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onyourowndaisymae · 1 year

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presenting the obey me dateables (+ luke) with a friendship bracelet

you all asked so nicely for the dateables that i couldn't help but get inspired! i intend to reverse this prompt and write the characters making you a friendship bracelet sometime soon (will be split by demon brothers/dateables bc that's so many words)

[the demon brothers version]

[the dateables (+ luke) presenting you with a friendship bracelet]

content warnings: none

prompt: you grin down at your work. in your hands is a small friendship bracelet, lovingly crafted from hard work and the embroidery thread you found in your closet. you weren't quite sure why you'd made it, but the thought of giving a certain someone the bracelet and watching their reaction made you smile. now, to hand it off...

Diavolo

this is a mistake.

at least, that's what barbatos and lucifer think. because from the moment you present diavolo with a friendship bracelet, it is all he talks about.

when you approach him with the little gift--a red and black bundle of knots and strings-- and offer it up, he laughs jovially and asked what it was. you explain it's a friendship bracelet. from where you're from, you make them for people you care about, so they can have a piece of you with them every day. it's usually a tradition for children and teens, but you thought it would be fun to give him the bracelet regardless. you were just thinking about him (and his lonely childhood-- but you don't say that part aloud) and how he didn't really do stuff like this when he was young... so maybe he'd appreciate it now? you start to feel a little silly by the end of your explanation, so you look up at him to try to gauge his reaction.

you would have thought you proposed with how touched this man looked.

his expression softens and his eyes go wide. he puts out his hands to take the gift and you hand it over. his face quickly splits into a grin as he inspects each individual knot and string. did you really make this? he's impressed. look at how lovely it is! he raves about the quality for longer than necessary (it's not that good, mind you) as you flush from all the praise.

you offer to tie it for him and his eyes sparkle. truly, you never thought he'd enjoy a gift like this that much-- nonetheless, you're incredibly flattered.

how did you make this bracelet? what material is this? will you teach him how to make one, too? how often is he supposed to wear this?

the last question makes you chuckle. honestly, that's up to him. you tell him about that time you wore a friendship bracelet all summer one year, until it was a frayed biohazard that stank up the whole room. you recommend taking it off for showers and activities that might get it that dirty-- please, diavolo, learn from your childhood mistakes-- but other than that, he can wear it whenever he feels like. you assure him that your feelings won't get hurt if he doesn't, but he quickly reassures you that he definitely plans on wearing it.

... and he is not bluffing when he pledges this commitment to you. diavolo will wear his friendship bracelet all day every day, only taking it off when absolutely necessary. that does not include formal meetings or events. he is wearing that damn bracelet. what are they going to do, call him out? he's the fucking demon king (well, close enough).

Barbatos

you present barbatos with the bracelet one day when you've joined him for an afternoon in the kitchen.

he's carefully explaining how he gets the texture to this pastry just right-- there's a clear balance between airiness and moisture, you see-- while you try to listen. you can't help but let your mind wander as he talks. doesn't he know this friendship bracelet is practically burning a hole in your pocket?!

"mc, are you listening?"

he's looking up at you with expectant eyes, and you feel yourself flush in embarrassment. you barely get alone time with him as-is, and here you are, wasting it! you apologize and explain you've been a bit distracted. he welcomes you to share (if you are so inclined), pausing his work to give you his full attention.

it's now or never. you can either be brave, or you can walk back to the house of lamentation with your tail between your legs!

you present the butler with your creation-- a green and black friendship bracelet-- with a small explanation of what it is. you feel juvenile presenting an ancient demon such a childish gift, but he accepts your gift with a nod and a small smile. barbatos sets aside the gift for the rest of the day, careful that it won't get soiled by the mess of ingredients as he continues his baking lesson.

you assume barbatos has stored in somewhere out of sight-- you'd like to think he cares enough about your feelings to keep it, but you have also never seen him wear it. you're starting to feel like an idiot for even gifting him such a silly thing in the first place. he's arguably the second most powerful demon in the realm. he doesn't have time for a chintzy little bundle of strings from some insignificant human!

you're at the castle one day on another retreat with the rest of the house of lamentation residents. in a chaotic scuffle with one of his brothers, mammon manages to knock an open bottle of demonus directly into barbatos' chest. the butler sighs and begins to take off his coat while lucifer is moments away from tearing mammon into thirds.

as he opens his jacket, you spot it.

pinned inside the front of his jacket is, undoubtably, your bracelet. you recognize that striped pattern from a mile away. you can't forget the embarrassing amount of time you spent toiling away over cheap embroidery floss (not to mention the several mess-ups you had to throw out). you almost can't believe that's where he's been keeping it all this time.

barbatos catches you staring at the bracelet and gives you a small, secret smile. he leaves the jacket open for a moment longer-- it's like he knows, like he's letting you commit the image to memory-- before folding it neatly in his arms. he turns on his heel and walks back to his room before you can react further.

you're a little bummed to see him go. after all, that bracelet was probably ruined in all the liquid-y chaos from a few minutes ago. yet when he returns, adjusting his jacket one last time, you swear you see a flash of green and black string.

maybe it was just your imagination. and maybe that knowing look on his face was, too.

Simeon

you've found the clump of tangled embroidery floss in your closet among things you've brought from the human world. you aren't really sure how it got there, but you've got some free time to kill-- why not try to make one of those friendship bracelets you had growing up?

it starts out in your head as a stupid little joke. who among the people you know here would be the most accepting of a dumb little gift like this?

... simeon, probably. i mean, the guy's an angel. isn't being gracious and kind part of their whole schtick?

as you weave the threads together, you feel yourself get excited. simeon means a lot to you. he's been there any time you've needed him throughout the entire exchange program, always there to lend a hand or a listening ear whenever you so desire. you don't get to see him as much as you'd like, seeing as he lives all the way over at purgatory hall, but you feel you're close enough to give him such a gift.

you catch him after class at RAD one day. you don't have time run by purgatory hall after school, and you're worried if you wait much longer to give him the bracelet, you'll somehow lose or destroy it. when you approach, he's all smiles.

