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#it goes on: in some ways we are still trapped in the orbit of that night. in some ways that night is the real beginning to this story
bittersweetresilience · 2 months
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félix fic recs
Spread Your Wings by @myladynoire (5,895 words)
Set before the Finale. Félix uses his Kwagatama to summon his father's memory and has a talk with him.
Trapped by @trishacollins (13,368 words)
Felix asks to visit Adrien earlier, worried that his twin isn't responding to him on their bond. Gabriel catches him snooping and makes some assumptions about why. It gets worse from there.
hieroglyphics by Anonymous (1,408 words)
Marinette, up late overthinking, texts Félix to ask if he'll move to Paris. (Takes place at some point between Ladybug's battle with Monarch and the pool party.)
never been in love by @bittersweetresilience (1,562 words)
Félix wonders if he has a heart. If he does, it doesn't beat like that.
orbital departure by @bittersweetresilience, @keeperofthebox (2,567 words)
While Félix is visiting, Emilie makes a suggestion.
Eat Your Young by @redundant-lava (704 words)
What was Felix doing during the season 5 finale? He came back to London to hang out with his girlfriend but is straight up not having a good time right now
Pause, Rewind, Play by @piromina (4,717 words, ongoing)
Félix paused, eyes still locked on the pocket watch she held out in anticipation. This miraculous, it meant he could travel in time. To any time he wanted. He could relive so many events, fix so many things he wished had played out differently. He could even see the future.
Amor Fati by @myladynoire (82,940 words)
In which Félix finds out he’s a Sentimonster. A long and painful self-discovery journey ensues. (And Lila is in for the ride).
Hey, Ribbons by childoflightningg (11,553 words)
Chat Noir’s transformation fell away for the last time. A feeble flicker of green, a blur of black zipping away. Ladybug wasn’t sure she wanted to see his identity, but it didn’t matter. Even if she had averted her gaze, she would have heard the gasps, the whispered name rippling through the crowd. Félix Agreste.
I Love You (for senti-mental reasons) by @redundant-lava (1,766 words)
All Gabriel Agreste wants is what is best for his family. Adrien understands this, but Felix has been persistent in interfering with his uncle’s plans, much to Gabriel’s frustration. When Gabriel finally regains possession of both the Graham de Vanilly rings, he decides to have a conversation with his nephew and persuade the boy to see things from Gabriel’s point of view (a Sentimonster story)
bad body double by Ehlihr (7,941 words, ongoing)
New year, new powers, and Marinette's new classmate are proving to be a personal challenge.
I Won't Let You by generalluxun (3,827 words)
After Gabriel's defeat, two individuals not party to the celebration run into each other, and find each other.
Checkmate by theriveroflight (1,575 words)
Running away has consequences.
(sentitwins fic recs) (feligami fic recs)
💥🦐🥂🚨 FELINETTE ZONE 🚨🥂🦐💥
annotated by ritsukies (4,351 words)
Félix and Marinette share a quiet moment together in the shared space of Adrien's bedroom.
Filling space by beforesaturn (comic)
A Felix and Marinette centric story after the death of Adrien Agreste.
Sure, Ladybug by ouijadarling (4,051 words, ongoing)
'We both know it'll happen again.' Félix is an old hand at being kidnapped, mainly because Hawkmoth thinks he and Ladybug are dating, and therefore, knows her alter ego. Every week, a new Akuma wakes him up in the middle of the night for some interrogation, and Ladybug ends up rescuing him. It's starting to get wearisome, and also, Félix has the strangest feeling that the supervillain knows him in some way. And that he's in for a hell of a time this final year of school.
Copycat by imthepunchlord (76,805 words, ongoing)
It was supposed to be quick and easy. Become Adrien Agreste for a week, steal the surviving twin ring for his mother, return and offer back the reclaimed heirloom and be a decent enough cousin that he gave Adrien a week break away from that house. That's how it was supposed to go. Of course, nothing ever goes how it's supposed to go. Not when Adrien goes AWOL on him and he finds a magical ring with a snarky little being asking him to also play hero. Lucky for the little being, Felix is curious and bored enough to try. And who knows, maybe it'll have some perks in messing with his Uncle.
There's This Club At the School by enigmatic_emperor (17,078 words, ongoing)
There's this club at the school which researches the ancient miraculi, a group of jewels that are believed to hold mythical powers. However, it only has three members! When Marinette hears that a new student is transferring to Dupont, she is more than excited to invite them to join the club in a hope that the club could have more exposure. That is, until rumours begin to spread that the new transfer student goes by the name Felix, and has some sort of affiliation with the Agreste's.
When In Paris by Lumienn (13,963 words, ongoing)
Felix comes back to Paris a year after his last eventful visit. This time, he's here to stay for much longer. Between his own personal mission, hanging out with his cousin, being a tourist, and his first Akuma attack, he's got his hands full. But then Marinette shows up... and shakes things up to a whole new level.
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archive2394934 · 1 year
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how will you feel about henry if your mindflayer theory turns out to be false? i dont think henry is a rape allogory either but hes pretty fucked if it doesnt turn out the mindflayer cant do things on his own imo.
Lmao, yeah I kind of feel you there. I mean, personally? The fandoms perception of it being a r*pe allogory is the fandoms perception. Its not reality. And thats the thing. There was no actual s*xual assault and NO "s*xual intent" behind any of it, particularly in universe. Possession is possession. You can't depict it without, in some way, "violating" another persons body and mind. But not all violation is s*xual in nature, even if all violation can lead to like, similar feelings-- and imagery particularly when shown in an 'artistic' way.
Like I guess, as someone who has been assaulted like that, its almost offensive to me to compare an example of "spirit possession" in a piece of horror media, specifically when the source didn't seem to have the full conscious intention of their work being an allogory to SA, to actually talk about it as if it was real SA and that we need to seriously condemn the "possessor" as if they are a real literal r*pist. That's mind boggling to me. Like I'm just VERY sure that the Duffers did not intend it to be a r*pe allogory. The whole demonic possesion thing just an aesthetic they went with because its cool and creepy. Because at the end of the day no r*pe actually happened. There was no actual SA. And Its gross to pretend there literally was, to me, personally. And I feel like a lot of the fandom is particularly obsessed with the idea of it being literal SA is because it gives them good ol' fashioned whump fuel, especially for content regarding the ship between Mike and Will. Like it literally all directly orbits and connects to the Byler ship and the headcanon of Henry's sexuality and this horrifically ignorant misread of Henry's psychology and his idea of what a predator is. Like its crazy that he literally explained himself in full context and this fandom has still misread it and goes out of its way to twist the things he said... Like he was literally talking about the animal kingdom, ecological balance, and the comparison to political/social equality for people like him, minority groups, who CURRENTLY do not possess any of that. Like CHRIST in Henry's time racial segregation was still an active thing in the US.
He wasn't talking about predators in an exploitational way, he directly put forward the concept of 'a predator but for good'. Its literally what he said. He was explaining that predators (like spiders) in the animal kingdom are important because they weed away the undesirables, which keeps the ecosystem stable, without them, things would be bad. His idea was for humans, humans like him and Eleven, who had the powers they had, to be predators and weed away undesirables, bad humans, toxic humans, evil humans, to make the world a better place, especially for 'minority' demographics. And like I agree, even in its actual context this is ambitious and has the potential to go very, very wrong. But another thing about Henry is he's been trapped and locked away from the entire world for the last 20 years of his life. Henry has spent more years of his life locked away in a lab as a test subject and a slave then he spend free as a person. Henry only had 12 years in the "real world". My boys a little out of touch, theres no doubt about it, but this idea wasn't born from evil and a desire to hurt people. It was born from a desire to help and protect people from the same oppression and cruelty Henry had been subject to his entire life.
And my other gripe is that I feel like so many people in this fandom forget or ignore that Stranger Things is a period piece. Its not modern day. We're talking about conservative 1950s-1980s America. I don't think a lot of people fully comprehend exactly what the cultural, social and political environment was like back then but its really important to the show.
Anyway, as for how I'll feel? I don't know! I think I'll be confused, mostly. I know unless the Duffers come out and say "yea that was a r*pe allogory" I'm not gonna treat it as such. But I do genuinely believe at least SOME part(s) of my theory(s) involving the MF are true, whether or not Vecna has supreme control of it, I don't know, but I feel like there is more to it than just being a random cloud. Because theres just no way to me that the MF doesn't represent The Serpent from the DnD universe. Like if you know about the Serpent in DnD and you put it with what we know about the MF now in Stranger Things its Bang On. I also believe some inspo was taken From the Elder Brain but the Serpent I think is very closely referenced. And sure while it is sometimes stipulated in the DnD universe that the Serpent "isn't real"- or isn't its own being- and its actually just a figment of DnD Vecna's "madness", I feel like there is too many suggestions that the MF is something more than JUST a "tool" for Henry for that to be the cut and dry angle theyre gonna come at it as. (I mean they could but Idk, would feel a little off to me) How much more though? I don't know. I've entertained the idea of the MF just being a powerful being caught up in the mess of Henry's vendetta with the human world but I do personally lean more toward it being a ""malign god"" per se, of some sort just because thats a sexier aesthetic to me personally, particularly with how it feels like concepts with Vecna also references things like hinduism, and occult / esoteric themes and concepts (like the left-hand-path in particular!!) But if the MF is just a completely non-sentient power source for Henry its gonna feel weird to me with a lot of the other little things laced around the show. Taking things like the tentacles/vines/roots whatever for example-- I don't know how they intend to explain what/how they work or why they would be trying to get through to the normal dimension or why they were originally written as having a big part in turning Henry into Vecna, etc.
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mylifeinfiction · 11 months
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Night Shift by Stephen King
I thought I had peeked over the rim of the universe and into the fires of hell itself.
No matter how great the stories within wind up being, short story collections are always such sluggish reads, for me. Compared to the last King short story collection I read, Skeleton Crew, I think  Night Shift easily wins, though. There may have not been any stories in here quite as staggering as The Jaunt, but there were definitely more that I really liked/loved, in general. Plus, my Top 5 Stories - One for the Road, I Am the Doorway, Children of the Corn, The Ledge & Graveyard Shift - are absolute knockouts! Just brilliantly effective, exciting, nightmare inducing storytelling. Either way, rating and reviewing short story collections is a pain in the ass, for me, so I'm going with an approach that generally seems to work. Here are my thoughts on each story:
*As Always With This Type of Review... POSSIBLE SPOILERS!!*
Jerusalem’s Lot : It took me way too long for me to get into it, because of the letter format, but once I did I really liked it. The first visit to the Lot and then the exploration of the basement were extremely unsettling/damn near terrifying. Love the revelation that’s Charles isn’t the last Boone. - 7.5/10
Graveyard Shift : A Top 5 Story. This was great. Creepy, skin-crawling, claustrophobic. The raw material of so many nightmares. Rats... Ugh. Bats... Ugh. Subbasements... Ugh. Asshole foremen... Ugh. - 9.5/10
Night Surf : A Capt. Trips story. Unlikable characters in the aftermath of the Trips epidemic, wandering around a desolate ex-tourist trap beach. They just burned a man infected with Trips and are coming to terms with it (I guess?). One of them has it now. Totally meh story. Was very happy when I could move on to the next one. - 2.5/10
I Am the Doorway : A Top 5 Story. (Maybe #1?) Fantastic cosmic horror about a man who grows eyes in the hands after coming back to earth from an exploratory mission orbiting Venus. They’re a doorway to some horrific world that wants to destroy us. He goes to desperate measures to stop them. Then he goes further. It’s weird. It’s creepy. It’s hopeless. I loved it. - 10/10
The Mangler : An industrial ironer is possessed and killing or severely harming workers at the cleaners. A rock solid story about the machines we make to make our lives easier turning on us. It's a theme King tackles often, and when it works, it really works wonders. These stories generally work especially well for me because I’ve always had a fear/distrust of large, dangerous machines like this one. Whether it was the trash compactor or cardboard crusher when I worked at Target or the redemption machines at the liquor store I worked at as a teenager, or even the band saw in Jr. High shop class, I always felt like no matter how safe I was, it wouldn’t matter. That made this especially creepy. - 8/10
The Boogeyman : The reason I chose this collection as my next King. I wanted to get it in before seeing the movie. Since then, I've decided I'll probably be waiting for it to hit streaming, but whatever. This was often chilling. If you don’t take a second (or third, or… shit… fourth) glance at your closet door after reading this, you’re a fool. It’d likely be a 10 if not for how unlikable the main character is. - 8/10
Grey Matter : A super gross allegory for alcoholism. It’ll turn you into a grey gooey slug monster that destroys everything and everyone around you. Get it? Anyway, it's not bad. Not really great either, though. - 6/10
Battleground : A lot of fun. Hexed Toy Soldiers attack a hit man who just got home from assassinating a toy maker. I wanted more, but what we get is more than good enough. - 8/10
Trucks : Another one about the machines turning on us. Really good tension. Very cinematic prose. So much better than Maximum Overdrive. Ha. - 9/10
Sometimes They Come Back : Might’ve even worked better as a whole novel. There’s a bunch here that really could’ve been expanded on. But still it's really good. Not quite my favorite, but really good. - 8/10
Strawberry Spring : Meh. Feels like filler. There's a promising concept with which very little is actually done. The ending was a little too obvious, yet fitting for how the rest of it read. I didn’t quite hate it, but it needed more meat to it. - 4/10
The Ledge : A Top 5 Story. Absolutely Fantastic! This is gripping, unpredictable storytelling. It’s suspenseful, it’s mean, and it’s so immensely satisfying in its structural simplicity. - 10/10
The Lawnmower Man : Super weird. No, seriously, this story is f*cking WEIRD. Not in a bad way, but certainly in an extremely unexpected way. I knew this was nothing like the movie, but damn. - 8.5/10
Quitters, Inc. : Brilliantly cruel. A great idea executed with a wicked creativity and pragmatism. Not quite Top 3, but a favorite, for sure. - 8/10
I Know What You Need : Interesting premise and execution. Not sure on the direction it takes though. A be careful with you wish for type thing maybe? Or a grass is always greener scenario? Anyway, I liked the connection to witchcraft/voodoo. Too anticlimactic to be great, though. - 6/10
Children of the Corn : A Top 5 Story. Guess I’m not sleeping tonight. When I was ~6 years old, I somehow ended up watching Children of the Corn. It quite literally scarred me for life. To this day, more than thirty years later, just driving past a cornfield makes my breath catch and the hair on the back of my neck stand to attention. This story just twisted the knife. So atmospheric and creepy and grim. I simultaneously loved it and hated it so damn much. And it definitely refuels my desire to make a King show like Tales from the Crypt and Cabinet of Curiosities to faithfully adapt his short stories. - 10/10
The Last Rung on the Ladder : Way to break my heart, Steve. My goodness this was sad. A Cat’s in the Cradle vibe by the end, just brother/sister instead of father/son. A reminder to always make the time for those you love. The loss you may face for being there is far more bearable than the loss you’ll face not being there. This hit like a brick. That final line, "She was the one who always knew the hay would be there." tore my heart out. - 8.5/10
The Man Who Loved Flowers : Love kills. This one’s ending hits hard because of the contrast in tone. Nice and very short. Nothing amazing, but effective in its language and tone. - 5.5/10
One For The Road : A Top 5 Story. Hell Yes! The atmosphere is magnificent. Not only did I have to put on a sweatshirt, but I damn near went on the hunt for a rosary. I absolutely love this little corner of King's world. I want more... so much more. And now I also really want to reread ‘Salem’s Lot. - 10/10
The Woman in the Room : Sad. It really should’ve been shorter. No other thoughts really. Except, why close it out with this one? You had One For The Road RIGHT. THERE. It would've been such a bookends way to close out this collection. ::shakes head:: - 5/10
"I have walked beneath death's umbrella and thought there was none darker. But there is. There is."
8/10
-Timothy Patrick Boyer.
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wonkyreads · 5 years
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“Trauma has a gravity of its own and it’ll never, ever let you go.”
The Best Lies, Sarah Lyu
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ichayalovesyou · 3 years
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THE BIG VULCAN BIOLOGY POST (aka Vulcan is a Hell Planet)
DISCLAIMER: I am not a biologist, astrophysicist, neurologist, animal psychologist or literally anything that would qualify me to talk about this with 100% confidence. This is the result of dozens of headcanons and obsessive deep dive research. I don’t want this post to be three miles long, so after I address the planetary stuff I will oblige y’all with a Read More.
Adsfasdkfjhaslkdfh I’ve been working on this post for almost a month SO HERE WE GO!
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First of all, Vulcan (aka T’Khasi) is a HELL PLANET, which is part of the reason they’re so badass, I say this for the following reasons:
No moon(s) (natural satellites)
Sodium (Salt) is so rare on the planet that Vulcan’s oceans are freshwater
It’s a “Super-Earth” (as in big chonkin’ planet of similar composition to earth in the “goldilocks region”)
Let’s do this.
“Vulcan has no moon Ms. Uhura.”
-Spock, The Man Trap
Tons of things change about our planet if there was no moon:
Much darker nights (no moonlight)
Much lower sea levels since there is no gravity from the moon to pull it upward.
Lower and weaker tides because the water is pulled by the sun instead of the moon, and it depends on how large the Vulcan solar system’s sun is for how big the waves are.
Stronger winds from faster planet rotation.
Depending on whether the axis of the planet would straighten or tilt further without the moon’s pull, combined with the faster rotation would lead to more severe seasons (strong tilt) or no seasons at all (no tilt)
The first factor may lead to Vulcan eyes being very catlike even if they aren’t nocturnal (I think they’re crepesucular but we’ll get into that later). Which given the likely nature of their blood and their herbivorous eating habits they probably aren’t. The sky would still be so dark that our human eyes couldn’t even see our hands in front of us, being blind when the sun goes down could be a death sentence. Alternatively, if they didn’t develop strong night vision that may be one of the reasons why they have such strong senses of hearing.
