#it really does a good show of developing the characters and relationships without you even noticing

[mickedy]

do you have strong feelings about minnie? the way disney writes her bothers me severely, i'm trying to find out how to write her better and i'd like help!

she's always written as nothing more than a mickey genderswap, they have the exact same character strengths and flaws, i want to write her like how ortensia is written to oswald or daisy is written to donald (in. ducktales 2017 at least when they dont feel like being . so toxic.), theyre character foils and they work better together

for example daisy is more practical and sassy and headstrong?? while donald isn't very practical he is very emotional and in the moment and isnt as ambitious as her he's just a guy

but minnie doesnt compliment mickey in any way their relationship is just Same Braincell Teehee

and its like every time disney TRIES to have friction between the two its usually making minnie less interesting than mickey in the sense he's going off the walls insane and she has to fold her arms and make him stop, w donald and daisy donald has to ground daisy sometimes but minnie can usually do no wrong ever??

i want to write minnie as mickey's foil in a similar way because she's always a copy and paste mickey and she deserves so so so much more, but im also worried that making a foil for mickey would stray too far from minnie's personality range?? which is why i keep referencing donald and daisy specifically because they have similar personalities but still manage to be foils, and i ALSO dont want to make her copy and paste ortensia, WHILE ALSO NOT MAKING HER JUST LESS INTERESTING MICKEY AS THEY DO SOMETIMES by just writing her as feminine mickey without the character flaws he has, so its a really weird balancing act here

You hit the nail on the head with a lot of points here. I've always found Minnie to be the MOST sidelined out of the 5 in terms of characterization. She's almost always written as "girl mickey", very interchangeable with him, not really developed with her own personality in mind independent of her relationship with Mickey.

I guess on a lot of levels I consider Minnie and Mickey to be like... really sturdy nuts. They have these extremely tough shells surrounding them, they are two of the most private people you will ever meet. Outwardly friendly, outwardly pretty boring and unemotional, a pretty vanilla flavored couple at any way you look at them.

But, we don't really get to see what goes on under that shell. What they're like in private. My favorite stories with Mickey are the ones where they crack open the shell, even just a smidge-- and we get to look on the inside. What we see is almost always the same. Above all else, Mickey cares about his friends. Mickey cares about his friends so much that he would take a bullet for each of them. He would give up everything. Friendship means more than anything else to Mickey Mouse.

On the flipside, we don't really get that same introspection with Minnie. I can't think of a time where they let her be emotional, like that. She's sweet and patient and polite and filled to the brim with goodness and kindness, but that's just what her shell looks like. She's very, very reserved. Like Mickey, maybe even moreso.

A lot of this is definitely because the writers don't really care about Minnie on that level, because she's Woman and she's Girlboss and whatnot. When they show her being emotional, it's pretty much always played up for laughs because Women Are Emotional amiright wink wink nudge nudge 😁🔫 <- (he does not know he is playing into misogynistic tropes)

But I like to think she just has these incredibly sturdy walls around her character. You will most likely never get to see what her private self is like in the entire time that you know her. I seriously doubt Minnie's actual friends know that much about her.

Mickey cares about his friends, but what does Minnie care about...? Where Mickey is an optimist, I consider Minnie to be a pessimist. That is a very strange claim to make, I know. But I think the reason we never see her walls break down is because... there'd just be more walls. She's such an incredibly reserved individual, she'd rather stick her hand in a paper shredder than admit that she's got feelings.

She's pretty no-nonsense in that regard, too. Mickey is a compassionate guy, but Minnie is more quick to lash out and start kicking and yelling when someone pisses her off. Tying back to the whole "friendship is Mickey's emotional core" thing... friendship is definitely not Minnie's.

I'm not saying she's not friendly. She's incredibly friendly! She's such a sweet and affectionate individual. But it's all very much an outward thing. I think, if you're looking for a "foil", that's definitely where they clash in that regard. Mickey is a plain, unassuming guy who-- at his core-- is sweet and silly and compassionate, and motivated by his love for his friends. Minnie is outwardly sweet and silly and compassionate, but doesn't have that same motivating factor, the deeper you look.

In the end, this is all really my interpretation of Minnie's character. Because she is definitely a victim of misogynistic writing, which sucks 🤷‍♀️ But I do think there is a lot of potential to make her and Mickey clash a lot more often than they're shown to... because, they don't really show themselves to anybody! That sort of intimate exploration of their character is something that really only comes out with each other. Which leaves a lot of room to mold their inner personalities into something much more interesting...

[pandoratheprocrasticreator]

not to be a smug asshole but its kind of rich how if you say you dont like a thing on the internet everyone who likes that thing automatically assumes you just “don’t get it” and tries to explain to you why the thing is Good, Actually. like maybe i already understand why people like the thing. maybe i have reasons to not like the thing that YOU are refusing to entertain. maybe i used to like the thing because of the specific reasons that you’re writing essays to me about. but then i realized that the thing sucks shit and the reasons why people like it isn’t enough to make it good for me again. maybe my dislike of the thing isn’t because im a stupid idiot who couldn’t put two thoughts together to realize why the thing is good. and maybe i feel belittled and dare i say offended when 12 people condescendingly explain to me why it’s okay that i don’t like the thing, but also refuse to stop explaining the same 2 reasons why THEY like the thing, or even let me defend why i dislike the thing, until i agree with them that the thing is good. all because i dared to express mild disdain on the internet

#shut up pandora #i don't care if people like things i dislike and tell me so but some of yall act like proselytizing christians about it #a while ago i had someone write an essay on a post talking about why a ship i dont like is totally canon guys theyre totally in love #and the ship in questions has not had any conversations in 10 episodes which was why i disliked it #but the argument for it boiled down to 'why does this ship between two main characters HAVE to have any significant onscreen development' #'why cant we just build up this ship based on longing looks like the TJLC ppl. its impossible for you to think thats bad writing' #anyway we ended up dming and i tried to clarify that i dont think its well written to build up a relationship on 'subtle glances' #without having them actually interact with each other. at least not a heavily focused on endgame couple involving main characters #at the end of the very frustrating conversation where they just repeated the 'subtle hints' thing over and over again condescendingly #it turns out they thought i agreed to the conversation bc i wanted them to convince me to like the ship! #so they literally didn't listen to anything i said except to hashtag destroy my points with hashtag facts and hashtag logic #and like. you think i haven't looked at all the 'subtle hints' before this conversation? this is a popular ship and i want to like it! #but i looked at it and thought about it and decided i didn't like it! i even said so on the original post! #the point of the post was 'i dont think having the ship longingly gaze at each other counts as a well written ship if they dont ever talk' #and their 'rebuttal' was 'youre wrong it IS well written! why? well because they longingly gaze at each other' #anyway i was just feeling annoyed about that again #also that time an mlb fan sent me a wholeass wordpress essay on why mlb is Good Actually #after i explained i understand why people like it. i was a fan actually! i just both grew out of it and realized the writing is really bad #so bad in fact that the reasons i liked it werent enough to redeem the show for me and it keeps getting worse #anyway yes im vagueposting about people but messaging strangers to restart a months old argument is more deranged i think #i hope the people who condescendingly hop on a strangers posts to write them essays on why they Dont Get It Actually #uhhhhhhhhhhhhh maybe stop that!

[3hks]

How to Get Better at Writing Without Actually Writing

Are you looking to improve your writing without needing to write? I'll admit, I am definitely that kind of person--I have the hardest time even finding something interesting to write--despite that, I have noticed that my writing has vastly improved over the past year or two when it was hardly a hobby, and here's how I did it!

ANALYZE DIFFERENT WORKS

Yes yes, everyone tells you to READ, READ, and READ, even I will agree. However, unlike what some people tell you, you don't actually have to read all those classics like Heart of Darkness or The Hobbit. Of course, those books are very beneficial, but if you find no interest in those types of books (like me), then don't read them!

If you prefer reading casual stories posted by online authors, whether it be a fanfiction or their own, original story, it still qualifies as reading! As long as you are able to find a work that you particularly enjoy, that's all you need!

When reading, the key to improving at writing is to always study the story. Take a moment to look at certain words or phrases that stick out to you. How does the author use them? What do they mean? Keep track of the characters' development and how it affects them. Additionally, note things like powerful scenes, dialogue, and more to have an idea of how you can create something just as impactful. For example, if a text made you cry, think about how and why you reacted like that. This can actually help you re-create events that hold the same effectiveness, if not more!

