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kiss-inthekitchen · 2 months

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no vacancy | spencer reid

pairing: spencer reid x reader

set sometime in early s2; you get stuck sharing a room with your favorite boy genius who absolutely cannot know that you have feelings for him. and also, there’s only one bed. fluff, f!reader (i think there's only two usages of gender markers)

word count: 4.7k

notes: this is a rework of a very old fic i used to have up on ao3. i'm thinking i'll do more of these, i've got a few spencer fics in the vault and it was fun to rework this and see how my style has changed :)

You shivered against the cold desert air. Twirling a keyring around your finger, you headed for the door marked 3. You were exhausted from the day and so, so ready to collapse into bed as soon as you got inside your room.

You turned the key in the lock while Spencer waited behind you. It was late, and you and the team had pulled into a motel for the night, having been dragged out to a tiny rural town by the unsub after days of tracking him through surrounding areas. He’d been apprehended, finally, and handed over to local police around midnight. You all had decided it best to spend the night before driving back into town in the morning for take off.

So here you were, at one of those single story motels that still used actual keys instead of key cards. Given the time of night, you knew vacancies would be scarce, so you’d already expected to have to double up on rooms. Gideon had stayed behind at Quantico, leaving Hotch and Morgan in one room and JJ and Prentiss in another, with you and Spencer sharing the last room. You’d hung back while JJ got everything figured out with the concierge (who was just a bored looking kid posted at the desk), and then she’d passed you your key with its little keyring attachment listing the room number and you all bade each other goodnight.

You’d been on the team nearly a year already, but you were still the rookie compared to everyone else. Even Spence had two years on you. But seeing as you two were the youngest, and the least inclined toward the more physical parts of your job– the chasing, tackling, firing your weapon parts– you were paired off with him more often than not.

You weren’t complaining. You’d come to know Spencer pretty well, and you didn’t feel much apprehension at the thought of sharing a room with him for one night.

That is, until you opened the door.

“Oh,” you said involuntarily.

"There's only one bed,” Spencer said.

“Sure looks that way.”

"At least it's a queen?"

There was a brief pause before you both started speaking at the same time.

"Maybe we can go back to the concierge–" Spencer began.

"I mean, I guess I don't really–"

"–although, JJ did say we got the last–"

"–mind as long as you–"

You cut yourself off this time. It’s not like there was another good option, unless one of you wanted to sleep in the car. "This is fine?" it came out as a question rather than a statement.

"I think so? I wouldn't want to– to make you uncomfortable or anything."

"This is fine," you repeated, more sure of yourself this time. “And you don’t make me uncomfortable.”

It was only kind of a lie. You trusted Spencer with your life, of course. But he also made you nervous. He was sweet, kind, always seeming genuinely interested in anything you had to say. And of course, anyone could see that he was attractive. You were developing feelings for him, and in a job where your coworkers and your crush himself were all adept at reading people, it really wasn’t a good position for you to be in. You just hoped Spencer was as oblivious with women as Derek made him out to be.

"We should get out of the doorway," Spencer suggested, and you realized you'd been standing in the threshold this whole time.

"Right."

The two of you walked in, Spencer closing and locking the door behind you. It was a modest room in a tiny town; your standard ugly-patterned, faded bedspread draped over the queen bed in the center, a window looking out into the parking lot, and a dresser that didn’t even have a TV on top of it. You headed straight for the bed, sitting on the edge and removing your shoes while Spencer stood by with his hands in his pockets.

"You know, if it's a problem I can sleep on the cou– uh, the chair," Spencer offered, looking back mid-sentence and realizing that the only additional furniture this motel offered was one rigid looking armchair by the window.

"No, you're not doing that."

"What?" he asked, taken aback by the quickness of your response.

"You're not sleeping in that chair. It looks horribly uncomfortable and I’m sure it’s never been cleaned, and I know how you’d feel about that.”

Spencer grimaced, not having thought about that particular detail. “Yeah, but, I mean… I’d do it for you.”

God, why did he have to say stuff like that? Like you were something special. And why now, when you were stuck in the same room with him until morning? It probably didn’t even mean the same thing to him as it meant to you. He was one of the most caring people you’d ever met. He’d probably say that to any one of you on the team.

Or maybe sleeping in a chair meant nothing to him at all. Maybe he actually didn’t want to share the bed with you and that’s why he was trying so hard to avoid it.

Ugh. You just wanted this day to be over. It was late, the case had been a week long, and now you were probably in for a fun night of overthinking and second guessing when you’d been expecting silence and easy, dreamless sleep.

Okay, maybe that last part was never really an option, but still.

“Look,” you sighed, “I know this isn't an ideal situation but there's a perfectly good bed here, so let’s just share it. If you’re okay with that. It's just one night and tomorrow we'll be back home and nobody has to know about it."

You had to fight from squeezing your eyes shut in regret. You wished that had come out differently. You chanced a look at Spencer, realizing that you’d been staring down at the faded carpet pattern while you spoke.

The look on his face was one you hadn’t seen before, and you almost couldn't place it. He seemed sort of disappointed. Disappointed that he had to share a bed with you? Or that you'd made it sound like you didn't want to share a bed with him? Nope, you could not go down that road tonight. You shook your head once as if it would clear the thoughts from your tired mind.

“I’m okay with that," he said, casually enough that you could almost convince yourself that you’d just imagined the look on his face before. "So, do you want the shower first, or...?" Spencer asked.

"No, I can wait, you go ahead," you said. You desperately needed the moment to yourself anyway.

You started rifling through your bag for pajamas, toiletries, and your charger as an excuse to look busy while Spencer made his way into the bathroom with his things. As soon as the door closed behind him, you flopped back on the bed, staring up at the ceiling as if it might hold all the answers.

Spencer couldn't know about your feelings. For one thing, you were pretty sure there was a rule against dating your colleagues in the BAU. If not, there probably should be. You were such a close knit team, and if anything went wrong… you couldn’t imagine how difficult that would be. But then, the evil and uncooperative part of you also couldn’t help but think that things might go right.

From the beginning of your time at the BAU, you’d been drawn to Spencer. It just kind of made sense. You’d gotten through school at an accelerated pace– though not as quickly as him, the man was on another fucking level when it came to academics– and you were one of the only people who found his fact dropping actually interesting, often asking him follow up questions. He’d looked adorably shocked the first few times you’d done that.

He listened intently to your passionate rants about your favorite films and tv shows, even though he hadn’t seen any of them. When the two of you had discovered a shared interest in mythology and folklore, Hotch nearly had to separate you so you would actually get some work done. It was like you were a kid in school again, and you might’ve been embarrassed if you didn’t find it so funny, if you weren’t so giddy at the idea of a friendship that could make you feel like a kid again.

Spencer understood you in a way that other people didn’t, laughing at your jokes even when they didn’t land for anybody else. When people interrupted or spoke over you, he always paid attention, and in situations where you were trying to add details to the profile he’d bring the conversation back around to you.

