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blusocket · 19 hours

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I've seen some people express some confusion about what Fortnight is about, why it opens the album, what's happening in the video, etc, so here's my attempt at an analysis. For the most part I'll be referring to the characters in the video with the names of the people playing them (Taylor and Post) but at times I'm going to be making direct reference to the events of Taylor's personal life and referring to the muses by their names (Joe and Matty) for the sake of clarity and simplicity.

The song itself uses the suburbia conceit as an extended metaphor for the beginning of her relationship with Matty (he's the neighbor she runs away to Florida with, Joe is the cheating husband.) For more eloquent and detailed thoughts on the narrative of the song you can check out Jaime @cages-boxes-hunters-foxes's post here.

The video is really dense, and I'm not 100% confident in every aspect of my interpretation, but I feel pretty sure that it's making extensive use of visual metaphor in order to tell roughly the same story as the song, just in a different setting. To start, Taylor wakes up chained to a bed in a white dress.

To me this suggests that she's been driven mad by being left at the altar, and is now trapped, surveilled and controlled, in a type of asylum. This represents the end of her relationship with Joe--waiting for a marriage that never came, feeling trapped, mentally unwell etc.

She then takes 'forget him' pills which reveal Post's tattoos on her face when she looks in the mirror.

This represents Matty (the "miracle move-on drug") and shows that he made a mark on her while she was still in the asylum--that is, still in her relationship with Joe. Additionally, in the wide shot where we see the mirror, its size and shape are very reminiscent of a one-way mirror, often seen in interrogation rooms and psychological experiments, further reinforcing the idea that Taylor is imprisoned here.

She then is able to go to the typewriter room and do her work, creating art about how she's feeling, shown by her repeatedly typing "I love you, it's ruining my life" on the typewriter. She's still in pain and feeling trapped. While there, she encounters Post and they create art together, which creates beauty and color in her life. The blue and gold obviously reference her writing about Joe, but the fact that her work is gold and Post's is blue may be a deliberate choice to draw parallels between Matty and Joe, as she does on numerous songs throughout TTPD.

The next scene, where Taylor's hair is down and she and Post are wearing the same black coat and pants, takes place inside her head (symbolized by the shape of the papers they're laying on.) She is dreaming about them being free and creating art together, represented by the papers surrounding them and book she's holding, which has the word "us" written on the cover. She's writing their story before it's begun.

She then reaches for his hand in her fantasy, accepting and asking for this relationship

Then we see that she's being studied and experimented on--the results of the lie detector test read "I love you, it's ruining my life." Her pain is an object of fascination.

Interestingly, Post is part of the group experimenting on her, but when the experiments begin to cause her pain, he liberates her.

This inspires Taylor to destroy the place where she's been trapped, which we see through her opening the filing cabinets that cover the walls and destroying the mirror. I also find the shot of her standing still while papers burn around her interesting and significant; I interpret this as Taylor destroying her own work about Joe. By choosing to leave, she is metaphorically burning--rejecting--the story she wrote about them.

Finally, Taylor and Post enter the dangerous outside world together; the rain echoes the lyric "I chose this cyclone with you" on the album's title track. While I do feel the meaning of Post being in the phone booth is somewhat ambiguous, the framing and the accompanying lyric--"I've been calling ya but you won't pick up" suggest that he's attempting to communicate with her but can't reach her. They are free of her prison, but still separated.

Then, he hangs up the phone and reaches for her hand, and she takes it. The final shot of the video is a close up on their linked hands, presenting us with a cautiously optimistic ending--they are lost and vulnerable in the middle of a storm, but they have each other.

I feel this is a somewhat less sinister, for lack of a better word, portrayal of the start of Matty and Taylor's relationship than is suggested elsewhere on the record, though I believe Post's character being part of the group experimenting on her is significant and the editing creates some ambiguity about exactly when and why she decides to break free. But I hope this clarifies how the video sets up the beginning of this story, the fallout of which is then chronicled over the course of the rest of TTPD.

