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#iron age chariot
thesilicontribesman · 1 month
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Iron Age Cartwheels, Newstead, The National Museum of Scotland, Edinburgh
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ancientorigins · 1 year
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A rare piece of ancient history has been uncovered in England, with a chariot axle discovery dating back to 400BC-100BC, showing transport technology before the coming of the Romans.
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Somme Bionne, early La Tene male chariot burial
my personal favourite - fragment of horse gear with swirling swastikas
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blueiskewl · 2 months
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Iron Age and Roman Artifacts Found in Wales
Metal detectorist Ian Porter unearthed sixteen historical artifacts in a boggy field on Anglesey. Among the items found were Iron Age chariot fittings, a metal ram’s head, and a Roman copper ingot, and offer a window into the island’s rich past during the Iron Age and Roman times.
Ian Porter made the discovery on March 4, 2020, while metal detecting in a field under pasture in the Llanfair-Mathafarn-Eithaf Community.
The unusual bronze, copper, and lead artifacts are believed to have been gifted as repeated religious offerings around an ancient sacred spring source during the Late Iron Age and into the Romano-British period.
The additional artifacts, all of Roman date, include a decorated brooch, four coins, and a lead pot repair. A large and complete Roman copper ingot weighing 20.5kg was also discovered, probably smelted copper deriving from the nearby Roman copper mine at Parys Mountain.
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The chariot fittings, cavalry harness pieces, and brooch were all placed around AD 50-120, around the time of, or soon after the invasion of the island by the Roman army in AD 60/61.
The coins and other artifacts suggest a continuing practice of votive gifting around the spring throughout the Roman period, the latest coin in the group being struck around AD 364-378.
Adam Gwilt from Amgueddfa Cymru, Museum Wales, emphasized the role of these finds in understanding ancient religious ceremonies against a backdrop of conflict and change.
Gwilt said: “This culturally mixed artifact group, containing both Iron Age chariot fittings and Roman cavalry fittings, is an important new find for the island.
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Artifacts were declared treasure by the senior coroner for north-west Wales. They provide unique insights into the cultural and religious practices on Anglesey, an island of significant historical importance during the Roman invasion of Britain.
The presence of Iron Age and Roman artifacts near the sacred spring indicates a blending of cultures and traditions, emphasizing the complex relationship between native inhabitants and Roman invaders. This discovery sheds light on the religious significance of watery sites, which were frequently used for offerings during times of upheaval.
“The ram’s head fitting, probably a vehicle-fitting or staff head is decorated in the late Celtic art style. It is a closely observed and quirky depiction of the ram and a likely future ‘star’ exhibit loved by many for Oriel Môn,” Gwilt added.
By Leman Altuntaş.
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yronnia · 3 months
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[Edit: check my reblog too, screenshots from the book kindly provided by spookydazechaos]
Agnesses Nyce and not so accurate prophecies with screenshots.
The full list below.
Some are unreadable (to me), so I inserted some X-es instead, where necessary. Interesting is, that Orient Chariot is mentioned twice, in prophecy nr. 3819 anf 4019.
Prophecy nr. 3012 is only one I cant allocate, dont tell me its about Aziraphale and Crowley, when Agness adressed Aziraphale by "angel" "thyf " and "principalitee", whats the bit about the dragons? Because they have wings?
1111- An the Great Hound sharl come
and the Two Powers sharl watch in V
Goeth Where is, Where they
Notte, and he sharl name it, True to l
and Hell sharl flee it
2213- I tell ye thyf, and I charge
ye with my wordes. Four shalle
ryde and Four shalle alfo ryde,
and Three sharl ryde the Skye
as twixt and Wonne shal ryde in
flames, and theyr shall be no stopping
themme, not fish, nor rayne nor rode, neirher
Deville nor Angel. And ye shalle be theyr also
2214- In December 1980 an Apple will arise no
man can eat. Invest thy money in Master Jobbes
thinking machine and good fortune
will tend thy days.