Throughout your life you’d learned– through painstaking trial and error– to fit in pretty well in most any group you found yourself in, but you’d always considered yourself to be a little weird. A little too different. But when you were with Spencer, you felt like you didn’t have to try so hard. You could both be a little different, together.

Spencer opened the bathroom door then, startling you. You’d been so lost in thought you hadn’t even noticed the water turn off. You looked over to see him wearing a loose white t-shirt and pajama pants, his hair still damp. And now you knew what Spencer looked like fresh out of a shower. And of course it was endearing as hell.

“If that’s how you’re planning to sleep,” Spencer began, referencing how you were laid out in the dead center of the bed, your arms fully outstretched and hands hanging off the mattress, “then I think we might have a slight problem after all.”

You walked out of the bathroom a short while later, dressed in your usual sleepwear of shorts and an oversized shirt. You’d put your hair up in a bun to protect it while you showered, and now it hung loose around your shoulders. You simultaneously wished your outfit was cuter and uglier; knowing your giant t-shirt wasn’t flattering your figure while also feeling like you had too much skin exposed. Not that it mattered. You were just going to get some sleep and then wake up in the morning and head home. Everything would be back to normal.

Spencer’s in bed already. He’d turned off the big light while you were showering, the lamps on either side of the bed casting him in a softer, warmer glow. He looked up from his book to find you standing there, and the soft, familiar look in his big brown eyes had you rooted to the spot.

“Hey,” he said softly, patting the space next to him in invitation.

You conceded, finding your legs again and sliding into bed beside him. “Hey.”

He fidgeted with the pages of his book, ultimately shutting it closed on his index finger to mark the page. “So, uh, are we okay?”

“Yeah, of course,” you answered genuinely, feeling bad that your internal struggle had manifested in a way that worried him.

“Okay, cool,” he said. He paused long enough to let you explain if you wanted to, another invitation. You knew he wouldn’t push it if you didn’t offer something up. You wanted to give him an explanation, but you couldn’t bring yourself to.

“Sorry,” you managed.

“For what?”

“I don’t know… acting weird, I guess. It’s just been a long day.”

“Oh, well, you don’t need to be sorry about that. You’re always weird.”

Your mouth dropped open as you looked at him. “Look who’s fucking talking,” you scoffed. Some of the tension dropped from your shoulders, glad he hadn’t questioned you further.

“Language, please,” he held up a hand to stop you. “I’m delicate.”

“Wha–?” you let out a surprised little laugh. “You’re an idiot!”

“Yeah okay, tell that to my I–.”

“Oh, my IQ of 187,” you finished for him, rolling your eyes. Even that was full of endearment. “God, you are so annoying.”

“Hm. Y’know, this might be a long night for you. I’d hate to keep you up with my annoyingness.”

“I feel like you could’ve come up with a better word than annoyingness, Mr. 187,” you tilted your head where it rested against the headboard, looking up at him.

“Oh, she’s being a smartass now!” he split into a surprised grin, and you could swear your heart skipped a beat.

“You just said ass.”

“Wow. How quickly you’ve corrupted me.”

“Right, of course. It’s my fault.”

“I knew you’d agree.”

“Shut the fuck up,” you laughed.

Things felt a little bit more normal after that, joking around with Spencer like you normally did made the rest of the night feel less daunting.

Shortly after that, the two of you agreed that you should get some sleep, each reaching over to turn out the light on your respective sides of the bed.

You let yourself sink into your pillow, the exhaustion you had been feeling giving way to a hyper awareness of Reid’s body next to you. You were kept awake, completely overcome by the foot of space between you and Spencer; the consequences of crossing that space, the way it might feel, the curiosity over whether he was laying awake too, thinking the same thoughts as you. Even with that foot of space separating you, you could feel his body heat. You longed to move closer to him, to touch him, to let his warmth seep into you and lull you to sleep.

But you didn’t, and you wouldn’t, because this was just an unfortunate booking mishap. It didn’t mean anything. Tomorrow it would be over, and you could more easily go back to hiding your feelings from everyone else and yourself.

Eventually, exhaustion won out.

You woke what could’ve been a few minutes or a few hours later, the sky still dark. You couldn’t tell what exactly had woken you up, only the sense that you’d moved, almost like you’d fallen. But fallen from what?

You blinked in the dark, the street lamps in the parking lot providing enough residual light to keep the room from being pitch black.

Reid was sitting up. He must’ve bolted upright, you thought. Had that been what moved you? Were you lying on him?!

“Hey, you okay?”

“Sorry. Just a nightmare,” he said as if it was nothing. “Sorry to wake you.”

“What was it about?” you ignored his apologies, sitting up as well.

“I don't really even remember,” he breathed, almost like it was funny. “Just having a physiological reaction to whatever it was, I guess.”

You had nightmares too, of course. You all did. You hated remembering them, but you also hated the times when you woke up in the dark, dazed and inexplicably scared. Without thinking, you reached for his hand.

He turned to look at you then. “I really didn't mean to wake you,” he reiterated.

“I figured,” you smiled slightly. You noticed his breathing was just a bit too fast. You rubbed your thumb over the back of his hand, leaning over to rest your weight against his side, your head on his shoulder. His nervous system would regulate itself quicker this way.

“You were on my pillow, by the way.”

“What?” you ask, your head jerking back from him.

“I totally called it. You rolled right into the center of the bed in your sleep. Total bed hog.”

“Hey!” you protested, pulling your hand back from his in embarrassment. So you had been lying on top of him. Or at least really close to him. His hand chased after yours, finding you again.

“That wasn’t me complaining about it.”

“Oh,” was all you could think to say back.

It was quiet for a minute. You let your head fall back onto Spencer’s shoulder, but your heart raced in your chest.

“Can I ask you something?” he questioned, his tone becoming more serious.

“Oh– of course,” you answered, your brow creasing.

“What did you mean when you said ‘it’s not ideal’ and ‘nobody has to know about it’?”

“Wh– I– Spencer, come on.”

He didn’t give you an out this time. Just waited for an answer.

“I don’t even really know,” you sighed.

“I believe you’re being partially truthful about that.”

“Don’t profile me.”

“I’m not. I just know you.”

You sighed. “You know, sometimes I hate that stupid memory of yours.”

“I don’t need an eidetic memory to remember that. It was a weird thing to say, and it happened like four hours ago.”

“You’re guesstimating. And it wasn’t that weird.”

“Maybe not, but the way you said it was. And you’re avoiding my question.”

You continued to avoid it, biting down on your bottom lip.

“And you stuttered when I brought it up.”

“I told you to stop profiling me.”

This time, he just hummed in response.

“And so what if I stuttered?”

“Stuttering is usually more my thing. A nervousness thing.”

Maybe this was actually your nightmare. Maybe you’d wake up soon and none of this would’ve been real, and you wouldn’t have had to explain to Spencer that the reason you’d had an attitude was because the situation tonight had made it harder to hide your feelings for him. Big feelings that became a lot harder to ignore when he was this close to you, still holding your hand, the mix of scents from his detergent and deodorant clouding your judgment. Of all the embarrassing scenarios that you could’ve imagined playing out tonight, this was very high up on the list.

