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#it doesn't make me feel any emotions at all
bu-blegh-ost · 2 days
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Something just occured to me. Circling through each beautiful moment in the campaign, I noticed a pattern. Gillion never initiates hugs. Every time, no matter if he is the one consoling or the one being consoled, he never is the first person to offer an embrace. And I think it says something.
When Jay wants to hug Gill, she always asks first. She opens her arms as an invitation and always gives him a clear sign that she wants to be close to him. And any time she offers, anytime Gillion gets permission, any time he feels like he is allowed one, he clings to her desperately and fully, starved for it, finding himself unable to let go too quickly, savoring it like he isn't sure when he is going to be allowed to have another.
Chip's hugs are unprompted and usually done with just as much desperation. They are completely controlled by emotion, and are a form of a language that Chip uses when love and appreciation cannot be expressed by words anymore. Chip never asks for hugs, he takes them. He needs them, so he is scared to ask like Jay does, cause asking means risking to be denied. It is safer to steal it. In contrast Jay is still asking cause she is still afraid of taking love for granted.
But they both, in the end, ask for hugs and comfort in their own ways. Gillion doesn't. He wants it, he needs it so often, but he never dares to ask for it. Cause he still treats love as a reward that he needs to earn, that he is not allowed to ask for, that can't be had, unless he does something that makes him worthy of being loved. Affection and love is a currency and Gill was taught that he needs to fight for it. That it's something he should never dare to request on his own.
How many times on their journey did he need to feel someone else's body close to his, but his lips were sealed, suffering in silence, thinking he Has not done well enough to be given the privalage of being comforted? How many aches and worries did he swallow down and burried deep inside? How many old wounds is he trying to fill with every single hug he receives, when someone else offers it to him? When he dares to take it, when he grips their clothes in an iron grip, trying to make the best out of it before it's gone? Cause who knows when someone allows him to have that again?
The only person Gill ever hugged first was Edyn, the first time in Allport. It was done with the same ferocity of a hurt child, of a little boy who Has been going through hell and his sister is his only remedy. The only person that always lets him have love for free. The only one he knows he can hug for sure. One who for so many years has been the only source of comfort.
The rest of the world is uncertain and even with Chip and Jay, Gill still strives to fulfill the unsaid cryteria of when he is worthy of their affection.
But I know that with enough reassurance and care, he will be able to ask for love himself and start treating his crew as people he can fall back on. And just so you know, the moment in which Gillion is the first one to hug Chip or Jay is going to make me cry like a little baby.
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Edit: more thoughts occured
Did you notice that Jay always seems to match Gill and Chip when it comes to hugging? She never asks Chip for hugs and takes them the same way Chip does, no matter if she is the one seeking or offering comfort. And the same goes with Gill. Regardless of whether she is the one in the need of comfort or she is the one comforting, she always verbally communicates a desire to hug first. Like she kinda feels that this is what Gillion needs from her to accept it.
So maybe Jay is actually always trying to search for the most effective way to get a hug, to increase her chances. She believes she has to, cause she cannot take love for granted anymore, not after Ava's death. She took her for granted and now she is gone. So now Jay struggles to freely express her own desires and instead clings to all the ways that she thinks guarantee her the affection she needs, an act of desperation in its own right. A silent plea for acceptance.
Each Captain on this ship treats each embrace as a treasure to savor and protect. It's a result of their past and their fears, but also a proof of unyielding love they have for each other. It's beautiful and one day the same love that they still dread to take, will heal them.
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ldrfanatic · 1 day
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Slytherin Boys as Tortured Poets Department Songs
*in perspective of their relationship with you AND their personality. and why*
which ts album should i do next?
(mattheo riddle, draco malfoy, theo nott lorenzo berkshire)
slytherin boys masterlist nav
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mattheo riddle as Who's Afraid of Little Old Me?
best lyric(s) - "I want to snarl and show you Just how disturbed this has made me. You wouldn't last an hour in the asylum where they raised me." + "I was tame, I was gentle till the circus life made me mean. Don't you worry folks we took out all her teeth." + "That I'm fearsome and I'm wretched and I'm wrong."
explanation - Aside from the obvious reasons, I feel like it's not really talked about how damaging it would be to have Voldemort as your father. (or brother or any relative for that matter). To me, this song screams the rage of a person who's been judged their whole life for being a bad person, so they became a bad person. (I am what I am cause you trained me). Other students, most wizards, professors even, all look at mattheo like he's a bomb that's waiting to explode and it makes him really sad when he's a kid, but then when he grows up it just makes him angry. They should be afraid.
mattheo w/his partner - Now, with a partner, I firmly believe that he'd be closer to them than anyone. His partner would be the first person that actually tried to understand him and understand why he's as angry as he is all the time. mattheo really opens up to his partner and tells them about bouncing around orphanages after his mother got thrown into Azkaban for a few years and then going to live with the Malfoys where draco's father treated him like a bad seed that was poisoning his son even though he was doing that to draco himself. so mattheo really treasures the bond he has with his partner because they're the only ones that understand him and understand that he never wanted to become the dark lord's son, he just wanted to be mattheo but the world has made that impossible for him.
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draco malfoy as The Smallest Man Who Ever Lived
best lyric(s) - "I would've died for you sins, instead I just died inside. And you deserve prison but you won't get time." + "And in plain sight you hid but you are what you did. And I'll forget you but I'll never forgive."
explanation - later in life draco feels completely betrayed by his father. he really admired him and looked up to him as a kid (his parents made sure that he knew how important it was to be a Malfoy), but his father abused that admiration and now draco resents allowing him to manipulate him like that. draco felt incredibly robbed that his father didn't get sent to prison following the battle of hogwarts. he didn't wish to cause his mother any hardship, but secretly he was hoping that the defeat of voldemort would be his golden ticket to finally escape his father's dark shadow. also, i like to think that after harry potter defeated voldemort, draco never spoke to his father ever again. he still exchanges the occasional owl with his mother but he doesn't ever want to see his father again.
draco w/ his partner - draco's partner is someone who he can break down with. after years of being forced to mask his emotions under a cool facade, he's able to fall apart in his partner's arms and know that they won't judge him. they're one of only a few people that know that draco isn't just upset with his father because of his actions. he was upset because he felt like he'd been lied to his entire life and just wanted an explanation. later in life, draco feels incredibly self conscious about a lot of his earlier 'achievements' and if his father only doted on him as a child because he was raising him to be the dark lord's lackey. ultimately, draco really appreciates having someone to confide in, and the upbringing from his parents really makes him appreciate the way that you care for him without any strings or conditions attached.
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theodore nott as Florida!!!
best lyric(s) - "So you pack your life away, Just to wait out the shitstorm." + "barricaded in the bathroom with a bottle of wine, well me and my ghosts we had a hell of a time." + "Little did you know your home's really only the town where you'll get arrested."
explanation - after the death of his mother, theo is obviously shaken up. he's actually quite fucked up for pretty much forever. he tries to pack all of his emotions inside and drown them out with drugs and alcohol. when he gets drunk, he doesn't have to deal with his mother not being here anymore. that's why it's not all that surprising when he starts hanging around with the children of death eaters. it is a surprise to him however when he returns to italy to visit his grandmother and she wants nothing to do with him.
theo w/his partner - theo and his partner give enemies to lovers (wild since I dont think i've ever written theo like that) but i firmly believe that he hates his partner in the beginning. why? theo's partner reminds him of his mother. their personality, their soft smile. it's all very reminiscent of his mother and he fucking hates it. At first. He doesn't like the way that being around you brings out the old theo. he doesn't want to lose you in fear that it'll feel like losing his mom all over again. but when theo finally does give into his feelings for you, he starts to cherish the ways that you remind him of his mother (and of course the ways that you don't). he often tells you about how he and his mother dreamed of escaping his father but were never able to.
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lorenzo berskhire as Fortnight
best lyric(s) - "And for a fortnight there, we were forever, run into you sometimes, ask about the weather" + "and I love you, it's ruining my life" + "thought of calling you, but you won't pick up"
explanation - lorenzo spends his whole life desperately trying to escape his family. (i think he'd actually be one of the slytherins that fought against the death eaters in the battle of hogwarts). i think that lorenzo would have run away from home multiple times as a child just trying to escape and get some sense of normalcy. but i don't think that it ever would've lasted any longer than a day or two at most before he was found and brought back home (where his uncle was all too happy to try and beat lessons into him). because of this though, lorenzo would be the kind of person who's always trying to protect others.
lorenzo w/ his partner - because lorenzo is always trying to protect you and knows that his family would ruin you just to get at his emotions, when the death eaters take control of the ministry, he breaks up with you. he actually stays away from you for years following the war as well. all he has are his memories of his brief but happy moments with you. his love for you haunts him for this entire time. and then, he runs into you one day in diagon alley. it's a little awkward at first but the two of you actually rekindle the love that you once had and this time, he's all in.
