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#it translates to I'm sorry
buried-in-stardust · 7 months
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Zhao Zilong (given name Zhao Yun) is a general who lived during the Three Kingdoms period.
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zakuramochi · 2 months
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I translated this chapter for a few friends on a discord server, but since I don't see a translated version online yet I thought I'd post it here! Please enjoy this new special chapter of Hetalia World Stars, Gangsta! (That's really the title) I'm really sorry if there are typos, the grammar is wrong or if it seems low-quality and unprofessional;; I did my best to get it across!
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tesb · 11 months
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“5 minutes before the performance I was still sure of victory. I didn’t win. Thank you and I’m sorry ❤️” @paidatonriehuja (Käärijä) on Instagram
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tofixtheshadows · 25 days
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So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.
And I kept wondering: why?
For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.
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So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.
But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.
The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.
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Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?
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That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.
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My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.
Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.
Milsiril the puppetmaster.
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e-turn · 10 months
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I’m not putting him down.
I was devastated the moment I read it... Donnie's probably planning his vegneance... On someone who doesn't have a tangible body... but well what does it matter for a genuis like himself, right!?
@dandylovesturtles you shattered my heart. again. thank you so much for this amazing fanfic again!
перевод этой главы!
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poorly-drawn-mdzs · 10 months
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Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???
[First] Prev <–-> Next
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canisalbus · 3 months
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the anon saying they wish vaschete were plushies inspired me
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norowareteiru-mono · 2 months
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Slow Damage artbook - translation
My attempt at translating the SD artbook, including mostly comments from the artist Yamada Uiro plus other fun tidbits about the characters.
33 slides total Canva link You can buy your digital copy at this link.
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willowbyte · 7 months
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THAT'S MY DESTINY! WHAT MORE COULD I DO?
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cor-ardens-archive · 1 year
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georges bataille | the company of wolves
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hedgehog-moss · 2 months
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Inspired by your last ask! What are the best French books you’ve read that have no English translation yet? I read Play Boy and Qui a tué mon père (really loved the latter) last year and it feels so fun to read something that other Americans can’t access yet
I'm too nervous to make any list of the Best XYZ Books because I don't want to raise your expectations too high! But okay, here's my No English Translation-themed list of books I've enjoyed in recent years. I tried to make it eclectic in terms of genre as I don't know what you prefer :)
Biographies
• Le dernier inventeur, Héloïse Guay de Bellissen: I just love prehistory and unusual narrators so I enjoyed this one; it's about the kids who discovered the cave of Lascaux, and some of the narration is written from the perspective of the cave <3 I posted a little excerpt here (in English).
• Ces femmes du Grand Siècle, Juliette Benzoni: Just a fun collection of portraits of notable noblewomen during the reign of Louis XIV, I really liked it. For people who like the 17th century. I think it was Emil Cioran who said his favourite historical periods were the Stone Age and the 17th century but tragically the age of salons led to the Reign of Terror and Prehistory led to History.
• La Comtesse Greffulhe, Laure Hillerin: I've mentioned this one before, it's about the fascinating Belle Époque French socialite who was (among other things) the inspiration for Proust's Duchess of Guermantes. I initially picked it up because I will read anything that's even vaguely about Proust but it was also a nice aperçu of the Belle Époque which I didn't know much about.
• Nous les filles, Marie Rouanet: I've also recommended this one before but it's such a sweet little viennoiserie of a book. The author talks about her 1950s childhood in a town in the South of France in the most detailed, colourful, earnest way—she mentions everything, describes all the daft little games children invent like she wants ageless aliens to grasp the concept of human childhood, it's great.
I'll add Trésors d'enfance by Christian SIgnol and La Maison by Madeleine Chapsal which are slightly less great but also sweet short nostalgic books about childhood that I enjoyed.
Fantasy
• Mers mortes, Aurélie Wellenstein: I read this one last year and I found the characters a bit underwhelming / underexplored but I always enjoy SFF books that do interesting things with oceans (like Solaris with its sentient ocean-planet), so I liked the atmosphere here, with the characters trying to navigate a ghost ship in ghost seas...
• Janua Vera, Jean-Philippe Jaworski: Not much to say about it other than they're short stories set in a mediaeval fantasy world and no part of this description is usually my cup of tea, but I really enjoyed this read!
