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#is just astonishing
soracities · 8 months
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we NEED more cleaners and bricklayers and scaffolders and delivery drivers in MFA poetry programs. like. immediately.
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foldingfittedsheets · 2 months
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Hands down one of my worst experiences in high school was when the seniors decided to extort the entire school by using tactics that were banned by the UN to get them to pay for the senior party! If that sounds like a wild sentiment stay tuned because this shit got crazy.
I was living in Arizona at the time and I was a freshman. Our campus was largely open air, with walks between class room buildings and some covered outdoor tables. Our event began with a morning announcement. The seniors were collecting donations for the senior party, and when they reached their goal, their fundraising method would stop.
Their fundraising method:
To pipe the entire schools speakers with "If You're Happy and You Know It" on loop. To this day, I cannot hear this song without experiencing a degree of rage and madness that is frankly alarming. One of the worst parts of the entire thing was that the recording they chose had the female singer do a little clap and say "Yay-ha-hey," at the end. So it wasn't just the song, it was this awful little cooldown stinger at the end.
If this sounds a lot like psychological torture you'd be extremely correct! This practice has been banned in some countries, but the good old US hasn't ruled it a human rights violation, and what a fun silly way to raise money, that definitely wasn't damaging to adolescent psyches!
Every morning for 15 minutes before school began, every passing period, every lunch, and after school for another 15 minutes they blasted that fucking song on unceasing repeat through every speaker in the school. Everyone found different ways of coping with this and mine was to observe my classmates descent into madness and categorize the stages.
The first stage was almost completely consistent, and it was a smug almost exasperated eye rolling phase. Often accompanied by derisive comments about the song or the tactic, this phase was extremely mildly annoyed. Most people figured it would blow over soon, and no one anticipated this continuing for a week and a half, creating a miasma of fraught tension.
The second phase was elevated annoyance, starting to snap and be less amused characterized this level of irritation. People would try to cover their ears or put on headphones, humming aggressively to block out the syrupy repulsive children's performer with her loathsome little clap. This phase had people picking their absolute least favorite part of the song. Her inflection on certain words, her timing between verses. I think it's pretty clear already which part I hated most.
The next phase was a bounce back out to absurdity. It became funny how annoying it was and people would sing along as if to challenge the song's authority over their psyche. This paired exceptionally poorly with people in phase two as they'd often lash out at the people giving more voice to their hell.
The fourth phase was a dead-eyed madness. People would stare straight ahead and their lips would silently mouth the familiar words. The song had pounded its way into their very soul and was inextricably linked to auditory output. They often didn't even realize if they began chanting along.
The fifth and final phase was pure uncut pubescent rage. Kids would scream, attack each other, and in a truly epic end to the event hurl a cafeteria chair with such force at the speaker in the cafeteria to irreparably damage the sound system.
The seniors got funding for a party, but some of it had to go to repair the damages, which were substantial.
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markscherz · 4 months
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In which my not-yet-two-year-old son catches a gecko for the first time, and I barely keep it together.
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mintytrifecta · 1 year
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Sorry but if you say you're "being realistic" or "seeing the world as it is" and then only spout of the negatives then you're not being realistic and your worldview will devour you whole. Pessimism is not realistic. There is no world void of joy and to believe that is to ignore the goodness in the world and only see things in an unrealistic, cynical perspective that is not and never will be how things are. Find some joy in the smallest of things or perish.
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fayzart136 · 6 months
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(yes I know the Room is super obscure compared to the others. Idc, he's my favorite blorbo.)
S/O to @very-tired-child!! His posting about Places That Are Characters (and his excellent humanizations) are what inspired my own spin on the idea.
"Annotated" versions under the cut.
