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lord-explosion-baku · 3 years

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Trident Tale

Merman!Shinsou x reader, Kirishima x Reader

Warnings: adult themes (Minors DNI)

A/N: read the prologue on AO3

Part 1 || Part 2 || Part 3

(Original image by @maewoahoah)

Synopsis: Moving to an island where everyone is big on the surf scene and other oceanic happenings might not have been the brightest idea for someone so afraid of anything that has to do with water, but you make do by spending your days looking after the Bed & Breakfast, trying not to burn the house down when you fry a few eggs, and obsessively scrolling through Eijirou Kirishima’s social media page. He’ll never notice you, and you think you’re fine with that, until a mysterious force washes into Ms. Shuzenji’s pool after a particularly nasty storm.

Hitoshi Shinsou is a pain in the ass from the get-go, but you put up with him, fins and all, when he promises he can help unite you with your soulmate. The catch? The fish is hellbent on taking back what was stolen from him, and he won’t lift a gracious finger until he gets what he came for.

You’re helpless to lend him a hand, so long as you stay dry. Unless, of course, he has other plans.

You know how the saying goes: you rub his fins, he’ll rub yours.

Storms have never really been your cup of tea. Though you keep yourself locked inside a good percent of the time, there’s nothing quite as suffocating as the compress of clouds overhead. It’s not like you always have to see them to be uncomfortable, but you definitely feel them pressing down, closing in, and caging you, even when you’ve got yourself tucked under a blanket on Ms. Shuzenji’s couch.

It’s been a little over a year since you first moved to the island. All you needed was a new beginning, and you got that, but you got that, and the tropical weather that you’re still getting used to. It’s currently typhoon season, and holy seaweed-on-your-doorstep, is it storming.

There’s little you can do to distract yourself while staying and working at Shuzenji’s bed and breakfast. There are currently no guests, aside from you, so all the rooms are made, and the old lady is on another one of her long vacations, so you’re basically being paid to lounge. You’re grateful for that, at least. But the only thing that’s keeping you physically separated from the terrifying weather is a thick glass pane that water sloshes on every time a wave laps over the backyard walls.

The things that separate you mentally are the old-timey recordings of Shuzenji singing alongside an ensemble cast, and the little device in your hand. If you didn’t have your boss’s haunting melodies echoing throughout the house, and some big, beefy, tatted eye-candy to gawk at during the storm, you’d surely go insane.

Eijirou Kirishima, one of the island’s best surfers, is out on his board, live-streaming his current fight against the waves. His whoops and hollers can be heard over the crashing tides, getting even you excited for what’s about to come. That’s the thing about Kirishima; he’s wild, you’re not, and it’s hot as hell. Oftentimes, you catch yourself daydreaming about joining him out in the surf—he guides you through the waves, maybe yoou impress him a bit with your sudden affinity for wave-riding, and the two of you wash up on shore where you’ll both share your first kiss. It would be feasible if you could swim. It would be feasible if you bothered to learn how to swim, but for now, you’re content with your imagination. At least he can make you hate the terrible weather a little less.

The conspiratorial smirk he shows the camera is borderline swoon-worthy when the swell begins to pull him further out. It’s impossible not to bite your lip every time you catch a glimpse of his arms forcing themselves through the sea. He makes this look easy—like the storm is child’s play, and as the winds blow Shuzenji’s trash bin into the sliding glass door, you welcome the delicious distraction.

As Kirishima stands up on his signature trident board and rides one of the biggest waves he’s seen all day, you’re once again struck with how much of a coward you are. He can fight the elements, while you can hardly bring yourself the courage to talk to him. Mind you, he’s constantly surrounded by a close group of friends—a close group of friends you find intimidating—and when he’s not with them, he’s out in the water. Where there’s water involved, you’re spoken for. Unless, of course, you’d like for the first time you guys actually speak, to be when he’s giving you CPR.

Not the most ideal “meet cute”, but if it works, it works.

A loud crash snaps you out of your admittedly salty daydream. Mango, Shuzenji’s orange tabby, yowls at the blanket of water cascading down the windows, and your stomach sinks. There’s only so many minutes you can pretend that the storm Kirishima is facing isn’t the one that’s destroying Shuzenji’s yard.

With a sigh, you roll off the velvet couch, and grimace when crumbs that were nesting in your shirt fall to the carpet: a mess to clean up later. Without any guests to mind, you don’t have to worry too much over keeping the place spick-and-span, so long as things are nice and tighty by the time the old lady gets back, which will be awhile.

You have an easy enough job—at least, when there aren’t bunches of thick seaweeds crashing over the yard’s wall, flooding the pool.

“Shit.”

Water sprays in every direction. The already trash-infested pool overflows as more kelp rolls in with the maniacal waves, and angry, white foam bangs on the back door. It's a disaster outside, and you’re not sure what to do about it.

Fingers wrapped around the back door handle, you struggle to think of a way to prevent a bigger mess, but even if you could manage to clean anything, nothing is stopping the tempest from wreaking anymore havoc. Best case scenario, you stop a plastic soda-chain from washing out to see and becoming a deadly necklace for an unlucky seagull. Worst case scenario, you slip, crack your head open on the pavement, and drown before you can ever utter the words “mahalo” to Kirishima.

Needless to say, you’ll take your life over a gull’s any day.

Another sigh.

A greater wave collides against the wall, bringing more of the Great Unknown into the pool. This is going to be a fun job to clean. Good thing you’ve got Shuzenji’s service boy, Denki Kaminari, on speed dial. You think if you sound particularly distressed in the morning, he’ll show up to help you out with just about anything in the matter of minutes. God bless desperate fuckboys.

So, for now, you cuddle back up on the couch, watch Kirishima shake saltwater out of his thick, red hair, and pretend that his storm is not the same thing as your storm.

It’s early morning when you finally rise out of bed. You hadn’t gotten a whole lot of rest—something to do with the wailing winds shaking your bedroom window nonstop, but after you finally drifted into dreams about snakes and dragons, you woke to clear skies, and light seagull calls.

From the second story, you can see early birds have already gotten the jump on cleaning up the beach. The sun is shining, the ocean blue and vast. The only trace there was ever a storm is already being taken care of. There are lifeguards riding around on ATVs and younger civilians with trash bags and grapplers picking up seaweed and absconded debris. The respect everyone has for the island is something to be admired, and you half-consider going out there yourself, after you’ve dealt with your yard, which is sure to be a wreck.

There’s no interest in picking out a cute outfit for the morning you’re going to have, even if Denki might see you, so you throw on a already-worn-this-week crop top, some pink shirts, and you’re good to go.

The first thing you do after Mango’s fed is check your socials. Kirishima posted a picture of his breakfast: a hefty plate with three eggs, sausage links, bacon, cut avocado, and what seems to be low-carb toast. The post reads, gotta eat ur gainz 2 gain ur gainz, and it’s so ridiculous that you’re infatuated with this reckless himbo. You wonder if you’d ever be able to hold an intellectual conversation with him, if you could ever manage to speak to him in the first place, but conversation wouldn’t matter if his mouth was between your thighs.

Following his example, you crack two eggs over a frying pan, sigh at the mostly empty fridge, then agonize over the state of Shuzenji’s yard. It’s worse than you thought it’d be. The pool is a sickly green color, and from where you’re standing inside, its murky depths seem to be almost opaque from the seaweed and garbage stewing together. Kelp litters the beige pavement, and there’s trash hiding in the shrubs. There’s a chocolate donut floaty bobbing around in there, too, and Shuzenji doesn’t own any floaties.

What a drag.

Before you get too far in your head about everything you’ll need to do to clean up, you quickly dial Denki’s number. He picks up after a ring and a half.

“I know what you’re about to ask,” says the boy on the line, and from his cocky tone, you can assume it’s not going to be about the cleanup. “I am absolutely free tonight. If you wanted to grab drinks at the Salty Barrel, maybe go on a romantic rendezvous out on the beach, watch the sunset on or in a couple blankets, I wouldn’t complain.”

“I’m not calling to ask you on a date, Kaminari,” you say as you step outside. The pavement is cold underneath your bare feet, and you have to tip-toe around to be sure not to let any kelp touch your skin. Yuck.

“But you’re not, not calling about a date, either,” he counters. By the volume of his voice, you can tell that he’s in his van, talking to you over the speaker. Good. So he’s already out and about.

“I need you to tell me how to drain Shuzenji’s pool.” Call you cold, but you’re used to Denki’s flirty nature by now, and you’ve learned that the best way to deal with it, is to not acknowledge it. Of course, you can’t be too callous when it comes to him, especially when you actually need his help. You eye the dangerously complex-looking valves off to the side of the house, and grimace. “There’s too many twisty thingies! I’m not sure what to do!”

“Now, hold your horses, little lady! Don’t go twisting any thingies just yet. Draining a pool is a process.” There’s a long pause, the loud growl of an engine, then silence. He’d pulled over to talk to you. “How’s your TDL? And what kinda PVC pipes you got?”

“The huh and what?” You don’t need to pretend to be in distress—you have no idea what he’s talking about.

“Listen, don’t touch anything. You’re calling because the pool’s a mess right now, right? You don’t need to drain it; at least, not yet. I can swing by in an hour or so to clean it, but I’ve gotta make some stops first. You’re not the only single woman who wants to watch me do my thang, especially not after yesterday.”

“It’s so bad, Kaminari.” The water in the pool sloshes around, like there’s actually something in it causing the water to ungulate and burble. “I don’t even know where to start.”

“Don’t worry your pretty, little head over it. You've got me, okay? It’s my job to protect and serve.”

“You’re not a cop.”

“Nope, I’m better than a cop. I’m a pool guy.”

He goes on to ask you to check out what kind of drain the pool has, if you can find the drain, then loses you when he starts talking numbers and gallons. While still on the phone, you send a few texts to Shuzenji, explaining the predicament, then Denki mentions rates. You’re getting the cutie pie discount, doubled because he counts Shuzenji as a “cutie pie” too—something you mention to her because she’ll get a kick out of it—then he drops all business to ask about food.

“I’m cooking my breakfast,” you say with a wary glance back at the house.

“But is your breakfast fries and a shake from Tiki Burger?”

You bite your lip as your stomach growls its empty sorrow. “No.”

“Would you like it to be?” His knowing grin is heard through the line.

“…I’m not gonna go out with you.”

He chuckles and you’re grateful that he can’t see your answering smile. “We’ll see how you feel after you see me work my magic. And hey, if you’d like me to wear a Speedo while I work—“

“You’ll be here in an hour?” You cut him off, because Denki in a Speedo is the last thing you need on your mind. The thought of Kirishima in a Speedo, however, gets you a little hot, which is saying a lot, since you’re a part of the Speedos and Dolphin-shorts Are Abominations To Swimwear belief system.

“Maybe sooner. I think my next client just needs me to check out their chemical levels. Inside pool and all. Everyone else knew to put a tarp out.”

The tarp you had blew away, but you don’t bother explaining that to Denki. Let him believe you’re the dim-witted “little lady” he wants you to be. If it means Shuzenji gets a discount, not that she can’t afford any bill Denki’s company throws at her, then let him believe you can’t open a pickle jar without a man’s help for all you care.

“See you then,” you say, and end the call. There will be time to work on your charm once Denki gets here. Until then, you figure you could do some investigating so you’re not completely helpless.

Leaving your phone on the pavement so you don’t accidentally drop it in the water, you make your way around the pool to where you think you remember the drain being. You can’t say you’ll know what kind of drain it is, but if you remember correctly, it’s circular, and like, kinda meshy? That description simply won’t do.

Dropping down to your knees, you peer down into the pool, squinting, as if that can help you see through all the muck. There’s definitely a lot of kelp and algae, sand drifting through the water, someone’s wayward brazier, and oh. A school of fish—little babies circling about. It’s wild, but you suppose it could be possible if all the chlorine washed out and there was enough salt water to sustain marine life.

The fish move together, bopping into each other, mouths gaping open to eat whatever they find in their temporary home. You don’t know enough about marine life to know what kind of fish they are. Silvery little things. Maybe Denki has something that can help transport them from the pool to the ocean. It’s not far—Shuzenji’s house is on the beach. It would be a shame if all the little fish had to die. You don’t particularly care about touching or feeding fish, but a life is a life, and if they can be saved, you’d at least like to try.

But all your thoughts of saving fish life stop when you catch something moving in the water. It’s not the fish—they’re not that big, but it’s definitely fishlike. Fish plus. It moves like a shadow, serpentine and fluid. You catch a glimpse of scales, so it’s definitely not a dolphin—even then, it’s bigger than a dolphin, and more graceful than a shark. You begin thinking of leviathan, and other mythical creatures, as ridiculous as that is, when you see a long flowing fluke.

Okay. This thing is not just big. It’s gargantuan, and to see this much of the creature without seeing its head makes your skin crawl. You imagine falling in and being swallowed whole, suffocating in the dark, drowning in a monster’s belly.

The thought spooks you static, just in time to meet a pair of eyes in the water. This is your overactive imagination—you’re scaring yourself insane, but you don’t look away, and those eyes, almost human and curious, don’t disappear.

You’ve consumed enough media to know how these impossible interactions go. The creature is inquisitive, but keeps its distance. It often has to be coaxed out of hiding, and even then, the thing is skittish and untrusting. You’re certainly not one to go “pspsps, hey little guy, I’m not gonna hurt you,” but even if you were, you don’t get the chance, because this thing you’re looking at isn’t the least bit skittish, and in one second, you’re making eyes at at it, and in the next, the thing is exploding out of the water.

A large, broad chest towers over you. The thing pushes itself up with arms, human arms, but it’s anything but human. Sure, it has hair, although an odd purple color, framing its angular face and jaw, which are both human enough. Also framing its face are a pair of long, pointed fins sticking out from where human ears should be. Water dribbles down its chest, down to its navel—its navel. Your brain screams mammal, but underneath its navel are scales, rippling down to where its legs should be. Not human. Not fish.

Fish plus.

Man.

Fish plus man.

Fish-man.

Its eyes are almost the same color as its hair, only a shade lighter, and much sharper, narrowed in on you. It’s glaring. You realize this at the same time you realize that you're staring at it with your mouth agape. This would be so rude in any other setting. It’s also rude to pop out of a pool that isn’t yours without any other warning, but you’re not about to chastise the thing. You’re far too scared.

Then the thing reaches out to you, sprinkling water on your thighs and your shirt. Its hands look like a man’s hand, but its long fingers are connected by thin, indigo webbing that matches its tail. Its tail. You lose focus trying to find the word for this creature that’s barely on the tip of your tongue, when you realize the palm of its hand, its fishy, webby hand, is hovering over your cheek, the other carefully placed next to your knee to keep it upright.

You open your mouth to speak, but only a hiss comes out. The creature, wary, brings its hand back, but only slightly. Not enough to put you at ease, but enough to allow you to gain your composure, and scream.

“H-help!!!” You screech. “Help! Somebody! Help me!”

It claps its hand over your mouth, knocking you back. Water drips down on your shirt as it leans in, mouth curling up with distaste. Then, it does something impossible.

It speaks.

“So loud,” it growls in a low, masculine timbre.

It speaks, you think, it speaks and it has no manners!

You try to yell back, probably something with little thought, but you have a mouth full of fish-man hand, and the more you warble in its palm, the more apathetic it appears.