Essays / literary criticism / philosophy
• Eloge du temps perdu, Frank Lanot: I thought this was going to be about idleness, as the title suggests, and I love books about idleness. But it's actually a collection of short essays about (French) literature and some of them made me appreciate new things about authors and books I thought I knew by heart, so I enjoyed it
• Le Pont flottant des rêves, Corinne Atlan: Poetic musings about translation <3 that's all
• Sisyphe est une femme, Geneviève Brisac: Reflections about the works of female writers (Natalia Ginzburg, Virginia Woolf, Sylvia Townsend Warner, etc) that systematically made me want to go read the author in question, even when I'd already read & disliked said author. That's how you know it's good literary criticism
Let's add L'Esprit de solitude by Jacqueline Kelen which as the title suggests, ponders the notion of solitude, and Le Roman du monde by Henri Peña-Ruiz which was so lovely to read in terms of literary style I don't even care what it was about (it's philosophy of foundational myths & stories) (probably difficult to read if you're not fully fluent in French though)
Did not fit in the above categories:
• Entre deux mondes by Olivier Norek—it's been translated in half a dozen languages, I was surprised to find no English translation! It's a crime novel and a pretty bleak read on account of the setting (the Calais migrant camp) but I'd recommend it
• Saga, Tonino Benacquista: Also seems to have been translated in a whole bunch of languages but not English? :( I read it ages ago but I remember it as a really fun read. It's a group of loser screenwriters who get hired to write a TV series, their budget is 15 francs and a stale croissant and it's going to air at 4am so they can do whatever they want seeing as no one will watch it. So they start writing this intentionally ridiculous unhinged show, and of course it acquires Devoted Fans
Books that I didn't think existed in English translation but they do! but you can still read them in French if you want
• Scrabble: A Chadian Childhood, Michaël Ferrier: What it says on the tin! It's a short and well-written account of the author's childhood in Chad just before the civil war. I read it a few days ago and it was a good read, but then again I just love bittersweet stories of childhood
• On the Line, Joseph Ponthus: A short diary-like account of the author's assembly line work in a fish factory. I liked the contrast between the robotic aspect of the job and the poetic nature of the text; how the author used free verse / repetition / scansion to give a very immediate sense of the monotony and rhythm of his work (I don't know if it's good in English)
• The End of Eddy, Edouard Louis: The memoir of a gay man growing up in a poor industrial town in Northern France—pretty brutal but really good
• And There Was Light, Jacques Lusseyran: Yet another memoir sorry, I love people's lives! Jacques Lusseyran lost his sight as a child, and was in the Resistance during WWII despite being blind. It's a great story, both for the historical aspects and for the descriptions of how the author experiences his blindness
• The Adversary: A True Story of Monstrous Deception, Emmanuel Carrère: an account of the Jean-Claude Romand case—a French man who murdered his whole family to avoid being discovered as a fraud, after spending his entire adult life pretending to be a doctor working at the WHO and fooling everyone he knew. Just morbidly fascinating, if you like true crime stuff
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rox-of-iu · 9 months
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my old blorbos are back in my brain
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heart pirates my absolute beloved. shame theyre chillin somewhere in the ocean lol (do not mention the pre-time skip hats of penguin and shachi I'm still attached even tho its already been a million years since then)
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anyway every time i remember that Law and Kid are assigned german and Scottish by Oda i gain one hundred years
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zxal · 5 months
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So you guys have just been coping with this since 2019. Okay.
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stressfulsloth · 9 months
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Thinking about Disco Elysium and stars. Something about communal experience and simultaneous isolation, hope and idealism, fear and beauty and terror and burning. The inherent horror in the vast romantic starscape of the sky, the melancholy and loneliness inherent in the untold distance, a communal experience of something too enormous to fathom. Stars bear witness to humanity, to the millions of tiny people crawling on the face of Elysium. They watch the people, and the people watch back, and make up stories about the stars. Stars symbolise love, hope, something unreachable and unattainable.
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The way that the light of the stars reaches every single being in Elysium, from human to phasmid, but no matter how far it reaches it is still a cold and distant glow, always on the verge of going out. A moral brilliance, a holy light to strive towards, something always at risk of burning out, but there's a dichotomy too. A duality between the stars as brutal unfeeling observers, moralists even, like the aerostatics flying overhead, tiny dying lights that watch impassively over every terrible thing in the world, and the flipside; stars as the burning kernels of hope, furious burning flames that parallel Harry and his golden-orange forest fire nature. Stars as the light of communism, the star-and-antlers. They're hope and dreams- a million years in the stars. Rockstars and superstars. The light of a brighter future (however short-term that future might be) coming towards them at the end of the tunnel. It makes me think of Sacred and Terrible Air and the light pollution in Vassa- ending light pollution as the world ends. "You may laugh at this, but in the evening, when the big world in the distance swells into a bloody maelstrom, families come out into the street in Vaasa and are insignificant together. Only distant explosions disturb the deep peace of the winter night, its flawless starry sky. Everyone watches, heads tilted back." The stars are a shared experience. Something that everyone watches, insignificant together, when there's nothing more that can be done. Light in the face of darkness, community in the face of inevitability. Togetherness. The stars are there in the church with the ravers. They're there watching Harry and Kim together. Insignificant together. In dark times, should the stars also go out?