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4.23.24
wc 1.2k
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taglist
@moonlightreader649 @svt-dk97 @thatdammchickennugget @helendeath @fandom-life-12 @bouquetolegoflowers @maryvibess
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withleeknow · 1 day
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hi lovely!! first off congrats on 1k that's so so awesome and you deserve all that + more truly :( your writing is so tender and so lovey
i would to join in on your little drabble event!!! could you do something for hanji and the song compass by the neighbourhood? that song reminds me of him so so much so i hope you get the vision!! thank you angel and have a beautiful day!! ✮⋆˙
compass.
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pairing: producer!jisung x reader genre/warnings: established relationship, hurt/comfort?, fluff, swearing, arson jokes? lmao word count: 1.4k
as always, i’d appreciate any thoughts or comments you may have, and please drop a like and/or reblog if you enjoy reading ♡
main masterlist / request masterlist / ko-fi
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you're always there to help me when i'm down i'm lucky you've been keeping me around you're the star i look for every night when it's dark, you'll stick right by my side
compass - the neighbourhood
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"fuck, fuck, fuck!"
the sound of jisung's verbalized frustration draws your attention to his desk and setup in the middle of room, where he's been sitting for the better part of two hours, hunched over the equipment like he often does when he's in the studio.
it's written all over his face just how upset he is that this particular piece he's working on isn't flowing right. the deep furrow between his eyebrows communicates utter displeasure. the clench of his jaw tells you he's angry, and that he's angry at himself for not being able to work through his block.
you abandon your comfortable spot on the couch in favor of pattering over to his side where he's all tensed up like an aggrieved hamster whose body can't contain the annoyance he feels. jisung can be short-tempered sometimes, but you know how to handle him in moments like this.
sliding a hand over his back, you say, "take a little break with me."
he huffs out a breath, eyes still focused on his laptop screen. "i can't afford a break. chan hyung expects this to be done in two days."
"so it's in two whole days. you can leave it for fifteen minutes, it won't kill you."
"but i still have to rework the first verse and figure out what in the fucking hell this second verse is-"
"han jisung," you scold him lightly, to which he instantly shuts up and peers up at you with his big eyes, immediately apologetic when he recognizes his harsh language.
"sorry," he mumbles, "i'm just stressed."
"which is why you need a break. you're not doing anyone any good just sitting here and trying to make your laptop explode with your eyes."
he lets out a pathetic-sounding mewl but he follows you to the couch regardless. jisung knows you're right because you always are. you're the more level headed between the two of you, whereas he's the one who lets his emotions get the better of him sometimes.
before, he would often succumb to his negative feelings. it's hard to keep his cool when nothing seems to go right and there's a deadline on his ass. he'd get so frustrated with his work that sometimes, he would delete whole tracks off his drive only to instantly regret it and spiral even more. he'd take it out on the people around him with his grumpy attitude and misplaced pettiness.
when jisung is overwhelmed, he tends to spin out in all directions. he splinters and drowns in a sea of his own making, constantly being pushed away further and further from shore because he doesn't know how to anchor himself, how to hold on so he wouldn't drift far away. his solution to soothe his anger has always been to give into it, to rip whole pages from notebooks and lock himself in his studio for hours on end until he could plow through the stubborn creative block. it'd often leave him exhausted - emotionally and physically so - and in no better state than he started out with.
jisung accepted this a long time ago - that his way of dealing with his emotions wasn't very healthy, but it was the only way he knew.
that is, until you popped into his world and taught him that people can be lifelines too. falling upon him like a wish that he never realized he was making his whole life.
"what's the matter, baby?" you ask, prompting him to air out his grievances as he lays his head on your chest while you card your fingers through his soft curls. he leans into you instantly, a long sigh escaping his pouty lips. jisung's got a lot of pride, and he would rather die before admitting to anyone that he loves to be babied by you behind closed doors.
he knows the question is just your way of getting him to verbalize all of his pent-up frustration, and not because you're eager to help him traipse through his mind palace and solve whatever dilemma he's having with the track. let's be honest, you never really have a clue what he's talking about, but it helps that you're keen on listening to him even though you can't offer him any valuable insight. more than you could ever know, it does wonders for jisung, just being able to untangle his thoughts and release the mess in his mind.
he could simply just talk to chan, sure, or any of his other friends who work in the industry. but again, his pride is an awful thing sometimes.
you never make him feel like he has prove himself to earn your love and attention, though. around you, jisung feels enough as he is. there's never been any need to toughen up in your presence.
"i just... i can't work with this track. nothing is flowing right. i hate everything i come up with." he rambles on about the things that plague his mind; topline this and beats that - they're really just words to you. you weren't blessed with the same genius in music that jisung was, so you just listen until he's done, until he concludes his tangent with a groan as he nuzzles further into the comfort of your warmth.
"you said that the last time, you know?"
"said what?"
"that everything sucks and you hate it."
"because everything sucks," he whines again, his eyebrows knitted together as he adorns a petulant pout. "and i hate it."
as you play with his fluffy hair, you feel him lean into your touch like it's the very thing that will bring him clarity. in a way, it does. your gentle touch may not give him the answer he needs, but it quiets the static in his mind, drowns out the continuous buzzing that muddles his brain.
"you're too hard on yourself," you say, to which jisung just huffs out a breath in disagreement. "i'm serious. you say this every time but it all still works out in the end. you're so smart, and talented. you shouldn't forget that."
his frown only deepens in response to your words. he knows you're right; things have always turned out fine before. trust the process and all that shit, but he's hot-headed and impatient sometimes, and he doesn't want to endure the stress that often comes with the process. he just wants to get to the finish line.
then, you continue, "remember 13?"
"what about 13?"
"you didn't like it at first either. you were so dramatic about it. but you sucked it up and finished it anyway. you made a hit and nobody could stop talking it. i believe in you. you just need to believe in yourself too."
in complete silence except for the sound of your steady heartbeat in his ears, jisung keeps laying on top of you like a weighted blanket, soaking up your words as a flower would in warm sunlight. of course he remembers 13 and the day he let you listen to the song for the first time. you'd nearly burst into tears in the middle of this studio, pressing kisses all over his face while you gushed over how proud you were of him.
"damn you," he mutters after a while. "why do you have to be so rational?"
"someone's gotta be. if i wasn't here, you probably would've ripped all your hair out, set your keyboard on fire and ran off into the woods."
he shoots up instantly, propping himself on two elbows as he glares at you even though you've got a valid point. it's not that far-fetched of a scenario.
"what?" you tilt your head with a coy smile. "am i wrong?"
jisung stares at you for a quick minute, and it's that very smile you're wearing that mitigates his frustrations and dulls his urge to sabotage his work out of self-inflicted anger. he says nothing at all, just leans down quickly to give you a kiss full of appreciation, despite the way there was a frown tugging on his eyebrows only seconds prior.
"you good now?" you ask, the words coming out a little muffled against his mouth.
if it's with you, then he is. you're the anchor that helps him part his stormy seas. you're the compass that always guides him home. he really doesn't know where he'd be without you, or how he'd manage in times like these if you're not by his side to ground him.
"always good with you around."
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all rights reserved © withleeknow. reposting, translating and/or modifying is not permitted by any means. [posted 24.04.2024]
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teasteeper · 3 days
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baby don't cry (c.j)
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pairing: bf!jiung x f!reader
genre: smut 18+ mdni
warnings: crying, dacryphilia, bruises, pinv
words: 0.7k
a/n: first exam tomorrow (today actually.. it's past midnight) but i can't stop thinking about him ;c my first time writing jiung hehe enjoy xo p.s. i hope i made you proud @xhdream <3
you've always had such a hard time controlling your emotions, feeling heat rush to your cheeks and tears brim your eyes at any minor inconvenience. the smallest things made you feel so defeated, needing someone to put the pieces back together. luckily you have jiung, who lives to make it all better for you.
as much as he loves wiping your warm tear-streaked cheeks with the pad of his thumb and watching the corners of your mouth turn up as he whispers sweet things in your ear, another part of him perks when he senses you're about to break. to jiung, there's something so sweet in your expression of initial shock, those few seconds where your eyes get wide as you try to hold back tears, and how you always fail, lips jutting out in a pout before fat tears start rolling down your cheeks.