“Be quiet and still,” it commands, as if obeying it is supposed to be the most natural thing—something it expects from you. It catches you so off-guard that you actually listen, only trembling a little bit as those indigo eyes scan over your form. It’s uncomfortable having an unknown but cognizant creature observe you so closely. You shiver when its gaze roams over your belly, down your legs. You want to curl your legs up, move away, but you’re afraid if you even twitch more than it’s comfortable with, it’ll grab you and drag you into the pool. Your nightmare.

Instead, it does something slightly less worse. It moves its hand from your mouth to your cheek. The palm of its hand warms your skin in an unnatural way, like you’ve been laying in the sun for half an hour and it’s only your cheek that heats up. The creature's eyes widen as light begins to emanate, either from you, or from it, you’re not sure, but definitely from where it touches you. Tingles run from your neck down to your spine, and you wish you’d put a bra on before going outside, because this thing’s touch is making your body react in a way that it shouldn’t.

“So easy,” it purrs appraisingly, somewhat less insolent, but you’re still taken aback, ears hot with embarrassment.

Un-fucking-likely.

“Easy?!” You squawk out. “What do you mean by easy?”

It doesn’t answer you, and instead, moves its fingers from your cheek, down your jaw, to your chin. It begins leaning closer, heavy lids closing. You notice its lips for the first time: a defined line and a pretty bow. If you were in a less dire situation, you’d be able to admit that they’re very nice lips, but they’re getting closer to you, closer still, and you realize with a jolt what it’s trying to do.

Your foot meets its chest in a heartbeat.

“Nope!” You belt out, extending your leg so there’s more distance between you and the impolite beast. “Not today, fish-breath!”

Unperturbed, it lifts a lazy brow. Then, to your absolute horror, it presses both of its hands into your bare leg, and again you’re lit up, warm, and tingly, only far worse than before. Stomach tightening, you make a choked noise, trying to hold in the sigh that claws at your throat.

“Fish-breath.” It repeats your insult like it’s a balled-up piece of paper to be thrown in the trash. “I’ve been told that my aroma is quite appealing.”

“By whom? Other fish-breaths?!” You wriggle your leg out of his embrace, or whatever you could call that invasion, only to have it slip down so your foot rests in the fish-man’s hands, bright as the stars in the sky. “Eww ew! Don’t touch me! Get away!”

The creature scoffs, but let’s you go, and you both watch as the light disappears from the arch of your foot where he’d been touching. Fish-man slinks back into the murky water, hiding under a blanket of algae.

You have enough time to gather your composure, wipe the water droplets off your face, and rub your eyes. For a moment, you try to convince yourself that this has all been a sleep-deprived hallucination, but you’ve never really been one to delude yourself, unless your Kirishima fantasies were involved, and you know that you’ll have to try another tactic to accept the reality of your situation. Perhaps you can try to be civil with this creature, ask it if it’s…hurt, or if it needs a late night escort to get it back to the sea. But then, the thing resurfaces on the opposite end of the pool. It faces you, and leans back against the wall, arms spread out against the pavement, basking.

“You know,” he says, “your decorum is severely lacking. Don’t humans have classes that teach them proper etiquette—how to be more polite towards their guests and such?”

What’s lacking is your patience for marine life.

Standing up, you take in the thing, which you’re now pretty sure is in fact a man of sorts, in its entirety. His tail is long, longer than human legs, extending past the halfway mark of the pool, if your measurement counts his fluke. There’s a golden cuff on his right arm that spirals around, accentuating his large biceps. You stubbornly admit that it’s attractive—he’s attractive, at least, he would be for people who were into fish and not surfers. You brush whatever you’re feeling in the pit of your stomach off by telling yourself that you’re simply awestruck, and move on.

“Where I’m from-“ you begin, straightening your sodden crop top- “we offer our guests various beverages and snacks, depending on the time of day.”

Annoyingly, he looks interested.

“Since it’s the morning, I’d offer a guest tea, or coffee, and if I’m looking to impress, I’d maybe cook them a hot meal.”

The creature offers you a sardonic smile. “I happen to be famished.”

“However, with home-invaders, we’re more likely to pull a gun on them before heating up the earl grey.”

He loses the smile, and you’re glad that he might have an inkling of what a gun is. You’ve never owned one, and they don’t allow firearms on the island, but the threat stands. But if he was intimidated, even for a moment, he doesn’t show it anymore, and proves just that by turning his back on you, and resting his head in his arms. He has a dorsal fin with what looks to be a deep, x-shaped scar near his tailbone. You try not to wonder what that could’ve been from.

“Then how do you propose I go from a home-invader, to a house guest?” Asks the creature with little interest.

Cautiously walking around the pool with your arms crossed, you begin to list things off for the far-too-comfortable fish-man.

“You can start by telling me who you are, what you are, why you’re here, what you want, and why you think you can lay your webbed hands on me.”

“Oh, is that all?” He hums noncommittally. Content. Aggravating. “Why don’t you start then? Who are you, and why are you here?”

The back of your neck grows hot and uncomfortable. “How entitled do you have to be to—!” You start, but you’re swiftly cut off by the shrieking of the fire alarm. Smoke plumes from outside the house’s windows, and you curse under your breath before darting towards the door. You’d completely forgotten about your eggs.

In your haste to move the pan off the stove, you burn your fingers and drop the pan to the kitchen floor, two blackened egg crisps flaking off and diving in different directions. Mango yowls at the commotion and investigates one of the fallen egg crisps. Before you can tell him to buzz off, he loses interest in your mess, not bothering to give it a taste. You don’t blame him, but the eggs didn’t appear to be cat-bad. Ah, you can’t kid yourself. They are cat-bad. They’re completely inedible. Now you’re going to have to head to the market, while worrying about a man trapped in Shuzenji’s pool.

Your stomach roars at you.

After cleaning the mess as best as you could while desperately and ruefully wanting to return to your guest—no, not guest—invader, you get the alarm, half-heartedly fan the smoke out of the house, and return. Angry. This guy better start talking soon, or things are going to get ugly.

To your utter displeasure, he looks all the more amused at your newer, messier state.

“Was that supposed to be the hot meal,” he asks, cocky. “Because if so, I’ll pass.”

Instead of biting his head off like you’d like to, you present him with the still-dirty frying pan, pointing it at his head like you intend to use it.

“Start talking, fish-for-brains.”

The beast snickers, raising his hands in the air in mock-surrender. “Easy there, tiger shark. You know how to use that thing?”

You refuse to humor him. Instead, you keep your scowl tight, your arms steady. If he’s not threatened, he’ll lose interest in this game, then he’ll have to talk.

Lo and behold, you’re right. The fish-man rolls his eyes, and looks at you, again, with apathy.

“My name is Hitoshi Shinsou,” he says, lackadaisical, like he’s already bored of himself. “I’m one of Ryūjin. What humans have learned to call merpeople are actually descendants of the sea gods who lived centuries ago. I’m here, simply because the storm washed me here. What I want is to retrieve what’s mine. I thought I could lay my webbed hands on you—well-“ the corner of his mouth tilts up-“darlin’, it was because your body reacted to me.”

Mouth forming the beginning of a question that never comes, you stare in disbelief at this myth. Then the last thing he said dawns at you.

“I did not react to you!” You rebuke, steady hands now shaking.

“Oh no?” He says, but it’s not a question. It’s a challenge.

Hitoshi grabs the flat end of the frying pan and yanks it, and you, closer to him, closer to the water. You cringe and whine when a wet, webby hand closes around your wrist. Inadvertently, you drop the pan, but he pays it no mind as it sinks past his tail. Your skin begins to glow underneath his palms, and the tingles come back, shooting up your arm, causing tiny goosebumps to appear.

“Would you look at that,” Hitoshi croons, slow and almost sensuously. His indigo eyes narrow on your index finger where you’d burned yourself. To add to this nightmare, he closes his lips around it, and begins to suck. Your stomach flips, and you’re not sure if it’s because you’re disgusted, or scared, or…enjoying the feeling of his warm mouth, his tongue, touching your skin.

“Stop.” It’s a whisper. It means nothing. You think you want it to mean something, but your thoughts are buzzing into a blur. Knees growing weak, you descend, leaning closer to him, not caring about the water or the seaweed or the fish, and instead, entirely focused on his mouth. It’s glowing, his mouth. Faintly. Like a single candle lit in an otherwise empty room.

When he eases off of you, he runs his thumb over your now-healed finger, and let’s your arm fall limply at your side.

“All better,” he whispers back at you.

There are prickles all over your skin once you regain an ounce of dignity.

“What the hell was that?” You ask, breathless for no other reason than shock.

“The glowing?” He asks. “The healing?”

“Both.”

“Your reaction to me.” He’s cocky again. This is something sick. Mythical creature or not, this has got to be a game he plays, washing into people’s pools, causing problems, sucking on lonely girls’ fingers. He probably gets his kicks this way, and uses whatever other kind of magic he has to erase whoever he’s tormenting’s memories, if he doesn’t end up eating them when he’s done. Bogus.

You won’t let him get to you.

“Alright, Hitoshi Shinsou, how would you like me to get you back into the ocean? You healed my finger-“ although it’s essentially his fault you were burned to begin with, if you take into account the sequence of events-“so helping you out is the least that I can do.”

“I could use your help,” he muses lightly, turning his body back around to his chest and abdomen are turned towards the sun. You tell yourself not to stare like you know he probably wants you to. Though his eyes are closed, he peeps at you, sneaking a glance. “I don’t want to go back into the ocean, though. Not until I get what’s mine.”

With the might of a girl who just wants to go back inside and scroll through her phone, you swallow your bite, and ask, “what would that be?”

“Oh, this and that-“ he waves his hand around dismissively-“other things.”

With the might of a girl who just wants to go back inside and find another frying pan, you say, “alright, listen. Someone is on their way to the house to clean the pool. I don’t know what one of Ryūjin means, but I’m guessing people like you don’t always want to be discovered by people like us. So you either tell me what it is you need, or see how my pool guy reacts to a mermaid lounging around in my backyard! I wouldn’t put it against him to call the local news station. Get this place flooding with cameras. Does that sound like a pretty picture to you?”

Absolutely none of your threats penetrate Hitoshi’s cool nature. In fact, he laughs.

“When he gets here,” the merman drawls, knowing he’s got you hanging on every word, “invite him to swim.”

#bnha mermay #mermaid au #siren!shinsou #mermaid!hitoshi shinsou #hitoshi shinsou x reader #shinsou x reader #bnha x reader #bnha x you #bnha imagines #bnha reader insert #reader insert #trident tale

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jdrizzle15 · 3 years

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Her Second Return

Just like all of you, and especially my fellow Penny fans, I am absolutely devastated by the Volume 8 finale. I had been in quite a state these last few days, utterly heartbroken, and actually nauseous at times. It feels strange to me to be legitimately grieving a fictional character, but it’s not a bad thing to feel this way. To me, this just shows that CRWBY loves her just as much as us to have written her so well that we connect so completely with her, that it feels like we lost an actual piece of ourselves when she’s gone.

But as you can probably tell by the title, this mega post isn’t gonna be about accepting this end, not in the slightest! Today I want to share canon evidence that can point towards another return of our beloved quirky red headed cinnamon bun! I’m here to spread this hope that I and others in the Nuts & Dolts dolts Discord server have!

I have this separated into many different sections to keep these thoughts organized. With that said, here goes…

A Father’s Words:

In Episode 7 of Volume 7, ‘Worst Case Scenario’ we learn the origins of Penny’s aura, and thus her soul. We also learn that it takes more aura each time she’s brought back. This leaves open an option that could be used at a later point.

Many people theorized that Pietro could indeed revive Penny one more time, which he would absolutely do. But there also lies the possibility that someone else could donate some of theirs, I’m not sure about this as I feel like it’s akin to blood donation where compatibility matters or there's a high risk of altering her, but the possibility is definitely there.

Now, the conversation in Chapter 5 of Volume 8, ‘Amity’ that Pietro and Penny have is an important moment for both Father and Daughter. It was there to show how her death in PvP all that time ago really did have a heavy impact on him and is still affecting him to this day.

Instead of continuing to pretend that everything is A-okay, like he had done for most of Volume 7, he finally lets his true feelings about how it come out to Penny for what is quite likely the first time. Even going so far as to say "Are you asking me to go through that again?" when she offers to take the risk of trying to lift Amity with her power. He wants Penny to be able to live her life.

This entire scene with Pietro established “this is what will likely happen” even if circumstances are much different now, it doesn’t negate the fact that this is a key part of Penny’s story. Scenes like these have a purpose beyond simply making an eventual death all the more heart wrenching. Her never actually getting to live her life makes those scenes basically moot. It makes them effectively pointless from narrative point of view. Unless there's more to it.

Building Relationship:

The build up between Ruby and Penny the last two volumes has been absolutely phenomenal with a definite destination in mind, and this doesn’t feel like that destination. So much of the arc of this season was to help Penny. This girl that our main protagonist absolutely adores and treasures, it would just be awful to throw all of that out for what amounts to an avoidable end. Why use so much of their precious and very limited runtime on deliberately building up this relationship only to end it abruptly, and permanently, when they’re separated?

In my opinion, RT is definitely smarter now than to intentionally set up what was really looking like a budding gay relationship only to kill one of them for good. If N&D wasn't actually going in a romantic direction, why would they leave in all of the romance-adjacent stuff that they got, that's not how ‘just friends’ act. And that is not something you use such valuable time building up for absolutely no pay off whatsoever...

Representation of Hope:

At its core, RWBY has always been about hope. It’s not at the forefront the whole time, but there's been an underlying theme of hopefulness that has persisted since it began. Some describe the show as a Hopepunk, I personally find this to describe RWBY really well. This genre of storytelling is about caring for things deeply and the courage and strength it takes to do so. It’s about never submitting or accepting the way things are. Fighting for what you believe in and standing up for others. RWBY fits all of this extremely well. How does this relate to Penny? She has been shown to be a sign of hope for everyone, but especially for Ruby, the main main protagonist. A prerequisite for a Hopepunk story is the hope.

Her first death in V3 was something that fundamentally changed Ruby. For the first time in the series, we see our main character all but broken by this event. With the loss of Penny, immediately afterwards, Ruby’s hope followed. She made up for it through determination and force of will. We see it affect her multiple times throughout the journey to Volume 7. But upon her return in V7, Hope reached a high point for everyone, the sheer relief on Ruby’s face is plain to see!

In V8 chapter 5 ‘Amity’, Penny literally raises hope by lifting the arena into the sky so Ruby could spread her message. And when she falls, and Amity with her, the connection is lost and hope plummets again. From there things take a very negative turn with the hack begins to take Penny’s agency.

In chapter 11 ’Risk’ is the point in the arc where everyone is reunited for the moment, so two separate hero stories are no longer a thing at that point in time. For the time being focus seemed to be shifted to care about the characters and how they’re going to solve the current problems. This is also where Ruby reaches her lowest emotional point in the season.

It’s not huge, but it’s interesting how connected this is. Before Ruby and Yang share a good cry over learning the possible fate of Summer, Yang brings up restoring optimism and hope to Ruby after the younger sister storms out of the room in frustration. This is where Penny’s scenes take up the rest of the episode. Getting Penny back in control of her own body and safe again is what makes the ending of the episode much brighter, when just 5 minutes before Ruby had been distraught and scared. This then spills over into the group coming up with the plan to use the staff, putting the main group in a much better mood. Of all the things to go right, it’s interesting that it’s Penny.