To add on, if you really dislike reading just that much, then you can always analyze things like shows, movies, etc. However, this will prove to be less efficient because you often don't get access to the text behind the shows. Still, it's a good way to study the plot, characters, character developments, dialogue, and relationships!

2. PROOFREADING

No, I'm not saying that you should be an editor; this actually ties back to my first tip. Remember how I said that if you don't want to read classics, then don't? Well, this is because forcing yourself to read them is completely unnecessary (unless you like them or want to write like the author, of course). As a matter of fact, reading poorly written stories can be very helpful for improvement!

When we read books or novels that have obvious grammar errors, repetitive words, and choppy sentences, we will realize these mistakes and point them out to ourselves. Being able to scout out faults means that we are able to learn from them and grow! Noticing these things will also help prevent you from making the same or similar mistakes!

3. STUDY TIPS ONLINE

I used to go search up websites on Google whenever I wanted help with a certain topic. Of course, not all of the sites are reliable and/or helpful, but some point out good ideas that a couple of us just need! This can be especially useful regarding the things that we are unfamiliar with when writing. They can offer a base foundation and tips on how to start and finish!

They can also serve as a great inspiration for fresh ideas and new perspectives!

Yes, these three tips are pretty simple; however, I have found that they work very well for me! People vary from person-to-person, so it can't be guaranteed the same effect, but this is the best I got! HAPPY VALENTINES DAY! <3

Happy writing~

3hks :)

#writing #writeblr #writerscommunity #writing tips #creative writing #writing advice #improve at writing #improve at writing without writing #writers on tumblr #writer tips #get better at writing #get better at writing without writing

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

#avatar the last airbender #natla

[doorhine]

One of many things I like about Blue Eye Samurai is how it portrays its disabled characters. There's a lot to talk about with each of them but for this post, I want to talk about, not the step dad, but the dad who stepped up, Sword Father!

*Spoilers below

Him and Mizu's relationship is one of my favorite dynamics in the show and seeing how that developed over the years was one of my favorite things about the pilot. It felt very symbiotic and good for the both of them emotionally to have that company and support, especially on Mizu's end.

I really liked seeing how the two worked together and how Mizu accommodated to his needs. I also liked the respect given to Sword Father's ability to take care of himself as an adult even without Mizu's assistance. He's been blacksmithing for years and he's respected in his line of work. Losing his sight did not and does not change that.

I personally think the show does a good job at balancing the reality of him being blind and the accommodations he needs while also respecting him as an autonomous individual and talking about his blindness in a way that feels natural and respectful when it's relevant.

But my favorite thing about this dynamic and Sword Father as an individual is probably the use of audio design in the show in relationship to them. As we see the two of them become a family, and develop this language with each other/way of interacting, sound becomes a key element and that carries over into the entire show.

Being blind, Sword Father relies a lot on his hearing. But we as the audience don't just see this aspect of his character. We're actually made to hear from his perspective and apply that sense to how we perceive the entire season even when he's not present.

The most obvious example is the sound of metal which is used to indicate things like:

Mizu revealing to Sword Father that she forged her sword from the meteorite they found before the camera pans up to the space it used to occupy

The symbolism around Mizu and mixed metal in general

Sword Father realizing that Mizu's at his front door when Ringo brings her and Taigen there which revealed to us, the audience, where Ringo brought them before we see Sword Father come on screen (I loved that moment so much)

and emphasizing the moment of shock the characters in the show had when they heard the sound of gunshots for the first time in the finale in contrast to the clang of swords that we as the audience have gotten so used to hearing.

But the reliance on hearing doesn't just apply to that. In the second episode Mizu encounters Chiaki, a man from her past who she defeats in the present. And you know the biggest tip off the show gives us to recognize him before he reveals himself? His laugh. A noise we would've recalled from the flashbacks he was featured in.

LIKE I JUST THINK THAT'S SO FRIGGIN COOL XD

There's a lot more that can be said about Sword Father and how the show portrays him and his blindness. I personally can't speak on this as a blind person so I'd love to hear what people who are think about it. These are just my 2 cents that I felt like sharing.

#this show is just *chef's kiss* #blue eye samurai #blue eye samurai spoilers

[byoldervine]

The Trick To Writing Filler

(TL;DR at the bottom)

Filler is when you spend a chapter padding the length of your story between plot-related events. Filler chapters have little to no impact on the overarching plot and can be self-contained, and thus in TV shows filler episodes are often reran the most as people unfamiliar with the show can casually watch without being confused without the knowledge of prior plot beats

So with the chapter being largely self-contained and acting outside of the plot, what do you use to make the filler chapter engaging? I’m going to use filler episodes from Avatar: The Last Airbender to provide examples

1. Worldbuilding. Zuko Alone depicts Zuko’s travels taking him through an Earth Kingdom village and becoming acquainted to the family that allows him to stay with them, especially their young son. He learns about what the Fire Nation’s impact on this village has been; destroyed houses, families torn apart, constant robbery and other abuses of power and injustices. And even after Zuko defends the villagers and his new friend, he’s venomously cast out from the village by even the little boy because he outed himself as a firebender. This episode explored the impact of the war on the people of the Earth Kingdom, the victims of war that have no involvement in it and no way of defending themselves from it

2. Character exploration. In The Beach, we learn more about Mai, Ty Lee, Azula and Zuko and how their own traumas and personal upbringings have impacted their personalities. For Zuko this is part of a turning point for him, but for the girls it’s more to understand why they are the people we’ve gotten to know over the seasons, especially Ty Lee and Mai. The episode also serves to showcase how Azula and Zuko are so out of place being just normal teenagers; Azula has no idea how to talk to her peers and no identity outside being Princess Azula of the Fire Nation, while Zuko’s hotheadedness and jealousy issues lead him to lash out and be far too confrontational and controlling for his own good. This episode isn’t really used to develop these characters, or at least not the girls, but instead explains and showcases their behaviours and the reasons behind them

3. Character development. Going back to The Beach, Zuko does indeed receive development rather than just character exploration like the girls do; he comes to understand that he’s not just angry at the world or angry in general, but angry with himself. This is a notable turning point for Zuko’s redemption arc, because he now understands fully that he truly regrets betraying Iroh and sacrificing his new start in life in favour of returning to the Fire Nation. He might not yet be fully decided on turning his back on Ozai, but without this moment I don’t know if he’d have gotten there, or at least not as quickly as he did

4. Relationship development. Sokka’s Master has a C plot of Aang, Katara and Toph all being rather bored and lost without Sokka’s presence. The A plot exploring Sokka’s feelings of inadequacy and uselessness in comparison to such powerful and formidable bending masters being contrasted with the Gaang unable to function without him already speaks volumes about their dynamics, but looking deeper into the C plot also shows how much value Sokka really does bring to the team; structure, planning, humour, a quick wit, strategic moves. The Gaang always supported Sokka and never seemed to view him as expendable outside of the occasional teasing, but having it acknowledged so clearly and plainly that they can feel a little aimless and flat without Sokka and being so delighted when he returns really shows us the kind of value Sokka brings to this team and brings us and the characters to further appreciate it

5. Downtime. The Ember Island Players depicts the characters taking a break to watch a comedic play based on their wacky adventures, only to be largely underwhelmed and displeased by how they’re portrayed. There are no stakes to this episode and barely any plot, just the Gaang taking a breather as they react to a bad play. This chance to relax and watch something inconsequential is just as important to the viewers as we’ve got the show’s finale in the next four episodes, which will be very plot-driven and intense. The Ember Island Players also has the additional viewer bonus of recapping the events of the show right before it all ends, giving the viewers time to reflect on the journey they’ve gone on with these characters. In order for the stakes to feel high and the tension to rise, there has to be downtime where there are low stakes and low tension; if things are intense all the time, the moments that are supposed to feel super intense will just feel average in comparison. Resetting that intensity right before such a big event while still acknowledging the looming threat coming soon will feel like the calm before the storm and allow your audience to soak it all up like the characters are

Wow, did I just go through all that without talking about Tales of Ba Sing Se? I’ll save that for another post if people are interested in more

TL;DR - filler provides a moment to breathe, reset the intensity levels the audience are experiencing and take a chance to step away from the external conflict (the overarching plot) in favour of worldbuilding and the characters within your setting. Small moments can amount to something big, and can help make large scale decisions or plot twists feel more build-up and in-character

#filler #worldbuilding #character development #avatar the last airbender #atla #writing #writers #writeblr #bookblr #book #writers on tumblr #writerscommunity #writers of tumblr #writer #how to write #on writing #creative writing #write #writers and poets #female writers #queer writers #writblr #writer things #writing tips #writerscreed #writing advice #writing life #writer stuff #writersnetwork #writer problems