"mc? to what do i owe the honor?"

you ask if you can speak to him alone-- nobody misses the suggestively suspicious look solomon tosses the two of you-- and he leads you to a quite corner of the hallway.

suddenly, this whole thing feels very silly. but, at this point, you've already dragged him away from everyone, so you might as well go through with it.

you pull the blue and white friendship bracelet from the pocket of your uniform and offer it out to him. you explain that it's a friendship bracelet, something that human kids usually exchange as a show of friendship and devotion. you were in the mood to make one the other night and thought he might appreciate it. there. that didn't sound too cringe, right?

your gaze slowly lifts from your hands to find simeon in as disheveled of a state as you. his cheeks are flushed and his face is frozen as he processes your explanation. then a slow, delighted smile spreads over his cheeks.

out of everything to happen today, he definitely did not anticipate this happening. yet he couldn't be more pleased. he gives you his thanks as you tie the bracelet around his wrist-- over his gloves, so he can show it off to everyone, he tells you.

what did you say these were for? an expression of friendship? he's touched that you'd include him in an intimate human ritual like this (it's not that deep, but his smile makes you bite your tongue). would you be willing to stop by purgatory hall sometime soon so he can learn more about it? he loves any story you tell, after all.

you part ways with identical grins and a promise to meet again sometime soon. simeon assures you that he'll take care of the bracelet-- it's very special, you know, since you're the one that gave it to him.

and take care of it he does. every time you see him, he's wearing that bracelet. it looks nicer than the day you gave it to him! you're surprised, until satan reminds you simeon's always wearing white. clearly, he's good at keeping things clean.

he wears a big ass white cloak all day, every day. you think a little bracelet is going to trip him up? nah. simeon values your gift-- the gesture, the time you put into making him the bracelet, the skill it took to make such a pretty little thing-- too much to let an ounce of dirt sully his favorite present.

Solomon

hey, solomon. you want a friendship bracelet?

he looks up from his school work to eye you curiously. you two are on opposite sides of a table in one of RAD's many libraries. you're supposed to be studying, but you got bored fifteen minutes ago and haven't been productive since.

you pull a bundle of embroidery floss out of your pocket and spread it out on the table. a rainbow of colors sits mostly untangled-- you've been trying all day, but some knots are simply too stubborn-- across the smooth wood, and across the materials you should really be studying right now.

got a color preference, sorcerer boy, or am i going to have to give you the ugliest combination i can think of?

he laughs and tells you to do your worst. are you actually going to make one, though? how do you even remember how to do that? he admits he's never actually had one before. you tease him for being a lonely old man. he teases you right back for being a dweeb who wastes brain space on how to make gifts for third graders.

just for that comment, his bracelet's going to be ugly. and you won't even try to make it not lumpy, too. in your face, peepaw.

you get to work weaving the strings into a particular pattern of knots. you've chosen snot green and tree bark brown, paired nicely with a subtle hot pink for a more elegant look. slowly but surely, you start forming the stripes of the bracelet. you can feel his eyes on you, but for once, you decide not to tease him. you're feeling generous today, after all.

when you finish, you tie off the lose end and untape the other from the front of your textbook-- that's certainly the most useful its been to you all day-- with a victorious little smirk. he's still watching you work. you've succeeded in distracting him as well, congrats! it's what he deserves for dragging you into a half an hour argument between levi and asmo last week for no other reason than to see you struggle to keep the peace. karma's a bitch, and seeing this ugly ass bracelet across his wrist will be the cherry on top.

you instruct him to hold out his wrist and he complies. you start tying the ends together, careful not to permanently knot it around his wrist, when--

"wow, you actually made it for me. does that mean we're best friends now? i guess i'll have to brag to those brothers about it, won't i?"

you feel your life flash before your eyes. suddenly, you can hear it in your mind-- seven overlapping voices arguing, louder and louder, for you to make them a friendship bracelet as well. nothing will satiate their jealousy with each other. it's like entertaining a horde of toddlers: a gift to one is an insult to the rest.

oh. oh shit.

you're on your feet before you can speak. suddenly, maybe you don't want solomon to have that bracelet anymore. but he's always five steps ahead of you. literally, in this case, seeing as he's already taken off towards the other end of the library. oh hell no.

you manage to catch up to him eventually, and the afternoon devolves into you (playfully and consensually) bullying each other over the gift.

for all his big talk, he does actually wear the bracelet every day. you think that it's mostly to make you worry that one of the brothers might ask about it-- and that's definitely a big part of why he does it, seeing as he smirks every time he catches you looking at it-- but you think there must be a part of him that actually likes it, ugly color scheme and all.

it's solomon, remember? horrible chef, spellcaster to varying degrees of success, general menace to society. that bracelet is filthy in a matter of days. what's worse, though, is that he also has a terrible habit of breaking or losing it. this would be fine under normal circumstances. no harm, no foul, right? but every three to four business days, whenever he breaks it or covers it in mud or loses it somewhere in the hallway, he's up your ass for you to make him a new one.

what can he say? you're besties, aren't you? that's why you made the bracelet in the first place. now chop chop, mc, his wrist feels naked.

Luke

you visit purgatory hall after school one day, a pep in your step and a bright smile on your face. a few of the brothers question your giddiness as you head out (mammon especially didn't like that you wouldn't elaborate where you were going or who you were seeing), but you make it to your destination unscathed and unfollowed.

when you walk in-- you've had an open invite to visit whenever since the early days of the exchange program-- you spot luke baking in the kitchen. he calls out to you from his spot near the oven and invites you to try this cake he's been working on. barbatos taught him the recipe last week, and ever since, he's been working hard to perfect his version of the dish.

you spend a few minutes playing taste tester for the little angel before you get his attention. you've got a gift for him. the anticipation is starting to kill you, so you'd like to get it out of your hands.

you open your palms and reveal your present: a white and gold friendship bracelet. you explain that it's usually a gift kids in the human realm give each other.

... probably the wrong wording, considering who you're giving the gift to.

"is this because you think i'm a child? now you sound like lucifer! listen here, i'll have you know i report directly to archangel michael, who--"

you let him continue his little rant until he gets it all out of his system. when he's done, looking at you expectantly for some sort of rebuttal, you grin and explain the real reason for your gift. you think of luke as a close friend, and you wanted to give him a gift familiar to your culture that communicates that with the world.

an embarrassed flush spreads over his cheeks as the cherub realizes he might have jumped to conclusions. he sheepishly smiles at you and asks you to tell him more.

you tie the bracelet onto his wrist and explain all your favorite childhood memories with gifts like these. every friendship bracelet, each matching necklace you got with a childhood friend, all of those little mementos of friendships past still sit in a box in your closet. you might outgrow wearing a yarn bracelet (or it might have grown filthy over the years with all your sticky-fingered adventures), but you'll never outgrow the memories behind them.

luke asks if he can see them some day. will you tell him more stories if he visits you at the house of lamentation? you smile and agree-- so long as he doesn't get gobbled up on the way there. now he's protesting again. he's not a child! (whatever you say, luke).

by the end of the evening, you've explained the knotting patterns you used to make the bracelet. luke tells you to watch out-- he's gonna make you such an amazing bracelet, just you wait! you grin, already excited to show off his little creation.