"jiunggg" your voice on the verge of tears makes him look up from his computer. one of your hands is extended towards his face, showing him four manicured nails and one broken one — the same nails he spent last night painting for you, "it broke"
and there's that pretty, heartbroken look on your face, pouty lips and glassy eyes. his heart swells in his chest at the way you look at him expectantly, how much you rely on him to fix everything. he didn't understand when you told him about your previous relationships, how your other partners found your neediness a burden. it might be jiung's favourite thing about you — he's dreamed of a girl like you, who follows him around like a puppy and needs him like she needs air to breathe.
"come here, baby. let me see" he doesn't ever coo at you, always calm and collected in contrast to your distress. "don't cry, pretty girl" he says without meaning it, his lips turning up in a lopsided grin as your tears start to fall. he guides you to straddle his lap, big hands smoothing up and down your sides as your sobs wrack your frame.
maybe it's the way you can't control yourself, your chest heaving against his broad one, arms wrapped around his shoulders and head buried in his neck, your gasps brushing his skin. maybe it's the way you're hyper-sensitive to his touch, your hiccups turning to soft whines as his slender fingers sneak under your shirt. you attach your lips to his neck, soothing yourself by getting him as close as possible, pressing your hips down to press your tummy against him.
maybe it's how vulnerable you get, mentally exhausted and physically malleable. maybe the blood rushing to jiung's cock is just an indicator of what you need to calm down, and not just an indicator of how much he likes seeing you cry. that's what he tells himself anyway as he carries you to bed, maneuvering your limbs out of your clothes and pushing your knees apart.
his gaze is set on your face when he eases his cock into you. maybe the fresh tears on your cheeks shouldn't turn him on as much as they do, but he can't help but think you look like he's already fucked you, your cheeks flushed and pupils wide, looking at him like he's the only person you see. he can't hold back the deep groan that leaves his chest as he bottoms out in your heat, slick walls squeezing him so tight. his pace is slow but unrelenting, pulling small breathy whines from you between your sniffles, sounding around the room with the steady beat of his hips against the backs of your thighs.
you're so perfect for him like this, jiung thinks, your puffy lips parting without hesitation as he pushes his thumb into your mouth, your moans getting muffled as you suck around the digit. and when he bends his neck down to bring his lips to your chest, sucking and nipping harshly to mark your skin, you just take it without so much as a few high pitches mewls. the bruises he leaves on your skin match your flushed cheeks and bloodshot eyes, and he's left slack-jawed as he finishes with you, wondering how your sweet sensitivity could ever burden anyone — his perfect girl.
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(Translation) Gilbert's Beast Manual His POV Story
The final installment in Gilbert's current party event.
Spoilers. I'm not a translator, I just throw stuff into online translators, so expect errors. Case 1 | Case 2 | Case 3 (I recommend you read these beforehand for the full experience.)
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Please be aware that this installment contains some heavier emotional content as well as sexual content later on—MDNI. As a final note, I recommend you have read Gilbert's proposal event beforehand. Just in case. (Technically I'd also recommend you have read his physical exam event too, but not to the same degree.)
I couldn't tell the little rabbit the real reason I had her accompany me on official business.
I'd most certainly earn a scolding and remonstration if I did.
I felt like I wanted to be scolded at least once though, since the little rabbit was the only one who could truly rebuke the conquering beast. However...
"I want the little rabbit to be able to survive in Obsidian even if by some chance I were no longer here."
Those were not words I could simply tell her, because I knew just how devastating they would be for her.
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(That being said, today's been worse than ever.)
Crimes of the older generations continuing to go unchecked, signs of rampant bribery within the military...
The little rabbit's beautiful eyes were exposed to so many of these things.
(What is it about this country that when one rotten thing disappears, three more take its place?)
(Maybe everyone's got a death-wish. Yet they still beg for their lives once they're weeded out.)
(...It's incomprehensible to me. If only they'd all just die to save me the trouble.)
Emma: Gil, are we done with official business for the day?
My darkening thoughts must have breached containment; as the little rabbit walked beside me she entwined her fingers with mine.
Her warm hand permeated the cruelty staining across my heart.
Gilbert: I don't have any plans, but is there anything you'd like to do?
Emma: Is it alright if I come to your room? I feel like your bookshelves are calling for me.
Gilbert: Of course it's alright.
(...You probably have a lot to think over.)
Her face only spelled out joy. There was no deceit to be found.
She didn't change her usual demeanor, not even when faced with an irritable beast.
(I've known Walter and Roderic for a long time and even they're prone to checking my complexion on days like this.)
Of course that certainly didn't mean she hadn't noticed a thing.
In fact, the little rabbit, with her keen insight into other people's emotions, should have already pinpointed mine.
[flashback to Case 1]
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Gilbert: Anyhow... was it written on my face?
Emma: ...Yeah, it was.
Gilbert: Hehe, well that's no good.
Emma: Isn't that what I'm here for?
Emma: To help give you even a little peace of mind?
[end flashback]
(That's what you said this morning, right?)
(...Truly, you're so gallant for a baby rabbit.)
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The little rabbit immediately leapt at the books once she arrived in my room.
Although she'd probably learned by now that concentrating on the books alone would make this troublesome beast very jealous.
So she picked out only one before walking over to the bed and sitting down beside that beast.
Gilbert: ...What's this? Political science?
Emma: I felt like doing some studying today.
(Oh, I see...)
(Someone with a truly pure heart doesn't get tainted after experiencing filth. But rather, they lament their own helplessness.)
(...That's just so like the old me.)
A young boy who'd once learned about corruption and then tried desperately to change the status quo.
And after he'd finished reading all the books available within the country, he'd asked a book dealer to regularly procure ones from other places so he could vigilantly instill the knowledge into himself.
That was back when I'd still foolishly believed that no matter how corrupt a person was, there was an alternative to killing them as long as you engaged with them sincerely.
(Things didn't work out so nicely in the real world though.)
(...But I want the little rabbit to stay like this, just as she is.)
Gilbert: [smiling as he watches her read] ...
Emma: ...
Gilbert: ......
Emma: ......Gil.
The little rabbit looked up from her book, appearing as though she might cry.
Emma: Are there any easier political science books?
Gilbert: Ahaha... I knew it.
Gilbert: The book you're holding is so philosophical that even I found it difficult to understand.
Gilbert: Would you like me to recommend something aimed at beginners?
Emma: Yes, please, if you wouldn't mind!
Gilbert: And what should you do when begging me?
Without hesitation, the little rabbit placed her hands my shoulders and kissed my cheek.
Emma: ...Please, Gil.
Gilbert: It's boring if you do the same thing you always do.
Emma: Then how about...
When I sensed her trying to bite my ear, I pulled back.
Gilbert: Really now... So that's what you're gonna do.
Emma: Aren't you always biting my ear? It's a show of my affection.
Gilbert: But you're already aware though, of how sensitive my ears are?
Emma: ...
Gilbert: Oh, I almost forgot. I still have to discipline you.
Emma: ...W-what are you talking about?
Gilbert: Are you playing innocent? You still haven't made up for sneaking medicine into my food during lunch.
Emma: Um, I did make up for it!? Didn't you have your fun teasing me for it?
Gilbert: That was just a bit of playing around. You see, my real punishment—
I grabbed the little rabbit's hand as she tried to run and forced her onto the bed in a roll.
Just like that I gathered her wrists above her head and bound them with a nearby cloth.
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(I hadn't really planned to do something like this...)
(But the little rabbit's been a bad girl, so I've got no choice.)
Emma: I was... going to study...
Gilbert: I'll have a beginner's book picked out for you by tomorrow.
Gilbert: Or rather, if you're interested, I can teach you myself? After all, training people is my forte.
I undid the collar of her dress and ran my fingers directly over her bare skin.
The little rabbit's cheeks turned as red as the sunset when I placed my hand over her breasts.
Emma: But don't you have things to do, Gil?
Gilbert: It's up to me how I choose to use my limited time.
Gilbert: You really don't have to be so overly anxious. If I can't manage, I'll say so.
(Although there's nothing that should be getting higher priority over the little rabbit's requests.)
The little rabbit started rubbing her legs together as I caressed her over and over again.
Purposely ignoring her mounting frustration was, of course, all part of the plan.
Emma: In that case... Thank you, Gil.
Gilbert: You've certainly got funny tastes to be saying thank you at a time like this.
Emma: That's not what I mean... mn... ah...
She suddenly let out a lewd cry when I lightly poked the hardened tip of her breast.
Emma: This afternoon, too, you...
Gilbert: I let you have your release right away this afternoon, didn't I? I wouldn't call that a punishment.
Emma: ...
Gilbert: It's no use being wistful either.
When I turned up the hem of her dress, I didn't even have to touch her to uncover the stain on her underwear.
Just a light swipe up the thin fabric and my fingertips came away damp.
Gilbert: Now then, you're going to have to suffer a lot.
Emma: ...At least... let me take my clothing off please.
