#it’s very clear i’ve drawn for more fandoms since the first time i used a stylus ksodfjsoidjfrjg

[raven-at-the-writing-desk]

A suspicious man in a trenchcoat, baseball cap, sunglasses, and mask sneaks into Pomefiore. He asks the mob students where he can find Vil Schoenheit and they suspect he’s a crazy super fan. The mob students are prepared to throw him out until who should appear but THE Vil who immediately recognizes the shady man. *“Dad?”*

Out of curiosity, who thirsts for Vil's dad (or at least appreciates the concept of what he could be since we haven't been able to meet him face-to-face yet)???? 😅 I feel like I actually haven't seen much fan art for him even though there seems to be tons for other parents and even siblings. Or maybe that's just because of the fandom circles I'm in??

Family means Nobody is Left Behind or Forgotten.

"Father?"

“It’s good to see you, my darling Vil.”

The sketchy man peeled away his surgical mask and sunglasses, revealing a brilliant smile and twinkling violet eyes. His hat followed, letting loose a cap of silken gold hair. Most of it had been gently slicked back, allowing for stray locks to curl in easy, effortless waves that called attention to his best features.

There was a rugged youthfulness to him, and what lines were on his skin were worn with grace and dignity. He had the kind of face that passerbys were drawn to: an older, conventional kind of handsome, yes, but with a magnetic warmth inlaid in it. When he laughed, people listened, and when he walked by, heads turned.

And listen and turn they did.

"It's him!! It's THE Eric Venue!!"

The surrounding Pomefiore mob students broke out into gasps and barely contained yelps. One of them fainted, caught in the nick of time by another mob. ("P-Pull yourself together, man!!" he hissed.)

The lounge went still for a second.

Then one voice rose high above the silence.

"Kyaaaaah! Father!!"

With a cry of delight and a giggle, Vil threw his arms around Eric. Entangled, he could breathe in the lovely smell of his father’s sophisticated cologne: jasmine, saffron, and cedarwood.

“What happened?” Vil asked, nearly breathless. “I thought you were busy shooting your new film in the City of Flowers.”

“I was—but I didn’t want to miss this opportunity to see you. I had my manager pull a few strings to clear a day in my schedule to visit. I wouldn’t miss this for the world.”

“Father…”

Excited murmurs passed throughout the mob students.

"E-Eh?! Vil-sama squealed like a high school girl just now…”

"I-I didn't realize he was capable of acting so cutesy.”

“Wow, they sparkle so much together. I’m going to be blinded!”

“Ah-HEM!” Vil straightened in his father’s embrace, directing a withering look at his dorm members. "Do you gentlemen mind giving us some privacy? It’s rather rude to eavesdrop and stare at a family reunion.”

There was a flurry of embarrassed apologies and nervous tittering. Then the onlookers hurriedly dispersed, as quickly as the flicker of a humingbird’s wings.

Vil peeled away from his father with a sigh. “Do excuse my dorm members. It seems they need a refresher for their manners.”

“That’s quite alright—it’s not the strangest fan interaction either of us has had,” Eric joked, eyes creasing. “They must have been mystified to witness your cuteness firsthand—as they should be.

“Just look at you!!” He spread out his arms toward Vil. “The fairest of them all, the apple of my eye.”

Vil chuckled, twirling to give his father a full view of him. The hem of his dorm uniform flared out like a flower in bloom.

“You’re all grown up now.” Eric’s voice grew tender, his eyes shimmering with wetness. “Studying magic, leading an entire dorm, going off on your internship next year, furthering your career… You’re going to accomplish so many more great things.”

“You were my very first fan—and I have you to thank for being my inspiration. I can’t possibly take all the credit.”

Eric laughed heartily, wrapping an arm around his son. “I’ve missed this. We have so much catching up to do.”

“We do. Seeing as it’s Family Day, there are even more people on campus than usual. We should be able to blend in easily… provided, of course, the right disguise.” Vil smiled. “If you’ll give me a moment, I’ll be fitted to join you."