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The Chair Theory Part 2
Yuri, Fiona and Damian’s Chair
This is a continuation of this post, but if you want the summary of the post, I’ve shared my thoughts about how the seating capacity or size of the designer chairs in the volume cover of each manga represents the relationship with others of the person sitting there. I’ve also shared my thoughts on how the comedic inside covers is connected to the person sitting in the cover and the person who sits in the chair in those funny inside chapters are the person who understands the person in the cover the most.
So now let’s move to Volume 5-7 and maybe I’ll analyze Yuri alongside Fiona since I’ve already tackled some of Fiona in the recent post when I compared it to Yor, but her cover and inside cover has some similarities with Yuri that I found interesting.
Volume 5 & 6, Yuri’s Barcelona Chair and Fiona’s Heart Cone Chair
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Because of the position of the chair in the cover, it’s actually hard to see how big exactly the chair Yuri is sitting on, but based on most Barcelona Chair pictures that I see, it is spacious but it seem to only fit one. It could fit two but I think it’ll be uncomfortable, and Yuri seems to be taking a lot of space, indicating he doesn’t want anyone to sit there with him. I think this indicates how, even though he is now in the position that allows him to have relationships with others, he limits himself from doing this, only revolving his world around his sister. It is true Yuri is open and friendly (just not to Loid because he’s her sister’s husband) but he isn’t interested in having an intimate or deep relationship with anyone other than Yor.
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I’ve already discussed how the seating capacity of Fiona’s chair indicates her selfish desire to be loved by Twilight. However, even though she loves Twilight, she will never be in a position to accept him for she didn’t love him for who he really was. He was not the perfect spy she deemed him to be. He has flaws, fears and doubts and Yor was the one who sees that everyday and embraces all his imperfections. (I have more to say about her but I've decided to put them in a separate post for I think it's going to be a long one)
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So this is the part where we can notice similarities between Yuri and Fiona. Compared to the first four volumes, their inside cover wasn’t something that happens in reality. Both of their inside covers are the fantasies in their minds (notice that's its inside a thought's bubble), their deepest desires; Yuri wants to torture Loid for him and his sister to divorce their marriage (we can see him holding that divorce paper in his hand and also Loid was sitting in a different chair in the cover) while Fiona wants to marry Twilight (We can see her in a wedding dress holding a marriage certificate which opposes the one on Yuri’s and yeah she’s still the one sitting on her chair). And in Fiona’s cover, we also see her desire to get rid of Yor, the same as how Yuri wants to get rid of Loid.
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But those things aren’t real, they are trapped in those fantasies and both of them seem to have no grasp of reality or are refusing to admit it. Their inside covers could also display how Yuri is Twilight's antagonist while Fiona is Yor's.
Volume 7- Damian’s Willow Chair
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The Seating Capacity
Damian’s chair is too big for a little kid like him as Endo pointed out. He’s also sitting in the middle like Anya, reserving the spots on both sides for their parents. Damian craves for that familial love that was devoid of him. He always felt like he needed to prove himself and work hard in school just to be praised and get attention from his parents. That is why even though he wants to be as laid-back as Anya, and play and be like a normal kid, he can’t because he doesn’t want to disappoint. That is why all of the toys are hidden behind the chair. It was the desire to be a kid that he’s keeping within his heart. 
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Oh look, a number 7 pool ball was in front. It could be because this was volume 7 but we all know Anya’s experimental number is 007 too right? Could it just be a coincidence? Maybe… or maybe not.
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But in the comedic inside cover, Anya is the one sitting on his chair. Yes, Becky is also there and so is Emile and Ewen but it was Anya who was sitting there, copying his pose. Connecting to my first post, this means that the one who understands him the most is Anya. Besides from being the one who knows what’s on his mind, they were both seeking familial love and acceptance. They are both motivated by receiving praise and acknowledgement by their Fathers particularly. But Damian seems to be serious like what he looks on his cover while Anya could still be a kid and be funny inside of the Forger family.
I love how in the fan book, in Anya’s character profile, it wasn’t Loid and Yor that was in her relationship tab at the bottom, it was Loid and Damian. (Please excuse my annotations 😅)
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And for the covers of both these guys, she was the one sitting in their chairs, making the serious covers comedic.
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I interpret this how she is the one who makes both of Loid and Damian’s life lighter and happier and how both Loid and Damian are concealing or denying the love they feel for Anya, in terms of Loid, his love for her as a father that is way beyond the mission and for Damian, his crush on Anya that he can’t admit out of pride and embarrassment.
Okay so that concludes the second part of the chair theory. I don’t actually have a lot to say about Volume 8-13, and I don’t know what Franky’s, Becky’s and Emile and Ewen’s inside covers are. I saw the raw but I can’t understand what they’re saying. So maybe I’ll conclude the chair theory through this post for now.
I'll deal with Fiona on my next post because I just realized something but let me gather the evidences first.
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iscariotapologist · 8 months
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As truly as God is our Father, so truly God is our Mother.
Julian of Norwich, trans. Fr. John-Julian, OJN
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