Emma: I can't bear to... ruin the dress you made for me.
(Jeez, you truly are...)
Gilbert: I'm not listening to you.
Emma: Ah...
I thrust my fingers into her wetness as if I was trying to scrape out every last drop of nectar.
The dress pinned underneath her quickly became sullied.
Emma: Gil... mn...
Gilbert: If the dress gets dirty, you'll be just be reminded of something embarrassing whenever you put it on, won't you?
Gilbert: This is punishment, so you've got to resign yourself and accept it.
Emma: .......You're so mean.
Gilbert: And who exactly do you think I am?
(For the world's greatest villain to let you off with meanness and nothing else... that just means you're special.)
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After the punishment, the little rabbit, thoroughly sullied, headed for the bath.
I honestly wanted to chase after her, but there was still work to be done today.
Roderic: Pardon me, sir.
Gilbert: I figured you'd come.
When I got to my office desk, Roderic immediately selected a document from the stack and handed it to me.
Roderic: ...I thought I might be turned away.
Gilbert: I'm in a good mood right now so I'll forgive you.
Roderic: That's surprising. I thought a storm would have been raging these past few days.
Gilbert: Ahaha, everyone has the little rabbit to thank for that.
Roderic: ...They can't thank her enough.
Gilbert: Neither can I.
I briefly glanced over the document before picking up my quill.
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[I'm not gonna paste all the cutaways from the CG like I did in Case 3]
Gilbert: I see. So they've already completed their draft. Excellent, excellent.
Roderic: It seems experiencing your wrath this morning made them respond accordingly.
Gilbert: I'd like for them to submit the draft before it ever gets to that point next time.
Roderic: It's only because nobody can come up with out-of-the-box ideas like you.
Gilbert: They're all conclusions one can arrive at rationally. It's not like I'm making unreasonable demands of anyone.
(We're in trouble if they can't grow to the point where they can keep the older generations in check even without me.)
While talking, I read through the document and noted down points of concern.
Gilbert: ...Also, the draft was poorly-constructed. With this there's too gaps for us to drive that old man into a corner.
Roderic: Then I'll have it returned to you in such a way that we can.
Gilbert: I only appreciate haste. You help them too, Roderic. I'd like to have the contents finalized before our next regular meeting.
Gilbert: If we leave that old man unchecked, he may soon start a losing battle against neighboring countries.
(Up until now I'd left him to go and self-destruct on his own but... it was a promise to the little rabbit.)
Roderic: ...Understood, sir.
After completing my review, I handed it back to Roderic.
Gilbert: What's the next document?
Roderic: It's here, sir.
Gilbert: ...I know I keep asking, but is there more still?
Roderic: There's a mountain of things I'd like you to look over.
Gilbert: I thought I'd delegated my authority out.
(And it's not like they're even required to check in with me before proceeding.)
Roderic: This just means that Obsidian needs you.
Gilbert: That's certainly a problem.
Roderic: No, sir, it's not.
(I've got no intention of dying now that I've decided to live, but...)
(The everyday life that's persisted until today may not necessarily continue on tomorrow.)
(Because of the position I'm in, I have to assume the worst and act accordingly.)
Gilbert: ...[sigh] Unless we can get everyone past the idea that failure is some sort of capital crime, won't it be difficult for you and I to manage all this work on our own?
Gilbert: It seems like my presence is a hindrance after all.
Roderic: Please don't say that!
Gilbert: Fine, fine. If you don't like it, then go give out this PSA.
Gilbert: "As long as there's no fraud or corruption at work, I won't kill you over a simple failure. So please rely on your own judgement more."
Roderic: ...Very well, sir.
(Even so...)
I'd felt someone's passionate gaze trained on me even while we were talking.
The person in question may have believed they were well-hidden.
But I couldn't help but notice the hem of her negligee flickering from her hiding spot.
Roderic: ...Sir, let's deal with the rest of this tomorrow.
Roderic may have noticed as well since he was giving up on the rest of the documents.
Gilbert: Hey. You definitely didn't see anything, right?
Roderic: I saw nothing and I noticed nothing.
Gilbert: Is that so? That's fine, then. Thank you for your hard work.
(Narrowly escaped death, didn't you...?)
The door closed behind Roderic and I stretched out my arms as though to relax.
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Gilbert: Now, then, little rabbit.
Emma: ...So you'd noticed me after all.
Gilbert: Well that's a given.
Once I beckoned, the little rabbit understood my request exactly and climbed onto my lap.
Gilbert: You were throwing Roderic such a passionate look.
Emma: I was looking at you!?
Gilbert: He was positioned in the same line of sight.
Gilbert: As you know, you have a very troublesome man on your hands. So you're aware of what you should do at a time like this, right...?
Emma: ......
The punishment from earlier seemed to have taken effect as the little rabbit kissed my lips instead of my ear.
I lightly bit her lip on her way out, imparting a bit of pain.
But rather than get angry, the little rabbit's eyes only seemed to soften with joy.
(Looks like I was able to soothe you after all.)
Emma: ...Did I interfere with your official duties?
Gilbert: [pouts] Roderic's the one who interfered. Showing up at this hour with documents for review.
Emma: That's probably because you were busy during the day.
Gilbert: [grins] Hehe... I showed you a lot of things I don't like about Obsidian today.
Emma: ...And I want to know about even more of those things from now on.
Emma: Because I'd like to be able to assist you as well.
Gilbert: Ahaha, that's reassuring.
(...Hm?)
The little rabbit had begun to frown as she spoke.
(Have I said something wrong?)
I hadn't the faintest idea what it could be, so I settled on comforting her for the time being by stroking her cheek, still warm from her bath.
Gilbert: You're pulling such a long face even though your words are so reassuring,
Emma: ...I wasn't lying.
Gilbert: I know that. So what's eating at you?
Emma: ...I can't really put it to words.
Emma: It's just... I'm envious of Roderic.
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(......)
Emma: He's able to assist you more than me, and he knows everything...
(...So that's what was on your mind while you were eavesdropping.)
(The little rabbit is jealous of Roderic.)
(The sweet little rabbit of all people.)
Gilbert: Wow... I'll have to give Roderic a bonus.
There's no way I wouldn't be happy to be shown such love to the point of jealousy.
This was an event that completely overturned all the depressing stuff from today.
It was practically a miracle.
Emma: ...I get it now. So this is what you've been feeling all this time.
Emma: Hehe... What do I do? I'm really jealous here.
Jealousy was supposed to be a negative emotion by nature yet the little rabbit took it in as though it were a good thing.
I felt like she'd gotten a glimpse of how this beast dealt with his jealousy on a daily basis.
Gilbert: Serious jealousy is nothing like this though, you know?
Emma: Are you saying there's more to come?
Gilbert: Yeah. Your jealousy's in the early chapters.
Gilbert: The more and more you come to love me, the less you'll be able to contain that kind of adorable jealousy.
Emma: I'll work diligently then.
Gilbert: Hehe... I can't believe you've cheered up this much just from turning into a jealousy fiend.
(It's just like Roderich was saying. I definitely shouldn't have been able to show any kindness toward my surroundings these past few days)
And yet, what occupies my heart now at the end of the day is pure happiness.
(The reason I had Emma accompany me on official business was in preparation for a day that might possibly come...)
(At least that's what I'd thought, but perhaps in reality I'd only wanted to be healed.)
(...Nothing in this rotten world can change a thing about the beautiful world that Emma brings.)
(Maybe I'm just spoiled by the comfort in that.)
(...I may be a lot more dependent on Emma than I realize.)
When I laughed despite myself, Emma began to gently stroke my hair.
Gilbert: Taming the conquering beast is difficult, isn't it? But it might be easy for you.
Gilbert: Because I'm so madly in love with you.
(I'm sure I could cherish you endlessly.)
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(That's why... I wish this daily life could go on forever.)
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Translation references: 無理矢理 1 | かと 1 2 | 感謝してもしきれません 1 | あなたなら 1
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Sore. || EJ x Reader. You took a pretty big fall on a mission, and it's got Jack worried about you.
“How are you feeling?” Jack’s voice is level, but you can sense the concern and worry in it regardless as he bends over you.
“I’m fine, honey. I promise.” You try to assure him, but he doesn’t believe your words. He settles down next to you in bed, holding you close and staying by your side so he can monitor you. 
You’d taken quite the fall during your mission yesterday, and Jack has been on edge since it happened, worried that something more serious could’ve happened to you, especially with all the bruises becoming visible on your skin.
“I’ve got nothing to worry about with a doctor like you by my side, Jack.” You whisper into him as you curl up into his chest.