“It’ll be just like old times, eh? The two of us gallivanting about in plain sight. You were still new to magic back then, but you were able to do something as impressive as changing the colors of our clothes."

"A color-changing spell such as that is elementary. It's one of the first spells taught to first year students." A smirk tugged at Vil's mouth. "I'll show you just how far I've come since then."

He produced his magical pen from his robes and raised it high into the air. A shower of sparkles rained down from its gemstone, casting Vil in a soft glow. Ribbons of light slowly knitted themselves over his outfit, stretching, stitching, and reshaping his uniform into something new.

As the magic dissipated, fizzling into fine speckles of glitter, Vil stepped out in a chic cream-colored tracksuit and deep purple sneakers. His famous face was obscured by a baseball cap and sunglasses that were identical to his dad's.

Eric's jaw dropped. "I think I'm starstruck again."

"Fufu. I tend to have that effect on people." Vil tugged up the surgical mask affixed to his chin. "Come now, we have a whole day ahead of us!"

#Vil Schoenheit #twst #twisted wonderland #twst interactions #twisted wonderland interactions #Eric Venue #NRC Family Day #disney twisted wonderland #twst scenarios #twst imagines #twisted wonderland scenarios #twisted wonderland imagines

[khiita]

this is a warning to tumblr and twitter artists + people in the interactive fiction fandom about my experience with faeinthefog/ElouanVT. faeinthefog seems to be a polish person that goes by the names Anna/Andi/Anka. they are also associated with the acct names AnnabelleShep13, sapphovonchat, andi-the-cat, and their username in AO3 is Mephale.

if you are an artist and have been commissioned by FAEINTHEFOG / ELOUANVT / ANNA or ANKA W**** in the past year, please contact me. there is a 99.9% chance that you unknowingly drew an original character that they stole from me. the other 00.1% chance is that it was stolen from someone else. for the record, at least two of the artists i managed to contact are involved in the mo dao zu shi / the untamed fandom.

i didn’t know that this person existed, hadn’t ever–knowingly–interacted with them in my life until yesterday (august 22nd), when i found out that they had been stealing my art and every single detail about my ocs for months. but what they did to me goes way deeper than that, so here it goes:

this all started yesterday morning, when scrolling through tumblr i saw that a friend had reblogged a commission of a main character for The Nameless that looked startlingly like my oc, Euridi. Euridi is a character i first created in 2013 and, just like with all my ocs, everything about her is deeply personal to me–i’ve drawn vent art featuring her plenty of times, so i immediately felt sick seeing that she was stolen, and contacted the artist.

while i was trying not to freak out and waiting for them to reply (which they did, and they were very kind and understanding–took everything down, cleared up some things for me) my friends started digging into faeinthefog, and everything went to shit after they found their twitter account, ElouanVT. in it, this person seemed to have frankensteined a fake personality, using selfies of a small polish influencer called igarosa as their face, and they posted not only the Euridi commission, claiming she was their oc and not bothering to even change her name, but they also posted my own art, claiming it was theirs, as well as multiple other commissions they had gotten of my characters.

besides this artist, who had done three commissions for faeinthefog, my friends and i were able to find four more of them. i’ve heard back from two of them so far, and i want to clarify that none of the artists seem to have known that the characters were stolen, and they are not to blame for what faeinthefog had been doing. it seems that the way faeinthefog would commission the artists was sending them profiles and descriptions they had copy-pasted from my blog, as well as sending them picrews that i had previously posted. both of the artists i talked to confirmed this. i believe faeinthefog started stalking me and stealing my creations about 9 months ago, since that was when they created their (now deleted) account on notebook.ai where they had uploaded at least 15 of my characters, if not all (i felt too fucking nauseous about it all to scroll through everything).