The stronger winds, faster rotation, and stronger (or nonexistent) seasons come from the lack of resistance and friction that stronger tides and the moon’s pull create on our planet. I suspect that Vulcan is larger, or at least denser than Earth, but I’ve been informed that according to the TMP novelization that it does rotate faster. I also think that Vulcan’s tilt is on the more extreme end to get the hostile extremes like storms and heat that we see on Vulcan.
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If you look at this image of Vulcan, water covers way less of the planet’s surface than Earth. I don’t think this is necessarily because Vulcan has less water, but that it isn’t spread as far because of the lack of moon, and the fact that the oceans are freshwater, I’ll get into that shortly.
“My ancestors spawned from a different ocean than yours.”
-Spock, The Man Trap
In the Star Trek: The Original Series (third) pilot The Man Trap, there is a creature that kills its victims by draining their bodies completely of salt. Spock encounters the creature but does not die, implying his (and Vulcans overall) body contains little to no salt. His justification is that his species did not evolve from a salinized ocean.
What does it mean to have oceans with no salt?
This has to mean that sodium is a very rare mineral on Vulcan, as the reason our oceans are so salinized is due to erosion of minerals by rainfall, carried from river to ocean. Salt in the ocean is also generated by submarine volcanic activity, which means either that the volcanoes on Vulcan (which we definitely know exist) somehow don’t produce salt, or the vast majority of the submarine volcanoes have been inactive for millions if not billions of years. The active volcanoes on Vulcan must be very far inland and/or Vulcan has almost no rivers, which given how hot the planet is, wouldn’t actually be too much of a stretch of the imagination.
Which means every single lifeform on T’Khasi, including Vulcans, evolved biosystems that exist without (or with very little) salt content. Any salt that exists would likely be deep beneath the planet’s surface, and within volcanoes.
No saltwater has a ton of consequences:
Plants (like underwater algae) are rarer and may not photosynthesize the same way Earth plants do, meaning less oxygen and more carbon dioxide, which means more greenhouse effect, which means higher temperatures.
The lack of salt would also mean less diverse plant life (at least as humans know it) and given the lack of visible rivers and vast swaths of desert on Vulcan, we can safely say vegetation must be hardier and infrequent.
Lower sea levels as the oceans would have lower density due to lack of salt.
Little to no water convection, which salt is crucial for on Earth. Which means warm ocean water doesn’t move to cold regions and vice versa. Creating extremes, the equator being obscenely hot, and polar waters freezing at the poles more extensively.
Lack of convection means more frequent and stronger storms like hurricanes.
If you thought the lack of a moon made Vulcan inhospitable, compound it with the low sodium factor and you’ve got a planet of even more severe extremes than before. The heat, and the decrease of plant diversity definitely explain why the vast majority of Vulcan is rocky desert, even being near the water poses more extreme dangers than it would on earth due to the increased frequency of hurricanes.
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“Mr. Spock is much stronger than an ordinary human being.”
-Kirk, This Side of Paradise
I am almost 100% sure that Vulcan is either bigger or denser than Earth. Which would explain why Vulcans are so much stronger than Humans and other species that exist on similar gravity worlds.
Effects of a high-gravity planet or “Super-Earth” include:
Everything is shorter or has very strong foundations, plants, animals, structures, and people.
More “Armageddon” class asteroids would hit the planet (like the one that killed the dinosaurs and created the Gulf of Mexico)
Larger liquid mantle under the planet’s surface, higher pressure under the surface as well.
Weaker magnetic field due to lack of convection in the planet’s core (not to be confused with the mantle interacting with the planet’s crust). Which means a weaker atmosphere, lower magnetism in surface metals, and increased vulnerability to solar flares.
More volcanically and seismically active due the the increase in the mantle’s size and generated heat, more earthquakes, and more volcanic eruptions.
Would have to have a smaller sun but be closer in orbit to it than earth.
Extremely deep oceans, potentially with water under so much pressure at the bottom that it becomes solid like ice. Luckily Vulcan is not an ocean world, because the pressure would block the planet’s core from interacting with the atmosphere, which would prevent life as we know it from happening.
There is plenty of evidence for this on so many levels. We never see any plant life similar to trees on Vulcan. Nor animals significantly larger than Vulcans, the ones that are bigger are much more muscular. Vulcan’s sky is more red than blue because of the lack of oxygen molecules for the light from the sun to filter as blue. I actually headcanon that Spock is unusually tall for a Vulcan because of his human heritage (Leonard Nimoy was around 6ft tall) , and may have had heart and muscle problems in his teens and early adulthood while on Vulcan.
Perhaps Vulcans are the result of many more extinction level events than we are, contributing to their hardiness. Perhaps they are, evolutionarily, not too much older than we are, and had more incentive to develop extraterrestrial technology than we have, so that they could repel Armageddon Class meteors and defend their planet against Solar Flares? Space travel being born out of self-preservation rather than curiosity. Which would absolutely account for their attitudes in the beginning of Star Trek: Enterprise.
It could be that Vulcans still maintain a semi-nomadic lifestyle even today because their planet is so incredibly volatile. Unsentimental and utilitarian in anything less than the most sacred of architecture long before they adopted the teachings of Surak. Their own survival more valuable than any structure that would inevitably be damaged or destroyed by their planet’s harsh environment.
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In summary, Vulcan is a Nightmare Planet because:
So, so many much natural disasters, like, so many, earthquakes, volcanic eruptions, tsunamis, hurricanes, twisters, just, so many more than Earth.
Water is relegated to specific locations in the world rather than spread across it due to lack of flow and lower sea levels.
Extreme temperature changes, intense heat, intense cold, hard to breathe, stronger gravity.
Due to the planet’s hostility, there is a smaller diversity of life than we have here on earth, which means fewer and hardier food sources that, like Vulcans, are very difficult to kill.
So… How do they handle it? What features have they developed to adapt and thrive in such an inhospitable place?
First thing is first, lets talk about
BLOOD
“My hemoglobin is based on copper, not iron.”
-Spock, Obsession
Funny thing is Spock, it’s not hemoglobin at all! It’s hemocyanin! In fact, there are earth animals that have it, among them Horseshoe Crabs, crustaceans, mollusks and spiders!
Hemocyanin is blue when it hasn’t been exposed to oxygen, and blue-green when it has, according to some sources on Vulcans their blood is orangey red when unexposed to air and that’s why they have pink lips and so on, but we can brush that off as chemical variation within their hemocyanin. Better yet, maybe it’s trendy for Vulcans to wear pink lipstick nowadays, ‘cause Surak knows how horny Humans and Vulcans are for each other XD! Anyway!
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Hemocyanin does quite a few things that our blood can’t, it’s uniquely built for high pressure, low oxygen environments, as well as endure temperature extremes like cold (not unlike nights on their planet). Not only that, but it coagulates and clots WAY faster than our blood. Which means wounds seal themselves off from harmful bacteria and stop bleeding much faster than hemoglobin. Pair that with the Vulcan ability to enter a healing torpor, no wonder Spock keeps surviving environments and wounds that would definitely have killed a human.
Now, the animals I listed don’t have veins, which for us carry oxygen around via hemoglobin, so it’s possible that the same difference that causes Vulcan blood to be a coppery orange-red beneath the skin, is the same reason they have veins. Allowing them to look more like us and lack the exoskeletons and deep ocean delving that their earth blood cousins have.
“The ship’s temperature is increasingly uncomfortable for me. I’ve adjusted the environment in my quarters to 125 degrees.”
-(Elderly) Spock, The Deadly Years
Oh goodie, the Vulcan blood temperature discourse has arrived, the age old question, are Vulcans warm-blooded or cold-blooded? The answer to this question is
YES
I am firmly in the small (but hopefully growing) camp Vulcans Are Heterothermic. Among the earth animals we know to be heterothermic are bumblebees, several species of bats, the opah fish, and the arctic ground squirrel. Of all these animals, despite the opposite temperature intensity of Vulcan’s environment, I’m basing how Vulcans function on the last one, the arctic squirrel.
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Which means they can deliberately control their body temperature in accordance to the needs of their survival. I imagine, just as arctic ground squirrels can drop their body below zero as needed (entering what is called a “daily torpor”) Vulcans can do the same. In turn, they could possibly skyrocket their bodies to temperatures that would be a lethal fever for humans. Which makes both McCoy’s “nonexistent Vulcan metabolism” comments in various episodes, as well as describing his blood as “ice water” make sense. As well as Spock being able to handle the heightened body temperature caused by Henoch in “Return to Tomorrow”. It also explains why Spock was in far better shape than Bones in the freezing temperatures of the planet from “All Our Yesterdays”.
However, like arctic squirrel newborns, they start out as ectothermic (cold-blooded) which lends itself to the Vulcan infants needing even more skin to skin to survive than humans theory by @acesexualspock. Being born cold blooded would prevent them from immediately dying the second they were exposed to the dangerous extremes of Vulcan’s heat. I also think they slowly lose the ability to control their metabolic rate as they grow older, slowing down dramatically as they age, which is why Spock gets increasingly colder as he ages rapidly in “The Deadly Years”.
“The brightness of the Vulcan sun has caused the development of an inner eyelid.”
-Spock, Operation: Annihilate
I wanna thank @tribbleland for inspiring this part in particular.
I want to offer a special congratulations to furries people who let their love for anthro-cats bleed into their love for Vulcans, turns out Vulcans are very catlike! Like our feline Terran friends, Vulcans have what is called a Nicitating Membrane. It’s functions that would serve Vulcans well in their desert home include spreading moisture across the eye, protect the eye from small water and small debris (like sand for example), as well as protecting the eye from ultraviolet radiation, which is more or less what Spock said in that episode. Other animals that have Nicitating Membranes aside from felines is actually the majority of the animal kingdom, and primates (like us) are the exception and not the rule. I also subscribe to the idea that Vulcans have other desert dweller features like thick hair and eyelashes, sealable nostrils, big feet, a crepuscular sleep cycle (avoiding extreme midnight and midday temperatures), and a tough as nails digestive system!
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As an added bonus fact since this section is pretty short: It makes purrfect sense for Vulcans to purr! In cats purring is an emotional regulator when they are angry or scared (Vulcans are ALL about regulating their emotions) as well as purring when they are happy. It is also a mechanism for healing themselves, their kittens, and their owners, the frequency at which cats purr (25-140 Hz) cover the same frequencies that are therapeutic for bone growth and fracture healing, pain relief, swelling reduction, wound healing, muscle growth and repair, tendon repair, and mobility of joints. I’m over here getting emotional about the mental image of like, Spock or Tuvok or smth sitting next to a wounded crewmember and just like, purring with a completely straight face and that is soft and just a little funny and I am emotionally compromised.
“And are it’s natives predatory?” “Not generally, but there have been exceptions.”
-Spock to Trelaine, The Squire of Gothos
Surprise! This isn’t just going to be about Vulcan dietary needs, it’s gonna be about animal behaviors and self-domestication as well! I was trying to think of herbivores that are capable of eating meat, and then this idea hit me like a bomb going of in my head-
Vulcans are like Hippos!
I don’t mean I think they used to be hippo-like (visually anyway) somewhere along the evolutionary line. I mean that they were probably big, extremely aggressive, pack roaming herbivores that are able to eat carrion when food is scarce. Have you ever seen a video of a group of Hippos smashing an alligator to smithereens? They kill more humans than any solitary predator on the African continent! What about a murder of crows killing a cat that injured one of them, or a group of bison saving a calf from a lion?! Herbivores can be insanely aggressive while still being social, plant-eating animals.
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With that in mind, let’s talk about self-domestication! This is something that we humans (and to an extent, cats too) did way back in our biology according to some studies, we bred out aggression and bred in cooperativeness and curiosity. Cats, while partially domesticated by us, started looking for mates that were more sociable so that their offspring could exist closer to humans (and their food) as well as to tolerate other cats. While I do think Vulcans self-domesticated to a degree, I do not think they were able to do so nearly to the same extent as humans or our deliberately domesticated companions. Vulcan is a harsh, violent, and unforgiving planet, even more so than Earth, if Vulcans were naturally as friendly and curious as we Humans are now, they would not have survived as a species.
I believe this is why their emotions are so primal and strong, and things like Pon Farr and their unusually high wariness of the new and unexpected still exist so strongly. How do they live together in such high numbers and develop a functional society? They developed other means of coping as a work-around the impracticality of decreasing aggression!
“Call it a deep understanding of the way things happen to Vulcans.”
-Spock, The Immunity Syndrome
So, how do you have a species as aggressive, unforgiving, and frighteningly strong as Vulcans keep from completely destroying itself (aside from Surak’s teachings)? You take the empathy that humans already have, turn it up to 11, and tack on every evolutionary possibility to increase it. We already know how the Earth comparisons for Vulcan empathy: the extreme vitality of touch for the survival and emotional stability, cats purring to heal each other and themselves (and regulate emotions), nonverbal communication, the ancestral instincts of an infant animal being able to walk days after its born. What if we had all of these traits in remarkable spades, Vulcans certainly seem to! (Be prepared, the science starts getting a little squidgy because there are no real world comparisons and neurology research is very jargon heavy)
Electricity is a fundamental part of the biology of nearly all living things, it allows synapses to fire, regulates our internal organs, and gives us our senses of touch and movement. Skin to skin is so incredibly vital to the survival of infants, and the emotional stability for adults, that needing any more touch could be impractical and counterintuitive. So what if we got more from less? What if our sense of touch, and the acuteness of being able to read the emotions of others from body language and touch manifested as a form of what looks like from an outsider’s perspective, telepathy!
Now what if the radius of the sensation of touch could be extended much farther, say being able to sense someone to the same intensity I described in the last paragraph, like, through a wall or from across a room? What if you could connect to other lifeforms with the same ability like a chain circuit that could connect a whole species together in one giant circuitboard? I just described what Vulcans call the kwar’ma’khon, the telepathic energy that connects all Vulcans to each other!
Imagine having this same intense telepathic connection to someone for an extended period of time, like a t’hy’la or Bond Mate. What if you had a relatively easy to master non-lethal attack against other members of your species, that comes to you easily due to your intrinsic understanding of nerves and touch, like the Vulcan Nerve Pinch. In turn, what if, through the intensity of this connection you could transfer everything you knew and saw and felt to another person in the event of your death. That way, if you survived the harshness of your world without dying violently or unexpectedly, you could deliberately pass on that knowledge and those instincts to your next of kin, like the Katra. (thanks @distractedducky @spacedancer1701 & @find-me-in-outer-space)
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Now, that’s A LOT of empathy on top of A LOT of aggression, if you don’t have a work around for any of these, as a species you’d be rendered a complete emotional wreck pretty much 24/7 (or whatever the time cycles for Vulcan are). Which is where @ineffablebuddies theory that Vulcans can control, or at least mitigate their incredibly strong emotional reactions the same way they control their nervous system and metabolic rate. Which is how they are able to be touch telepathic, able to enter a torpor at will, and be heterothermic in the first place. The only reason Vulcans come off as unemotional to us is because we simply do not see and feel the way that they can. Unlike us, because of their ability to control their own internal chemistry, if they follow Surak’s teachings and/or Syrranite ideology, they can take that emotional regulation to the extreme.
(BIG EXHALE) Congratulations on getting through this insanely long post! I hope you enjoyed it, if you want sources on any of my non-tumblr post research just let me know in the notes. LLAP! 💚🖖🏻💚
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chiwhorei · 3 years
Text
wick(ed)
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pairing: dabi x fem!reader
genre: smut, 18+ mdni
word count: 2.3k
tags: very, very sacreligious themes, trespassing, (pink) waxplay, blindfolds, bondage, public sex, oral
a/n: this is my contribution to the sewer’s valentine’s day collab: two in the pink, one in the kink. check out everyone else’s pieces here! valentine’s day was on a sunday this year, so as far as sacrelige goes, my hands were tied. this is dedicated to @undermattsun, as all bastardization of the catholic faith should be.
hymn: take me to church by hozier
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For there shall be no reward to the evil; the candle of the wicked shall be put out. -Proverbs 24:20
The smell of musty wood and a subtle fog of smoke traps you as soon as you’re guided blindly. From the sound of creaking and the loud slam behind you-- the door you’ve been pulled past is tall and heavy. The sound makes you jump backwards into the body of your captor.
“Dabi, please just tell me where we are. You’re freaking me out.” You try to reason with the man escorting you, careful to ensure you don’t trip as you walk forward into the undisclosed building. You slump forward slightly, every sense trying desperately to piece together what’s covered by satin fabric.
“If I told you where we were, wouldn’t that ruin the surprise?” You let out a shaky huff, Dabi has never been one for romantic displays of affection, so you’re doubtful there’s a bouquet of roses and chocolate written into the night’s activities. You feel his breath fanning in hot puffs against your neck, he’s close enough to graze the shell of your ear.
“And don’t call me Dabi. That isn’t who I am to you when we’re alone,” Your skin prickles at his touch, one arm snaking its way to circle around your neck. He presses his pointer finger and thumb into the skin, dragging the pressure upwards to tilt your chin, “What’s my name, princess?”
Even blindfolded, you can feel the scorch of blue eyes on your face. A warmth that burns if you get too close. No matter how many times Dabi tried to push you away, whether with actions or sharp words, you always remained fireproof.
“I’m sorry, Touya.” Your voice is little more than a whisper, words filling the still secret space around you. Dabi hums, pleased at the way your body is reacting. Without being able to see, you’re sensitive and jumpy. Every sound, every movement, every feeling is amplified.