“I said ‘it’s not ideal’ because it’s not, just by definition. We were supposed to get a double room and we didn’t. Not ideal. And I said no one has to find out because I can already see Morgan having a field day with it and I know the exact expression that’ll be on his face–”

“The eyebrows,” he nodded, lips pursed.

“And then everyone else will get in on it and I just figured…” you sighed. “I don’t know. I didn’t want to deal with that.”

“That all makes total sense.”

“Good,” you breathed. Too relieved.

“Now tell me the rest of it.”

“God, Spencer–” you huffed out, frustrated. He knew you too well.

You wanted to run. Maybe you could go sleep in the car after all. And then ignore Spencer for the rest of the day, and then the year, and your life, and–

“Don’t make me say it,” you breathed. This had to be a dream.

“But there is something to be said?” he questioned, his tone hushed, almost reverent.

It was just vague enough. You could pretend it was nothing.

“Yes.”

You felt like you’d just blown your life up with one word.

Spencer took a deep breath, your body cresting and falling with the movement of it.

“You make me feel better about being myself,” he confessed.

You shut your eyes. You had a constricting feeling in your throat suddenly, and the awful realization that you might cry.

He spoke again, because you couldn’t. “I haven’t always felt good about it, you know? And then you joined the team, and, well– you changed a lot of things for me. And you’re beautiful, obviously, and I was scared to mess up what we have, because it’s special, I think–”

“It is.”

“–and then you started freaking out when you saw the bed,” he was smiling now, you could hear it, “and I thought, maybe it wouldn’t be so crazy… maybe I could make you feel that way too.”

“You do. Of course you do. I feel like I can be my full self with you. I don’t know that I’ve ever felt like that before.”

Spencer laughed, a little delirious giggle, and squeezed your hand in his. You’d managed to avoid crying, thankfully, and you grinned along with him, looking down at your joined hands as you squeezed him back.

Things seemed to still for a beat, the two of you sitting with this moment and letting it stretch out. You still couldn’t really believe this was happening. You might have to tell Spencer to pinch you.

“So what does that mean for us now?” you asked.

“Well, for right now at least, I think it just means that we can go back to sleep without overthinking things into oblivion.”

“I was not–”

“Okay, this time I am profiling you, and you’re lying,” he cut you off, his smile still evident.

“Oh, this was such a mistake.”

He continued like you hadn’t spoken, laughing a little as he went. “I could practically hear it. It’s like, you know when a computer is trying to use too much processing power and the fan starts whirring really loud? Like that but just like right next to me, like tangible—“

“Okay! Thank you so much, I actually totally got it, you can stop now.”

He laughed, and your cheeks warmed.

“For the record, I meant we could both stop overthinking.” Then he shifted a little, facing you a bit more. With the hand that wasn’t holding yours, he brushed a strand of hair from your face, a fake pout on his lips. “Sorry I make you nervous.”

You cackled at that, if it was possible to cackle in hushed tones. “Oh, I bet you are. Besides, I know you like me now, so you’ve lost that card.”

“Are you certain of that?”

“Certain that you like me or certain that you can’t make me nervous?”

“The latter. I do like you, if that was unclear.”

Your heart sped up, contradicting you as you answered, “Then I’m certain you can’t make me nervous.”

He titled your face up to his then, using his index finger underneath your chin to make you look at him. “You’re an awful liar.”

You just shrugged, watching triumphantly as Spencer’s gaze fell to your lips.“It’s been working out pretty well for me so far.”

“I guess it has,” he murmured, closing the distance between you and finally kissing you.

After so many months of imagining (and berating yourself for imagining) what Spencer’s lips might feel like on yours, you weren’t disappointed.

For once you didn’t have to think at all, the chemistry between you and him drowning out everything else. His hand fell to your waist, and yours moved to the curve of his jaw, pulling him closer as his mouth moved against yours. Your teeth grazed his bottom lip and he gasped, and your skin felt like it was lit up from the inside.

You pulled away to breathe, and to process, and to try and stop your head from swimming. You were rewarded with the awestruck look in Spencer’s eyes as he opened them again.

“Okay, was it just me, or–”

“That was crazy,” you breathed.

“Crazy,” he agreed.

“Spence?”

“Yeah?”

“I don’t think we’re getting back to sleep tonight.” Your eyes widened at the implication of saying those words at that time. “Not, like, in the sex way, though,” you hurried to correct yourself. “I need like, 4-5 business days to process things first, and I– well, I just meant, like– you know?”

Spencer was nodding at you even as his eyebrows pulled together in a frown. “Can I still kiss you during those 4-5 business days?”

“Oh, yeah,” you said, sounding breathless.

“Cool,” he agreed. “You seem really nervous, by the way.”

“Well, you kissed me.”

“I did.”

“How were you not nervous?” you breathed.

“Oh, I was. Your reaction is making me feel a whole lot better about it though.”

You scoffed half-heartedly. “I do so much for you.”

“You do,” he replied earnestly, letting go of your hand to wrap his arm around your shoulders as he pressed a kiss to your forehead. “We could lie back down, if you want. Like we were before I so rudely woke you up.”

“Yeah, I’m super mad about that,” you joked. “Anyway, I was asleep for that, so you’ll have to show me what I was doing.”

He seemed all too pleased to do so. “Okay, so you were basically like,” he leaned back against the pillows, pulling you down with him, moving his hand to the side of your head to guide you to the place where his shoulder met his chest, “Like that, and then your arm was over here,” he picked up your arm and guided it around his waist.

“Oh god, that’s so embarrassing,” you said, realizing that he must’ve been awake when you’d done it.

“Yeah, I know. Really terrible time for me.”

“I can imagine. I can scoot back over to my side of the bed, just say the word.”

“Don’t you dare,” he said, squeezing you closer.

You trailed your fingers up and down his waist, feeling more content than you had in ages.

“I can’t believe you’d suggest that I would have sex with you right after confessing my feelings. Like, take me to dinner first at least.”

“Oh my god,” you half-exclaimed, half-laughed. You felt your cheeks heat up again, grateful it was still too dark in the room to be noticeable. “You’re right, I’m so sorry. How’s next Friday?”

“Hmm, I don’t know. My work schedule is kind of unpredictable. I’ll have to get back to you.”

“You’re such an ass.”

A few short hours later, you were back on the jet with the rest of the team. You were lying on the couch while Spencer sat in a seat one row up and across from you, both to avoid suspicion and so you could try to catch up on sleep. He sat facing away from you, but with the angle you were at you could still see one side of his face if you tilted your head up.

You were just beginning to fade when your phone buzzed next to you.

Spencer: I have to tell you something, coworker to coworker.

You looked up to see him blank faced, looking down at the book in his right hand, holding his phone in the left.

You text back: okay?

Spencer: My crush asked me out last night.