#taylor swift #the tortured poets department #ttpd #fortnight

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creatingblackcharacters · 2 days

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“The Same Place as the Music” Lighting & Color

“Where is the light coming from?” “The same place as the music.” Andrew Lesnie, Cinematographer of LOTR

How & Why It's A Problem

If I had to summarize the frustration I have with this topic in one image, I'd use JeCorey Holder's (queer Black creative!) meme:

Now here's the thing. I'm not saying you have to be a master at lighting. I'm surely not. Hell, I still play around with lighting in my art in ways that aren’t the ‘most realistic’. You can’t ask me the technical explanations behind ‘color theory’ or 'contrast' without me doing some more reading. However… I don’t think anyone needs an art degree to understand this point:

We should be able to SEE your brown skinned Black characters!

I brought this up in my lessons about skin tones and blushing, and it applies with lighting as well. If all of your other characters have focused light and shadows, so should your Black characters.

However, this does NOT mean making them lighter-skinned!!!!

It's not funny nor logical at all to suggest that they somehow can't be seen like your other characters when you’re the one creating the piece. It's like a classic fifth-grade racist joke, “You blend in at night”. Har-de-har.

I was once rudely told to my face (well in the DMs) that a Black character that was completely Europeanized looked like that “because of the [sepia] lighting”. So I'm going to give you all, gracious readers, an example to show that that's not true.

This is Ana Flávia, Afro-Brazilian model! Gaze upon her beauty! Notice how in both of these filters, Ana did not, in fact, turn into a white woman! Because, my friends, that is not how that works! At all!

Here are some other examples of Black people in non-color lighting:

None of these people vanished from the frame just because there was no color. They didn't have to paint on lighter makeup to be captured by the camera. What do they all have in common (in this example)?

Lighting!

Now let’s discuss different ways to think about and potentially try instead!

What I want you all to keep in mind, is that the art you’re painting:

And I know that's silly right, like yeah no shit Ice, we knew that. BUT my point here is don’t be afraid to study photography, theatre, and staging for ideas. They actively work with light! It’s why I share so many images of models; it’s purposeful, focused staging of light with many of these compositions!

Brown-skinned Black people- brown-skinned people in general- GLOW in the light! Our skin reflects environmental light! There’s so much opportunity to play with that, and you can see different examples in those mediums.

Here are a couple articles of lighting in film focused on Black actors.

When lighting a person with dark complexion, the answer is not LIGHTENING THE SKIN, it’s understanding how light reflects off of dark skin.” -Nilah Magruder

Nilah Magruder (Black creator!) has an ENTIRE, thorough and wonderful essay on the topic, far better than I could give! She incorporates the use of cameras, lighting, painting, and more- so rather than be redundant here, I'm going to spotlight (ha see what I did there. It's okay, I know I'm funny) her and her explanation.

Incorporating Blackness in Color/Colorful Lighting

@dsm7 has an excellent and short visual explanation of how picking certain colors will lead to washing out or whitewashing Black characters, and how certain lighting and backgrounds (think the black and white photos on brighter backgrounds) will change the way their skin tone looks.

@nicosbighead has one of my favorite images on here, that shows how many different colors can still be used to convey the image of Blackness. Notice how all those pinks still worked?

@gaksdesigns has a beautiful picture here that I feel utilizes the light in a very minimal yet effective way to show highlights even on a palette that's fully brown.

This article approaches from a lighting perspective via filmmaking, but essentially Sade Ndya suggests instead of increasing the amount of light, change the color/lens of the light based on your character’s skin, as well as for the circumstances of the scene. They'll remain vibrant that way, and you’ll still capture what you need.

I know one way I do this on CSP (I think I’ve mentioned this but I can’t remember) is to use the Add Glow tool with the same or a similar shade of the character’s brown skin tone as a highlight under natural light, or maybe use different colors or filters depending on the sort of light on their skin at the time.

Here’s a reddit about it too, just because I know y’all value Reddit on here, and someone else discussed the topic that both Nilah and Sade discussed.

Is It Intentional?

There are going to be times where you intend for the light to be minimal. Maybe it’s a style choice. That should still show purposeful composition. Here’s an interview with famed Black director Ava Duvernay discussing the intentional darkness on Black actors in the prison scene in the movie Selma. To show that they're both trapped in prison AND that Martin is temporarily low on resolve- it's a part of the story that's being told.