“Just a little farther, princess.” You lean against his chest, the feeling of rough skin and hard muscles calms the fraying ends of your nerves. You know Dabi-- Touya, he’s not even close to a good person. Under purpled scars and blue flames, he’s still a villain. But you know at least one thing for certain, he would never hurt you.
At least not in ways you wouldn’t like.
Wherever he dragged you probably didn’t come with a formal invitation, that much was obvious in the sounds of metal instruments against what you could assume was a lock. The tight little dress he had “bought” for you does nothing against the cold air assaulting your uncovered skin. Your teeth chatter, skin icey and hyper-sensitive. Dabi notices the way you bristle, and runs his warm hands over your arms. His fingers press into the skin, pushing you forward.
You can feel the drag of carpet under your shoes, the heavy footsteps directly trailing yours are muffled where Dabi’s boots usually stomp loudly. You’re stopped abruptly, his hands finding the fat of your hips, turning you around to face him. Your own come up to brace against his chest, the clamoring in your heart calming slightly at the comforting smell-- sage and freshly struck matches.
Dabi drops his grip onto the skin right below your ass, squeezing slightly as his lips hover over yours. You feel his mouth an inch from you, lifting up on the balls of your feet to connect them. The man above you laughs as you try to catch a kiss like a carrot dangling on a string.
“Hold on tight, kid.” Dabi rewards you a chaste peck before hoisting you up, your legs circle around his waist, instinct guiding where your sight can’t. The overwhelming anticipation for what he has planned ignites in your core. It’s not lost on him, with the damp fabric of your panties pressed right against his abdomen. Dabi can already feel his cock straining in his boxers, pressing obnoxiously against his zipper.
You nuzzle against the crook of Dabi’s neck, careful not to rub against the staples lining his collarbone. He braces you, holding on to your ass tightly as he walks up three short steps.
Rough linen hits the back of your thighs as he sets you down. Your fingers come down to your new perch, crinkling the farblic in your fingers. From what you can feel, it seems like wood covered in some kind of table cloth.
Dabi steps away, his warmth dissipates but you’re still trapped under his stare. From this position, you realize you’re propped up higher than where Dabi stands, His eyes burn in a trail from your face to your slightly parted legs.
“My beautiful girl.” He marvels at where you sit perfectly on display, his voice now loud enough to eccoh against high ceilings. The sound startles you, every inch of skin submerged in a fresh flight of goosebumps.
“Touya, p-please,” Your voice sounds like a stranger’s as it reverberates around the room before it hits your ears. What are you pleading for?
You’re not sure if your begging for less of his torture, or more.
“Patience, princess. Don’t you trust me?” His question is loaded, knowing full well that you absolutely shouldn’t be trusting the villain before you. It’s almost funny how easily he crept into your heart; staking claim on your body, seeping into your blood.
“I trust you, Touya,” Your voice is barely above a whimper, your words feel like a salve dripping down his scarred shoulders, “always.”
He stole your heart, he’s probably ruined you in more ways than either of you would like to admit. But in exchange, unlike anyone who has come before, unlike any other person on the planet-- you have his heart too.
Dabi lets the backpack on his shoulders fall to the ground, you can hear the rustling of whatever he brought with him. He’s quiet as he approaches you again, reaching up to rub his thumb over your lips. Upon the contact, your mouth falls open to capture the digit, closing around it to suck lightly. Your temperance is a stronger hit than any drug Dabi could find.
He pets your cheek before bringing the satin rope in his left hand up to your lap, you feel the soft fabric against the top of your thighs.
“Give me your hands, princess.” Dabi almost coos when you put your wrists together and lift them towards him as an offering.
The silken rope snakes around your wrists, just tight enough so you can’t move them. He sets your hands to lay comfortably back in your lap. You’re now robbed of sight and touch, all you can comfortably do with your hands is fidget with your fingers.
“You’re always so agreeable, kid, shouldn’t you be worried? All alone with a big bad villain.” His words are desperate confirmation, poking at your resolve to see if this will be the time you cry out and demand your freedom back.
“Never.” One word reads like novels, your tone clearly extending past tonight. Not an ounce of duress to be heard even as you bristle with anticipation. It’s true. The touch that no one else has ever found welcoming is one you lean in to.
The hands that could turn buildings to ash have never scared you.
Dabi leans in to capture you in a kiss, his teeth grazing your bottom lip in the way he knows will make you gasp. His tongue slides into your now open mouth, desperation pushing in to explore you. Dabi tastes like Seven Stars and mint gum-- you swear the nicotine seeps right into your nerve endings. Fingers tangle into the straps of your dress, pulling them down your shoulders. You jump at the cool air against your exposed chest, nipples hardening immediately. Every new sensation is acute when you aren’t given any forewarning.
His hands come up to either of your cheeks, anchoring himself to the earth. The world seems to stop on its axis when it comes to you. The moment frozen, suspended in time. He would live in your orbit every available moment if you let him.
Dabi snaps out of the spell you have on him at the sharp whine that leaves your lips. His forehead lands against yours, catching each other's unsteady breaths in the small space between you. Dabi looks down to see the way your thighs are rubbing together, laughing lightly at how worked up you’ve become. You can’t see it, but he’s fairing just the same.
“You always submit so sweetly, princess,” Dabi bites your lip with a playful growl, turning away to grab the last of his surprises, “but the fun hasn’t even begun.”
The first notable sound your ears pick up is a light crackle. Your brows crease under the blind, trying to place the small pop and flicker. Dabi brings a small flame towards your body, you can see the smallest outline of blue past the silk barrier covering your eyes.
Flickering fire is an inch from your skin, but you don’t flinch away. When it comes to Dabi, all you ever seem to want is to be closer.
The next thing you notice brings realization crashing against your skin like a bucket of cold water: the smell of a burning wick. All of your senses still available piece together the remaining puzzle. The cold echoing, the feeling of scratchy linen against your ass, the smell of wood and perfumed smoke and candles.
“C-church. You brought me to a--” Your realization is cut off with a sharp prick of heat dripping down your chest. You yelp at the feeling of melted wax trailing around the swell of your breast.
“Clever little girl,” Dabi punctuates each word with another splash of hot wax. It runs down your now sweaty skin and hardens in lines on your exposed chest and stomach, pooling in the bunched up fabric of your dress.
“You look so beautiful like this.” You hang on his words like they’ll save you from the onslaught of a melting candle.
“Please, Touya I--”
But you aren’t begging for mercy. You’re begging for more of his touch, for more of anything he wants to give you, even if it’s searing hot.
“You’re gonna want to see this, kid.” Dabi’s fingers are at the back of your head, loosening the blindfold so it drops around your neck. Even in the dead of night, you wince at the moonlight spilling through large stained glass windows. You look to where Dabi stands before you, a mix of lust and adoration flashes in the blue of his eyes. Your own gaze comes down to the lashes of pink splotching your skin.
“This is definitely your color, princes.” Dabi stares for a moment longer. You look equally angelic and depraved like this, almost naked and glistening in an onslaught of melted pink, positioned like the most holy sacrament. He’ll take you.
Dabi pushes you gently so your back falls against the altar, pulling both legs so they’re propped against the table top and spread for him. Your bound arms fall to lie above your head.
It’s so irrefutably evil-- both the breaking into a place of worship and the sick joy he gets from making you a mess below a god he doesn't believe in. Dabi pulls your panties away, the fabric almost matches the pink he dripped against your overly sensitive skin.
“So wet for me,” he muses, kneeling down to be eye level with your sopping cunt, “you like being on display like this, don’t you.”
Your eyes roll back at the feeling of Dabi’s tongue against your lips, your cunt all but quivers at his attention. Dabi wouldn’t be caught dead in the stiff wooden pews on any given Sunday, but he still kneels before the closest thing to religion he has ever known.
Both of his hands come up to either of your thighs to keep you from squeezing them together. There’s no escape from the devil between your legs, there’s nowhere to run from the whip of his wicked tongue.
His pace gives you no time to breath, lapping against your folds like a man dehydrated. Every long swipe against your skin ends in his lips closing around your painfully hard clit to suck harshly. You’re hurtling towards orgasm, twitching in Dabi’s hold.
“Oh fuck, oh my God.” Your chanting of prayer makes Dabi chuckle against the puffy skin, pulling back only slightly to slap your clit with a wet pop.
“Not quite, princess.”
His prodding is relentless, slurping at your pussy with no care to how you’re definitely dripping against the white cloth under you. The knowledge that your arousal is crisiting the altar below you should be mortifying. Instead it’s driving you higher.
Dabi can tell you’re close, the shaking begs for him and the way you clench around his tongue is warning enough. He’s well familiarized with how your body stiffens before the final--
“T-Touya, I’m gonna cum.”
Your warning is almost screamed, muffled only by a series of whimpers. You contract every muscle in your body tightly, it feels like your spine could snap in half before relaxing limply against the wood below you. Your eyes are squeezed shut but fall open as bliss consumes you, your body feels boneless and limp.
The first things your gaze can focus on is the cross behind you, from your position bent over the altar, it’s upside down. You shiver at the blaring symbolism but are quickly pulled from any impending guilt at the feeling of Dabi’s cock against your cunt. All you can, all you want, to do is let him have anything. Body and soul and whatever could exist of you.
As Dabi presses the head in, you welcome him like home. He has to steady himself with a rough grip on your hips as you suck him in inch by thick inch.
God doesn't exist, Dabi thinks to himself.
But he’ll take you like communion.
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all writing is dymphnasprose’s original content, please do not repost or modify. do no read my content as asmr.©️
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valdomarxxx · 3 years
Text
There was only one bed? Well, @whataboutthebard, I know just the story. Forgive me if it's one you've heard before.
~
We are invited to court, and begged to perform. Some cousin of a cousin of the king, a far-flung royal offshoot with more money than he knows what to do with and more pretension than he’s earnt. In truth, he’s hired more than just the two bards who orbit the centre of this story; musicians and dancers and an orchestra, singers from far-flung climes to demonstrate how worldly and knowledgeable he is.
(It does not matter that the cousin-of-a-cousin has never stepped foot out of Verden. It is the appearance that counts.)
He has chosen us, he claims, because we are the most recent and second-most-recent winners of the Oxenfurt Bardic Competition. This will demonstrate how entrenched he is in the community, and how much he supports the arts.
We are led upstairs to the less fine wing of the keep, and I realise that he could have supported the arts more effectively by paying us a good wage, and - more to the point - supplying us with decent sleeping accommodations.
There is only one bed.
We look at each other. We look at the servant who has escorted us here.
“There appears to be some mistake,” I say, just as you speak - “And where is the other room?”
The servant raises her eyebrows at us. “No mistake,” she says. “You can take it or leave it. He won’t be granting you better.” She pauses, watching us, weighing us up. “Count yourselves lucky,” she says. “The flutist from Ebbing is sleeping on the floor with the servants. The group from Vicovaro are in the barn. The only place not teeming with musicians is the pig sty. But by all means, feel free to take it up with his Lordship if it displeases you.”
I peer at you. It could displease me more. It’s been some time since friendship became something slightly spikier, since those long sleepless nights at the academy. But I hesitate to call us rivals or enemies; the animosity between us is all for show.
At least, I think it is all for show.
(Later, I cannot be so sure.)
And… I look away from you, looking to the floor, looking to the single bed placed in the centre of the room like a steel-jawed trap. There are worse places to be.
Like the pig sty, for example. We thank the servant, who purses her lips and leaves.
“So,” you say. You throw your things to the bed.
“So.” I agree. I place my things beside yours.
It promises to be a long night.
The performance goes well. Even the most boorish employer can be tolerated when you have a captive audience and talented accompaniment, and it’s clear that the musicians gathered for the event are of the highest calibre. It’s been some time since we performed together, and we slip into the duet surprisingly easily, sliding back into two harmonising halves of a whole.
We close our set to applause and cheering, and - to both of our surprise - are led into a side chamber where we are given the real payment for our labours: food and wine. It is by no means as fine as the feast currently being served in the adjacent hall, but it’s better than I can expect in the Academy or you can expect on the road, and we settle into a long evening celebrating a successful performance.
That damned bed settles in the back of my mind like a ghost, like an itch I cannot scratch. Even when we laugh over old memories or bicker over which bottle to open next, I am thinking about what awaits us up the flight of servants’ stairs.
I am catastrophizing, I know. It is just a bed. Two nights - for we have been asked to perform tomorrow, too - and sweet sleep. Or not so sweet: as I have already mentioned, you snore, and I am not relishing the idea of those snorting grunts pressed so closely against my ear.
Yet—
No. I push down the thought, and return to the celebration, all the while waiting for the world to quietly end.
And it does, eventually. The food cleared away and the wine passed along to the next group of troubadours, we make our way up the stairs towards the room. Towards our room. We shuffle inside in silence, and before the door has shut you’re already stripping from your performance finery. You don’t even hesitate, and I suppose this is what travelling with a companion for so many years does to you; although you were never shy about your body in the same way I am.
I tug away my doublet hastily yet carefully, followed by my breeches - together they cost more than the pay we’re due to receive for tonight’s work. You are already in the bed, and for a moment I hesitate. I could sleep on the floor. It would not be a comfortable night, but the wine has made my bones feel soft and I have, after all, slept in worse places. It would be no hardship to pillow my clothes, however expensive they are, beneath my head and lie upon the wooden boards to—
“Valdo.” Your voice is sure in the dark. “Get in the bed.”
I do as you ask. The sheets are already body-warm, the mattress sagging where you lay just half a foot away. I lower myself to the edge, opening the space between us, muscles stiffening as I petrify, my body melding into immovable stone.
But not immovable enough. I feel you twist beside me, hear you sigh, can tell that even now you’re rolling your eyes at me. My senses, already heightened, light up, and then—
Your hand on my arm. You do not pull me closer, you do not tug or claw or grab or demand. You barely brush my skin. But still I move, still I follow that touch, still I turn onto my side until I’m facing you. You’re facing me, too.
“You get used to sharing a bed on the road,” you say, like we were halfway through another conversation. “It barely feels odd anymore when I and—”
“Please.” I cut you off. I try to sound biting instead of sad. “I do not need to hear about your witcher this evening.”
“No,” you reply. “I… I don’t think I want to talk about him, either.”
You move closer. Our ankles touch, of all things, and the hairs on the back of my neck stand on end. My heartbeat quickens; I pray for it to still and quieten. You yawn, and the gape cracks into a sleepy smile.
It’s easier, suddenly. Your hand is still upon my arm, and your skin is warm, and the bed is soft despite the cramped space. I turn onto my back, and feel your arm snake its way across my chest, towards my shoulder. I pull you close; I couldn’t do anything else but wrap my arms around you.
I expect to lie awake for hours, the lavender and chamomile scent of your hair filling my nose, muddling my mind. But you're warm, and soft, and gentle, and soon I feel myself drifting away, the pressure of your head against my chest making me painfully aware of every breath I take.
I sleep, and dream of—
I dream of you.
The next morning we wake slowly, dress slowly, eat slowly. We perform quick and fast and turbulent, garnering even louder applause, even greater accolades. It passes in a blur.
That night, we fall back into our shared bed. That night, we do not sleep at all.
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archipelagolago · 3 years
Text
Desperation in the Form of Strawbb Milkshake
Billy is nearly asleep. Or, he was nearly asleep, until he felt Steve wiggle around in his arms & turn to face him.
Steve's hot breath tickled his eyelashes for a few dozen seconds before Billy heard Steve clear his throat.
"Billy," he whispered, "are you still awake?"
Billy grunted in response, opened his eyes enough to squint at Steve.
Steve smiled softly, tucked a golden curl back behind Billy's ear.
He made Billy want to melt. To crawl up to one of the dimples above Steve's lips and bask in his warmth until the sun burned to ash. And he was sleepy enough to show it. Sleepy enough to plant a kiss on the wrist resting against his jaw. Sleepy enough to forget to smirk up at Steve and cut up the softness of the moment. Even, sleepy enough to let the planted kiss bloom into a soft-petaled flower. A bluebell, maybe.
He sighed against Steve's wrist and failed to keep his breath from silently speaking of the comfort he felt within Steve's orbit.
Steve's fingers swirled around the baby hairs at Billy's hairline, kept spinning even as Steve scooted forward, tucked his nose under Billy's chin.
Billy wondered if, maybe, right here, in this fixed point in time, if this would be the happiest moment of his life. He figured, it seemed likely. Because, honestly, what more could he want? How could he ever wish for anything more perfect than the warmth of Steve? He doesn't think he ever could.
He treasures the last few seconds before Steve speaks again, and the bliss shifts, and the moment changes.
Steve's hand in Billy's hair stops moving, his arms squeeze around Billy for a second before he says, "I just... really want a strawberry milkshake."
Billy chuckles lightly, rests his 'i love you' in the back of his throat. Feels Steve's 'love you too' in the hot, delicate breathing over his collar bone.
Steve continues, "We could go to the diner. I'll get you one too if you let me drive the Camaro."
Billy's chest rumbles against Steve's shoulder as he replies, "Everything's closed, Stevie. It's... what time is it?"
Steve leaves a gentle kiss on the curve of Billy's neck, "Not sure. Sometime after 2."
"Yeah. So it's 2AM, and the diner's closed. Has been for hours."
Steve huffs in mild frustration, he's never liked being reminded of reality.
Billy starts rubbing his thumb up and down over his favorite mole on Steve's bicep.
"What d'you want me to do baby? Break into Freddy's for a strawberry milkshake?"
Steve hums against Billy's skin, Billy feels his lips slip into a smile.
"Well. That'd be ideal, yeah."
Billy scoffs, tries not to choke on the love aching deep in his chest and throat, "Sorry sunset, don't wanna get banned from the only diner in Hawkins."