Things go wrong with the plan in the end and Penny dies. I find it interesting that once again, Penny got them hopeful in their chances of doing something right. Given said plan succeeded but at the cost of Penny of all people, Penny is shown to be the beginning and end of hope for them

The highest and lowest points for hope seem to directly correlate to when Penny’s around. When she comes back again, hope will return too, just like it had before. And because she’ll likely be back for good this time, the second return will probably be close to when Ruby is nearing the complete abandonment of hope. This would be pretty par for the course of the show honestly.

A little aside, but in a sense, Penny also represents Unity. The CCT in Vale fell after her first death, knocking out global communications and the unifying connection it gave. When it was restored for the briefest moment, she was there. Her body connected so she could allow for its launch, her soul lighting the night to hold up Amity with every ounce of her strength. So of course when the Hack succeeds and she falls, she takes global comms down again with her. At a smaller scale - even at the Hack's second last attempt to control her, she draws everyone in the Schnee Manor together. At the start of the volume, Yang states the one thing that they all agree on is not surrendering Penny.

Unity seems appropriate for one whose first song and wish was for but one friend, who would go on to find so many more in the process, and permit for a moment the possibility of all Remnant becoming friends once more. Where she first died, the name of the episode devoted to her story - Amity, "friendship", from the Latin root amicus, "friend" - she almost lives and dies with the very possibility of a united Remnant. It's no wonder she's a priority target for Salem, the great divider, and it seems natural that her next restoration may very well allow the next bid to bring the world together.

The Void Screams:

Moments after Penny's death, we hear a weird scream in the void space. It was a guttural, pained, angry scream, almost like the void space itself was crying out. All the portals shuddered and flickered when it happened.

Some think that this scream was Salem returning, but that happens earlier than Penny’s death, her return is signaled with cinder's arm acting up. We know this because after the arm finished flailing uncontrollably, Cinder said triumphantly "she's back." If it were Salem screaming, it would have happened after she fixed herself, but it didn't.

And I doubt Cinder would have been surprised or unsettled by it considering she was happy Salem returned not long before it. And why would a Salem scream affect the portals anyway, she has no connection to the staff or it's magic.

Another thing to consider is the fact sound is not transmitted through the portals. Otherwise, they would've heard Oscar and the rest calling for them, or the screams of the citizens of Mantle and Atlas. This lowers the possibility of that scream being from Salem even further.

The sound really seems to be coming from something else entirely within the void, and that something is not at all happy. There’s also the fact that Penny was the only person who died in the void space, everyone else was just thrown out of it like Ruby and Co. The only logical cause to me is Penny. Her body was a product (or byproduct) of the same creation magic that made the void space, her blood seems to have been a trigger.

Now I can't be sure about it, but this makes me feel like Penny is almost a part of creation itself? For whatever this thing is to be so angry, that is the only explanation I can think of currently. But all of this could possibly relate to the Narnia allusion of 'the willing victim killed in a traitor's stead' that others have brought up, which will be covered next.

Narnia Parallels:

Atlas has several parallels and references to fictional places (putting aside real world ones like the United States). One of those is that of Narnia, both on the surface and on a deeper level. It is a land of winter year round, where people struggle to survive and there is a present divide between those loyal to the current Monarch and those who are not. James is a parallel to Jadis, the White Witch, a ruler whose thoughts and cares aren’t exactly centered around the actual well being of the people. The hologram table in Ironwood’s office is designed to look like stone, like the Stone Table which features prominently in the Lion, the Witch, and the Wardrobe. He has a handpicked cadre of special agents/secret police, like how Maugrim and his wolves served Jadis. Another key parallel is how Jadis’s winter sets in to oppress and kill everyone in Narnia, but the Witch provides aid and protection to her loyal followers. She has all the power to spare harm to others, and uses it only for the loyal. As soon as Mantle splits from James and Atlas, no care is taken to protect them from the cold of Solitas even though he has every ability to turn the heating grid back on. His protection is only for the loyal.

Now that the parallel is established, let's look into the details. Starting with how James plays the role of Jadis.

"I had forgotten that you are only a common boy. How should you understand reasons of State? You must learn, child, that what would be wrong for you or for any of the common people is not wrong in a great Queen such as I. The weight of the world is on our shoulders. We must be freed from all rules. Ours is a high and lonely destiny." These are the words Jadis says in the Magician’s Nephew to justify the blood civil war she and her sister had waged for rulership of Charn, before she came to Narnia. She won that war, technically, but only after the last battle had been lost and her sister had marched right up to her so that they were face to face. Jadis’s troops were dead, her followers had surrendered, and the capital was under full control of her sister. But, she still had one card, one ultimate play to win and prove the throne of Charn was rightfully her. The Deplorable Word, a piece of old magic that killed everyone and everything except for her on Charn. It was monstrous, senseless, cruel beyond measure. But it got her that hollow victory. This mindset, the disregard for the people except as tools for her own will, the ultimate ‘aoe’ destructive move that no one had even considered her using, the unwillingness to stop even when by all practical measures the war is over, is a shocking parallel to James. In many ways, he is Jadis in mindset and deed.

Then there is the shared desire for A Thing that both James and Jadis have. For James it’s the Winter Maiden and control over her. For Jadis it’s the Silver Apples from the Tree of Youth. And funnily enough, the Maiden Powers parallel the Apples quiet well. These apples grant power and a life of eternal beauty, but should not be taken or eaten on one’s own initiative. They must be given, a gift granted by another, or only suffering will come from obtaining them. "For the fruit always works — it must work — but it does not work happily for any who pluck it at their own will. If any Narnian, unbidden, had stolen an apple and planted it here to protect Narnia, it would have protected Narnia. But it would have done so by making Narnia into another strong and cruel empire like Charn, not the kindly land I mean it to be.” Jadis’s immortality, and some of her power, come from the fact that she ate an Apple of her own will after stealing her way into the garden where the Tree of Youth had been planted. She gained the eternal life she had wanted and the power along with it, but she did so by taking it and was cursed because of it. Her skin turned pale and her lips blackened as if she were a frozen corpse given life. She will be trapped in a life of misery and hate according to Aslan- oh hey Cinder, how’s having stolen the Power you always wanted working out for you? Cinder had the power she wanted, but she only got hungrier, eager to claim more and increase her might. But in her pursuit she was defeated and humiliated by Raven, had to steal her way out of Mistral, and then suffered defeat after defeat while in Atlas. Only in the end, when she didn’t keep pursuing the Maiden Power, did she get any kind of victory.

The reason these parallels to Narnia are so important is one of the most famous events of the series. The cracking of the Stone Table and the rebirth of Aslan after his death. ‘When a willing victim who had committed no treachery was killed in a traitor's stead, the Table would crack and Death itself would start working backward.’ Well, the ‘Stone Table’ in James’s office has cracked, and Penny strikes me as a pretty willing victim. She has never actually committed any actual treachery or harm, as she was the Protector of Mantle, and fought for its and Atlas’s people until the very end. And because of her death, the actual traitor, Winter, who loyally served James until he had gone too far, was saved. Through Penny’s self sacrifice, Winter was saved. So now Death itself will start working backward.

(Major props to my friend @catontheweb for writing this section, I was getting nowhere with it, if they weren't there this part wouldn't exist!)

Norse Mythology:

The tree we see in the post credit scene gives off some serious Yggdrasil vibes. Also called the World Tree, it is essentially all of creation in Norse Mythology. It connects all nine realms, including the God realms of Asgard, the human realm of Midgard, and the underworld of Hel.

Humans are born from the branches of Yggdrasil. The web of Wyrd is woven for every person once they're born, and their path is set from there regardless of how many times the souls cycle over. But at the end, they're destined to end up in one of the worlds, for a myriad of reasons.

I believe Penny landed closest to this giant tree. She was on the center platform in the void space, so if that space is directly above the island(?) the tree is on, it makes sense for her to fall by the center nearest to the tree. This would not only open up all kinds of possibilities for the volume in general, but it would also create options for Penny.

The whole of Yggdrasil’s representations fit well into Penny’s story. Birth, growth, death and rebirth. We can count Penny’s appearance in V7 as birth for now, her growth is all her development in leaving =the military and becoming a Maiden, her death just happened, and her rebirth would be her revival. And this is a cycle she’s gone through before.

The Norse god Odin and Yggdrasil have quite a connection. In one story, Odin cut out one of his own eyes to gain knowledge from a pool underneath Yggdrasil. The only one that fell whose eyes alone are incredibly significant to the story was Ruby. So, they could choose to have her allude to Odin by having Ruby make some kind of deal with whatever entity likely rules over this magical place. An eye for Penny’s life.

There’s another story about Odin, Yggdrasil and the pursuit of knowledge. Odin so loved knowledge, that he sacrificed himself in a quest to learn the deeper magic of runes. It was believed one could only learn the magic spells from runes in death. So, Odin hung himself on Yggdrasil for nine days as an offering, and teetered between life and death. After he mastered the last spell on the ninth night, he ritually died and all light was extinguished from the world. Odin’s death lasted until midnight, when he was reborn and light returned to the world.

This story doesn’t fit Penny perfectly, but allusions often don’t. So If she really did land near the tree, she could be another loose representation of Odin’s story here. What she did wasn’t for knowledge, but to save her friends and keep Cinder from getting the Winter Maiden power. She believed it necessary that she sacrifice herself to achieve this end. As we established, Penny represents Hope, so her death means the loss of hope. This parallels Odin’s story of his death meaning the loss of light itself. So if this theory holds up, it would make this death temporary, until her rebirth and the return of Hope with her once again.

Alternatively, Ruby has the potential of loosely representing Odin in this story as well. Odin later uses the knowledge of the runes to do many things, but the most relevant one right now is awakening the dead. Both of these stories are about making a personal sacrifice to gain something that is desired. Ruby would absolutely make such sacrifices if it meant saving Penny.

It is said that Odin lived “according to his highest will unconditionally, accepting whatever hardships arise from that pursuit, and allowing nothing, not even death, to stand between him and the attainment of his goals." This sounds like Penny's arc of accepting the WM powers. This is more just a general connection between Penny and Odin, but I found it interesting.

Side Note: I encourage anyone who’s interested to look into RWBY connections to Norse Myth, there’s a surprising amount of things that feel eerily similar to the show. Likely just coincidental, but it’s fun to think about!

(If I got any of this wrong, I sincerely apologize by the way. I researched as best I could, but I admit it could have been lacking.)

Ambrosius and the Staff:

Ruby told Ambrosius "we kinda wanna keep her around longer than that" as part of her very specific instructions. Then Penny died about ten to fifteen minutes, at the absolute most thirty minutes later in-universe. I don’t know about you, but to me that seems very short to be considered ‘longer than that’. Technically it is, but when writing a story and a character says something like that, you typically don’t just kill the character they were referring to basically right away. It makes sense for a week-by-week watch, but in a volume binge, which many viewers do, it becomes ironic how fast Penny dies after being removed from her robotic body.

The first time we see the staff of creation being used, it's to save Penny. Using the staff of creation to help Penny is a sign of how incredibly important she is.

They’ve even got this entire transformation sequence for her, so it wouldn’t make sense for them to throw all that away two episodes later. In a meta context, it’s a massive waste of time and budget considering the asset creation for Penny.

Penny is a character who has already hopped bodies two times. And now we're supposed to just believe that this time it really is a final death? Just two episodes after we were explicitly told her body isn't what matters, that "Her soul is who she is" and that "the mechanical parts are just extra"? From a writing perspective, it feels strange, like your breaking a promise right after making it. And frankly, CRWBY is better than that, which makes me think this is not the actual end for her.

A possible connection between Penny, Ruby, and the Staff (thus Creation) can be seen in the intro. As Ruby is falling and being dragged down into the darkness, she is shown reaching for the staff. In the void space, Penny is the one with the relic. So with Penny having this strong connection to Creation, and the lyrics “fight for every life” playing as Ruby reaches for the staff, it’s a safe assumption to make, with the knowledge we now have, that the Staff of Creation represents Penny in this particular moment. Which could mean that V9 will be about, at least partially, fighting for Penny’s life.

Musical Hints:

In terms of music, Friend, as a song for Penny, is very dissonant from the episode itself. The song is oddly cheerful for Penny’s recent untimely death, and it overall highlights the wrong parts of death. It’s simply too happy to be a song about losing one of the most, if not the most joyous characters in the entire show. The song also abruptly ends. There’s no outro, and while this could symbolize the fact that Penny died young, it could be that the song itself is unfinished in a story sense.

What do we hear just before the song finishes, though? A progression of notes that sounds eerily similar to the last line of the opening of Volume 8. The notes for “Fight for ev’ry life” and “Who fin’lly felt alive'' share a similar melodic structure, they aren’t perfect clones of each other, but they are incredibly similar, to the point where it seems intentional. Penny may very well be the life that the opening song is fighting for. It is also worth noting that the line “Fight for every life” comes just after “Sometimes it’s worth it all to risk the fall,” which is the exact wording used for the description in the Volume 8 finale. Team RWBY risked the fall, yet, strangely the opposite of fighting for every life happened with Penny’s sacrifice. Perhaps the time to fight for every life has yet to happen, and we will see it come Volume 9.

For another thing, the lyrics for Friend are entirely centered on Penny’s feelings for Ruby, to the point where they read very much like a bittersweet love song. The music itself is incredibly cheerful, as mentioned previously, creating a mood whiplash with the end of the volume. Why would we hear a song about Penny’s feelings for Ruby, sounding like a love song, if her death is supposed to be a tragic sacrifice akin to Pyrrha’s? The song may very well be giving a clue into its future use in the show proper.

If this was meant to be a good bye song, why make it so cheerful and romantic sounding? There's only one part about her dying and even then, it's just too accepting and goes right back into cheerfulness. The song is also pretty hopeful, telling Penny's story in a fairly chronological order. And the part where she talks about sacrifice is quite pointedly followed up by one about feeling alive. It also ends with the super cheerful chorus, the word "alive" being the last... (Remember the episode title: The Final Word)

(I want to thank my friend @shadow-0f-x for writing the majority of this section! I was struggling to choose how to tackle it as I am not well versed in music theory.)

What We Didn’t See:

It is likely that Penny understood Jaune's semblance better than him and figured something out about it’s abilities in the same way that she understood Ruby's semblance better than her. She had plenty of time to observe his semblance up close as he boosted her aura to stave off the virus. Because of that intentionally timed cutaway in the finale, we don’t get to hear her explain herself after her strained “Trust me.” All of that seems really suspicious to me.

Pyrrha Parallel:

Pyrrha and Penny both sacrificed themselves to stop or stall Cinder. Jaune tried to convince the both of them to stop. With Pyrrha, he failed, while with Penny he actively helped her sacrifice herself. Doesn’t make sense for the guy who was determined not to let anyone else do what Pyrrha did, unless of course Penny assured him she’d be alright.

The Moment:

RT including the suicide hotline in the description shows that they're aware that Penny basically committed assisted suicide, seeing it as a noble sacrifice worth doing to save her friends. They're aware, and I believe they're smart enough to condemn that decision to hell and back.

The best way to do that in my opinion is to pull her back into the land of the living and let her witness first hand the consequences of throwing her life away so freely. This would show Penny how her actions affected others so maybe she could learn to truly value herself. To not think herself expendable. It would be bold and unwise to portray this choice as something good, unless it was going to be called upon later and be pointed out for how horrible it really is.

