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#is almost 3am
I don't want therapy I want vengeance!!!
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eddiediaaz · 13 days
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2.16 ✽ bobby begins again 7.05 ✽ you don't know me
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peculiaritybending · 9 months
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Aziraphale’s face after Crowley kisses him makes me feel sick, not exaggerating, not a silly haha hyperbole, it actually makes my stomach churn. He just looks so broken up about it, he’s almost crying. I know that if Crowley had said yes to going to Heaven with him he would have kissed him back but he couldn’t. There’s a look of guilt there and just pure pain, he looks at Crowley in a way that says “please don’t make me feel this, not now” and the worst part is because of how complicated his reaction is, I feel it could be mistaken for one of disgust which disturbs me so much because Crowley may believe that’s how it made him feel. The fact that Aziraphale doesn’t kiss Crowley back but also isn’t the one to pull away and instead briefly holds Crowley during this kiss haunts me so much as well, god.
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dyketennant · 1 month
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as someone who has obviously done extensive research on the topic i would like to present to you all...dyketennant's "which david tennant character are you" uquiz
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faultyvessel · 7 months
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My favourite piece of TMA canon that no one ever discusses is the fact that Elias has canonically watched at least a little bit of ghost hunt YouTube. Even Martin can’t believe it.
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beebopboom · 6 months
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something something about how they created a silly little dance - which angels are not meant to do
because Aziraphale doesn’t know how to ask for forgiveness - angels are meant to give out forgiveness not receive it
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makesomehistory · 8 months
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Are you hungry? Yeah, I could eat.
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vonxodd · 12 days
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MIRAGE // lipsync lalaparuza smackdown : reunited
꒰ for @slutnali
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sunglassesmish · 6 months
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he is so fucking funny
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ohcaptains · 1 year
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neighbour! abby my head is fuzzy she’s so!!!! the breeding strap!!!! oh my god im gonna chew through the wall im gonna gnaw through wires -🌙🐛
i’m eating plywood rn for real. she just. always in fucking boxers !!!!!! jesus christ she’s always in god. damn. boxers. she just knocks on your door in them and it’s all thick, muscular thighs and toned calves. she’s got a deep gash on one of them, and the scar is so thick the white is porcelain.
she catches you staring one time and chooses not to say anything, but it’s all you can think about when you’re drunk at her house party and pushed against her on the love seat, half on her lap.
you’re tense and abby can sense it.
can sense it as she turns to you, head balancing on your shoulder, “you okay baby?” she asks, because she says that a lot. baby. sweetheart. pretty. hey pretty girl. and it’s different now because you’re straddling her thigh, the one you think about, the one with the deep gash you think about.
“you always call me that,” you say, half giggling as you turn to her. she raises a brow, “you don’t like it?”
you look down at her thigh, then reach out and run the line where the scar is. drag a thumb over the denim and abby’s breathing changes.
“how’d you get this?” you ask, pretending you didn’t hear her previous question and flicking your gaze to her. her eyes are big, and she smiles, slow and small.
“how’d you know where it is? you got it memorised?”
“yeah,” you blurt, honest, and her smile gets bigger.
“bar fight.”
“you’re lying.”
abby takes a drag of her beer, “would never lie to you pretty,” and you chew on your lip and squint at her. lean over and take her beer from her. she watches you drink, blue eyes transfixed on how your lips go around the rim.
“what you looking at?” you ask, and abby nods to you, “your mouth.”
you pull your lips away, spit trailing, connected to the glass, and abby immediately takes the bottle from you, taking a sip.
“you win the fight?” you ask, licking your thumb, wet from the bottle.
“huh?”
“in the bar, did you win your fight?”
“oh. yeah. you wanna see it?”
“what?”
“the scar.”
“i’ve seen it. you’re always in boxers, it drives me crazy. just, all thighs and legs—“
“—what?”
abby bumps her leg, knocking it up, and her thigh suddenly pushes between your legs, pressing tight. you jolt forward, hand coming out to balence yourself on her knee, swallowing down a groan that twists into a gasp.
“this thigh?” she jokes, and fuck, heat pools in your belly, pushing to your groin.
“i’m gonna fight you.”
“yeah?” abby teases, leaning forward, and she’s clasping your chin when she asks, “you think you’ll win?”
your breath catches. you’re not sure if abby can see you losing grip on reality, but there must be a part of her that notices your body curl up, eyes glaze over and breathing change when she leans closer, nose bumping again yours as she asks,
“you think you can take me?”
her eyes are bright blue, transfixed on yours, and you swallow, alive under her gaze.
“i think i can take all of you.”
abby’s mouth opens an inch. her eyes flash with something — a bolt through the blue — and her tongue comes out, licking the corner of her mouth. she lazily gazes at you.