You’re exceptionally glad no one was sitting close enough to see you. Spencer had caught you off guard, and you felt an infatuated grin spreading across your face.

You: what did u say?

Spencer: Wanted to get your opinion first.

You: i think u should say yes, obviously.

Spencer: Idk, I’m kinda nervous. I think she’s trying to jump me on the first date.

You just barely managed to refrain from laughing out loud. You looked up at Spencer again, and he’s looking at his phone as if it contained nothing more than a weather report. You’re astounded.

You: one could argue that technically you’ve already slept together, so there’s less to be nervous abt

You saw his eyebrows raise just slightly. Success.

Spencer: You’re trouble, you know that? See you Friday night

You: i promise i won’t try to jump you

Spencer: Oh

Spencer: I fear I may have shot myself in the foot here

You: i wouldn’t worry about it too much

Spencer: That’s rich coming from you

You rolled your eyes even though he couldn't see you.

You: whatever. wear something sexy ;)

You heard him blow air out of his nose, an almost laugh.

“Something funny?” you heard Derek ask.

Shit.

“This book contains a historical inaccuracy that was proven incorrect eight years before its publishing date,” Spencer replied without missing a beat.

Unbelievable.

You: you’re unhinged :*

Spencer: Go to sleep already, would you?

You: coworker to coworker? my crush keeps interrupting my beauty sleep

Spencer: He’s probably worried about the worldwide implications of you becoming any more beautiful

You: i guess that’s why the universe gave you insomnia :( too pretty

Spencer: Stop flirting with me

You: bc you’re too delicate??

Spencer: Yes

You snapped your phone shut, feeling dazed. You watched the clouds go by in the window across from you, and you couldn’t help letting your gaze slide over to Spencer. He’d put his phone down as well, concentrating on his book. Or pretending to concentrate. He was turning the pages much too slowly for his actual pace.

You: you have got to do a better job of fake reading than that

You heard a page turn.

You looked up again to see the ghost of a smile threatening the corner of his mouth.

This was going to be fun. And also, you were so screwed.

#so they have flip phones but i didnt want to write everything in shorthand so theyre just really fast at it. go with it #spencer texts with perfect grammar bc of course he does #spencer reid x reader #spencer reid #spencer reid fanfiction #spencer reid fic #spencer reid fluff #spencer reid x you #spencer reid imagine #my fics

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alargehunkofdebris · 9 months

Text

Why There’ll Never Be Another Good Omens 2 Experience

The strangest thing happened after a few days post my watching of S2. I got a wave of real, bittersweet sadness.

Not due to the obvious – I was dealing with that too, but with more excitement than anything – but because I realized something, as a writer and consumer of media. I realized that it’s unlikely I’ll ever get a media experience close to what I experienced at the end of Good Omens 2. Because really, its setup was absolutely unparalleled – in general, and for myself personally.

I am currently writing my third romance, and what I’ve learned primarily about the genre, the way for it to really work, is that there needs to be something keeping the couple apart initially. The more things keeping the couple apart, the stronger the romance hits. The more the couple clashes with each other, the better it is. Societal norms, class issues, initial dislike, literal danger—all these aspects are what make a romance a story. It’s that conflict that creates the compelling narrative. No romance was ever popular because things worked out well from the beginning – it’s that “look at what we were, and look at us now” aspect that gives readers/watchers that satisfaction. It’s the “I can’t believe this happened” effect. The “I would never have foreseen this” effect. The “they’ll never be together” effect. It’s why forbidden romances are so incredibly popular.

Another aspect that makes a romance story really work well is the amount of time it takes for the romance to develop. A couple that gets together after a few days? Eh, it’s tricky. You better make it really dramatic somehow. A great example is Titanic – class differences, betrothal, and a huge amount of danger threatens this couple, so them being in love after only a few days works. But what really sells this one is because we can see how this romance has survived beyond those few days. We see it 80 years in the future, still there, in the memory of Rose. That is why it hits so hard. Romances that span over long periods of time (especially ones that are bittersweet/tragic) hit so much more than ones spanning a short period.

But wait! There’s more!

You can up this effect by not only having the romance take time in story…but having it take time in real life, for the viewer/reader.

This is why romances in TV shows that take years to finally work out are so compelling. It’s that “Pam and Jim” effect, that will-they-won’t-they deal. We are waiting right along with them, and we’re feeling that same relief when all those things keeping them apart finally fall away. This is harder to pull off, because there’s never that guarantee that the story will make it that far. TV shows get cancelled, creators lose interest or die, etc. So it’s not just “Will They, Won’t They,” it’s “Will They, Won’t They, Can They Even Try?”

This is also compounded by that fear that it won’t happen in-story after all, and while in romances you’re pretty positive that things work out (they kinda have to, for it to be labeled a “romance”) in other media, there’s always that possibility. Look at Community – there’s a forbidden/conflict-ridden romance that didn’t end up working out, even though it was “Will They, Won’t They”d for six entire seasons. You also then have shows and ships where fans are almost sure it won’t happen, but still hold out hope. (See: Supernatural, Sherlock, etc.)

Now. Now look at Good Omens. Look at that absolutely unparalleled, unbelievable set up. It’s unbelievable because it takes almost every single thing that makes a romance compelling, and not only uses all of them, but dials them up to 11.

Why are they at odds? Why are they forbidden from being together?

Because they are literally the most opposing forces you can imagine in Western Canon. They are the Angel Guarding The Gate and The Serpent of Eden. The literal only way you could’ve made this a bigger deal would’ve been to make it God and Satan, and even that would’ve not hit as hard, because it’d be like two CEOs getting together – there’s no fear of a higher power adding that delicious conflict. And to add to all this, in real life, the couple is portrayed as two men, which adds that second meta level of conflict.

And what fear/danger is keeping this couple apart?

Not just familial disappointment—but disappointment from God and Heaven and Hell. Not just moral guilt, but the guilt of potentially dooming the entire Earth. And finally, on top of that, the very real danger of being killed. Not only that, but making it as though you never even existed.

And in real life, they face all those roadblocks that queer couples in media have been battling for years and years, but I'll talk about that more in a second.

Okay, then Time. How long have they been kept apart?

For…all of it.

All of the time that ever existed.

They, quite literally, could not have been kept apart longer.

And this leads into those final two points, the ones that actually really sell it. Because I can sit down right now and write a story about an angel and a demon falling for each other at the beginning of time against all odds…but what I can’t do is to have already written it thirty-three years ago.

That’s how long this story has existed. Thirty. Three. Years.

I’m not even counting how this is using characters that have existed as opposing forces for thousands of years. I’m not even saying that, even though that’s also a part of it. But besides that, this story, this exact story started thirty-three years ago, and is still being continued by the author to this day.

Do you know how uncommon that is?

Yes, we have canon that has lasted for many, many years. Hundreds. We get new versions of beloved older stories ever year. But it’s so very rare that they are by the same creator. We get new Sherlock Holmes content, but it is not written by Arthur Conan Doyle. This, on the other hand, is actual canon content, written by the author of the original. That is unbelievably rare.

