#interscope | Explore Tumblr Posts and Blogs

canmking · 1 month

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S c h o o l b o y Q

#schoolboy q #west coast hip hop #hiphop #hip hop #rap #rapper #emcee #mc #tde #interscope

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nenan · 9 months

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Quenlin photographed by Anthony Nguyen

#Quenlin Blackwell #quen blackwell #Anthony Nguyen #interscope #satananthony

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underachievers-please-try-harder · 3 months

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Track of the day // Tierra Whack - Shower Song

From the album World Wide Whack, out March 15th on Interscope.

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culturevape · 2 years

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N95

#kendrick lamar #n95 #music video #rap #music #Mr. Morale & the Big Steppers #2022 #cvp #culture #dance #this shit is hard #mygifs #mygif #gif #540px #TDE #interscope #aftermath #k.dot #oklama

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lady-bohemia · 1 year

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I’m just sippin’ on Chamomile, watching boys and girls and their sex appeal

#No Doubt #Rock Steady #gwen stefani #vinyl records #records #my records #interscope records #Interscope #90s #90s alt rock #90s aesthetic #my home #bohemian home #y2k #mine #personal

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stuckinapatriarchalbullshitland · 2 months

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Answering the anons

Good afternoon folks. In this post I will answer some messages that I have pending in the Inbox in relation to the podcast of Camila. All I will say about it is that I am waiting for Camila's music. This new CC4 era that she will finally start with Interscope and that I hope it is good, even when, the ultra-femenine-heterosexual concept of Camila does not like it very much . I don't know, I hope to be wrong. I still have faith that Camila gives us those non -heterosexual Easter eggs that she has always given us in her songs, she knows how to do it. She learned from a mentor and no, it wasn't Drake and we already know who she is. As for the PR de Camila, she should not have one right now. Nor should Fifth Harmony have a meeting-comeback right now.

This is the releasing year for three of our girls and we as a fandom have to pay attention to that. Camila's following her narratives, narratives that Interscope doesn't like it (thank you evil team assholes) and still, we have to wait and hope for good music. All the music.

#camila cabello #fifth harmony #cc4 #interscope

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mansoncollector · 8 months

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This is the New Shit was released on this day 20 years ago.

#marilyn manson #this is the new shit #goldfrapp #mind of a lunatic #new shit #manson #marilynmanson #the golden age of grotesque #grotesk burlesk #mm #mr. manson #2003 #interscope records #interscope #marilyn #john 5 #tgaog #debrecen

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itsmcflyy · 7 months

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#50 cent #get rich or die tryin #g-unit #rap #beg for mercy #hip hop #interscope #mcflyy #power

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ishouldhateyou · 1 year

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gracie abrams for interscope

#gracie abrams #gracieabrams #interscope #gracie abrams updates #good riddance tour #tour

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ourladyofomega · 10 months

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John Lennon (Beatles) and Jimmy Iovine (Interscope) record "Walls & Bridges" at New York City's Record Plant East; 1974.

📸: Dennis Sayles

#John Lennon #Beatles #Jimmy Iovine #Interscope #music #NYC #New York City #wow #omega #our lady omega

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underachievers-please-try-harder · 1 year

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Track of the day // boygenius - Not Strong Enough

From The Record, due March 31st on Interscope.

#track of the day #boygenius #not strong enough #sheet music #music #new music #recommended #the record #interscope

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luuurien · 7 months

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Carly Rae Jepsen - The Loveliest Time

(Dance-Pop, Contemporary R&B, Synthpop)

Carly Rae Jepsen’s companion album to last year’s The Loneliest Time ends up her most experimental, putting down her usual synthpop for songs that fizz with IDM beats and French house grooves and funk basslines. The Loveliest Time may not be her most consistent, but it’s by far her most surprising.