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ofswordsandpens · 7 months
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imagine writing this. imagine writing percy increasingly losing himself to his anger and his resentment, sympathizing with Luke, spiraling, being immensely powerful, burning away at his mortality, and not knowing how to deal with any of it. Desperate for help and the one time he breaks down enough to try and get it (Jason) his worst thoughts and perceptions of himself are inadvertently affirmed. He never talks about it to Annabeth. He never talks about it to his mom. Oh but everyone is aware of it. Aware of his anger. Afraid of his anger. Concerned for him and by him. They give each other looks, worried, because they recognize what a danger he could be — to himself, to others, to the gods. But no one says anything, at least not to Percy. No one helps him. No one intervenes. They don't know how to, it seems. (Or maybe they're afraid to). And so they all pretend everything is fine. Percy pretends, bottling it all up inside until the pressure gets too great and that anger boils over and he loses it all over again. He's so desperate for normalcy that he'll take anything, believes in all of the sweet, sugar-spun tales of New Rome and looks away from the rotting underside. He lets himself believe that once he's there the gods will have to leave him alone, because he's done with it all, he's retired (and the gods always keep their promises don't they?).
Imagine writing what is arguably the well-plotted, compelling, and tragic beginnings of a fallen hero arc for percy and none of it being intentional.
RR's penchant for Percy to be explosively angry and scarily powerful, alongside characterizing him as jaded and resentful and desperate, mixed with his refusal to write any in-depth emotional resolution to any time Percy snaps has created an enthralling narrative of a hero just about to fall from grace. and it's all seemingly an accident.
Oh, and another, amazing, unintentional coincidence? if you're taking RR's word that Percy is still 17, that's also the age Luke was when he failed his quest, marking the beginning of his fall as a hero. Like. The narrative parallels are all there. And without any meaning for them to be.
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elasgottoomuchfreetime · 11 months
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The fact that Crowley was convinced that they‘re royally f*cked in the moment Lucifer was about to turn up. He thought Satan was going to literally end them, he thought that this is it, Nice knowing you Angel but this is it. We‘re going to die here.
And then Aziraphale said Do something or I’ll never talk to you again and Crowley, despite believing that this is their end, that they won’t survive, still thought Oh sh*t no i can‘t bear that.
Because only the idea of Aziraphale never talking to him again, even though they’re apparently about to die, is so horrible that he literally stops time to avoid it. He can not die while knowing that his Angel doesn’t want to talk to him anymore.
That‘s love right there folks.
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alienssstufff · 7 months
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get u an earth-shattering grudge on a man that lasts several timelines
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mewtwo24 · 4 months
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I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.
Turns out that was a perilous mistake.
Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me
What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:
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LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"
The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--
How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls
And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:
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Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.
Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)
Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:
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Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me
Unrelated, but I physically can't hold this information in anymore:
I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.
And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...
I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.
How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.
Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.
#svsss#bingqiu#moshang#i swear to god this series is just 'gay man who doesn't know shit inflicting his delusional reality on everyone else and inciting chaos'#and literally it's slapstick levels of hilarious every single time; mxtx never change#also i fully agree that we did not get NEARLY enough mobei-jun and sqh/airplane content#the amount of mental illness to mental illness communication going on there was astonishing#mobei-jun being afraid of his uncle and bringing sqh because that's the only person he trusts fully (WAILING NOISES)#sqh having a tantrum but running away because for the first time he was honest about his needs + his dissatisfaction with catering to other#how that reflects his narrative compulsions and how he felt forced to warp more creative story paths for the sake of survival as a writer#how sqq's restoration of much of his original intent--as well as mobei-jun's acceptance of his needs--helps airplane begin to heal#how his happiness begins; how just like sqq he wanders in such confusion and denial before he's forced to realize what truly matters to him#SHREK VOICE: STORIES HAVE. L A Y E R S#it feels like modern day shakespeare and when i say that i don't mean it in a hollow elevating sense i mean it more like#mxtx just hits that perfect balance of poignance but also hilarious concentric circles of botched communication and brainworms#okay but real talk for a minute? .........;-;#the way lbh constantly struggles with such a crushing feeling that he'll be abandoned over any little mishap/thing/problem#really hit me where it hurts??? if only because its so clearly an anxiety that stems from original goods' upbringing#the