in honor of the first ever omegaverse anime i would personally like to thank the incestious undertones in the hit cw tv show supernatural (2005-2020) for making this happen
Explaining to my 84-year-old, very Spanish grandfather that Hugh Grant, a famous British actor and heartthrob of the past, orchestrated Benny Hill music, from an ancient comedy show meant to highlight clownish behaviour, to play outside Parliament to insult Boris Johnson.
She was in a good mood. If she was ever going to take it well, it would be now.
“Maman, what if I went to school this year?”
excerpt:
“Heh.” Adrien flicked a finger beneath his chin and strutted the length of his bathroom floor, glancing at himself in the mirror. He twirled a rose—a red one, one he’d grabbed from the vase downstairs—between his fingers and then presented it to the mirror with a flourish.
“Haruhi!” he declared, “the spring of my heart surges upon the sight of your fresh smile, my love. My heart beats at the command of your drum! Your face is the fierce longing of my soul, and I present to you now this token of my lavish, undying—”
A sharp knock clicked against the bedroom door and Adrien froze, his hand still passionately hovering over his heart.
“Adrien?” Nathalie’s voice called, and Adrien—true to character, if he did say so himself—startled so hard that he slipped and fell onto his butt on the tile.
“Yeah?” he called, hastily pulling himself up and trying to find a place to set down the rose.
Nathalie peeked her head through the bathroom door and took him in, his rumpled hair and the too-small blue blazer he’d saved in the back of his closet for occasions such as…this.
“You have a guest,” she said flatly, and Adrien could not for the life of him figure out whether she was making fun of him.
She left before he could decide, and then it was only a matter of seconds before his bathroom door was thrown all the way open and a blonde ponytail bobbed into view.
“Adrikins!” Chloé crashed into him, wrapping him up in a hug that nearly knocked him over again. “It’s been way too long. You’ve been neglecting me. Aw, did you get me a rose?” She plucked it from his hands and then scrunched up her nose. “Ew, is this real?”
“As real as the current that springs from the well of my heart,” Adrien invented, and Chloé frowned at him like he’d just spoken Greek. “Nevermind.”
She looked him up and down and scrunched her nose up even more. “What did you do to your hair?”
Adrien frowned at his reflection in the mirror and pushed his hair further over to the side.
“I was trying to make it look cool.” He’d been trying to make it look like Tamaki from Ouran High School Host Club.
If I'm honest, the whole "love in every stitch" saying for fiber artists does not apply to me, like. I'm trying to get this fucking hook into stubborn yarn and I'll be stabbing it like it owed me money. Is that love because I hope not 😭💀
@seemoreseymoursbay day 4!! Platonic relationship day
I chose Nat and Louise for today! I just love how she looks up to Nat, Louise seems to have a lot of insecurities about her place in the world and how she expresses herself and her gender (being worried about not liking girly things or about her interests being too scary or dangerous and about those things making her bad or wrong) so the way she seems to see Nat as a positive rolemodel for non traditional femininity and aspires to be more like her is just really sweet to me. I also personally hc Louise as a lesbian and I think when she starts to crush on a girl (in this case jessica bc i love them together) she wouldn't want to talk to her family about it for fear of them trying to involve themselves so she starts going to Nat to vent about her crushes and get advice (and hold snakes probably)
seeing a gay middle eastern character with the name youssef (my name!!!) on screen on a major internationally adored show has truly healed something in me that i wasn't sure would ever heal so thank you for that @chronicintrovert, truly groundbreaking stuff
hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?
hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].
but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.
it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.
and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.
the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.
an emptiness, like you said.
but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.
you're not alone, in this. he's still there, with you, it's just - in the little things.
he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.
but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.
how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.
the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.
think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.
i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.
but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one.
wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.
as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛
Regarding Jason's pre-crisis characterization, would you say that he really is just a carbon copy of Dick or did he eventually grow into his own character in the span of his run time? Also, would you recommend it to a Jason fan to read about his pre-crisis days?
i don't think pre-crisis jay has ever been a carbon copy of dick actually! i know it's a popular opinion but frankly speaking, i think people who say that either have not read his pre-crisis run at all or have not cared enough to understand the story.
the fact that pre-crisis jason’s origin and background (in major ways, but not 1:1, that’s also a misconception) mirrors that of dick was not “lazy writing” and it’s not some sign of the general silliness and carelessness of the editorial of the times. it was very much a conscious, well-thought-through decision.
let me break this down (so that it doesn't become another essay):
to make it clear before i get into anything else: jay's background being so similar to that of dick is actually a way to set up a story about their differences. despite sharing so much experience, there are some key variables in both their origins and personalities that the writers clearly wanted to bring readers' attention to. i will circle back to it later.
i reckon a lot of dc fans who never actually got to read these issues have this misconception that the death of the pre-crisis todds was an exact parallel to that of the flying graysons. however, jason’s parents do not die in a way that dick’s parents do; in fact, joseph and trina todd die while aiding dick in an investigation after he requested their help (this is also why dick later says that he would take care of jason have bruce not offered; he feels guilty for their demise.) this is a deeply fascinating concept tbh, because the todds are like collateral damage to vigilantism; sacrificial lambs, and dick is responsible for it, leaving another orphan on the scene. it's a full cycle!