#solomon is SUCH a shithead #peepaw is so fun to bully #obey me #obey me shall we date #obey me swd #obey me x reader #obey me diavolo #obey me diavolo x reader #obey me barbatos #obey me barbatos x reader #obey me simeon #obey me simeon x reader #obey me luke #obey me headcanons #otome

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datcravat · 21 days

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HI HELLO I love your art So much,,, do you have any tutorials on how you render your stuff? For example, the colors you use & how you pick them, how you get that pink tone around the Lineart (I think) (it's just rly cool). I would love to see stuff like that, cuz your art is Such visual candy (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)

Hey! Thank you so much, I'm glad you like my art, I worked hard to make it what it is!! Means a lot you appreciate it!!!!!!

I've had no professional art training, I seriously don't know what I'm doing and struggle making tutorials. But will try here!!

For me the colour work is really situational on the drawing! I find myself experimentally attempting to weaponize colour theory and there's a lot of instinct involved that I can't figure out how to verbalise yet. Here's an example of some thought process I have:

My main advice is to play with sliders a lot and really experiment (that's what I do for every drawing)!

To get the pink glow around your lineart, copy your lineart layer, fill the copy in with a pink of your choice (sometimes I do a gradient), blur the layer (experiment with how much blur you'd like), put it directly below the lineart layer, and set the layer to multiply (or any mode you think looks pretty)!

You may want to adjust your piece's brightness/colours after applying it and sharpen the image after exporting.

A lot of colour gradients are involved and on their own they can eventually compromise the gritty/punchy style, especially the ones that are between extreme and subtle. A good way to combat this is with screentones/haftones!! You can use them to diversify colours and imply shading/texture.

I recommend going nuts and having a lot of fun with it to find what works for you!

I often add a lot of small lens flares as they satisfyingly cut through the piece, imply flash photography (which goes well with the strong black shading), add visual noise to areas you don't want to be your main point of focus, are a great way to show speculars, and idk man sparkles are just pretty haha.

Go nuts with them and have fun!! When you get them to look good, think to yourself why that is.

I made a tutorial ~1 year ago on how I shade with black. This simple trick will really help it look good, 3D and rendered - it just requires a lot of knowledge about shadows to start with. I have a lot of experience rendering "normally" which helped me learn how to use black in an experimental way.

Minor correction that the shadows labelled "ambient occlusion" in the tutorial are actually just normal shadows, ambient occlusion is total lack of light.

I hope this is useful to you!! You have a knack for art, your work is very inspired. Please keep drawing!! I am still learning too, let's keep going baby.

-Cravat x

#ask #tutorial #my art #art tutorial #thank you for the ask!!

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dino-boyo-agere · 3 months

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Fun sensory play to do when your smol/ with your little one:

.･｡ﾟ×ﾟ☆ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ.✧.ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ☆ﾟ×ﾟ｡･.

1. Eating with your hands:

Especially food you would usually use utensils for is a really fun sensory experience. Just make sure to wear clothes that are allowed to get dirty and protect rugs & furniture.

My favorite are melons. Just cut whatever kind of melon you prefer in half, lay out a tarp on the floor/ table and dig in with your hands.

Pasta with tomato sauce or rice are really great to make a mess too!

2. Brushing you plushies, or your pet if u have one:

You could also brush your own/ a friends/ your CG's/ your little one's hair, which can be great for bonding! <3

It's super easy and I find the feeling of brushing hair/ fur extremely relaxing and comforting.

3. Playing with shaving foam:

It has a really soft feeling, is available in all kinds of scents and is great to play with in the bathroom or wherever you're able to rinse everything with water.

I like to play with it in the garden, I just wear my swimming trunks and cover my whole body in the foam, in the summer.

4. Playing with baby powder:

I'd advise to also do this in the bathroom or over a tarp, stuff gets everywhere.

It's fun to cover your body in the soft, comforting smelling powder and it's easily washable from skin and clothes.

If it ends of in the floor/ carpet/ furniture it can be removed with a vacuum.

5. Filling a tub/ bucket with different things to dig your hands into it:

This is a pretty easy and fast little sensory play, just pick whatever interesting texture you want and throw it in.

My favorites are: crumbled up/ shredded paper, sand, ping-pong balls, soft blankets, and cotton balls

6. Making playdough:

Making playdough is really easy and a fun sensory experience.

You basically only need 5 ingredients and are free to add any color and scent you'd like! → here is a recipe ←.

Make sure to lay out cling wrap on the surface you'll be working on and wear clothes that are allowed to get stained, food coloring is hard - sometimes impossible - to remove from certain services/ fabrics.

Also be aware that the food coloring will most likely stain your skin and nails for a few days, from mixing it in. You can wear gloves to prevent that, but that also lessenes the sensory experience.

All ingredients are safe to eat, since little ones can be very curious. If you choose to add scents, make sure to use food safe ones, in case you/ your little one decides to eat it.

.･｡ﾟ×ﾟ☆ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ.✧.ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ☆ﾟ×ﾟ｡･.

That's all I can think of right now, feel free to add your own ideas too! I might add more later aswell.

Thank you for reading. <3

.ﾟ｡.･.*.ﾟ☆❗only interact if your blog is SFW❗☆ ﾟ.*.･. ｡ﾟ.

#nates recommendations #baba space #nates tips #sensory play #sfw interaction only #sfw #sfw agere #agere #age regression #agere community #age regression community #age regressor #agere fandom

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teleportbooks · 4 months

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Ficbinding: 誰謂河廣、一葦杭之 | who says the river is wide (or, Lan Fangji) by @astronicht

Astronicht's Lan Fangji series is a wangxian Italian Renaissance AU (they are visiting). Also, a vampire AU (“A european vampire,” he says, “my uncle will be so disappointed.”) Please read it if you haven't, I'll wait.

Anyway so a year or so ago I did a mockup title page just for fun in a vaguely historically appropriate style, but at that point I had no intention of actually binding the series because at under 20k words in total, it would make for a pretty thin tome. Enter: @renegadepublishing's tiny book bang! This was an event where participants typeset fic in miniature and passed it off to someone else to bind. On a smaller page size, it worked out well. The typesetting is loosely modeled after Aldus Manutius (did you know you can just look at full scans of really old books on archive.org? it's very cool). He's credited with inventing italic type and with popularizing printing 8 pages on a sheet (octavo) for more conveniently sized books. This book is also an octavo! But on smaller paper. I don't know if shaping the text into a triangle at the end of sections was his thing or if everyone did it back then but I like it, it's very fun. The AU setting is a little before his time but iirc not too far off. I printed the art (by @butleronice, included with permission) in black and white to better match the style.

Here I will pause to recommend KPS Fonts (a collection of historic fonts) and Bookbinder JS (an online tool which can rearrange your pdf into an octavo or pretty much any other imposition you might want).

So, I didn't do the binding for the exchange, but I couldn't help thinking "what if I bind it in a historically appropriate style too?" and then this happened. This style of limp vellum binding covered a wide historical range and I think is reasonably appropriate? Though the specific details of construction are closer to modern conservation techniques, because that's what I could find instructions for. I'm not entirely sure that what I bought from etsy was the right sort of vellum for this project, but the nice stuff is beyond my current purchasing power so this will have to do. For the paper, I bought some big sheets of drawing paper from the craft store (off-white cotton paper, with a laid texture instead of smooth like printer paper) and cut them down to letter size so they would fit in my printer.