On top of this, Penny was way too content with her death, happy even. There's no way team RWBY is letting her stay content with it. It’s almost as though we're supposed to join Ruby and Co. in calling bullshit on what Penny is saying and doing because no, Penny, this is not how things are meant to work. It's as if Penny was basically saying "I want to die for my friends" because most of the volume had been about everyone else making sure she didn't die. She knows it will hurt them. She knows.

At the peak of it all, a choice like this will totally destroy Ruby. It may very well be her breaking point for Volume 9. Curiously, the moment itself is written like it’s the first choice Penny’s ever made, yet the entire Volume shows this isn’t the case. However, this is the first choice that Penny’s made solely independently and it’s rather pertinent that the choice she makes is a mistake. Outside of giving Winter the Maiden gift and saving the day temporarily, this sacrifice will not have any lasting positive effects. Jaune will be saddled with the grief of killing Penny. Ruby will have to live with losing her best friend and not being able to protect her a second time, and Winter now has the burden of the Winter Maiden abilities, making her a target of Cinder. This is a bad thing, and Penny needs to see the long term consequences.

Transfer of Power:

As we all know, colors in RWBY are really important and get a lot of focus in the show. That means the yellow we see as Penny gives Winter the Maiden Powers was intentional and likely important, no matter how insignificant it may seem. It’s possible that the transfer effect being yellow could have something to do with Jaune’s semblance. When Fria gave the power to Penny, the effect was very much blue, so this transfer should have been green since she was the one giving it this time. The weirdness of this transfer and the focus on color in RWBY really makes it look like something’s up with how that went down.

A little off topic, but Penny saying "I won't be gone, I'll be part of you." makes me think... Winter is smart, so when she gets time to think about what Penny said, maybe she'll arrive at the same question many in the audience came to; if she's literally part of Winter, can they be separated again? If Winter starts questioning that, the possibility of Penny coming back just skyrockets.

Fria actually tells Penny "I'll be gone" before giving her powers up, which is an interesting contrast to Penny telling Winter "I won't be gone". She may have gotten that line from Winter be all philosophical in V7, saying Fria was now a part of Penny, but it hits differently coming from an actual Maiden. S5o it’s possible that Maidens usually actually will be gone, but Jaune's semblance did something to change that.

This could go well with the theory that they won't need to find an aura transfer machine, or build another one, because Jaune will have a semblance evolution allowing him to do the transfer instead. It might actually be that this evolution already happened and the golden light we saw was Jaune transferring penny's aura to Winter in some way?

An observation that I find interesting is when Penny gives winter the powers, not only is the aura yellow but penny completely glows yellow too, and she obviously starts to disappear, but she doesn’t seem to fully disappear, she just glows.

It's possibly a fading out effect and she does fully fade but animation makes bright light easier, and so we don't actually see her disappear because she's dead and not gone. But it does once again emphasize the color yellow here!

And the color is coming from Penny, it does go up Winter's arm a bit, but Penny is clearly the source. This transfer is so weird and I’m not really sure how to interpret it. There's just actually no reason that we are aware of to make the effect yellow here is the thing. Unless it has something to do with either Jaune or Ambrosius, or potentially a combination of both...

Jaune’s Aura:

The way we see Jaune's aura break in the finale is strange. His aura shouldn't be breaking here. It had been long enough since he was boosting Penny, he's had time to recharge, and it didn't look like it was a strain on him at all. Plus, we know he has a lot of aura, so there probably wasn't too much to recharge in the first place.

He has a massive amount of aura, it has never broken before as far as I remember. Even if it has though, that doesn’t make this occurrence any less odd. It should absolutely never be a one-hit KO. We didn't see anything that would've drained it, that should not have been enough to break his aura. Unless he did something - something that would require a huge amount of aura - that we just didn't see. That amount of aura drain is far more than just an attempt at healing would do, Jaune absolutely did something with his semblance that took up almost all of his aura.

Pinocchio Allusion:

As any Penny fan knows, her character allusion is Pinocchio, the puppet who became a real boy. Penny deviates from the allusion by having always been a real girl, as Ruby is quick to point out, but she shares many story beats with her original story including multiple deaths. In the original story, Pinocchio dies from being hung by his own strings due to his poor decision making and he dies. Sounds a little familiar, does it not? This is where his tale originally ended. Readers were unsatisfied with this ending however, so the author decided to change the story by reviving Pinocchio and teaching him to be more careful.

Unlike Pinocchio making all the wrong decisions, Penny often makes the right ones, or ones she thinks is right, when concerning others. While usually a good thing, this has meant Penny almost giving herself up multiple times during V8, her last attempt being successful. This is where Penny and Pinocchio begin to share similarities again. They are both very reckless when it concerns themselves. This carelessness comes from different places, but it ends with the same result of them endangering their lives and even sometimes losing them.

In the Disney movie, Pinocchio dies by drowning after going to rescue Geppetto and washes up on the shore (like the beach in V8’s post credit scene). His father is devastated and takes him home to grieve, but as a reward for his selflessness in rescuing his father, the Blue Fairy returns and brings him back to life, as well as granting him humanity. Penny sacrificed her life as well, and it stands to reason that she should be rewarded for it, much like her allusion was.

Penny got her maiden powers from someone with blue aura and then gave her powers to someone with blue aura. So it could be that not only Ambrosius, but Fria and Winter as well represent the Blue Fairy. It could be set up for Winter helping to bring Penny back to life once more. It’s an out there theory I admit, but it’s not outright impossible either. The Blue Fairy in Pinocchio saved him three times that I know of, so RWBY having three representations does make sense.

Geppetto wished for him to live as a real boy, but it depended on what path Pinocchio took. This is very reminiscent of Penny and Pietro. Pietro wants to see her live her life, and surely with him absent in V8C14 that didn't work, despite Penny choosing. Her father did not see her happy enough to live her life, and will only be able to learn her death through others. But Pinocchio's themes were life and being alive. So the likelihood that this is not her end yet is quite high!

A Girl That Fell Through the World:

Penny could be the girl who fell through the world. The girl in the story fled the consequences of a choice. The only person who chose her ultimate fate was Penny. The others were pushed into the void, but she chose to die. The consequence of her choice is Ruby’s grief first and foremost, which Penny won’t see. The girl who fell through the world does come back though, and the world will be changed severely with Penny’s absence. Alternatively, it could also be Penny coming back to Wonderland or wherever they currently are, as long as it’s unrecognizable to her.

What Returning Brings:

Others might say another return would have no story relevant purpose, but I wholeheartedly disagree. Penny gives a profoundly youthful, joyous, and wondrous outlook on the world and story that we hadn't seen since Ruby in Volumes 1-3(not the end), Penny returning would bring a much needed levity back in after the despair they will undoubtedly be going through. While not necessarily a huge thing in most other shows, for RWBY, a show largely about keeping up hope, an ounce of such relief is a necessity.

As much as I hate saying it, Penny’s death does actually make some narrative sense because she had to pass on the Maiden powers. (They could have done this in a number of ways, and I personally think they chose rather poorly, but I digress.) Throughout this whole volume, we can see Penny seemingly being set up to join the main cast, but would have been too strong with the powers. This also accomplishes ridding her of the burden of responsibility that comes with being a Maiden and lets her obtain the freedom that’s so important to her character.

Once she returns, seeing this grief that her actions caused, particularly to Ruby, will get her to realize more that her actions can have serious repercussions. She made a choice, but that choice hurt the people she loves. She must have known that it would but I’m not sure she ever realized just how much.

I didn’t want this post to be heavy in the shipping department, so I largely left it out, but I am going to say this one thing that could have an impact. If Nuts & Dolts is on its way to being canon, which this volume makes it feel highly likely, this could be a catalyst.

It could prompt an arc for the both of them in which Penny learns to live her life fighting for her loved ones, rather than sacrificing it for them. A relationship could potentially start from there. And Ruby seeing Penny learn these things may also help her to stop doing the occasional but very dangerous and reckless things she does. Ruby witnessing Penny coming to terms with what she did to the people that care about her would actually make her stop to think “wait, is this how everyone else would feel if I got myself killed?” That would be a very important moment of character growth for her.

I’m certain there are other significant things that Penny returning can bring to the show. And there are definitely more sections I could add to this. At this point though, assuming anyone even made it this far, I think I’ve been going long enough already. So let’s just roll into the outro!

As painful and hopeless as it seems, I'm choosing to trust them with this because there is absolutely no way they didn't see backlash coming. The way this finale went makes me think that they calculated for backlash and aren’t jumping into something they don’t have a plan to recover from. Whether this trust is unfounded or not remains to be seen, but I don’t think it is currently. I do think, however, that the cause of this backlash was a major misstep. Now that it has happened though, they have a chance to do something good with it.

I know for a lot of you, trust in CRWBY has been damaged, some even irreparably so. And for those that feel this way, I don’t blame you. My trust in them took a hit too, but isn’t broken completely yet. There are many ways that they can bring her back that would make sense with the narrative, they have the ability to make it right, and after going over all of the hints and general weirdness of things many times, I think they will.

I'm feeling pretty confident now and I really didn't expect that to happen at all to be honest. But discussing and theorizing with the discord server seriously helped get my hopes back up surprisingly fast! It’s actually thanks to all of them that this gigantic post even happened! So thanks a ton my fellow Dolts! And a special thanks to!!

@arcana-amicus

@catontheweb

@cosmokyrin

@gaydontmesswithme224

@jammatown919

@shadow-0f-x

They really helped get this thing across the finish line!

And thank YOU for reading all~ of this! I sincerely wish it gave you some of the hope and confidence that I now have!

#RWBY #rwby vol8 #rwby v8 #rwby spoilers #Penny Polendina #nuts and dolts #mechanical rose #a little #Essay #more like dissertation #I haven't written this much in #probably ever actually #Have HOPE people!

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sneezemonster15 · 3 years

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I am new to Naruto fandom. Even newer to SNS fandom. I observed the shipping wars, and frankly, participated in it a couple of times. Just to see what it's all about. And I have come to one conclusion.

It's bonkers how far one will go to convince oneself about one's shipping whether it makes sense or not. At the end of the day, it becomes not really about the content itself, but one's comprehension and understanding of content. Which helps me understand why SS, NH, or NS stans exist. Their projection (which it certainly is) almost seems delusional and definitely inconsistent with the content itself.

When I first started watching Naruto, I wasn't aware of Naruto fandom. I am a cinephile and I am used to analysing content involuntarily while I am watching it. I wasn't expecting much from Naruto, I definitely underestimated it and wasn't expecting any emotional impact given it was shonen and I am very hard to please (yes, I am a film elitist). But as I kept watching it, I had to grudgingly change my opinion. By the time I reached Shippuden, I could tell that I was almost fevered with excitement and looking forward to more emotional impact.

I didn't watch it with any romantic lens, I was mostly interested in the fighting sequences initially. Hell, that's all I was expecting from a shonen show about ninjas. But at the end of vote 1, I was like, hmmm. What?? This was so emotionally wracking. Are they really just rivals, or friends? Now, I am a fully fledged cinephile and have watched a lot (a. Lot.) of LGBTQ films, given my interest in shows about emotional and sexual repression. And throughout my first watch of the first part, I kept picking up on the subtle sns moments without actively thinking about them. I was really into the story and wanted to see what will happen next. But at the end of vote 1, I had to stop and think, wait what, are they in love with each other? They are definitely not just friends. Or rivals. The language of their interaction in vote 1 is so fraught with underlying currents of repressed emotions that it just made the cinephile in me ask, what am I watching exactly? Like isn't it shonen (I am also relatively new to anime/manga) where gay relationships are a strict nono? Like why does it have all the tropes of repressed homosexuality in men, just like all the films I had seen. The way Naruto and Sasuke constantly gravitate to each other, their interactions at times feel like a borderline attempt at just staying close to each other, their violent, strong feelings and devotion for each other (land of waves arc) and then denial of those feelings (after the land of waves arc), their contant physical fights for no apparent reason, Sasuke goading Naruto for no apparent reason especially when Sasuke is not the type to talk without reason which had been made abundantly clear. Sometimes, it literally felt like he was flirting with Naruto (during the chuunin exams) while rejecting Sakura. Sasuke constantly appears to be caring and attentive towards Naruto while treating Sakura like trash. This was even acknowledged by Naruto who asks Sasuke to be nicer to Sakura. But Sasuke doesn't even think about it. He instead flirts (?) with Naruto. It made me think, why did the writer choose to do that? Why make it clear that in hierarchy, Sasuke keeps Naruto much higher than Sakura, so early in the show (when there hasn't been so much development either, we were mostly shown how they keep fighting and arguing with each other)? If they are supposed to just be comrades or friends, why pinpoint this? Why use this trope at all if it's about friendship, especially in a show that can't include a gay relationship.

And this kept happening consistently. The writer made the interaction between Sasuke and Naruto to be major turning points in the plot. Vote 1 fight made it clear to me that there was something more going on, but I didn't want to be presumptuous, so I kept it on the side and kept watching.

After watching Shippuden, I was convinced that none of it, was accidental. The writer painstakingly wrote a gay love story and was even obvious about it in a very clever way. Like he fucking got away with writing a gay love story in shonen. I know Naruto is basically a kids' show meant for entertainment purposes, but it touched so many important, dark and adult themes. I knew that it would be difficult for the writer to actually give a proper conclusion to these themes because they really aren't that black and white or even appropriate for children. So I wasn't surprised that he couldn't actually show peace being achieved after the war arc or slavery abolished in Hyuuga clan.

But one thing I was sure of. He wanted to show a gay love story, maybe out of a twisted sense of humor, I don't know. But that's what he did. He could not have made it clearer. He flagrantly used all the related tropes, visuals, sound, dialogues, hell the story. The fucking story...

He was so shrewd about it too. He made it so that people can take away whatever they wanted to take away from it as long as there was some plausible deniability about things that weren't made clear in the show itself. That fucking minx! But he knew that anyone who watches shit carefully, will be able to see what he actually did. He knew that at least some of us will be able to connect the dots. He went out of his way to make sure we connect the dots. There is no other way to explain why Sasuke repeatedly kept asking Naruto why he cared for him so much. There's no other way to explain why he concluded everything with the dialogue where Naruto explains that he hurts when Sasuke does. There's no other way to explain why that affected Sasuke to such an extent. Kishimoto went out of his way, like seriously, to tell the audience that they are Not just 'friends'. He basically used this friend thing with so much saturation and intent in such a twisted way that he made it into something else entirely. In that sense, the concept of 'friend' changed its meaning. Like you can try, but you can't change my mind about it.

Whether I approve it or not, but my takeaway from content depends mostly on the content itself. I do believe that more often than not, the simplest explanation is the right one. And this applies to the phenomenon of Naruto as well. Of course, as a viewer, I can't ignore that my suspension of belief relies on my own understanding of the external world and how I perceive visual language. But that is something that happens anyway, in tandem with consuming the content, while I was pretty much consistently objective about it.

I believe I have a pretty good understanding of how cinematic language works, and I know every creative or narrative choice has a reason and meaning behind it. Absolutely None of it is random. Cinematic language may not be universal in terms of styles, but all the styles definitely have a common ground. And any creator worth his salt knows it, he knows how his content will be perceived and what it is exactly that he wants to show or say. Do not delude yourself that it was accidental or on a whim.

