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#is this how i come off as well...
merrigel · 3 months
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I want it back = I drag its dead weight forward
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nerdpoe · 7 months
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Jason Todd is stealing the tires off of the Batmobile, when a man walks up on him doing it.
The man stares at him, nods, and just says "I'll keep a look out, man, go go go!"
So Jason does, and he gets all four tires with the man's help.
The man introduces himself as Danny Foley, and asks Jason if he wants to go get some burgers.
Danny, meanwhile, has decided that yes. This is the child he will adopt. He just has to convince the kid of that.
Batman has to call in Alfred to bring around his backup vehicle with spare tires, and little Timmy gets some wonderful shots of Batman having to replace his own tires.
@simplestoryteller
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poorly-drawn-mdzs · 24 days
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A rejuvenating encounter.
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mizgnomer · 8 months
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They know each other so well (or do they)
Good Omens Season 2
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mayasaura · 15 days
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one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.
the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)
the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.
Oh boy my friend, have you come to the right place!!
So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.
Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.
So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way. As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her. I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.
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invinciblerodent · 3 months
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From now on, I'm just going to assume that anyone who calls Gale any variation of "pompous", "arrogant", "annoying", "a jerk", or anything to that effect, and talks at length about how they hate him and/or have killed him, is just bellyaching and being a baby over them not understanding his speech. That's right, at this point I'm ascribing a literal skill issue to being wrong about a fictional character.
Aww, poor baby, did the Mean Wizard hurt your tiny, smooth widdle brain by saying "adroit"? Did his correct use of "foeti", the latinate plural of "foetus", frighten you? Aww, I'm so sowwy. That must be so tough for you, being so scared of fun words and the general concept of whimsy. I can't hear you over myself tongue-kissing the pretty man with the calf-eyes and the slutty waist.
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rough day...
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i3utterflyeffect · 2 months
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did you know: chosen was created before minecraft existed?
reblogs > likes
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copypastus · 4 months
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Nothing gave me more whiplash IN MY LIFE than going from acowar to acofas.
Remember when Feyre closed the chapter on her relationship with Tamlin and wished him well? Coz the Inner Circle sure keeps forgetting.
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turtleblogatlast · 1 month
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Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.
Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.
So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.
In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.
Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.
It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.
Unfortunately, levity alone does not alter reality.
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aye-of-newt · 6 months
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he's wearing this when he rolls up to the final boss fight to annihilate fowler’s pasty ginger ass and win full custody of mizu
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mightymizora · 5 months
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She stills, her brow furrowed for a moment as she looks over every corner. Then he sees her lips part ever so softly, and her hand moves to trace the edges of the lines.  “Is this how you see me, Enver?”
From The Portrait.
So I had the absolute bloody (ha) delight of being able to commission the incredible @lokorum to paint the sadly unnamed portrait of an anonymous sitter from Lord Gortash's private collection. I am just so thrilled at how it turned out, thank you for your patience through this process, your encouragement and your kindness. It's been a delight, and I love it so much, I can't stop looking at it!
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rebeccasbiscuits · 1 year
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I’m thinking so many thoughts after that episode, which was wonderful and hilarious, but something I’m very much thinking about is where someone on twitter pointed out the contrast between Rupert going to the club every single day for six weeks to wear Rebecca down vs Ted coming to her office every day for biscuits and genuinely wanting to get to know her. I’m especially thinking about how this adds some more context to Rebecca’s point of view on that as well. We see her disparagingly calling him ‘relentless, and nice’, and her desire for her love of the biscuits to not make her dependent on him providing her with something.
The moment I’m thinking about most is the one at the end of episode 5, where Ted storms in after finding out she sent Jamie away. The biscuit reveal at the end has always felt crucial in this way, but even more so in this context. Her experience has been with the relentless interest and charm until the other person pulled back the layer of charm and showed that this charming nature wasn’t genuine, and in a way I think here, as Ted yells at her, it lets her feel a bit vindicated, or at least secure, in her belief, or lack of belief, in the nature of other people. But then Ted continues the biscuits, and the extension of kindness they represent, no matter how angry he is, and not only that but reveals he has been (without having told her) baking the biscuits himself. His only deceit was hiding an extra kindness he didn't even seek self serving credit for, despite knowing how much she liked the biscuits. Obviously this works so interestingly as another anti-Rupert parallel in a Ted/Rebecca sense, but I love it even just generally in the context of how it’s visible that this is what shakes Rebecca in that scene, because it shakes the view she has of how people treat people after her abusive marriage and isolation, which is allowing her to go on with the plan that will hurt so many of them. It disarms her because even when she has done something bad, and Ted is expressing legitimate annoyance about it, he will not stop extending this relentless kindness and generosity to her, even when he has not got what he wanted, the way she experienced Rupert doing once he had got what he wanted. Ted’s not only relentless, not only nice, he’s also sincere.
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poorly-drawn-mdzs · 1 year
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Wake up! Your legacy is in shambles!
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venomous-qwille · 5 months
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Dear 5+ asks I have had since last saturday which I wont be answering individually cause I don't want to put a target on your back:
Don't send me messages asking about GITM updates without reading my bajillion posts/ANs on the subject.
'not trying to be rude' - well you are being rude, actually, friend. receiving these messages doesnt make me feel good. In fact, it makes me feel very bad. If you spent half the effort it takes to write an ask actually reading the information I have already given people, rather than demanding a personalised answer, then we would all be a lot happier.
Another reminder, a bit louder for people in the back:
My chapters are now 12-15k words each for gitm, because of this I am now following a 3 weekly update schedule. I work full time and write for hours every evening. If that is not good enough for you, you can kindly fuck off.
peace & love, and all that
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t00thpasteface · 6 months
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i'm so relieved that people like my retrobat stuff bc i can tell tumblr definitely prefers two very specific batmans: Tortured Diesel DILF and Edward Cullen But Cooler. meanwhile i'm out here like
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