That means we’ve got a fandom where some people have grown up with these characters. People who read it at twenty are fifty-three. People who read it at fifty are eighty-three. Kids who saw their parents reading the book now have children of their own. It is a cult classic that has been in the hearts of so many people for generations. Me, personally, I fell in love with it ten years ago, at age twenty, at the very beginning of my own writing journey. This story means so much to people, because it’s stood that test of time.

And yet, this story was never explicitly romantic. So many saw it that way, but it was never something confirmed. Because this was a book from the 90s, at a time where this kind of romance just wasn’t in popular media if it wasn’t played as a joke. It was, back then, the same kind of “forbidden” as a romance between angel and demon. So people imagined, but they never expected anything more. And they’ve continued not expecting more, because even in the 2019 first season, there was never any true confirmation of anything, and people accepted it. You have a 33-year-old story here – it’s possible that this major change/confirmation could happen, but all things considered, it was unlikely. You would never blame the creator for not making major developments to a story they wrote with their late friend a lifetime ago. And no one in production was saying a word to confirm or deny, but we’ve seen all this before. It was a Will-They-Won’t-They…Probably-Not situation.

And then you have the end of S2.

And that's where that bittersweet sadness comes in for me, personally. Not at a huge level, not to the point where I'd have it any other way, but it's there regardless. Because I realized that this was a unique situation that could never be replicated, for me, and likely for many, especially readers of the book pre-show. In all likelihood, I would never again experience a romantic payoff like this one. Because it was the most forbidden of forbidden romances, the couple of which have been kept apart by the worst of all dangers and highest level of guilt for the longest amount of time literally possible, written over a real-life span of time where this kind of romance went from “completely taboo even in real life” to “finally acceptable in popular media,” written by the same creator, and not confirmed as canon until the story reached the age of Jesus Christ himself.

And the real kicker is, even after everything these two literally star-crossed lovers have gone through…they’re still being kept apart. They’ve still not taken down those final, seemingly insurmountable barriers between them. It wasn’t a “here you go 😊” move to make long-time fans happy – it’s being used as a perfect, painful plot point. After 33 years, we’re still having to wait longer.

Chef's kiss. Couldn’t have been a better set up if it was mathematically calculated. And yet, the best part is that it happened organically.

It just works.

#good omens #good omens 2 spoilers #go2 spoilers #good omens 2 #gos2 spoilers #good omens s2 spoilers #good omens spoilers #good omens season 2 #good omens season 2 spoilers #gos2 #good omens meta #good omens 2 meta #neil gaiman

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lottieurl · 2 years

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ok finished westworld and it is still just so convoluted and feels fake deep but at least s4 was kind of enjoyable to watch unlike s3

#way too much of this is just magic disguised as technology like s1 and s2? cool #actually nvm forgot the bullshit powers with maeve in s2 #ok so s1 was cool #had no problem with suspension of disbelief there bc it felt like there were clear.. boundaries and rules to what was possible in the world #then s3 is like this is more unrealistic looking than matrix suddenly (and i like matrix bc while. admittedly i find it very..#unrealistic looking like its the kind of scifi that goes too far imo i guess. thats how we BEGIN the story. you get into it #and this is what you gotta accept as the world. it doesnt just suddenly push the suspension of disbelief beyond its own set limit imo #idk its not a great day for words today but its just so insanely disappointing fbzjdjznzn #cause i remember when s1 aired and the finale absolutely blew me away #it was so well crafted #oh well #maybe s5 will be good and the final season and back to the park #so it will at least feel like westworld

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aziraphale-rights · 9 months

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So, what is the deal with the world’s most conspicuously uneaten Eccles cakes? (A meta)

Well, I wouldn’t say it’s bad writing, not even the on-purpose-as-a-secret-message kind. I agree there is a visual ‘loose thread’ here that the creators wanted us to notice, but I don’t think the meaning has anything to do with Metatron or the eventual plan for S3. I think the eccles cakes are all about what’s going on in this episode with Crowley and Aziraphale, and they’re unsettling in exactly the way they’re meant to be, even if we might not register the full implications consciously on first watch.

On the most straightforward level, this shot is the punchline to a joke set up by Aziraphale and Nina in the coffee shop. Crowley orders six shots of espresso, bound to get him all worked up and stressy. Aziraphale, who desperately wants Crowley to be thinking clearly when he learns about the Gabriel situation, says to Nina: ‘What do you sell that calms people down?’ And she replies: ‘Eccles cakes.’ From this moment on the cakes are a visual symbol of what Aziraphale needs from Crowley right now.

That’s why they get so much screentime as we cross the road and go into the shop. Aziraphale won't leave those eccles cakes behind because he’s still hoping that Crowley will respond to the request they represent: Please stay calm, please be patient and listen to me with empathy.

But Crowley never does respond, and as he storms out we get that close-focus shot of the abandoned plate to make sure the subtext hits home. The cakes are framed sitting in front of the horse statue, brilliantly dressed up in Crowley's sunglasses, to remind us that they were brought there for him and he's dismissing them. (Crowley is the frantic horse who can't be managed!)

There’s another level to it, though, which doesn’t fully become clear until episode 6. The episode 1 meeting in Nina’s café is the first time that Aziraphale and Crowley share a scene in the present-day in S2, which means that the last time we saw them together was when they were dining at the Ritz. As viewers, we quickly recognise the visual language of their partnership: a table for two, a drink, a dessert. It feels familiar. But the food gets delivered and then nobody eats it. On that level, it is a set-up without a pay-off and it really niggles as you watch. S1 closed out their relationship with a happy toast after a resplendent dinner; S2 opens it with a snack that gets ignored. The dynamics of who offers food to whom are also off, atypical. It’s a sign of how things are going to go later on, hinting at the fact their dynamic is dysfunctional right now, even though it might seem OK on the surface.

Which brings me, finally, on to the other thing I’ve wanted to point out…

The punchline is that Crowley doesn’t eat the eccles cakes, but the really subconsciously disconcerting thing is that Aziraphale doesn’t. That he seemingly never planned to, and never orders anything for himself. In fact, we don’t see Aziraphale eat anything substantial in any of the present-day scenes in S2. The only things he consumes onscreen are sherry, tea, and a travel sweet. (Oh, and Manipulation Coffee, which is definitely a callback to Crowley’s disastrous sextuple-espresso.) We see him with food, yes, but primarily he wants to give it to other people.

For me this little detail of S2 – not something you even fully notice until you think about it – is a very telling understated cue in terms of Aziraphale’s post-Heaven state of mind. It's about what amuseoffyre puts so well in another meta: 'the whole series looks like he’s having so much fun doing silly human things, but there’s this brittleness to it.' At first glance, we see Aziraphale interacting with food and assume he is now living the happy Earthly life we wanted for him, but on closer inspection he's not engaging much in the pleasure of eating for his own sake. He gets a quick sweet pick-me-up on his way somewhere else in the Bentley - all alone - and that's it. He's too anxious, too busy, he doesn't have time. Crowley doesn't have time to invite him for lunch.