I know for a fact that Kishomoto wanted to show a gay love story. I know for a fact that he wanted to show that Sasuke has feelings for Naruto and he knows it. He also wanted to show that Sasuke not only had feelings for Naruto but also knew that he couldn't show them openly. He wanted to show that Naruto has feelings for Sasuke as well but is confused and naive, like he is about so many other things. He wanted to show us that Sasuke is not into Sakura, that he doesn't even respect her. Any enthusiast of visual/cinematic language and narrative can tell all the above things without going into headcanon or deluded explanations (like SS, NH stans), with just on the basis of content they consumed.

At the end of the day, I don't ship SNS because it's in my head. I was forced to see and believe SNS by the creator. Not forced literally but forced to notice and acknowledge the emphasis and meaning of the twisted/manipulative ways of the creator.

Kishimoto, hats off to you, you sly bastard. You succeeded in trolling people endlessly, you had a lot of fun pitting people against each other, didn't you? Hahahahaha. Well, I call your bluff/or non bluff in this case since you obviously knew what you were doing.

#narutomanga #narusasu #naruto #sasuke #sasunaru #sns #shippuden #shippudennaruto #naruto shippuden #sasunarusasu

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anime-grimmy-art · 3 years

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Told you guys I’d ramble in due time.

I absolutely adore Bravely Default 2. It came at a really bad time cos I can’t waste 70 hours on a jrpg, but well, it’s too late to be concerned about that now. And as is tradition with me obsessing over a new game / show / whatever, you’ll basically find a fullblown review disguised as ramblings right under the cut. Be aware that I’m gonna talk about EVERYTHING, so spoilers are a given. Some maybe even for the previous Bravely Default games.

Also, if you wanna talk about this game in any capacity, hit me up, I’m DESPERATE to talk more about it.

Just for reference on how long this is gonna be, I made a voice recording while driving to remember all the points I wanna make, and that recording is almost 2 hours long. I did cut it down but still, this is gonna be a lot.

I’ll start off with the things that actually bugged me about the game, since there are only 3 things that really bothered me. First of, I really don’t like that you can name Seth. He has too much personality to be a self insert and player integration is not that big of a part in the game that this decision can be justified. It wouldn’t bother me that much if it didn’t leave a bad mark on the ending. First of all, we were robbed of Gloria desperately shouting for Seth, which makes the impact work less, and it’s just so prevalent that the name can’t be said because you have all the normal sound design going. If they’d just let the credits still play I wouldn’t have batted an eye, but because every other sound comes in it’s so obvious they’re just silently shouting in this scene, which makes it look silly. Like I said, this decision is more a detriment than an addition, and it’s a shame it casts a shadow on an otherwise heartfelt ending.

Speaking about lost potential, the other thing that really bothers me is the lost potential in certain plot points and character conclusions. I mainly mean Adam and Edna here. Both of them have been built up to be these formidable foes but they just, die. If it was just Adam I’d be fine with it, since you expect Edna to backstab him and be the actual big bad of the story, but I cannot fathom why they dropped Edna this HARD. If not Edna herself, I don’t understand why we don’t get more of a reaction from the Fairies and especially Adelle. I mean, Edna was her sole reason she left for her journey in the first place, then Edna dies and that’s it? No part where she grieves for a second? No concern from the others about Adelle? Mind you, I haven’t finished all the Sidequests, so maybe there actually is one in which this is addressed, but I think even just a Party Chat after Bad End 1 would have been sufficient to show how Adelle suddenly feels about the loss of Edna. It would have made Bad End 2 / The Secret Ending even more impactful, because, yeah, of course, you kinda know Adelle isn’t going to turn her back on fairy kind, but one of the reasons she doesn’t leave is because if Enda didn’t get a happy ending, then she shouldn’t either. It would have been amazing foreshadowing if she showed this sentiment before this scene happened. Other than that, it’s a shame that we know so little about Edna, or rather, how she became “bad”. I get she’s supposed to be corrupted by the Night’s Nexus, but how did it even come to this? It can’t have been a gradual thing, after all, Adelle says Edna was always good natured and then just disappeared one day. Really would have loved seeing more of that plot point.

Ok, last gripe I have, some choices in the soundtrack and sound design. Don’t get me wrong, I absolutely love the OST, and I will get to that, but damn, whatever Revo used for the lead instrument in Wiswald hurts my ears. It’s a really good track, but I always have to turn down my volume because these high pitched sounds physically hurt. And for sound design. Dude, the Night’s Nexus is the least threatening, nightmare fueled abomination that ever existed. I get that its growl is kinda supposed to be layered with Edna’s or sth, but it, it just sounds silly. If they went the route of just swinging between different voices or began distorting it from phase to phase, it would have been fine. But the choice they made really made an otherwise creepy design just absolutely silly.

Ok, enough jammering, on to the good stuff. Like I said, there’s going to be a lot, so I’ll try to be brief in each aspect.

Gameplay

I honestly like the new battle mechanics more than the old ones. This individual, turn based system feels way more dynamic and it’s easier to strategies in battles. Because nothing made me more angry than setting up for a heal and the enemy suddenly being faster than me and killing my healer. Now it’s easier to plan ahead a bit.

I also found myself experimenting more with the jobs. Not sure what it really is, but none of the party members leaning more towards certain types of jobs and the job leveling being way faster probably helped.

And I know some people get up in arms because the boss sometimes can be a real pain in the ass (looking at you pope dude), I still found it very interesting getting around counters or even using these counters as a benefit. As an example, I made Adelle my main physical fighter and gave her lots of counter abilities to help her profit from being countered by enemies themselves. Now, she can attack enemies, get countered, automatically evade that counter and earn a BP at the same time. Made a lot of boss fights way easier and fun to exploit.

Music

Ok, I will try my best to be really, really brief, because in my recording this part takes up almost 40 minutes. Anyways, Revo might have just become one of my absolute favorite composers ever. I don’t know what kind of magic he used, but I initially wasn’t that impressed with the OST, but every time I listened to it, I just fell in love harder and harder. Before getting into specifics, I wanna highlight the two things that made me love this OST overall. First of all, this soundtrack almost seems like a refinement of BD’s. While losing some of that fairytale vibe, it sounds even more fantasy now. And in contrast to the original, this almost sounds more balanced? Like, BD’s OST felt high energy throughout, BD2’s on the other hand manages to find a good balance between high and low energy pieces. Like, the character themes or battle themes are absolute hype, but the overworld themes are a lot calmer and easier to listen to while exploring. Second big point that makes this soundtrack amazing is that Revo is an absolute god at using emotional progression/storytelling and leitmotifs in his songs. And heck, do I love myself my leitmotifs. You’ve got some obvious ones, like the final battle theme in which all the character themes and other leitmotifs are integrated. Then you got some maybe more subtle once, just like how the overworld themes are just the main theme, just a lot calmer and using the lead instruments of the towns of the areas.

But my absolute favourites gotta be the character themes and the main theme. I love how fitting the themes for the characters are and in general, each of them is such a bop. At first I prefered Elvis’, because I sure am a sucker for jazzy vibes, but over time Adelle’s became my fav. It’s just something about the trumpets, and how the theme almost sounds a bit melancholic and bittersweet, that drew me in. And considering her story, mostly her bad end, that the bittersweet tone really fits.

Then there’s the main theme. Just like BD’s it shouts “triumphant anthem” and it definitely gives you a very familiar vibe, but I’d argue it has even better emotional progression. Heck, the first time I heard the music start up in the reveal trailer, I didn’t have to look at the screen to know this is gonna be a BD game. Also, the credit song version had me weeping at the true end. I’m someone who’s very easily affected by music (if me shouting about soundtracks on this blog wasn’t proof enough) and just hearing that ending song, getting the after credits scene, just for the second credits to start as a freaking duet. Dude, at that point I just started sobbing, I’m not gonna lie. Just this little part showed how much Revo knows how to put emotion in a song and also write it in such a way that he can elicit strong, emotional reactions from you too.

Story

People have been complaining how the story is too boring and kinda disappointing in comparison to the last one, but I just think the games tried to accomplish different things here. Since the BD series is a celebration of old, classic jrpgs, “cliche” storytelling is a given. Though, BD did throw a lot of meta stuff in there too. BD2 in contrast just feels like a direct execution of that initial idea. It feels familiar, it feels comfy and it feels safe. Except for the little things with the endings and then overwriting the Nexus’ “save file”, BD2 doesn’t really get that meta, which is totally fine. It doesn’t try to reinvent or innovate anything, it just wants to be a fantasy story, that might be cliche, but still fun and enjoyable in its own right.

I’d also argue that the pacing is a lot better than the old game, because with BD I sometimes found myself skipping through scenes to get on with the story. Not that this game didn’t have me rushing through stuff as well, but I found it kept my intrigue way better than the original.

Characters

Next to the music, this is the part that I absolutely love the most. While, yes, they did lose a lot of potential with some characters, mostly with the villains, the main cast is just so much fun. I love these 4 dorks so, so much.

I honestly can’t stand how much people compare them to the original cast. Yes, ofc, I’ve been doing my fair share of comparisons too, but calling these four a more boring version of BD’s party physically hurts me. Because except for some initial impressions, the Heroes of Light are completely different from our beloved Warriors of Light.

While yes, Seth and Gloria give off strong Tiz and Agnes vibes at first, they both grow into such different characters that they’re not really comparable. I think this shows with Adelle and Elvis even more. I do understand how people could compare Adelle and Edea, since they’re both the feisty girl type, but I can’t understand how people can see Ringabel and Elvis as the same character type. While those two are the “suave” party members, they act so differently from another. And that’s honestly apparent the first time you meet them.

Anyways, I love these 4 so much.

We technically don’t know a lot about Seth at all, but they manage to pull so much out of just the fact that he’s a sailor, that it makes him really endearing, really fast.

I was kinda disinterested with Gloria at first, because again, the initial impression was Agnés2.0, but she grew on me a lot. Gloria is way more hard headed and honestly sassy in comparison to Agnés and I absolutely adore it.

Elvis. Elvis, my man. I love this fantasy scottosh wizard so, so much. He’s such a ridiculous character but so endearing at the same time. You got all this dorkiness, with him setting himself on fire as a student, him doing god knows what for a good drink or just laughing danger and prejudice in the face. But then you got his super empathetic and caring side. Mind you, most of his wise moments come from quoting Lady Emma, but still, as much as he’s hopeless with certain social situations, he’s actually still really good at reading the room and playing things smart. He’s a smart and powerful idiot, which makes him a danger to everyone and himself, and I love him for it. (I also can’t believe they called him Lesley I MEAN COME ON)

And then there’s Adelle. I liked her from the start, but I didn’t think she would stick out to me. I think now she’s my favourite character. Not even talking about all the stuff that happens in chapter 3 and onward, because these story threads are awesome in their own right, but there’s just something about her personality that’s interesting and appealing to me. Like I said, I’m not surprised people compare her to Edea, I did too at first, but while Edea walks very close to the line of a Tsundere, I was really surprised that Adelle is, well, not a Tsundere at all. Yeah, of course she’s putting Elvis down a lot, but that stems more from her preventing his ego from going to his head than her being all embarrassed. No, Adelle is actually really well adjusted when it comes to communication. While it’s hilarious that she and Elvis met with her chucking her shoes at him, the two just got along well right from the start. Adelle in general has this really open and helpful personality, but also doesn’t shy away from putting her foot down, even if that sometimes comes out as an embarrassed sputter. She’s also the mother hen of the group. She looks out for the other three and gets concerned about them real fast.

I dunno, Adelle just really grew on me over the course of this game, and then her kinda being paired with Elvis too, as partners and as partners, makes me like her even more. Because as much as I like their personalities individually, I like their character dynamic even more. I honestly love the relationships between all four of them a lot. You really feel them grow closer as friends and all the little character sidequests just always made me really happy.

Conclusion

You might not believe me, but I really held back there. This could probably have been 3 times its length. As much as I love this game, it’s of course not perfect. It struggles and flails in some parts a lot and it certainly has some aspects that might turn people off. But for me, it was just a very familiar and comfy game that didn’t necessarily deliver anything new, but that told its story in such a way that it still got me excited to keep going. The soundtrack is absolutely amazing and the conclusion of the story actually got me to cry. While not groundbreaking, this game is highly enjoyable and leaves you absolutely satisfied at the end.

Also, I would like to iterate that I am desperate to get more content about this game, so if you wanna chat about it, hit me up.

Anyways, anyone else felt like having a fever dream when everybody in chapter 2 started talking fantasy scottish? Cos I sure did.

#bravely default #bravely default 2 #bd #bd2 #fanart #review #ramblings #seth #gloria #adelle #elvis #elvis lesley

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turnaroundroundround · 3 years

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Morimyu in Classical reference

So, as for the fact that music in Morimyu Op. 3 resembles classical music in both progression and musical technicality, it's interesting how it's possible to keep coming up with different interpretations after re-watching the musical again and again.

I've made a thread on twitter about this before, but 1) word limitations and thread will never be enough to list all that I have to say lol 2) I'd prefer to have a fuller version noted down, especially one that I can edit and keep coming back over and over again when ever I come up with something new.

Either way, I am still (lol) not a pro in music theory and music history as well. All that is written here are based on my very very basic knowledge on music as well as something that I've picked up (and discussed) with my friends after watching Op. 3.

What's the point of this?

Why is it important? Lol I always need this to keep myself from writing off-topic but anyways. Why do the music sound good (except for the fact that because it does lol), and what do they represent? Surely there must be, and there always are, other things that are implied not only through the lyrics but also the music, and the flow in general.

Apart from the lyrics and the lines, it's also quite interesting to have a close look at the music - melody and harmony itself - to see how they portray the stories.

Most importantly, the continuality. How did Morimyu manage to insert so many songs and still managing to connect them as a whole? And how did they use music to go beyond what's on the pages? That's the most important thing about musicals - beyond the pages. We don't see stage or anime doing so very often, as they mainly focus on what's already there, bringing them to life as close as possible to how we imagine things might happen.

As for musical, they have the music. They have the arias and the songs. At some point, a character starts singing, and other characters followed suit. They have their very unique way of expressing the plot, and they have the orchestra, the arias where characters get their solo song, and the duets between characters with strong relationships, and the ensemble which emphasizes the plot, and so on.

A funny thing about duets in classical opera, they're often meant to show lovers' relationship because of the harmony but can also use opposition and all to show enemies' relationship. And in SherLiam's duet it's just both of them at the same time - thoughts connected while engaging in a chase, a hide and seek game of mystery. We'll go into that later.

Back to the topic. Morimyu follows the main plot strictly, but also uses their advantage with music to add all the side details that wasn't told in the manga to create a "complete" view of the plot. It is always available for musicals to do something unexpected (like how we never expected Lestrade's puppet show to be a whole 5 mins long piece lol). And where they did that they added arias and duets, they allowed moments where characters express and developed their emotions as well as going with the plan (yes Albert yessss). Of course there's both a good and bad side to this all the while.

💛 The good thing is they went all the way to show us sides of emotions that we don't see much in the manga or stage, the sides of the story that all of them have kept hidden while focusing on their grand plan. 💛 But then it does get too emotional at some point, especially those who came for the plot and the mind games behind all of it (like me - although I won't deny that I had a lot of fun picking out all the emotions behind the music here lol).

Musicals can always go beyond what we knew. As for Morimyu, their music is heavily influenced by opera and classical music, and it's shown quite clear. There is live music playing (instead of the entire orchestra we have a violin and piano duet), and they have distinctive arias and recitatives throughout.

So thanks to that, it's also possible to use a reference from classical music to interpret their songs.