“i bet you could. bet you’re good like that, huh?”
you nod, humming softy as you lean closer. abby’s thigh is still tense between your legs and as you move, your pussy slides over the denim of her jeans.
“yeah, i’m good,” you sigh.
abby leans back, and you ache at the loss. she finishes her drink, and you wait like a puppy dog on her lap for her to say it. say it, say it — please please please.
she hands the empty bottle to you.
“be a good girl for me then and get me another drink, would you baby?”
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eriyu · 5 months
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FFXIV script complete through 5.55! it's endwalkin' time!!!
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i can't believe i've made it this far to be honest.
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heartorbit · 5 months
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a mob of emus for an artstyle game on twt! ^_^
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skitkattl · 26 days
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someone special is now arriving in pasio! (and volo too ig)
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flowercrowngods · 6 months
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yearning hours (hidden track)
🤍 also on ao3
The city is quiet tonight, dormant long before midnight; weary at its very core, just allowing November’s cold to settle without much of a fight.
Steve should be asleep, too, but he doesn’t want to break the spell he’s under, doesn’t want the heaviness of his eyelids to become something deeper, something stronger, something that will bring an end to this feeling that’s come over him.
Sprawled on his bed, staring up at the ceiling, he just breathes. A steady in and out that‘s been effortless for a few hours now.
The breathes in the gentle dimness of his bedside lamp, inhales the sound of electro pop playing from beside him, playing from another lifetime altogether. He exhales the present, lets go of the thoughts of sleep, of leaving this moment, of moving anytime soon.
I saw your eyes. And you made me smile.
It’s been forever since he listened to this tape. So long, in fact, that he didn’t even know he still had it. Lifetimes passed since last he heard these songs, the synthesisers and guitars, the beat of his heart in tune with the drum of the snare.
Four years. It’s a lifetime. Everything’s a lifetime when the world ends, and ends, and ends. Everything’s a lifetime if you leave parts of yourself behind, unreachable for yourself, but far from untouchable for others.
Everything’s a lifetime if you live in Hawkins, Indiana.
And though it took a while, I was falling in love.
The song washes over him the same way it did four years ago, and yet it settles inside his chest, his gut, his lungs in a way it never did before. It fills him with each inhale, as if daring him to forget again. As if daring him to try.
There are three tapes spread out on the bed beside him, just within reach of his hand that’s hovering over the rewind button of his little radio that’s seen better days but still hasn’t ripped a tape in months.
Once the song begins to fade, he presses the button, the dim light now accompanied by the familiar clicking and whirring and the thoughts of seven, eight, nine, ten, as Steve is counting the seconds before he has to press play again to listen to Space Age Love Song again.
He exhales a drawn-out breath as, with another definitive click, the song starts over. Gentle snares fill his room. And Steve breathes.
I saw your eyes.
And he smiles.
And you made me smile.
Because somehow.
For a little while
He’s thinking about Eddie.
I was falling in love.
And for a moment, while he breathes and stares and listens, that’s okay. For a moment, for the duration of this song, for the lifetimes it survived and the ones yet to come, that’s okay. The waves of the music carry him through time and space, carry him to a world where it’s safe. Where the safest thing to do about your heart’s desires is not lying in bed and staring at the ceiling.
The phone rings. It’s midnight and the phone rings. Steve is floating, anchored and weighed down by his skin and bones, breathing himself back into reality, because the phone rings.
He looks up and reaches for the landline phone on his bedside table, the movement sluggish to his heavy limbs.
The words take a while to form, but he’s aware that the other person can hear the music playing, they’ll know he’s here, they’ll know he listens. They’ll know, hopefully, that he’ll talk soon. He just… He just needs a second.
But then it’s only silence that meets him, and Steve frowns. Just as he’s about to open his mouth and ask, he can hear a breathy little, “Oh. Shit.”
And he blinks. Swallows. Leans up on one arm to fight the floating.
“Eddie?”
“Uhh. Hi, Stevie.”
There’s a tremor to Eddie’s voice that Steve can make out even through the music he’s reaching out to turn down the volume now. Alarm shoots through him, accompanied by protectiveness and the readiness to take ok the world. For Eddie. Again.
“What’s wrong? Are you okay?”
“Yeah!” Too fast. Too breathy. Too frantic, and Steve can hear the clinking of his rings against the plastic of Wayne’s landline phone. He can see Eddie wrapping the cord around his fingers, can picture him chewing on it, too. “I just— uh, I… I cleaned my room? Rearranged it, too. I really like how… Look, ignore this, okay? I realised that this was kinda dumb the moment you picked up the phone.”
Steve leans back again, his head hitting the pillow as he lets Eddie’s voice wash over him. He sounds nice against the low music still coming from beside Steve. Eddie always sounds nice. Steve kinda wants to listen to him forever most days.