the reason that this freak shit flew under the radar for so long despite the considerably small size of the IF fandom is that when faeinthefog posted the commissions on tumblr, they never once said the oc’s name and rarely credited the artist responsible. meanwhile, on twitter they not only name-dropped my characters, but also (in my opinion) seemed to claim that each interactive fiction that features the characters is a story of their own making, as seen in the way they talked about Parker's The Nameless in their tweet featuring Euridi. it should be noted that in their tumblr blog description they referred to themself as a “game dev”, i've yet to find anything they have actually made themselves besides my trauma, however. here are examples of commissions they’ve gotten of my characters and the way they talked about Attollo, Body Count, Swan Song and Andromeda 6 as if those stories were their own work.

not only did faeinthefog steal my designs, my art and any word i’d typed about my characters, they also stole my oc spotify playlists as well as my pinterest boards, pin by pin. before they deleted their pinterest account, i saw that the last time they’d pinned something was two weeks ago. truly fucking insane behavior.

i have noticed that they even copied who my ocs were in a relationship with in each game. furthermore, whenever this person posted my art on twitter, each and every single time they would also copy the exact caption i had written on tumblr. even if it made no sense at all out of context. when it came to posting my ocs as their own, they also used quotes that i had already used in my own profiles.

i want to add that i am either friends, in semi-regular contact, or alpha-reading for five out of the ten authors i mentioned, and from what i gathered none of them were truly aware of this person or what they were doing either. the authors who had reblogged commissions that faeinthefog posted were kind enough to delete them after they found out as well.

speaking of friends though!!! as if all of this creepy bullshit wasn’t enough, besides reposting my art, faeinthefog would repost gift art i’ve received from my friends, claiming it had been made for them by their friends–without changing any names. i also found at least one instance of them reposting art i’ve made for artfight, name-dropping the giftee even when i hadn’t, which meant they had to go digging through other people’s blogs to get them.

(the embed for this one broke and i couldn’t include the picture, but the repost was of this art i made last year during artfight for tumblr user @/whoreromancer, with my signature cut out.)

as you can see, this person had been blatantly stealing from me for months, claiming to have made the things i’ve created and claiming the people i love had any sort of relationship with them. i honestly can’t find any other explanation for this behavior + the fact that they commissioned my characters multiple times other that calling it an obsession with me (after some digging done by my friends, we haven’t seen them steal from anyone else, for better or worse) and honestly, fucking insanity. as i have stated before all of this hurt me deeply and freaked both me and my friends out a lot. anyone who knows me knows how much love and dedication i put into everything i make, including my pinterest boards and playlists, so thankfully i received a lot of love and support from my community.

it does make me wonder though, whether faeinthefog targeted me thinking i had a small blog and no one would notice/care? wherever this person is now that they’ve deleted the accounts i knew about, i have no doubt in my mind that their behavior won’t change, and if they don’t continue to rip me off, they might invent themself a new personality and pick someone else. my friends and i have reason to believe that (despite their clear lack of imagination) this person is willing to switch identities in order to have an online presence, and we have no reason to believe that they won’t come back. i hope the IF fandom continues to watch out for each other. i added watermarks to all my art, which i think might be a good idea for everyone to do? i never thought someone would steal my art/ocs and yet here we are.

thank you for reading, and thank you to everyone who helped me and supported me during this mess.

#signal boost #interactive fiction #choice of games #itchio #mo dao zu shi #mdzs #the untamed #faeinthefog #sapphovonchat #art theft #i think those r enough tags #i've also known them to be in the critical role fandom ftr. so idk if anyone finds more comms let me know and otherwise be careful !! #ari.txt

[y2kbugs-moved]

Reverse Unpopular Opinion Meme: Viktor Arcane? Or Jayce if you want to do Jayce Defense

 I want to do BOTH because these guys are a PAIR and should not be seperated. This WILL be long so I’ll put it under readmore

Jayce will go first because his character is still quite misunderstood by the fandom and he still gets unnecessary hate for some reason? He might be a flawed man (just as all the characters are), but I don't think anything he does warrants so much hate in my opinion?

Especially if you look at the context of the events within the series and how he reacts to these events, and knowing his background helps. He's a man who grew up privileged though he did have a traumatic childhood experience that was the driving force for his ambition in science and magic/hextech. His lifestyle beyond what happened when he was a child could probably be described as "comfortable".