[strangersmunsons]

💖 Eddie Munson x Reader Fic Recs 💖

I just wanna show some appreciation for a few of my all-time favorite Eddie fics! Here’s a handful of the series & oneshots that have really stuck out to me in all the time I've been reading - there's A TON of great writers on here who have posted really stellar work :^)

List under the cut!

june baby by @luveline - luveline jade u are a celebrity to me. this was the first Eddie story I ever read and it is so beautiful. it's tender. it's melancholy. it's realistic. it's gorgeous. it honestly makes me feel something I've never felt reading any other fanfiction.

oh, baby by @inknopewetrust - another one of my first Eddie fics! the feeling that this series invoked in me is what I aspire to invoke in others for my own writing someday. it's just so sweet and funny and made me nostalgic, in the same way that watching '80s teen films do, except it's even better because Eddie is in this one. I wanted so badly to just dive into the story and really experience it for myself.

hoping I'll find [a glimpse of us] by @inknopewetrust - this smashed my heart into 1000 pieces, and then promptly glued it very sloppily back together and I've reread it like six times just to reinflict the pain. I love rockstar!Eddie stories that maintain some realism about what that type of relationship would look like, and this fic does that SO perfectly. masterclass in angst right here.

dancing with myself by @ambrossart - this one hits close to home! and even though it hurts along the way, there's a happy ending that it builds so nicely towards! it's beautifully paced & the reader is very funny. you can just tell that the her backstory & relationship w/ Eddie was so carefully thought out, it really feels like this was written with so much love! and I LOVE that it doesn't paint Chrissy as a villain.

10 things I hate about you by @spideyanakin - so glad that we all collectively agree that Patrick is Eddie-coded. and in this fic the parallels are there, without Eddie sacrificing his own unique character - that part is handled really beautifully! and the ST characters are worked into the original movie's narrative so well. it's the perfect mix of fluff and drama!

freaky friday by @jo-harrington - I adore this series! I love this version of Eddie so much I could cry, he is so sweet and selfless, I want to give him the entire world. and an Eddie & Steve body swap? 10/10. lindsay and jamie lee, eat your hearts out.

to know you're mine by @blueywrites - oooohboy. I almost didn’t read this one (just because I would normally avoid swinging/cheating in a fic) but I'm so glad I did, because it was like being on the homer's odyssey of 18+ ST fanfiction. it’s wild. bluey girl u were insane for this. and i mean that as an extremely high compliment. i was so damn invested!

i will wait by @abibliophobiaa, @blueywrites, @breddiemunson, @myosotisa, @fracturedarkness - there's three chapters, it's on hiatus, I don't care, I will literally keep reading these three chapters over and over again and just fill in the blanks myself if I must. it's that good. you guys are amazing. I am totally enthralled.

rumor by @msgexymunson - this is what turned me on to older!Eddie. I love him, and I desire him carnally, and specifically this version of him. when I daydream about Eddie sweeping me off my feet, I think about Eddie in this series. he's everything to me. I even wrote my own older neighbor Eddie fic because of this!

trapped under ice by @munson-blurbs - the iron grip this fic had me in...I'm still going back and re-reading my favorite parts. it's beautifully developed. this version of Eddie is so real and believable. Harris is my favorite kid he's ever been given. an all-time, truly, I can't sing its praises enough.

siren!eddie by @parkermunson - a monster-ish Eddie fic! I'm a sucker for anything that incorporates mermaids and sirens and the like, so I really love this concept. it's a great story, I love our protective, doting fishboy, and hope to see more of him!

use me by @reysorigins - simultaneously the nastiest and sweetest fic ever. smut, but it's interspersed with these moments of such deep-seated love and yearning between Eddie and the reader that it made me want to cry! incredible piece.

mine and yours by @muertawrites - ahhhh this one is so so sweet! dating is so fucking hard, I think we could all use a comforting, reassuring moment with a sweetheart like Eddie, who is especially kind to us in this fic. I love the way he’s written here.

our patron saint of the arts by @storiesbyrhi - I love an artsy, crafty reader! I feel like Eddie would be sooo into someone who’s creatively-minded like him. this is the dream relationship, basically, these two are adorable together! (and Eddie in a dress! 😗)

And this is just a sample of what’s out there! Some of these are fics that I read very early on, even before I started this blog. I was more shy then, too, so I feel like I never showed them the appreciation I should have! You guys are all so talented, these works are very inspiring to me.

To readers: I encourage you to let the writers know how much you enjoy their work! Reblog! Leave a comment, even if it’s just in the tags! Write a reply, or send them a message, even if it’s on anon! I’m trying to get better at doing these things myself, too 💖

#eddie munson fic recs #eddie munson x reader #eddie munson x you #eddie munson x y/n #eddie x you #eddie munson fanfiction #eddie munson fanfic #eddie munson reader insert #eddie munson oneshot #eddie munson series #eddie munson blurb #eddie munson fluff #eddie munson angst

[blossomthepinkbunny]

Charlie as an underdeveloped character

One thing I was genuinely dissapointed by when watching Hazbin Hotel was that they never cared to dive into Charlie's Morality more.

I feel like a lot of people can agree that Charlie felt very flat/sidelined in a show she was supposed to be the main character of and I think that that's because they ran out of Character Moments for her. Her Backstory is pretty much just infodumped at the start so there's nothing you can really explore there (except for her relationship with her parents ig but they only really brought that up and resolved it in one episode). Alastor has the mystery behind him of what his goals really are, Angel Dust has his arc about standing up to his abuser, Vaggie has her dramatic backstory reveal thing and Sir pentious gets focus as the one real guest at the hotel and with his goal to be redeemed.

Charlie really has no conflict at all, which is weird since the whole plot is that her idea is relentlessly mocked and never succeeds until the end. But she doesn't have a personal conflict. All the issues she faces come from the ignorance of the people around her who don't support her, but never from who she is. She never has to change. They try to hint at this with her being possibly invasive and not respecting boundaries in the Angel Dust and Valentino episode. But the episode doesn't focus on her and Angel as they talk it out and she realizes how she might have to change as well (from how I remember it). It focuses on Husk and Angel's relationship instead.

I feel like the easiest route they could've taken for her character was that of a moral dilemma. Charlie believes in second chances and being able to change demons and her opposite is Adam, who doesn't think demons should be redeemed and should just be killed instead. But it's never specified if Charlie truly believes everyone deserves a second chance or if there are restrictions to that. Adam sings a song in the first episode and explaines his reasoning for why he believes demons shouldn't be saved, which is that they had their chance to be good and didn't choose it and now they can't expect another one (I guess the real reason is that he's just an asshole who doesn't care but that's because Vivzepop can't write Villains so I'll just pretend like that's his real reason).

The problem is that Adam is presented as fully in the wrong and I just don't agree with that. I'm not saying he's right with killing random demons of course but the show never takes the time to consider that sometimes people go to hell because they are actually terrible and have done inexcusable things. Like yeah, someone who had an addicition or a mental health problem while they were alive obviously doesn't deserve eternal suffering without any chance for redeemability, but we know that those aren't the only people that go to hell (in the pilot it's literally confirmed that real life criminals like Jeffrey Dahmer are also down there).

The show blatanly shows us characters like Valentino who are shown to do irredeemable things and be purely evil.

My question is just if Charlie would also look at someone like Valentino and say: "Yeah they deserve to be saved and get a second chance". She obviously thinks Valentino sucks, which we see in the Episode were she meets him.

So like, what would she have done if in the second episode someone like him stood at their door and wanted to be redeemed instead of Sir Pentious. Does she draw a line? Or would she have really heard him out? Her morality with this "everybody deserves a second chance" attitude is so underexplored even though it would have been the perfect place to develop her more. If they had confronted her with an actually tough situation, where she is presented with a truly terrible person, they could've had two interesting ways to take her character.

She could've accepted the person and with that she'd have taken her role a fully 'good' saviour for the demons. Someone who is truly without judgement, or atleast believes that there is good in everyone that just has to be brought out. Which would've also given room to think about if people like that are even inherently good, if they can 'excuse' the actions of terrible people and still want to help them. This would have made her a very extreme character in her believes, but something coherent and definitive is actually something Charlie desperately needs for her characterization.