2315- Sumsay It cometh in Londo xxx or
New Yorke, butte they be Wronge, f xxx is
Taddes fild, Stronge inne hys powr, h xxxxke
a knight inee the fief, he divideth the xxx
4 partes, he bringeth the storme.
3001- Behinde the Eagles Neste a grate Ash hath fallen.
? 3007- Brings forth
For the devil lucks in plain sight.
Under an arc of pale moonlight.
3008- When that the angel readeth these
word of mine, in his shoppe of other mmennes
books, then the final days are certes upon us. Open
thyne eyes to understand. Open thyne eyes and rede
I do say, foolish principalitee, for thy cocoa doth
grow cold
3009- Seven, who hold the Scepther shall be killed,
xxx shall become a saint.
3011- xxThe?
and churces be laid open
opressed shall prevail, and oppose the cruen
foreginers. For a Boar of Cornwall shall give his
assistance and trample their necks under his feet
3012- A shower of blood shall rain and a ragging
famine shall afflict mankind. When dhese things
happen, the Red Dragon shall grieve, but when his
fatigue is over, he shall recover his strength. Then
shall misfortunes hasten upon the White Dragon,
and the buildings of his gardens be pulled down.
3017- I see Four Riding, bringing the Ende, and
the Angells of Hell ride with them, And Three sharl
Rise. And Four and Four Together be Four, and the
Dark Angel sharl Own Defeat, Yette the Manne
sharl claim his Own.
3477- Lette the wheel of Fate turne, let harts
en- join, there are othere Fyres than mine, when
the wynd blowethe the blos- soms, reach oute one
to anothere, for the calm cometh when Redde and
Whyte and BLacke and Pale approache to Pear is
Our Professioune.
3819- When Orients chariot
inverted be, four wheles in the
skye, a man with bruises be upon
Youre Bedde, achinge his head
for willowfine, a manne who
resterh with a pyn yette his
hart be.
3988- Whene menne of crocus come frome the
Earth and green manne frome thee Sky, yette ken
not why, and Plutos barres quitte the light- ning
castels, and sunken landes riseth, and Levia- than
runneth free, and Brazil is vert, then Three cometh
together and Four arise, upon iron horses ride, I tell
you the ende draweth nigh.
3989- He is not what he says he is
4009- Where the Hoggs back end the young
beast will take the world and Adams line will end
in fire and darkness.
4019- When Orients chariot inverted be a
man with bruises up thy bed, aching his head for
willow fine
4020- Let the wheel of fate turne, let harts
enjoin, there are other fyres than myne, when the
whirl wynd whirls, reach oute one to another.
5001- When the skies are xxxx, then ye
both must stand between the world and life and the
world of wae, where the iron bird lands no more
5004- When alle is fayed and all is done, ye
must choofe your faces wisely, for soon enouff
ye will be playing with fyre
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liadanars · 3 months
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Here’s an odd post but I am a language student and Irish so here’s what I’d name ER characters with respect to the game’s hefty Celtic inspiration in world & design. (With my notes and rambling.)
"Margit" - "Cairbre" (Chariot Rider - Irish)
> Not for the meaning, but this was an incredibly common name in medieval Ireland. Given Morgott's incredible skill in coming up with an alias (Morgott/Margit??,) I thought it would be appropriate for him to say the equivalent of "er... John."
Morgott - Aimhirghin (Born of Song - Irish)
Mohg - Ainbheartach (Roughly ‘Evil Deed’ - Irish)
> I wanted Morgott & Mohg's names to still be 'matching,' but to have opposite meanings. Aimhirghin, in the more literal sense, translates to 'wonderous birth,' whereas Ainbheartach is more along the lines of "ill-doer" in a literal translation, although it doesn't exactly pan out to English.
Malenia - Lasairíonait (Pure flame - Irish)
Miquella - Laoidheach (Poetic - Irish)
> Giving Miquella a Christian name of Spanish origin reads so badly to me (I don't really care for scrutinizing if it's feminine or masculine.) I also do NOT believe in naming all of them with the initials of George R. R. Martin. Malenia's name is slightly ironic given her affliction / rot.
