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#is VERY appealing)
berah-ronah · 1 year
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tbh i think that the reason why the Black Rose Arc hit so hard, and why the prospect of being a Black Rose Duelist is so weirdly appealing, is because there’s something appealing about suppressing some kind of inner need you have that can only be fulfilled by someone else, then being kind-of-brainwashed and given the physical power, social confidence, and mental self-centeredness to identify and express that need, even if it means being cruel and mean and hurting others
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ink-the-artist · 9 months
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Love the contrast between the Americans’ “Apollo” and the Soviets’ “Sputnik.” You got the Americans naming their rocket after a Greek god trying to communicate the grandness and importance of this rocket. And you got the Soviets naming their rocket “fellow traveler.” Like a friend you go on an  adventure with together. This rocket is our little friend lol 
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jakeperalta · 2 months
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I'm curious. what job would you do if money was no object (you just automatically had an income you could live comfortably on)? including work like volunteering, studying etc. please share in the tags :)
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marcmorrigan · 1 year
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i have been drawing SO MUCH recently but its mostly stuff i cant post here lol,,, feeling very inspired to draw lately tho and coming up w a lot of good ideas for future art which is exciting! trying to finish stuff too... and be okay with posting stuff that isnt 'finished' to the standard i usually hold myself to because. it is an unreasonable standard and not one that is actually fulfilling for me... im making art for Myself so i should make it how i like!!!
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stuckinapril · 22 days
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I love Tumblr because nothing matters here truly. There are no influencers. Having followers doesn’t mean anything. It’s just a site where people post their sporadic thoughts and rb pretty pictures. Anyone who thinks any of this matters is woefully missing the point
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this scene was like a fever dream just incredible
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and it got worse
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canisalbus · 6 months
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I’d invite machete and vasco to my animal crossing village
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They're a package deal, you have to take them both.
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.
- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”
- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.
- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?
- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.
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isaacz · 4 months
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Zombie clover concept idea based on the headcanon that the humans revive after Pacifist
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merakiui · 3 months
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there are no words to express how crazy i am going right now (part two).
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shopcat · 11 months
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i think in the hamster wheel of my mind a big part of where people go wrong with eddie and his shitty garage band as an extension is that they for some bizarre reason think he's gene simmons metal when he's jack black metal. heavy metal. he's tenacious d metal. he's school of rock. he's stoner lord of the rings metal he nearly wore blue jeans and plaid. jack black literally in real life once said eddie was the best character bc he's heavy metal like him. LOOK AT THIS
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#🍦#answer it's bc people think he's some mishmash of all alternative scenes without any actual knowledge of where the mashing occurs 😭#eddie is . a heavy metal guy. A cool one. a nice one even. he likes rock and roll#it's so funny when ppl try and describe it and they've never heard the stuff he actually listens to in their lives for some reason#literally so much of the appeal of eddie's character within his subculture is that its theatrical and dramatic but its still grounded#he's very alternative and Out There but he's still just some guy. he's not wearing spiked leather jackets#in fact he's not wearing any of the other kinds of leather jackets i've seen people say he would ... TO ME#sts#if u haven't seen the clip he then proceeds to air guitar the MoP melody then shouts heavy metal is everywhere#i don't even know how to explain this bc it's like ... okay#the general .. VIBE? aestheticsm? is kind of similar to what people sometimes portray but they're missing thst it's tongue in cheek#like it's like that buff poster of him being this anachronistic homage to heavy metal album covers#fire and satanic imagery and skulls and lightning and big drama and ROCK AND ROLL#it's rock and ROLL man...#and people r making him this weird sanitised dork LOL 😭 when he's a dork in a different more fun way.. imo#and it's not that those types of people don't exist and that they're not cool in their own way cuz they are sure but that's not THIS GUY#he is an 80S METALHEAD... and yeah i try and ground him in thinfs and poke and prod at it until it fits my own understanding of alternative#scenes better but that's bc i've had a hand in the punk scene for years and years#i dunno sometimes i feel like ppl r just not doing the full potential and then going way too hard in this super specific direction#and he ends up first of all usually just a massive douchebag not sure what that's about. But a guy who he would in canon HATE 😭#YOU ARE MAKING HIM A POSER. is what i'm saying#he is alwyas some guy before he's anything else and before he's that he's a 20 year old loser#you need to reflect this... You need to bottle it. ugh. ugh#so much of this reminds me of the time someone was like he would never wear PLAID#like are you kidding me. are you actually kidding me rn#ppl have this weird arstheticised mostly modern and mostly literallt just eboy Idea of what he'd wear it's crazy to me sorry#also it's ugly#i also think. this is so long lol . anyway . i also think going too ''authentic'' in the 80s metalhead direction also lands u w different#problems. my advice to people trying to write or draw alternative characters is they are People. before they are anything else#🍏
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bluejeanstrash · 5 months
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i always find it so funny that choi seungcheol, mr. modesty himself, has one of the most feral fans in seventeen. i honestly don’t think i’ve seen anything below his left clavicle and yet,,,,
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shopwitchvamp · 11 months
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My tattoo artist lil brother (@/littlestbigtop on IG) had an interesting chance encounter out in the wild the other day 😲
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elsewhereuniversity · 12 days
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hey everyone! very very sorry for the radio silence from the archivist - my partner and I have been busy purchasing a boat (!!!) and it hasn't left me much time for anything else. now our seasonal work is picking up, so unfortunately it's likely that elsewhere u will remain on hiatus for a few months more. I will be back when I have the time, but I wanted to let you all know I'm alright, as I've gotten a few very sweet concerned messages. thanks so much for understandings, and to those who checked in with me! <3
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murmel-malt · 2 months
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decided to do a redraw of one of my Sansa pieces from 2 years ago to see if and how my art has changed and hopefully improved.
link to the original post: x and a repost of the old one under the cut
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