The other way would've had her reject the person and with that she would have to face the idea that maybe Adam isn't fully wrong. In that situation she would have found herself in a similar position to the Angels in heaven, where she basically is the one deciding over what's acceptable and what isn't. This could lead to her having a moral dilemma. Is she even a good person if she's deciding what's moral and what isn't? Can she just be okay with making exceptions to her idea to protect her people? Does she even want to view EVERY demon as her family? Or does she think there are some demons that maybe deserve death?

I'm just really dissapointed that the show takes such an interesting idea and such a difficult topic and then just does nothing with it. What we view as bad and good and which people we judge harder than others will always depend on social norms and the situation. It's a topic with no real right and wrong answer because there are so many things to consider. But this moral grey conflict that is literally one of the MAIN CONFLICTS in Hazbin Hotel is so incredibly underwritten, that it's not even funny.

Instead of acknowledging the difficulty of the subject Hazbin does what it does best and takes the easy route with seemingly clear right and wrong sides. This is especially stupid, since morally grey characters are supposed to be the point of the show. Like there are these demons who have done bad things and who aren't perfect, but that doesn't make them bad people. Its about revealing that a person has layers (which the writing doesn't). This is also a big point in Helluva Boss, where characters like Blitzø or Stolas who mess up repeatedly, are supposed to be shown as still having interests, aspirations, and good things to them.

The easy route which is taken constantly in both shows however makes it so that Charlie is completely in the right and anyone who criticises her is one of the evil people who try to ruin her plan, just like Adam. Who's also such a straw man for anyone who even dares to bring any objection to Charlies ideas, because everyone who does is apparently a hypocrite who just doesn't understand her and would rather side with genocide (I wonder were Vivzepop takes her inspiration from).

Charlies writing was just really dissapointing with almost never any reflection being done on her part. She doesn't have really striking moments, discussions or ideas to her in a show she's supposed to lead. That's just an issue that comes with Vivzepop never really putting as much work into her female characters, even tough they would desperately need it.

I know that only the first season is out so far, but I highly doubt thay they'll bring up a discussion like this in s2. Especially since Adam is dead now and the Angels will probably try to work more with the demons, after Sir Pentious' redemtion and the reveal of the exterminations to them. Also the Vees, Lillith and Alastor will be more of focus from what we can assume by the ending scenes.

I just don’t like that Viv can take interesting conflicts and write them to be completely one-dimensional and boring.

#hazbin hotel #hazbin hotel charlie #hazbin hotel critical #hazbin hotel criticism #hazbin hotel critique #helluva boss #charlie morningstar #vivzepop critical #vivziepop

[elhopper1sm]

TW: Mentions of grooming

Everyone always talks about how Ian contributed to Mickey's character development but never vice versa. Like I truly believe had it not been for Mickey Ian may have accepted grooming or predatory relationships well into his twenties or beyond. Think about the show from Ian's perspective. We learn pretty early on he's the black sheep of the family. Comparisons being made to Monica the most hated member of the family and is closeted. Ian originally tends to hang out with or get with other older closeted men who've probably reinforced his their own internalized homophobia onto him. The Gallaghers are also social outcasts of the neighborhood so finding someone who could put up with his family antics and his own low self esteem. Ian was clinging to people who would show him love or appreciation even if it wasn't quality and he didn't really think he could have more. Then comes Mickey someone who is more destitute than him and of a lower social strata and the brother of his best friend. There are experiences of his life Mickey will understand and won't judge him for. Also Mickey adores Ian. He sees him as basically one of if not the best person ever. Mickey cares deeply about Ian and it's obvious. Even when he's trying to hide it. Maybe that's why in the earlier seasons he feels so quick to sort of mess with Mickey's feelings to see if he loves him it's confirmation that Mickey does love him and he needs that. Notice how after spending time with Mickey he isn't as likely to go to the people who are likely to hurt him. Mickey even keeps him from getting harmed making him feel like he deserves more than that. One of the reasons I believe Ian broke up with Mickey towards the end of season 5 is because he actually feels like he's not good enough for Mickey. Like he'll corrupt him or taint him. Which makes sense why he feels this way. One because when he was in a depressive state while making that decision. And two he was because he's constantly compared to Monica accused of corrupting Frank. Once he breaks up with Mickey he tries to join or listen in on the LGBTQ+ club at Lip's college and see if he'll fit in there. He's trying to find people who make him feel valuable and like he deserves more the way Mickey did. Even up to Season 10 he's still doubting whether or not it will work with Mickey but not because of who Mickey is but because of who he is and what's wrong with him. Which is also why I think Ian pressure Mickey to move to the West Side with him. I think in Ian's brain or own strange logic because Mickey gave him the courage to think he deserved more he thinks but getting him and Mickey into a nice apartment or better upgraded living situation that's his way of letting Mickey know he can and will and deserves to have better. Again a foolish decision to change the area where you and your partner live without asking them but I truly believe. It was because he thought it was his way of letting Mickey know he deserved better.

#shameless meta #shameless #gallavich meta #gallavich #ian gallagher #mickey milkovich

[brigdh]

Okay. My thoughts on the Our Flag Means Death finale. Obviously I'm not very happy with the ending, though I'm also not as upset as some people are. I would say I'm discontent. Unsatisfied. Too aware of how it could have been improved, and a bit bitter that we didn't get a better version, but I also don't hate what we did get.

I know a lot of meta has attributed the problems to a shorter season, and absolutely I would have loved to get 10 episodes instead. I would have loved 22 episodes! Why don't we do that anymore? But I don't think the 8 episode length was the ultimate problem. A) The showrunner and writers knew they had only 8 episodes, so they needed to choose a story that fit into that length, but even more importantly, B) my problem is not that they had too much story for too little time, but actually that they had plenty of time and chose to fill it with too little story.

As I've sat with it over the last few days and thought more about the season's arc, it feels to me like we got eight episodes of filler. Filler episodes can be great! Filler episodes can have some of the funniest lines, the greatest scenes, the most intriguing ideas. But filler episodes do not progress character arcs or major themes, and that's exactly the problem this season had.

The only characters who got arcs this season are Izzy, and to a lesser and more rushed extent, Lucius. Which sure is a choice.

Ed and Stede and their relationship did not meaningfully change from S1. (Okay, yes, they had sex, they said I Love You – but these are external changes, not internal. They don't represent character growth. Stede realized he loved Ed and was telling everyone back in 1x10. Ed clearly would have slept with him in S1 if they'd had a little more time.) Ed and Stede in 2x08 are not different from who they are in 2x01. If Ed had asked Stede to be innkeepers in 2x01, does anyone think Stede wouldn't have immediately agreed? One of the big moments in 2x08 is Ed reading a letter that Stede wrote in 2x01! Stede's exact words from the very beginning of the season! What better way to underline that none of the subsequent seven episodes had important growth or changes?

Another one of 2x08's big shippy moments is Ed and Stede running to each other across a beach – deliberately paralleling the dream Stede had in 2x01. What are we supposed to take from this parallel? My original thought was that we're supposed to see how different the real version is from the dream, but there's honestly not many differences. Neither one has a beard, now? The dream mocked how Stede knew they needed to have a conversation about their relationship that he wanted to avoid, but they don't have a conversation in the "real" version either. They exchange about two sentences (which includes Ed's I Love You, yes, which is a big deal but still isn't a conversation) and then they charge right back into the fight, without discussing anything like Ed abruptly dumping Stede to go be a fisherman, Stede killing Ned Low when Ed asked him not to, their differences of opinion on being pirates, if having sex was a mistake or if that's only a thing Ed said because he was panicking, etc etc. They have just as many issues to address as they did in the dream, but just like the dream they act like everything is magically okay without talking about it!

So I think we're meant to take the beach-run parallels as "here's what Stede's been wanting, and after waiting for so long he finally gets it". Which is fine, a very sweet take-away for a finale. But it underlines what I'm saying is the problem of the season: Stede has just been waiting for eight episodes for his dream to come true. Not changing. Not growing. Not doing anything to bring the dream about, other than trying to get himself and Ed into the same physical location. Just... waiting.

This is an extra surprising development, because the show was really good at giving Ed and Stede character arcs in S1! Ed and Stede in 1x10 are significantly different than they were in their first introductions. Also, just to preempt some criticism, by 'progressing' I do not mean 'wrap up literally every loose end and make a firm final ending' – S1's finale is an excellent example of both moving the characters forward and leaving a ton of room for future stories. I wasn't expecting for 2x08 to show us a Stede and Ed who were perfectly on the same page and would never again have a problem. I was expecting them to be somewhat different than they were in 2x01, and I just don't see that.