Godwyn - Heulyn (Ray of Sun - Welsh)
Godrick - Sulwyn (Fair-Sun - Welsh)
Godfrey - Sulemyr (Sun-King - Welsh)
> I really sincerely hated God/frey/wyn/rick. I understand that it's a 'tradition' of the Golden Lineage, but I think it would've been more appropriate to instead have the prefix 'Sul' passed down (Sun) especially given the conflict between the Golden Order and the Carians who are heavily associated with the moon.
Rykard - Cno (Devourer - Welsh)
Radhan - Cynfarch (Chief, ‘Horse’ - Welsh)
Ranni - Rhiannon (Great Queen - Welsh)
Rennala - Gwlithen (Dewdrop - Welsh)
> The name Rhiannon is derived from a goddess / figure in Welsh mythology who is associated with the moon, and was known in Welsh folklore for being enticing yet unreachable, which could be associated with Ranni's Age of Stars ending (where she leaves the world without gods for 1000 years.) Rykard's is very on-the-nose, as is Radahn's.
Radagon - Ruaidhrí (Red-haired king - Irish)
Marika - Gwawrwen (Radiant Day - Welsh)
>These are VERY self-explanatory, but I had also considered the name Tuathlaith, or "the people's ruler" for Marika.
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oldshrewsburyian · 3 months
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Tangentially related to the historicity of ASOIAF as a counter-example, but the second time I watched Mad Max: Fury Road, I thought ‘hang on, this could be Iron Age Europe. Cú Chulainn will be along in a minute driving a Mustang’. The clans and feuds and heroic attitudes were pretty in line with something from the Ulster Cycle or maybe one of the legendary sagas. This just made me want a George Miller movie with high-budget chariot stunts.
I'm... not sure what to make of this, but I am pretty sure that Cú Chulainn would love driving a Mustang.
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cellarspider · 2 months
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2/?? Prometheus attempts to establish themes
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Several minutes into Prometheus, we have had no dialog, and we are going to wish that it stayed that way.
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This is by little fault of the actors themselves. They all put in solid work. Many of the problems come from the writing, and others from the mismatch between their characterization what we’d call “informed traits”: What the movie tells us we should know about these characters. 
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Elizabeth Shaw and Charlie Holloway are archaeologists. We see them with a dig team on the Isle of Skye, where they have just discovered their latest piece of evidence towards a radical theory. They have noticed something astounding that nobody else has dared to consider: evidence of alien contact with Earth, recorded in the art of disparate cultures from around the world. We, the audience, already know that they’re right. 
And we, the audience, know that the History Channel has had kooks on it for ages, ranting about Ancient Aliens. We’ve all seen the meme guy.
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Okay. Let's try to meet this movie where it wants to be, thematically. These are its first two scenes, it's still establishing its direction, and nothing openly egregious has happened yet. We will ignore nitpicky stuff, like the fact that this previously undiscovered dig site is right next to a well-known tourist spot on Skye with 400 reviews on Google Maps.
This movie is establishing an existential premise for its themes. It implies aliens had some hand in shaping not just our culture, but our evolution. The questions it invites at this time are equally existential: why would they do that? What was their purpose here? What was their purpose for us? Why did they stop contacting Earth?
Whether life has a purpose is one of the core debates of philosophy and religion. This movie is beginning with the premise that terrestrial life does have a purpose, implied by the deliberate sacrifice of a thinking being to shape it. This supposition could create a more focused exploration of one possibility, within its narrative space.
I think it fails to deliver on this. The writing specifically fails to deliver on this, which will become apparent once we have more dialog. But there is also an issue with the framing of this premise, which the movie ultimately does not manage to avoid. An issue of cultural context.