"Awww," Steve groans, "c'mon billy goat, thought you said this town needed some more action."
Billy pulls him closer still, "You know, as much as I'd like to see Hopper all pissed off about getting woken up this early to a call about some reckless teenage menace breaking into Freddy's to get his ridiculous boyfriend a strawberry milkshake, imma hav'ta stick with no."
Steve breathes out a dramatic sigh, "And here I've been thinking the only reason I started going out with you was because I trusted you'd be willing to break into Freddy's and steal me a strawberry milkshake anytime I asked."
Billy rolls his eyes, tickles Steve's sides until Steve pulls back, laughing, and catching Billy's hands. Trapping them in his grip until they catch him back.
Billy squeezes their entwined fingers. Exhales, "Nice try. Answer's still no. I might be able to make you one though? We have strawberries and milk, and I think we might even have ice cream."
Steve shakes his head, "No, no. The type of strawberry milkshake I'm craving is a 'drink it in our booth at Freddy's at 3AM' type."
Billy pulls a hand out of Steve's grip, shifts him forward until Billy's mouth is brushing against Steve's ear lobe.
"You know Steve," he breathes, "sometimes I can't tell if you're joking or not. Question is always, 'he tryin' to rile me up? Or should I be takin' this more serious?' "
Steve huffs a quiet laugh. Soft. It sends butterflies fluttering from Billy's stomach down to his toes. Bribes a few to fly up to Billy's face, land gently in the corners of his smile. It feels like life, Steve's laugh. It feels like living.
"Well. I'm entirely serious right now, billy goat. Serious as a charge of breaking and entering can be."
Billy rolls his eyes again. He's always rolling his eyes at Steve. In the 'I'm so damn in love with you it's ridiculous' type of way. Though, sometimes, when he's lying on the floor of his room, locked in from the outside, struggling to breathe over his tears, he wishes it was another type of way. A 'this kid is pissing me off' type of way. He wishes he wasn't so in love with the boy pressed against him. But, truly, he could never be anything else. He could never get the 'love' away from the 'Steve'. And that's okay. It's good, the best, even, especially here. Especially now. In Steve's bed. In Steve's warmth.
So. Billy rolls his eyes in the 'I'm so damn in love with this boy it's ridiculous' type of way.
Rolls his eyes and says, "In that case, I hate ta tell ya this Stevie, but I can't make your dream a reality."
Steve goes still. Then pushes Billy back from him and tilts his head up until their eyes meet.
Steve's eyes say 'I'm so damn in love with you it's ridiculous'. Billy's not sure he remembers how to breathe.
Steve brushes a hand over Billy's cheek. Rests it under his jaw.
"You're the only dream that's ever really mattered, love."
Billy's sure he doesn't remember how to breathe then. The affection aching deep in his sternum spreads over his whole body. The butterflies flutter up to his eyes. The love swells until Billy can't keep it still anymore. Until the damn breaks. Until it overflows through his tear ducts, drips down his cheeks.
Steve's smile turns into a bluebell, only looks a little sad when he leans in to rub his nose with Billy's. Presses kisses over his cheeks and against his eyelashes. Floods more love into the already overflowing stream until the whole room is blooming with it. Until all the bluebells sprout.
Steve's thumb stroking Billy's lower lip reminds him how to breathe again. Teaches the art of exhalation. And now Billy's breathing in bluebells. Breathing in Steve. He thinks this moment has to be the fullest one he'll ever have. Might keep thinking that again and again as long as Steve's laugh keeps sounding like, 'I'm so damn in love with you it's ridiculous'.
And Billy's desperate. Desperate to push the love away. Desperate to hold onto it forever. Desperate for Steve to know how deep into his bones their symphony resonates.
Billy inhales, "Go to sleep, strawbaby."
Steve's bluebell smile blooms again, grows into a grin, full and real and everything. He pulls Billy closer yet, nuzzles against his chest. Sighs in the type of way that means he'd plant a valley full of bluebells, fill the entire house with butterflies, just to keep hearing Billy wrap him in the new nickname until the sun burns to ash.
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magicmanias · 3 years
Text
The Wanderer
Episode 2 of Polaris
[per - uh - jee] (n). Astronomy. the point in the orbit of a heavenly body at which it is nearest to the earth
Pairing: Loki x Reader
Summary: A fugitive out of time + interdimensional space travel + a love story. Always on the run, and while Loki might be able to escape the TVA, he always gravitates towards you. Not even bending the fabric of space and time itself can cut his heartstrings.
Occurs after the events of Endgame. Replaces Loki mini-series timeline.
Warnings: You know it’s gonna be angst. You just know. Come on now.
Word Count: 3.0k
A/N: Sorry this took so long! I have exams coming up, so I’ve been having to study for those a lot. Once exams are over at the end of May, you know I’ll be writing like a maniac. Also, the word count will definitely increase as the chapters go along. It's been a bit short, but right now, we're just building traction! And yes… You will come across a part that is vague and opens up more questions about the reader who I have named Goddess Divine.
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“Thank you.” Loki rubs his wrists as the chains fall to the ground. “Where did you learn to do that?”
“You—My husband taught me,” you said. Loki nodded but offered nothing in response. “We need to leave here. I know a way.”
“Hey, hold on.” Loki reached out to grab her wrist, but lowered his hand once he got her attention instead. “We don’t have the Tesseract.”
“There are other ways to leave this planet.”
Loki scoffed. “I don’t think you understand how powerful that thing is.”
You turned fully to face him, craning your neck to meet his eyes. “I know more than you. Trust me. It’s better if you forget about it.”
The children are constantly at the forefront of your thoughts even as you searched for an escape in the caverns under Asgard. Memories of posies in hand and your old, favorite pink dress drew all your attention from the damp halls illuminated by enchanted flame. This place… this time that you’re in was all-too-well ingrained in the core of everything you remembered of your home.
Your calves started to strain and it took you some time until you realized that you’ve been trying to sync your steps with Loki’s, an unconscious effort you would always put in walking alongside your husband. The difference was that his doppleganger didn’t take care to shorten his strides to allow for you to keep up.
“We’ve fallen into a past timeline of yours.” Loki glanced at you over his shoulder. “Those children were you and… your husband.”
“Yes.” You give up on trying to keep up and let him take the lead. “I remember why we were up there. Today was the Perigee.”
Loki was curious. He’d never heard of such a thing. “I’m sorry. I don’t understand.”
You made a confused look on your face, but then immediately understood. “I suppose you don’t observe that in your world.”
“No, I can’t say that we do. Is it a celestial celebration? We only commemorate the coming of the seasons.”
At the end of the hall, you finally arrived at the center of the caverns, a chamber of nine interconnected murals telling the story of creation. You and Loki used to play under these paintings, waiting until Thor would find you at last.
“The Perigee is not of Asgard. It exists on Midgard, the mortal planet, when the moon is at its closest point in orbit to the earth. It happens so often there, but we hold the festival when Asgard, too, is at its closest point with Midgard.”
“That seems a bit arbitrary,” he commented, now gazing at the murals of his father above him. Odin was painted in a beautiful light as he constructed the world. Ymir simply seemed to disappear from the artwork, but the muralist failed to convey that Odin slew the giant and used his body to form the cosmos.
“There is a story behind it, like all great Norse holidays have. It tells the story of Gaea and Máni. A tale of forbidden love. Lofn loves to tell the story for all the children at each festival. She claims that without her, they would never have ended up together,” you laughed, “I remember pulling Loki from his books so we could make it on time.” You giggled at the memory.
“Máni? I haven’t ever heard of him retiring from pulling the moon. And Gaea has been sleeping for eons.”
“Our history is different, perhaps. I do not exist in your Asgard, yes?” You continued to walk, choosing the fourth passage from the left that led to the waterfall beneath the palace.
“No. No, I’m afraid not.” Loki paused in thought as he contemplated your assumption. Surely you must have existed somewhere in his world. “So what was so forbidden of their love?”
“Where I come from, Gaea was truly the first realm to exist, made of the blood and dust from a time even beyond her. In an empty universe, she was lonely, though she was a goddess of life itself. So she collected more dust in the reaches of space and breathed life into Máni. He was born, bright like the stars and light in his heart. He was grateful for life, and in return, he gave her his love… and her children. The mortals. But when they came close to embrace one another, he came too close and scorched the earth, burning her children. Gaea mourned, crying until Midgard flooded with her tears. From the water, the plants regrew and the animals emerged, but still, she missed her children. Máni couldn’t bear to see his love so saddened, so he sacrificed almost all of his power to breathe new life in the mortals. He grew dim and small, no longer so mighty without Gaea’s magic. Now in a realm of eternal darkness, Sol had finally caught up to Máni. She was born with the duty to bring light to the mortals, but Odin also tasked her with the job to separate Gaea and Máni when they became too close. Every day, she shines her light on the earth, but when she goes to rest, Máni returns to see Gaea before Sol wakes up once again to warn Máni. Yet sometimes, Máni can’t help but to come a little bit closer to Gaea—the rising tides his only warning. We call it the Perigee.”
“And what of Lofn? How did she contribute her skills in this forbidden love?”
“Oh yes. Lofn told us that she was the only being to give her consent to their love. The rest of Aesir vehemently rejected the bond. She used to try and match all the children up in the village and she would host all the play weddings. We must have been married by her hundreds of times. She could never resist the idea of the God of Mischief with a maiden Vanir.”
The sound of water crashing down into the abyss grew louder and louder as natural light started to creep into the passage.
“What is your role?”
“My role?”
“Yes, what do you do? What do you reign over?”
“Oh, I’m really no one. I don’t even think the Midgardians are aware of me. My role is quite insignificant compared to the likes of your brother or even the infamous trickster.”
“What is your role, Goddess?” he pushed once more.
“Seidr,” you shrugged, racing your finger along the stone wall.
“I would hardly call that insignificant. The power of prophecy is a force to be reckoned with.”
“I was born with a divine title, but I can’t even perform a healing spell,” you admitted.
“Your husband never taught you?” Loki smirked, the tease hanging loose from his lips.
You frowned. “No, he couldn’t.”
A rumble of footsteps approached and neither you nor Loki hesitated to make a final run towards the end of the tunnel. As you started to gain some speed, you suddenly froze, completely still as a hazy orange light encased you. Loki’s hand glowed green, battling against the force that trapped you, but just as quickly as he tried to free you, he was captured.
The TVA launched you through the exact same process as the first time. Long lines, an infinite number of signatures on documents you didn’t understand, and a maze of doorways. You didn’t see Loki again for a long time. It felt like days, but in a place as distorted as this, you couldn’t keep track of the hours.
Another agent guided you into a holding cell. It looked strange—more like an inn room more than a jail. There was a bed, a tiny washroom, and a square box that showed what looked like a play for children. The characters chattered silently while their simple dialogue was scrawled in the glass. The door opened.
“It appears we’re roommates this time.” Loki strolled into the room and the agent closed the door behind him, the lock clicking in place.
The box flashed and the program changed to the man you had just become acquainted with before your escape. “Well that was fun, wasn’t it? Unfortunately, we will have to keep you here since you didn’t seem to enjoy the more open kind of hospitality we offered you last time. Just until everything is processed. You know how bureaucracy is. I’ll see you in a few.” Mobius winks and the moving picture contraption clicks off with a warm hum.
“Tell me about myself.” You looked up from the book provided by your captors. Loki leaned back in the desk chair with his legs on the table. He fiddled with a glass cup, tossing it in the air and catching it.
You dropped the book in your lap, still open. “I’m sorry?”
“Well you were married to an alternate version of me. He’s lived more life than me. Surely you must have something to tell me that would be of use.” He shrugged, not bothering to drag any more of his attention away from the glass.
You were sure you looked surprised as he followed his answer with, “Am I so different from him? Come on now, he must have been at least half as charming.”
“Oh… He was charming.” You closed the book and placed it on the table next to the bed. The edge of the sheet rubbed between your fingers while you considered what to tell him. “He was my best friend in childhood.”
“Tell me about the children. The younger versions of yourselves on that day. What were you doing?” Loki placed the cup on the desk and crossed one leg over the other.
It was so easy to answer. In all the years, you never forgot that particular celebration. “It was my idea to climb the hill. To pick flowers before we watched the Perigee. Lofn had paired us up for her little wedding ceremony to host in front of the children and I wanted a bouquet… for the morning gift. I didn’t know what they were at the time, but I figured it could be anything.”
“Aren’t morning gifts usually given to the bride? And… in the morning?”
You tossed your head back in calm, tired laughter. “Yes, but that wouldn’t have stopped me anyway. I think I gave them to you after we said ‘I do.’ We were… eight at the time.”
“Goddess Divine…” He kissed her hands. The red skyline fades into purple as the water at the dock darkens below. “Never doubt my love for you. Will you miss me?” said he.
“As much as there are stars in the sky.”
“Always the poet’s tongue,” said he.
“Well, I had some inspiration,” said she.
He looks wearily past the Goddess, but smiles warmly once more. “I’m afraid our time has come to an end, Goddess. I love you.”
“No resurrections this time...” No. It was supposed to happen like this. Thanos. He wasn’t supposed to be here. It’s happening all over again.
“LOKI—”
Warm water tickled your cheeks and then you were enveloped in a pool of water. Your husband’s arms wrapped around your waist as the water climbed the walls of the tub. No, this wasn’t him… It wasn’t him. It wouldn’t ever be him. “Goddess…”
“Let me go! Let me go… I want to go.” You grasp desperately at the edge of the tub, wringing yourself from Loki’s grasp. You fell onto the tile floor of the washroom, your wet clothes heavy on your back.
“Wait, just—” Loki cuts himself short when you stumble into the bathroom doorway and pull the knob to the bedroom.
“Shit—Loki…”
“You need—”
“Don’t tell me what I need! You don’t kn—know.” Your body felt weak. The walls felt like they were closing in on you. No matter how hard you tried, it seemed like you could never get enough air.
“I know being alive is certainly better than suffocating in space.”
“Is it!? I can’t even grieve for him! Be-Be… Be—cause I… Becau—se I ke-keep…” You choked, breaking out into a violent sob. Your legs buckle underneath you, but you managed to catch the ground under your hand. Tears stained the fabric covering your lap as you struggled to breathe in between your bawling, forcing you to hiccup only further fueling your frustration. “Why am I here?”
Loki knelt down and watched as you pulled your knees up to your chest and buried your head in the space between. “Heartbreak is… a sorrow that I am all too familiar with. The feeling of your chest burning and freezing and being crushed all at once. But I didn’t give you a moment to simply… catch your breath after I, admittedly, forced you to escape with me. And I will never understand what it’s like to have to look at the face of your husband every minute of every day, but I do know this…” Loki let out a steady breath. “I will never leave you behind. Ever. Until I am able to fix this mess that I have brought upon you.” Loki lowered himself onto his knees. “That is my vow to you, goddess.”
He placed a hand over yours. It was a small gesture, leaving you wanting more. You tugged on his hand, manually tucking his arm underneath yours. He leaned into your motion, sitting on the floor behind you and pulling you close between his legs. Your eyes pierced him like venom, toxic but more addictive than the sweetest wine. A Goddess Divine.
Loki grew older in recent years, but his eyes had never changed. A sea of chaos and calm. He was there, your husband. Right in front of you, holding you.
“I always liked your eyes,” you murmured. You dragged your finger across the top of his cheek, tracing a line under his eye.
And I, yours.
You slid your finger up and cupped his face in your palm. Your husband. “I love you.”
Your lips swept gently along his; hesitant, yet your hand dragged through his hair, pulling him closer. Loki held still, but made no move to stop you. Your breaths grew harder as you grew more persistent. Even though you knew you would never be able to utter a word about this after, the need for him overcame you. In the sickest of ways, he was your only chance at truly saying goodbye to your husband.
Never doubt my love for you.
Your lips were soft. As irrational as the better part of him knew it was, he couldn’t help but think this felt almost habitual. He knew he should have pushed you away or reminded you of who he was. But when your fingers glided through his hair, Loki lost all sense of what was proper. He leaned into your touch, letting you relax in his lap as you continued to kiss him… eyes clenched shut. Loki wished he could look at your eyes and pretend he was the man you were pretending he was.
“Thank you.”
The agents dragged Loki to a door labeled “INTERROGATION ROOM #603521.”
An agent walked into the room, reviewing several documents attached to a clipboard.. “Do you know why you’re here, Mr. Laufeyson?” She didn’t bother to look up from the papers as she sat down in the seat on the other side of the table.
“Where is she?”
“I’m afraid your questions will have to be saved for the end of this, Mr. Laufeyson. Please comply.”
Loki lifted his head lazily, shifting his legs wide in the metal chair. A grin curled at his lips. He didn’t know how they were going to escape this hell. Running from an infinitely powerful force existing beyond time. It would never end… Was he ready to drag you through eternal hell with him?
Yes.
He would rot in hell for all he cared, but the TVA was no more than a joke—a circus of clowns playing their parts… and he would find you.
“I’m going to burn this place to the ground.”
“Never teleport me again. This is worse than the Bifrost.” You placed a clenched hand to your forehead and winced. The pounding in your head was ceaseless, though you were too cold to be completely tortured by it. The TVA was left in shambles, subjected to Loki’s wrath after he found you freezing in the depths of space. He hadn’t said a word to you since he discovered you, nearly lifeless. The ice burned your skin and your vision was useless for the time being. You could hear the crackles of flame and stone beneath your feet. “Where are we?”
“I don’t know, but we need to heal these burns before they scar.” Loki carefully lifted your hand, examining your wounds. “Are you in pain?”