A Sonata formation - The Narrative Series of SherLiam

Yes, songs arranged and analysed with reference to a Sonata formation, especially in the way they progress through the play.

Some notes before getting into the point

1 - Sonata = a piece of music consisting of several movements - very often 3, sometimes 4. First movement-Allegro: With the quick tempo, introducing the theme of the entire Sonata Second movement-Adagio/Largo: Slow tempo, can be emotional sometimes, as well as leading more towards the final movement Third movement-Rondo Vivace: The ending, quick-paced and vigorous, leading the Sonata to a close. A Sonata always has a general theme, a topic. The theme that I chose to write about is Mystery - the Hide and Seek game between the Detective and Lord of Crime

2 - Aria and Recitative = different types of songs used in an opera Recitative: Lines within a song that happens like a real conversation, as the characters sing they are also talking to each other Aria: A solo section where everything else is a freeze frame, while one actor remains and sing their own song about their thoughts, feelings, etc. In this post we're mainly discussing the arias of Sherlock and Liam, and the duet between them. But there's also some mention of recitatives here and there.

3 - Videos used To make it easier to understand which songs I'm talking about, I also arranged them in piano. And also to have a listen at how they might connect. Just in case the videos beneath don't work (they didn't work on my phone), the three songs discussed are Nazo, Liam's solo, Kokoro no Rondo, all piano arrangements.

All of the songs noted in this section are arias and duets from Op. 3 - the Ghost of the Whitechapel. The additional "series" that Morimyu has added spreading throughout the play, Sherlock and Liam's narratives, which portrays both their emotions and the chase between the detective and the Lord of Crime.

First Movement - Allegro: Nazo(謎) song

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Starting from Lestrade's exit after his puppetshow and proceed to the scene, Sherlock's aria introduces the theme of the imaginary hide and seek game that the Lord of Crime has started. The song repeats the word (mystery) over and over again with a continuous rhythm.

Ends with Sherlock just mumbling the word Nazo (mystery) and exiting the stage - no conclusions, just like a mystery that leads into further mysteries with no answer.

♛♛♛ In regards to a Sonata formation, this is the beginning of the entire piece. Quick in tempo, written in 3/4 time and introduces the theme of the entire piece - Mystery.

Uso ka Shinjitsu ka - Lie or Truth song

Starting after Sherlock learns the truth behind Jack the Ripper, wondering if Lord of Crime is a good person after all.

Now I had a really hard time thinking whether this piece should be included or not. For one, it's not an aria. It can be viewed as a Da capo Aria, a development section of the Nazo song, repeating the theme that is introduced, coming and going rather quickly. So, for continuality.

It also does not fit into the series as a whole, being 1) a recitative. The lyrics focus entirely on Sherlock's deduction and whether he should expose the truth or not, etc. so on. 2) The lines in here, unlike the other arias, are taken directly from the manga, so it's not entirely an 'added' element to this chase. 3) Also because if we compare this to a Sonata form, this doesn't really fit anywhere

However, among Sherlock's arias, this song can also be seen as an interesting development as I have mentioned above, so I've decided to have it here, still.

There's another thing about almost all of Sherlock's arias throughout the 2 stages - they never have a conclusive end. The detective's mind is always running, mysteries after mysteries.

Most of the other characters' songs ends with some kind of closing lines, and piano continues to conclude the piece with a strong end, and then goes on to start another piece. All of their problems in the songs are concluded. They made up their minds in some ways.

But Sherlock, his songs always end with him repeating the melody, a capella, and exiting the stage. Piano waits for him to exit, then starts a new song. Or in Op. 2's Mindgame case going straight into the next conversation. We never get to know how Sherlock's songs end, because they didn't really end at those points. There's a hanging sense of waiting for a resolution, a conclusion. Sherlock never seems to have his problems solved within the songs, they just go on and on.

An idea initiates, then something happens and he is once again in the dark. And he spins around within his own mind.

Screenshot from Op. 2. Even if we look back to his aria Mindgames from Op. 2, this song doesn't really have a conclusive ending as well. He just starts singing, the music stops and he starts shooting and going on, resuming the play. It kind of has been a thing for Sherlock's arias?

Second Movement - Adagio/Largo: Liam's solo

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♛♛♛ The "second movement" - the 'slower' piece - of the series, Liam's aria lol but actually the piano part of this song isn't slow at all but ok. The other side of this hide and seek game. The "development" section of the sonata series, where we see things in a much more emotional way.

This aria is much richer in harmony and melody. Not only Liam's melody, but also the piano's part which plays a beautiful melody in harmony.

I recall an interview where the stage director mentions how the "orchestra" - piano and violin are representations for Liam and Sherlock. It kind of applies here, where his music is created mostly by piano.

There is modulation, emotions rising and elevating quickly and strongly. But the harmony is beautiful, overflowing and rich with emotions. The song repeats certain lines, emphasizing aspects within Liam's thoughts.

Unlike Sherlock's train of thoughts that circles with no destination, Liam's solo has a definite ending in harmony -> Even with all his emotions in mind, Liam still has a goal already set before him. He has a brief moment of slowing down, pausing and sung about his feeling, before resuming the story.

Leading us to the final stage - Kokoro no Rondo.

Third Movement - Rondo Vivace: Kokoro no Rondo

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Rondo formation: Rondo is a type of dance that revolves around a pattern, often ABA, ABACA, or ABACABA - where A is the ritournello ("meguri - kimi ni omou - meguru kokoro no rondo" section) that is repeated over and over with B, C parts in between. Rondo can also be combined with sonata form - this case applies to this song which begins with a key other than the tonic (Fm) before resolving to the tonic key (Fm) to put an end to the entire sonata series. For reference purposes, the last movement of Beethoven's Pathetique or the very typical Fur Elise is also written in a similar format. I also referred to Pathetique quite a lot when brainstorming this post.

♛♛♛ The "final movement" of this Sonata, the final scene of their "Hide and Seek" game. The song's tempo is vibrant and rapid, combining with the dancing sense, all the while strictly following the structure of a Rondo as mentioned above.

This is the stage where Liam and Sherlock's line interacts and reply to each other, as if in a real conversation - just like how the connection between them are now much stronger than what they had before.

In the ritournello, we have Liam and Sherlock's lines intertwining and chasing after one another, emphasizing the "Hide and Seek" element between the two of them.

The song comes to a definite ending, concluding with a strong tonic (Fm) chord. At this stage, there is no more question to be left open, for Sherlock at this point has already made up his mind to take the next step into solving the mysteries regarding the Lord of Crime.

Their imaginary game of Hide and Seek is coming to an end, as Sherlock came to a decision to take the next step - going to Durham.

That's the end of my first draft.

So far that is some of my thoughts noted down right after watching Op. 3 stream a while ago, with some edition made just now.

On the side note, at some point during my discussion with a friend, we also came up with the idea that a Suite may be a better reference. A Suite consists of 4 parts and a prelude, each of them having their specific characteristic. But we didn't go all the way analysing that idea, as 1) we couldn't find a 5th piece that can be added into the series. 2) Even if we did, the Truth or Lie song still would not really fit into the "aria" vibe of this series, as mentioned above.

But then quite interestingly, after a while, I've found another interesting fact that should have been quite obvious but I've missed for (lol) like ages.

The game of Hide and Seek between the detective and the Lord of Crime has begun ever since after Hope's case - that being said, ever since the end of Op. 1

And what is it that we have in Op. 2? "The Mind games of the Lord of Crime". The one where Sherlock went maniac rapping about all the thoughts he has and end up shooting randomly into the wall.

At first it begins like another recitative, but in the later half, the harmony starts to become more harmonious, written in 3/4 time flowing like a dance.

In that section, the melody of the piano and violin part resembles the one we have in Kokoro no Rondo, the Ritournello section, only that the melody of the violin in Op. 2 and the melody that SherLiam sung in Op. 3 are kind of reversed.

Coincidence much?

So now we have a collection of songs from both Opus, it becomes tricky. How do we connect them? And what's the story?

At this point, all these recitatives, aria and duets all in the theme of the Hide and Seek game. And they all connect to each other through harmony, progressions in harmony.

We know that the Mind games of the Lord of Crime has begun from ever since the end of Op. 1. We know that Sherlock keeps wondering about that in Op. 2, and then he wonders even further after he has been tested by the Lord of Crime. "また俺だけのメッセージなのか?" - Is this a message just for me?, as he wondered in the Truth or Lie song. We knew all of that. But Morimyu didn't let that stop them from emphasizing on this subplot even further.

They didn't let the gap between Op. 2 and Op. 3 stop them from making a smooth flow in plot either.

Correction, they didn't simply create a flow. They established a connection, all the while showing a strong progression of Sherlock's thoughts that goes on from Op. 2 straight onto Op. 3.

Very often, what makes a good plot is how their plots and sub-plots intertwine with each other. Morimyu has a main plot that follows Moriarty gang in the plan of changing society. And they have a smaller plot told from Sherlock's side of things. And they have this sub-plot told by harmony of how Sherlock is connected to Liam, or the Lord of Crime, by an invisible thread. A connection that is only expressed that clearly in Morimyu.

We have so many things going on, so many songs throughout the play. But each of those elements are all connected to something else, creating a sub-plot that enriches the main plot.

There is no loose connections. For everything that connects to the main plot, they're also linked to other elements. Each scene and every song has their own meaning not only in regards to other songs, but also to the plot as a whole.

Also, did I mention how Morimyu feels like a grand piece of music?

Opus -> What classical songs had that basically shows the order in which they are written. Morimyu - a title piece itself - has 3 Opus, 3 different parts with the same theme.

Classical music very often had all the different elements in it -> Morimyu had an overture, the song they sing just before the main theme song, just before introducing the stage. Then arias, ensembles and choruses. All of them are connected by similar harmony.

Classical music always had a big general theme, with each section having a smaller sequence connecting to each other. Subplots within a big plots. A Sonata piece has 3 movements, each having their own "sections" of development - expositions, development, recapitulation. -> Morimyu does the same to their plot and subplots, as discussed above.

Also, Opera reference

While Opus 2 used an opera reference to tell the story, I feel like Opus 3 has become an Opera itself. During Op. 2 the arias were mostly very loyal to the manga, taking their lines from the original work, like the Mind Games song. Their story progresses steadily but logically.

However starting from Op. 3, the aria became more independent. They developed and expressed even further what wasn't said in the manga. For instance, the 3 songs mentioned in the "Sonata" above. And there's also Albert's solo, and Patterson's solo and Milverton, which I haven't got the chance to discuss all.

But either way, they spring out of the original story, adding more emotions and "colours" to the characters. The aria became more original, all the while also much more expressive. We get to see new sides of the characters that we haven't seen anywhere before.

Anyways, it's probably time to go back to the main question: How Morimyu used music to go beyond what's on the pages.

-> Musicals aren't simply about music added to acting. The characters on stage don't just simply starts singing for no reason. All the songs are meant to express something, and while they do they also establish various connections to the plot's progression.

We don't get to see much of the characters' emotions in the manga. And we don't see much of the side story, the finer details behind each arc. Every time, Morimyu adds something original to enrich their plot. They express and develop what's already known to all the viewers, especially regarding the emotional and motivational side of the characters.

-> The manga shows us the entire plot, with details related, back stories that lead to the present, and all. But it doesn't give a lot of hint into how characters might feel. Surely, reading between the lines, it's up to the readers to interpret them.

But Morimyu gives us all of that, and they leave it to us to read between the music.

And even if we didn't, that's fine. Then the purpose of all of them linking together would be to create a performance where everything is connected harmoniously, allowing us to be emerged in the world of Yuumori.

-> The purpose of having a stage, primarily, is to allow the audience to engage in, experience and feel the emotions along with the characters they see on stage. The point of having a live stage, a plot, and the music, are all to let us emphasize with the characters on stage.

In Morimyu, we aren't just watching a plot between our favourite characters happening as we know it from the manga. We see a combination of mysteries unveiling slowly, the stories on the side of each characters as they slowly progress forward, as well as emphasising with their emotions in the story.

That's what I really like about Morimyu.

So, WHAT'S THE POINT OF THIS?

So I had to scroll back to the top (lol) to quote this and make sure I haven't gone too far from the main theme.

Regarding musical Yuumori, there's always so many things I'd like to talk about. And if I start going on about it then it only gets harder to focus on one single topic.

Since the topic here is Morimyu and their music, especially in classical reference, I've tried to keep everything I've discussed relevant. But whenever I start on something, there would always be something that comes to mind. Like how other songs might also have certain connections, or how they used stage directions and lightings, etc. I really want to look more into stage directions in Morimyu as well, but that would have to wait...

Anyways, I tried to keep this as simple as possible. When I sent the first version of this to my friends, I keep having the feeling that I got too technical with all the theories about harmony and structure lol

And once again, this is only some of my own interpretation of the series that I've picked up.

If something else came to mind... well. Either way, for the purpose of engaging in their wonderful music or for the purpose of watching a beautiful stage just for enjoyment, Morimyu definitely is worth watching. And to watch over and over again. I've said this for Op. 2 but I'll say this ten times as much for Op. 3. Truly magnificent.

And, that's pretty much it that I have for today, I guess.

Thanks a lot to all my friends who gave me lots of inspiration and motivation to complete this ヽ(・∀・)ﾉ Lots of love to @rikaaki as well ヽ(・∀・)ﾉ

#Youtube #musical moriarty the patriot #musical yuukoku no moriarty #yuukoku no moriarty #sherliam #random thoughts idk why #didn't mean for it to be this long but still just random thoughts I'd like to get down #still love this series too much although I feel like I've watched it too many times #harmony analysis I'd like to call it but there wasn't a lot of harmony analysis going on either #morimyu #morimyu and how their music is just extraordinary

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edie-baby · 3 years

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Les Fleurs du Mal Chapter 3 | Pierre Gasly

Summary: Sava Dvorakova had big dreams for Formula One. An opportunity of a lifetime comes around, so she takes it and runs. She proved just about everyone wrong, and is awarded a very controversial seat on the F1 grid. There’s smiles and grins, hugs and kisses, love and laughter. There’s tears and sobs, fights and break ups. There’s evil where you least expect it, hidden in the garden of eden. The Flowers of Evil.

Warnings: a lot of swearing, shitty parents (they’re a recurring theme), sexism, i ignored a lot of actual f1 rules because i couldn’t be bothered writing it into the story tbh, yuki is fcking adorable, a lot of smut eventually, like a lot.

Pierre Gasly wasn’t quite sure what to do. After coming into the F2 paddock to talk to his future teammate in the Carlin garage, he passed a small girl with pink hair, a pleated skirt and big, chunky boots. She was being guided through the paddock by a woman he had seen around the Carlin garage a few times before. He had heard whispers of a teenage girl taking the ‘spare’ seat for the remaining three races of the season, but seeing her in person completely consumed his mind. Distracted by the bubbly teenager, Pierre almost passed the Carlin garage completely, quickly correcting himself and keeping his head down so he didn’t make more of a fool out of himself.

“Pierre!” Yuki’s high voice called, waving to his friend with a large smile on his face that creased his eyes. Pierre walked over quickly, dapping his friend up and beginning the regular small talk about the car, and the weekend ahead.

“So, did you hear about my new teammate?” Yuki almost giggled. He had seen the reactions throughout the paddock and in the hotel that morning, and knew the Frenchman would have his own thoughts about the pocket rocket.