I'm always talking about this: there is a difference between intention (and following through), and neglecting to think about it at all. And neglect isn't what we want, because often we can tell visually when it is- when an artist simply did not think to do it for one versus the rest.

Sidenote, on Youtube in the suggestions after Ava's interview, are also plenty of videos discussing lighting for dark-skin as well- why not take the chance to look?

Conclusion

We do not lack for light! We aren’t flat and lightless when you see us in life. It's actually a pretty awesome part of being brown-skinned. If you’re giving proper, flattering lighting to everyone else, give it to us as well. Study and experiment with ways to highlight brown skin.

You already know what I’m going to say. It’s going to take practice, same as anything else, because it’s the thought that counts, but the action that delivers!

#creatingblackcharacters #character design #black characters #black art #black character design #black artists

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amalthiaph · 21 hours

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✨ EDMON RAMPART (Amalthia's Version) ✨ You know I once swore to never draw him, well that was of course before he got the James Norrington treatment so it's the Alexsandr Kallus Effect for me again. Talk about from fuck this man to I wanna fuck this man.

Teeny weeny fandom salt and salt in general coming up so if you don't like that, you can go scroll down. There used to be a cut here but I removed it. I will always be polite, but I know WHEN to talk.

From now on, I will be calling my fanart "Amalthia's version". I hope I don't come across as tone deaf or insensitive about this, but I wish I was good at art.

I've seen posts that say "I wish artists would stop drawing [character name] with [this] or [that]" or "stop drawing [character] with [this]". While it's great to hear about your preferences, please bear in mind that at the end of the day, fanart CAN BE an artist's take on a character. For me, THIS is how I draw Edmon Rampart. This is with regard to the art style I developed and the color palette that I constantly use to keep up with my blog's theme.

Another ick is an ongoing issue in the TBB fandom. In my Hunter and Omega art, I did something I don't usually do, which is add a secondary light source. A few minutes after posting, I got an anon telling me to unwhitewash the characters. I immediately messaged one of my friends for their honest opinion and they said I don't whitewash the characters. I went on to the drawing file and tried to study my own drawing and see if I really did whitewashed the characters. Edit: There really are some artists who whitewash the characters and I was trying to do a SELF-CHECK bec maybe I'm one of them.

I found out that the thing that made the difference is the secondary light source that I added. This secondary light source is lighter in color than their skin, and it created the Contrast Effect. Due to the nature of the human eye and visual processing by the brain, there's an optical illusion that the same color will look different depending on the color beside it and/or the background. It's in psychology class, paying attention would help.

In addition to the secondary light, it could also be the brown background color that caused this effect. And before anyone goes, "are you sure?" Yes, I am. I sat with a Psychology major to discuss about this whole Contract Effect thing.

This does not only apply in colors, it could also be to objects, that why they say all things are relative. One thing could appear bigger or smaller depending upon the object beside it. One of the things they 'check' to see if a certain artist whitewashed a character is the size of the nose. Once again, please do apply Contrast Effect. Some artist really draw their characters stick-like so try to compare all the noses they had drawn in their entire lifetimes and maybe, just maybe they did draw the noses wide in comparison to their other artworks, it just looks like that because it's part of their art style.

Edit: Please do try to analyze things first before casting down your judgement.

It's so difficult to be an artist AND IN THIS FANDOM. We never seem to be enough. If we do the character with artistic freedom, you'll say "stop drawing them like that bec they don't have that in the show" and when we try to draw them as close to the show, you'll say "unwhitewash the characters". We are never good enough for you.

So yeah, I wish I was good at this.

Link to the rest of this series:

1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15

#i'm gonna add this tag: AMALTHIA IS ANGRY #the bad batch #the bad batch season 3 #the bad batch s3 #tbb s3 spoilers #tbb rampart #edmon rampart #yeah i'm not tagging vice admiral rampart #HE'S BEEN DEMOTED #tbb #star wars #small artist #artists on tumblr #amalthiaph #the bad batch actors au

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theragamuffininitiative · 22 hours

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Cozy Interior Aesthetic Pictures PSA (only if you care about not reblogging ai generated images)

This goes for all images really but I am seeing a sudden influx of mutuals reblogging ai art that I very much know do not want to be reblogging ai art. And it's almost entirely because, "Cute kitchen! Look at this lil cottage! Fits my aesthetic, saving that." Which is an attitude I love.