it was also a smart way for jason to enter the narrative this way because it gave him a link to his predecessor. unlike post-crisis, jason’s first contact is dick, which makes sense, because it’s a story about robin (as a disclaimer: the way post-crisis alters it is also sensible for the plot it tries to convey; but these are two various storylines, approached from a much different angle!)
and pre-crisis jay is a very much different character from dick since day one. dick projects on him vehemently, giving him the robin mantle (once jay tries out different identities btw), which jason accepts as a gesture of love but also dreads. he struggles with the concept of vigilantism from the start, while everyone around him assumes that this is simply the way things go because his circumstances are so similar to that of both dick and bruce. he has a seriously tough time trying to reconcile with the concept of dual identities. he questions bruce's motives and actions a lot more than both dick in his early days and post-crisis jason. he stares numbly at the wall after his first patrol. he voices his concerns.
here i also want to say, that while i absolutely do think everyone should read these stories, and there are some storylines that can be incorporated into post-crisis jay canon, it doesn't hurt to consider which of them do not fit into it at all.
post-crisis and pre-crisis jay have completely different backgrounds, and since pre-crisis jay has been brought up in a rather safe and stable environment, as i mentioned, he's much more confident in questioning bruce. on the contrary, post-crisis jay seems to be so delighted to be having an adult at all that his faith in batman is almost absolute (for most of his robin run at least.)
as i said, pre-crisis jay is also much more aware of the duality of the vigilante life. as a former performer, he says that it feels disappointing to know that none of the people whom he helps will know his name, and he is used to having an audience (he is aware that it is a selfish sentiment.) this is not a thing that post-crisis jay considers at all.
i also imagine that post-crisis jay would never tell bruce the (famous) words that he would be perfectly happy to be just his son and not his sidekick (which he does pre-crisis); not because the truth is different but because he doesn't fully comprehend that it's an option. post-crisis robin jay's compartmentalisation is barely existent if at all; bruce "gave him" robin even before he took him in, so the roles of a son & sidekick are almost one and the same for him, which is why i'd say the events of a death in the family occur at all (he "failed" as robin -> he runs away to find another parent).
and well. pre-crisis jay actually has friends. his world does not begin and end with his role as gotham's protector and hope. speaking of which, he also does not possess the same passionate relationship with gotham as post-crisis jay does.
there are of course many traits they share – i'd say they both have even more sympathy for criminals and an even stronger of belief in rehabilitation than bruce does. they are also both, in a way, a victim of the cycle in the family and projection – bruce (and pre-crisis, dick) assume that the way of dealing with grief is to go out into combat, which is not necessarily true for them. but ironically, i think, it's post-crisis jay who remains more innocent and is easy-going in the way he initially settles into the role.
ultimately, i think all batfamily fans should read pre-crisis robin jay's run because it's perhaps the only run that takes adoption and the topic of legacies seriously. and it's before the editorial and writers decided that batman having a child was lame, and that robin's role was just CA, so bruce is truly parenting. while pre-crisis bruce is much more of a sweetheart than post-crisis bruce is, so it may not all seem "realistic" for contemporary characterisation, it still gives a good idea of what a plotline about bruce being a parent could and should look like. i'm not going to lie to you, post-crisis jay's run feels seriously loveless compared with pre-crisis. pre-crisis, there's plenty of family tensions, and at times it appears that no one in this damn family understands each other, and yet there's so much fondness and care and desperate declarations of belonging. pre-crisis jay's story is genuinely, from the very beginning, a story about a child whose parents die entangled in a vigilante's investigation and who is thrown into a family of vigilantes, projected onto from all sides, and who tries to fill in shoes he never truly asked for in the first place. but dear god is there tenderness there. is there self-awareness and a serious attempt to conceive what taking over a mantle of a sidekick means. yeah. much more than it is in post-crisis.
roger who's nickname for buggy was "junebug" cause they found him in june and his hair is the same color.... buggy who hates it at first until he's climbing into his captain's bed at night bc of a nightmare and his captain says ever so softly, "oh junebug, c'mere"..... the nickname getting adopted by everyone on the crew until nobody calls him buggy anymore..... them meeting up with thr whitebeard pirates and getting irrationally jealous when the whitebeards use the nickname bc that's their nickname and who the fuck do these people think they are getting so close to their junebug.... rouge who has never met buggy calling him junebug in her head.... roger whose last words to buggy that fateful day before loguetown was "you shine like the sun, junebug. never stop"..... buggy who waits for years after the execution for a call from one of his former crew members, hoping every time the den-den one day it'll be rayleigh or seagull or gaban or sunbell on the other side with a familiar "hey junebug", except no one ever calls and the years go by and buggy slowly learns to stop waits, and gives on being the roger's junebug and learns how to be buggy the clown, buggy the genius jester, buggy the immortal, everything and anything other than junebug