“The girl?” Pierre questioned, attempting to bide his time and think of appropriate questions to ask. Yuki nodded with a smile, his own thoughts disrupted by the bubbly, high energy, almost crackhead personality of the teenager.

“She’s very pink. I heard she qualified P2. I’m not really sure what to think about her, because I haven’t watched her race, but I guess I’ll see her soon. I saw her talking to Esteban this morning.” Pierre finished with a grimace. The mutual dislike between Pierre and Esteban was common knowledge, however Yuki still found it puzzling when he would speak so openly about how much the other Frenchman gave him a sour taste in his mouth.

“She’s very good. Considering she has only ever raced in go-karts before this, she’s going to give Juri a run for his money this weekend.” Yuki laughed again, already picturing the battles the two Eastern-European drivers would get into over the next 3 race weekends.

“I’ll keep an eye out. I should go back, our quali is starting soon. Good luck Yuki!” Pierre called, waving to his friend before he made his way out of the F2 paddock, and back toward his own.

The sprint race, and ensuing feature race had been entertaining, to say the least. After the shenanigans of the sprint race on Saturday, there was a large spike in viewers for the Sunday feature race before F1’s grand prix. And, as Amelia so proudly reported to Sava later that afternoon, it was the highest ratings an F2 race had ever gotten.

Headlines that Sunday afternoon were emblazoned with Juri Vips and Sava Dvorakova’s names and cars. The two had battled it out all weekend, a few close calls and both drivers finishing a maximum of two-tenths apart. Juri had won the sprint race on Saturday, where Sava came in P2, while she took P1 in the feature on Sunday, with Juri riding her gearbox for the entire race.

To say Dr Marko was pleased was a gross understatement. He hadn’t smiled, nor been so friendly as he was that weekend, since Max Verstappen won his race in Spain in 2016. It seemed to be an absolute miracle, and Alex Albon who had fared quite poorly through the weekend, was thankful to the new driver for cheering up the man who would have ridden his ass to hell and back.

After Sava’s first P1 finish, and the ensuing podium celebration, she was greeted by a few of the F1 drivers who had made their way over to congratulate the enigma. Esteban and Daniel were the first to stride toward her, enveloping her into a three-way hug where she was basically swallowed whole by the tall men. Daniel pinched her cheeks and pushed her around while they discussed her successful divebombs throughout both races, while Esteban leaned his elbow against her shoulder and listened in to the conversation. Both the men bid their goodbyes and left, allowing the next two drivers to approach her. To her surprise, it was George Russell and Lando Norris. She hadn’t interacted with either of them prior, so there was a small moment of internal fangirling before she greeted the men with a smile so large it completely obscured her eyes.

“Hey, we just wanted to say that you drove amazingly. Lando was yelling at the telly whenever you got cut off or nudged away. Alex was going to come over and say congrats as well, but he got held up with Horner.” George explained, his accent processing very slowly in Sava’s head. So, to her chagrin, she ended up staring at the ground, eyebrows furrowed, eyes bulging while she tried to process the words. Even worse, Lando leaned down to look up at her face, laughing that high-pitched squeal of a laugh that finally broke Sava’s concentration.

“Ah, fuck. I am sorry. Your accent, I have not heard one similar before, so it took a few extra moments to process. Sava.exe stopped working for a moment, but I am back, no need to worry. I must say, I am surprised the two of you are here. I thought you would have been concentrating on your own races for this afternoon, especially you, George. You might not be able to lose positions starting at the back of the grid, but you can definitely gain many.” Sava giggled, attempting to convey to George that she really was kidding and hoped it wasn’t a sore subject to be brooching. Lando squealed again, even going so far as to run away before circling back to the small group. George stood there, stunned.

“You just got owned by the new kid!” Lando yelled, pushing on George’s shoulder before the two waved and walked away, seeing the two men standing behind Sava, waiting their turn to speak.

When she turned around, she wasn’t expecting to see the man of her dreams and her teammate waiting patiently. Sava’s breath caught in her throat for a moment, and was left standing in front of Yuki and Pierre shaking like a leaf.

“Pierre, this is Bunny! He wanted to meet you after watching your races.” Yuki smiled down at his teammate who was still unmoving save for the tremble in her hands.

“It’s nice to meet you, Bunny. It was a really amazing drive today. A lot of those moves require more balls than most of the guys in F1 have.” Pierre smirked, and Sava swore she would have fainted on the spot.

“Holy shit wow, thank you so fucking much. You honestly have zero idea how incredible I think you are. Had I known that my social media would be released to the world, I would have definitely taken down all of my posts singing your praises before I actually met you because now that you’re here it feels fucking creepy. But, I meant everything I said, including the threat about Christian Horner, so if you ask, I will obey.” Sava spoke quickly. She glanced quickly into Pierre’s gorgeous blue eyes, the words tumbling out of her mouth before she had registered them. After she had basically told Pierre, to his face, that she would obey any command he told her, she was whisked away by Amelia toward the media pen, sending Yuki and Pierre a quick wink in the process.

With Pierre caught off guard and staring in the direction Sava had walked off in, Yuki coined the new nickname 'Pierre the Pedo'.

He might have gotten a quick kick to the ass because of that one.

#pierre gasly #Pierre Gasly fanfic #Pierre Gasly imagine #Pierre Gasly x reader #pg10 #formula one #formula 1 #f1 #f1 fanfic

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randomingoftherandomness · 3 years

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The Bone of Impurity

So with the upcoming Winner is King, my brain got whirling with the thought of The Bone of Impurity which is arguably one of the main plot points of the novel and I thought I would do a bit of a meta for it? It is definitely something I hope they do not dilute for the Live Action adaptation but even if they did touch upon 1% of the shit that goes on into making a Bone of Impurity, it's still pretty Dead Dove Don't Eat. So I thought I would preempt it by actually putting down a primer on the Bone of Impurity.

I did not read the novel in Chinese and read it in English, so some of the more subtle themes present in the original work will have been missed by me. If anyone who has read the Sha Po Lang novel as it was written by Priest, do let me know if I have made any mistakes on any of the below ( •̀ᄇ• ́)ﻭ✧

Fair warning, there's some pretty Nightmare Fuel inducing shit, so I'll be keeping things under a read more in case people get squicked by this lol I'm also basing my references around the translation that Northwest Flower did because that is the one I read.

Just a basic background on The Bone of Impurity:

It is essentially a curse unique to the Northern Man people who utilise it in moments where someone's country is broken and nothing remains but revenge. To attain that, they make a sacrifice to the 'evil' gods of their beliefs

It is a cruel and horrible affliction to put on the person, but the return for it is that the person who becomes a Bone of Impurity gains the strength, intelligence, foresight and abilities of two persons

Whoever becomes a Bone of Impurity is someone who is single-mindedly ruthless and bloodthirsty when pressed towards a goal; they will attain power and their near supernatural abilities will make them unstoppable in achieving their goals

They will also gain a sort of existence that is neither alive nor dead. Sort of a zombie-like living. They also don't live very long

For all this super abilities, the flip side for anyone living with the Bone of Impurity is that they will be constantly highly suspicious and paranoid of everyone and everything; they will be slowly driven mad by the visceral hallucinations that will leave them incapable of knowing what is real and what is fake (Volume 1, Chapter 26; Volume 3, Chapter 70)

A Bone of Impurity attack comes about when the afflicted experiences heightened emotions or moments of extreme stress (I seriously cannot list out all the times it popped up in the novel because we would be here quite long lol)

It manifests in dual pupils being observed in their blood-hued eyes, hypersensitivity of the senses, their body burning up, almost sleep paralysis levels of body-lockedness and they will experience extreme pain with the bouts of attacks lasting hours at a time (Volume 2, Chapter 50 & 51)

The method of 'refining' a Bone of Impurity is...

Basically taking two babies and putting them in a dark place with no air, no water, no food. One of the babies will survive while the other one dies (Volume 3, Chapter 70)

I'm not quite certain if they have to be blood related or not, but the examples given in the book all indicate that if they have a strong connection to each other, then it would be better and that the Bone of Impurity would better take

The dead baby is then... 'refined' with the arcane arts and medicines of the Northern Man Goddesses and fed to the surviving baby (re:baby cannibalism)

I told you it wasn't pretty...

In the novel, Chang Geng is the Bone of Impurity made by Hu Ge Er, his aunt, in order to bring about chaos and tumult to Great Liang that had subjugated her people. Chang Geng is repeatedly described to have almost scary levels of intelligence and foresight, to the point where some of the characters actually wonder if he is omnipotent.

Chang Geng is also revealed to have obtained characteristics of his cousin

One of the ways Shen Yi and Gu Yun identified Chang Geng as the missing Fourth Prince is the congenital defect of a toe - which, lol, the worlds where DNA testing did not exist - and Chang Geng insists that his toe deformity was caused Hu Ge Er (Chapter 8)

It is later revealed that this was one of the further side-effects of the Bone of Impurity where the afflicted would reflect characteristics of the 'devoured' counterpart (Extra: Souls returned home)

Now on to the meta bit:

Chang Geng has a pretty much single focus sexuality on Gu Yun; even when he wasn't clear on what the nature of those feelings were, he was already dedicated to the man, already thinking up ways of how he can support him in the future

Even when he was heartbroken by the reveal of who 'Shen Shiliu' was and the lies and the subterfuge that had flowed between them, just with an apology and assurance from Gu Yun, Chang Geng was already ready to forgive him

Now, we know that Hu Ge Er said with her dying breath that the Bone of Impurity will cause him to lose his mind and will cause the death of everyone he will ever love. I think she said this because she has already detected the level of dedication he has built for Gu Yun and also because she is a horrible person and wanted one last pot shot at tormenting Chang Geng

Through all his Bone of Impurity attacks, Chang Geng has one consistent thing that he fears the most above everything else - Gu Yun abandoning him, rejecting him, leaving him in any way

My thought is simple; what makes him different from the other Bone of Impurities that were explicitly said and described in the novel? One person. Gu Yun.

Had Gu Yun not saved him from the wolves outside of Yanhui Town, he would have definitely died right there and then being killed by the Northern Man wolves. I truly believed that at that time, Chang Geng really ran out there to die. With just the scant descriptions of what Hu Ge Er did to him throughout his childhood, even the brief glimpses into her horrible abuse, is enough to cement that he was very likely unable to handle everything anymore.

If Gu Yun had not shown up and took on the mantle of Chang Geng's Yi Fu - as clumsy and as emotionally stunted as he was to deal with a dependent - was kind to him without any sort of condition attached to it, if Gu Yun had not taken that spot in Chang Geng's heart and mind as a moral compass, guiding his path to tempering the more extreme effects of the Bone of Impurity, I have no doubt that Chang Geng would have destroyed Great Liang before he even turned 21.

Because of Gu Yun, Chang Geng plotted the way to peace for Great Liang; divesting of weak emperors and ushering in a new age of stability and peace, building a foundation for his nephew to take over and build upon. All because he knew that Gu Yun loved his country, loved the people, has broken his back time and time again to toil for peace and defend its borders.

In the novel, they even explicitly say that when Gu Yun is out doing routine inspections of the borders and stuff, Chang Geng essentially shuts down; starts living like a monk and a life without colour until Gu Yun comes back to him (I don't know which extra or chapter this is in because this post has been waaaayyyy too long at this point)

With Gu Yun, especially when he learns that his supposedly unrequited and unfilial feelings were not as unrequited as they seem, he found a path to a future where he can strive to live without pain and without worry. With Gu Yun, he could focus all of the ruthlessness and all the bloodlust and the brilliance and the horrors and make it into a fulfilment of Gu Yun's dream; to be able to walk away from the battlefield and live out the rest of his days in peace and leisure.

Think about it, especially if you have read the novel, how scary can Chang Geng get when Gu Yun isn't around to temper him?

Basically, yes, I am definitely saying that Chang Geng and Gu Yun doing the horizontal dance with no pants resulted in peace for the country lol

[Bit of Trivia] Chang Geng's name is also significant because, according to Hu Ge Er, it is the name of the 'Bone of Impurity' in the Chinese dialect (Chapter 6)

#sha po lang #feng huo liu jin #烽火流金 #杀破狼 #chang geng #spl meta #sha po lang meta #winner is king #gu yun #changgu #chang geng x gu yun

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ghosthan · 3 years

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hello!! i saw that you made a lot of stuff for 1872 and i was wondering if 1872 tony is similar to regular comics tony?? i know mcu and comics tony are different and i want to get into 616, but if 1872 comics are more easy to read i might try those first! 😅

Hello, hello!

Thank you for asking, and sorry it took me so long to get back to you! I wanted to think about it and put together a thoughtful response because I am desperately trying to convert MCU fans to 1872. Or comics fans who just haven’t gotten into 1872.

This post will contain some 1872 spoilers, but not the Big Spoiler that you probably already know about anyways.

Anyways, let’s get into it. Yeehaw.

What is 1872? It’s Steve/Tony in the wild west.

1872 comics are very easy to read, very short, and you need absolutely no prior knowledge to get into them; I highly recommend these as a start point for MCU fans who are curious about dipping their toes into some of the other Steve/Tony universes. And 1872 is, indeed, a Steve/Tony universe. It’s really gay, (and dramatic.) Uh. So gay, in fact, that one of the comic artists who drew pages even occasionally shares Steve/Tony shipping memes. So.

Marvel 1872 is a four issue series released as a part of the Secret Wars event; you really do not need to know anything about this to enjoy 1872, because it is a self-contained alternate universe in a “pocket dimension”, meaning it’s totally separate from the 616 cannon but technically exists in the expanse of the multiverse!

Here’s the summary:

In the Battleworld zone of 1872, Sheriff Steve Rogers faces corruption and fear in the boom town of Timely. Can Anthony Stark pull Rogers' fat from the fire? Probably not, since the only thing he seems capable of pulling is a cork from a bottle. Things in Timely are bad, and getting worse — and when a stranger arrives in town, Timely will be changed forever.

Now, to compare “regular comics Tony”, or 616 Tony, with 1872 Tony.

The main difference? 616 Tony wears this sexy little under suit (or nothing) under his armor, like this:

And 1872 Tony wears dirty, stinky one-piece pajamas under his armor (not sexy):

He’s so gross, he’s a mess. I love him. You’ll love him, too.

No, okay. Being serious.

616!Tony’s backstory is a lot more complicated just due to how long the character has existed, and the decades of cannon (much of it self-contradictory at points.) Like MCU Tony, 616 Tony used to manufacture weapons, experiences something life-changing, and becomes who he is as a result of this as a catalyst. 616 Tony’s backstory has been rebooted a few times, and I’m definitely not the definitive source on Iron Man lore compared to people who have read all of his comics, but I’ll try to touch on the basics.

Originally, 616 Tony Stark is shaped by his experience in the Vietnam War. This is later rebooted and changed to war in the middle East (we see this in the MCU when Tony is held captive in Afghanistan.) In both circumstances, he is taken captive after being in the air for war technology, and then he creates the suit to save his own life (losing a beloved mentor in the process, the guilt of which stays with him after.)

Tales of Suspense #39

In 1872, Tony’s formative event is the Civil War in some ways, but in other ways, this is only half of it, because this is not the event which causes him to build armor or set him onto his “become a better person” trajectory, like in the other comics. Mainly, the Civil War functions to cause Tony to stop weapons manufacturing and throw his life away down a bottle.