Because this is where I, as somebody with a background in history, start to brace. The idea of extraterrestrials visiting ancient peoples is a discredited mid-20th century theory, which stems from ignorance of the historical record, and assumption of ignorance and incapability of ancient peoples to achieve great things, particularly outside of the cultures placed in the prized pedigree of European civilization. 
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Such theorists look at the Great Pyramid of Giza and scoff at the idea that they it have been made without outside help, completely unaware of the century of more experimental pyramid-building that had preceded it, and the fact that we have written records that help us chart the progress of Egyptian mathematics for six hundred years prior to its construction.
They point to the Ramayana–likely written down around the same time that the Ancient Greeks were getting along just fine without aliens–and they say that the flying castles and chariots described in the text must’ve been aliens, who were mistaken for gods, and technological achievements such as rust-resistant iron must have been alien-made. Never mind that the period had a lively scholarly culture that was incorporating ideas from their Greek and Egyptian counterparts, and the people of the Indus Valley built well-planned metropolises with the world’s first known urban sanitation systems three thousand years before that.
They think the Moai of Rapanui, some of which were being erected while Shakespeare was writing his plays, were erected with the help of aliens. The actual answer, as usual, seems to be much more interesting: the Moai walked there:.
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This is what ideas of ancient aliens are culturally tied to. You throw this into a movie, and even with the foreknowledge that they’re going to be proven right, I start out skeptical of these people from moment one. I was less likely to give them the benefit of the doubt, and less able to suspend my disbelief around them specifically. This will not get easier as we go.
Which is unfortunate, because most of the next scene is back to being phenomenal, and managed to bounce me back into going along with their premise.
...A side note as we close this out: Getting way too deep into the weeds here, but the art style of the cave paintings is worth mentioning. It appears to be a mashup of two famous cave’s painting styles: The animals are near-replicas of those famously seen in Chauvet (35,000 years old), and the humans and attendant dots are somewhat similar to Lascaux (17,000 years old), both caves in France. Here's an excellent little video from Tom Scott about the former, and the way that you can go see the cave paintings without endangering the site itself. There's a similar museum for Lascaux, shown below!
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I say the human figures are somewhat similar to Lascaux, but I can’t find a match for the style anywhere. The closest I can find is from Tassili n’Ajjer in Algeria (6000 BC) or the Cave of Beasts in the Gilf Kebir mountains in Egypt (5000+ BC). This is because depictions of humanoid figures in european cave art are rare–ranging from a single bird-head figure in Lascaux, to the possible hoax at La Marche. 
This produces an interesting implication, if we take the movie’s premise at face value. If humanoid figures were avoided as subjects for cave art for thousands of years, their inclusion here is especially significant. Perhaps indicating that the alien visitors instructed that some visual representation of this scene to be made, or did so themselves. Thus, it is slotted in amongst the pre-existing animal art, creating a culture clash.
…However, cave lions never made it as far north as Skye. Their known northern range tapped out at about London. While it’s certainly possible that people could’ve traveled that far during this period, local animals tend to be the focus of cave paintings. So we’re getting the visual sense that a French stone age painter was doing a residency at Skye. Amusing, but odd.
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Citations for alt text ramblings:
1. https://www.isleofskye.com/skye-guide/top-ten-skye-walks/old-man-of-storr 2. https://en.wikipedia.org/wiki/Chariots_of_the_Gods%3F 3. https://www.usinflationcalculator.com/ 4. https://kdp.amazon.com/en_US/royalty-calculator 5. https://search.worldcat.org/title/7625265
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nickandros · 8 months
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at what point when you're writing/conceptualising historical fiction does the mythology become as important as the history. at what point does the line blur. chariots likely didn't exist in early iron age ireland but is that fact more important than cú chulainn's inextricable link to his chariot and charioteer? if a reader expects something to be present based on an assumption formed by historical revisionism or misconception, is there an obligation to address it?