The problem is 90% of the images are clearly ai. I won't say obvious bc if you're not someone like me who just happens to have seen enough of that very specific ai imagery to recognize the vibe on sight, it isn't obvious until you do a doubletake and some fact-checking.

So!

What do we do? We want to keep sharing cute interiors! For our aesthetic! For our dream homes! But nobody likes being taken in by fakes. Knowing it is ai generated bc it is noted on the image is one thing (this never happens but pretend it does). Bc who hasn't played with a computer program to design a cute house? I have! But it's a different beast all together when the images are passed off as real places and we love those little places bc we haven't noticed what is wrong with them.

What do we do?

Keep reblogging cute interior/exterior/setting images! But before you hit the rebagel button do this one tiny, four second check: click to the original poster. Minimum 80% guarantee you will immediately find a blog filled with ai, unsourced, probably untagged art. What was hidden before now becomes wildly obvious.

And then! If you still like the image, that's fine if you want to reblog it anyways - but you are no longer taken in by it and you can do yourself and your followers after you a favor by making some little note on the post: "this is ai fyi but still cute." A little blogger beware and you're on your way!

TLDR - briefly click to op accounts before reblogging unsourced art: this is an almost foolproof way of detecting ai without having to play mind games with an image. 👏

#this has been a psa #ragamusings #anti ai #anti ai art #interior #interiors #interior design #exterior #exteriors #exterior design #interior photography #exterior photography #cottagecore #cozy cottage #(bc those are the most popular types of image i see)#interior aesthetic

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michaels-reality · 15 hours

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Diversity talk around Dungeon meshi makes me feel insane because all that was done is drawing normal looking white people. I can count the people of color on one hand and most of them are ambiguously brown, and on the other hand I can count the fat characters and most of them are specific fantasy races.

Ryoko Kui has a remarkable art style and everyone is drawn with love and I really admire it, but I feel like it shouldn't be the pinnacle of diversity for some of you. Falin isn't fat, she's just a big normal looking lady. Laios also isn't fat, he just has a regular looking muscular build without the dehydration six pack. The fat characters we do see are dwarves and orcs, which seem to make it look like the only way you can be fat is to a specific fantasy race. That may sound like a reach and may actually be a reach, but it is a little sus to me </3.

Characters like leed, namari, and senshi mean a lot to me but I wish we saw more fat humans or elves or etc. I know Ryoko Kui does explore more body types for different races in the art books but I'm a little disappointed it wasn't in the actual manga.

Not to mention the lack of black people 😭 Like I'm usually not expecting to see black people in anime and manga, I know that I can't always be asking all that from this kind of stuff, but seeing Kui actually draw black people in some of her studies in the art books and not seeing them present in the manga made me a little sad 😭. Like the brown characters we do have are KiKi, KaKa, Thistle, Kabru, and Cithis (plus a few extras that show up for like 2 seconds). Most of them are ambiguous, talking about the elves. Like we have brown elves but also we have pitch black elves, that makes me think they are only brown cus they are dark elves.

People like to argue like "Oh but it's fantasy and these are fantasy races so what do you expect?" but I think there is something to be said how it's always white people in these fantasy settings and brown and black people taking a backseat. I love dungeon meshi, I really do, but it is in no way revolutionary, it is just the standard.

IN MY OPINION ANYWAYS!

#blah blah ramblings #dunmeshi #also when i say people of color im not talking about characters from the eastern region #they are people of color but it is the norm for a japanese author of a japanese manga to write characters based of their japanese culture #so that doesnt really apply here </3 #i really love how ryoko kui adds elements of japanese culture all through out the story and characters though #its really good

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wannabe-cartoonist-blog · 11 hours

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Last Game hair style fixes, in order of who needed it most.

