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#it’s mixed pov
shortamarble · 2 years
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i’ve listened to mr. joey bateys song ‘welly boots’ approximately 156 times this week and every time i listen to it i relate it more and more to geralt and jaskier 😭 i know it’s technically about coping with the death of a loved one but don’t the lyrics just SCREAM geraskier ??
Oh darling lord, how you make me laugh/ Get drunk for me, sing louder than you’ve sung for me/ Grow young each time that thunder in your lungs begins to rumble at the world/ 'Cause you were always strong
They said ‘That girl, she’s wrong’/ But I’ll stick up for you, even though you haven’t got a clue, you haven't got a fucking clue
You’ll miss me, oh Jesus Christ, you’ll miss me/ Just as much as all those years ago, and you’ll look up at the storm
You’ll say ‘I’ve been so scared/You left me here behind, do you not care?/ How the fuck am I supposed to carry on without you here?‘
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royalarchivist · 4 months
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Pac: I'm not going to say anything to you guys [Chat], I'm not going to say anything to you. I'm not saying absolutely anything, I'm not going to comment. Man, you broke me here, you broke me in 3 parts! I'm not going to- no no no no no, I won't fall for your game, I won't fall for your game.*
Pac's chat allows viewers to make music requests, which led to this very well-timed moment today where Careless Whisper started playing as soon as Pac met back up with Fit.
* [Approximate translation. I'm not a native Portuguese speaker, so as always, please feel free to let me know if there's a better way to translate things!]
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sourlemonadez · 3 months
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cake batter goes boom and then splat
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riceballoon · 7 months
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Industriousness embodied
she is my favorite statue too!
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birdricks · 4 months
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the final phrase of my last sentence / hangs in the air, sounding stupider and stupider
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anonomi · 3 months
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miscellaneous... you can tell my obsession with skies. and blue. and spies. blu spies.
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writingwithcolor · 9 months
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Representing Biracial Black South American Experiences…Through a White/Asian Mixed Race Character in Europe
@colombinna asked:
I have a YA story that's in very early development - pre-alpha, if you will. For now what I have developed is the characters: one of the MCs is a biracial asian queer girl (her dad is thai-american and japanese, her mom's white), she has a medium/dark brown skin, and lives in a very white context in a fictional European country. The contact she has with her extended family is limited to phone calls and regular visits because her dad moved from the US to said fictional European country.
I'm a biracial black queer girl myself, living in a very white community in South America, my extended black family also lives in a different place, and I'm taking a lot of my experiences of being not white and queer whilst living in white communities into her story (the feeling of not belonging, the impostor syndrome, standing out as one of the only POC kids in class, etc) and thinking back to what I've heard asian friends and classmates say about their experiences in the same school/community context as mine. But I want to know how different her experiences as a dark-skinned asian girl would differ from mine and my friends' in a similar context (white community, small number of other asian people - and POC in general - in the social circles, and limited contact to her extended family), and what experiences could make sense if the character was biracial black like myself, but won't if she's biracial asian.
Why not write a biracial Black girl if those are the experiences you want to represent? 
This MC is straddling, like, 3 different cultures. Having multiple immigrant identities in not-Europe is not the same experience as being Black in South America; while both are complex minority experiences, there are too many differences in intersections and histories to compare. Not to mention, it really depends on what European culture(s) you’re basing your not-Europe on. 
I think you’ll find that the written result will ring much more genuine and rich in depth if you either translate your experiences more directly or pick a more narrow focus, instead of assuming that there is a universal for racism and colorism against biracial people that is transferable across contexts. Because there isn’t. There can be overlaps, but if you’re looking to cover the entire range of What It’s Like in general, it won’t work.
This isn’t to say that people can’t use other identities to write about specific experiences of their own, but in this case you need to think about what story you want to tell and what your reasons are. Marika’s commentary will go more into when and how this can be done effectively. 
Also, if the point is to make her a dark-skinned Asian, as a white/asian mix myself, I implore you: why must you make her 1/4 Japanese and 1/2 white? Even with the Thai ethnicity thrown in, Thai people very much range in skin tone and have their own domestic issues with colorism. It’s not impossible for dark-skinned examples of your MC’s ethnic makeup to exist, but still I don’t recommend it for two reasons: 
It's going to make researching people whose experiences fit that much more difficult. Most experiences of colorism, othering, and other forms of discrimination that mixed white asians tend to face are completely different from mixed race asians who tend to have darker skin & features.
There's enough Japanese & white mixed Japanese rep in the Asian rep sphere as is. Consider that this individual could be mixed Asian (not Japanese) with something else (not white)! 
But again, think over your motivations. I’ll spare you the copy/paste of our Motivations PSA, but re-read it and consider. Why do you wish to write a mixed Asian character to tell the story of your experiences as a mixed Black individual instead of a mixed Black character? What does it add to the story? Is it an effective vessel for the experiences you want to convey? 