Laying on your back has grown too painful from the bruising and soreness settling into it, so you’ve been spending the majority of your time curled up with Jack to comfort you. His arms circle around you, extremely gentle and careful as he pulls you closer to him, trying not to cause you any more pain than you’re already feeling. You can feel the anxiety seeping out of him, his body tense in concern. You make a weak attempt at massaging his back as you hug him, and it settles him out of his thoughts enough to curl around you.
“I promise I’ll be okay. I already feel way better than yesterday.” You soothe him with a few kisses to his temple and he can’t help but sigh into you.
“I just wish I’d been there to save you. To prevent it from happening.” His voice is unusually quiet, and it makes you hold him tighter.
“But if you hadn’t caught me you would’ve just blamed yourself. You’ve already done so much for me honey, you got me all patched up and checked out, and you’ve been taking such good care of me.” He wants to argue with your words, but he finds himself unable to.
He knows you’re right. If he had been on that mission and failed to prevent your fall he would’ve just blamed it all on himself and gone into another spiral of self-loathing which wouldn’t be helpful for either of you. Jack just can’t stand the thought of you being so hurt, especially when it’s a work injury. He knows you’ll be fine, all of your vitals are great and your pain is decreasing as the days pass, but his anxiety just won’t leave him.
Jack curls further into your arms, and you grasp onto him tighter, stroking his hair affectionately as time passes you both gently. You’ll be okay, you both know it, but you also know that Jack’s greatest fear is losing you, and a fall like that is going to have him scared for a little while. He’ll do his best to care for you, though, just as he always does, and you’ll eagerly accept his care and repay him with all the love and affection you can give him, just as you always do. Jack moves to press some affectionate kisses to your lips, trying to force his love and emotions for you into them. You return them in kind, sighing as you melt into his body, his hands gently roaming your skin, avoiding all your majorly sore spots. He doesn't know what he'd do without you here, loving him the way you always do, and he doesn't want to find out.
You’ll just have to get used to Jack’s developing penchant for trying to increasingly make your work gear more and more safe, to the extent he asks you if it would be unreasonable to add a punch of padding and bubble wrap to your work uniform. He says it out of love and concern, he promises.
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patentedsun · 1 day
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You guys I'm actually crying over chapter 204.5 (which is technically an ad for a certain company we're all boycotting btw) but ignoring the actual ad THE STORYLINE WAS SO??? GOOD???? the Natsu characterization in this was INCREDIBLE (be prepared for intense 100yq hatred) and it portrayed exactly why I fell in love with nalu in the first place....
Summary and analysis below (doesn't incl all the pages btw!!)
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We start off with Lucy finding Natsu and Happy at her place, as always.
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this is followed by him being like "do you think we'll peek or something" which... 100yq natsu would have... that IMPOSTER...
Anyways while she's taking a bath, Natsu and Happy are browsing around Lucy's room and find a book that stands out. (Btw right next to this book is her diary, 100yq natsu would've gone straight for that). However they end up accidentally destroying it and start panicking. They ask Lucy if they can "borrow it" and Lucy panics at first, saying it's precious and not to touch it, but relents when they say they found it "interesting".
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fast forward, we see them worn out after trying and failing to find a replacement copy. ONCE AGAIN, they're doing this because it's something precious to LUCY. Not because they care about reading, or because the book has any value to them, but because they understand it's important to HER. Natsu (and Happy) going the extra mile for things that are important to Lucy is SUCH AN IMPORTANT PART of their entire dynamic.
continuing, Lucy walks into the guild and asks how they're finding the book, they say it's interesting. Lucy gets SUPER EXCITED ABOUT THIS and starts talking non stop ab the book. Happy asks her why this book is so important to her and...
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Y I K E S.
So yeah, they ultimately decide that lying isn't it and they should apologize upfront.
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this is so beautiful to me, idk like the imagery of them bowing so sincerely is so.... and like wow MASHIMA seems like natsu IS capable of acknowledging his own wrongdoings and offering genuine apologies. I'm not even talking ab the whole post tartaros situation no, I'm talking about fucking 100yq, where natsu actually physically hurts Lucy and doesn't apologize for it (AND IN FACT ITS PLAYED FOR A GAG)(IMPOSTER!!! NOT MY NATSU!!!)
Soooo Lucy doesn't take it well and runs away.
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the fact that they didn't stop their search here. the fact that they EXPANDED it to other towns to try and find her the book THIS IS JUST <3333
Anyways, Lucy returns and reveals dozens of copies of the book...
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My heart actually broke for her here because as someone who ig creates stuff as well, it really can be painful to have no audience interaction. And to have a book you wrote bomb like that...ouch... and of course she would've been excited, her best friends told her they found it interesting!!! my HEART. OUCH. and the sheer guilt on Natsu and Happy's faces here 😭 Once again, 100yq would've played this off for a gag...
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And they all start bawling (and the ad comes in so I will stop there) but YEAH. THIS WAS SO BEAUTIFUL??? The way she's regretful too, the way they're still trying to apologize and make her feel better I'm :(. This is what makes nalu work and it feels like mashima is forgetting that ab his own work... they're both genuinely good and kind to each other... like not to get sidetracked but there has always been goofy fanservice moments but there were also so many wonderful, emotional, complex scenes with them with depth and maturity and I just feel like that's lacking now. So reading this was like getting punched in the face srsly because wow... THIS is the natsu I know and love ugh .....
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ash-says · 1 day
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Being in touch with your sensuality:
On today's episode of ash-says we are going to talk about how to get in touch with your sensuality. Personally it's something I am very passionate about and kind of indulgent too.
Sensuality helps me in feeling alive and in tune with myself. I can't guarantee it for everyone but for me it works wonders. It's like the "Amrut" or "rejuvenating water" (for a lack of better terms) for me. Along with that it's the most healthy way for expressing my sexuality and keeping it in control to not let it affect my day to day functioning.
Here are some ways I incorporated in the last five years of my life to be in touch with my sensuality:
1) Exercise: No matter what I am going to vouch for this always. The way it helps me in expressing the surplus energy and controlling my desires is a chef's kiss. Plus helps in tackling the sluggish feeling.
2) Dance: Especially the slow sensual seductive dance. Not only it's a good outlet but above all that it validates the emotions and creates a space to delve in it to create a beautiful synchronisation with the body movements.
3) Art: Create! Create! Create! Nothing better than creating beautiful art or writing poems, stories,etc to voice your passion for the world and it's offerings.
4) Music: I have playlists on Spotify that specifically cater to my sensual mood. It has all the songs that can set a tone for the bedroom (iykyk). Singing to it or dancing works wonders. It's a magical experience.
5) Meditation: You can meditate on those feelings to internalize it and put all that energy in proper use for achieving a goal,etc. This is something I very rarely do because I am a very active person but putting it out here cause it works for some people.
6)Play Barbie: This is my personal favourite. After all I am just a girl. I put on some makeup, wear a bold sexy outfit or a cute dress (depending on the mood) then spend my time reading a romance novel and listening to sensual songs. It's my kind of therapy🦋🦋
7) Be a model: Being all dressed up but not clicking any photos you got to be kidding me!!! Come on girl! Pose and click! You are not going to be this young again. The best thing I do is this. It literally helps in skyrocketing my confidence. I don't click pictures daily but boy when I do, God forbid!!
8) Unlearn the shame: The basic one. You need to own your body first and appreciate it. I know saying is easy but hey you won't get there if you never start.
9) Imitate things that you find sexy: I will explain this with an example, so I find laying on the bed on my chest with my legs dangling in the air extremely sexy so when I am alone I will lie on the bed in that way as a way of expressing. Secondly, we all know sipping wine while reading a book is incredibly sexy while being dressed all slutty but I don't consume alcoholic beverages so as an alternative I drink pomegranate juice. Plus I find pomegranate as the sexiest fruit for obvious reasons.
10) Invest in things that make you feel sensual and seductive: It doesn't need to be costly. Find your sexy and invest!! For me it's aroma candles, jewellery, deep neck tops, skirts, ribbons, art honestly I have developed a knack to turn any ordinary thing into something seductive atp I feel. Everything works for me. So exploreeee!! If you are experimental enough and don't have parental risks you can try out sex toys too.
That's all for today's show on ash-says. Stay tuned for more illegal tricks and explosive opinions.