way it becomes even more heartrending when you think back to all the sect leaders clamoring that he should have been killed as an infan#that he should have been aborted as a fetus--insisting right in front of him that his birth was a mistake and a disgrace#over having demon blood in his veins. like my god that scene is so viscerally upsetting i struggle to read it#the way its so easy to see the demons as a manifestation of otherness in precipitated form#how both sqq and sqh are influenced by human rhetoric without evening meaning to--assuming the worst against their better judgment#how both sqq and sqh both struggle with their own otherness in different ways and only find solace when they begin to accept who they are#how their lovers (lbh and mbj respectively) both are willing to navigate those confusing waters with them#how both demons love them as they are--accept them as they are despite how difficult forgiveness of perceived betrayal is for them#ty mxtx for changing my brain chemistry#as i get older i have such a fondness for the messiness of thematic queer self-discovery and growth into self-acceptance#that and how youth can so easily be defined by perfectionistic self-harm and the violence of repression
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varilien · 4 months
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given that i've ran this blog for as many years now i think i should get much credit for this being what, only the third dick joke i've ever made here hdfkhkj
anyways. there's this point in the story where vash and wolfwood have to go their separate ways for a while, but neither of them are dealing with it particularly well
(image id below the cut since it's a longer one)
[image ID: a rough, doodley 5 panel digital comic of vash and meryl from trigun, but from my leaden skies au where they've both been lightly redesigned to fit into the setting of monster hunter. vash is a wyverian with long pointed ears, wearing a red coat with gold trim and buttons. meryl is a human wearing a beret as seen on other guild girls, but her all-white outfit is a practical two-piece blouse and shorts set. the whole comic is comprised of warm colors, orange and yellow and dark purple
panel 1: vash sitting in the foreground at a brown desk covered in candles and books, with a book opened in front of him that he flips through with a bored expression and his cheek resting against his hand. he appears to be in a library, lit by candles on dark grey chandeliers hung from the ceiling. meryl is in the background stretching up to reach a book high on a shelf, and beside her is a table which is also covered in candles and several tall stacks of books
panel 2: a closeup of vash's face as his eyes widen and his ears prick up. something in the book has apparently caught his attention
panel 3: a closeup of the page vash was looking at, an illustrated info sheet about the flying wyvern, khezu. a candle in the table brightly illuminates the colored page
panel 4: meryl has come around by vash's shoulders with a stack of books held in her arms. she quirks a brow as she looks over vash's shoulder at the book. vash has a neutral, hard to read look on his face, but his ears are still up and his eyes are still shiny and wide as he seems to consider the page for a while
panel 5: a yellow word bubble comes from vash, who huffs a long sigh and says, "maybe i should call him...". his head has tipped to the side as he rubs his neck and frowns, blushing a little with his ears drooping. meryl physically recoils from him and her face scrunches up in disgust, saying, "eww" and, "there's something wrong with you"
end ID.]
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wejustvibing · 8 months
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yikes that camera person was standing right behind lewis' car literally in the middle of merc's double stack. would have got hit by 63 had the mechanic not pushed him outta there last minute
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markscherz · 8 months
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Quick, while the frog purists aren't looking, what's your favorite salamander?
No question, salamanders of the genus Thorius, the smallest salamanders in the world.
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[Thorius pennatulus — src]
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[Thorius sp. — src]
Truly astonishing creatures.
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jerreeeeeee · 2 years
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people so often interpret sazed as taako’s ex, which like, to each their own obviously, nothing wrong with that, but i think its so so much more interesting to interpret him as taako’s apprentice instead. and like all we have to go on is that he really looked up to taako who sort of taught him how to cook. “thought taako hung the moon and stars” or something like that iirc. which brings so much more depth to taako’s relationship with angus if sazed was to taako then what angus is to taako now, someone who idolized him and saw him as a mentor.
it puts some of the conversations taako’s had with angus into really interesting context. like the fact that the first person taako’s (ever?) told about what happened at glamour springs (which he didnt know at the time, but was sazed’s fault) is angus. does he tell angus because he doesn’t want him to be betrayed (like he assumes sazed was, since he ran away)? or because he doesn’t want angus learning from someone so clearly unfit to be a mentor (both since he was unfit to be sazed’s, because he was dismissive to him, and because he believes himself to be a murderer)? he teaches angus magic and cooking. when he implies that angus might become as or more skilled than him he jokes about striking him down. which is exactly what he did to sazed when he wanted equal share.
but taako redeems himself with angus. he mistreats angus in the beginning, bullying him and dismissing him and generally being a dick, but as angus becomes taako’s apprentice, he’s more open and a little nicer. still “open” and “nice” in his own way, but definitely more than he was before. learning from his mistake, letting angus in and being encouraging and honest in the way he wasn’t with sazed.