“What’s dumb, Ed?”
A snort, and Steve wants to feel that breath tingling his cheek, or neck, or throat. He wants to touch that smile of self-deprecation he knows spreads Eddie’s lips now, and wants to turn it into something more genuine. More vulnerable. More his.
“Calling you at midnight and telling you that i cleaned my room.”
“And rearranged it,” Steve adds, helpless against the gentleness of his voice as he says it.
“Yeah. That.”
He smiles, his eyes finding their spot on the ceiling again as he reaches for the radio again, pressing rewind, because his heart is a fluttery little thing tonight, and he wants to bask in it for a moment. Wants to be allowed to pretend.
Something old washing into something new. The feeling fits well with the others, a tenderness inside his chest where Eddie lives, surrounded now by the song, wave after wave, and with the memory and possibility and chance of different lifetimes, different phone calls, different Steves.
“I don’t think that’s dumb, Ed,” he says after a while. “I like it when you tell me things, midnight or not.“
“I… That’s cool.” Silence. But an Eddie kind of silence that it’s always only a prelude. Always. For bigger things the longer it is. And Steve’s counted all the way to seven before Eddie, quietly, secretly, says, “I like telling you things. Midnight or not.”
The smile that splits Steve’s face is almost one that needs to be hidden in the pillows, with the way the world sees it as a challenge when he smiles. But he doesn’t hide it. Midnight smiles don’t need hiding.
“So tell me about your room.”
Another silence, only five beats this time, but it leaves Steve yearning for Eddie to fill it nonetheless.
“Do…“ One, two, three, four, f— “Do you wanna come over and see?”
And now it’s Steve who’s silent. Steve whose heart is beating so loud he forgets to count the seconds, forgets to fill the silence, forgets just for a while that he’s still only pretending, he’s still only longing, not reaching.
And still, still still, he asks, “Right now?”
Eddie’s answer is no more than a breath. “Yeah?”
“Okay.”
“Okay.”
Okay. He wants to stay in bed longer, wants to cradle the phone to his ear and listen to Eddie. To his breathy little voice, like he knows about midnight smiles, and even more about midnight whispers.
He’s still floating in the car, having grabbed one of the tapes from his bed, letting the more synthetic snares and guitars fill the air he breathes that’s beginning to smell vaguely of leather and tobacco and soil and Eddie.
The more you live, the more you love. Or so they say.
It settles in his arms the same way the car’s gentle thrumming does; this certainty. The longing. The love.
He’s not even sure when it happened, only that he can’t get rid of it now. Doesn’t want to get rid of it, most days. Not yet. He’ll spend the rest of his life letting it go, but he wants to keep it for a while yet.
Especially with Eddie calling him at midnight just… Just to tell him something that makes him happy. Obviously, obviously makes him happy. So happy he wants to tell Steve about it. Like Steve is worthy of that, like he is the obvious choice.
It makes him giddy. Makes him float. Makes him turn up the volume, letting it almost ruin the moment, fragile as it is — but only almost.
He makes it to the trailer park in no time, finding Eddie already outside. Waiting for him.
No amount of inhaling and exhaling is enough to save Steve now, not with Eddie approaching his car before he even comes to a stop. Not with Eddie reaching out to open his door, looking at him, face painted in the light and shadow of the little overhead light of the Beemer.
“Hi,” Eddie says. “I cleaned my room.”
“And rearranged it,” Steve adds, an echo of earlier, the same smile on his lips, but Eddie doesn’t smile. Eddie just nods, frantic.
“That, yeah. But… I cleaned my room. And you’re here. Because I told you. Because I cleaned my room.”
Steve blinks, loosening his seatbelt and slowly, so as not to spook Eddie, he gets out of the car. Comes to a stop in front of Eddie, the door still open behind him.
“Eddie, what—“
“You’re here,” Eddie says again. “You like it when I tell you things.”
Steve nods, the cold November air not enough to save him; he still inhales Eddie, still exhales a longing so deep his lungs feel like they’ll never fill again.
“And you like telling me things,” he says, because Eddie’s gone silent, his wide eyes still frantic, and Steve wants to help.
“You’re here,” Eddie repeats again, like it has a meaning that Steve’s not catching.
He nods, then, heart and mind racing alike. “Because you asked.”
But Eddie shakes his head, still rooted to the spot, still keeping his eyes on Steve like he’s afraid he might disappear if he so much as blinks. Steve wouldn’t think of it. Will stay as long as Eddie wants to look at him.
“Because you want to. Because you like it. Because… Because I cleaned my room. And the first thing I wanted to do was tell you. And you listened. And you told me it’s not dumb, because you like it when I tell you things, and— Steve. Steve.”