#bookbinding #fanbinding

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modelbus · 4 months

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YOOOO MODDLEE

yeah I did it again.

(Help I have a problem of disappearing into thin air)

THANK YOU SO MUCH FOR PART THREE OF CUT CHAOS SHEBSJNSUH

you said you would write 500 chapters.. but like obviously exaggerating..? (Kiddinggg)

tho a few more couldn’t hurt..

juuuust saying if you ever feel like it I will eventually see it and it will eventually make my week. <3333

BUT THATS NOT WHY WE ARE HERE! (I’m sorry my requests are always so long and dramatic bro I just brain like that)

Actual request:

ok so like I knowww cut chaos started from rumours but like rumours are an easy way to start plot lines k? (Also I use she pronouns out of habit but they is pog too)

the friends in question: Tommyinnit (duh), Wilbur (moosic boi), Ranboo (generation loss trauma guy), Possibly Slimecicle?? I know he’s not someone you do requests for normally buttt if you’re okay with it that would be POG, or if slime is a no, tubbo!

SO a few months ago Y/N started working on an SMP with some minimal custom mods, some fancy texture packs, maybe some data packs, and its like this BIGGG project, BUT its not public and its taking a lot of her time, so she can only really do a few streams and most of the time because her schedule is so full its hard to work out streams with friends so, she is alone. with the internet being the internet people started to think something was up, some annoyed viewers made a few rumours and people kept making things up and escalating things until people were saying she did all sorts of horrible things to “lose all her friends” but one of the most popular theories was that she was emotionally abusing them (??? Internet wildin ig) she ignored them while mostly finishing the stuff for the smp, but decided to address it in a very- y/n way. Getting four friends to come to her house and hide slightly off camera while she made a purposefully bad apology video only for them to jump out at the end and her to stand up and be like “YALL REALLY THOUGHT I WAS SOME MASTER MANIPULATOR?! I’M JUST A FUNKY LITTLE CHAOTIC MINECRAFT GOBLIN N’ I’VE BEEN WORKING ON AN SMP THIS WHOLE TIME!! ITS GONNA BE SUPER COOL AND THESE FOUR PLUS ALOOOOT MORE PEOPLE ARE GONNA BE THERE I’M POSTING THE CREATORS SOON AND ITS LAUNCHING IN A MONTH!, SO STOP ASSUMING I’M A BAD PERSON AND GET PUMPED BITCHES!” something along those lines, maybe at the end a little peek at what people are responding with. (Obviously no pressure, but like id be cool) (thanks for considering deity of the busses and models.)

HOW WE LIKING THE SILLIES?!?

P.S I’m not always an angst gremlin (just most of the time..) - ✨🌌🌙 Annon

I DO BE LIKING THE SILLIES (and thank you for elevating me to the level of deity, my ego has been inflated)

Pairing: Cc! Wilbur, Tommy, Ranboo, Charlie Slimecicle x Gn!Reader (platonic)

Roaring Rumors

Life was all about sacrifices.

Or, that’s what you keep telling yourself when you’re up at 1AM working on your server. Putting together an SMP is harder than it sounds; texture packs, data packs, comparability, world-building, even the (seemingly) simply act of contacting people to play on it. For the amount of time you spent on your computer, your hands might as well be part of your keyboard.

Sleep wasn’t the only thing you sacrificed. Streaming, even just fun ones with your friends, had quickly became rare. Although you loved to hop on a call while coding still, your online presence had severely receded.

You just keep telling yourself that sacrifices are necessary. That the payoff would be worth it.

And it really would be, but you just had to get there first. Which was proving harder than you had thought.

At the very least, you still had your friends. Wilbur sitting silently on call with you while you work, Tommy dragging you out of your room, Ranboo always willing to get excited over your progress. Every day you woke up with a text from your groupchat—typically Charlie—just filling you in on the latest internet trend by a meme.

Today, your news comes from Wilbur and Tommy.

“I think they’re canceling you.” Wilbur says casually while you’re in the midst of detailing the hunger bar for a texture pack.

“Ooh, you’re a wrong’un!” Tommy yells in the background of Wilbur’s side of the call.

The three of you had been idly chatting while each doing your own thing. Wilbur and Tommy were engaged in some Twitter competition, as far as you know.

“Canceling me for what?” You ask, deciding to ignore Tommy’s shouting.

“Existing, I think.” Wilbur answers.

“So the normal.”

“The normal.”

Although the conversation stops there, you can’t help yourself. Later, during one of the few hours you dedicate to getting sleep to stay alive, you pull open Twitter on your phone. Your last tweet was nearly two weeks ago, so it’s been a minute.

But you just want to make sure nothing horrible happened while you were busy. You’re a content creator, this is normal. Definitely. You definitely aren’t just justifying this so you can do it.

You swipe through tweets, heading to trending and searching your name. Tweets load, making your mouth run dry. Wilbur wasn’t joking.

All you can do is scroll, reading as the messages get wilder and wilder. From people saying they were missing you to theories on why nobody was streaming you. Each one seemed considerably more implausible, and before you know it you’re glaring at your screen like it’s to fault.

Some thought you had grown apart.

Some thought you had a falling out.

And, apparently, a lot thought you were emotionally abusing them. Or, depending on the tweet, manipulating them.

Quite honestly, you didn’t even know how they got the idea. The long threads of explanations did nothing but send you into a spiral, biting your bottom lip so hard that it bleeds.

You were so close to finishing the SMP. It needed just a few things, then you'd be able to start scheduling to get it up and running. You didn't have the time nor mental capacity to deal with whatever the fuck is going on right now.

Is it a good choice? Maybe not. But do you still ignore the accusations? Hell yes.

By the time you get even closer to finishing the preparations for your SMP, you've come up with the perfect plan to address the (quite stupid) rumors. It'll be a two-in-one; you address the rumors and announce the SMP at the same time.

"How long do I have to lay on this floor?" Tommy asks, stretched out behind your chair.

"Nobody asked you to lay on the floor." Wilbur points out, standing next to your computer. Charlie, on the other side, laughs.

"Yeah man, you wanted to be down there."

"Besides, I'm doing great down here!" Ranboo chimes in.

You roll your eyes, grinning. "I'm about to start stream, so it won't be for much longer. Just wait for my cue, yeah?"

Tommy grumbles, but shuts up. You take that as your chance to start the stream, switching it off your waiting screen and waving to the camera. Your chosen stream title has brought in a bit more than your usual casual steam view number, "Talking about some serious stuff," leading people to believe there will be drama. And if it's drama they want, it's drama you'll give.

