I am actually so serious I think it really messes with a childs creativity and joy to tell them to never make a mary sue OC. Like that unbridaled form of joy where you make a self insert OC who super cool and everyone loves them and they have every superpower in the world SHOULD be something a kid makes, it nourishes their ability to create things for fun and not be stifled by "oh but what if my character is too overpowered and cringey...". whatever
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I like to think that Vulcans who come to understand that Humans just can’t try to process emotions the same way as them, it’s just healthiest to let it out in harmless ways, decide that venting and stuff should be taken just as seriously as Vulcan’s meditation time, and will encourage the Humans around them to complain about what’s upsetting them
People who are used to aloof Vulcans who avoid Humans at all cost running into one comforting a Human
“-and then they said my cheesecake was subpar, and they didn’t even bring a dish!!!”
“The purpose of this event was that every participant brings a food item of sorts, correct?”
“Yeah!!”
“And they did not follow this rule while insulting dishes that were brought?”
“Mostly just my dish but yeah >:(“
“How illogical”
“That’s what I’m saying!!!”
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As a reward for helping with a problem, John Constantine wants to give Bruce a chance to talk to his parents. “I can only do one at a time, thought, so, who’s first?”
Bruce sweats, “That won’t be necessary.”
The batkids watch like ??? they’ve seen Bruce in every state a man could succumb and raise, but they’ve never seen him scared. Alfred calmly steps forward, “Please do.”
“No. Don’t.”
John “I don’t want peace, I want trouble, always” Constantine smells some opportunity for chaos and grabs it.
The result of that is the very angry spirit of Thomas Wayne fixing Bruce with the glare of the year, “You dropped oUT OF MED SCHOOL?!” The entire mansion seems to tremble.
Bruce yelps like a scolded cat and runs around the dining table, “I was busy with BATMAN—“
“ Che cazzo è un Batman, — Get back here! You were there a year, — Che cazzo fai, CHE CAZZO FAI?! Pack your bags, you’re going back.”
To the batkids’ absolute horror Bruce starts to cry, face watery and bright, and they finally understand what Alfred meant by tantrums. “Non voglio tornare indietro, papà!”
“Non mi interessa, cazzo, — wait till your mother hears about this, Harley graduated with HONORS. What exemple are you giving to my grandkids? Don’t — Don’t run, GET BACK HERE!”
Tim sweats in high school dropout, Dick sweats in cop, Jason sweats in drug lord, Damian sweats in art kid, and Stephanie just sweats in general.
“Should, uh… Should we help?”
“Are you kidding? I haven’t seen Jason this happy since the Queen died.”
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Ok so I’ve fallen down a rabbit hole of researching period food & recipes, and,,,,
"one fifteenth century recipe contains the word "Chickens" four times-with four different spellings, of which the first is "Schyconys.""
excuse me medieval people but what the fuck
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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