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waltwhitmansbeard · 2 days
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so i just read a post explaining why the op (and, according to the op, a lot of other people, even tho the post in question only had 32 notes, some of which were from people who disagreed with them) didn't like the cut to the crown keepers in last week's episode. while i'm totally on board with people not jibing with stuff that just doesn't work for them, i wanted offer some reasons why this seemingly hard pivot to people who are not the main characters of the story being told was a good decision to make (note good decision, not inherently the best decision, which i believe no one, including the dm, at a ttrpg table should ever be expected to make).
matt had an extremely powerful, extremely unexpected character decision dropped in his lap in the final moments of the previous episode. we don't know exactly how much time matt has between recordings, maybe a full week, maybe not, but either way, there's a very real chance that matt just did not have enough time to fully prepare a session to deal with fcg's death and what comes next.
sam now has to create a new character that a) is of a level with the rest of the party and b) makes narrative sense for him to be there. that takes time for both him and matt, and they might just need some space to work on that. when laudna died, marisha was willing to sit away from the table for several weeks because she knew that she wanted laudna to be resurrected, but sam may not want the same thing, and that's okay!
matt may want to fold the crown keepers into his main story, some or all of them—particularly dorian, whom both liam and the fans have been asking to return for a while now. dorian is clearly important to orym and the story that liam is trying to tell, and bringing the crown keepers in may be matt's way to do that.
matt—and dms generally—has always had to straddle a very fine line of making sure that his players are the main characters of their story who feel like their actions have real consequences and effects on the world, while also understanding that in reality, it doesn't make sense for half a dozen chucklefucks to have such an outsized effect on major cosmological goings-on like *checks notes* the potential release of a god-eater. this becomes especially true when you're on your third campaign set in the same world, and your players' previous ultra-powerful pcs are still around and definitely more adept and connected than their current pcs are. i, personally, think matt does a great job at walking that line, and one of the things he does that i appreciate is that he doesn't shy away from the fact that a) his players are powerful but not the most powerful and b) his players aren't the only one who care about what's going on in the world and who are taking actions to effect change. the current plotline re: ruidus is absolutely world-shaking and is causing all the divine girlies to cower in their demiplanes, so of course even the evil ones are going to be calling on their champions to help out. it makes more sense for opal to be involved (which, btw, matt has been hinting at for a while now) than not.
matt might need a fucking break! he's been doing this consistently for nine years now, and shit is complicated! handing over the reins to aabria for a week or two or three may be what he needs to not get burnt out.
dnd is an emotional game, and the entire cast might have been rocked hard by fcg's death. some space away for a week or two could help them process and regroup to get back into a story that is otherwise very stressful and action-packed.
or it's none of these! what do i know! i'm a random idiot on the internet! matt doesn't consult me on these matters! (though my dms are open if he wants to chat, i do have ideas)
i think it's tempting to think of the decisions made in and around critical role (or any ttrpg show) like those made for a television series, because the episodes are serialized and we love them so much. but this show is, first and foremost, a group of friends playing a game together, and not a carefully constructed narrative with the primary goal of entertaining an audience. the audience always has been and, frankly, always should be second to the wishes and fun of the people around that table. matt would not have asked aabria to step in and dm a crown keepers side arc if he didn't think it was a good decision for him and his players, and that priority is the correct one. we are being invited in to watch these friends have fun together, and that's a privilege that we're super lucky to have. as long as the cr story isn't doing things that are outright abusive or harmful to the cast or the audience, i don't think we should begrudge them the choices they make in the name of their own game.
again, it's okay if you're not vibing with the crown keepers! i didn't love the aeor arc of c2! not everything is for everyone! but i think accusing matt and the cast of narrative malfeasance is a bit much when, tbqh, they don't answer to us. they answer to each other.
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Hey there,
You’ve got a lot of insight into Ed and his whole journey from S1 to S2. Apologies if you’ve covered all this already (and I’m not the most articulate of people so also apologies for any confusion), but I’m interested in your thoughts…
I get the impression that a basic debate here is that either Ed is a psychopathic sadist (who basically ‘reigns in his sadistic tendencies’ until he loses Stede) or he’s someone struggling with his own self loathing and the toxic environment he’s had to live in (or maybe I’ve missed the mark entirely).
If it’s the latter, do you think he becomes at all vindictive in S2? Or is he more going through the motions of what he thinks is expected of ‘the pirate Blackbeard,’ because he’s somehow trying to cut off his emotions or is just tired of even trying to be anything else (ie himself) anymore? Or maybe it’s something else?
Also, to me personally it seems like Ed is stuck in… how to describe it… a depressive stasis at the beginning of S1, like at least resigned to death but doesn’t actively seek it until the end of S1/beginning of S2. I can’t decide though if in S2 Ed wants to take the crew with him (because that at least means not dying alone, like the mother and the cat in Crimes of the Heart), or if he doesn’t mind one way or the other what happens as long as he’s dead, or if the goal is to actively make the crew despise him because he thinks hatred and death are what he deserves?
Again, sorry if I’m beating a dead horse here…
Thanks!
So a lot of people have written a good bit about this. This is just what I think (and my thoughts may change—I'm planning on rewatching "Red Flags" today).
When we meet Ed, I think he is depressive and perhaps passively suicidal—he's talking about how the one thing he hasn't tried yet is death, but he doesn't seem to be really looking to die, and meeting Stede makes him re-evaluate the life he's been living and what he wants from it.
Stede and the space of the Revenge make Ed feel safe to express the parts of him that he’d concealed within Blackbeard in order to survive (the whole bringing out of his mother’s silk and Stede giving him the space to wear it openly on his heart). He tries to find this again with the crew after Stede leaves him, and it is Izzy who tells him that he is not safe unless he is Blackbeard (by directly threatening him and telling him that he would be better off dead than being the person he is).
I think a lot of what he’s doing at the end of Season 1 and into Season 2 is malicious compliance - “You wanted the caricature of Blackbeard, well HERE HE IS!” By the time we pick up with the Revenge in Season 2, he's moving from passive to active suicidality - he has been unable to correctly perform (Izzy invoking Stede and the fact that Ed's feelings are what have made the atmosphere on the ship toxic - quite literally his inability to conceal those feelings have poisoned everything around them, according to Izzy. Ed's feelings themselves are poisonous). Ed cannot reconcile his past with what he wants to be with who he is, and he has lost the safe space to be Ed.
I don’t think he wants to take the crew with him - his first move is to try to get Izzy to kill him; when that fails, he tries to get the crew to do it. If anyone actually just pulled a gun and shot him, he'd not try to stop them. He’s goading them until they’re forced into a space where they either have to die themselves or take the initiative and kill him (hence his “finally” right before his death).
Ed has been working to become all the monstrous/demoniacal stories about himself, the ones that have been told by the English and by his trio of monstrous fathers. He hates them but he also wants their approval, and he’s transforming himself into the monstrosity that others say he is. His love for Stede and the things that he was allowed to access via his relationship with Stede are the soft, genuine parts of himself that he has been told are not him but that he's also now incapable of concealing. He’s not worthy of that softness, he’s not worthy of love, and so he tries to kill it.
He’s going to die on Stede’s ship, with Stede’s cravat around his throat, murdered by Stede’s crew, as a final confirmation that all the things he wanted to be, and all the love he felt, he wasn’t really worthy of, that Stede was right to leave him because look at what he’s done, and that the people who loved him should never have loved him. He’s dying like all his monstrous fathers have died, murdered by people who once cared for him and whom he should have taken care of, but failed to because he's a monster.
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nunalastor · 17 hours
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I'm the one who made Alastor whump ideas earlier and I saw that not many liked it probably cause I didn't seem to be an actual fan with how I wanted to see him suffer... Haha...
But let me just clarify something, most of these ideas were things I read in other fics and I absolutely want him not to suffer. I just find the whump interesting cause a lot of people think he would react differently with different coping mechanisms. Would he cry? Stop smiling? Hurt himself? Blame himself? Or would he actually become a better person? Would heaven take pity on him?
Yes, I may not me the best fan, but I am still one. So as an apology, I present different ways Alastor can get happier:
-Getting into an actual, healthy relationship where they mutually love eachother and banter while trusting eachother. (Serial Roommates Im looking at you.)
-Seeing his mother and actually connecting with her (She remembered him through motherly love)
-All the hotel accepting him for who he is (a cannibal sadist who enjoys seeing others suffer)
-Him deciding to help the hotel genuinely (Self explanatory)
-Lucifer and him having healthy banter where they connect through dad jokes (giving me diabetes)
-Him trusting the hotel enough to open up and they help him through his problems and allow him to keep opening up
-Everyone respecting his boundaries (I think they already do this but I just had to put it out there)
-Vox putting his obsession aside to genuinely try become friends with Alastor (Unlikely but I really hope this happens)
-Adam apologising for hurting him (genuine apology, not fake)
-A universe where he doesn't have to force himself to smile most of the time
-He accepts the fact that he's becoming a part of the hotel and actually beginning to like them
-He let's Husk go from the leash (both benefitting and not)
-People he's saved or helped when he was alive and/or dead just all get together to thank him (Serial roommates im looking at you)
-Everyone just caring and not pitying him
-He and Angel becoming friends and having conversation without sexual innuendos (No hate to Angel I love him)
-Just a hug from the people he trusts
Let me be frank and clear here, I am an Alastor fan and yes I may have been quite vague in the earlier ask but I am someone who also enjoys to see Alastor succeed. What you just saw was one of the many sides a human being has. I can be someone who wishes for suffering and happiness. Just because I am anonymous does not take away the fact that I am a human and I can also feel emotions. Please do not hate on me for the fact that I was just saying things that I had seen from other fanfics. I love Alastor with all my heart and I also really love Alastor fluff, please do not make me seem so 2D that I hate characters I actually love.