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p-isforpoetry · 8 months
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"To His Coy Mistress" by Andrew Marvell (read by Richard
Had we but world enough, and time, This coyness, Lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. Thou by the Indian Ganges’ side Shouldst rubies find: I by the tide Of Humber would complain. I would Love you ten years before the flood: And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires, and more slow. An hundred years should go to praise Thine eyes, and on thy forehead gaze. Two hundred to adore each breast: But thirty thousand to the rest. An age at least to every part, And the last age should show your heart: For, Lady, you deserve this state; Nor would I love at lower rate. But at my back I always hear Time’s wing’ed chariot hurrying near: And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song: then worms shall try That long preserved virginity: And your quaint honour turn to dust; And into ashes all my lust. The grave’s a fine and private place, But none, I think, do there embrace. Now, therefore, while the youthful glue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may; And now, like amorous birds of prey, Rather at once our time devour, Than languish in his slow-chapped power. Let us roll all our strength, and all Our sweetness, up into one ball: And tear our pleasures with rough strife, Thorough the iron grates of life. Thus, though we cannot make our sun Stand still, yet we will make him run.
Source: Classic Love Poems, 2005
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slavonicrhapsody · 6 months
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do you think rykard made the heros grave chariots? they seem like something he would and could have made, but they also don't seem as fancy as his other contraptions
interesting idea, but I’m inclined to think no… both the design and usage of the chariots don’t seem to be in line with Rykard’s practices to me. 
If we take a closer look at the chariot models (screenshots taken from Zullie the Witch’s video), they seem to be made of stone with some metal decorative elements:
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The figure appears to be a stone Erdtree knight covered in metal tree branches. The knight’s helm has a crest similar to the Leyndell knight helms, and they carry a shield extremely similar to the Erdtree Greatshield (carried by the order of the Tree Sentinels):
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The Volcano Manor's handiwork, to me, looks very different from the chariot designs… it seems to be more complex, refined, and embellished, and exclusively uses metal. Here are some examples of metalwork found at Volcano Manor: 
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(Ghiza’s Wheel detail, Inquisitor’s Girandole, Abductor Virgin, the metal bridge that we raise near the Temple of Eiglay) 
This metalwork is highly decorative, unlike the very practical, unadorned design of the chariot’s metal wheels. These objects also all have similar swirly embellishments, which are not found anywhere on the chariot design. 
Examining the purpose of the chariots, they must have been made to protect the Hero’s Graves, tombs where distinguished people are laid to rest. So whoever made the chariots did so in service to the funerary practices of the Erdtree. I doubt this person was Rykard, because he already had a job: he was the head of the Inquisition, and an inquisitor would have been using his talents not for a nation’s funerary rites, but for torture and execution of prisoners. Indeed, Volcano Manor’s most infamous weapons of war, Ghiza’s Wheel and the Abductor Virgins, were originally designed as torture devices: the description of Ghiza’s Wheel outright says it was a “device of torture,” and the Abductors are based on the real-life iron maiden torture devices (which, side note, are actually thought to have been a myth created in the 19th century and were probably never actually used in the middle ages). 
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All of this is to say that the talents of Rykard and his inventors seem to have been laser-focused on torture devices (save for Rykard’s personal projects, such as his magma sorcery) and it’s unlikely to me that they’d have been brought in to invent anything else. I’m sure there are plenty of other capable inventors in the lands of the Erdtree!
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Pair of Iron Age Wheels, Newstead, 1st to 2nd Century CE, The National Museum of Scotland, Edinburgh.
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ancientorigins · 2 months
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The Newbridge Chariot is the name given to the remains of a Celtic chariot found in Edinburgh, Scotland. The burial is found to date to around the 5 th century B.C., hence placing it in the Iron Age. The Newbridge Chariot is significant as it is the first of its kind to be unearthed in Scotland and it may suggest that Iron Age Scots had closer ties with Europe that previously thought. It has been speculated that this chariot is associated with a burial, and that someone of a high status was buried near the place where the chariot was discovered.
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futa69 · 30 days
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You're already a fan of the ancient astronaut theory.