But that could go on a whole rant about why he’s misunderstood by the fandom and why him being a flawed person does not make him a fundamentally bad person, and this is about good things I like about the character, so:

1. He’s very handsome. I’ll get this out of the way first, he’s super good looking and the designers knew that. He has the same eye color as Viktor and I’m a sucker for eyebrow scars! Also LOVE his hammer weapon. He looks a lot better than his game counterpart, and speaking of...

2. His personality and ambitions in the series are a lot more admirable and attractive to me than what I’ve seen from the game lore. He just seems a lot nicer (though grows bitter towards the end)? I get that he probably will spiral further into his game-self in some way in season 2 and that’s going to be something to see! I guess it is a corruption arc but on a smaller scale than Viktor’s. Kind of a fucked up Superman.

3. I adore his relationship with Viktor, especially when compared to the game again (at this point it sounds like I’m dissing on the game lore...I mean, the lore has some really good bits in it! And I’m sure the series will make use of those good parts of the lore! Just other parts are a little less...great and also can be inconsistent). He isn’t afraid to put his hand on Viktor’s shoulder or back and it’s usually pretty clear he cares for him, even if in some scenes it might not look like that (this could just be my interpretations of specific scenes however). I’m 100% of the interpretation that he always cared and his sudden promotion into a political position and the stress that came with it + the potential war from Zaunites coming on really jeopardized things for both characters, and from there we can see where they’re breaking up and going to spiral down. This is why their divorce era in season 2 is going to be even more tragic!

Now it’s Viktor’s turn! My blorbus maximus, the scrunkly etc etc Spamton who (I’m kidding, I still love him).

Viktor is also misunderstood but kind of in the opposite way to Jayce? I’m actually seeing similarities in how some of the Deltarune fandom treats Spamton when it comes to Viktor’s character, and that’s going to be something to consider when we get season 2 since we get his villain arc! But pretty much I’m seeing some similar ableism and infantilization of his character, making him seem weak and helpless and I get it, hurt/comfort is great but you can write that without going into offensive tropes and stereotypes?

1. Like Jayce, he’s also hot. In a very different way, though. I’ve always been really drawn to his eyes in particular, they’re so cool to me. How do people draw those? Teach me. But the other thing that makes him different is that, I feel like the animators still kept him attractive even as he got very sick? He’s hot in a Victorian period tragedy sort of way. I have a type.

2. Beyond just his looks, he is just such a good character in his arc, and I love how he works as disabled representation. Now he isn’t perfect of course but he’s probably the best I’ve seen in a long time. He isn’t portrayed as pathetic or middling because of his disability or illness, if anything it’s the opposite! He actively shows himself to be self-assured, though reserved as a person, and he works so hard to try to make the world a better place, and does everything he can to keep himself alive instead of just...”giving up” on his sickness. Of course we all know where this ends up but to be honest I am excited!

3. He has so many good lines, probably some of the best in the series in my opinion? I also love how emotional he is and how that will absolutely affect him later on in his corruption arc!

There’s absolutely more but my mind’s gone blank again.

[clarahue]

AO3 Q&A

Just realized that I’m almost at 100 fics on AO3. Then I realized I’ve actually already crossed that with my anonymous works, abandoned fics and ones that have be deleted. So I decided to celebrate by doing a little fic Q&A for fun.

Under the cut

What is your first fic:

My first fic was a Rumbelle fic titled “A Not So Beauty and Beast”. It has now since been deleted and I only remember that is was a work office AU. I vaguely remember a chapter where Belle had to get a needle, but nothing else.

2. How did you start writing fics:

I have always had stories going on in my head ever since I was a kid. I did write some stories for school projects and enjoyed doing so but never wrote for fun. When I got into TV my best friends introduced me to the world of fanfics and I started reading some. I remember having a sleepover at my friends’ house in high school. They were talking about how they wrote fanfictions and suddenly I had the courage to start writing my own. That same night I stared writing “A not so Beauty and Beast”. From there the rest has been history.

