cause i love to love, to love, to love you
↬ in which you have him all lovesick and smiles
includes; dazai, chūya, atsushi, fyodor
notes; i am gonna pretend i didn’t disappear for 2-3 months. this has been in my drafts for so long :( i tried to clean it up as much as i could but it’s really old jfjdks
DAZAI
dazai appears happy. present tense.
his typical inquiries for double suicides came to lessen to conscious degree, substituting in drinking sake together when the sun cowers, nothing but a string of nonsensical chatter proceeding each sip.
he was sticky like that: unannounced visits, impromptu phone calls, sudden changes in his schedule to accommodate yours. in any case, he isn’t one to shy from stooping as low as whining if it rewards him with your familiar face.
( his windpipes splinter before he could mutter it out loud, but the solitude that’s wedged deep in his bones for so long felt lighter when you were near. he questions how long such benevolence would last before becoming sullied by his hand… ).
…and yet all things considered, it hasn’t deterred him from courting you nonetheless. at times he can’t help but think he’s taken a bite of his own medicine when he’s the one skipping around like a helpless maiden.
and yet again in spite of it all, his brazenness remains perpetually untouched as ever. he entertains different approaches if only to coax out a new reaction from you and he’s not bashful in the slightest. so much so, he remains unruffled even under the scrutiny of your coworkers.
. . .
“ this is highly unprofessional.”
“ don’t be so mean, bella. don’t you know how much i missed you?”
your eyes flit down to the man currently using your lap as a headrest, the rest of his body stretching over the expanse of the couch. he was shameless, that much was certain, but his ability to remain unperturbed whilst in his lovey dovey state was impressive. you cocked a brow, sighing.
“ osamu.” his lips visually twitched at the call of his name; it’s a word warm on your tongue but leaves the hairs on his nape at your mercy anyway. " you saw me fifteen minutes ago—”
“ twenty.” he corrected, cheeky (and quite frankly, you wouldn’t be surprised if he pulled that number out his ass). “ but it was the longest twenty minutes of my life.”
he was unrepentant as ever, experimentally positioning his head to rest on the plush on your thighs. by muscle memory, he began to absently draw shapes wherever he could reach, a crude rendition of stars decorating over the bend of your knee.
he smiles innocently when you squint at him, the gleam in his eyes unwavering. “ only a couple more minutes and i would have been yours,” you mutter out, your voice not as sturdy as you hoped. “ at home.”
dazai almost turns pouty at that. almost. “ but my love, i’ve missed you like crazy. twenty minutes is too long, how can i possibly manage?” the words come out through a breathy exhale and you watch as his lashes kiss his cheeks when he flutters them closed. “ all i could think about is you. and now i have you right here.” he hopes his words carry as much truth as the way his heart does, scurrying away the cold that's mocked him for so long. “ can’t we just stay like this a little longer? pretty please?”
resigned to your fate, you could only clamor your palms over your features— if only to salvage your waning dignity from your coworkers.
unfortunate though… that in doing so you miss the blissful smile curling on his lips as he peeks at you from below. and atsushi notes(after throughly grimacing, not expecting him to be so blunt), it reaches his eyes too.
CHŪYA
" chūya-"
" you can't flirt with me. i have a partner."
terse, stubborn and slurred. if the groggy voice wasn’t enough to confirm your suspicions, the shit-face look belonging to your boyfriend did. he was drunk. wasted if you were to speak bluntly.
in truth, it really doesn’t come off as much of a surprise; his ability to hold his liquor was nothing to brag of (despite what he may profusely argue) and you’re half-convinced he’s already forgotten his own name.
still, you don’t loosen your grip on his sleeve even under the figurative holes he’s burned with his stare. “ chūya. i am your partner.”
“you—! wha-!” his voice erupts into a sudden warble, eyes akin to saucers. " you… you are??"
he takes what’s left of his thinning rationality to study you proper; the style of your hair, your clothing, the smell of perfume/cologne, the familiar quirk of your lips—
oh, he thinks as you push back the loose bangs veiling his face. he doesn’t make any attempts to move, feet stalled and eyes blinking, evidently stunned.
you decide to press on. “ do i look familiar now…?” the lilit of your voice grazes against his ear, plucking out a faint memory tucked somewhere in the crevice of his fuzzy head.
oh. he thinks twice, the stern look bruising his face thawing.
without realizing it, he squares his shoulders in any attempt to remedy his current disheveled appearance, slumped posture pulled taut in— what he hopes— was a more put together frame. conversely, he wobbles on his feet when you continue to eat away at the distance, the ghost of your touch pushing pinpricks into his skin.
“ you’re- you’re really all mine…?” he cringes as soon as it leaves his mouth, coming off eager and hopeful. something like a laugh escapes you and he can’t tell if that’s what made his stomach turn or the alcohol. perhaps both.
“ that’s what i’ve been trying to tell you. you’re so stubborn when you’re drunk.” you punctuate the words with a kiss to his cheek, now warm with revelation. chūya, exhausting the last bits of his energy, shrinks beneath it, a gloved hand clutching his reddened face defensively.
“ why haven’t i made you my spouse yet?” he remarks it so suddenly, you nearly choke on air. he can’t even comprehend what you say thereafter or register the look beginning to contort your features, nothing but liquid courage keeping him afloat.
but- well, if there’s anything the haze trotting his head and his thinning cognition could agree on, it’s that your ring finger appears a little too barren for his liking.
