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emgoesmed · 4 months

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12/22/2023

Pictures from a few weeks ago when I drove up to campus and spent the afternoon walking around the little town nearby.

Currently cramming all of my assignments for my online class (3/4 of which are overdue) and constantly feeling exhausted, out of sorts, and unable to get myself together. 🙃

#emgoesmed #studyblr #studyspo #med student #med school #med studyblr #ms4 #interview season #15 down 3 to go #productivity #coffee #cafe #i am so tired #the vibes continue to deteriorate #as they say

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fuckyeahgoodomens · 4 months

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WAHOOOOOOOOOOOOOOOOOO🥳🥳🥳❤❤❤

The third and final season of “Good Omens” will begin filming soon in Scotland.

“I’m so happy finally to be able to finish the story Terry and I plotted in 1989 and in 2006,” Gaiman said in a statement accompanying Amazon’s “Good Omens” Season 3 renewal announcement Thursday. “Terry was determined that if we made ‘Good Omens’ for television, we could take the story all the way to the end. Season One was all about averting Armageddon, dangerous prophecies, and the End of the World. Season Two was sweet and gentle, although it may have ended less joyfully than a certain Angel and Demon might have hoped. Now in Season Three, we will deal once more with the end of the world. The plans for Armageddon are going wrong. Only Crowley and Aziraphale working together can hope to put it right. And they aren’t talking.”

Amazon MGM Studios head of television said Vernon Sanders added: “’Good Omens’ has checked every box for a clever, witty, and funny comedy that not only made it a success on Prime Video, but also made ‘goodness’ watchable and fun thanks to Neil and Terry’s immense creativity. The final season is sure to be packed with the same dynamic energy that our global customers have come to enjoy.”

Gaiman, who has a first-look deal with Amazon MGM Studios, where he is currently working on his “Anansi Boys” TV series, continues as executive producer, writer and showrunner for “Good Omens” Season 3. Rob Wilkins of Narrativia, representing Pratchett’s estate, and BBC Studios Productions’ head of comedy Josh Cole also executive produce.

“Good Omens” hails from Amazon MGM Studios, BBC Studios Productions, the Blank Corporation and Narrativia.

#good omens #gos3 #season 3 #terry pratchett #neil gaiman #interview #neil interview #WAHOOOOOOOOOOOOOOOO

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kaitcake1289 · 2 months

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Who are you, Louis?

#i totally blocked out louis' face for meaning and not bc i struggled painting his face for 20 minutes #also obligatory 'i drew this in ms paint 🤓' mention #kaitsart #interview with the vampire #claudia iwtv #louis de pointe du lac #jacob anderson #delainey hayles #iwtv #iwtv fanart #claudia du pointe du lac #iwtv season 2 #interview with the vampire 2022 #ms paint

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gvnchyno2 · 25 days

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rooting for and against everyone in season two starts now ⏳

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very-feral-lesbian · 7 days

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#nice to queue you #guys there are so many memes to be made after these last few episodes #911 #911 on abc #911 abc #911 spoilers #911 season 7 #911 season seven #911 s7 #911 series #911 meme #lou ferrigno jr #ryan guzman #911 interview #tommy kinard #eddie diaz #bucktommy #buddie #eddie x tommy apparently????

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classichorrorblog · 6 months

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10 Vampire Movies To Consider For October/Halloween

#Horror #Filmedit #Horroredit #Dracula #Fright Night #A Girl Walks Home Alone At Night #Habit #Horror Of Dracula #Interview With The Vampire #Let The Right One In #The Lost Boys #Near Dark #Nosferatu #CHB #10 Movies To Consider #I am not saying that these are the best or that they are my favorites.#Just 10 movies that I think are worth watching for the season.

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sophsun1 · 18 days

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#down bad

#interview with the vampire #cinematv #filmtvcentral #userthing #dailyflicks #userstream #tvarchive #vcsource #iwtv season 2 #the armand & lestat gif has rewired my brain #the way assad's eyes almost sparkle looking at lestat #god sam looks phenomenal #i originally made huge gifs of these but the evil tumblr gif limit was against me boo #1k

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onlymywishfulthinking · 2 months

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"I wanted to forget him, and yet it seemed I thought of him always." Anne Rice's Interview with the Vampire s2 - May 12th on AMC/AMC+

#interview with the vampire #iwtv amc #iwtvedit #iwtv spoilers #loustat #louis de pointe du lac #lestat de lioncourt #jacob anderson #sam reid #armand iwtv #assad zaman #iwtv s2 #interview with the vampire amc #*iwtv #mine #my gifs #im so excited for season 2 !!#no one does pain and sorrow as well as Jacob <3 I will be crying

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emgoesmed · 6 months

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10/16/2023

Residency programs started sending interview invites and it feels surreal. 😳

Other than checking my email all the time, I'm enjoying all the Halloween decorations around the neighborhood and feeding the cat treats.

#emgoesmed #studyblr #studyspo #med student #med school #med studyblr #ms4 #eras #interview season #crazy to think i'll be an intern next year #i am also starting to see what m4s last year meant by having too much free time after submitting apps #after this week i have 2 weeks of vacation (yay)#but i still feel weird about it #anyway just gonna keep going to the gym and enjoying my hobbies #and we'll see how things go

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fuckyeahgoodomens · 3 months

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SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”