I find it fascinating that Gabriel gets a squillion cups of cocoa in this season, waxing all lyrical about them, and Aziraphale gets none. Aziraphale's mug becomes Jim's mug, even. And he mostly makes the tea to show Muriel how to blend in. In short, S2 Aziraphale is terribly preoccupied with looking after/managing others, and not taking the time to look after himself. Like the Maggie and Nina match-making, all that kindly treat-offering is displacement, displacement, displacement.

No wonder it all goes wrong.

#SORRY for image quality #good omens spoilers #good omens meta #good omens #takes by me

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twilightcitysky · 9 months

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Everything Is Meant (long S2 analysis, part 2)

Part one here

Okay, so that's how I think the pre-creation scene and Gabriel's arc connect to Aziraphale's choice. I also think the ineffable bureaucracy speedrun exists to prove totally different things to Aziraphale and Crowley: Aziraphale loves that they can love each other but notes they have to run away to be together; Crowley sees this and immediately thinks "hey, we can do that too!", forgetting that running away is not a solution Aziraphale has ever been interested in. It's the mentality of an individualist vs a group-oriented mind, and neither of them is necessarily wrong, it's just that their priorities are different and they HAVE TO TALK ABOUT IT, which they don't.

Continued analysis under the cut:

3. Let's take the Job minisode. Why include it? We already mentioned that it proves Aziraphale remembers Crowley as an angel, since he mentions it. And he believes Crowley is the same person he always was, and that he doesn't want to harm Job's crops or animals or children. Crowley tries to convince him he's a Big Bad Demon who is all in on this assignment, but fails utterly to kill even a single goat, soooo... Aziraphale comes to the conclusion that he knows what Crowley wants. Alert! Alert! This is a big problem! Crowley says, "What do you know about what I want?" Aziraphale: "I know you." Crowley: "You do not know me." But because Aziraphale got it right this time, he goes ahead assuming he'll always get it right, which is a crucial failure when it comes to the final reckoning. He doesn't ever ASK Crowley what he wants, he just assumes. When you assume you know what someone wants, you usually assume their priorities align with yours... he couldn't be more wrong about that. The Job minisode sets up this dynamic for them, and they never really manage to change it.

The other thing happens at the end of the minisode. Crowley acknowledges two crucial points: 1) he's lonely ("But you said it wasn't!" "I'm a demon. I lied"), 2) he doesn't think Aziraphale would like Hell. Aziraphale DOESN'T like Hell. Aziraphale hates Hell for what they've done to Crowley. He doesn't see Heaven as innocent or benign, but importantly, Heaven has never tried to hurt Crowley directly. They never threatened his safety. They never tortured him (as it's heavily implied that Hell did). Fast forward to the last ten mins of season 2: Aziraphale excited to tell Crowley that he can be an angel again BECAUSE: he never has to go back to Hell. They can never hurt him again, not the way they did before. And he doesn't have to be lonely anymore.

Last point before I leave Job: Crowley has the chance to cause Aziraphale to Fall, here, probably. ("I lied to Heaven to thwart the will of God!" "You did, but I'm not going to tell anybody. Are you? ...good, then nothing has to change.") He doesn't take it. He doesn't want Aziraphale to be a demon. He loves Aziraphale as he is. "Angel" as an affectionate. Aziraphale certainly doesn't use "demon" as a pet name for Crowley. I think they set up this scene to contrast the final one, and show how deeply hurt Crowley is that Aziraphale suggest he change.

4. Moving on to Victorian Scotland. This one confused me at first. I was delighted that they brought back the "the lower you start the more opportunity you have to rise" dialogue from the book, but apart from that I didn't really see the point of it. It seems like the statue of Gabriel and the fact that he and Beelz ended up at that pub in the present were more or less coincidental.

The point, I think, is actually not the girl, but the doctor. He's a person who is trying to do good by working in a system that's deeply flawed, and engaging in questionable moral practices for the greater good. (Cadaver dissection is still an essential part of medical school. You need dead bodies to understand living ones.) He shows Aziraphale a tumor he removed from a child who died, and Aziraphale clutches it to his chest. The camera zooms in and lingers to tell us that this is a guardian through and through. He wants to protect people. He wants to do good with every fiber of his being.

To Crowley, it's enough to just "be an us" with Aziraphale. He doesn't really want anything more than that. That's an issue! For one thing, it fosters unhealthy codependency, and for another, Aziraphale would never be happy without the opportunity to help and protect people. It's an essential part of who he is. Metatron knows that, and he plays Aziraphale like a fiddle. The doctor showed Aziraphale that you can make a difference even in systems that are flawed, and even if you have to do things you'd rather not do. Aziraphale doesn't want to go back to Heaven, but he truly thinks he can change things; thinks he can be a guardian with some real power. In his mind, that's the right thing to do.

Last thing that happens in Scotland: Crowley saves a soul from Hell, arguably, by preventing a suicide. He gets in Big Trouble. Whatever happened to him downstairs resulted in him coming back up, leaning on a cane, and asking Aziraphale to give him holy water. Go back and watch that scene knowing what we know now about the Victorian minisode. Ask yourself how Aziraphale must have felt. He likely blamed himself for what happened, because if he hadn't meddled then they never would have been there in the first place. He knew where Crowley was, and why he was there, and he had to sit with that knowledge for years. He desperately wants Crowley to be safe; is perfectly willing to push him away to keep him safe-- which is what he does do, the minute Crowley gets back.

Now think again about what Metatron offered him. A chance to keep Crowley safe forever. He'd never be harmed again. Aziraphale is going to take that offer, no matter what else is asked of him. He's shown over and over again that he'll sacrifice his own happiness to make sure nothing happens to Crowley. And he'll do it without talking to Crowley about it first, because he is a moron who doesn't know how to use his words. Leading Crowley to assume that Aziraphale doesn't love him. The idiot angel is doing it all out of love, but because he doesn't make himself clear Crowley doesn't know that.

Part 3: Maggie and Nina, and their roles as mirror couple/ Greek chorus!

#good omens #good omens season 2 #good omens s2 #good omens s2 spoilers #good omens meta #aziraphale #crowley #everything is meant #good omens analysis #part 3 tomorrow

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dalliancekay · 1 month

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Aziraphale does NOT need to suffer MORE

Can't believe I have to say this. TW: grief, mourning, death (sorry) I have, since falling into the fandom 6 months ago to escape real life, seen many takes on how Aziraphale needs to suffer in S3 to match Crowley's suffering. Mainly as the counterpart to the moment Crowley thinks he lost Aziraphale as he's looking for him desperately in the burning bookshop.