( but not for much longer, he hopes )
ATSUSHI
the sudden change in atsushi’s behavior was a notable observation within the ADA, many of whom watched as the weretiger became stupefied by a face belonging to you. it wasn’t long before concluding it was all the result of a crush; the culprit of which being atsushi himself who played his hand poorly at discretion.
the lovesick chatter would leave his mouth without much rationality, waxing of "[name] this" or "[name] that," and effectively becoming on the receiving end of his praises. it was almost a routine of sorts, occupied by stutters, belated responses and his fidgety footfalls. by the end of it, he fruitlessly attempts to steady his rabbiting heart— if only to stop his blush from staining beyond his cheeks.
even now as he silhouettes by the agency door, the rattle of rain is deafened by the rush of blood to his ears. he anxiously worries the handle of the umbrella in his palms, bouncing from one sole of his feet to the other. should he just ask you? maybe he should wait… now that he thinks about it would be more appropriate to just leav—
“ damn it.” he perks at your sound of displeasure, his heart spiking. “ so much for leaving in a hurry…” you stiffen, realizing you have nothing but a coat protect you from the weather. the flimsy jacket you hurriedly plucked from your wardrobe only added flavor to your disappointment.
atsushi doesn’t miss the opportunity; his feet carries him to you before the unpleasant voice lurking deep in his subconscious bullies him otherwise. “ we can share,” he gestures to his own, silently praying his voice was leveled. it wobbles anyway and by now his knuckles are sheen white as a product of his nerves.
with the organ jumping around in his chest, he almost doesn’t register your ‘thank you,’ only that his fingers were quickly undoing the straps of the umbrella before you could change your mind ( he impulsively bought it earlier that day— his previous pair worned out and far too tiny for two people. but when you thank him with a kind smile, hands slightly brushing with each step, he argues it was the best 800 yen he’s ever spent ).
… that said, a more appropriate question is how you managed to remain naive to all his pining for so long— he’s become despairingly obvious against his own good and yet he can’t find it in himself to change himself, a perpetual lovesick look copy and pasted whenever you entered his proximity.
the same can't be said to everyone else however and he wasn’t particularly pleased when he caught wind of the bets exchanged among his treacherous colleagues. he fears it's only a matter of time before one of them blabs their tongue to you. at this rate, perhaps one of them should.
. . .
" y'know atsushi," ranpo once said, offering his companion a gleaming simper. " you reallllyyy talk about [name] a lot."
"oh.”
his heart flutters, eyes slowly blinking.
" yeah,” he smiles. “ i guess i do.”
FYODOR
" you've been awfully quiet, my dear." fyodor’s voice was just loud enough over the sound of clashing cutlery, fixing you a gaze of genuine interest. " is the meal not to your liking?"
you feel your lips twist into a frown. for being attentive, he (for once) falsely saunters pass the source of your displeasure, failing to recognize the extent of your internal woes. " no- no-" you fidget with your fingers, ignoring the way your propped elbows skidded against the table. the behaviour doesn't go unnoticed by the former, who takes it upon himself to hook his index fingers with yours. “ there’s something i’ve been meaning to ask of you. a… request of sorts.”
“ what is it? i’ll have it shipped to you by the end of the week,” he offers generously though it quickly fades into a confused hum when you shake your head at the proposition.
" it isn’t something you can buy…” you drop your gaze from him to the scantly poked portions of cuisine on your plate. fearing he may misinterpret your words and assume it to be unattainable - perhaps gifting you something ludicrous as a piece of land - you amended quickly. " it’s not what you assume to be either.”
at that, he bums questioningly. “ then what displeases you, my darling?” he provides a faint squeeze to your hand, igniting something warm and paradoxical to his thin layer of frigid skin. “ what can i offer to rid you that frown?”
" just your company.”
" my company?"
" yes." perplexed, he cocks his head; an invitation. willing an inhale to your lungs, you took a moment to gather possession of your words. “ these days you've been rather occupied. i was hoping for perhaps… if we may spend some time together?"
fyodor appears vaguely surprised by that, something unfamiliar fortifying around him. requesting his time felt like a hefty expenditure just in itself and it wasn’t too far fetched to assume he’ll disregard it in favor of some plot embellishing deep within his brain. but a swift refusal never comes.
“ i see,” he finally says after a brief pause. his voice was so soft you wondered if it was meant for you to hear.
it's grows quiet before he speaks again, the fingers curled around your hand withdrawing but not before providing the tips a delicate squeeze. " i can arrange some time tomorrow for you,” he proffers. “ will that satisfy your request, myshka?"
hardly anything can catch fyodor off guard, but something had to be said in the way you brightened at the suggestion, a deep curve coasting over your lips. how pleasant you are.
" yes," you hastily replied, dipping your head slightly. " more than perfect. thank you."
the way your lineaments crossed into a smile was always enduring to observe — exasperated, but one he wouldn’t mind seeing tomorrow knowing he was the cause for such elation.
( idly, he wonders what he can do to see it again ).
A/N !
i’ve been meaning to post this for months but it’s so old & i never quite (and still kinda don’t) liked it :(( fyodor’s is bit ooc jfjdkskla
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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