Any other suggestions are accepted.
👀
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666writingcafe · 2 days
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Some Time Later
Lucifer (The Angel)
I've been assigned to patrol the woods alone this afternoon, and I have to say, I'm grateful. I don't get to be by myself very often. Some of that is due to choices I've made; after all, I've taken six angels under my wing, pun half-intended.
But there's something on my mind that none of them would be able to understand. Or rather, a person.
The Demon Prince is trying to fix the relationship between our realm and his. Originally, Michael was going to be the representative that went down there, but it got assigned last minute to me. After spending time with the prince, it makes me wonder if Michael would feel the same about him as I do if he were in my place.
The prince is kinder than some of the angels. I originally dismissed it as him simply practicing diplomacy, but he seems genuine in his efforts to get to know me as a person. He doesn't care about titles, instead focusing on character. Despite my less than stellar behavior when we first met, he still insists on becoming an ally.
Not just the Celestial Realm's, but my ally.
"I don't know what happened back there. I haven't felt that way about him in a really long time."
Great. Someone else is in the woods. I hold back a groan, knowing that I'll have to confront them. So much for my alone time.
"I think this place is doing weird things to all of us." Another voice.
"Did something happen to you, too?" The first voice...it sounds familiar.
"I feel like I'm behaving more like a demon than a human. First, there was the cover story for our appearance that I pulled out of my ass, and then I very nearly went all Asmo on Simeon when we were looking for Belphie earlier."
"Like, are we talking sexually? Magically?" The second voice sighs.
"Magically, Satan. I'm pretty sure having sex in the Celestial Realm is akin to heresy." I mean, they're not entirely wrong. But that's not important right now.
Satan...that's the name I've given to the anger that's become a permanent fixture inside my head. At first, it was just an emotion, but then it started talking. Or rather, screaming. At first, its noises were incoherent, but then I started hearing words in a voice that was not my own.
A voice that sounds eerily similar to the first trespasser.
"We have to get out of here," he tells his companion. "There's no telling what will happen if we..." He trails off as his eyes meet mine. Immediately, he tenses up, appearing to freeze in place.
"What's wrong?" Satan maintains eye contact, and the human follows his gaze. "Oh. This is bad. Really bad."
I step out of my makeshift hiding spot, making myself fully visible to them.
"Well, this is rather interesting," I remark, putting on an air of authority. "I should capture the two of you and not release you for a good long while."
"Please don't," the human quickly replies. "We don't mean any harm. If you can just help us find Simeon, I'll promise we'll be out of your hair." They seem terrified, but at least they're moving. Satan, on the other hand, hasn't budged an inch.
"If I was Michael or Raphael, your pleas would mean nothing. Thankfully, I'm only interested in talking." I focus my attention on Satan. "After all, it's not every day one sees the physical manifestation of their wrath."
"I was there even back then?" Satan whispers, confirming my earlier suspicions.
"You've been around from the moment I took Mammon in." My statement shocks Satan. "Your presence implies our separation at some point in the future. Assuming that you're a demon, that means that I must have fallen all the way down to the Devildom, correct?"
After a moment's hesitation, he nods his head.
"Along with the five angels you consider part of your family."
"Six," I correct.
"One doesn't survive the journey. Not entirely."
"What do you mean, not entirely?"
"If you knew who it was, then you'd end up altering the timeline," the human interrupts. "As it is, you know way more than you should."
"That's one way of looking at it, I suppose," I tell them. "I see it as preparing for the inevitable." They groan at my response.
"Barbatos is going to kill me," they mutter. Before I can question how they know the prince's butler, they take a deep breath and look straight at me.
"We can answer any questions you have, but you need to help us find Simeon. Not your Simeon, but ours. He and Satan got in a heated argument, and he went off in the opposite direction to hopefully try to calm down. Is there a spot here that he feels comfortable hiding in? One where he feels he won't be found easily?"
"There is a place, but it's a bit of a hike from here."
"Good enough. Let's go."
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heraldofcrow · 2 days
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Remember that one Tumblr thread where one person writes a huge rant about how much they hate Olaf the Snowman that gets progressively more insane and as if wasn't cursed enough someone responded with "I'd have less problem with this post if Olaf wasn't queer-coded"? Imagine this exchange but it's Ciaran writing ungodly long hateful rant about Smough an Gwyndolin's only reaction is "I'd have less problem with this post if Smough wasn't queer etc" idk
Ciaran: God I fucking hate Smough the Executioner so fucking much holy shit. Holy shit, every room he's in, every painting, every hallway, every execution ceremony, he's got this painfully vacant, stupid as shit, fuckass look on his stupid tiny face. Absolutely no part of his ugly as sin piece of shit armor design is endearing. His stupid fucking hammer? Who the hell uses a hammer for executions. His dumb flaily fucking disproportionate arms? His shitty, tiny bastard head? The three thousand percent unnecessary dumbass shitass fucking FAKE ARMOR BREASTS that no knight has EVER FUCKING HAD IN tHE HISTORY OF GWYN'S GREEN FUCKING EARTH? God, I hate him. I hate him so much. So FUCKING much. Every time I see a marble-carved statue Smough or a Smough painting or a shitty goddamn stained-glass portrait, it ignites my primal rage response and I'm overcome by the need to punt this shitty little homunculus into the fucking sun. "Bhurr blur, I'm Smough the fuckshit executioner fucker, I like eating people’s bones". Fuck you. Fuck you fuck you fuck you fuck you fuck you. You look like the Covetous Demon summoned a patronus. Your dumb fucking double-faced armor makes your whole shitty head look like a bulging skin tag. I hate your dumb fucking muffled perv laugh and your stupid, empty googly eyes and your over-the-top goofy ass jealous brown-nosing cannibal personality. Any time he's sad it invokes all the wrath and fury of a spoiled child having a meltdown over an Estus bar in a H*llowmart checkout line. And I know its irrational. That's the worst part. I know he's just a shitty fucking executioner in a stupid fucking different part of the castle, I know it doesn't matter, I know I shouldn't care. But that's part of the problem. The part where no matter the might and fury of my hatred, the locus of my homicidal intent is alltogether inconsequential. I find myself laying awake in the dark in the early hours of the morning consumed by the spirit of Chaos itself, all the force and might of a flaming hurricane directed at a bottle of piss in a ditch by the roadway. The absurdity of it all burns me to my core. What better things could this energy be directed towards? And yet my disdain for this stupid, useless, insubstantial failure of endearing armor design utterly eclipses the intrigue of all other pursuits. I hate him. I hate him on a level of my mind reserved for the worst of the world's array of sinners, and I can't even begin to justify it. Shitstick the Smough dick is, for all intents and purposes, the animated corpse of all of humanity's saccharine pretenses- every condescending, passive-aggressive statement of meaningless upper middle class Lordranian drama distilled into a single, hateable form. The fucking. Fuck. I have no words. There is no curse or epithet in any language that can encapsulate the height of the emotions I am experiencing. God, I hate him so much. I hate him so, so fucking much. I want to light his ugly little dumpster body on fire. I want to graphically beat him to death with his own stupid fucking hammer. I want to punch him to death. You know that weird feeling you get, when you see a picture of something so cute you find yourself overcome with the bizarre, inexplicable urge to squeeze it? It's EXACTLY like that, except instead of cuteness it's disgust. The wordless knowledge that his existence as a king’s executioner is evidence of all the failures of godkind. I find myself possessed by the will of a Holy Lord’s Blade gone rogue with the belief that Gwyn has made a mistake, and I alone must correct it. This is the trial by which Seath himself fell from grace. This wild, meaningless rage. A thousand blades of shining steel cast with inhuman force in the direction of a burlap travel sack floating on a breeze. What horrors must I have committed in a past life to be plagued by this torment now? I must Unmake this fake ass executioner.
Ornstein: holy shit you’re not wrong
Gwyndolin: I'd feel better about this whole rant if Smough weren't possibly queer. It might be largely the voice – the laugh, the inflection especially – but he's got massive "Ornstein’s gay sidekick" vibes. And if you're actively critiquing that? Sure, great, go all out. Hate whom you will. Say whatever you want about how "gay" is equated with "Ornstein’s silly sidekick used for hammer comedy, with no serious bearing on anything, literally human and treated by Serious God Co-workers as... well,a sidekick, peripheral to your life and safe to ignore.