Instead of arcs, we got little pieces of single-episode growth here and there that never added up to an overall whole. The season brought up a ton of potential arcs for Ed – violence, piracy, guilt, suicide, daddy issues, self-loathing, apologies, redemption, his tendency to idealize escaping into a different life – but didn't do anything with any of these options. Stede had nothing resembling a season arc at all.

Stede works to improve as a captain! Stede kills someone and has regrets! Stede confronts Ed's dark side! <- All potential arcs, but none of which lasted for more than an episode or had consequences. We don't even know what the ending means for Stede: does he want to be an innkeeper because he failed as a pirate in 2x07? Because piracy was always just a displaced search for love, and now that he has love, he doesn't need piracy? What does the crew of the Revenge leaving mean to him? Stede's understanding of their new arrangement literally happens off-screen and we're left to fumble at guesses for its significance to him as an individual.

Ed and Stede's last big conversation in the season is their break-up fight in 2x07, which is a shocking way to send off your main couple in a rom-com. Yes, there's the I Love You on the beach (again: two sentences) and the brief 'let's try to be innkeepers' conversation at the very end, but that's it for them in 2x08, except for their inclusion in some brief large group conversations about their fighting skills and the plan for escaping the British. How can you end your rom-com with the main couple exchanging only a paragraph's worth of dialogue in the finale? None of the stuff was brought up in the fishing fight in 2x07 is ever addressed at all!

Again, I don't think this is solely a matter of time crunch. Instead of using the eight episodes to progress the two main characters, we got a bunch of filler episodes that used the time in amusing side tangents instead of forward progress. I don't think that's the inevitable result of having to work with eight episodes.

Look, I can come up with a better Ed/Stede relationship arc without needing more episodes, and despite only thinking about this for a couple days and not having an entire writing room to work with:

(Note: this only addresses the Ed/Stede relationship. It doesn't fix Stede completely lacking an independent character arc and Ed having about ten thousand of them, none of which went anywhere.)

In 2x05 to 2x07, I would make Ed's motivations in their relationship very clearly that he's pushing Stede away so he doesn't get hurt again. Basically play up Ed's comment about "I was all in" in 2x04, and make him determined not to get 'all in' this time around. This aligns the "let's take it slow" conversation in 2x05, the "sex was a mistake" in 2x06, and Ed running away to be a fisherman in 2x07 into a single arc. He wants Stede, but he's afraid of what that wanting will do to him. He's trying to find a way to have a relationship without making himself vulnerable. He keeps pushing off commitment and openness.

Then, in 2x08, I'd make it more explicit that Ed thinks/fears Stede is dead when he sees the pirate ships burning. I think it's subtext in the episode as-is, but give him a line or two to make it really clear. Ed and Stede still see each other on the beach, have their dramatic run to each other, and Ed says, "I love you". Now this moment is Ed acknowledging his love, exactly what he's been avoiding for the last three episodes.

Near the end of the episode, Ed and Stede have a conversation where Ed says something like, "I didn't want to get hurt again, I was afraid of the risk of falling in love and you leaving again, but thinking you were dead made me realize that never loving you would be worse" (but better written, ha, this is a tumblr post that's already too long). (Also possibly you could tie in Izzy's death here to underline both Ed and Stede not wanting to lose another person they care about, if we must have that plot point for some reason.) We actually get to see Ed asking Stede to come be innkeepers with him, paralleling asking him to run away to China (and paralleling NOT asking Stede to a fisherman), Stede voices some of his worries (paralleling him keeping them inside in 1x09, but also giving him a chance to explain what piracy and love mean to him and why he'd give up one for the other), but ultimately they agree that they at least want to try.

This both puts them into a much clearer place for a happy ending, has clear growth from S1 and the beginning of this season, but also leaves open a ton of room for S3, because welp, it turns out trying to have a relationship entails all sorts of problems! Especially with these two. It also would make me feel like they'd at least addressed some of the issues between them.

Right now I feel like S3 will have to spend at least the first few episodes running through exactly the same "don't talk – break up – get back together dramatically" arc that Stede and Ed have already done twice but have never discussed and never learned from. I liked it, but I don't need to see it yet again. That will – ironically – feel like yet more wasted time, more episodes that are just churning through beats without moving the characters forward. I wanted them to have new, different fights in S3, but now I don't even feel like they've made enough progress to have a fresh set of problems.

#ofmd meta #our flag means death #ofmd 2x08 #ofmd season 2 #ofmd critical #(I guess)

[mythicalartistx]

I know now without a doubt Kingdom Hearts is L—

No actually I think Kingdom Hearts is honestly purposely censored.

I used to be like well I don't think it's inherently the translators faults, Japanese is a tough language for people to know what it's referring to and likes to Americanized certain things like adding heteronormativity and romanizing things. People like romanticizing thingz so I can't exactly blame them it's part of westerners.

Like when you think of relationships most think of straight relationships so that probably what they thought of it's probably about even though the relationship doesn't really develop that much.

A lot of Action movies have the same problem when there is a male main character, there is always a forced romance with some side girl character when it's not a developed or good relationship it's just there to mark of the love interest category.

But now realizing how much Kingdom Hearts censors things, maybe they had an idea.

Some lines are WAY off from the original made to romanticized so much when the original wasn't even anything remotely like that or about a character in that way. And some scenes take out movements and edit it.

They change the entire meaning to censor things for American Audiences.

Nobody knows why.

And all I can think of is to make it have things that American Audiences would rather enjoy having romance in places unnecessarily or censoring things to be "safe"

I made a post about the Dream Drop Distance scene which gotten a crazy amount of attention only on the first few days it's at 300+notes, but the post was essentially about how when Sora was sleeping he tells Donald and Goofy it's his job to keep him on his toes and he puts his arm down in a fist. Then Riku moved his arm slightly to the left and put it in a fist again?

But the scene actually had Riku telling Donald and Goofy how he slapped Sora awake whenever he fell asleep on the beach and it shows Riku moving his hand in a slapping motion, not whatever that awkward motion was.

The thing is DDD was one of the side games and I thought they didn't pay much attention to the censoring in those. And given how gay DDD is and it wasn't as censoring their dynamic.

However, it got censored and it's like why? Did they think Audiences couldn't handle it?

Like it just seems like a silly thing he would do. It's kinda like how some people would pour water on someone to wake them up.

Like a teasing thing which he does A LOT and it probably wasn't that hard.

And other times I heard about how the language had some swearing or words that could be translated that way but of course since it's Disney the western version had to censor that.

The novels and manga actually still have more language in it.

And I think the main problem is Disney. They censor things a lot now.

They used to be more open to this kind of thing, but now they are soft and never take risks. I also heard how their team would edit things that would be in their original movie to tone it down for KH players.

It's kinda sad because there is definitely a lot of meaning to KH that is lost in translation. The battle with Vanitas is one in particular I had realized it's meaning is a bit more than the western version. The western version also simplifies things and tries to condense aspects as well. Xehanort's reason for everything is also worded very differently in the western version.

One of the reasons I look at fan translations is because it gives more meaning to certain events, not only because of dynamics and possible ships that are lost, but also explanations that are no longer there.

I'm so grateful for everyone who tries to retranslate things accurately and sometimes I use a site for certain things I'm curious but by no means do I speak their language and I get translation is hard, I really hope their future installments don't do this especially with KH4 and ML coming up in the next several years.

#soriku #kingdom hearts #translations #kh translations #kh censorship #the censorship is honestly real #Disney is probably the main team trying to censor things #but didney doesn't care about KH unless it does something with their properties #if they did care they would show it more #dream Drop Distance #kh3 #chain of memories #heteronormativity #this plays a huge factor as well #Sora #Riku #kh Riku #kh Sora #I hope kh4 censorship won't do this

[idkwhatimdoingbutslay]

It is soooo very important to me that Arcane decided to zoom in on this moment. I don’t even have the brains to fully explain why but I guess it just obviously shows the real turnaround in their dynamic.

Going from complete distrust to pissing each other off (especially Vi to Cait) then being forced to have each other’s backs because they’re all the other one really has in this situation.

I don’t even know what I’m trying to say because of course Cait and Vi have a ton of pivotal moments within the series when it comes to each other but this one, the way it’s framed and portrayed is obvious but not as obvious as say the bedroom scene or the brothel scene.

It’s not just the dialogue that shows the shift but the way such a simple gesture like gripping each others hands and helping the other up is zoomed in on. I think I might just be raving about the cinematography and how it also contributes to the development of our girls’ relationship.

Plus it’s not the only zoomed in hand holding we see.