3. Do you respond to comments:

I’m trying to get better and respond to more. But sometimes I don’t now how to respond to comments. I always appreciate comments though as I often get very few on my fics.

4. Do you write crossovers:

No, though I did write an Avalance fic story with the Emma & Lily storyline for OUAT (When You're Around, Things are Brighter)

5. Have you ever received hate comments on a fic:

Yes. On one of my smutty fics a person left a comment that I was deranged for writing a specific kink. I shrugged the comment off because the fic was clearly labeled and the person didn’t have to click on the fic.

The only time a comment really bothered me was really early on in my writing. This was on another of my deleted fics. It was titled “How Seagulls Fly” and it was a CaptainSwan fanfiction. Someone left a comment critiquing why I was including flashbacks that had nothing to do with the story. I was really sensitive to critiques as I was still new to posting fics and took the comment a bit too personally.

6. Do you write smut:

Yes. I have written some pretty kinky stuff too. Most are posted anonymously because one of my best friends stalks my AO3 account and I’d die if she saw them.

7. First fandom you wrote for:

Once Upon A Time. Unfortunately I deleted most of my OG fics because I was embarrassed with how bad they were written. I wish I hadn’t now. I think it’d be amusing to look back on them.  

8. Favourite fic you’ve written:

Oh, so many. So many of my stories have such meaning to me and I love going back to read them. I usually go back to read more recent fics as they consume my mind the most.

For my favourites of my fics I’ll pick: “The Things We Don’t Talk About” (X-Men, Cherik), “The Tutor” (OUAT, Rumbelle), “By the Water’s Edge” (OFMD, BlackBonnet). “Drawn On My Skin” (Supergirl, Sanvers) is pretty good as well. I’m kind of obsessed with how well I wrote “Soulmates, Load of Bullshit” (OFMD, Steddy Hands).

For personal stories I’d have to say: “My Loki Verse” (series), “The Path That Leads Us Home” (Marvel/X-men, Maximoff feels). “Fallen Star” (Marvel, TaserTrickster) is also really meaningful to me. When I do go back to read it, I do find it a bit lacking. But it's clear to me that while I was writing it I was dealing with my own grief over a loss in my life.

9. Most poplar fic:

“An Exitance Unlike Our Own.” (18,837 Hits, 911 Kudos, 86 Comments)

I think this fic just hit a very niche ship (Agent Reign) with popular tropes (fake dating, undercover, living together) and blew up. It’s by far my most popular fic, no other pales in comparison. Even the fics I think are better.

I think “Soulmates, Load of Bullshit” (OFMD, Steddy Hands) has the most comments on one chapter though (36). That one blew up a bit and I was so proud because I liked that one so much. I thought I did a really good job with it.

10. What category do most of your fics fall under?

Alternate universe.

I love putting my characters into different scenarios and spinning them around in my mind. I like making them kiss like they’re toys I’m playing with. It’s fun.

11. Do you read your own fics:

Yes, and yes. I actually love rereading my own fics. It makes me so happy to go back and read them and to reread comments.

12. What is your writing process:

Usually an idea hits me and I’ll jot down in a Google doc or Word document. Funny enough the best time in which I’m writing the most, or the most inspired is when I’m in my bed before I go to sleep. So I’m usually typing the fic in my phone while lying sideways. I type so fast I end up with a lot of typos so I have to go back and edit everything. But I really like the whole process of editing. This very flawed system is what works best for me.

13. Is there a fic or idea for a fic that you've abandoned?

Most definitely. I’ve actually had quite a few. Recently I actually wrote a whole fic out only to never post it and throw it away because I ended up not liking it. I’ve been tying to just have fun with my writing and not care so much about posting or having people comment. I want my writing to be something I enjoy.