"Hello, hello!" You smile, leaning back. "So I've decided to talk about some things. Namely, the Twitter shit. I am so sorry for everything, and I mean that. A lot. Sincerely. There's meaning in it."

Tommy snorts, and from the corner of your eye you catch Wilbur kick him to shut him up.

"What am I sorry about?" You ask rhetorically, acting like you read it off of chat. "Oh, you know. People have been saying all types of stuff. The things about me manipulating my friends?" There's a pause while you let that sink in. "So, I'm sorry."

It's a purposefully shitty apology, but you sigh and act like its heartfelt for a few moments, nodding towards chat. Their messages are mostly confused, especially because it isn't one emote-only.

"Sorry you guys are so gullible!" You shout, and Tommy practically tackles you.

Wilbur's the one to fix your chair, Ranboo and Charlie appearing next to you within moments.

"You guys really thought this one could manipulate me? The master?" Charlie asks the stream, pointing at you.

"Yeah!" Tommy shouts, way too energetic for someone who complained five minutes ago about being on the floor. "We're the master manipulators! Get fooled!"

"I, for one, haven't manipulated anyone-" Ranboo starts, but Tommy slaps a hand over his mouth and nods empathetically.

"Yeah, I don't know what you guys were thinking, but I've just been playing fucking Minecraft for the past few months nonstop." You laugh.

"Nonstop. It's a problem." Wilbur nods.

"It is not a problem!" Pause. "Anyways, I made an SMP! And that's where I've been! Not because I've been manipulating my friends or some shit, stop being dumbasses."

"It'll be super cool!" Ranboo adds in helpfully.

"These four-"

"That's us!" Charlie points around at himself, Wilbur, Tommy, and Ranboo.

"-will be on it, plus a lot more. It'll be posting those people soon! As in, check your Twitter obsessively guys! The SMP will be in about a month, too, so get fucking excited! I want to see some hype!"

"WOO!" Tommy screams, making everyone cringe at having their eardrums ruptured.

"So that's all I wanted to talk about I think. Anything to add, guys?" You glance around at the four surrounding you with a grin.

"One thing." Charlie nods, leaning in really close. "I have a secret. This SMP, it's actually-" He hits your end stream button mid-sentence. "And that's how you keep 'em interested."

Ycgmaenthusist NEW SMP NEW SMP NEW SMP NEW SMP

Mammalianeighingreflecenthusiest We are dumb as fuck aren’t we

Poabsenthusiest i will RIOT IN THE STREETS if any of yall be mean to MY STREAMER -> Cmwylenthusist FR I GOT TWO FISTS AND A CAUSE

#dsmp #mcyt #mcyt imagine #tommyinnit x reader #tommyinnit x you #wilbur soot x reader #tommyinnit #wilbur soot x you #wilbur soot #ranboo x reader #ranboo imagine #ranboo mcyt #ranboo #ranboolive #charlie slimecicle #charlie slimesicle x reader

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spacecolonie · 8 months

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i adore your paintings so muchhh would you happen to have any other tips or tutorials for your process? anything from thumbnailing all the way to final render

Thank you 😭♥ I appreciate that a lot!! To start with I've got my advice tag (both new and veeery old stuff lol), & my youtube has a couple of speedpaints on it, one with commentary including process, brushes etc

In terms of general stuff about how I approach painting, I tend to tailor the method to the desired outcome. I talk about it more in depth on this post here, I also link to some references & tutorials that I really enjoy/recommend!

Besides that though, I guess I can do a little walkthrough of the Whisper & Tangle painting I uploaded a few months ago, since I tried something new with it that I pseudo integrated into my workflow & could be fun to talk about? 🤔

SO yes, I do always thumbnail when I'm doing a bigger painting, and they're definitely not pretty LOL. I usually use the colour fill lasso just to block in basic shapes and values with a gradient map slapped on the top -- I ended up swapping the values around in the end because it let me use the fireflies as the sole light source, making it more character focused! Then it's the usual process of resketching it all & flatting in the base colours (I also added Whisper's wisps hehe), then adding shading:

This is how I usually approach it, w/ all the shading layers clipped to the original flats to preserve editing. Multiply, screen & overlay are the most common layer modes I use while doing this, and if I'm ever struggling I'll sometimes add a gradient map too in order to unify awkward colours etc. The new thing I tried for this painting was doing what's often nicknamed as a 'clown pass' -- which is using hard edged shapes to create an easily-accessible selection mask for each part:

It looks Super funny but I actually found it very helpful, and I ended up using it to select & cut out all of their body parts onto seperate layers, which were then alpha locked. It meant I could go ham w/ large or textured brushes, smudges etc without worrying about losing those edges, or accidentally over-rendering and screwing up the anatomy in the process!!

I've kept doing something similar since, though it's a bit more dialed back; mainly using the lasso select to chop it up directly and preserve specific/necessary edges, grouping up similar body parts on a single layer etc.

After doing all that, I sat down and started rendering. The background was all blocked in & detailed with a hard round brush and these amazing brushes from Devin Elle Kurtz. There isn't anything super insightful that I think I could type on how I render, but I do have that speedpaint I mentioned earlier that'll probably shed more light. It's just a lot of eyedropping & painting, rinse and repeat

When rendering is done I usually add a concoction of adjustment layers, as well as an overlay w/ a noise texture on it. I also sharpen it all after doing so! These are the ones that I ended up adding for this painting:

The dupe & blur is a fun thing that doesn't always work, but it looks super neat when the painting itself calls for it, especially when paired w/ that noise texture. It can make stuff look like an old/low quality photograph or recording -- here's another example w/ a shadow and amy doodle I posted a few months ago:

That's about it for this painting, the majority of the time spent on it was honestly me rendering those damn leaves 🥲 Very tedious but worth it & it was a really good learning experience. I'm not sure if any of this will prove useful but thank you so much for sending in the ask, & if you (or anyone else reading this) wants a similar breakdown for a different painting of mine, please do let me know and I'll try my best to do one!! 🥺💞

#tutorial #kinda. i'm counting this as one... i should really start a new tag for these sorts of posts because theyre super fun #art breakdown #maybe??#either way thank you so much ♥

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pietepiet · 6 months

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Hey I love your art very much! Just wanted to ask you if you have any ressources/tutorials to recommend for learning Blender?