From “okay, I’ve got you” to “okay, I trust you” to “okay, we’re in this together”

ALSO the fact that it’s Caitlyn and Vi who both went in for the grab in the first image, then Caitlyn went in for the touch to comfort Vi in the second, then Vi went in to reassure Caitlyn in the third. They’re both kind of all in and it’s amazing that you can see that even without dialogue, but with each look and caress and how they’re framed right in front of our eyes.

I’m just stating the obvious because obviously when something is zoomed in on, it means it’s important. But it’s not just important to the narrative or our interpretations of their relationship as we watch, but it’s important to Caitlyn and Vi personally. I’m talking about them as if they’re real (THEYRE REAL TO ME!!!), but they’re still individual characters in this relationship, so having these simple gestures be framed in a way where they’re finally aligned and somewhat in agreement with how the moments should be construed compared to how they tend to be on different wavelengths constantly in other times in the show… idk it just hits.

Ummm so yeah Arcane is a good show and does a good job at being a show I guess.

#this is a ramble that doesn’t mean much but they are soooo them to me and I just had to yap about it #arcane #caitvi #vi arcane #vi #caitlyn kiramman #caitlyn arcane #caitlyn #violyn #piltover’s finest #piltover's gayest #vicait #caitlyn x vi #Vi x caitlyn #to slay or not to slay

[syrena-del-mar]

Very Rarely Do Men Know How to Be Altogether Good or Altogether Wicked

The last five minutes of today's episode left my mouth gaping, it really felt like I was watching a catastrophic accident happen in front of me and I just couldn't look away.

I wasn't completely sure on how Sand was going to learn about Ray and Mew's history, but I sure wasn't expecting that Ray's feelings would be exposed in such a volatile way. Maybe I’m in the minority here, I’m not exactly sure because I’m seeing a mixed bag of reactions, but I don’t necessarily agree that Sand ever needed to find out about Ray’s feelings for Mew. Much less from Boston.

This is partially going to be a bit of a continuation of my thoughts that Boston has a Machiavellian personality, followed up with SandRay's relationship becoming the unsuspecting 'victim'. Again, I'll be using pulling from Machiavelli's The Prince, but I'm also using his work Discourses on Livy. [Title credit to ch. 27 of Discourses]

Boston, still the Machiavellian 'Prince'

“Another difficulty to be added to the one mentioned above is that a state that becomes free creates for itself enemies rather than friends.”

― Niccolò Machiavelli, Discourses on Livy

Let me be upfront, I don't hate Boston, I actually enjoy the chaos he brings, but he's a fascinating character to break down and really analyze his actions. The last five minutes was, in my opinion, the most chaos that he has caused out in the open. This was never a situation of Boston 'saying what needed to be said.' This was Boston seeing an opportunity to take control of someone and doing so by unfairly outing Ray's feelings. I, again, stand by the idea that Boston is not a narcissist, but rather a Machiavellian personality type. This doesn't make him a 'villain'; Only Friends does a good job at showing that there are no villains in real life, just incredibly shitty people. Boston is simply a dick, who chooses to play with his friends to feel a sense of control when he doesn't have it. Has he ever cared for his friends? Does he keep them around simply for convenience? Hard to say. That doesn't make him evil, it just makes him a first-class jackass.

In my post where I had stated that he was more of a Machiavellian rather than narcissist, I came to the conclusion that, 'In his viewpoint, he is the kingpin, even in his group of friends, because he believes that he's the one that controls how his friends move since he knows how Mew is developing feelings for Top and is aware of Ray's feelings for Mew.' This time around, he practically admits it right after purposefully revealing Ray's feelings for Mew, "I just want to keep track of my best friends' romantic moments.' Boston hoards information so that he can throw it in people's faces when it fits him the best, there's no 'good intentions' on his keeping tabs on his friends.

Boston knows that TopMew are going to sleep together, they're serious and he's out of the running. Is it simply ego or is it because of self-interest? Whatever the catalyst is, he essentially has nothing holding him back anymore. He's seeing his "friends" getting "serious", while he's out there dealing with known (and unknown) filming of one-night stands he had being used as revenge porn. That'd hurt and anger anyone, but from what has been shown, Boston thrives off of control and so having his sex life used against him would feel like an even bigger blow. They're minor events that are snowballing and Boston likely needs to feel that control again. It's why he pushes Nick down without a second thought when Nick is trying to pull him away (opposed to how Ray lets Sand pull him back). So he claims that control back, he deliberately reveals what he knows, purposefully taking Ray down with him. While he may be feeling like shit, at least he'll be better off than Ray, who's left to pick up the pieces.

Sand and Ray, the intentional destruction of the 'kingdom'

“In general you must either pamper people or destroy them; harm them just a little and they’ll hit back; harm them seriously and they won’t be able to. So if you’re going to do people harm, make sure you needn’t worry about their reaction.” ― Niccolò Machiavelli, The Prince

Yes, Sand and Ray are in a “situationship.” Yes, they’re constantly getting both physically and emotionally closer. Yes, Sand is developing feelings for Ray (arguably vice versa too). But that’s it. They started off as friends with benefits and while they’ve been shifting around, neither one has fully crossed that line. There was no defined area in the relationship, at least not before the implosion. They’re barely getting to know each other, Sand even calls Ray out because he knew that Ray had never noticed him before, not in a way other than just the Bar Performer.

Ray is working through who he is without Mew, without his crush on Mew. He's come to the realization that while he put Mew as his #1 for many years, he's knows he's not that for Mew, and is slowly coming to the realization that he may have never been. These are his feelings to work out and his alone. Sand and Ray are first and foremost friends, as they had agreed upon and they happen to hook up often. This was what they agreed upon. Even if one or both of them are catching feelings, it does not mean that Ray has an automatic obligation to come clean to Sand.

Arguably, Boston was unaware of this set up, but honestly he didn't need to know. This was not his business, Boston didn't suddenly spill the fact that Ray has had feelings for Mew for years to look out for Sand. No, this was an intentional hit on Ray, where he was positive that it would hurt. Boston has repeatedly used Ray's feelings for Mew for his own convenience (Exhibit A: Meddling at the pool party), whether it be to get Ray to react in a certain way or to have a punching bag. He knew how defensive and reactive Ray would get when he brought up RayMew's kiss and supposed sex (was this ever confirmed?) that they had.

Boston speaks in definite presumptions when he talks about others, he does this to Top and he did it to Ray. He spins realities to how he sees fit and with the confidence that he speaks in, he makes others believe him. It's why Mew never questioned that Top is accustomed to sleeping around and didn't think that Top really wanted anything more than sex, because that's what Boston specifically told him that Top was like. It's why now Sand believes that he has no hour in Ray's life, even when Ray gives him the opening to ask more, because Boston purposefully spoke in definite terms. Even the most secure person would be left feeling unsure and unbalanced.

So when Sand, who knows that their relationship is based on being friends with benefits, is confronted with words from Ray's supposed friend who explicitly states that Ray is in love with Mew and that he's being used as a rebound, what else can he do but believe that?

What little trust and rapport that they had started to build up has come crumbling down. They're frantically gathering the pieces of a 'kingdom' that has been turn into dust, the aftermath of the Prince's wrath. It's why Ray scrambles for the bottle and it's why Sand shuts down. How can they react to what Boston did, when they're struggling to salvage the little remnants left behind of what was supposed to be a blossoming relationship?

#only friends #only friends meta #only friends ep 5 #only friends the series #sandray #ofts ray #ofts boston #ray pakorn #ofts #raysand #sandray meta #raysand meta #boston meta #ofts meta #thai bl #gmmtv bl #bl meta #thai bl meta #only friends ep 5 meta #ray meta #sand meta #sand x ray #ray x sand #I meant to make a post about Ray and the Golem Effect but I can’t stop thinking of the fallout Boston instigated

[another-lost-mc]

Player Two LEVIATHAN x gn!Reader 1.7k words | NSFW | Yandere-ish | Developing Relationship Content Warnings: Manipulative and possessive thoughts/behaviour, some suggestive thoughts towards the end. obey me! masterlist

When you arrive in the Devildom and try to get to know him, Leviathan's immediately suspicious of you and even more skeptical of your bold declarations. He has a hard time believing you really like gaming. He assumes you’re just trying to sound like you do to get close to him, for some foolish reason.

He hates to admit how much more interesting you are when you manage to actually convince him that it's a genuine hobby of yours.

When Levi shows you his room, you're amazed and he feels a sense of pride, like his hobbies are validated by someone that understands him. He pretends not to stare at you while you slowly browse the shelves of games and collectibles in his room.