Then drinks, we suppose, to dull his pain, waiting for the Armageddon. Also, the way Crowley suffers at the bandstand argument, the 'I Forgive You' moments, which many people find utterly devastating and incredibly heartless from Aziraphale. Not to mention when he doesn't react in the 'right way' to Crowley's confession in the Final 15. And then on top of that, 'abandons' Crowley. Oh and also for, and I quote: "The smug and entitled way Aziraphale went around in S2 assuming Crowley would love and follow him everywhere." And for all this pain that Crowley endured for him, Aziraphale should suffer in S3, to I assume, even out the scores. Some people want to see him lose it, show his emotions, to cry or beg or otherwise show how much he misses Crowley and how very sorry he is for what he's done.

Now for the TW grief content I motioned above. You can skip to the next sentence in bold.

WE ALL SUFFER DIFFERENTLY I was on holiday late September last year, visiting my mum, stepfather and my two younger brothers. We went to a cousin's wedding. It was great. The day after, as I was hanging out reading a book my mum got a call. The kind of call every mother fears. My youngest brother (he was 27) died in an accident. We needed to speak to police and the coroner. She cried and cried. She's still crying. She asks questions. She gets no answers. I did not cry. I talked to the police. I googled a funeral home. I bought my brother his last set of clothes. He lived in a hoodie and torn black jeans. Mum wanted a suit. But he died in the one he bought for the wedding. I texted a lot of people. I bought snacks for the many friends who came to the funeral and wanted to speak to us after. My grief feels like a vice. I am not sad. I do not appear sad. Contrary to what people expect. But I am ANGRY. I am furious. But nobody can see this. I am not fine and I wish no one would ever* ask how I was again. TW/Personal content over. Since I was small (because I am weird like that) I genuinely wondered if, finding myself in danger, I could scream like people in films do. I don't think I could. I cope with hard situations, fear and stress and anxiety by shutting down, sometimes by retreating too, by furiously trying to find a way out. And I think Aziraphale does the same. And that's why I love him so much. And why I feel get him and understand that people sometimes can't tell how much he's actually feeling. I also express love the way Aziraphale does - by organising things for people I love, inviting them places, making plans. When Crowley said you call me for three things (and it's basically any old reason) I felt SO SEEN. This is what I would do with a friend who I know is feeling unmoored, sad, stuck. I'd text them with any old thing. I'd never actually say I love you, how can I help though, I would try to get them to talk, meet me, go somewhere. Aziraphale does not express emotions the same way as Crowley.

But his emotions are valid nonetheless. He is worried for Crowley from around 3 minutes into their acquaintanceship. And he NEVER stops worrying.

And are we quite sure he has never lost Crowley?

How many times did Aziraphale's heart freeze in horror when he realised Hell has taken Crowley and he had no idea if he'll ever come back and what is happening to him?

Why else would he be so worried about working on the Arrangement? Was he worried just for himself? Do we really think that?

Crowley thinks he lost Aziraphale, yes, we saw that, but do they ever talk about what happened to the angel then? Do we?

That he got blown into atoms which I bet wasn't pleasant and when he arrives in Heaven he limps? Why is he hurt? Why is he quickly pretending he isn't? Why is he always hiding how he feels? Also, he immediately deserts, wants no part in the Holy War and quickly finds an extremely unconventional way to get back. It's not a grand gesture, there's no pomp around it, he thinks this and then does it. No hesitation.

Is this coming from an angel who just can't leave Heaven behind and longs to be a part of it? Who loves to follow rules? And let's not forget in those moments Aziraphale thought Crowley was gone. That he very likely left for Alpha Centauri. Last he heard from him he was told he was talking to an old friend and had no time for him. Why we NEVER talk about how that might have felt for Aziraphale?

Things are not as simple as Aziraphale has been supressing his emotions and lying to himself about how he feels and he should get over it and become free. That's not how this works. His trauma and his personality are deeply intertwined and he'd never be the kind of person who is open in showing their grief or stress. He will learn to be more open, with his love especially, we see him reaching for and touching his demon in S2. Openly being with him, looking at him without guarding himself. That's HUGE. He's trying. So. Just because Aziraphale is not crying and screaming and I dunno, tearing his hair out or whatever some people would have him do, does not mean he isn't overflowing with pain, fear, uncertainty, doubts, worries, and so much anxiety that if he let it all out, half of the solar system would turn to ashes.

Aziraphale does not need to suffer in S3 to level out Crowley's suffering. They are, unfortunately, equal in their pain as they are in love. If there is one thing Crowley would never abide, it'd be this take from the fandom. * A note on grief (obviously from my personal experience) As initiated by @anthony-crowleys-left-nut in a comment

It's not that I mind to know people care and worry etc, but asking how I am can only end in me lying (fine, thank you) and both of us knowing it's not really true and feeling awkward or not lying (I feel like shit, mostly cos I can't sleep and think the world is a stupid unfair place) and both of us feeling awkward anyway. Does that make sense? I wish I could tell friends/colleagues to ask what I've been up to or something similar instead. What I've been reading (um, AO3, but I'll make something up), watching, do I want to go see some spring flowers bloom (I do).

#aziraphale #good omens #crowley #aziracrow #ineffable husbands #neil gaiman #ineffable divorce #aziraphale my beloved #good omens thoughts #aziraphale defense squad #suffering in silence #grief #tw grief #dealing with grief #loss #tw death #kaypost

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piratecaptainscaptainpirates · 5 months

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I was surprised when rewatching both seasons today to notice how little worth everyone assigned to their lives at the beginning of the show.

It's obvious with Stede "Do I want to live? I dunno, probably" Bonnet and Edward "haven't tried dying yet, maybe we should do that" Teach over there, but once I started looking for it, I was shocked how often it turns up.

Talk of death is ever-present throughout s1. The very first thing we hear is Frenchie singing about how a pirate's life is short. One of Olu's reasons he gives to Lucius for not mutinying on Stede at the end of the pilot is "we'll all be dead soon, might as well enjoy it while it lasts." The indigenous people they meet in ep 2 remind Olu multiple times that Stede's gonna get them all killed. Jim talks blithely about killing the man who killed their family - "we live in a state of nature, grow up!" We get the sense life is fuckin' cheap -

But over the first season, there's a shift. Pete started out talking in the pilot about how he "should have 20 kills by now" and says killing "is like breathing" to his fantasy version of Blackbeard in s1e2, but by s1e6 he's visibly deeply shaken when Lucius almost dies. "I'm used to death...but not your death." Stede screaming that he doesn't want to die in s1e9 is such a huge marker of that shift, because he's finally living a life where he feels happy and loved and valued.

Take all of that, and put it into contrast with Jim saying in s2e2 that "there used to be a time when life meant something on this ship." It sets up such a nice contrast, because all the death Ed's crew have to deal with at the beginning of s2 isn't weird by pirate standards, but suddenly it's become weird for these pirates. Ed's suicidal behavior and Frenchie saying that "we've been living moment to moment for a while now, it's kinda nice to have a deadline" are terribly sad to us, because these pirates had a time when they learned to value their lives.