Hey, thanks for the kind words! Honestly most of my Blender learning has been just messing around with it and looking stuff up as I need it, but here's a couple tutorials that got me started: MortMort's "Blender Zero 2 Hero" tutorials These were very useful in understanding Blender's UI, and come with some tips for pixel art textures in Blender that will be helpful for low poly stuff specifically. Cherylynn Lima's Low Poly Modeling tutorials These use an older version of Blender, so the UI and some shortcuts will be different, but they're great for getting an understanding of the box modeling process used in low poly models. Imphenzia's Low Poly Character Modeling tutorials This is a link to the newer version of his tutorial videos, which goes over the same kinda stuff as the older ones that I used. These were particularly great for getting a quick grasp on rigging low poly characters for animation. Besides those tutorial videos, an additional resource I used was The Models Resource, which collects video game models for viewing in Blender and other 3D art applications. I used this site to study lots of low poly models from stuff like PlayStation 1, Nintendo 64 and Nintendo DS games. I also participated in challenges like #256FES very early on, because I strongly believe that having limitations or challenge goals makes it much easier to learn how a program works. Especially limitations (like 256FES' "use only 256 tris and a 256x256 texture") really force you to learn and puzzle solve to get the most out of your model. My last tip would be: if making your own art is the ultimate goal, then don't feel like you have to learn everything about a program before you start doing your own art. Just get started, then problem solve as you go! It can be fun and gratifying to follow along with tutorials because they produce pretty results in the end, but for me personally I vastly prefer just being creative with a program and figuring out what I need to do as I stumble upon problems. Hope this helps! Good luck on your Blender journey! :)

#ask #blender #blender tutorial #low poly

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silkysong · 1 year

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ayo do you have any tips on how to like your own art a bit more ? im currently like. my least favorite artist ever and the whole idea of being ur own fav artist is an anomaly to me 😭 either way I'm really happy for you tho !!!! congrats on becoming proud of ur amazing art <33

silkys tips on liking your own art more

stop having unfair expectations, both externally from other ppl and your own. if all your mind can do is doodle and scribble, instead of forcing yourself to work on a big or polished drawing, doodle and scribble away; if you dont feel like drawing a certain subject, draw whatever feels fun. art shouldnt be a chore. and if someone judges you for drawing whatever you want yoy should. ea t them

cringe culture isnt real

EXPERIMENT!!! experiment!!! experiment !! try new things!! new brushes or new effects or new textures or mediums, youd be surprised how many times i hated a work and after trying out new things on it, it actually turned out amazing and i gained more appreciation for it instead of scrapping it and throwing it in the reject pile

DONT compare yourself to anyone else. that one is hard to do, and it might take some time and mental effort to overcome, but once i stopped comparing myself to my favourite artists, and just enjoyed and consumed their art without any other feelings attached to them, i started seeing the same stuff i loved in their art in my OWN art without negatively comparing myself to them....

....which brings me to this point. seek artists you love and dont stop yourself from becoming inspired by them and their style. i wouldnt be here today if i didnt constantly gush over a cool subject, composition, design, colour choices, etc etc. every artstyle is unique and made from countless other artstyles which in turn are made from even more countless other artstyles and i find that beautiful <3

these worked for me at least, hope one (or more) of these can help someone out there!! its possible to love your own art and its a wonderful feeling i think everyone on this damn earthe should experience

#ask

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bryce-bucher · 11 months

Text

.50 Caliber 3D Platformer Post #7

Environment AAAAAAAAAAAAAAAAAART:

Finally, I've gotten around to making the environment art for the one level that I've got rn. I've been playing the system shock remake, and I really love how that game creates the illusion of grungy detail that reveals itself to be very low-resolution textures up-close. I knew I wanted the game to look like of grungy for a while now, but I didn't know exactly how I would go about achieving it. I toyed with the idea of layering photocopy textures over everything, but I eventually settled on using low resolution textures that are dithered with web colors. I'm quite happy with how it ended up looking. I think it has a source engineish vibe that reveals itself to be more colorful and strange up-close.

The Textures:

The process for making these is a lot simpler and less time consuming that how I usually make textures. This is mostly because I'm relying a lot more on the baked lighting to make things look good in this particular game, so the textures can get away with being less detailed. I'm mostly just grabbing stuff off of websites like textures.com and adjusting the contrast / coloration before shrinking them down and lowering the color depth. Here are some examples of how they look wowee wow:

Lightinggg:

For this game I'm using baked lighting as opposed to vertex based or realtime. I really like how it looks, and it ends up saving me a lot of time. If you don't know how baked lighting works, basically I place lights around a scene in unity, and then I use anything but unity's built in lightbaker that is bad and sucks (I use bakery) to essentially turn the lighting into a texture map that is placed on the mesh. It turns lights into textures basically. It is a lot more performant than real-time lighting, and it usually looks a lot better as well. With this game's particular art style, everything really ends up coming together with the lighting, and it would look pretty trash without it.

Cameo Skinz:

I've always really liked putting cameos in my stuff from artists that I'm friends with and/or take a lot of inspiration from. In this game, I plan to include a lot of unlockable skins for the player character that are characters from games / animations / whatever that I like. So far I've made a couple to breakup my time working on environment art. Check um out:

This one is Peter Shorts from an upcoming game called You Are Peter Shorts. I loved this dude at first sight and it was the first skin I ended up making. He was really fun to make because he has no body or hands, so I ended up making his head/torso one big thing that is attached to the head bone. You are Peter Shorts is made by the talented ondydev who I don't think I've actually asked permission to include this skin yet. If it doesn't end up in the final game pretend I didn't post about it lol. You should check out their previous game Tres-Bashers if you haven't.

This one is Appy from Brawlers World! Brawlers World is one of those creative projects that is so great that it gives me envy. I'm honestly so excited to be able to have this little dude in my game, and I think he ended up fitting into the art style super well. Those are the only two skins I've made so far. I have a lot more planned including Nova from Anodyne 2, Frog from Jamphibian, Knight of Trye from Knight's Try, Orbo from Peeb Adventures & Orbo's Odyssey, and some characters from my own stuff. They aren't a high priority right now because I have to actually make the game first, but I'll probably make a few here and there to curb burnout, and I'll show them off whenever I do. I am v passionate about the cool shit my peers are making, and I hope other people are too.

Conclusion:

idk it's like 8 am and I haven't slept. I've just been workin a lot while listening to the magnus archives. I guess I can turn this conclusion into me talking about the magnus archives. I'm on episode 197 while writing this so im almost done. It is p cool and I like how much it changes tonally overtime. It really feels like a big long journey, and I like media that can do that kinda thing. It is now a series that I will forever associate with the development of this game considering I listened to it all while working on it. It's kinda funny how that happens. Sometimes I'll be in a location in one of my games and it'll make me think about some video essay or w/e that I was watching while making it. Anyway, have a good day every1 pls tyty

#screenshotsaturday #indiegamedev #gamedev #indiedev #game development #indiegames #y2k #y2k aesthetic #3d platformer #3dplatformer #sniper rifle #50 caliber 3d platformer #50 cal

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snek-panini · 15 days

Text

Very belated Binderary books, uh...I've lost track actually. I think they are #6 and #7. And it's another two-volume split! This is (Slow) Burn, Baby, Burn by orchidlocked, an extremely long Good Omens fic set in the 1970s. It's about our favorite angel/demon pair navigating the disco scene, and it's not an AU, which is sort of usual in a fic this long and with such a specific premise. There are a fair few real people featured here, some as major characters, and a lot of music history and an excellent playlist alongside all the fun and angsty relationship stuff that so many of us are here for. I learned a lot about disco reading this fic and it was fascinating and also way more queer than I ever realized.