I've never liked the canon hair styles in Last Game. They're either hideous, or just simply don't fit the characters/style of the main series. I get its a (mostly different) art department and meant to age the characters up, but most of the time, they simply just look off-model to me. I know I'm not the only one who's got issues with the hairstyles in this movie too, so I did my best to fix them up and give them styles that I personally think suite them. Originals below cut as well as my explanations! Important to note, these are my preferences/headcanons for them so take everything I'm about to say with a grain of salt.

**Akashi isn't here, because believe it or not, I actually think his hair looks the best out of everyone in LG.

I wouldn't change it. I like to draw him with neater hair/his bangs pushed out of his face when I age him up, but for the summer after the Winter Cup - when LG takes place - the canon hair is exactly the sort of style I think he would/should have. I like the allegory that the rough chop is something he did when his mental health wasn't good, so now as his mental scars heal, it's growing back out. ❤️

Midorima

A neater/shorter hairstyle does fit Mido's character/personality, but the LG hair simply just doesn't look like the same hair type we see in the main series. Mido's hair has got the slightest wave to it (which I tend to over-exaggerate whenever I draw him).

With this in mind, I went and gave his hair some more body/volume by extending the sides. (You'll see a lack of volume/body is the key issue with the other LG hairs as well).

Murasakibara

Mura's hair in this movie looks so so flat and greasy. Now I didn't do the best job fixing it up, but this is basically how you'd go about doing it; just add more flowy strands. His hair is pretty pin-strait in canon, but there's lots of flowing strands, even when he's not moving much, which give it a clean-look.

When it's all just one limp form, like the movie does, it appears unclean as opposed to just long and sleek.

Momoi

Another victim of the lack of body/volume. The style they gave her is also simply bad, like she just took a pair of scissors and cut in a straight line. There isn't even really any style to it. Its kinda just laying there on her head, which is not what her hair usually looks like in the main series. There's always strands/some lift to it. Also Momoi has always had some sort of bangs/framing pieces in her face, so for her whole forehead to be out was just a tiny bit jarring.

I think the style I came up with is a little more mature while still having personality and life to it. Plus, LG takes place in the summer, so a shorter hair style would be more comfortable in the heat.

Kise

Kise I don't think I did a good job of fixing to my liking either. It was hard to edit it without making it look bad in general, because I really don't think this choppy sort of style suites him like at all, so it was too much to change. Now his hair is one of the better drawn ones in this movie for sure, but it feels more like a Kagami hairstyle than a Kise one to me. I just don't think his modeling agency would let him have such a choppy, hard-to-style haircut. I also think a more polished look fits his handsome, princely sort of appeal that makes him popular with girls.

Aomine

Alright, now its time for me to be playful and silly with some out-there hair styles. Aomine (and Kagami's hair) in Last Game I don't mind. After Akashi, I would say Aomine looks the best. BUT. We have NEVER seen Aomine with long hair, even in flashbacks when he's a child.

So for him to finally decide to grow out his hair - in the SUMMER HEAT - just feels like a weird move to me. Feels out of character. He strikes me as someone who likes his hair out of his face when he plays ball and just wants to roll out of bed and not worry about brushing/styling it or anything. The animators also aren't consistent in this movie and sometimes his hair looks particularly long in the front and back, which again, I don't think he'd like. This picture below and the ones above are from the same movie/take place within like a week of each other, yet look so different.

He looks cute and it definitely gives him a more youthful look; which is a weird choice, because they want to age up everyone else but Aomine in this movie. So, I think a fade would really suite him (I don't think I drew it that well tho). Keeps his hair short and out of his face but also ages him up a little more with a mature style.

Kagami

Alright, Kagami's look here is pure indulgence. @knbposting said "Kagami with a mullet" and I haven't stopped thinking about it. Sue me. His LG hair isn't bad and makes sense for his character and the time of year. But its just sorta plain. Honestly, Kise's hair style in this movie would probably suite Kagami more. I always liked how in the main series, Kagami's hair is a little scruffy in the back so I really wanted to lean into that.

Is a mullet suitable for the summer heat/something he'd like? Well, maybe not but I think it ages him up while also seeming like something he'd get at some point in his life. So here we are. I will end this with saying this is probably the longest he'd ever let his hair get.