Stede Bonnet, being his cringefail, bitchy, unceasingly kind little self, built a community where life was allowed to mean something. It's about queer joy, about queer love, about finding community and finding reasons to love being alive with one another as we try to become the versions of ourselves we want to be. Fucking beautiful.

#ofmd #our flag means death #breaking: show called “our flag means death” includes death as a major theme. more at 11

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subway-tolkien · 6 months

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Okay, this is 1600 words of (positive!) meta regarding the OFMD finale. Included is character analysis and a treatise on why a certain trope people keep throwing around does not apply here.

This is of course just my take, and I'm sure people will disagree, but I needed to get this out. Apologies if it comes off disjointed, I've had like no sleep.

Spoilers within, obviously. You have been warned. Heed the tags. I didn't tag any characters because I consider it a spoiler, but you know who this is about.

Listen. Listen.

Let me start off by saying I have been where you are. I’ve had beloved characters die, either because it was important to the narrative or for shock value. I’ve been there, so I’m not coming at this without empathy. I’m not an Izzy hater. I loved him as a character. I’m truly sad to see him go.

But from what I’m seeing around Twitter and tumblr, some of you do not understand the role of an antagonist in a story.

Izzy was always meant to die. The moment he said, in the first season, “the only retirement we get is death,” I knew he was meant to die in the end. The foreshadowing ran through both seasons. Izzy was the true antagonist of S1. He was there to keep Blackbeard tethered when he started pulling away, and yet he also set the plot in motion. He inadvertently introduced Blackbeard to the person who let him be just Ed. He put Ed on his own path to redemption without even knowing it.

S1 ended with Izzy getting what he wanted as Ed lost everything he had. S2 was about Izzy coming to terms with the fact that he’d gone too far, he’d turned Ed into a monster. It wasn’t what he wanted. He wanted Blackbeard back, just like old times. Instead, he got the Kraken, and it was more than he bargained for.

Especially after it cost him his leg and he realized how far gone Ed really was. The conversation that ended with Izzy’s half-assed suicide attempt was the final blow to Izzy—Ed really didn’t seem to care anymore. Where Izzy wanted him to stop giving a shit about his silly boyfriend, he instead got a Blackbeard who didn’t care about anything, and he was apparently now included in that category.

(I said half-assed suicide attempt because Izzy wasn’t meant to die then, THAT would have been an empty, pointless death. It wouldn’t have taught Ed anything—in fact, all it did was make him more self-destructive, which was Izzy’s purpose to the narrative, but not his endgame. That Ed thought Izzy killed himself pushed Ed to the brink. Ed wanted to die and take every scrap of Blackbeard with him. Had Izzy successfully killed himself, Ed and the Revenge would be at the bottom of the ocean.

It wasn’t until the crew left Izzy the unicorn leg that he realized the power of compassion, the incredible act of grace from a crew that suffered so much from Izzy’s own machinations and didn't need to forgive him. It moved him to tears, and it moved him to accept that maybe it wasn’t such a bad idea to let people in, to let himself be cared for. It was a foreign concept and something Izzy likely hadn’t experienced since losing his family (I fully expect a shit ton of fanfic of Izzy’s life before piracy).

Israel Hands found the capacity to let love all the way in and by god, did he pursue it.

But, again, Izzy was always meant to die, and I’m glad they stuck to the narrative they set out with instead of placating fandom and letting our influence dictate how they told this story That’s never good, trust me. Fandom should not influence a creator’s decisions regarding their own characters. It rarely if ever ends well.

[Stares in Voltron S8]

And I see a lot of people out here throwing the “bury your gays” phrase around—I beg you, please look up the definition of the trope. Izzy didn’t die because he was queer, he didn’t die because of his disability. He wasn’t one half of the only queer couple in the show fridged for shock value. He wasn’t killed off due to pressure from conservative viewers. He wasn’t the only queer, disabled character.

They didn’t kill off Lucius, or Jackie, or Wee John. Would you be as outraged if it was any of them?

Killing Eve is bury your gays. Supernatural is bury your gays. Pretty much any film, book, TV show, whatever, where a queer character dies because they’re queer, of AIDs, to further the narrative for a straight person, etc—that is burying your gays.

Izzy’s death was none of those things. Izzy’s death had meaning.

Izzy’s death freed Ed from the Blackbeard persona. It finally forced Izzy to say the things he couldn’t say until he realized it was his last chance. Izzy was also tired. I honestly think he stuck it out for Ed’s sake, because he was afraid to let Blackbeard go without making sure Ed would be ok.

He loved the idea of Blackbeard, but over time, he learned to love Ed. He finally understood what Ed tried to tell him the whole time.

“Fuck off, you twat. You’re surrounded by family.”

You’re safe. You’re loved. You don’t need me anymore. You don’t need to be reminded of who you’re capable of being, you need the people who will guide you to who you will become, and I’m not one of them.

I know a lot of Izzy fans are stung by his death, some of you are deeply upset. I get that. Like I said, I’ve been there. Sirius’s death made me throw that fucking book across the room. That Fucking Woman™ killed off my entire OTP, purely for shock value and, imho, a direct response to shippers. Trust me, I have felt betrayed by a creator for their decisions.

But I need you to understand that no, this was not a personal attack, this was not malicious, this was not “bury your gays." A show that celebrates queerness and diversity is not suddenly homophobic and ableist because your favorite character died and happened to be both of those things. But when the majority of your cast of characters is different in some way, and they’re in a show about 18th century pirates, you have to accept that one of them could, in fact, die. “Anyone Can Die” is also a trope and the more accurate one to describe E8.

If only being queer and disabled made you invincible.

Spoiler alert: it doesn’t.

And no, I’m not an Izzy hater. I loved him, I loved him as an antagonist, and I loved his redemption arc. He was fascinating and Con put his whole O’Nussy into that part. I’m sorry to see him go, but as a mystery writer who often has to kill off beloved characters, I understand that he served the purpose he had from the beginning.

I swear, if some of you had your way, there’d be no conflict at all in any form of media. This what a steady diet of nothing but fanfic gets you. This is not a fluffy one-shot with magical healing dick and a happy ending where everyone sails off into the sunset. If that’s what you wanted, what you headcanoned, you did this to yourself. It’s not David et al’s fault that we took that character and babygirled him. That’s the risk we take when we decide to love a specific character, when we take a genuinely terrible person (in S1) and woobify him.

So, please stop harassing and attacking David, Alex, et al. David did not and should not change his story to placate us. The fact he went ahead with it despite the backlash I’m sure he expected makes me respect him as a creator even more.

Anyway, I’m going to revel that we have three (!) queer relationships with happy endings where one or both didn’t immediately die (again, the actual definition of “bury your gays”) and that we got at least two seasons of a little show that celebrated individualism, diversity, queerness, compassion, and love.

In the end, it all came down to love.

“There he is.”

Goodbye, Blackbeard.

Hello, Ed.

#ofmd spoilers #ofmd season two spoilers #ofmd finale spoilers #ofmd finale #Meta #ofmd s2 spoilers #our flag means death

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