~ Rina
I think Rina brings up some good points here: I’m not hearing a lot of specificity in your query. As you doubtless know firsthand, the more intersectional and complex an identity, the more of a chance the identity may come with unexpected baggage and nuances that fly in the face of what is common sense for less intersectional identities. This can make writing such characters challenging just because there is so much choice on which identity themes to emphasize. 
I once spent about 15 minutes explaining to a person the thought process I used to determine when I could wear jeans depending on which country I was living in as a mixed race person who is perceived as different things in different places. It might seem trivial, but it’s actually very important to me for the purposes of identity, safety and gender presentation, so I personally think it’s interesting. But will my readers think a character’s multi-page internal monologue on whether or not to wear jeans is especially compelling? Does the writer-version of me want to research the version of myself musing on my specific jeans conundrum to that extent? Or do I want to talk about other things related to attire a lot of other people would relate to? I think those are all YMMV questions, but hopefully, they provide some perspective that will help you be intentional about how you might want to tackle something potentially very time-consuming.
When I say intentional, I mean that when covering a complex identity with which you are peripherally familiar, it will always be more effective and easier to use it to tell a specific story extremely clearly than to be extremely broad in scope and try to include almost everything about your own experiences, especially because some of those experiences might not be as relevant for your character’s background as they are to yours.      
One of my favorite childhood picture books is written and illustrated by a Nikkei writer-illustrator team. The book is titled Ashok by Any Other Name (link). The story features a desi child growing up in the US who wishes he had an American name his friends and teachers wouldn’t think was strange. It covers how being othered for his name makes him feel, and how he copes with that feeling. Speaking as someone both Japanese and desi, I think through the plot device of names perceived by the majority of Americans as foreign, this book aptly shows how many immigrant/diaspora creators are capable of relating to the pressures of assimilation experienced by other immigrant, even if the creator, the audience and the story’s subject’s backgrounds all don’t completely overlap 100%. 
There will be aspects of your Blackness, mixed identity, skin color, sexuality and living in a local community lacking diversity as a member of many minority groups that you will find resemble/ resonate with the experiences of mixed-race, Japanese individual in a Europe-themed setting, and I think any story that leans into those themes will be considerably easier for you to research. In other words, instead of asking us “How does my experience differ?” I would approach this issue by deciding what narrative you want to show about your own experience and then research the specific contexts within which your desired story overlaps with elements of mixed-race Japanese experiences. 
- Marika.
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neohood · 2 months
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With the cod shrine Grian made, my brain immediately made an au of priest Grian, God Jimmy (based off E1 Jimmy where he's the Codfather), and adventurer Scar who Grian is debating sacrificing for a mending book
Also just fun interactions of Jimmy being a wildly feared god, sending waves of plague random, but Grian just being like "Hey. Fuck you."
The mending book is maybe some form of a sign from the Codfather in [insert fantasy town name here], where you pick a rare item and then if the Codfather has chosen you you'll find the item. Jimmy decided to fuck with Grian by giving him basically every other rare item aside from the one he wanted
Scar comes in after he wanders in, sees everyone fishing and asks to join in. They oblige, because they're not an asshole fantasy town. Jimmy wasn't paying attention, and meant to finally give Grian the mending book, but sent it to Scar instead. This is why Grian's debating sacrificing him despite the fact human sacrifice is very illegal.
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molinaesque · 2 years
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Yes; he had done it. She was in the carriage, and felt that he had placed her there, that his will and his hands had done it, that she owed it to his perception of her fatigue, and his resolution to give her rest. She was very much affected by the view of his disposition towards her, which all these things made apparent. This little circumstance seemed the completion of all that had gone before. She understood him. He could not forgive her, but he could not be unfeeling. Though condemning her for the past, and considering it with high and unjust resentment, though perfectly careless of her, and though becoming attached to another, still he could not see her suffer, without the desire of giving her relief. It was a remainder of former sentiment; it was an impulse of pure, though unacknowledged friendship; it was a proof of his own warm and amiable heart, which she could not contemplate without emotions so compounded of pleasure and pain, that she knew not which prevailed.