Kuroko

Finally, we have Kuroko, whose hair I've barely changed. Now, the animators/artists do a really bad job of keeping his face on-model (eyes too beady, features too sharp) but that's a whole 'nother issue, and I managed to find a scene where they kept him on-model lol. I think a shorter, neat style is good for the summer and suites him, but a main feature of all the hair throughout the main series is the spikes/strands of hair on nearly every character - Kuroko especially - so I just added a tiny bit more here.

And that's the end! If you read all the way to here, thanks for coming to my insane-person rant.

#kuroko no basket #kuroko's basketball #knb last game #kagami taiga #kuroko tetsuya #aomine daiki #kise ryōta #akashi seijuro #akashi seijurou #midorima shintaro #midorima shintarou #murasakibara atsushi #momoi satsuki #kise ryouta #generation of miracles #kiseki no sedai #wannabeartw0w #wannabespeaks

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things-erin-likes · 2 days

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I know this is wildly different from my usual art posts BUT I have wanted to make it for a long, long time, because I love sharing any knowledge that might help someone else. SO...

If you (A) don't want to spend more than 1 minute on your face routine, (B) don't want to completely change what your face structure looks like with makeup to have a consistent skin appearance and/or (C) have cystic/nodal/regular acne that just doesn't go away no matter what people tell you to do,

then I give to you:

My One Single Product 1 Minute Makeup Tutorial For People Who Don't Wear Makeup

In which I bravely show you my face to illustrate

Before and after on one of my "best" skin days:

It's very likely this is common knowledge for a lot of people BUT I wish I had known it when I was in my teens and struggling with a severe skin condition I thought would eventually go away and never did.

[TLDR: It's a concealer stick that matches your skin]

No, having a skin condition doesn't mean you need to cover it. However, that doesn't mean it can't still hurt your self image, confidence, and relationships with people who give you unsolicited comments on it (because you want to throw them out the window).

SO HERE'S WHAT YOU NEED:

A concealer stick, my preference being Covergirl's CG Smoothers. They're non-comodogenic and somehow seem to help with my acne, maybe just because covering it helps me not pick at it.

Now, I am the pastiest, whitest shade of white, so I use two shades: "Fair" for my face, which has more of a pink hue, and "Neutralizer" (wheeze) for my neck because it gets even less sun than my face, and is both paler and less pink.

You might be able to get along just fine with one tone if you don't get acne on your neck and chest or have a more even skin tone, but the most important thing is to get the shade that matches your skin tone as close as possible.

To do this, either look in a mirror in the most natural light you can find and hold up your hands and arms until you find a spot that matches your face the closest, then compare the makeup in the store to this. OR.... Just bring a little mirror with you to the store.

STEPS:

1. Start with a clean face. (Wipe your face with a wet cloth if you haven't washed your face already that day)

Optional step 2. Put on a little moisturizer if your skin dries out and flakes, like mine does. I'm allergic to my cats so I use a medicated cream in place of moisturizer lmao

3. Swipe the concealer directly onto red spots, scabs, or bumps, and rub it in with your finger making a soft halo that blends in with the rest of your skin.

...and that's it.

You don't have to do your whole face. You're only adjusting the parts that stands out so they blend in and leaving the rest alone. Some days I cover a few spots, other days it feels like my whole face.

It can't always completely everything, but it makes everything much less noticeable. The shape of scabs may still be there:

It won't cover freshly bleeding wounds well, either... But it will cover the red skin around it:

Like with any makeup, always remove it before you go to bed!!! With makeup remover or a cleanser! Cheap, unscented makeup wipes work great for me.

So yeah, I'm 30 and only just now started finally seeing improvement in my own skin because I did my own research and asked a doctor to try treatments for hormonal acne instead of all the antibiotic approaches, meaning I'm on spironolactone and thus also a mandatory birth control. But hey! It's something.

Having control over how my face looks helps my confidence and self image, like controlling how my hair or clothes look. I don't feel like I have to wear it any more than I don't have to wear my hair short, I just like it that way.