Here's a list of books, movies, TV shows, and video games featuring ancient astronauts. (revised)
▪︎Edison's Conquest of Mars (1898)
▪︎The Call of Cthulhu (1926)
▪︎Analog Science Fiction and Fact (1930)
▪︎At the Mountains of Madness (1931)
▪︎Childhood's End (1953)
▪︎Forbidden Planet (1956)
▪︎Quartermass and the Pit (1958)
▪︎The Twilight Zone (1959)
▪︎The Sirens of Titan (1959)
▪︎The Flintstones (1960)
▪︎Doctor Who (1963)
▪︎Hercules Against the Moon Men (1964)
▪︎Known Space (1964)
▪︎Star Trek (1966)
▪︎2001: A Space Odyssey (1968)
▪︎Chariots of the Gods (1968)
▪︎The Bible & Flying Saucers (1968)
▪︎Horror Express (1972)
▪︎Rendezvous with Rama (1973)
▪︎Land of the Lost (1974)
▪︎The Spaceships of Ezekiel (1974)
▪︎The Outer Space Connection (1975)
▪︎Space: 1999 (1975)
▪︎The Sirius Mystery (1976)
▪︎The Earth Chronicles (1976)
▪︎Star Wars (1977)
▪︎Close Encounters of the Third Kind (1977)
▪︎The Manna Machine (1978)
▪︎Invasion of the Body Snatchers (1978)
▪︎Battlestar Galactica (1978)
▪︎Hitchhiker's Guide to the Galaxy (1978)
▪︎Monty Python's Life of Brian (1979)
▪︎Alien (1979)
▪︎Hangar 18 (1980)
▪︎Valis (1981)
▪︎The Thing (1982)
▪︎Xevious (1982)
▪︎Super Dimension Fortress Macross (1982)
▪︎The Transformers (1984)
▪︎Cocoon (1985)
▪︎Bio Booster Armor Guyver (1985)
▪︎The Legend of Zelda (1986)
▪︎Predator (1987)
▪︎Killer Klowns from Outer Space (1988)
▪︎Red Dwarf (1988)
▪︎The Gods of Eden (1989)
▪︎Moontrap (1989)
▪︎Spriggan (1989)
▪︎Total Recall (1990)
▪︎Babylon 5 (1993)
▪︎The X-Files (1993)
▪︎Stargate (1994)
▪︎Neon Genesis Evangelion (1994)
▪︎Fingerprints of the Gods (1995)
▪︎Encounter with Tiber (1996)
▪︎Final Fantasy (1997)
▪︎Earth: Final Conflict (1997)
▪︎The Fifth Element (1997)
▪︎Space Island One (1998)
▪︎Naked Pictures of Famous People (1998)
▪︎Dilbert (1999)
▪︎Futurama (1999)
▪︎Star Ancestors (2000)
▪︎Mission to Mars (2000)
▪︎Halo (2001)
▪︎Ice Age (2002)
▪︎Alien vs. Predator (2004)
▪︎The Orion Zone (2007)
▪︎Mass Effect (2007)
▪︎Assassin's Creed (2007)
▪︎Outlander (2008)
▪︎Indiana Jones and the Kingdom of the Crystal Skull (2008)
▪︎Marvel Cinematic Universe (2008)
▪︎Spore (2008)
▪︎Knowing (2009)
▪︎The Fourth Kind (2009)
▪︎Ancient Aliens (2009)
▪︎Borderlands (2009)
▪︎The Great Airship of 1897 (2010)
▪︎Dark Void (2010)
▪︎The Ancient Alien Question (2011)
▪︎Cowboys and Aliens (2011)
▪︎Battle: Los Angeles (2011)
▪︎Paul (2011)
▪︎John Carter (2012)
▪︎Prometheus (2012)
▪︎Iron Sky (2012)
▪︎Man of Steel (2013)
▪︎Beyond the Sky (2018)
▪︎Resident Alien (2021)
▪︎Moonfall (2022)
▪︎Prey (2022)
▪︎65 (2023)
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blueiskewl · 6 months
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Gold Coin Reveals Unknown British King
New light has been shed on a little-known part of British history thanks to the extraordinary discovery of a coin bearing the name of a forgotten Iron Age ruler in Hampshire, south-east England.