“I can’t feel anything. Just cold.” You inched your feet closer to the heat of the fire. It wasn’t as painful as you had expected it to be. Dying in space wasn’t such a bad way to go… You only wished Loki had anything else less painful.
He hummed in response. The burns begin to warm. A peculiar feeling tickles your skin and makes its way down your torso.
“Seidr?”
“My mother taught me. I can teach you.”
“What?” Loki placed more wood on the fire. Perhaps Thor’s boyish interests were good for something…
“You need to learn how to use your powers. A seidr goddess is no goddess without seidr.”
“I told you. I don’t have it. I’ve tried. You’ve tried.” Loki didn’t answer, but footsteps fell away from you.
Loki watched the asteroids floating in the foggy atmosphere. Odin once told him stories of how he acquired all his wisdom. Life itself is knowledge, he would say. War, politics, distant planets. They all have something to offer, but there is a place where wisdom flows like water in the roots of the Tree of Life. “The Allfather once traveled to the roots of Yggdrasil to attain knowledge and guide his reign. Perhaps we can go there.”
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veliseraptor · 3 years
Note
top 5 the untamed fanfic AUs you'd like to read
t juslides in with meme six months late without starbucks
this is just noting, also, that many of these AUs already exist! I’m just talking here about AUs I want to see more of.  just because they’re on here doesn’t mean I’m discounting the versions people have already written.
1. AU where Xue Yang gets stuck traveling with Xiao Xingchen (and Song Lan, optionally) after the massacre of the Chang Clan, but in CQL verse where they end up as fugitives (oh my god, and then they were fugitives). We know from a brief throwaway line from Wen Qing that apparently Song Lan (and presumably also Xiao Xingchen) are on the Wen shit list, most likely because they’re people who had contact with Xue Yang and Xue Yang is Wen Ruohan’s Most Wanted for a while there until he gets busy with other stuff. And I want to see things that play with that! Either with just Xue Yang and Xiao Xingchen or with the whole trio.
But yeah! On the run together, presumably Xiao Xingchen can’t/won’t ditch Xue Yang to get up to mischief, I don’t think he’s terribly inclined to turn him over to the Wens for a few different reasons, and everyone else is getting all caught up in a war so his options for ‘places to drop Xue Yang off that could handle him’ are pretty narrow.
I’m a sucker for bonding under duress and this seems like it could be a fun opportunity, and also has the bonus of probably keeping Xue Yang from annihilating Baixue Temple, which is good.
2. AU where Xiao Xingchen knows who Xue Yang is from the get-go (or figures it out mid-stream) and for whatever reason keeps him around anyway. I don’t care why it happens or how it happens I just think it’s a fun concept to work with, however it’s played. Whether it happens so that Xue Yang knows Xiao Xingchen knows, or Xiao Xingchen knows but Xue Yang doesn’t know that he does, or it’s ambiguous and they’re kind of going for plausible deniability...it just creates some fun opportunities, ya feel?
I’m particularly fond of this happening midstream rather than right off, because I think it does really interesting and fun things to their dynamic if Xiao Xingchen is already invested at that point (and that’s the version I feel like I see more often), but I’m currently writing a version of from the get-go and enjoying that too.
3. Yi City reincarnation AU. I just want everyone being kinda fucked up by their past lives and continuing to be stuck in each others’ orbit, and I especially like this when Song Lan isn’t reincarnated and is just, you know, still around but undead.
I am aware this is not how reincarnation works at all, that part of the point is that it’s a fresh start, but it’s what I want when it comes to my fanfiction AUs and I think that’s legit of me. 
I just...love a cyclical narrative, too, so I also really enjoy versions of this where it’s more than one reincarnation cycle, and I would read like. 100k of that.
4. AU where Xiao Xingchen’s suicide either fails or Xue Yang brings him back and is desperate to make things work this time. This is another “I will read five million versions of this concept” things, and I will read them in a wide range of dark to more hopeful, and I will still hunger for more because god!!! There’s so many ways you can take it and all of them are delicious. Another reason I specifically love this one is because either way Xiao Xingchen is going to be a mess and I kind of love fucking Xiao Xingchen up emotionally and psychologically but not in a way where he, you know, dies.
...which as I write that out is very Xue Yang of me, isn’t it.
And then also Xue Yang frantically going LOOK I MADE IT BETTER (he did not make it better) and TOTALLY FIXED IT EVERYTHING’S FINE NOW RIGHT (it is not fine now) and he’s not used to having to, you know, “make amends” or whatever, this is not an experience he’s familiar with and he’s not enjoying it.
5. does “time loop AUs” count as a single entry? because like. I would read several different versions of time loop AUs. for an incomplete sampling:
A. Xiao Xingchen stuck in a time loop. I’m writing one of these but I would like many, in which Xiao Xingchen is stuck in a miserable cycle until he figures out a Yi City fix it, and a lot of people die several times in the process, and it’s all very upsetting. Doesn’t this sound good to you guys?
B. Wei Wuxian stuck in a time loop. I have a prompt for this one for myself about Wei Wuxian in a time loop specifically at Nightless City which is really where I want it to be. Again, for misery reasons. I always like trapping characters at their low points. It just makes everything more fun.
C. Jiang Cheng stuck in a time loop. I don’t even care where, it just...okay, not only is it good for all the usual reasons it’s good (forcing someone to recapitulate their trauma and being unable to escape it until they find a way to escape it), is that not a perfect metaphor for Jiang Cheng’s life and problems.
The “being stuck in a moment or moments of time and unable to get out, unable to leave the past behind, continually recapitulating in a more metaphorical way past traumas and therefore often recreating them” and like. Would love to do that to him. I don’t even know where I’d want it to start. After the fall of Lotus Pier? Before that? After Wei Wuxian comes back? After Wei Wuxian goes to the Burial Mounds? I just want to read Jiang Cheng suffering through the mortifying experience of reliving his own mistakes and also making new ones.
D. Xue Yang stuck in a time loop. Someone did already write a very good and frankly iconic version of this but there can never be too many and also that one was very sad and I’d love one where it is less sad. Though sad works too, because the whole theme of Yi City being “we are all trapped in this cycle of destruction no one is escaping alive” is...well, it hurts me but also I like it. but also it hurts me. regardless I would love to read Xue Yang making a go at fixing things (for himself, obviously, all else is incidental) because he’d be terrible at it.
anyway, that’s five, or maybe eight depending on how you count. I’m going with five.
you will notice that pretty much all of these are yi city centric aus and that is because I’m actually less interested in aus that futz with the main plot, in general. I’m not opposed to them or anything but I don’t generally seek them out unless they’re by an author I already know I like.
(hypothetically I would like Wen Qing and Jiang Yanli to not die, but the problem is that I’m so deeply invested in the tragedy of the first life. like, in the Yanli Lives fic I’m writing I killed Jiang Cheng because I wanted to keep that sweet Yunmeng Siblings Misery.)
the exception to this would hypothetically be varieties of Jin Guangyao Lives AUs, but I actually have less of a concrete idea of what I want from that one, just that I, you know. want him to live his best life actually.
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allteacher · 3 years
Text
Eris has been thinking about Oryx.
This is what she tells the Vanguard, but it feels wholly inadequate. She feels half-consumed, again, burying herself in Toland’s letters and in the shorthand notes she’d carved into her armor down in the pit, contrasting her scraps of arcane knowledge with newly-classified Hidden reports of some alien brightness emitting from the depths of the Shrine of Oryx. All the information she has points her unerringly to that same place, that same desolate object in orbit.
She still has not been back to the Moon.
Ikora has not leashed her, but all of her missions have been strictly planetside, no more dangerous than the assignments of civilian intelligence agents. Eris knows this is because she is a civilian, now, no matter what Hunter-instincts still guide her. But she still feels stifled, trapped in the Tower, despite what the other agents whisper about healing and recuperation and trial periods.
Despite the hopes and fears of the Vanguard, she does not want to rush headlong into her final death; there is a reason she directed the Guardian like a blade across the surface of the Moon to hunt Crota’s brood. But something is stirring in the nearest seat of Oryx’s power, and she needs to see it for herself. They must learn more about the King before he sweeps into their little corner of the universe and kills them all.
After Crota there had been scarcely a night to celebrate, to sit quietly with her grief, before her work had continued. She can accept this if she can be of use once again, if she can follow her chain of vengeance up the royal lineage of the Hive until there is nothing left, no trace of the Hive left to burn.
The Guardian comes to retrieve bounties every morning, bringing Eris what scarce information she can find in the field. The Wolves are freshly escaped from their prison, and the Tower is in a frenzy. Crota is dead with his father a million lightyears away. They are of no importance, now.
“You destroyed the Shrine of Oryx,” Eris says over a handful of sticky idols. It is not a question: she has read the after-action report.
“Yes,” the Guardian says, her black hair hanging over her eyes. “Well— we did.” Her voice, always quiet, sinks lower. “I don’t understand why the Speaker had us chasing Osiris’ prophecies, after everything I’ve heard about the exile…” She is still newly-risen, but already she knows the value of a secret.
Eris leans in at that, curious. “Osiris?” There had been no mention of him in any of the mission data, though she can already guess that the Speaker had a hand in this. Few remembered Osiris’ prophecies about the Hive; they did not need reminding of their truth with Oryx hanging on the horizon.
The Guardian leaves shortly after, bond gleaming on her arm, promising to send her a recording of the mission in full. Eris suspects she has all the information she needs. There is, at least, one person she can trust as a traveling-partner.
She needs to get to the Shrine. The Vanguard are still fighting among themselves as to Oryx’s existence and importance, the Speaker furtively seeking information from the same man he exiled, so Eris considers her mission a Hidden matter. She sends Ikora a message and departs before she can ask too many questions.
It is still early enough in the day, so she takes her ship out of the hangar and flies it into the wilderness, somewhere she can sit without being bothered by any well-meaning Guardians passing by. She adjusts her radio until she finds the channel spitting out static cut through with the trill of a harpy. She hears numbers occasionally, two two seven…
Eris waits, but she is used to it. Eventually the static cuts, the harpy-song violently ended.
“Osiris,” comes the voice on the other end, brisk, like he’s still Vanguard Commander, fielding calls. As if anyone else could be on the other end, as if anyone else could be reaching out through the heavy curtain of exile to seek him out.
“Eris Morn,” she replies, then, “I have news of Oryx.” She is still newly-returned, still refiguring herself in the wake of her own personal catastrophe. Talking to Osiris is at least easier, because he leaves no space for anything but what is necessary.
She thinks maybe he has forgotten how to do anything but question, too, in an exile less excruciating but no less lonely. Here they both are, grasping at the edges of something.
“Oh!” Sagira gasps on the other end of the line, excited. Something in Eris, at the very back of her mind, shutters— not completely alone, she forgets. The emptiness over her shoulder aches in tandem with the ever-present burning in her eyes. Some things will always be only her burden to bear.
“Yes,” Eris says, pushing forward despite the feeling, because that is what she does. “The Shrine is awake again.” She suspects he already knows, may be watching it even now. “I want to know what we can learn from it.”
She knows they will find something. She also knows that there is more to this bone-deep desire for shared action, when she has been alone in her hunt since she and Eriana and the rest first sought Crota’s realm and died in the seeking. She is certain she would die before telling anyone. Some gnawing uncertainty of what may happen to her if she was completely, devastatingly alone in those tunnels again. All that blank terror and wordless desperation, still hiding somewhere in her mind.
Eris knows she is not mad, regardless of the whispers from the young Guardians burning shockingly bright. But her wounds are still seeping, not six months since she crawled out of the Moon. She still has nightmares of finding bodies in the dust, of being stripped of her Light, of being split open that first horrific night of the Great Disaster. These, she suspects, will never stop.
The thought makes Eris feel ridiculous, like a child that cannot take care of herself. But for this, for the fate of humanity, she is willing to submit to her own self-doubt. There is work yet to be done.
“The Shrine!” Sagira squawks over the line. “I told you it wouldn’t stay closed forever! That Guardian, what, shot at it? Eris, we’ll meet you in orbit. The signal!”
Osiris sighs, irritated. “Yes, we will. Bring any information you have.” The line cuts. Because no one can see her, Eris allows herself to think of Brya.
Sagira transmats Eris aboard their ship once she arrives. It is remarkable how utterly alien it appears, as if the Vex had terraformed it from the inside out. She has met with them a few times, in the search for Crota’s court, but never anywhere Eris could begin to grasp the full scope of Osiris’ obsession.
Osiris huffs something at her by way of greeting, splitting his attention between a terminal screen and an ancient book. Eris occupies herself with spreading her materials out on a little card table, conspicuous, next to the navigation controls: scrolls, notes and their translations, runes, her Ahamkara joint.
After a few minutes Osiris stands, tips his head toward her. “Toland’s things?” He asks, moving to sort through the Hive-lore Eris has managed to accumulate.
“Some of it,” she says, reaching for the book Osiris had been examining. It’s one she’s never seen before, a rambling theory about Hive communication logics. She digs through it in silence while Osiris and Sagira examine her own theories, Sagira occasionally making comments as she draws comparisons.
Eris tries to keep herself from growing too comfortable, too complacent, but in the dim light and the ship’s low static hum she finds it far easier to think. Especially in comparison to her place in the Tower, where even in the shadows she feels exposed, on display.
In time they go down to the surface of the Moon, the harsh architecture of the Hive looming over their heads. Eris expects herself to be more nervous, some paranoia still buzzing in her skull. Now, though, there’s only a sort of anticipation. Clarity in action, just as it had been hunting Crota.
Osiris enters the underground first, Sagira buzzing around his head. There are a few Thrall lingering around the moldering stonework of the entrance, all neatly dispatched.
“What do you expect?” Eris asks as they make their way down the long corridor to the entrance of the Gatehouse. It’s suspiciously empty, no acolytes making their rounds, no thrall kicking up rocks to search for worms.
“If the shrine is active again, it’s worth protecting,” Osiris says, stopping at the edge of the harsh cliff-face to glance at the stars above, the darkness below. “It would explain the lack of Hive on the surface levels.”
They continue, cautious, Eris stepping lightly enough that she doesn’t break the bones littered across the steps. There’s nothing as they creep ever downward, as the yellow glare of the lamps turns to the icy blue-green of the Circle of Bones.
Eris remembers such names from her first journey to the Moon, from when she and her fireteam were first racing screaming through these corridors. She wonders if they were translated or if Toland had made them up as he saw fit.
She almost startles as she sees a lone acolyte peering off its balcony, though she throws her dagger at it before Osiris can move to kill it himself. It drops silently; she goes to observe it, crouching down to retrieve her knife. The motion makes her knees ache.
Osiris comes up behind her, nudges its cleaved skull with his boot. “Not so graceful as the Vex,” he comments.
“But much more ravenous.” It has been months since she has killed any Hive, she realizes. In the tunnels, again, she feels almost as if she’d never left.
“The Vex devour entire planets without thought. They are less visceral, but no less dangerous.”
Eris stands, looks out into the dark hallways of the Hive to ensure they are not being ambushed. “And yet you live among them willingly.”
“Not so willingly as one may think,” he says, and then he’s moving again, trailing sparks, leading them both.
Some part of her wants to know what keeps him there, if it is anything like what draws her back to the Moon, again, after so much death and pain. But he has not questioned her motives, has not pitied her. She will not seek information she would not give.
The great tunnels of the Hall of Wisdom echo as they move through them, the sound distorting as it passes down the lengths of not-quite-stone. The answering echo sounds like something screaming.
When the shrine-room opens up around them, Eris expects something grandiose in its terror. But there is no immense shadow of Oryx looking down on them, only the simple cruelties of the Hive’s existence.
At the base of the shrine is a small coven of Wizards, all hovering above a lovingly-drawn spell circle. A half-dead Ogre, larger than any Eris had seen in the pits, lays bleeding oil within it. The room is, Eris notices, completely silent. The animal part of her brain, the part that kept her alive in the tunnels, wants her to run until she can see the stars again.
She drops to a crouch, scrabbling backwards to hide more fully in the empty tunnel. Osiris’ ambient Light goes out like a match as he joins her, surveying the ritual around a jut of stone. He looks at her, head tilted, a question. She shakes her head, presses herself flat against the wall.
After a moment, the chanting starts.
It’s not the overwhelming scream of the Deathsingers, but Eris wants to scream back, to chant the names of her fireteam again, to not lose herself in the dark. She grips the handle of her knife hard enough that her hand goes numb.
The wizards sing in turns, the shrine moving under the will of their voices. The ogre shudders as it dies, the circle glowing a sickly green underneath its hulking form.
Eventually, the wizards go quiet. Osiris reaches back against Eris’ shoulder, taps in Hidden shorthand: first opening wait for transmission. She doesn’t dare to move, to acknowledge.
They wait for a few minutes, still and silent in the half-dark of the tunnels. Then the great orb begins spinning, a low drone filling all the gaps in the room.
“Oryx,” Eris whispers, listening to the discordant hum and, through it, the great deep voice of the king of the Hive.
They spend the next four hours translating the message. The bulk is an edict on the new chain of tithes, now that Crota is dead.
The ending, though, is what she at once expected and feared: a declaration that Crota’s death will be avenged.
“We knew he would come,” Eris says, trying to stay composed. All the blood Crota spilled, a newborn in the eyes of the Hive, and now his father coming to rain devastation. “I’ve warned the Vanguard.”
Osiris scratches something out on the pad in front of him. “The Vanguard never listens in time. You know that.” It would be barbed, coming from anyone else.
“We have proof now. That might convince them that we are right.” She sighs. She had not expected to feel so drained, so completely bloodless, after such a short journey. “They are still focused on eliminating the rest of Crota’s brood, the Wolves. It will be a struggle.”
“This is not a battle that can be won alone. The Vanguard cannot ignore the Darkness to chase Fallen forever.”