For the cover up there we have a white Allure book cloth on the spine, and white HTV over homemade book cloth for the main cover. The cloth pieces both come from the same sheet but I oriented the stripes this way so they'd be coordinated-but-not-matched and I really love the effect. They're also cotton and really nice to hold. It's funny, I was thinking of binding this fic when I found the fabric while digging through the Joann's remnant bin, and as soon as I saw it this fic not only came to mind but moved up to the top of the to-bind list. It was fate, clearly.

More photos under the cut!

Both spines and a top view. That's orange HTV for the titles. This it the first time I've worked with matte HTV (I usually use metallic or foil) and I was surprised at how much thinner it is, and how easy it was to stick. And I like the color inverse here in counterpoint to the front cover. The top view shows off the handmade endbands and bookmark, and also the rounding job. I'm still working on rounded spines, and the turn-in over the spine didn't come out as smooth as I'd have liked, but I think it's a good result. The ribbon bookmark was supposed to be blue to match the endbands, but every blue ribbon I could find clashed horribly with the cover so it's this nice leafy sage green. Which actually works really well with...

The endpapers! I got these as Joann's too. All four are cut from the same print, but I shifted and rotated them when I trimmed them so the patterns wouldn't all be in the same place. I had desperately wanted this other paper I found on Etsy with little vinyl records all over it, but the pieces weren't the right shape and I'd have had to ship them from overseas ($$), but I like the mood these ones set. And they're thick and nicely textured and look awesome with the cover, so really I think things worked out very well.

Couple of pics of the interior. I kept it fairly simple but I feel like it fits the story.

The scene break line is orange, to match the covers. I usually use gray but wanted something more fun. I recently bought some off-white paper that I used for most of my binderary projects this year because I've heard it's easier on the eyes, and it is, but I used the older bright white for this so the color contrast would be sharper. No complaints; I think it looks amazing. The second image above is the appendix I put together for the volume. Being so centered in the music industry, this fic has a really long playlist that the author put together with their preferred recordings. It's linked in the story and I did include the link text in the book, but I had my mind on preservation and the challenges of digital archiving while I was making this one, so I also took all the title/artist/album info and just listed it here. It was too much to do all by hand, so I learned how to export a Spotify playlist into an Excel doc, then moved that into the Word doc to print. A lot of steps, but not nearly as hard as I'd thought, and way less tedious.

I have to say this book is aesthetically really different than all my previous ones. I ran into so many design hurdles but I honestly couldn't be more pleased with the end result. I'll have to push my comfort zone like this more often, I guess.

#bookbinding #fanbinding #snek makes books #good omens #it's disco so it needed to be appropriately funky #and i think i nailed it actually #look at them they're awesome

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peculiar-potato · 3 months

Text

raaaaaaaagh teaser image for the among us animated tv series dropped and I just have to scream about it and analyze it a little bit

(Source)

My ramblings under the cut:

I like the art style! It’s a bit different, I was expecting something closer to the game style/style of images they post on social media and stuff where it’s very clean with sharp lines, but I think this works really well for what it seems like they’re trying to do here. I like the lineart and the kind of texture everything has? It adds a lot to some of the other stuff I’m going to talk about here.

First of all, the atmosphere. Again, really kinda different from what I was expecting, but in a nice way! I was expecting kinda like a clean, cool-toned, space-age look, but this gives me a lot more like run-down office vibes and I am HERE FOR IT.

The warped ceiling tiles? The dirt and grime? The bent blinds over the window? The burnt out light by the window and different colored fluorescent lights like one of the bulbs was replaced? It feels like I’m in some old corporate building that hasn’t been properly maintained in years, which is so different and so fun from what you normally see in a spaceship and totally matches the vibes of (at least what I headcanon to be) a sketchy space corporation.

I also love all the little details here.

The little food window and vending machine so the cafeteria is actually a cafeteria, the pizza with who knows what kind of toppings on it (why is it green?? I’m so curious), and the fact that everything is held up with duct tape- even the fire extinguisher? It’s so fun I love all of it.

This is also actually a really faithful adaption of the map. Like, I know, of course it is, but I know things have to get changed a lot for animation sometimes and they did a good job of keeping it very similar.

I am going to be that guy and point out a few differences but just because I think they’re neat and interesting!! Not at all bad!

(At least between this and the classic game, I’ve never played Among Us VR)

First of all, the trash task and wires task actually swapped sides, on the map, the wires are on the left and the trash is on the right, but here it’s flipped. I also can’t find the download data task, unless it’s supposed to be the tv? Probably all just aesthetic choices but kinda interesting!

There’s also the big food window and the door, but if you look at the orientation of the walls of the room, it actually checks out! The door and window would be against the left wall, where you wouldn’t actually see it looking from the angle in game.

The vending machine isn’t there in the game, at least on the Skeld map, but that’s ok the beans deserve their snacks! I did notice there’s kinda a panel behind it so I’m counting that as the panel that’s on the right wall next to the download task being there (even though it’s definitely too small to be that). That and the wires are actually on the slanted wall, but again, I don’t care, this is just me pointing out every difference like an I-spy challenge.

Also the cafeteria tables have stools now instead of benches, and I kinda like that! I also like the stripe of kinda a maroon-ish color added to the tables and stools, really kinda ties together well with the walls and such. And the floor, thank goodness they did something about that floor for the animators’ sake. I like the original floor design but I know firsthand just how hard that floor is to draw, especially at an angle.

I don’t know how to really speculate on the party stuff other than I’m intrigued haha. Maybe it’s like they’re celebrating taking off and surviving or being the only crew with no impostor attacks or something (of course that’s implying a lot about the non-existent lore) and then everything goes wrong? Maybe the red is pizza sauce or ketchup and we’re being misled for the funnies?

I’m kinda hopeful about the humor here, with the “we’re not dead” banner and stuff, I’m really hoping this will be something I’ll enjoy too as an adult and the vibes I’m getting from this are encouraging. Like maybe a kinda workplace dark comedy?