The coin, which has the inscription “Esunertos,” was discovered by a metal detectorist in a field in Hampshire. Esunertos may have ruled as a king from the powerful Danebury Fort, according to experts’ speculation, and this find has been hailed as “one of the outstanding discoveries of recent decades.”
Leading Iron Age experts have studied the coin and deduced it to be struck by a pre-eminent male figure dubbed ‘IISVNIRTOS’ whose name translates as ‘Mighty as the God Esos’.
The coin was struck sometime between 50 and 30 BC, shortly after Julius Caesar’s first Roman raid of Britain in 55 BC.
The coin, which is thought to have been produced between 50 and 30 BC, was struck in conjunction with Julius Caesar’s first Roman raid on Britain in 55 BC when the Roman general and his 20,000 soldiers landed on the Kent coast. Despite a confrontation with Celtic warriors on the beach, the Romans encountered difficulties landing due to rough seas and eventually had to return home.
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Gregory Edmund, Iron Age Coin Specialist at Spink Auctioneers said: “This fabulous piece of prehistoric artwork completes the mental image we have when we think of Iron Age Britain – the war horse and chariot.
“But it also surprises us with the appearance of classical languages like Latin.
Dr John Sills of the Celtic Coin Index at the Ashmolean Museum said: ‘It is one of the outstanding discoveries of recent decades in Celtic numismatics.’
Initially, it was anticipated that the gold coin would sell for around £4,000 ($5000) at auction. But contrary to all expectations, it broke a record at Spinks Auction by selling for an astounding £20,400 ($25,500).
The coin was found by Lewis Fudge, a metal detectorist who received permission to search a farmer’s field in March this year. Lewis Fudge expressed his elation, stating:
“I am over the moon. If it were not for people in the auction room, I would have jumped around. The collectors I spoke to are gobsmacked. I’m so glad I did not take them up on their private offers before the auction. To think my find has generated its own Wikipedia page is incredible.”
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Spink Auctions describe the coin as a quarter slater with the obverse side of the coin bearing the name Esunertos in Latin, and with the worn head of Apollo formed of three interlocking rows of outward facing crescents, a seven-spoked wheel at center in lieu of the ear, and an eye of visage with radiating spike towards the neckline.
The reverse of the coin has a tripled-tailed horse, with a pincer-like mandible for face and linear ear, with pelleted mane, yoke or bucranium above the head, an 8-spoked wheel above spearing into the horse’s back, and double or triple ringed annulet below.
By Leman Altuntaş.
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alastairstom · 2 months
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What is ur personal favourite, hands down recommended reading order? The way you like most, the way that's the most optimal way of reading it? According to you of course (and maybe including extra chapters) ? :))
Key:
Cassie Clare Canon -> If a short story is listed by name, it means I recommend you read it there rather than where I list the rest of the story collection. Or, you know, you could reread the story and have fun ;)
My fanfic
NOT PUBLISHED YET. Indicates a WIP that I am actively working on. I did not list WIPs that I am not actively working on.
My fanfic, but NSFW
@vwritesaus fanfic because I accept all her works as canon and also we share almost every headcanon so they fit in with all the other stuff on this list.
W/T -> Wessa
M -> Matthew
EIR -> Expert in Romantics Series
T/A -> Thomastair
TWLTB -> Together We'll Learn to Breathe Series
J/C -> Herondaisy
Note: I have only included fanfics that are fully canon compliant. I have others as does V, and you should read those too :P But these are just canon and bonus chapters.