He can’t look at those wide eyes anymore, not when he’s been found out, not when the heaviness is returning, weighing on his limbs and his heart, telling him to panic and to run and—
“Steve.” A whisper. A hand on his cheek. Not to tip his head up. Just to rest there. Just to stay. “I wanna tell you things all the time. The stupidest, littlest things. I wanna tell you because you’ll listen and because you’ll— you’ll make me feel like… Like this. Because you’re here! You’re here when all I did was clean my room. At midnight. Way past midnight, actually. I’m… I… God, I just.” An exhale, and it sounds a lot like Steve’s. “I love you.”
Steve’s head snaps up, his eyes meeting Eddie’s again. Searching for the lie, searching for the dream, searching for one of those lifetimes that aren’t meant for him. But he finds none. He finds sincerity; scared, vulnerable sincerity, like Eddie is a little bit insane with it.
Like he’s faring no better than Steve.
“You… You do?” Eddie nods, frantic again, the hand falling from Steve’s cheek so he can pick and bite at his nails. Unthinkingly, Steve reaches for his hands to hold them in his own. “I— I’m…”
“It’s okay, you don’t— uh, you don’t have to say anything. Really. Please don’t, actually, I’m just… You’re here. I can’t believe you’re here. I can’t believe you—“
“Ed,” Steve whispers. “Eddie.” They sallow in unison, the air charged between them but clearing in Steve’s vision now, carrying him no longer like someone floating along the tides yearning.
He’s not floating, he’s not lifetimes away. He’s here. He’s here.
“Can I… Can I try something? Can I kiss you? Please?” he adds in a whisper.
And it is with that same whisper, with that same shared breath, that Eddie says, “Please.”
The kiss is chaste, but it’s enough. Enough to survive the night, enough to be not the beginning and not the end, but something comfortably settled in the in-between.
When they break apart, Steve doesn’t let Eddie go far as he pulls him into his arms rather immediately. Just to hold him there. To let his mind catch up. To bask.
And it’s only after a while of breathing each other in, their hands roaming over the other boy’s back in ways more gentle than they were ever allowed to before, that Eddie breaks the silence.
“I really do wanna show you my room, though, that wasn’t a ruse.” He mumbles the words against the side of Steve’s throat, and Steve — still unsure of his footing — laughs and brushes a careful kiss against Eddie’s temple that leaves him with goosebumps.
“Ready when you are,” he says, though it’s almost a sigh. An exhale. Exhaling Eddie, and inhaling his warm smile and the smell of his hair. Steve leans in for another kiss to Eddie’s forehead, lingering this time.
In and out. It’s all Eddie.
Ring-clad fingers find their ways in between his own, and then Eddie tugs him — gently, like he’s afraid Steve will break if he moves too quickly; or maybe it’s Eddie’s who’ll break — toward the trailer.
Inside it’s warm, the lights are low, and the only thing illuminating Eddie’s room down the hall is a black string of warm white lights wandering along his walls and in between photos and pictures and drawings and posters that litter his wall.
And in the middle of it all, there’s Eddie. Smiling at him, giddy and gentle and genuine and so, so pretty. And Steve knows, then. Eddie’s room has never looked better.
(the songs are space age love song, and the more you live, the more you love by a flock of seagulls)
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robynator · 2 months
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obsessed with how daud canonically chooses to forgive billie when she gives him the choice between killing her and showing her mercy after she betrays him
obsessed with how just a few months later, daud does the same, placing his life in the hands of a man whose life he completely ruined, asking to be spared and, against all odds, walking away from that encounter alive
obsessed with the alternatives you're given to those options as well
how, if you choose to kill billie in low chaos she helps you guide the blade. how she looks up at you and smiles as you stab her. how you hold her hand as she dies and don't let go even after she's gone
how, in high chaos, you just don't get that choice. her death is brutal, just like all the other deaths at your hand. like she said, what's one more body? but she's not just one more body. she's your second in command, your confidant, the closest thing you have to a daughter. you don't kill her with the same detachment you do for everyone else. you don't simply pull her onto your blade, you grab her by the throat as you stab her. it's brutal and it's personal, and that makes it so much worse
how, if you end brigmore witches with high chaos, corvo will kill you because you are not true to your word. you say that you feel remorse over jessamine's murder and yet your actions speak otherwise. you are not sincere in your words and while corvo may not know that, the game does. and it's telling you that that's the only way it could end. that if daud goes down that path he will not ever better his ways, nor will he be given the chance to. the only way daud can live is if he is actually committed to change
but despite all those options, in canon, daud gives billie the chance to leave and make a new life for herself. and corvo does the same for daud. and that is a parallel i think a lot about
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cvmcicle · 1 month
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i started hallucinating halfway through rendering this so idk if thats a sign from god or what
cw?: eyes, religion??, blood.. scratches my head
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