I’m also sososososo curious about what we’ll get in terms of characters (I WANNA SEE THE BEANS SHOW ME THE BEANS) and worldbuilding and lore here, eeeeeeeeeeeeee

Ok, I’ll stop for now, but you know I’ll be following this very closely lol.

tldr: not entirely what I was expecting but I like it and the direction it’s going a lot :))))))

Edit 2/3/24- just noticed there’s no emergency meeting button??? Is it under the pizza?? Has it not been installed yet?? WHERE IS IT 👁️👄👁️

#among us #among us animated #among us tv show #not my art #analysis post #maybe?#no id

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olderthannetfic · 1 month

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https://www.tumblr.com/olderthannetfic/744798398911266817/a-question-a-bit-out-of-the-usual-ones-but-do-you?source=share

NB, vagina owner, sensory processing issues haver, took several years of effort to learn to orgasm, heres some tips;

Psychology is a BIG aspect of being able to get off for some people. Some people really need to be 'in the mood' at first. The Need To Be Horny. Really into what they are doing and what they are imagining. You need to be able to let go and lean into the sensation, mentally. Try watching or reading things that turn you on, really wind yourself up for a bit, then ensure you arent going to be interrupted and give it a shot. Really focus on your fantasy, try to really focus on the sensation and don't get sidetracked. It can make a difference for sure. Its why some people can 'cum on command'- the frame of mind is important.

Being used to the sensation you need to lean into can take work. When I first started jerking off it was so intense it 'hurt' because I have sensory processing issues and it was new weird stimulus my brain decided to register stupid, so id slow down or stop or get distracted and not get off. I had to teach my body to accept the feeling and do it in a way that didnt mess with my sensory processing as much (which ironically involved causing a little pain and being a little rough because phsyical-pain isnt severely uncomfortable the way discomfort-pain is). When you are used to it you also relax more and get into the right frame of mind. The feeling like your guts are tensing and building towards something, maybe a hazy sort of liquid fire in your skull going down your spine? Keep chasing that, really focus on it. That means you are heading in the right direction. It took me several years of dedicated kind-of edging before the feeling stopped being so intense it prevented me from making it to the other side.

Try different stuff. You might not like how you are doing things right now. If all youve done is penetration with your fingers, try clitoral. If all you've done is a gentle stroking motion, try a jerk-off motion if you can get your fingers around your clit, or a kinda rough grinding. If you usually keep your body still, try humping the whatever for the heady 'lose yourself in the moment'. If you usually move around, try being still so you dont distract yourself too much from the intensity. If you are always on your back, try your stomach or side or kneeling upright. Toys! Try rubbing different textures on your clit or getting a real toy like a strong vibrator or sucker. Cheap 20$ vibrators can do the job if you need something a bit better than your hands, but you may have to step up for the good intense shit or a fancy vibrating dildo or something. Try different kink stuff you imagine or do or watch like self-ties for bondage or hypno kink audio files* or whatever, try some 'foreplay' (touch your tits or somesuch). Some people like anal also. Figure out what feels nice -what puts you in that tense shivery-hot coiled-spring sorta feeling- and do that- dont just do what you think you 'should' do.

/* For safety prelisten to these in chunks or look at a script to be sure its what you want and always keep scissors near you if you are self-tying to get free if there is issues, do kink safety right dont stick anything up your ass you could lose, etc etc

Finally, some people just cant cum for whatever reason (meds, trauma, etc) and thats ok. So long as you are enjoying the sensation and having fun, you are masturbating 'correctly'.

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hollycircling · 10 months

Note

would you consider dropping some tips on how you color? your art always has such a nice feeling to it

Thank you so much, and yes, absolutely!

So... I have been agonizing over how to answer this question for over a week because I tend to make a lot of my major decisions based on what looks and feels good to me in the moment. It’s sort of hard to explain. Then I started getting philosophical with it (“how does one color? How do I explain aesthetic?”), and I started rambling, and had to cut the answer way, way, way down lol.

But here’s what I can help with right now. I think the most important part of how I color is my tools and what they allow me to do. These are currently my favorite brushes to use:

From top to bottom, I use Kyle T’s Gouache for just about everything. A lot of my recent pieces are done entirely in that– I love the chunky texture and how the pressure mimics traditional gouache. It’s great for children’s book illustrations, and filling linework, and realistic portraits. She is my soft wife and I love her.

I practically never use the default hard round. Ignore that.

The roller brush is another one I use for painting. It was my go-to before KT’s gouache, so you’ll find it a lot in my older work (and as a big texture thing in my current works). The “Sampled Tip” below that one I usually use for children’s book styled illustrations. It’s like a really dense, waxy crayon, so it’s fun for textured lines and details.

I always paint in my own shadows and highlights, but I like to use the soft round if I want to blow the shadow or highlight out. It’s for extra large areas.

And finally my pencil. I use it for sketching as well as linework, if I plan on doing a linework-centric piece. I don’t think there’s much of a difference between the two there… one is probably smoother than the other.

______________

The reason why I like textured, pressure-sensitive brushes so much is because they’re important to how I paint. When I blend, I don’t use a blender brush or a smudge tool. What I do is layer two colors– lightly– then use the eyedropper to select the color between them and continue painting with it. That’s probably the key to most of my work. I’ve gotten pretty fast at it, so I’m constantly selecting colors from the painting and reusing it throughout my painting.

I still use the color-wheel to hand-pick what I think will look best, though. This is probably going to be a really frustrating answer, but I choose color palettes based on basic color/lighting theory combined with personal aesthetic preference. It can take some studying (of both theory and other artists’ work). If you’re ever looking for a really great reference on the former subjects, I highly recommend Color and Light by James Gurny. Even if you’re not into watercolor or dinosaurs or realism, the guy is a master at explaining all that different stuff in depth.

Shape and negative space are also pretty important to me, but that's a whole other thing. And as a side-note, I recommend following more children’s book illustrators. Their work may look simple, but a lot of intention goes into how they use color, shape, space, and texture.

Also, on texture, I hand-draw most of mine. I love to add little scratches and drops and splashes when the painting is almost over. It's one of my favorite things to do :')

____

Now, the other most important tip:

Once I’m happy with the sketch/linework, and once I’ve laid down the basic colors of my piece, I do a Really Terrible Thing. I become a graphic designer’s worst nightmare and collapse everything onto one layer.

Then I paint directly on top of it, linework and all.

I do this for a lot of reasons, but mostly because 1) my tiny brain is overwhelmed by the clutter of too many layers, and 2) it forces me to approach a piece as if it was traditional media– a process which I find a lot more comfortable and rewarding. I paint right on top of the base colors, and right on top of the linework, effectively redoing and cleaning up what I already have there. Even if I'm working with a blank background, I'll paint a new blank one on top because it gives the feeling of a more unified piece, if that makes sense.

Basically, I approach my drawings as if I’m using traditional media. I like chunky brushes, utilizing (what I personally think are) interesting color combinations and textures, and smashing everything down onto one page so I can just paint.

Anyway, please let me know if there’s anything specific you’d like me to go into detail on, any pieces of mine you’d like to know how exactly I went about it, etc etc etc. I’m happy to answer ^^

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