“We may not need to fight alone,” Eris says. “The Queen of the Reef has opened their gates.”
Osiris snorts. “If you think she will listen.”
“Oryx is not just a threat to Earth,” she replies, too exhausted to bristle. She is learning the shape of Osiris’ knowledge, which lies in his challenges. “And we do not know where their knowledge lies. They may yet be able to help us.”
“It is an idea worth pursuing,” Osiris replies after a long few moments, “but it will be difficult to achieve an audience. First we must prepare.”
Eris has been preparing for disaster for as long as she can remember, has spent years guarding against some future ruin. She knows the shape of it, what is at stake if they fail.
Out of the corner of her eye, she watches Osiris card through Hive dictionaries and Eriana’s blood-stained research notes. She had given everything to make it out of the Hellmouth, had become something monstrous to carry her warning back to the City, had destroyed Crota through the stares and the whispers and the doubt.
But she is out of the Hellmouth, now. The City may not trust her, but she has allies beyond its walls, those that can understand this drive to step into the Dark to understand it, destroy it so completely that there is no memory of it left. She will not live to see the end of this war, but the mantle of her vengeance will.
“Tell me about the Vex,” Eris says, arranging her own papers. It is only fair to take on this mantle in turn.
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ragingpancake · 3 years
Text
As I Lay Sleeping: Ch. 2 - Sanctuary
Chapter 1
“It’s about time you woke up.” The sun is bright and harsh from the moment John steps outside and he has to lift a hand to help shield his face from its glow. The voice is familiar, he thinks, or it should be and it washes over him like an old song with words he can’t remember, just the melody. “You heard it, didn’t you?” A question, sure, but John thinks she already knows the answer and it’s unsettling because when he lowers his hand, eyes finally adjusted to the light, he peers into hazel eyes and realizes that she knows him. “He said that this would happen. That when it was time, she would call to you.” She holds his gaze for a moment, and she looks hopeful, like she’s just waiting for some spark of recognition, but it never comes. Her face falls just a fraction before she smiles, and he feels so wholly unworthy of that in this moment that it leaves him shifting from one foot to the next a little uncomfortably. “Well, that’s okay,” she says gently, diplomatically. “Rodney said that it was possible this would happen too. Tell me, what exactly do you remember, John?”
Nothing. He remembers a whole lot of nothing and he thinks, based on the look she’s giving him, she already knows that. “Listen, I’d really like to stay and chat, but I’ve got somewhere I need to be.” “Oh really?” She asks, eyebrow raised. “And where’s that?” Okay, she’s got him there. “I can help you, John. That’s why I’m here, to do just that. To help you try to remember. But in order for me to do that, you’re going to have to trust me a little.” Trust. It feels foreign to him, but in the same way that he knows that she’s familiar, he knows that he can trust her. Like maybe he has, before. He thinks back to the voice that spoke to him in the hut, the one that she seems to know. Had she heard it too, then? “Elizabeth,” he says and for a second, her eyes light up and she gives him a smile so genuine that something shifts inside of him. “Yes, that’s right. Very good, John. I’m Elizabeth and a very long time ago, we used to work together. On Atlantis.” Atlantis. Home. Those two words are synonymous with each other, John knows, and it’s the first thing since he woke up that he can be sure of. “Why am I here?” He asks. “Where exactly is here?” Elizabeth gestures for him to follow and from where he’s standing, it’s not like he’s got much of a choice. He has no idea where –-or who—he is, and she seems to be the only one who can provide him with some answers. At least for now, where she goes, he has no choice but to follow. --- They don’t walk for very long. She leads him down to the tree line he hadn’t noticed when he’d first stepped out into the light. There’s a large tree, and it looks like maybe it’s a place she comes often. There are a few logs that she leads him over to and as she sits, she gestures for him to do the same. “Your name,” she says, “is Lieutenant Colonel John Sheppard of the United States Airforce. We met when you joined the Atlantis Expedition.” She pauses for a moment and he tries to remember, but it’s all still blank. “You were my military commander, leader of our Alpha Gate Team and you were... well, you were my friend.” She gives a small smile, one that seems sad. “We’ve been through a lot together, John. The Pegasus Galaxy, as beautiful as it is, came with plenty of dangers that we were not prepared for. Dangers that we never even saw coming.” “Immediately after arriving in Atlantis, you and a team led by Colonel Marshall Sumner traveled to a nearby planet through what we call a Stargate. It was there that for the first time, we encountered the Wraith. It was then that we... well. I suppose for many, that would’ve been the beginning of the end. But not for you.” Elizabeth is quiet for a moment, lost in her own thoughts like she’s a million miles away. “Elizabeth?” He prompts. “We lost a lot of good people,” she says and her voice is hoarse, thick with emotion. When she glances back up at him, there are unshed tears in her eyes, but she swipes them away almost angrily. “We spent nearly three years fighting the Wraith, doing what we could to protect the people of Atlantis—to protect Earth but it wasn’t... It was never going to be enough.” “Three years after waking the Wraith, after fighting them off of our doorstep more times than we could count, they were bearing down on us. We evacuated the city, got as many people out as we could.” “But we didn’t win.” John doesn’t need his memory to know that; he can see it written all over her face. “No,” she agrees. “No, we did not win. But we didn’t lose, either. Not yet.” John’s not sure what she means by that but before he gets a chance to ask, she’s speaking again. “We are on M7-X732, otherwise known as the Planet of the Cloister,” she says. “It had been abandoned for about a year before we brought you here.” In the sky, the sun is fading and there’s a chill that fills the air. He can feel it, but Elizabeth doesn’t even seem to notice. “You were mortally wounded during the last stand in Atlantis, John. Rodney had come up with a plan in the eleventh hour, like he
always did. The Wraith had woken because we’d inadvertently woken their Queen. They wake when she wakes, they slumber when she slumbers. He needed more time though. You were the one to give it to him and you nearly paid for it with your life.” Hazel eyes flicker to meet his. “That was nearly one hundred years ago.” “That’s not possible,” John rasps and Elizabeth gives him the smallest of smiles. “I can assure you, John, had you not lost your memories, you would know very well that it is. Anything is possible when it comes to Rodney.” She gestures around them. “You got trapped here once. A time dilation field. By the time Rodney had figured it out, you’d spent six months with the people of the Cloister and it was a world where we knew you’d be safe.” “This doesn’t make sense. None of this makes sense.” “I know,” Elizabeth says. “And I’m sorry for that.” She reaches for him then, thin fingers curling around his wrist. “You were put into Stasis, John. The intention was to keep you there until the very last moment, to give you the time you needed to heal. Rodney ensured that no one would find this place, that you would be left undisturbed until it was time for you to wake.” “Wake for what? You said he figured it out, right? This Rodney guy. What do you need me for?” “As we speak, Rodney is back on Atlantis in a Stasis pod of his own. It was a design we took from the Aurora, a sort of shared consciousness so to speak. A virtual reality. For the last one hundred years, he’s shared a reality with the hibernating Wraith Queen, keeping her from waking, keeping the hives from waking.” “He’s losing, John. She’s figured it out, Rodney always knew she would, but he’d hoped it would give you enough time to heal.” “I don’t-- what am I supposed to do?” He can’t even remember his own favorite color, how was he supposed to remember how to find Atlantis, how was he supposed to remember what to do? “Find him,” Elizabeth says. “Find them. Even now, if Rodney’s theories were right, there are sixty hive ships in hibernation just outside of Lantea’s orbit. Find Atlantis. Control the chair. Destroy them all while they sleep.” Well, doesn’t sound like that’s asking for too much. Given the fact that, you know, these things apparently almost killed him a century ago.  “And what if I can’t do what you’re asking? If I couldn’t do it before, what makes you think I can do it now?”  “When you and Rodney made your last stand, you two were alone, John.” Elizabeth stands and for a moment, turns her back to him. “Spread across four worlds, you will find sarcophagi containing exactly what you need. It would be reckless to try to return to Atlantis now, without your weapons, without your memories. Find each sarcophagus and save our home.” She turns and John is taken aback by how much older she looks now. How... frail she appears. “And what... what about you?” She gives him a rueful smile. “I’ve done my part, John. I’ve watched and I’ve waited for a very long time; I’m very tired now.” She sits down on the log and John pitches forward off of his own, gripping her shoulders gently to keep her upright. “Elizabeth...” “It’s alright.” A wrinkled hand comes up to rest on his cheek and it’s so familiar that John closes his eyes, savoring it for half a second. “I would tell you to be brave, but that’s all you’ve ever been.” “I don’t know where to go,” he says, and there’s panic rising in his chest with each passing moment as she fades away. “Climb the mountain. Go through the cave. I’ll keep the door open long enough for you to pass through. Let... Let Atlantis guide you.” It’s time to go, John.  The voice in his head is gentle, mournful and he wonders if Elizabeth can hear it too.  He shifts on his knees and he reaches for her, guiding her into his arms carefully before he lays her down against the soft grass. “I’m so sorry, Elizabeth,” because he knows, somehow in his heart, that it’s his wakening that’s caused this. Hazel eyes meet his one last time as a peaceful smile touches her
lips. “When you... find Rodney,” she manages, voice so soft that he almost can’t hear, “tell him... I always knew... it would work.” And then, in much the same way as it was when he awoke in that hut, John Sheppard is alone.
AN: I took some liberties with a few things, mostly the time dilation field and you know, the whole One Wraith Queen to rule them all thing, but I figured since it's an AU... well. Forgive me, please.
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bestworstcase · 3 years
Text
tired of ‘it doesn’t make sense for cass to trust zhan tiri’ takes 
cass is a cautious person with a good instinct for danger which yes means that for most of the show she is indeed the ignored voice of reason saying ‘hey this OBVIOUSLY SKETCHY situation is sketch’ YES
but
in the latter half of 2 she is mutilated by her friend, blamed for it, made to apologize for her own injury, denied any space to feel hurt or upset or angry about this, and literally told ‘you should know we never listen to you!’ when she gets mad about yet another instance of her saying ‘this seems sus’ only for them to literally walk out on her mid-sentence without even acknowledging that she’s speaking. 
cass tries again and again to communicate her feelings and every single time she’s brushed off or scolded or belittled by her friends. her friends have so little respect for her that by the time they hit the hoyt the aren’t even pretending anymore. this hurts her, terribly
then - ok listen. take off the ‘zhan tiri is a horrible evil monster’ goggles put aside your entrenched preconceived biases against this character for a minute. 
what is the first thing zhan tiri does when cassandra meets her?
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cassandra hears a voice calling her name. following it leads her here, to a disembodied (disemwalled?) door in some sort of enchanted forest. this is one of those obviously sketchy situations that instantly puts cassandra on her guard: she draws her sword while getting her bearings. 
[sidebar: those light-and-dark green swirls on the forest floor look an awful lot like the clouds in the lost realm, don’t they?]
then: 
ZHAN TIRI: There you are, Cassandra!
[Cassandra looks around, sees Blue, and lowers her sword slightly in confusion. Blue approaches her.]
ZHAN TIRI: I’d nearly given up on you.
CASSANDRA: [shaken] Who- who are you?
ZHAN TIRI: A friend. Or, at least—I’d like to be.
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cass at this point is baffled but still on her guard - she holds her sword in a low guard and she’s physically leaning away from the unsettling ghost child. 
more important here is zhan tiri’s opening gambit. ‘a friend, or at least i’d like to be.’ she’s dodging the question of what her name is, yes. but also the second part of that statement implies a correction of the first, an acknowledgement that they are not friends and becoming friends is contingent on whether cassandra accepts her overtures of friendship; there is, in saying ‘at least i’d like to be,’ an implication of acknowledgement of and respect for cassandra’s personal boundaries. this is not something cassandra has ever experienced before. contrast it with rapunzel’s aggressive, domineering pursuit of cassandra’s friendship in beginnings.
continuing: 
ZHAN TIRI: Come.
[She leads Cassandra away from the door, deeper into the enchanted forest. Though hesitant, Cassandra sheathes her sword and follows.]
CASSANDRA: Wherever you’re taking me had better have a blonde princess.
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note how the blank confusion on cassandra’s face hardens into a glare the instant zhan tiri says something that could be construed as a command. cassandra has two years worth of experience in the minefield that is friendship with someone in a position of authority and power over her so of course she bristles at this. i think it is also not coincidental that she refers to rapunzel in response.
but there is also a second dynamic at work here. for two years cassandra’s whole life has been locked into orbit around the blinding sun of rapunzel, and even before then by nature of her existence in the palace as a young girl only a little older than the lost princess she would have spent her childhood in the shadow of a child who wasn’t even present. zhan tiri is the first person cassandra has ever met who is flat out indifferent to rapunzel’s existence. even in vardaros, where cass was better liked by the populace than rapunzel, the people still focused on rapunzel - they disliked her, and they cared enough to make sure she knew it. 
but zhan tiri does not give a single fuck about rapunzel. she ignores cassandra’s attempt to make rapunzel relevant to this conversation. she called out for cassandra. she has been waiting for cassandra. she has something she wants to show cassandra. she wants to be cassandra’s friend. rapunzel just...doesn’t matter to her, but cassandra does. and that is disarming, both in the figurative and literal sense. so cass puts her sword away and goes to see whatever it is that this strange child wants to share with her. 
[They reach the forest’s edge and enter the memory. Cassandra is startled, struck by the familiarity of this new setting.]
CASSANDRA: This place... feels familiar?
[Blue takes her by the hand and leads her into the cottage. She remains silent, allowing Cassandra to take it all in, until Baby Cass enters with her music box.]
ZHAN TIRI: Do you recognize that child?
[Her prompting makes it click for Cass that she’s watching herself as a child.]
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again, set aside your knowledge that zhan tiri is an evil villain and your instinctive distrust of everything she says and just... take a look at this screenshot. what does it look like if you take what zhan tiri says in this sequence at face value? 
this is a horrible memory. zhan tiri knows precisely what it entails, because she is the one who dredged it out of cassandra’s mind and set it up for her to experience again. cassandra, however, has only just recognized her younger self and has no idea what’s coming. it’s going to hurt her so badly when she remembers everything—but this is an experience she needs to confront in order to heal from the damage it did to her. so much of her suffering can be traced back to this defining, forgotten moment of her childhood.
we the audience know that zhan tiri doesn’t care, doesn’t have any real interest in genuinely helping cassandra, isn’t revealing this memory to her out of the goodness of her heart - but all cassandra knows is that this is a strange ghost who expressed a desire to be friends and has brought her here to, apparently, show her a childhood memory she forgot. so erase your audience knowledge from your brain for a second and look at zhan tiri’s expression here.
she looks weary. sad, even. she looks like someone who truly values cassandra’s wellbeing, who knows that reliving this memory is going to hurt, who’s showing it to cassandra anyway because she thinks cassandra deserves to know and she understands that this is the root cause of cassandra’s pain and that in order to grow and heal it must be seen, it must be acknowledged, it must be examined.
and that is the impression of zhan tiri’s character that cassandra walks away from this experience with. someone who saw her, and saw her pain, and saw the deep festering forgotten wound of this memory buried under layers of repression and denial, and gently unpeeled those layers and brought that wound to light, because she knew cass couldn’t heal from it if she didn’t know it was there.
moving on: 
[Baby Cass approaches Gothel with the music box, only to be coldly brushed off.]
CASSANDRA: ...That’s my...
ZHAN TIRI: Mother, yes. It is.