You notice he plays a Devildom MMO game, and you're instantly curious about it. Levi didn’t think you’d be into those types of games - they require a lot of time and effort.

He thinks that maybe, just maybe, you’re not such a boring normie human after all.

You ask him if you can watch him play the game, and you point out similarities and differences when you compare it to the human world MMO you played before.

When you're both called to dinner, it interrupts your conversation about Levi's guild. You tell him funny stories from your previous gaming guild, and he's finally convinced that your interest is legit.

Levi decides to do something nice to help you out - a test to see how serious you really are. He won't give you another chance if you blow this one.

He might happen to have a spare laptop you can use, and he offers to lend it to you. If the game is already installed and ready to play, Levi's just trying to be nice and do the boring installation stuff for you. And if Levi sends you a Recruit-A-Friend invitation to set up your own account, it's because he gets perks from it - he really doesn't care if you play or not.

Levi even goes as far as adding his payment info to your new account to pay the subscription fee. He doesn't have the patience to wait for you to borrow someone else's credit card. "You can pay me back later,” he tells you, even though he has no intention of ever asking for the money back.

You might know how to play an MMO, but he believes he's still got loads to show you about this one. His desk is a bit cramped, and it’s inconvenient dragging the laptop back and forth between your room and his.

He offers to lend you a spare headset - one that’s brand new and still in its packaging from today's Akuzon delivery - so you can use voice comms together, and he can stream his screen to yours while he talks to you directly. Isn't that convenient?

He's already set up a private voice comms server just for the two of you - don't tell his brothers about it though, okay? It's only for the two of you.

When Levi creates a new character to play with yours, he says it's easier than trying to show you things on his maxed-out character.

He chooses to level a tank class to protect your squishy glass cannon character, and he reminds you that he's doing you a favour and saving you from so many unnecessary deaths. If he happens to show off along the way, who could blame him? He's really good at this game, and if you try hard enough, maybe you can be too.

He raids the game's most difficult content with his guild at night. For some reason, he really wants you to watch him play. He doesn't want you to level your character without him, either. (He won't ask you not to, but he secretly hopes you don't.)

You mention that one of his guildmates, someone that doesn't raid, offered to play some low level dungeons with you while Levi's busy. For some reason that upsets him, but he doesn't know why.

Levi's half-focused on his raid while he occasionally checks your character status. He absolutely does not keep track of how long you're in the same dungeon as his guildmate. And he definitely isn't checking whether you're in a separate voice channel together.

By the time his raid is over, you've already sent him a message wishing him good luck and goodnight. He's a bit disappointed that you went to bed so early (even though its well past midnight).

He sees another message from before that, when you told him about a cute pet you found in the game (it's a reward anyone can get from doing a simple quest, it shouldn't be that exciting). You mention offhand that you like collecting pets and you might try to find some more tomorrow.

Levi acts like it's not a big deal when you log in and discover he's sent your character dozens of new pets for your collection. He shrugs and claims he had duplicates that he had no use for. (They weren't, he bought them all specially for you, but he won't admit it.)

By the time you hit max level with your character, Levi's bought you expensive crafted gear and he's planning on getting you the other items you need so you can try raiding with him his guild.

Sometimes he thinks of your character as his own virtual Henry - and spending so much time together means he starts to think about you as his Henry outside the game, too.

What Levi doesn't realize is how genuinely happy you are that he's given you a chance. He was so defensive and secretive about his hobbies, and you hoped having a shared common interest would make it easier for you to make friends in this strange place.

You wanted to prove that unlike his brothers, you understand why gaming and anime gives him so much joy. You don't think it's a waste of time or money, and you can appreciate the hard work he puts into those hobbies even if no one else does.

And you knew he was skeptical of you at first, but things are so much different now. He's not calling you a stupid wannabe human otaku anymore, and he encourages you and helps you like a friend would.

You used to ask Levi if he wanted to play with you - but now, he's asking if you want to play with him, and you know that means he likes you, in his own way.

Sure, it might be weird playing a game with someone in different rooms of the same house, using voice comms to talk to each to each other because it's easier than typing everything. It's definitely easier than having to drag your laptop around, and that's what he tells his brothers when they comment about how weird it is living with two nerds instead of one.

One thing you notice about Levi is that he's more confident behind his screen. He doesn't stutter or get shy the way he does if you try to talk to him in person, but you're socially awkward sometimes too so it doesn't bother you.

The truth is, he notices that you're more talkative over voice comms with him too. You're not afraid to ask him silly noob questions anymore, and he doesn't call you a noob now even if you do.

Levi realizes that there's something very intimate about having your voice in his ear when you're on comms together. It makes him feel things because this is something you only do with him and not with his brothers.

You're friendly with his brothers, sure - but you never sound this happy except when you're spending time with Levi. It's not even limited to gaming anymore - you get excited talking about the new anime series he invites you to watch with him, or the manga you ask to borrow.

When you mention you like to read, he lends you his copies of the TSL novels. If there's other books or movies you want, he buys them for you so you don't have to ask his brothers for anything.

He thinks that he's the only one to see your true, authentic self. He likes you now, and he doesn't want to share.

The first night you join him for a guild raid, Levi notices that you're not nearly as talkative with the larger group of players present. When you do speak, you're so quiet. He hasn't heard you sound this small since you first arrived in the Devildom.

When you're alone again after the guild raid ends, you thank him for inviting you and tell him how much fun it was. You sound more like yourself again, and even though Levi didn't expect you to be so shy around his friends - well, part of him likes keeping this version of you for himself.

He can't help feeling just a bit selfish. He likes the way you laugh openly at his jokes or the way you tease him (or yourself). When you're gaming together, you gasp loudly if something surprises you, or you groan if you do something silly that gets one of you (or both of you) killed. Normally those types of things would annoy him, but with you, it's fun.

Your relationship with Levi changes, and grows, and maybe you underestimate how much of an impact you've had on him. You don't mention when things between you start to shift towards something more than friends, and neither does he.

His brothers know there's something going on between you. You blow off their invitations if it interferes with plans you already have with Levi. They start to make subtle hints and jokes about Levi and you and dating, and Levi scoffs loudly and slams the door when he stalks off to his room.

You're not dating him, you're just friends. Sometimes he thinks about you in ways that aren't strictly platonic, but his denial still runs deep.

So what if Levi starts recording your conversations so he can listen to your voice when he has trouble sleeping? He doesn't feel bad because it's not hurting anyone.

When you play together late at night, your voice is softer, quieter and breathier. Maybe you're just trying to be considerate of everyone in the house trying to sleep, but the reason doesn't matter. It's like you're whispering in his ear and it sends his mind spiraling.

When he gets hard listening to the sound of your voice telling him how amazing he is, or how lucky you are that you met him, it doesn't mean anything.

It's a harmless little secret. You're his friend, his Henry.

You might not realize it, and he might not admit it, but you've lured him in - and he won't let you go.

#someone dropped this 🚩 #obey me leviathan #obey me x reader #omswd x reader #obey me leviathan x reader #leviathan x reader #obey me levi x mc #leviathan x mc #obey me levi x you #leviathan x you #obey me yandere #yandere leviathan #obey me fanfic #omswd fanfic #x reader #gn!reader

[asexualenjolras]

I've just finished Heartbreak High (delayed, I know) and I was so excited about the asexual representation we were given ... just to jump on here and find that a lot of people are saying that Cash's asexuality story was handled poorly because he doesn't explicitly say he's on the asexuality spectrum, or because Darren didn't respond very well but I disagree with everything that's being said.

I think Heartbreak High handled this storyline in the most authentic way and let me explain why:

Firstly, I think it's important to remember that Cash is an eshay. He's grown up around a very bigoted group of young people, who - you can assume - hold very extreme, neagtive opinions about the LGBTQA+ community. Despite this, we see him accept his love for Darren in a very real way. He's not afraid to be seen with them in public but he does panic a little when his fellow eshays see him with them - even going so far as to say that Darren is a "customer" when asked who they are. We see at the Mardis Gras that he panics when he sees his eshay friend dealing. He isn't afraid of being out, he's afraid of their opinions of him being out. He's afraid of the eshays, not of being queer.

If you think that Cash and his eshay friends would have a deep understanding of sexuality - let alone asexuality - then you're very mistaken.

Not only that, but asexuality is massively misunderstood anyway. People on the asexuality spectrum can go years without finding a label that fits them. I was 18 when I discovered the spectrum. I spent 18 years of my life thinking I was broken.