- Chapter 10, Persuasion (Jane Austen)
- Persuasion (1995, Roger Michell)
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nofacednerd · 9 months
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the Lower Decks/SNW crossover really dared to ask the question of what would happen if Starfleet’s most autistic soldier got thrown right in the middle of his special interest
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the-ace-with-spades · 2 months
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This, I hope, will eventually be posted on ao3 as a proper fic – current draft title is exhumation — but just in case it will not, gonna post it here and let it stew
Canon Divergence AU with secret Identity and later identity reveal drama
(also this involves the backstory from the Ghost comic because I vaguely remember reading it when I was in high school…)
Soap and Ghost meet before they become Soap and Ghost. Johnny is 20, Ghost is 25, and they’re stationed around the same place but different squads — somewhere not far away from Manchester — and they don’t know they’re both from SAS. They meet when Tommy tries to be supportive of Simon’s newly announced queerness and takes him out to a gay bar on Canal Street. Tommy is the one to chat up Johnny (while Simon, obviously not a fan of crowds or loud places, hides away in the bathroom) with ‘see, my brother this and that’  and ‘if you give my brother a chance, he will this and that’. Believe it or not, once Simon strolls back in with all his social awkwardness, Johnny is actually charmed. Things roll around for a couple of months before they admit to each other they’re in the armed forces.
By the time they find out Simon is of higher rank, they’re already gone for each other. They decide to keep going anyway — it’s legal, as of 2001, and they’re not planning on getting a civil partnership for a while, anyway, so in the end, they keep going. Simon changes his next of kin on file to Johnny, they ‘share’ a flat off base, and Johnny’s met Simon’s mum and brother. He more or less knows the lore of the Riley family, mostly how much of a piece of shite his father was and Tommy’s recently fought addiction, and somehow, Simon feels alive for the first time in his life.
It’s all going so perfect, they’ve been together for almost two years, which isn’t long for most, but feels like forever when you’re in the military. Johnny gives him a ring, a sterling silver one with thistle ornaments and a small garnet centre stone. It’s not a proposal, they can’t get married legally, and they won’t have anything but Simon’s will binding them legally for as long as they’re both in the forces — Simon doesn’t know it, but there’s a matching simple band waiting to slide in with the ring he’s got on his tags, and one day, Johnny plans for him to have a full set.
Simon and his team get send out, Simon tells him it’s going to be a long one, somewhere in one of the Americas — Central or South, if he had to guess by all the self-learning Spanish books that cluttered Simon’s bedside table — and Johnny, well, he’s got a bad feeling but when does he not, with their jobs?
Simon’s team gets back, partially. There’s talk about betrayal from his captain, and he’s painfully absent, Simon’s friends look half-dead and act half-dead and no one is telling Johnny anything. He spends his afternoons with Simon’s mum, taking care of her as best as he can while Simon is gone, even though it was never the plan, and dodges Tommy’s aggressive questions, because he knows goddamn nothing.
Johnny doesn’t give up. He waits.
Simon is gone six months — MIA, officially, but KIA in the words of anyone from the brass — when he emerges back from South America, giving Johnny a new heart and a new life. He comes back different, but Johnny doesn’t care, it’s Simon, it’s still him, and maybe there’s something dead in his eyes, and maybe he spaces out more often than not, and maybe he feels cold in Johnny’s arms, and maybe he doesn’t sleep in the same bed, but it’s still Simon, he just needs to heal and figure out how to keep on living.
And Simon tries — he’s got episodes every day, than every other day, than every week, every other week. He goes to therapy, he spends his days cooking with his mum, spends his days cleaning the whole of their flat again and again, spends his days wandering around Manchester, buying Johnny’s favourite drinks, favourite books, favourite breakfast babs.
He tells Johnny bits and pieces, about what happened, enough that Johnny can put it together in a horrifying if blurred picture, and things start to improve, slowly.
He comes back to their bed. He wakes up before Johnny, makes him breakfast, kisses him on the forehead and struggles with the crosswords from the newspapers he picked on his morning run. He goes out with his former teammates, very short trips but trips nonetheless. He stops being afraid to be alone with his nephew, stops being afraid he'll hurt him. He never quite gets used to the scars, covering them more often than not, not wanting the looks.
Second week of December, ten months after he was brought back to the UK from North America, his psychiatrist signs him off for a phased return to duty. No deployments, only base and training site duties, regular sessions with both the psychiatrist and the psychology for the first four months.
Johnny hasn’t seen his family since before Simon gone MIA — finally feeling okay-ish, Simon tells him to go Scotland for Christmas. He’s got his mum, his brother, his sister-in-law and his nephew, and he’s, weirdly, feeling almost optimistic about life.
Obviously, he can’t be happy for long and shit hits the fan.
On Christmas Day, Johnny gets a call from Greater Manchster Police. He and his sister drive down the country and in the early morning of the Boxing Day, Johnny is showed the tags with the familiar silver ring on it, sooted at the edges and slightly misshapen, melted.
Fifteen minutes after he identifies Simon’s body, they tell him he killed his whole family, probably in a PTSD induced episode, then set their house on fire and killed himself right after, when the trauma-haze went down. They tell him he was lucky not to be there when it happened.