[Skipping transcription of the remainder of the flashback; what matters is that Blue exists the scene at this point. She isn’t just standing quietly in the corner; she is fully gone, leaving Cassandra by herself to experience the rest of the memory.]
again - obviously zhan tiri knows what happens in this memory, but that isn’t the point. by staying just long enough to help cassandra put this memory into context and then leaving, she gives cassandra complete privacy to process what she is seeing and feel whatever emotional reactions she has to it and express those feelings openly, without any of the reservations she might have about having a breakdown in front of a ghost she met a few minutes ago.
again, contrast this to the way rapunzel treats cass. in under raps, when cassandra tells rapunzel that she’s dealing with ‘some stuff’ and asks rapunzel to wait until she’s ready to share, rapunzel’s response is to stalk her. in RATGT, cass tells rapunzel that she feels disrespected and unwanted and rapunzel brushes her off. in RDO, when cass is mad because rapunzel’s reckless choices resulted in cassandra’s hand being mutilated, rapunzel is furious and backs cassandra into a corner in an attempt to force her to share her feelings and then get over it so things can go back to normal.
how soothing, then, must zhan tiri’s quiet departure must be for cass? how comforting, how much of a relief must it be to have this new person recognize by herself that cassandra needs a moment alone and give that to her without cass even needing to ask?  
there is, i think, a direct line of causation between zhan tiri exiting this scene and cassandra crying for the first time in the entire series afterwards while zhan tiri comforts her. cass doesn’t cry, right? even when she thinks rapunzel is going to be trapped as a bird forever, she stops herself from crying. she doesn’t cry when her hand is burnt in the great tree, not even from physical pain. she doesn’t cry in RDO. 
but zhan tiri is the only person in the whole series who shows consideration for cassandra’s emotional boundaries, so when cassandra is upset after reliving this memory, she freely allows herself to cry, and she lets zhan tiri comfort her. 
because it’s safe. so much blame is heaped upon cass for not being more open with rapunzel, but the thing is - a) cassandra is a lot more open with rapunzel than most of the fandom gives her credit for, and b) rapunzel is not a safe person for cassandra to be emotionally open with because she tramples boundaries, doesn’t listen, routinely chooses to hear only what she wants to hear, and never acknowledges or apologizes for any of the hurt this causes cass. 
which segues us into this:
ZHAN TIRI: I’m sorry that happened to you, Cassandra. Sometimes the most painful truths are the most difficult to remember. You’ve always felt outshined by Rapunzel, haven’t you? And you always will, unless...
in this statement, zhan tiri: 
1 - expresses sympathy for the trauma cass suffered
2 - empathizes with the pain she feels right now
3 - connects the dots between her past trauma and present angst
4 - verbalizes her fear that this pattern will never change
and
5 - offers to help.
zhan tiri is, once again, the only character in the whole series who does these things. in s1, rapunzel does occasionally try to be emotionally supportive of cassandra - under raps and big brothers of corona are the big examples here - but the way she goes about it tends to do more harm than good. in UR she runs roughshod over cassandra’s clearly stated boundaries and continually escalates to the point of actual literal stalking; in BBoC she utterly disregards cassandra’s statements vis a vis how rapunzel can help in favor of doing a bunch of other things that rapunzel thinks cass should want, and in the process she actively interferes with cassandra’s rest and makes her recovery experience worse.
in contrast, zhan tiri gets it. she is absolutely correct in her perception of the situation: cassandra has been trapped in this pattern of inferiority to rapunzel her whole life. her mother abandoned her for rapunzel, and everyone in her life now is willing to sacrifice cassandra’s needs, her feelings, her physical health on the altar of Rapunzel’s Destiny, and that will never change if she continues on as she has been. and... if cass tried to simply leave, by herself, do you really, truly, honestly think rapunzel would let her go?
she feels trapped because she is trapped, and she’s desperate for a way out, and zhan tiri sees that, understands that, and most important of all, shows her a way out.
so like
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when she walked through that door in the house of yesterday’s tomorrow cassandra was a heap of emotional pain and unfulfilled emotional needs—for respect, for compassion, for basic consideration of her boundaries, for someone to see how much she’s hurting, for space to feel things without being asked to sacrifice more of herself for somebody else, for someone to care about her and what she needs and thinks and feels and wants, for an escape from the toxic inescapable dumpster fire of her life—and in the space of maybe a couple hours zhan tiri answered every. single. one. 
cassandra entered this situation expecting trouble, and instead she got someone treating her with dignity and compassion for the first time ever sO OF COURSE CASSANDRA TRUSTS HER!!
it beggars belief that the show expects me to believe she never bothered to ask what her new friend’s name was between this point and OAH, and yes, if cass were in a healthier place or surrounded by less toxic people then i’m sure she’d be more inclined to be suspicious of the weird little ghost child who reached into her head and pulled out a suppressed memory. but nevertheless it does, in fact, make sense for cass to conclude after this experience that blue is trustworthy and really does care about her and is a better friend to her than rapunzel. 
tts was allergic to acknowledging the legitimacy of cassandra’s grievances in any way after s2 and refused to allow zhan tiri even a modicum of depth as a character so the vast majority of their relationship exists off-screen, which is, yes, deeply frustrating and does a huge disservice to both characters and to the overarching plot of the season. but “why would cass trust her?” is a question the series answers, on screen, in spades. 
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treenahasthaal · 3 years
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Dark Times: The Story So Far
Dark Times
A Summary
Before I post any new content, I thought a brief summary may be called for.
Chapter 1: NetworkTwo years after the battle of Yavin, Luke is part of an X-Wing squad on a mission to destroy an Imperial Munitions factory on the planet Escaal. He is shot down, hides his lightsaber, and is rescued by the local resistance lead by a man named Dade, who Luke does not meet (or so it seems). Luke is hidden in safe house and his injuries treated. Unfortunately, his hiding place is discovered and after a chase he his shot, injured and captured and brought to the local Imperial prison where Interrogation Specialist Erwin Rhovan questions him using enhanced interrogation techniques and torture.
Rhovan finds Luke’s lightsaber at his crash site.
Vader finds out that Luke is captured and heads to Escaal to claim his son. However, just as he arrives and when Luke is near breaking point Rhovan reveals himself to be the leader of the resistance, Dade. Vader only has a few moments with Luke as during the transfer between the detention centre, Artoo causes the turbolifts to malfunction and Rhovan takes the opportunity to rescue Luke.
Chapter Two: Pale ShelterRhovan takes Luke to the Rebel base on Ra’imar where he is reunited with Wedge Antilles and the rest of Rogue Squadron. He is severely injured (do I sense a theme?) and receives treatment. We find out that Han Solo had tried to get to Escaal, but with the planet on lockdown (we know how that feels) it had been impossible. He and Leia board the Falcon to go to Ra’imar.
It turns out that General Rieekan knows Rhovan and that it seems that they had been friends. Luke and Rhovan are debriefed on the events on Escaal and it starts to become obvious that Luke is struggling with PTSD.
Luke senses that Vader and the Empire are on their way and tries to warn High Command. He lies and says that he broke during Interrogation and told Vader of the base hoping to give the Alliance time to evacuate, but it’s too late. The Empire arrives and lands forces with Vader leading.
Luke is placed in the custody of two rebel troopers, Haslam and Thecla. Before they can get to the evacuation ship it leaves without them. Against orders Luke persuades the soldiers to get to the hangers and an x-wing. However, by the time they get there it is ablaze from an Imperial bombing run.
Han and Leia arrive and join the battle, shooting down TIE Bombers and Fighters. Rhovan is evacuated.
Luke and the two soldiers are trapped on the planet with no way off. Luke realises that it is he who Vader wants and prepares to give himself up. Just before Vader takes him, however Artoo (Yay again!) lands in between father and son and with Thecla and Haslam’s help Luke gets into the fighter. Han brings the Falcon down and Thecla, injured by a flying lightsaber, is taken onboard with Haslam.
Again, Vader is left empty handed.
Chapter Three: RhovanThe surviving Alliance Forces head to Ardalii VI, a new base set up on the side of a volcano. On the landing pad Rhovan, now intrigued by Luke, watches as he lands and is arrested for disobeying orders; much to Han and Leia’s, and Rogue Squadron’s anger.
Rhovan is introduced to Mon Mothma. It’s revealed that Rhovan is from Chandrila. During their meeting she seems interested on what may have passed between Luke and Vader on Escaal and she explains to him that after Bail Organa died, Artoo Detoo came to her with a holographic message from the late Viceroy. Bail told her about Anakin Skywalker and Senator Amidala’s relationship and the birth of their children. She explains that Luke and Leia do not know of their relationship and no knowledge of the truth of their parentage. She is fearful that should Luke discover his true identity that he will join his father against them. She tasks him with watching them both, but particularly Luke, and if it looks like Luke may betray them, Rhovan is to kill Luke.
Luke is fully debriefed by a panel led by Major Ehlen Anders, on Escaal and the events on Ra’mar. It is decided that instead of a full court martial, Luke would be reprimanded for disobeying orders. During a brief, tense meeting, Rhovan returns Luke’s lightsaber to him.
Chapter Four: ConflictThe Empire is clearing up on Ra’imar and Vader ruminates on his past and on his illusive son. Palpatine makes contact and is unhappy, but gives Vader the task of moving refugees from the planet Cusrean to an old orbiting research facility. Vader is perplexed by the order, but it turns out that it is a trap for the Alliance. Fake intelligence will be passed to the Alliance that the facility is researching weaponizing a deadly disease. This will allow him to root out spies within the Empire, and set up the Alliance who will destroy the station and kill refugees, thus the Rebellion will lose support.
It ends with Palpatine savouring the conflict in the galaxy, and the potential conflict between Vader and Luke. It is revealed that Palpatine has a spy in the Rebel ranks who Palpatine tasks with reporting on Luke.
Chapter Five: A Legitimate Target Luke is not yet passed for active flight duty and is still grounded. Han does try to lift his spirits and suggests joining him on supply runs, but Luke declines. Instead he decides to train himself and finds a natural hollow (an old lava flow) surrounded by forest in which to practise with his lightsaber. He is watched.
The Alliance find out about the orbiting research station and the disease the Empire is “planning,” on releasing. They plan to attack, however they are short on pilots and Leia suggests allowing Luke back in the air despite concerns for his mental health. Rhovan backs her up and Luke is welcomed back to the squad.
The Alliance attack the space station, Vader’s forces defend it with the Darth Lord himself in the battle. The fighting is furious. Luke is given the task (the order) of firing the shot that will take out the space station; but all he feels in the Force is innocence. He hesitates, initially disobeying, but his squad are dying around him. He takes the shot and the research facility is destroyed.
The Alliance fighters turn tail and bug out, but Luke’s X-Wing is tagged and Vader tries to capture him, but Luke eludes him again and jumps out of the system. He returns to Adralii VI to find the place subdued and during a debrief of the mission he is told he killed over 20000 innocent civilians due to bad intel. Luke is devasted and is haunted because he enjoyed destroying the space station.
The volcano begins to spew ash and the base in locked down. Luke gets drunk with Han on the Falcon, but later he can’t sleep and leaves the ship. Thecla finds Luke wandering in the ash fall and takes him to the hanger and the rest of the squad. He dreams of watching bodies floating in space; one in particular upsets him. It’s a little girl tumbling in space.
Mothma and Rhovan discuss Luke and the possible danger he presents to the Alliance.
Vader senses Luke’s turmoil through the Force. He decides if he cannot get Luke through battle or capture then another path may be possible.
Palpatine converses with his spy.
Later Luke is helping with the ash clear up, when Han is given the task of taking Leia on a diplomatic mission to try and repair some of the damage done to the Alliance. Luke finds himself in the mess hall with the rest of the squad and the holonet is playing footage (from Vader’s ship) when the image of a dead little girl appears – the one from Luke’s dream. It is then that one of the squads mentions that the faulty intel came from Rhovan.
Luke, in a fugue like state, attacks Rhovan; drawing his saber on him before Wedge tackles him to the ground. Han helps remove Luke to the Falcon before returning to punch out Rhovan himself. Luke gets away from the rest of the squad and goes to his training places and loses himself in the Force as he trains. He has vision of a man standing by his grandmother’s grave
A search party is sent out to find him and secure him (and the squad for helping him get away). Thecla find him and they talk for a while before Luke agrees to go in with her. He finds Han, Wedge and the rest of the squad in lock up, too.
Rhovan meanwhile is perplexed as to where the Executor is going after Cusrean.
Chapter Six, Absolute: It turns out that Leia and Han’s proposed mission is to the planet Horaarn, who is one of the Alliances suppliers. They want to know what happened at Cusrean, and they want Luke to tell them. Luke agrees to go. However, on landing and after tense standoff Luke agrees to give himself into Horaarn custody.
Rhovan is sent by Mon Mothma to Horaarn. But is arrested. He is transferred to Vader’s ship.
Leia is given diplomatic rooms along with Threepio and Artoo. Han, Thecla and Haslam have to remain on the landing platform. However, they manage to get Thecla off the platform and into the city.
There is to be a public hearing at which Luke has to account for his actions. During this hearing Vader arrives and accuses Luke of murder and requests his extradition to Imperial custody.
Luke is taken back into custody (this time criminal proceedings), Leia loses diplomatic status and is return to the Falcon. On Horaarn it is guilty before proved innocent and Leia cannot find any Legal Representative who will take on Luke’s case. She has to do it herself, via hologram from the Falcon.
Luke has a “face to face,” with Vader where he confesses that he felt pleasure when he destroyed the space station. He tells Vader that he won’t win.
Meanwhile, the events on Horaarn are broadcast to the Galaxy on the holonet and the Alliance sends in the X-Wings to help rescue their people.
Stuck in the city, Thecla uses her comlink to contact her handler, revealing herself as Palpatine’s spy.
During a tense trial Luke loses and is given to Vader.
It is revealed that Rhovan has been reinstated into the Empire due his special status and codes. There is more to this man than meets the eye.
The Falcon and it’s occupants are ordered off planet and it’s a tense battle to get past the Imperial blockade, but Wedge et al, join the fray and the Falcon jumps to lightspeed.
Luke learns that his friends are safe and feels that he can face whatever Vader has in store for him as long as Han and Leia are safe. He is walked to Vader’s shuttle and as he steps on board he is faced with Thecla who is pointing a blaster at him. He tells her to “do it,” and Thecla shoots him in the chest.
Cradled in Vader’s arms and dying, Luke understands the visions he’s had, he hears Vader called him “my son,” and he dies after telling Vader, “I win, father.”
Dark Times: Interludes.A series of “quick” one-shots that takes us through the events of “Hoth,” during which Haslam dies and Rieekan is missing.
Leia grieves for Luke, has started a relationship with Han and in her dreams she hears a voice stating, “I am your master.”
Rhovan ponders is fate while thinking of Thecla now in his cells. Thecla, likewise, ruminates on events and on who she had really killed. Vader arrives and takes Thecla from her cell as the Emperor has a special task for her.
Leia remembers something that Threepio had translated from Artoo during her attempts to save Luke on Horaarn. While plugged into the Horaarn computer systems Artoo had been “forced,” to give information to a third party when a code from a previous owner was used. Leia askes the little droid about it, and after much protestations Artoo informs her that the code was Anakin Skywalker’s. He confirms that Anakin is alive and that it was he who used the code on Artoo. He confirms that Anakin was on Horaarn. Leia asks Artoo where Anakin was during Luke’s trial and is informed that he was in the court room with Luke and Leia realises that Anakin Skywalker and Darth Vader as one and the same person.
And that Luke is alive.
Luke is indeed “alive.” He suffered a catastrophic brain injury through lack of oxygen, but his body was saved. Through manipulation of the midiclorians Palpatine was able to regrow brain tissue. However, Luke is comatose and vulnerable to Palpatine’s machinations.
Chapter 7, For Darkness Restores: Please go back to the start of this chapter as I have reworked and edited much of it. Sadly my writing is not what it once was… ☹
ooOOoo
Did I miss anything?
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101 Open MHA Gen Prompts
I had a very long ask game where people gave me fake titles and I came up with fic ideas to go with them.  Multiple people asked to use some of them as prompts, and some of my friends have lately maligned the lack of gen prompts out there, so I decided to compile them all into a single post.  Almost all of these are gen, aka not shipping, but you can do what you want I’m not your boss.  Everything is free and open to use WITH CREDIT, so have fun with my word vomit.
1. In Dreams I Had the Sun - Being the number one hero isn’t all it’a cracked up to be, Toshinori realizes early on
2. The Chainlink Fence that Held the Ocean - In his new book post-retirement, All Might opens up about his regrets, struggles with mental health, and his issues with the hero system as a whole.  The backlash is swift and intense.
3. Welcome to the Loud Silence - After an injury, Izuku is rendered deaf.
4. Water Since Turned Red - After a villain attack nearly kills All Might, the beach where Izuku used to go to find comfort now feels tainted.
5. all scrap left untouched is bound together - A group hero students who failed the provincial license exam for the third time, effectively ending their careers before they start, get together to take revenge on UA’s first years who beat them out.
6. You’ve saved more more times than you know - Times All Might saved people without his powers, just by being a cool, nice dude.
7. No Amount of Tragedy Can Justify Your Actions - A dying All for One tries to justify his centuries of cruelty to an uncaring Toshinori.
8. To Leave a Cage Locked - One for All is conscious and has a will of its own, one that doesn’t always line up with Izuku’s wellbeing.
9. Okay, who let in the Kraken? - Izuku is the reincarnation of an ancient eldritch horror.
10. keep us alive up above - Izuku and Shigaraki get trapped together somewhere.  Izuku knows he needs the villain’s help to survive and escape, but the other would rather they both die.
11. The world will revolve around me neither less - The ebbs and flows of AFO’s influence over the years.
12. More Roulette, Not Russian - Kids get their quirks swapped.
13. Patron Saints - Toshinori teaches a class about pre-quirk superhero comic characters and their influence.
14. Don't Come Back - Touya Todoroki’s first few weeks after a severe injury resulted in his father abandoning him.
15. The Blessed and the Fool - Toshinori meets up with a few of his ua classmates after retiring.
16. Not Your Sacrifice - Some of the other kids have started adopting some of Izuku’s self sacrificing habits and the teachers are concerned.
17. Break in the Storm - Villains use a power outage as an opening to break into ua.
18. One Day Those Consequences Will Finally Catch Up - Even though the teachers don’t take her concerns seriously, Inko saves every piece of evidence regarding people hurting her son.
19. a garden in their eyes - Izuku meets a fan who got injured after trying to step into a villain fight, just like he did, and it makes him question some things.
20. what could have been, if not for you - After Inko divorces him, Hisashi’s goes to the press to say All Might stole his wife and son.
21. Promised Misery - All Might finds out the severity of Bakugou’s bullying, and warns him he’s on thin ice with him.
22. Fly Up Higher, Blossom Brighter - Izuku has to write a paper for middle school about being positive, intercut with all the bullshit he has to deal with.
23. Libre Me from Hell - One of Izuku’s new quirks is spiral related.
24. No One to Blame but Yourself - Izuku’s kindness doesn’t extend to murderers, tragic backstory or not.
25. At Its Finest - Izuku accidentally gets involved in a hero commission coverup.
26. A Rising Issue - Izuku starts developing more severe side effects of his injuries.  He’s convinced he’s under the influence of a quirk, while the adults thing he’s finally gone too far hurting himself.
27. What you are in the Dark - Izuku usually keeps most of his anger to himself until he can’t.
28. nowhere to go - Inko moves into UA after their home was destroyed.
29. Something Without - My theory about the 2 OFA vestiges that are blurred out is they don’t approve of izuku as a successor.  Izuku tries to figure out why. 
30. Walking with a Ghost - Toshinori joins the OFA dreams while he’s in a coma.  He gets to reunite with nana, and is more open to Izuku about his past and feelings.  Part of his starts to wonder if it’s worth waking up, since he will die and join the others eventually.