14. Is there a fic you wish had gotten more attention?

Yes, so many. Like all of them. For now I’ll go with “By The Water’s Edge” (OFMD, BlackBonnet)

15. What ships have you written the most for:

I’m almost embarrassed to see that Aziraphale/Crowley (Good Omens) have topped my list (9) as they only started consuming my thoughts within this past month. Most of their stories are one-shots. (see Amber Eyes and a Wicked Smile). I have more stories in the works for them as well.

My next top ships are what I expected. I have Belle/Rumplestiltskin | Mr. Gold (7), Alex Danvers/Maggie Sawyer (7), Sara Lance/Ava Sharpe (7), Evil Queen | Regina Mills/Robin Hood (6)

If I added my anonymous fics to this, Blackbeard | Edward Teach/Stede Bonnet would probably be up there as well.

16. What fandoms do you write for:

I’m kind of actually proud to see that OUAT still remains the top fandom I’ve written for (19). This is followed by Supergirl (12),  Marvel (11), DC's Legends of Tomorrow (10), and Good Omens (9)

17. What's your longest story:

“The Princess and the Warrior” (OUAT, RedWarrior) was up there for the longest time at 33,567 words. But I passed it with two Rumbelle fics, “The Union” (40,348 words) and “Finding You” in first place at 59,158 words. “Dance With Me” (Good Omens, Crowley/Aziraphale) is shaping up to be a competitor as I’m still currently updating it. Right now it’s in second at 41,182 words.

18. What do you hope to achieve with your fics:

I hope to maintain F/F as the main dynamic I write about as F/F fics are severely lacking (currently I'm at 36) . However I strive to continue writing whatever makes me happy, and to continue writing things for my own fun.

#fanfiction #Q&A #about me #AO3 author

[neptunevasilias]

It’s finally done! I might line and color it later, but for now you get this sketch

Dedicated to @kanis-berry who so kindly drew me Fox the other day

#yatsu’s complicated outfit vs fox’s scars FIGHT #rwby #sweet retribution #yatsuhashi daichi #fox alistair #rarepair #team cfvy #my art #if you see the other drawing in my tag no u don’t <3 #it’s very clear i’ve drawn for more fandoms since the first time i used a stylus ksodfjsoidjfrjg

[bettsfic]

Hi betts! I hope you’re doing alright and that your semester is wrapping up smoothly. I have a question about genre, I guess? I’ll preface this with the fact that I am not a writer or lit person, but just an enthusiastic reader. But as I’ve been on Tumblr and TikTok (in this case BookTok), I’ve noticed that it’s a lot of the same kinds of books that people get obsessed over. Largely, SFF written by women and often in “new adult.” I’m thinking of V. E. Schwab, Leigh Bardugo, etc. I’ve read a number of these books and enjoyed some of them quite a lot, but they’ve never captivated me the way they do some. That’s fine, people have different tastes. But after being served yet another TikTok about this same category of book, I kinda realized that for some reason they just don’t feel that adult to me. Which is weird because they typically deal with very adult themes. Some are super sexual or violent and the like, but the way they’re written doesn’t feel mature to me. Even The Poppy Wars, which is very adult, falls into this category for me (I did enjoy this one, though). I’ve tried to interrogate this for bias, especially since I know a lot of people like them because they are written by women, (mostly) feature more diversity, and have large female audiences. But then I think about which books did feel adult, but fall in similar genres: N. K. Jesimin and Ursula Le Guin come to mind (even her youth fiction feels more adult to me). So I guess I’m curious what you feel makes a writing style more mature versus simply the content? Why is it that SFF, while often depicting adult events, doesn’t come across as mature? I guess my frustration is that it’s one of my favorite genres, but the recommendations I’m getting across many folks just...isn’t the SFF I want. How does one distinguish between these? Idk if I’ve expressed this well and I definitely am not trying to judge people. I’m just looking for a certain atmosphere in my reading that I find rarely.

i’m so excited i have an answer to this. so first i want to say, i experience this also and it’s why i struggle to get through a lot of books. it’s why i love the secret history but couldn’t get twenty pages into if we were villains, even though everyone told me they had a lot in common. even if the description of a book is compelling and the story is very much to my taste, and even if the writing is totally competent, i’ve found that sometimes there’s just something lacking that makes me set a book down and never pick it back up. 