Johnny doesn’t believe it. Simon’s mind’s been bad, but it’d always turn on Simon, not on others, he had too much control to let any episode take him over so much. So he doesn’t care what the police or the public says — he arranges the funeral and Simon is buried with the rest of his family.
Meanwhile, Simon goes on a rampage in Mexico. He kills everyone and anyone he even suspects to be involved with Roba’s people. He leaves a trail of dead people behind him for weeks until finally, the US military catches up — General Shepherd catches up and identifies him. The British Army doesn't know what to do with him — officially, he's dead already, the General Register Office has already issued his death certificate to his NOK, the armed forces had condemned his family's tragedy. His existence is…inconvenient. He is suspected to be either compromised or too unstable to be of use to the Army, even if SAS sees how valuable someone who could single-handedly destroy a whole cartel family and fake his own death could be.
Enter John Price, who had met Simon during SAS selection and had a bit too soft of a heart. There's a mural agreement — Price will take personal responsibility to keep him on a leash, at least until he proves he is not a liability, and he will remain dead on paper but active in the Army. No one is to know he is alive — not even Johnny, or maybe especially Johnny, who will be the last person anyone will see as a revenge method. Simon Riley's name is redacted from all available documents.
And thus, Ghost, a nameless lieutenant and a walking cautionary tale, is born.
The only thing Ghost has not predicted is that eventually, almost six years after he put Simon into the grave, Johnny will join the 141.
And somehow, Ghost is just Johnny's type, again.
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aroaessidhe · 24 days
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2024 reads / storygraph
Those Beyond The Wall
sequel/companion to The Space Between Worlds, set a decade later
character-focused sci-fi set in an area divided in two, the rich protected city on one side and everyone else in the post-apocalyptic desert
follows a woman who works under the Emperor in Ashtown, keeping the peace
when mangled bodies start showing up with seemingly no murderer, she’s tasked with finding the cause, and finds out that it’s the result of corruption spanning both cities and multiple worlds
explores oppression and messy revolution, police violence and apartheid
bi & polyamorous MC
#Those Beyond The Wall#aroaessidhe 2024 reads#space between worlds sequel!!! honestly I’m not entirely sure how I feel about it….. In general I enjoyed it and I think it had#a lot of important things to say but also maybe highlighted some weaknesses(?) in both books?#or - I guess just the fact that the sff stuff (which skews a little more magicy here) is kinda small scope relative to its potential#and more there to serve the plot and characters. Which actually maybe is the point. idk- there's def mixed reviews lol#it has a messy unlikable MC (like actually - when half the weak ass reviews are saying the MC is annoying you know they are Actually a#complex character) and some interesting relationship dynamics#it is pretty solidly a sequel - I wouldnt read this without reading TSBW#cara does show up in here& tbh her characterisation felt quite different to me? unsure how I feel about that? but maybe it's the biased POV#also to be clear: polyam MC; not a polyam romance or anything#(there's - kinda a romance? or various feelings floating around and she 'ends up' with someone. feel like i would have liked that to end#more subtley but that's probably my personal taste lol)#man some of the 1 star reviews of this are kinda.....just racist though. can we get some measured critique in here#as I said i am not entirely sure how I feel about it but not quite in a way I can articulate.... idk! i think it's worth the read tho#it's maybe one of those revolutions that feels solved a little too easily in the end - but then also is it solved or is it just that the#narrative has to end at a certain point
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bakedtato223 · 10 months
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🚦Pov: Your husband gets into trouble with Ren and BigB and doesn’t regret it
Barbie mugshot meme
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general-cyno · 7 months
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sharing some gdocs zolus bc i got possessed last night and actually liked how this turned out
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heytheredeann · 7 months
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I can hear the train pushing through the snow Over the mighty Mississippi roads The squeaking of the steel Don't care how I feel Or If I'm ready to go So, I close my eyes and I start to dream I throw a nickel in the time machine Until I taste the wine Feel your hand in mine And this time no one's there
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malevolententity · 5 months
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i think no matter what happens between bolas and soulfire its going to be so interesting between bbh cellbit. cellbit lost his son 2 months ago. cellbit Just lost his husband. theres absolutely nothing stopping him anymore. bolas is fully supporting him in purgatory anything he says theyll follow because they admittedly dont want to win, they just want soulfire to loose.
purgatory is absolutely triggering cellbit and bbh back to their hunger games thought process. bbh who raised and trained and Shaped cellbit into the hunger games strategist he is. cellbit is on a full vengeance path. when they meet again and its the final wire who will win? because either way will be glorious for their personal stories. will the mentor put down his student? will the studen outsmart and outplay his mentor because he learned everything bbh knows and picked up some strategies after they parted ways?
will they return to the island and everything is water under the bridge understanding that it was a loose loose situation? or will resentment stay despite knowing the situation because the feelings in purgatory Are real. i can not Wait to see how these two make each other worse
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