We get a flashback of Tony in the year 1862 with his female companion, picnicking and about to watch a battle, (rich people from the North did this in real life. If you’re interested, read more here!) We don’t get much of his past, but we discover that he is a rifle manufacturer and that he has created something called the ‘Stark Repeating Rifle’, and it seems that he has done so with the hope of encouraging a cease-fire, more than a slaughter.

Well. We don’t always get what we ask for.

Tony vows to actually never touch a weapon ever again, and this personal oath means so much to him that he gets creative at times during 1872 when he’s being chased by baddies:

Witnessing the extreme bloodshed of the Civil War, and feeling responsible for a huge amount of deaths, Tony turns to drinking, (and presumably moves to the west to escape the Pain of his Past, but this is not shown explicitly on panel; I have assumed, though, that Tony’s weapons manufacturing company was in the East, probably Boston or New York, since he comes from family money and because the American West was still “young” at this point in time so it would be unlikely that an established business would be supplying a war from lawless territory with little infrastructure.)

In 616, it’s worth noting that Tony builds the armor to save himself from danger in a war scenario; this is not the case in 1872, things unfold a bit differently. The Civil War certainly sets in motion the chain of events that eventually lead to the creation of Tony’s armor, but he’s not in physical danger or physically traumatized by the war in this verse as he is in other verses, and 616 Tony seems to have a stronger sense of duty than 1872 Tony, but this might be a complication of the depression/apathy related to the alcoholism.

What I mean by this is that both iterations of Tony struggle with alcoholism, but differently. Mainly, while 616 Tony has several alcohol themed arcs, and hits rock bottom with his alcoholism to cope with his trauma, he is sober more than he is drunk in the comics. His drinking almost kills him, and he almost loses everything because of the drink. It’s a source of enormous shame for him.

In fact, during this time in 616, I think Tony at his lowest reminds me a lot of 1872 Tony; 616 Tony is not an apathetic person and he holds himself accountable for an obscene amount of responsibility, but during what is referred to in fandom as The Second Drinking Arc, Tony basically gives up. This is the most “like” 1872 Tony, at least at the start of his arc. Rhodey takes over the mantle of Iron Man, and 616 Tony spirals, not caring whether he lives or dies, not hero-ing certainly.

We see both versions of Tony express similar sentiments, a certain cavalier attitude about their lives (and outright suicidality at other points) with nothing left but the drink.

Iron Man Vol. 1 #182

Compare with:

And you can certainly see a resemblance between this set of panels from IM v.1 #176 and in 1872:

Iron Man Vol. 1 #176 and Marvel 1872 #1

It’s a little different in 1872, where his drinking really is purely a result of his existing despair, and it doesn’t cause enormous problems for him, (minor problems, sure. He spends a lot of time drunkenly singing to Sheriff Rogers, or bothering him from the inside of a jail cell.) But this Tony lives at rock bottom, whereas 616 Tony only stays at rock bottom long enough to get his life back together (as many times as it takes.)

This Tony really doesn’t show any outward shame about his drinking; presumably, the people he knows in Timely have only ever known Tony as a drunk, and none of the people from his old life are here to see him like this.

This is a Tony who has essentially given up on himself and has moved out West to hide from his shame and his past; this is not a Tony who is scared of letting down his friends by drinking, or scared of shirking his “duty”, because this Tony has moved away from all of his friends and has given himself no duties. He’s a bit more apathetic, but I would argue that this is not because he inherently is a less moral version of Tony, but because in this verse, he was drinking for a very long time and circumstances unfolded differently so it took him a longer time to find that sense of purpose and responsibility (beyond just shutting down manufacturing guns,) which is awakened in him by Steve Rogers.

616 Tony’s sobriety is a major part of his character, and a conscious choice that he makes, even during some lowest points:

Civil War: The Confession

He takes some amount of pride in his sobriety, and when he does fall off the wagon at times (or magic makes everyone think he did,) it absolutely tears him up because 616 Tony cares very, very much about his sobriety and does not like who he is when he’s drinking. We do not know if 1872 Tony’s father had been a drunk or not, but we know 616 Tony’s father was, and that the drink lead to him treating Tony abusively.

Iron Man Vol. 1 #285

Avengers Disassembled #1 (This was when ~magic~ made Tony drunk and it wrecked him breaking sobriety without ever having actually drank. Oof.)

616 Tony’s long struggle with alcoholism is a major part of his character and he has had relapses over the years and throughout the reboots, but in general, he does not drink.

1872 Tony starts drinking in 1862 and doesn’t stop until the last pages of the story, so in terms of the cannon we have for him, he is a current drunk, rather than a former drunk. This isn’t to say he doesn’t stop; but since it’s in the last page or so, it sets the reader up to imagine his sober future, rather than exploring his sobriety as 616 does. (Calling all fanfic writers!)

Anyways, both Tony’s are excellent. Both are damaged and traumatized, both are Iron Man in their own ways, both (eventually) find sobriety, both have some cute, quippy dialogue (though 616 Tony tends to be more reserved/polite for sure, in general).

The last thing I’ll point out, is that both Tonys’ narratives are intertwined with and influenced by their respective Steve Rogers. I’m not saying soulmates but I’m saying soulmates.

Anyways. Sorry this post got super long, and I apologize if any of it is confusing or redundant, I am not functioning at my highest capacity currently. Please read 1872. Let it rock your world. Create & consume the fanworks, I would love to see a boom of 1872 content (more than the fics and art I keep making!) And my ask-box is always open!

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genesisrose74 · 3 years

Text

Christmas With the Karasuno Boys (HC’s)!!

Part 2: Kageyama, Hinata, Tsukishima, Yamaguchi, Kinoshita, & Narita

Part 1 (Daichi, Suga, Asahi, Nishinoya, Tanaka, & Ennoshita) here!

A/n: Tumblr said my word count was too much so I’m splitting this bad boi up into two parts :p Enjoy!!

*****

Kageyama

This boy has a secret soft side for Christmas istg

He HATES showing it to other people on his team and shit

But holy bejeezus he is mesmerized by the holiday in every way possible

Lights, sweets, snow, just like,,, the general magic of December is the most awe-inspiring thing to him

Since he is still a sporty and pretty active mofo, you decided to fuel that on your holiday-themed date as Kags had noted that he’d never gone sledding before

Your jaw was on the FLOOR when he first told you because he would 10000% enjoy the hell out of it

And so you dragged him out to this popular sledding hill that you frequented as a child and taught him what to do

Not gonna lie, he was kind of nervous

“Well you’re experienced at it. I don’t wanna mess up”

🥺🥺🥺 bubby

“You won’t, Tobio! I can already tell you’re gonna be a sledding pro”

Feels a little better after that, but he asks you to help him out for his first run down the hill

He sits behind you with his arms secured snugly around your waist and his head nestled on top of your shoulder

Which would probably seem really funny to passerby because this boy is tol and intimidating in most other situations

As soon as the sled started down, Kags tightened his grip and made this cute little yelp of surprise

But you were laughing insanely hard at the combination of going really fast downhill whilst also having your boyfriend cling to you for dear life

And then when the sled stopped safely at the bottom he started to chuckle

FULL ON, GENUINE SOUND OF ENJOYMENT

That shit is rare

Y’all stayed at that hill for half the day because it was so fun

You got him a new, very high quality athletic roller for Christmas because his old one was just not cutting it anymore

And you also gave him this really cute bracelet with a volleyball, his jersey number, and a little strawberry milk set of charms attached to it

It matched this really pretty and subtle chain he’d bought for your birthday

His blueberry eyes got all wide with affection dfjdskfjsdk—

Got super blushy and couldn’t get a handle on his speech for a fat minute

He thinks you’re the coolest person ever no I do not take criticism

Geez you’re both adorable together, ideal “stoic boy becomes warmer during the holidays around his love” movie plot and I love it

Hinata

He is all in on Christmas. Not a chance this boy doesn’t get excited as hell

Will openly go into holiday mode as soon as November is over

Was secretly already listening to his Christmas playlist before then

He is one of the sweetest gift givers, that is FACTUAL

If you want something really badly, he will take notice and get it as your present immediately

He’ll also gift you an extra thing that’s handmade 🥺

Like some pastries that his mom helped him make, or a specially made basket of soaps with your favorite scents in it

It’s absolutely adorable and you cherish those ones especially

Is happy if you simply get him something; mans doesn’t care what it is

New practice volleyball? A brand new sweatshirt? Elated either way

You had seen an advertisement for a friendly match between Japan and Poland’s men’s volleyball teams, so you waited online on the ticket sales website until the minute it opened

Spoiler alert: you got some banger seats 😌✨

Shoyo may or may not have tackled you when he read the ticket details, letting out his excited giggle (you know the one)

“I can’t believe you got these, angel! You’re coming with me, right? You’ve gotta! Thank you, thank you, thank you!”

Gives you sweet little kisses between each individual ‘thank you’

“Of course I’ll go with you, Sho! I’m really glad you like it!”

He will give you the brightest smile of all time — that shit makes Christmas lights pale in comparison

“Have I told you how much I love you?”

RIGHT BACK AT YOU BBY

Hold his hands to warm up together when temperatures drop pls :)))

It’s become a weekly December tradition to watch a Christmas movie with Natsu at the Hinata household

She’ll sit in your lap while the three of you are cuddled under a blanket together, and Shoyo will lace his fingers with yours all discreetly

In conclusion, I am a sucker for holiday Hinata 🥺🥺🥺

Tsukishima

His room is decorated to the very minimum simply because his mom and brother had insisted on him being festive

You know those holiday instrumentals that are really calming and jazzy and stuff? Yeah, that’s the only Christmas music he will tolerate in his house

While he’s still got his usual icy demeanor, this blond bitch does get slightly less snippy with the Karasuno boys

Is always on the nose with getting you the exact thing you wanted for a present

Like,,, TO THE SMALLEST DETAIL

You don’t even have to bring that shit up beforehand, he just KNOWS

“Tsukki, how did you—?”

“It’s pretty obvious, with the way that one ad kept showing up on your phone.”

b r u h

How does he pay such good attention without even letting on??

As for his own present, you’ll usually get him two: one gag gift and one more serious gift

His dino plush collection size is partly due to the former’s contributions this time of year

Yes the dinos have names

You exchanged gifts on Christmas Eve with all the team (you made him go) and he saved your more serious one for last

It was a scarf that you’d gotten custom made, which had a Spotify code knitted into the fabric

Scanning the code opened the app to a playlist you’d created especially for him

He got pretty quiet when figuring it out and scrolling through the playlist

Would let out a certified Tsukki Nose Exhale™ when he came across certain songs

The more subdued reaction was expected because it’s Tsukishima

His little chuckles and warmer eyes were enough of a giveaway to tell you he very much enjoyed your gift

But on the walk home, he took the scarf and wrapped it around you both, and then brought his arm around your waist

“Thank you.”

You deadass almost combusted because it was so unexpected??

“You’re welcome. Merry Christmas, Kei”

Way to respond calm and collected 😌👍

But on the inside your body was in freak out mode

He wears the scarf all the time jdfsklfjdsk

Yamaguchi

Take the most tooth rotting fluff you could imagine

And then double that and put a fucking cherry on top

That’s the equivalent of what Christmas is like with Yama Yama

Y’all are like kids in a candy store — literally

For your Christmas dates it’s all about sweets and shared giggles, so frequent trips to the candy and baking isles of the grocery store is a must

Making gingerbread houses, peppermint tasting (mostly trying those different and wild ass candy cane flavors), you name it and it’s there

Stomach aches? I don’t know her

Yeah you do but they go away with enough butterfly kisses 🥰

Tadashi is exceptionally good at decorating gingerbread houses for whatever reason

He put a poll on his instagram between yours and his final products and he won by a landslide

It’s not like yours was necessarily bad, more like he’s just an icing master

You also might have eaten too many gumdrops which left your rooftop lacking in ✨spice✨

But it’s okay because Tadashi donated some of his leftovers to you

He’s such a sweetheart uwu

Please for the love of everything get him something heartfelt as his present

You know those long distance bracelets for couples?

Basically if your s/o taps the icon on the bracelet it’ll send a little vibration to the other person’s as a notice that you’re thinking about them

This boy seeks constant reassurance, and you love to give him his deserved love and validation, so it was the perfect present

It takes a second for him to figure out what it is, but after reading the directions and testing it out, the most adorable smile erupted on his face

And then since you already had yours on, he tapped the little icon again with a giggle

“Hey there”

It becomes common habit to tap it at least once every couple hours

GOD HE IS SO CUTE

He is just so soft this time of year, give him all the love and he will return it tenfold ☺️

Kinoshita

This boy is absolutely an awkward cutie and an avid romantic

Give him the cliches and he will eat em up, no doubt

It naturally gets more apparent around the holidays

He’ll take you on pretty winter walks, give you lots of little gifts (while blushing a hell of a lot), and is just a professional at stumbling upon some mistletoe

Wow wonder how it got there, Hisashi

He’s quite a bit more confident when simply alone with you than in a crowded space

And that definitely shows when he takes you out on a secluded sleigh ride around town

Yeah you heard me

A fuckin’ sleigh ride

Horses and blankets and everything

Don’t even ask how he managed to pull it off, because he loves watching the cogs turn in your head and simply will not give you a straight answer

Of course there’s the nice driver guy who’s there, but in the back alone Kinoshita’s confidence goes 📈📈

Lots of flirting, tons of skimmed touches and shared giggles throughout the ride

I legitimately simp really hard for him

Anyways it was a gorgeous ride through town and super fun

On Christmas Eve you both exchange gifts together and tbh whatever you got him will leave him happy and flustered regardless

But when he opens the wrapping paper to find an entire set of vintage VHS tapes, he’s stunned

He owns a VHS (actually canon!) and honestly loves it to death, and the fact that you’d get him tapes of pretty high quality for his collection meant a lot

Gosh he’s so underrated but a definite sweetheart, give him all the holiday love

Narita

Another underrated bby 🥺

He’s so chill and is pretty open to anything during the holidays, so long as he gets to spend ample time with you, his friends, and his family

Definitely more of an indoor person despite being accepting of most situations

Hence why you thought a cute little indoor winter picnic would be right up his alley

Which it absolutely was 😌✨ nice work

You’d made plans while in secret communications with his family members about the whole thing

He’d been pretty stressed lately with trying to handle his schoolwork, while also helping out others with theirs

Despite being a wonderful tutor, it was clearly becoming a bit overwhelming as he tried to grapple with so much at once

So when he came home one day to find a pristine house with you settled on a blanket in his living room, he was quite surprised

There’s a cheese plate, soda cans in a cute ice box, sandwiches, snacks, a presparked fireplace — you and his family went all out

Really adorable I cannot lie

“I thought you said you were going gift shopping today?”

“I might have maybe lied :P”

So he gives the sweetest little smile and sits across from you

Y’all stay there and talk for hours

After finally getting through everything previously laid out on the blanket spread, you slid him a little rectangular box that he looked at curiously

“Already? I haven’t wrapped yours yet!”

“Mine can wait a bit! Just open yours”

And so he does, and you watch with a face-splitting grin as he looks down in awe

You got tickets to see his favorite rock band in concert while they were on tour

He sprung onto you and pulled you into the tightest hug ever

“Holy shit you’re the best I love you so much how do you get even more loveable every day—!?!l”

It’s a jumble of words but you’re able to put it together and it makes you giggle

He deadass sprints upstairs to go get your gift and make sure that you feel as equally appreciated as he does

In simple words: wholesome holiday sweetness 🥰

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