But if you're not engaging critically with that aspect of Smough and are just overwhelmed with hatred whenever you see or hear or think about the possibly queer executioner and his mannerisms make you feel violent, that is a little bit. Uncomfortable. At best.
Ciaran: what on Gwyn’s green earth are you talking about
Artorias: See sometimes I wonder why I still haven’t left to battle the Abyss yet, and then conversations like this come along. Amazing. 
Gough:
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cheesycatz · 2 days
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WORMTON AU MASTERPOST
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"Spamton G. Spamton is just a normal spam program making ends meet by tricking darkners into buying his garbage. At least, that's what he tells a blue addison he accidentally wins over, as well as their friends. He won't fall for their genuine words and pure compassion, though. A salesman and a manipulator are one and the same, and neither can trick the other.
…right?"
AKA: Spamton, but he represents a computer worm as a darkner. He's some sort of 15 foot long fluffy parasitic alien centipede worm creature, and the Sweepstakes worm represents what his species's parasitic hatchlings look like after they slowly consume and kill their host from the inside out. Spamton is the last of his species left after they were exterminated (representing a computer worm being downloaded onto a computer and eventually fought off). He wears a disguise to hide his worm status so that he may interact with the general public without being reported and killed by an antivirus. He doesn't meet the addisons until after the extermination of his species. Hope he doesn't form any emotional attachment that would be severed if they found out what he really was, haha
This AU exists mostly in the form or art and text posts, but I am currently working on a fanfic about Wormton and the addisons, which will start being posted to ao3 once I finish the entire rough draft.
Links below to all: lore, art, question answers, marketable plushies, and fic updates ⬇️⬇️⬇️⬇️⬇️
Lore (art included)
Initial lore post
- The basics. Describes the general characteristics, infection process and behavior of malworms (darkner version computer worms). Also describes the extinction of Spamton's species, his origins, and the setup for his interactions with the addisons.
More malworm biology
- More information on malworm culture/biology and Spamton's specific species (the BIGSHOT malworm). Woah, say that 10 times fast...uh, also more information on the extinction of Spamton's species.
Size comparison and more biology
- A sketch dump showing a size comparison between the addisons and masked/unmasked Spamton. Also features some general sketches of BIGSHOT malworms and some more information on their biology.
Spamton before he met the addisons
- A sketch page + text on some scenes from Spamton's life from before he met the addisons.
General info/designs of malworm genera
- Not much Spamton here. It's just a look at what the other types of malworms might look like.
Art (sometimes a smidgen of lore)
Spamton and the addisons (pre-reveal)
Annoying Mouse Room™ Infinite Food Hack
The Worm Nest
How Wormton's costume works
Pros of not having a spine
Late night worm posting
Q&A
My asks are open, so feel free to ask me any questions about my AU or art in general (within reason, obviously)! I like drawing responses when applicable, so feel free to give me a wormton drawing request and I might consider it.
Asks from Instagram about lore
Can malworm/wormton fanart be made? (Yes pretty please I would love fanart)
Plushies
Why did I make ten spamton worm plushies? I fear that number may increase
My Worm Collection
Spamton Plush Wormton Outfit
Fic Updates
Sometimes I post art and some thoughts about the Wormton AU fic I am working on. I won't be publicly posting it until I finish the rough draft of the entire story. I am maybe halfway? I'm doing my best, but I'm also dealing with life's responsibilities and making other art. I have no idea for a release date yet, but I don't plan on giving up.
Chapters 1-10 are in a first-draft state with no dialogue. Once the entire story has reached this point, I will finish each chapter one by one and post them as I do. As previously mentioned, chapters will be released on ao3 once finished. As of 04/22/24, it is: 102k words long
86k words update
100k words update
Thank you for enjoying my silly little AU, I love reading your tags
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iapislazuli · 2 days
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nightheart, finchlight, and pre-verbal trauma
(sorry, i ramble a bit here lol)
im surprised i havent seen any discussion or analyses on nightheart / finchlight and pre-verbal trauma, since that's like, exactly what happened to them? (And nipping this in the bud right away no, I'm not saying this is Sparkpelt's fault btw, she was suffering from grief and PPD, and she made the best posible choice by having sorrelstripe foster her kits! for her situation, she was the best parent she could've been). but finch and night were so young, they couldn't understand what was happening. they were newborn kittens who couldnt see or hear, the only thing they knew was their mother's scent, and they got taken away from her, and thrust into a new space wholly unfamiliar to them with no warning. yes, it was for a good reason, and yes in the long run it likely benefitted their health physically. and yes, it was for a comparatively short amount of time, too. but them experiencing that at such a young age, having all they've ever known taken from them when they can't even open their eyes yet is, well, traumatic! young children experience the world so much differently than teenagers and adults. everything happening to them is basically happening for the first time. how did they knew sparkpelt would come back? they didn't! they had no way to understand the idea of PPD and grief. the effects of pre-verbal trauma sticks with you for life even if you can't remember it. this is such a huge misconception about child psychology it makes me crazy. a baby being so young it can't talk doesn't mean it doesnt have feelings!! and this leads to my next point...
which is how the differences in their adolescences led to their abilities to cope with this trauma being different. pre-verbal trauma causes abandonment issues and trouble regulating emotions among other symptoms; something nightheart very obviously struggled with. but what about his sister? finchlight is seemingly way more well-adjusted. this is likely because she chose to follow her mother to exile. wether knowingly or not, she didn't reinforce the abandonment issues caused by her pre-verbal trauma, which led to her being a more well adjusted adult with less glaringly obvious emotional issues. it could have also caused her to become unhealthily clingy to her mother, leading her trauma to manifest in a different way. maybe she also has empathy issues, not understanding why her brother cant just "get over it" like she did (she didn't just get over it tho, lol, she's just coping in a different way). there's lots of room for interpretation with finchlight, i think. while the authors' choice to apply this experience only to nightheart is frustratingly arbitrary and follows warrior cats' very protagnist-centric narratives, i do believe that following an analysis based on the idea of pre-verbal trauma and finchlight's choice to follow her mother into exile, you can explain why these two siblings reacted to the same situation so different. and i think looking to it that way, it's pretty damn interesting!!
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absentlyabbie · 6 months
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i've developed some interesting methods of handling having a relationship with my mother who made my childhood/teen years misery and committed more than a little abuse.
as an adult, we have a very different dynamic, her daughters (sister and i) have confronted her with a lot of her bullshit and the things she both did and enabled. for some she has been sorrowful and even sometimes apologetic. she's a better mother to me now than she ever was when i most needed one. so i'll never actually trust her again, and she'll never be much deeper than surface level in my life, but we have something mostly good now, and on my terms.
however, she is very definitely one of those "i don't remember it that way" and "i did the best i could" mothers in a lot of areas, and has also always been the type to (probably unconsciously) emotionally manipulate the people she's hurt into catering to her hurt feelings about it instead.
over the years i've learned to get really comfortable with just not indulging it.
is she having a bad day, seems sad and upset? i'll give her a hug, try to make her laugh. if she throws broad hints it's a surge of hurt feelings about having driven one of her children to cut her off? well i'm just gonna stand there and not acknowledge or entertain it.
"well, apparently i was a bad mother" or shit like that? i'm just gonna look at her for a second, and i might either shrug or even nod, but i'm not saying a damn thing. i'm not awkwardly, uncomfortably, painfully contorting to her guilt trip nonsense. i'm not apologizing or trying to soothe her or reassure her or minimize it.
like, yeah. you really were. you know it, glad to hear it. we've definitely had that talk.
best kindness, most generosity i can offer her in times like that is not maintaining eye contact to bluntly tell her "yeah, you were." she can go ahead and feel bad about it.
it's not on me to make her feel less bad. she should feel bad. and i am definitely not someone she gets to seek comfort from about it.
hopefully someday she'll inch past just "poor me, i'm so sad and angsty about it" towards, like, examining the whys and acknowledging what she actually did wrong and work actively to be be better. in a few places, some of that has happened.
but that's her work. her job and responsibility. she can do that shit on her own time.
i say all this to offer a shoulder of solidarity to others like me. if you maintain a complicated relationship as an adult with the parent who hurt you and did you wrong as a child, that is okay. you get to choose how and if to thread that needle.
but you don't have to accommodate emotional manipulation and guilt trip garbage. stonewall it. walk away if you need to. don't apologize. don't try to make it better. that's not on you and it doesn't have to be. it's okay.
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