31. Death By Crying - Izuku is affected by a quirk that will suffocate him if he expresses any emotion.
32. Justice is Subjective - The hero commission gets to Shigaraki before AFO does.  
33. Undo / Underdog - Death loop fic.  Izuku keeps reliving the day he met all might after being killed by the sludge villain.  he has to find a way to break the loop and survive, but he gets s little weaker every time he restarts.
34. Like Wildfire - A rumor that Izuku is All Might’s bio son picks up steam, and the characters have to decide whether to deny it but risk suspicion or play along and add a new layer to the lies protecting one for all.
35. Once Upon A December - All Might and Inko actually met in the past trope.
36. Some Legends Are Told - All Might’s first interview post-retirement.
37. Will The Real Mentor Please Stand Up - Aizawa considers himself the better teacher, but a lot of the kids seem to like All Might more.
38. I don't want the cure, I want the POISON! - Inko is killed in a hit and run, and Izuku becomes desperate to find the killer.
39. I will kill my heart before I dance on stage for these bigots - Izuku is interviewed as a rising star of UA, and the interviewer brings in some of his old bullies because they claimed to be his friends from middle school.  Izuku does not play along.
40. Split Ends - A quirk gives Izuku brief visions of what would have happened if he made different decisions.
41. Dreamless Sleep - A One for All dream leaves Izuku with a cryptic half-warning, and he desperately experiments to try and figure out how to trigger the visions to get the rest of it.
42. toxic flowers and pretty blades - Young Inko escapes the constricting life of her cruel wealthy family by becoming a vigilante.
43. The Suns we Orbit - Some of the other teachers believe Izuku is too codependent on Toshinori, and separate them for a time.
44. Submerged - Similar to those buried alive fics only someone’s in a box at the bottom of the ocean.
45. Deprive - Izuku also loses his stomach to an injury, and struggles to adjust to the necessary lifestyle changes.
46. The ashes fall like snow - Post Kamino cleanup.
47. Home will always be here - Inko cares for Izuku after he’s sent home due to “trouble at work study” but he refuses to clarify what that means.
48. Playing Favorites - A look at several times where Izuku was punished, while Bakugou got off scot free.
49. Elusive Dreams - Some kind of training or issue forces the kids to stay away for several consecutive day, and they start losing it.
50. Fracture - Izuku struggles through physical therapy after a severe injury that leaves his hero career in question.
51. Starlight, Starbright - Space cadet au
52. Someone in Your Corner - Gran Torino looking after Nana, Toshi, and finally Izuku through the years.
53. I cast magic missile into the darkness - Generic “the gang plays d&d” fic.
54. One Month At A Time - Izuku breaks a limb, and has to let in heal naturally over the course of several months.
55. Head Above Water - Izuku runs out of his pain meds and can’t get access to more doses for a while, so he has to endure not only the pain, but the withdrawal symptoms.
56. Are you going to leave a path to trace - All Might uses a new strategy to try and get Izuku to be less self sacrificial: what about all the young kids who are going to look up to him?
57. The View from Halfway Down - Izuku realizes that a risky move has just landed him with a potentially life threatening injury, but the fight it still going.
58. The Dust Bites Back - A villain All Might defeated early in his career is back and out for revenge.
59. The Absence of your Worth - Nighteye thinks he’s put together a rock solid case for why izuku isn’t worthy of One for All.  All Might’s response is to ask if he has something against quirkless people.
60. Behind the Screens Nobody is Afraid - All Might explains some of the context of his most popular hero videos to Izuku.  They are much more tragic than the media has spun them in hindsight.
61. Under the Light of the Moon - Someone gets turned into a werewolf.  And I ain’t talking the wattpad piss shit.  I’m talking full-on back-breaking monstrous transformations into a bloodthirsty abomination set to Bad Moon Rising.
62. some dreams were made to be broken - Bakugou crosses a line and finally gets expelled.
63. You Say You're Into Closure - Izuku finally beats Bakugou in a one on one fight fair and square, but Bakugou is a sore loser.
64. Something or Someone Missing - AU’s memories of Izuku get wiped, but those closest to him can’t help but feel an absence.
65. Too Little Too Late - Izuku’s father returns to find he’s been replaced.
66. Collecting Dust - Inko goes through the stuff Izuku didn’t take to the dorms.
67. Where the souls of wanderers go - Toshi meets up with a retired hero support group.
68. Fragility of Trust - Suspected traitor au
69. no one answered - Izuku is trapped in a cell in a building that’s collapsing in slow motion due to a quirk.
70. Eye of the Storm - One of the other kids has a panic attack for the first time between public appearances.  izuku has never seen from from the outside.
71. To Whom It May Concern - The kids find a mysterious collection of letters from previous students hidden in the ceiling of the classroom.  Some are ominous, some are incomprehensible.  Aizawa has no answers.  They enthusiastically go to try and solve the mystery within, but that excitement quickly diminishes the more they find out.
72. Of Popsicles and Ponytails - All Might gets in a discussion with the other teachers about whether the Clark Kent glasses thing would actually work.  All Might bets them it does, so he goes around town with no disguise other than his hair being up, and no one bats an eye.
73. All Men are Not Born Equal - Word gets out to the public that izuku used to be quirkless.  Everyone finds out just how deep anti-quirkless sentiments run when some begin to question whether a quirkless kid should be at ua, regardless of whether or not he has a quirk now.
74. Childhood is the kingdom where nobody dies - Something about encountering death in person for the first time being the dividing line between child and adult.
75. Sins of the Father - All for One has had many children over the centuries, and has made numerous attempts to groom them into the ideal heir with several different methods.  None of them worked though.
76. Where The Dead Come To Rest - The kids come home after a long, grueling mission where they saw some shit, and are too tired to process what they went through.  They take off their gear for plain clothes, then sit in the common room in silence long into the night, not wanting to open themselves up but also not wanting to be alone.
77. Rivalry - Nighteye tries to pit Izuku and Mirio against one another.  It goes right over Mirio’s head, but Izuku becomes convinced the other boy is in on Nighteye’s plan to wear him down until he gives up One for All.
78. A Subtle Language - All Might and Nana never said out loud that they loved each other, but little things told them that they did.  All Might hopes to pass a similar love down to his own successor.  But Izuku is very different than himself as a kid, and he needs to learn a new subtle language of affection.
79. It’s Gone - One for All stops working one day.
80. A Sight For Sore Eyes - All Might looking after Izuku in the aftermath of the second movie.
81. Loose Lips (sink ships) - Bakugou blurts out something about One for All during a rage, so the rest of the class jump on him and Izuku for answers.
82. No Expectations - Word gets out that All Might is going to choose a successor.  None of the theories or speculation online resemble Izuku in the slightest.
83. Eden was Only a Garden - Izuku gets hit with a quirk that erases some of his most traumatic memories, but in doing so loses part of who he is.
84. Run it Down - With all Izuku’s new quirks and his incredible skill, some of the other students with similar powers (Iida, Sero, Uraraka) start to feel like izuku is upstaging them.  And it affects their friendship.
85. Fool's Gold - Bakugou grows even more jealous of Izuku having One for All, and his relationship with All Might.  He thinks that if he could just prove himself to be more worthy, All Might would change his mind and name him his successor.  But in reality, he ends up jeopardizing the relationship they already have.
86. somewhere down the road - The final deadline for Nighteye’s predictions passes, and All Might lives.  He debates telling Izuku, as even though it would be a weight off the boy’s mind, he doesn’t want to jinx it.  He will still die eventually after all.
87. Just For You - All Might has certain rules and boundaries for fan interactions that he completely ignores for Izuku.
88. if these walls could talk (their whispers would be maddening) - Montage of training accidents in a ‘cursed’ ua gym
89. If Only I Could... - Nighteye tells Mirio about One for All, including that he thinks he’s more deserving than Izuku and he plans to pressure him into giving it up.  Mirio struggles with the knowledge that his mentor, someone he respected more than anything, only saw him as a replacement for All Might, meanwhile watching Izuku strain under the pressure of that mentor’s impossible expectations.
90. This is a Test Designed to Provoke an Emotional Response - shameless Blade Runner AU
91. Once and for All - Retelling of the Superman story “What’s So Funny About Truth, Justice, and the American Way?” with All Might.  Some new heroes use much more aggressive and violent tactics against villains while also upstaging All Might.  That, and there general approval from the public cause All Might to question his moral code.
92. Sitting In The Rain - Tsuyu likes to just sit out in the rain sometimes.  Not do anything, just sit there.  Some friends decide to join her.
93. At Sundown - Mysterious creatures start attacking ua every night.  The gang works tirelessly during the day to find the cause and a solution, while defending their school and each other at night.
94. The 1000th time's the charm - Uraraka has been practicing a new move in secret but they just can’t get it right.  She wants it to be perfect before showing it off.  But one attempt gets her seriously hurt while training alone at night in one of the gyms, and she’s too hurt to get up to the phone to call for help.
95. Sunflower Seeds - All Might attempts to start a garden as a new hobby.
96. What It Means To Be Human - Sun god Toshi starts living among people.
97. Eyes on Me - All Might teaches Izuku some unarmed fighting moves to defend himself from bullies.
98. one remains - Izuku has developed all but one of the quirks he’s slated to, and he has no idea what it will be.  Anxiety ensues.
99. Come Back Home - Izuku vanishes from campus and everyone assumes he was kidnapped, but in reality he ran away to try and clear his head after a depressive spiral.  He goes by train as far away as he can until he comes to his senses and calls the others.
100. I Won - Izuku accidentally managed to kill Shigaraki during a skirmish, and while everyone around him praises his heroics, he struggles to deal with the fact that he killed someone.
101. Ivory Tower - All Might grapples with how much izuku suffered as a quirkless person, how he could have done more for quirkless rights in his time as a hero, and how now people may not care as much because he’s retired.
Reminder to credit me if you use any of these prompts, and a special thanks to everyone who submitted titles!
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myelocin · 4 years
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blue curtains and red roses | sakusa kiyoomi
synopsis: it’s supposed to be simple. the author made the curtains blue because he liked the color blue, so sakusa’s more confused than anything when you come into his life and challenge that thought.
characters: sakusa kiyoomi, you
genre/warnings: tw: character death, hurt/slight comfort, angst lol, head empty just a bunch of talking n metaphors i think
wc: 1.7k+
a/n: xave this is all ur fault; i’m supposed to be in my pajamas now watching henry cavil interviews yet here we are with an angst,,,i kid, ily too much ;w;
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“Why does the author color the curtains blue?”
The answer can be as simple as it could be complex. But really, it’s all subjective.
In one perspective, blue could depict the author’s use of imagery to further emphasize and convey the atmosphere of sadness—if the story was, well, sad. A somber shade of blue—like the color the world associated with sadness, or even a deep midnight blue, like the void the author must have felt when he spiraled down after the story’s climax.
Then again, in another point of view—blue could mean that it was simply just the color of the curtain. Blue could have meant the subtle blend from the window to the skies outside and maybe even flesh out a metaphor from that. Something along the lines of how easily the things crafted by man could still find a way to blend back into the roots of nature.  
Bits of poetry always settled between the lines, Sakusa likes to think.
Rather, he prefers to settle on the thought that the author colored the curtains blue because he just liked the color blue. Nothing more, nothing less.
He just liked blue, that’s all; there wasn’t a metaphor hidden in that, either.
-
You came into his life, constantly revising the answer to that same question and unnervingly boggling his mind every time.
“You’re exaggerating,” he recalls telling you, but would sigh then relent when you pinched him on the arm to get him to focus again.
“It’s just a curtain,” he explains, before you sighed and would restart your explanation from the beginning. Sakusa would never admit it—but he liked to listen to you talk, that’s why his interruptions and counter arguments were a frequent presence in between your explanations.
“It is,” you huffed (a memory Sakusa always smiles at), as you crossed your hands over your chest. “—but it tells as much as we allow it to.”
“When we read, we always have the ability and choice to set the scene the way we want to look at it. I mean, the story’s there and the dialogue sets the pace, but I could always decide whether I wanted to be the protagonist or antagonist in the story that day,” you said.
“Whatever day it is, the lines I love you stays constant on the page, but some days it could mean a happily ever after, while others, it could mean a love lost to a rival. When I’ll read that the curtain’s blue, I could think that it’s empathizing with my sadness one day and how it’s there to sway with the dip of my thoughts, or I could think that it’s blue to remind me how the blue skies outside speak of opportunities and tomorrows.”
“But what if the author just liked the color blue?” Sakusa challenges, and you’d perk up at his sudden interest in the conversation and would be quick to retort.
“Then blue becomes that constant in the background that reminds you that whether the world is ending or beginning—there will always be those things that remain despite the turmoil in your head. The blue curtain becomes that. Just a spectator in the rollercoaster. It’s hard to find simplicity because everything just feels that connected, Omi.”
You finish your spill, smiling. Radiant, he thinks; intoxication from passion had always been the look that suit you the most.
“You’re not changing your mind are you?” Sakusa laughs out, and you shake your head no, laughing along with him.
It’s fine, Sakusa thinks, he prefers you that way.
He remembers you that way; inquisitive and abstract in a world that was anything but.
He remembers you in the metaphors you’ve entangled your words in—that he listened to over and over again and would nod his head, expression pondering, like it was the first time he’d heard of such thoughts.
In the photographs he’s kept in even stacks inside a box he hasn’t touched in a little over a year now. Collecting dust, probably. Something Sakusa itches to dust off—but backs out the second he sees the familiar scrawl of your handwriting sitting on the flap that’s folded close.
He looks to the right, to the window of an emptied bedroom, the curtains a dull gray instead of blue—and he thinks it’s rather fitting. At the moment Sakusa supposes he does feel a little gray.
“There’s poetry in every moment,” he hears the voice in his head say—your voice.
So like the pull of the sun as the earth falls in orbit, Sakusa gravitates towards pandora’s box where he knows with one push of a flap it’d be enough to tangle him in thoughts of you.
He laughs, a little dryly; not a day goes by where he doesn’t connect metaphors to the world for the sake of adding a couple sentences to the memoir he writes for you.
He holds his breath as he opens the box and smiles as the first color he sees just so happens to be red. He drags the box to the other side of the room—the side facing right across the window and takes a seat as he dives.
The first thing he sees is a photo of you. The photo that followed him for a little over a year now. He remembered he took that photo maybe two or three years ago, in the garden by the park a few blocks away from home. Your dress was white—fitting, he thinks. A literal angel, really. He knows you’d snort at the joke, so he lets out a small chuckle instead; Sakusa knows you appreciate crumbs of happiness sprinkled over clouds of grief, so he hopes that wherever you are, you’re listening and happy.
It’s the photo he stared at when he read your eulogy in a room where the silence thundered over cries, and where the midnight blue curtains in the lobby empathized with the void he felt suffocated in.
Next he sees a sketchbook with red. The same kind of roses you painted over and over again, the stems and petals in vines and overlapping one another, looking like a crown. The stems were smooth, he noticed, void of thorns and cracked petals. He thinks it makes the pages look alive—you’ve always seen the world a little differently, a little more beautifully.
Sakusa smiles when he realizes that it was because of you that he gave the world another shot at beauty too.
“Why do you paint the roses red?” he wants to ask you, so he poses the question into a silent room again. A listening world, you’d chide, so he smiles.
“Because you liked red roses the best,” he says because that would be the most obvious answer. And in a way it’s true—he knows that red roses to you meant the memory of home and love.
But after a moment passes, Sakusa sighs because when he thinks of the roses you drew again—he sees the thorns sprout this time.
His chest tightens when petals of red—bloody red, line his vision and fill his lungs when the veins, thorns and all dig into the skin of his shoulders and render him trapped.
He inhales—and Sakusa feels like he can’t let it out.
“Why must the roses always be red?” he asks again, and this time, he answers that it is because red is the color of blood.
The color that stained the sheets of white when you left, a goodbye the last thing on your mind as the world decided to return you back to the earth.
Red, the color of your lipstick that you kissed and imprinted on his cheeks as a joke an hour before the world took you. The roses are red, because red is the color that symbolized his grief and anger when he stared at the mirror not wanting to wash his face and erase the last of your traces.
It’s red, Sakusa cries, because it’s the color of the blood that’s pumping in his veins.
Like the one that trickled from yours. Where just like that, it danced between the space of life and death.
Pumping.
Seeping.
Pooling.
Staining.
The color of the roses you painted were always in some shade of red, because red was the color you painted the beginning and end of your life with.
-
Sakusa stands in the middle of the room, the opened box collecting dust a mere foot away from him and he continues to stare at the blue sky past the gray of the curtains. It’s a cloudless day; so he smiles.
Because you love blue skies like that—Sakusa inhales—shaky—then exhales. Then he allows himself to cry: soft and silent, like it’s a secret he’s murmuring into the listening ears of a kind world.
“It sort of is,” he can practically hear you say, and Sakusa wishes you were actually present so that he could hear more explanations of the metaphors you must have unearthed by now.
“(Y/n),” he calls out, his voice broken. This must be heartbreak, he thinks. It’s slow and a little suffocating, but he can exhale now, so Sakusa supposes it’s a necessary step to take.  
“The sky’s blue for you today,” he whispers again, like talking to you is still some sort of secret, though he knows he’ll only receive silence as a reply.
“A blue sky means there’s tomorrow right?”
The grey curtain rustles with the breeze and Sakusa closes his eyes, thinking of your words from before. How you can decide to set the scene in any way you’d like, so he sets it as this:
Even though the curtain’s colored grey, and the thorns on the roses you painted served as the constant in the story, he’d look at the blue sky instead—and think that it’s your way of telling him to seek for tomorrow.
Then for the first time, Sakusa Kiyoomi supposes you’re right.       
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