idk. i think it’s so interesting and so rarely explored
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coolpointsetta · 6 months
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roy and jamie wanting to do a couples costume for halloween
roy and jamie forgetting to tell the other they’re doing a couples costume until it’s almost too late
roy and jamie dressing as each other for halloween without communicating about it at all. they just raid each others closet and wear each others shit
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bookshelf-in-progress · 9 months
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Length of Years: A Rapunzel Retelling
The woman in the tower brushed her hair. It had long ago turned white, and had grown to cover most of the floor in her little stone room. She braided it with lightning speed, her gnarled fingers confidently completing the familiar task.
Her gaze wandered through the chamber filled with the works of a lifetime. Tapestries she'd woven. Books she'd read and written. Dresses she'd designed. Plants she'd carefully tended until flowering vines framed her one window to the outside world. Evidence of arts she'd mastered, skills she'd developed--once sources of pride and joy, and now simply the remains of an empty life.
Now that her mother was dead, what did she have to live for? She'd sacrificed her life out of loyalty to the woman who'd given her everything; she'd never dreamed that someday she'd be the one left alone. This tower room had been her world; now that world seemed pathetically small. A dismal showing for so many decades.
She sang to banish the thoughts--song was her only weapon in her war against the hostile silence. The song was a light ditty from her younger years, about a bird in a cage, flying free. She'd sang that song often, once upon a time, to an awestruck audience. The only visitor this tower had ever held.
Unbidden, he appeared before her mind's eye. Young. Strong. Dark-haired. Square-jawed. With scarred hands and a dimpled chin and laughing eyes. He'd come to see her, day after day, and filled her world with a joy she'd never before known.
He'd asked her to leave with him; she'd refused, for Mother's sake, again and again, until he'd spoken so abusively against Mother that she grew offended for her sake, and told him to leave and never return. He'd obeyed her wishes, as he always had, and now she had nothing left of him but memory and regret.
She sang all the stronger as the memory turned to sorrow. She'd had her chance and thrown it away. Time had devoured any hope she'd ever had. What was the use of wishing otherwise? She was, and would be, now and forever, alone.
Even the song couldn't change that, so she stopped singing.
And in the silence, she heard a voice.
"Rapunzel! Rapunzel!"
An illusion. A hallucination. A phantom voice conjured by an abundance of memory and solitude and a lack of anything else.
The voice persisted. "Let down your hair!"
The voice was weaker than the one she remembered. Graveled. Worn. Aged.
But beneath it all, a familiar tone that brought her mind back to a time when she was fair-skinned, golden-haired, slender, willowy and oh-so-young.
She raced to the window with a speed she hadn't been capable of in years. Her joints creaked as she leaned far out the window, clinging tightly to the ledge to maintain her delicate balance as she looked down.
At a man in well-worn travel clothes marked with the royal coat of arms.
"I heard your singing," he said.
His hair was shorter than she remembered, gray and frazzled but still remarkably thick. His square jaw had grown jowls, his face had grown lines, his eyes had grown dimmer. But his smile as he gazed upon her was as bright as the one she saw in her memories each night.
With a bow that was slower but no less elegant for the passing of years, he asked, "My lady, might I ascend?"
With a joy she hadn't known she could ever possess, Rapunzel gathered up her endless white lengths of braid and let down her hair.
**
The climb took longer than Rapunzel remembered, but at last her visitor reached the window, and Philip Peregrine Bertram, prince of Whitbay, entered her chambers once more.
He bent double as he caught his breath. "Has your window always been that high?"
"It hasn't moved," Rapunzel said.
And neither have I.
Philip heard the unsaid and more valuable words. His gaze, when he stood straight and looked at her, held the compassion she'd always admired. "I heard of your mother's passing."
"It was very sudden." Mother had collapsed in the middle of a conversation, just after a climb up the tower in the rain. Rapunzel had buried her body beneath the stones of the tower's lowest level.
"My sympathies," Philip said.
He was the first to offer them, in all these weeks. Despite the hatred Rapunzel knew he had for her mother, she knew his words were genuine.