TID
When Our Eyes Meet, Darling, I Fancy You
Have I Known You Twenty Seconds or Twenty Years? W/T
Leaves, Cider Donuts, and William Herondale W/T
Happy Birthday, My Tess W/T
Tale as Old as Time W/T
The Howling Wind W/T
My Hips and Thighs and Whispered Sighs (Oh Lord) W/T
The Whitechapel Fiend
A Tale of a Great Behemoth W/T
Nothing But Shadows
Cast Long Shadows
Every Exquisite Thing
A Combination of Shock and Awe M
The Midnight Heir
The Penultimate Hours
Chain of Gold
Empty Bottles, Heavy Hearts, the Memories of Broken Dreams T & Lily
The Letter Game
Part-Time Soulmate, Full-Time Problem T/A
Chain of Iron
Chain of Thorns
breathe T/A
Enouement J/C NOT PUBLISHED YET.
Chrysalism T/A NOT PUBLISHED YET.
Serindipity Ari/Anna NOT PUBLISHED YET.
Adronitis NOT PUBLISHED YET.
A Therapeutic Chain of Events T/A TWLTB
The Closet Game A & C
The Golden Age of Something Good and Right and Real T/A
Prices & Vices (I End Up in Crisis) M & A
Your Flower's Filled With Vitriol M & A
In the Gutter, Looking at the Stars M & A
The Name We Give Our Mistakes M
Summer Went Away (Still the Yearning Stays) M
You Drew Scars Around My Stars T/A TWLTB
Passed Down Like Folk Songs (The Love Lasts So Long) T/A
Taffy Stuck and Tongue Tied A & Grace
It's a Love Story (Baby Just Say Yes) J/C
I Can See You (Up Against a Wall With Me) J/C
Across our Great Divide There Is a Glorious Sunrise M
Dreamscapes on the Wall T/A
I'm a Fire and I'll Keep Your Brittle Heart Warm T/A
The Diaries of Sir Thomas Lightwood, Age 14 T/A
what's in a kiss (by any other touch would feel just as sweet) T/A
A Troublesome Tale of Truffles & Trifles T/A
A Dazzling Haze, A Mysterious Way About You T/A
The Crown You Never Take Off T/A
Closets of Backlogged Dreams T/A
dear christopher T/A
Life Is Not Complex (We Are Complex) M EIR Eugenia/OC
The Cheap Severity of Abstract Ethics M & T/A
Walk, Walk, Fashion Baby M & T
The Besotted Couple's Guide to Half-Baked Mistakes J/C
Privacy Sign on the Whole World J/C
Flying in a Dream, Stars By the Pocketful T/A
Twenty Minutes T/A
hygge T/A
Like a Candle You Burnt Out T/A
Christmas on the Balcony W/T
The Surprise T/A & C
Untitled Herondaisy Horseback Writing Fic J/C NOT PUBLISHED YET.
Every Tear's a Rain Parade From Hell T/A TWLTB
A Dwindling Mercurial High T/A TWLTB
Bloodsucker, Famefucker T/A TWLTB
Baby You Got Lucky Cause You're Rockin With the Best T/A
Is This the End of All the Endings? (My Broken Bones Are Mending) T/A
For One Moment, Our Lives Met (Our Souls Touched) M EIR Ragnor/Catarina
Fashion Is Ephemeral (Art Is Eternal) Matthew EIR T/A
A Little Sincerity (A Dangerous Thing) M EIR Risa/OC
The Moon in Her Chariot of Pearl M EIR T/A
Days Future: Paris 1912 T/A
A Ribbon of Dream T/A
Kaleidoscope of Loud Heartbeats Under Coats T/A
Moonlight Sonata and I T/A
Connecting the Tide to the Sand That Was Dry T/A
portrait of a dissipated parisian T/A
Untitled M & T/A Fic NOT PUBLISHED YET.
TMI 1-4
The Red Scrolls of Magic
TMI 5-6
Tales From the Shadowhunter Academy
The Bane Chronicles
TDA, if you absolutely must, but I usually recommend people don't waste their time.
Ghosts of the Shadow Market
The Lost Book of the White
Sentimental Boy Is My Nom de Plume W/T
This Beautiful Beast M T/A and Kit H
TWP
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