We see that Cash has accepted this part of himself - he doesn't worry about him being broken or a disappointment, he just worries that he will lose Darren because of it. That's actually really advanced, considering he doesn't even know what asexuality is.

-

Secondly, Darren is a non-binary, queer person. They have a good understanding of the community and different sexuality but one thing that they don't understand - or even know about - is asexuality. This is common in the community. Asexuality is massively unrepresented and there is a lot of false information out there about it.

From Darren's perspective, their partner didn't want to have sex with them. They've grown up feeling like they were unlovable, it's a very authentic reaction for someone to have. And it's a barrier that a lot of asexual people have to overcome in relationships because their partners just don't get that it isn't personal.

Quinni says it the best, she says that "Cash might just be wired differently", and that's what makes Darren a little more understanding - that and speaking with their dad about their trauma from their parents' divorce. They finally understand that Cash didn't have bad experiences with sex but doesn't have that attraction or urge to sleep with someone. They have a lot of unresolved trauma from their childhood, and hypersexuality can be linked to that.

-

Thirdly, it is so beautiful that Heartbreak High have explored the asexuality spectrum in the way they have; usually, ace characters in shows and movies don't have a love interest while they figure out what they feel about or want out of relationships. In Heartbreak High, we see Cash understand that he is attracted to Darren romantically - he actively says he has loved them since he was in Year 8 - and not be afraid of that.

He also knows he is repulsed by sex and doesn't feel anything towards it. He knows it isn't anything to do with the other person and tries his best to communicate that to Darren. And then we see Darren accept Cash's boundaries and we seem them really try to support him through this development.

-

Additionally, we don't see Cash label his sexuality at all. He doesn't say "I'm bisexual but don't like sex", or "I think I'm gay but sex isn't for me". This is really important because it gives room for the show to explore his sexuality in further detail later on. We can still get him discovering the word, and we can still see him finding a term to identify with (if he wants to, some people don't need a term to understand themselves).

There is so much room to talk about the difference between sexual attraction and romantic attraction, and room for the show to explore where Cash lies in that bracket of identification. We don't know if he's homoromantic, greyromantic, demiromantic, biromantic etc, and I really hope we get to see him explore that. Because it's a challenging thing to have to try to understand after coming to terms with being on the ace spectrum.

There is so much pressure to label yourself at that young age. I think it's rather positive that we have a character that understands his preferences and knows how he feels about sex without having that pressure so early on.

Sure, he likely doesn't know what asexuality is but it will be really interesting to see where the show takes this in future.

As I said, I didn't find the word to describe my sexuality until I was 18. Some people don't until they're middle aged. There's still time for Cash to discover the term and identify with the asexuality spectrum.

-

We see that Cash has tried sex and didn't enjoy it. He doesn't have that urge to go further, and when he does he doesn't enjoy it. That's such good bloody representation. I can't get over it. Despite being shown to be quite anxious about how he feels around sex, he isn't shown to be ashamed of it. That's so healthy and so important.

He doesn't get it and he is still having those confusing problems with his sexuality but he isn't ashamed of it.

-

Finally, I just want to reiterate that Cash not explicitly saying he's asexual does NOT mean that he isn't asexual. The writers and directors of the show have expressly said that he is asexual representation. This pressure to label yourself when you're still trying to figure things out - as Cash says directly - is really dehumanising.

Cash is a human being. He's a young person that is really confused about why he isn't like everyone else. He's having an internal struggle with his preferences and he doesn't understand why he feels the way he does, why he's "wired differently", why he doesn't "feel the same shit" as Darren and other people his age.

It's a really confusing time when you are growing up ace. It makes no sense until you find the community and you find that you're not alone.

Cash Piggott is canonically asexual and it's even more raw that he doesn't label himself so early on because that is the ace experience for so many people.

-

I love Cash. I love him so much. And I hope the show explores his asexuality in more detail in the future. I think the show did this so well.

Cash's experience isn't every asexual person's experience - it's his experience. The ace experience is a very personal thing and to see it brought to life on screen in such a raw way is SO IMPORTANT.

I LOVE DOUGLAS PIGGOTT WITH MY WHOLE ACE HEART.

#heartbreak high cash #heartbreak high #cash #douglas piggott #cash piggott #ca$h #asexual #asexuality #asexual representation #aspec #asexuality spectrum #graysexual #greysexual #ace spectrum #ace #canon asexual character #darren rivers

[eeldritchblast]

Thoughts on Halsin

I want to preface this by saying I don't have anything particularly against Halsin as he is in game. But I do find him lacking in depth, when compared to everyone else.

Even without knowing that he was added as a full companion last minute, I would probably have guessed as much simply because there's not much to him beyond the role he plays in the Shadow-Curse quest of Act 2. This is lampshaded with dialogue about how he himself feels consumed by his determination to end the curse. But to me, that just feels like a cop-out. Imagine any other character looking at the camera and just saying "yeah I know I don't have much character beyond what happens to me in the plot, too bad?"

But I think the worst crime about his lack of development, is the fact that because he doesn't have a lot else going on, he feels a little overly sexualized to me; like he's just there for the player to thirst after because he's this big, bulky man. Now, to be clear, I don't care that he's horny, and I definitely don't care that he's poly. (My GF is a poly lesbian, and honestly I could see myself having more than one romantic relationship , too, if someone else was ever interested in me like that and cool with it.) What I'm trying to say is, because he's lacking in other areas, leaving those traits being of his few you can list, it makes them feel of less value, and makes him feel more like a sex prop. And if you're gonna have a character with rape victim as part of his background like Halsin has, then that's the last thing you want, I think.

So, what more could be done with Halsin?

I once made a joke that someone should draw Halsin in a "Big Auntie Energy" shirt. For those of you who aren't Native, let me try to translate: In most if not all Indigenous Nations, we often call women who are champions of our cultures and communities "Auntie", whether they are actually literally your aunt or not. An Auntie is someone you dearly love, and trust to guide you. Halsin already plays something of a mentor figure to the protagonist—indeed, dev notes even call him "avuncular"—so why not lean into it further by showing what he does for others, too? Pretending that there was more development time allotted, here's what I would've liked to see...

"This place crawls with life, but little of it flourishes. I see refugees, unhoused. The destitute, unwanted. Orphans, unloved. … I wish there was a better way. I wish everyone could see the sun, have a full belly, and know nature as a friend. There is a balance that is yet to be found." —Halsin

After ending the Shadow-Curse, Halsin says he needs to find a new purpose. I feel like his purpose could easily align with his horror of the inequalities of Baldur's Gate. Instead of just talking about how awful it is, why not allow the player to challenge him to try and change things, then? For example, I like to imagine Halsin telling stories to the orphans in Rivington, providing them comfort and someone to look up to. Or another example: Halsin helping out in or maybe starting some kind of charity meal program. It's small, but it's enough to say that he could actually grow a little as a person within the game's story. And it would add at least a little bit of engagement on the player's end as well, instead of feeling like the relationship with Halsin, platonically, is one-sided.

This all doesn't come from nowhere, by the way. If you exclusively romance Halsin, he says goodbye to the player in the end because he is leading a group of people into Thaniel's realm to start a new life. But personally, I feel like this is too great a leap back into an Archdruid role he specifically rejected, because he didn't like it. It also would've been nice to get this kind of dialogue without having to romance him; to know what lies ahead for Halsin as a friend, too.

Now, that's the good ending. But almost all the companions in BG3 have a "good" and "evil" ending. I feel like this really adds a lot of insight into the characters, because they feel real through it; we all have the potential to make good and bad choices, after all. So what could be Halsin's evil-aligned ending? Well, remember when he questions if the Shadow Druids actually have a point? How about giving the player the opportunity to push him further down that path instead... Shadow Druid Halsin, holy shit.

Now, there's one more thing I want to circle back to: Halsin's past. He very casually speaks of his time as a captive in the Underdark. And maybe it was so long ago that he's long dealt with such trauma, but still, I really wish there was a way to say "hey bud, that's really fucked up and I'm sorry that happened to you." But there's not a single dialogue option that allows you to express sympathy, besides just saying "that's awful", which doesn't cut it. Halsin himself says, "sometimes I think people look at me and imagine my feelings can't be hurt." Not allowing the player to be sensitive to his feelings goes exactly against this message not to judge a person's emotions by physical appearances.

Anyway, Halsin is a character that I think has a lot of potential, but doesn't quite reach it in game. I think it's great that he was given a bigger role due to popularity, but I just wish that role was expanded on to the same degree as the other companions.

#halsin #bg3 #baldur's gate 3 #meta #rape tw