#irina kulikova | Explore Tumblr Posts and Blogs

digitalfountains · 2 months

Text

Irina Kulikova by Juergen Teller

#irina kulikova #juergen teller

20 notes · View notes

unes23 · 30 days

Text

Irina Kulikova by Fred Meylan for Harper's Bazaar Korea

#irina kulikova #harper's bazaar #fashion #editorial #model #unes23

13 notes · View notes

the-tenth-arcanum · 4 months

Text

youtube

one of my all time favourite videos <3

#i miss playing...#classical guitar #irina kulikova #bach #*

1 note · View note

modelmofos · 2 years

Photo

Irina Kulikova @ Akris S/S 2010, Paris

#irina kulikova #akris #runway #pfw #model

17 notes · View notes

birdfromthesouth · 1 year

Text

Model Irina Kulikova

#irina kulikova #fashion #mbfw #beauty #fashion photography #by o. lugovskoy

1 note · View note

theaphroditefashionfile · 1 year

Text

Nina Ricci Spring 2009 Ready to Wear PFW

#irina kulikova #2009 #ss09 #high fashion #pfw #pfwss09 #00s model #00s #nina ricci

1 note · View note

tikitania · 10 months

Text

Vaganova Graduation Performances….

This is not my opinion, I'm just copying and pasting from a forum, so take it all with a grain of salt. But this is some random person's impression that I wanted to share. Given that it was posted in a forum, it's probably okay to disseminate here. Translated by my browser so forgive the poor translation. Not sure why some names are in bold. What seems to have been buried is that Farouk Ruzimatov's son is graduating this year! I had no idea! From the Russian dance forum Ballet Friends, user Marfa:

08\06\2023 - MT GRADUATION PERFORMANCE OF THE ACADEMY OF RUSSIAN BALLET NAMED AFTER A. Me. VAGANOVA 281 ISSUE

Mariinsky Theatre Symphony Orchestra Conductor - Arseny Shuplyakov

IN THE PROGRAM: Suite from the ballet Corsair. "The Lively Garden" Music by Adolf Adam, Julius Gerber, Leo Delibes, Riccardo Drigo, Peter of Oldenburg, Caesar Puni, Albert Zabel Choreography by Marius Petipa, Reconstruction and new choreographic edition of Yuri Burlaka, Suite compiled by Nikolai Tsiskaridze (2023) Suite of characteristic dances from the ballet "Laurencia" Music by Alexander Crane Choreography by Vakhtang Chabukiani, Dancing restored by Irina Gensler (2015), Suite composed by Nikolai Tsiskaridze (2015) Costume designer - Simon Virsaladze

Kovalev Valiullina, Gureeva, Ermolaeva, Hare, Ivanova, Koshkareva, Davleeva, Prokopenko, Saplina, K. Kholodkova, P. Kholodkova, Sabanova, Grimm (USA). Kasenkova Aseeva, Vennitskaya, Ermolenko, Zeldina, Karamysheva, Kulikova, Kuprina, Potapova, Mor (Israel), Rissanen (Finland), Sharova Ilyin Gasparyan, Egorov, Kamenskikh, Mukhametshin, Ruzimatov, Karsel (Spain), Kodama-Pomfret (Great Britain) Ermolenkov Asadchenko, Gariffulin, Gobov, Didenko, Dobosch (Romania), Mikheev, Trunin, Chabron (France), Brancato (USA) singled out those who participated in the concert and was noted in the program

The audience gathered interested, caring, friendly. As always, teachers are in the tutoring room. The concert traditionally began with a welcoming speech by the rector, who, as usual, was a combination of black and white. He said that this graduation party is dedicated to Natalia Dudinskaya, who has done so much for our ballet. He said thank you to the teachers and wished both the audience and graduates a good evening.

Suite from the ballet Corsair. "The Lively Garden" was made up of Waltz performed by students Big Adagio, in which Medora - Kuprin, Gulnara - Barinov framed by corps de ballet were soloed Trio of odalysok - Kotlyarova, Romanovich, Morozova Dancing with baskets - senior students Variations of the soloist - Rissanen Variations of Gulnara - Barinov Variations of two soloists - Solomina, Chobota (Romania) PAS DE DEUX - Koshkareva, Kodama-Pomfred (UK) Intermezzo students Variations of Medora - Kuprin Koda - students

Everything is very beautiful, gentle, the corps de ballet looks marshmallow, there are younger students in the form of arapchat for splendor. Branches-wrears of roses, at the end of Medora - Koshkarev is placed on a pedestal in the form of a large basket of roses. Kuprina and Barinova danced charmingly from beginning to end, with corps de ballet, that solo. Barinova, in my opinion, looked no worse than Kuprin's produced. I liked Morozov the most of the odalys. The packs are beautiful, similar to thin embroidered lace. Rissanen, of course, is quite a baby, with a strong body, but very cute and danceable, charming. The central number of PAS DE DEUX, in which Kodama-Pomfred danced brilliantly like an adult, both variations were breathtaking, high, flying, with beautiful landings, emotionally just like Kim. He was met with violent prolonged applause. In my opinion, Koshkareva looked pale next to him, there was not so much emotional return. In the fuet, I drove a lot forward, and then also sideways. According to the ballerina type, Matvienko reminded me. We received everyone very warmly. But it was Kodama-Pomfred who got the most. I really want his fate to develop, despite his not very tall height. He and his mother gave so much effort and money that he could get an education in the ARB, saw them collect donates through the social network to pay for education. It looks like my mother was at the concert and was just very happy with what she saw. I liked him very much. Suite of characteristic dances from the ballet "Laurencia" I saw her in 2015, then Shakirova and Borsai soloed. Full list https://marfa-ssv.livejournal.com/42351.html, there are many familiar surnames. Valiullina - Laurencia, Dobosh (Romania) - Frondoso, Alferov - Estevan, father of Laurencia, Chuzhanov - Juan, father of Frondoso, Kulikova - Pasquala, Ilieva (Bulgaria) - Khasinta, Asadchenko - Ortuño, Garifullin - Flores. Girls: Zatoka, Gureeva, Palilionis, Karamysheva. Flamenco: Davleeva (soloist), Efimova, Zeldina, Lavrentiev, Tikhomirov and senior students. Dance with castanets: Morozova (soloist), Didenko (soloist), Saplina, Kalashnikova, Ermolenko, Ruzimatov, Mukhametshin, Trunin and senior students.

I looked with interest and with memories of 2015. I liked the whole collective characteristic part very much. A very temperamental bright soloist in Flamenco, it seemed to me that there was a problem with the shawl, but she did great. The two artists in black shawls had them dressed on different sides (one stripes up, the other inside out) is interestingly designed or a mistake? I remembered Olga Makarova, the heiress of a high-profile ballet surname who danced this part, it seems to me that the career of an artist in NOVAT did not work out very well, but Ksenofontov, who was not even a soloist in this dance, is now experiencing a rise there. In the castanets dance, I again liked Morozova, who danced odalisk in the first part. She was successful in both classical and characteristic images. I really liked Asadchenko and Gariffulin, thin-legged slender, terribly synchronous, light. Just a pleasure for the eyes. Kulikova and Pascuala are cute. Valiullina certainly stands out for her stage charm, but she was less amazed than Raymonda last year. Dobosh didn't hit anything special.

8 notes · View notes

anouilh · 9 months

Video