities, etc. If you want to plan a wonderful corporate party for your employees, you can't wait until the last minute. It helps you to work out all those little details as per your plan and get everything just right so that things go smoothly on the day of the event.
Book the best places
Team meeting venues must be chosen with care as it makes and breaks the mood of the meeting. Choose the venue with extreme care to make your meeting interesting and exciting. Looking for the best team meeting venues for days together and contacting event managers to plan your meetings and team outings has all become old school.  It's time to get over those boring board rooms look for team meeting venues beyond the run of the mill banquets and hotels. 
Plan for the food
Corporate party includes food, beverage and much more for your employees. You may need event management in Bhopal which gives you a variety of options to choose from, or their chefs help you customize a menu to suit your taste and dietary need. The simple thing you have to mention is specifying the number of guests and food selection to be served.
Get the details right
The most common types of corporate events are popular for a reason: they are effective at achieving the desired result of the planners. Whether hosting a conference or a golf tournament, companies use these events to bring people together in a new way, developing interpersonal relationships that couldn't exist inside the structured environment of the office. 
The Most Common Types of Corporate Events
·         Seminars and Conferences
Seminars are usually shorter events, lasting a couple hours to a few workdays. They have single or multiple speakers and generally keep all participants together in the same space. Conferences, on the other hand, typically have multiple sessions.
 ·          Trade Shows
Event planning for trade shows involves negotiating sponsorship rates for booth space, advertising, promotion, and speaking opportunities where company leadership can speak. Trade shows are held in large spaces, showcasing the products and services of often hundreds of vendors. 
 ·         Executive Retreats and Incentive Programs
Executive retreats and incentive trips typically last between three and five days and require attention to site selection, lodging, transportation, catering, business meetings, golfing and other activities.
 ·         Golf Events
The idea, like the executive retreat, is to give people in the organization a venue where they will be able to build relationships in a relaxed environment. There is a saying that "deals are sealed on the green."
 ·         Appreciation Events
There are limitless possibilities and types of appreciation events that organizations hold throughout the year. Common programs include:
ü  Dinner and theater
ü  Day at the racetrack
ü  Suites at sporting arenas
ü  Day and evening cruises
ü  Private parties at music festivals
ü  Holiday parties
ü  Tickets to a popular event 
 ·         Company or Organization Milestones
Company milestones provide a business or organization the opportunity to celebrate a grand opening or other major milestone or anniversary. 
 ·         Team-Building Events
Team-building events are meant to build upon the company's strengths while boosting employee confidence, goodwill, and morale. These events also provide the unique opportunity for employees to spend time together in a non work environment. Team building events are meant to do just what their name says.
 ·         Product Launch Events
Product launch events can include internal meetings to inform all employees across the company about any upcoming products to full-blown launch parties that create a buzz surrounding the product's release among customers and the media. Product launch events are most common for business-to-consumer (B2C) companies.
 ·         Board Meetings and Shareholder Meetings
Board meetings and shareholder meetings both serve important purposes. Board meetings serve as an opportunity for board members to meet to review business performance and meet with company executives to make important decisions. 
 ABOUT THE AUTHOR
This article is written by Rosy Darwin is an experienced content publisher who guides about best Corporate Party Ideas in the town and affordable Corporate Party. The author is a well-known personality in the field of corporate events and has planned and hosted numerous  exclusive venue for, corporate meetings/parties, weddings and private social events. When it comes to any assistance and consultation with regards to Corporate Event Party events and also catering she recommends kalashcaterers.com as a name that you can trust.
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little-specificity · 3 years
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✨August 27th: International Arthur Appreciation Day✨
Inspired by Eames' Appreciation Day (June 4th), @finelydressedspacemen, @belbeten and I decided that we needed a day dedicated to Arthur and took it into our own hands to set the date!
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Fanfic, art, fic recs, GIFs, moodboards, fanvids and anything else you come up to as soon as involves Arthur is welcome! 💖 Use the tag #international arthur appreciation day so we can all stare at Arthur's face and think about how cool he is
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We hope to see your contributions on August 27th!
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