I also hope that this might be able to help guys too, or anyone else who feels like they're not "allowed" to wear makeup but still struggle with the look of their own skin, since the lack of any other product means you really don't look like you're "wearing makeup".

Anyway, long post over, time to flee 🏃‍♀️

#makeup #tutorial #concealer #acne #cystic acne #nodal acne #no makeup look #no-makeup look #acne cover up #my face #acne tips #makeup tips #makeup hacks #“ok I've waited years to do this I'm finally gonna take the pictures” boom acne clears up for the first time in years

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weirdmorefics · 2 days

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benedict with a younger sister who he catches at one of the parties he goes to talking to a man who has less than innocent intentions with her and she’s oblivious and just thought it would be a fun place to drink bcs that’s what she’d heard when was out at the park earlier that day

A/N- Sorry for it taking a while I really am starting to believe in the fanfiction curse. I also made up the seedy guy who had unhonorable intentions in this story just an FYI.

Readers Pronouns- She/Her

TW- Sexism

Word Count- 1,653

Summary- Benedict goes to a local gathering of artists and happens to find his darling younger sister enjoying the company of some of Benedict's unsavory friends.

Unhonorable Intentions

I am a rake. I take no shame in this fact. I am allowed to be a free spirit it is my birthright as the second-born son. No obligations no responsibility. I would loathe to be in Anthony's shoes. Though Y/n seems to have made it her mission for me to walk in his shoes tonight. What is she even doing in a place like this? Last I knew she preferred literature over the arts. Yet she hangs on a man's arm as he explains his next work. in progress that he is sure will be his Magnus opus. I glare at them hopefully sister notices my gaze burning into her side so I can continue my night as if nothing happened. However, when I glare at them I realize who the man she is talking to is and now I know there is no way I can continue my night. Unfortunately said man felt my gaze instead of Y/n and smiled and pulled her forcefully along with him.

"Bridgerton! It's grand to see you! We've missed you at the club!" Alexander shakes my hand roughly and I return it with an insincere smile. "Saw you eyeing my new muse, I regret to inform you I don't share." God, I want to gag as I know what he does with his so-called muses. Y/n smiles at being called his muse she does love it when I draw her but this man does not have honorable intentions. He and I have very different definitions of what a muse is. My idea of a muse is someone who inspires you to create, Alexander's idea of a muse is a woman to sleep with and then abandon.

I straighten back to assert my taller posture over the man, "And I regret to inform you your so-called muse is my darling baby sister." I look down at her with demanding eyes, "I do say it is time we get back to Mother. Isn't Y/n?"

She looks taken aback by my tone, "What do you mean? I just got here."

Alexanders' grin increases tenfold, "A Bridgeton! Benedict I had no idea you were hiding such a beauty to yourself! If I was her brother I'd never let her out of the house either." This man is truly revolting the artist community here is unfortunately very small and I have to find a way to remain civil.

Y/n smiles, "So you know Alexander? That's too bad really I was hoping to learn some different art techniques from him to impart to you! I had no idea you knew such a famous artist!"

I grit my teeth, "Famous now Alexander are we?"

This flusters him for a moment but he recovers quickly, "Aren't all artists famous in a different sort of way?"

I want to laugh at such an absurd response… sadly Y/n is far too naive for her own good.

"I agree wholeheartedly! Benedict is the most famous artist in our family! I'm quite jealous of his talent I must admit! It makes sense he would be at such a regal event filled with so much talent. To be truthful I overheard this soiree would have fabulous drinks on this morning's promenade and couldn't resist," she gushes over my talents and breaks my heart for not being more present in my siblings' lives.

Anthony just seemed to have it all handled, Daphne was married off, Eloise could certainly hold her own ground, Francessa was so busy with her studies, and Mother had Gregory and Hycanith under control. Even though Y/n is Eloise's twin she couldn't be any more different she believes the best in everyone and is too quick to forgive in my opinion and Alexander is taking advantage of that and I will not let that stand.

I smile down at Y/n, "Y/n you downplay your own talents no need to associate with a man whose talents consist of preying on women through false pretenses."

Her eyes widen to the size of quarters, "Benedict you can not make such outrageous claims!"