That, more than anything, brought the tears to her eyes. "Thank you."
Philip offered a handkerchief, which she took without shame. "Do you have food? Supplies?" he asked.
Rapunzel nodded, glad for the switch to more practical matters. "There are garden boxes here in the tower, and a boy comes every week with supplies."
"And you've stayed?"
She shrugged. "I had nowhere else to go."
No one else to go to.
He heard these unspoken words, too, and his face, as he sighed, seemed to age another ten years. "Rapunzel," he breathed. "I am so very sorry."
His voice held such depth of regret that she knew he apologized for far more than her mother's passing.
Despite herself, Rapunzel's words of response sounded far younger than the girl he had known. Like a child's--small, delicate, broken, plaintive. "Why did you never come back?"
"You asked me not to," Philip said. "And I had my pride. I might have returned, when my temper cooled, but then there were the wars, the diplomatic missions, the voyages, the marriage treaty, the children..." He sat wearily on her window ledge. "By the time life slowed down, I assumed you'd long ago moved on, and it would have been disloyal to seek you out. I only came to the village by chance and heard the locals speaking of the woman in the tower. Then I came to the woods and heard your song..."
He trailed off as he gestured to the room around them.
"I see," Rapunzel said, though she could barely even imagine it. An entire life full of war and travel and conflict and change happening quickly enough to obscure the passage of time, while she'd stayed here in the same set of rooms as the long, slow seconds marched lazily by.
"Did no one else ever come to the tower?" Philip asked, sounding almost desperate to hear some hint of joy from her life.
"No one," Rapunzel said simply. "Mother made certain of that."
Philip's jaw clenched, and there was a spark of the old fire in his eye, but he did not speak ill of the dead.
"I never mentioned you to her," Rapunzel said, "but she must have been suspicious--I wept so often in the weeks after our argument. She set barriers and traps in the woods after that. Spread rumors that I was mad and violent. The only outsiders who ever came were the boys who delivered supplies, and Mother always hired slow-witted lads who didn't ask questions."
"And..." Philip swallowed back some emotion. "And she was your only company?"
"She was never unkind to me," Rapunzel said, for she hadn't been, whatever her other crimes. "She made certain I never lacked anything I wanted."
"Except for freedom."
Rapunzel shook her head softly. "For a long time, I wasn't sure I wanted that. If I left, how could you find me? And by the time I believed you'd never come, I knew enough of the world to know I was safer here."
"Friendship, then."
"I did want that," Rapunzel admitted. "You don't know how much." Her fists clenched and her words quavered. "Sometimes, I thought it would break me."
Philip rose to his feet and caught her hand between his. "But it didn't," he said, with soft reassurance.
"Not yet."
"It won't," he said, with the firm compassion of age. "Not while I live." He raised her hand between their faces and looked deep into her eyes. "We've lost so many years, Rapunzel. I can't begin to atone for what you've been denied, but I can make certain that you're denied it no more. Come with me. Leave this place."
Rapunzel felt as though the tower had crumbled beneath her, leaving her no firm place to stand. It was more than she had dared to hope for, not for years and years and years. "How can I?" she whispered. "Your wife and family..."
"My wife passed nearly ten years ago. My children won't deny me the comfort of your friendship."
She gazed out the window toward a distant world glowing with a purple sunrise. "It's been too long," she said. "Too much life wasted. So little time ahead."
Philip's eyes, when she looked back at him, were as bright as those of the boy she'd once known. "Then we'd best not lose another minute."
**
Her head felt impossibly light. Her hair felt strange where it brushed against her shoulders. She secured the long, long braid to the pulley outside her window, then let down her hair one last time.
Philip secured her in the braid like a harness, and slowly lowered her to the ground. When her feet were firmly on the grass--it was so much softer than she'd imagined!--he climbed down and landed beside her.
Philip took her hand in his. "Are you ready?" he asked.
She nodded, too full of joy to speak.
"We'd best be on our way, then."
With her face toward the sunrise and her hand wrapped in his, Rapunzel strode forward and left the tower behind.
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qqueenofhades · 2 months
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Truly astonishing how the days are getting longer and for some clearly totally unrelated reason, I am surprised at how quickly my mental health is improving.
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