☆☆☆☆

Right from the start, The Loveliest Time places itself as Carly Rae Jepsen’s strangest album. Far from the anthemic synthpop she usually kicks her albums off with, Anything to Be With You is a dry, playful sunshine pop cut, a honking baritone saxophone and bouncy drum groove opening the album with a lighter atmosphere than ever before. It’s a strange but wonderful way to be introduced to her latest collection of outtakes and B-sides that are much stranger than her offerings from EMOTION or Dedicated, more like the excitement of a fresh start rather than simply more of a good thing. It’s hard to imagine these songs being slotted somewhere on last year’s The Loneliest Time, but all these songs are great regardless, making up her most diverse project yet where synth leads and dance grooves don’t always reign supreme, drifting into the worlds of IDM and funk-pop and expanding her sound without letting go of the bubblegum melodies her voice works best with. It’s more scattered in feeling than her other albums, lacking the thematic cohesion or onslaught of hooks her 2010’s releases prided themselves on, but The Loveliest Time’s slower pace and matured palette plays a different game entirely, seeking to contemplate and fantasize about romance more than it dives head first into it.

The album’s best moments are its most sensitive ones, where the softer beats and lighter instrumentation make way for a new kind of storytelling in her starry-eyed pop. After Last Night’s icy synth leads and scattered drum programming splits the difference between glittery IDM and Jepsen’s moody R&B cuts, Rostam Batmanglij’s sugar-coated production exactly what she needs for this romantic dreaming, while the glossy nu-disco of Shy Boy and Come Over replace her usual yearning with direct calls to action usually reserved for her most intense tracks, the fluttering guitar leads in the latter track the most intense part of the song as she makes her intimate moments as meaningful as the biggest gestures within her songs. It does make the heavier songs on offer feel unusually overpowering - Kamikaze’s fiery synthwave feels especially out of place situated between the breezy opener and After Last Night, and Stadium Love’s throaty belts and noisy synths clash too harshly with the warmth of all eleven tracks that precede it - but The Loveliest Time uses these contrasts to its advantage, expanding on the bits of soft rock and organic ‘90s R&B responsible for some of her last album’s strongest moments with the funk-pop jam Aeroplane or Kollage’s reflective downtempo, working her usual lyrical themes of breakups and hopeless romanticism into instrumentals who don’t require nearly as much intensity to get the same feelings across more effectively than ever before. It won’t knock you off your feet like Cut to the Feeling or sink you into a vibe like Too Much, but The Loveliest Time fully owns its brand of relaxed dance-pop where being a little left-of-center supports her new musical goals.

It does bring to the surface some of the strongest songs in her discography, particularly in the album’s magnificent second half. Psychedelic Switch’s blissed-out French house finds itself right at the heart of a new love Jepsen can’t get enough of, four-on-the-floor kicks and disco strings and flickering guitar loops pushing her music to a hypnotic, full-body high worn beautifully by her lively voice. Put It to Rest makes fantastic use of its darker atmosphere and snaggletoothed breakbeats as Jepsen lets go of situations and people she hadn’t handled with the most grace, taking ownership of what she’d lost and letting grief hang over her music more than ever before, putting the sentimentality of Shadow and After Last Night’s into context as part of Jepsen’s effort to let go of past hangups and push herself back into the light. The Loveliest Time is extroverted and willing to get a little weird with things, handling the artificiality of So Right and Come Over’s shuffling nu-disco with a commitment to her heart that overcomes just how gummy and bright the beats are, never so sweet to where it becomes a purely joyous experience as Jepsen contemplates how always seeking out romance puts her in precarious but wonderful positions, putting solid pop songcraft underneath songs foremost about Jepsen’s honest emotions. Her foundation hasn’t changed, and that’s inarguably a good thing.

While the wide range of feelings and production styles make it a little too clear it’s a collection of outtakes at times, the strength of The Loveliest Time’s songs nonetheless prevails. She scales every feeling here from sheer ecstasy to romantic defeat with the same confidence as usual, the flexibility of this being an outtakes album allowing her to add in new ideas and sounds without bending them to whatever the feel of her latest album is, The Loveliest Time going from careful and introspective to maddeningly euphoric in the blink of an eye and all the better for it. It’s easily her best B-side collection yet, matching the highs of EMOTION: SIDE B and the surprise left turns of Dedicated Side B and adding some new flavors of bubbly dance pop along the way. The Loveliest Time may be the strangest album she’s put out to date, and just through that it becomes one of her most thrilling and dynamic listens, promising even more electrifying anthems and oddball electropop with the same level of ingenuity and sincerity she’s always had. It may surprise more than usual, but Carly Rae Jepsen is as lovely to listen to as ever.