I pretend to not know exactly what she is talking about, "You mean your talents? Your poetry talent is outrageous and that's not a claim it's just a fact."

She blushes at the compliment but for some asinine reason still wants to defend Alexander. Though it seemed her brain could not keep up with the unusual compliment from me and the unflattering words I spoke about Alexander she just stuttered unintelligible anger, shock, and joy all marking her face. Alexander on the other hand was just fuming red.

"First you insult me Bridgerton then you demean poetry as a genre by encouraging a woman to write it." he snarls.

I have never seen Y/n turn so quickly and before anyone in the room knows what's happening a resounding slap is heard over all the chatter and everyone turns to the noise. Alexander's eye is twitching and a red welt in the shape of my sister's hand is forming on his face. He glares at her with murderous eyes but she holds her head high I have never seen her this determined and it makes me wonder what else I missed while she was growing up and I was galavanting around with men like Alexander.

She points an angry finger at him like Mother would when she would scold us, "Gentleman like yourself actually I wouldn't even call men like you gentleman but that's beside the point. Men like you say women are too emotional to do anything but care for the home. Poetry is all about emotion it's supposed to make you feel something like the art you make, or apparently don't make from what I just learned from Benedict's side comment. I would also like to remind you who is in charge of our country or rather what sex they are?"

All eyes are on us and Alexander looks like he might strangle Y/n with his two hands if the vein bulging out of his forehead is any indicator.

"Oh and by the way when I complimented your line work on your latest piece I was lying it was shit but you know how men can be so emotional I didn't want to hurt your feelings," she fake pouted. This is definitely not the young sister I once knew she may still be naive but she has now learned to use her talent with words as a knife.

Alexander's arm shoots to roughly grab her but I am quick to block, "I'm Alexander but we must be going. It was so nice talking to you as always. I would definitely take my dear sister's words under advisement to spend more time working on your line art." I then pull him very closely into my body and if anyone hadn't seen the previous incident they would have thought it was just two chaps hugging. I whisper, "Less time with lines of ladies and coke you might find yourself able to make straight lines. And if I ever hear you laid a hand on my sister I will kill you myself." I roughly release him and he scrambles backwards ungracefully as all eyes on him.

I link arms with Y/n, "Come on we must really be going now."

Once we make it outside away from prying eyes she quickly bursts into sobs, "Gods what have I done! I was just so angry he'd judge me just based on my sex. God, what if Lady Whistledown writes about me!" She starts pacing with her hands on her forehead and this is the Y/n I am all too familiar with, " Oh God what if Mama reads it! What if I ruin the Bridgerton name? Anthony will never forgive me!"

I clap and quickly gain her attention back, "You certainly won't be the first Bridgerton featured in Lady Whistledown and I am certain you will not be the last."

"Not helping!' She shouts back.

"No one will be mad you stood your ground… in fact, I am quite proud of you."

Her eyes study me, "Are you serious? I just slapped your friend in a soiree full of your peers."

"Anthony was more of an acquaintance," I add.

She rolls her eyes, "That is not the point!"

I sigh, "Yes, I am proud. You defended your honor and didn't need my help to do so. Though I am sure any of your brothers would be there in a heartbeat to defend it including me."

She smiles, "You're proud of me."

"I am not saying it again," I state.

she starts to repeat you're proud of me in a sing-songy voice.

"My pride in you is diminishing and my worry is growing. I think I will be around more often seems like Anthony isn't keeping a watchful enough eye on you if he let you go to a seedy event like this."

She tilts her head, "But you were at the event?"

"Exactly I only attend seedy events, though it appears now I must reform. Think of me has your second Anthony," maybe having responsibilities won't be so bad if I get to see Y/n chew out more men like Alexander.

She groans, "I don't want another Anthony how will I ever do anything fun."

"That's the point Y/n," I smile.

She groans, "I hope Lady Whistledown writes you into the story and makes you sound dreadful."

"As long as she writes how daring and smart my younger sister is we will be on good terms," I smile as she groans again at her failed attempt to get under my skin.

"Thank you, I guess," she responds.

I may be late in helping my siblings but at least they all still have some more growing to do and I plan to be there for all of it.

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