i was thrilled to find there’s term for this: the implied author.

the implied author was coined by wayne c. booth in his book the rhetoric of fiction which, while dense, is a really fantastic read (if you’ve been keeping up with my newsletter you know how feral i am for this book). as a blanket definition, the implied author is the space that exists between the narrator and the writer. when you read something, you can’t make any factual conclusions about the writer (the author is dead and all that), but the narration often tips you off to the idea that the consciousness behind the writing is wiser and knows more than the narrator. 

that’s a very condensed version of booth’s definition, which takes up like 40 pages. here forward are some conclusions i’ve drawn based on it. 

when the space between the narrator and implied author is narrow, some of us as readers tend to get bored pretty quickly. it’s what you’re referring to as maturity. however, when that space is wide, when it’s clear that the implied author is much, much bigger than the narration, that’s when i’m willing to sink my teeth into something. the wider that distance, the more i’m happy to ignore things like syntactical clumsiness or poor grammar. i would follow a good implied author into hell. 

for example, i could write a story from the point of view of a violent abuser. if you were to read it, you wouldn’t be able to say for certain that i, the writer, was not a violent abuser also. but you would be able to tell via the implied author whether or not there is an awareness of the abuse, whether it’s being written with intentionality. not morality, mind you, but artistic purpose. 

the implied author has an idiosyncratic relationship to the reader. sometimes depending on the complexity of the work and the critical reading skills of the reader, the presence of the implied author can be invisible. this is the catalyst, imo, to a significant amount of the present morality discourse. many (if not all) purity officers and antis don’t have the reading skills to be able to see the implied author, or that the moral trespasses that occur in fiction are written intentionally and for a purpose. they believe that anything depicted in fiction is advocating for or promoting that which it’s depicting. 

lolita is kind of the ultimate classic example of the inability of some readers to see the implied author. nabokov even has a fictional preface from the pov of a scholar doing research, flat-out telling us that humbert is a bad guy and Do Not Trust Him. and yet, lolita has been misinterpreted and vilified for decades now.

in that same vein, the implied author is the reason that some stories put a bad taste in our mouths. it’s how we reach the conclusion that a story is racist or sexist or homophobic outside the literal depictions of racism, sexism, and homophobia. how can you witness racism taking place in a story and know that it’s speaking to the experience of racism and not advocating for racism? that’s the presence of the implied author. sometimes, though, you can’t tell. sometimes a writer tries to speak to the experience of something and fails at making clear their own awareness. or sometimes, they’re just not aware at all. 

in fanfiction, the implied author takes place, in part, in the tags. i remember stumbling upon a fic written by a purity officer which depicted an extremely unhealthy, non-negotiated power dynamic. and none of it was tagged. i had no evidence the author was aware that they were even writing something “problematic.” obviously i support their right to depict whatever kind of relationship they want for whatever reason they want, but i did find it a bit off-putting, that this person who was a known harasser in fandom had no seeming understanding that they were writing the very kind of fic they were rallying against.

but, you know, my hands aren’t clean either. until the MFA, i was a very poor reader. for example, in 2010 i read the hunger games for the first time. in 2020 i re-read the series on my kindle, where all my annotations from 2010 had been saved, and so i got to see all my glaring misinterpretations of the text. every time katniss has to get dolled up in the capitol and made beautiful, i left a note like “ugh,” because i thought all depictions of performative femininity were Bad. even though thg is a YA book and i was an honors student in college, i was still unable to see that katniss’s beautifying was commentary on consumerism. i was oblivious to collins’ implied author, the presence in the book that is shaking you by the shoulders and going, THIS IS WHAT’S WRONG WITH SOCIETY. 

but sometimes, like in your case, the opposite situation occurs: you the reader are wider than the implied author, and so some books have little to offer you in terms of depth or insight into the human experience. i don’t mean that to sound pretentious or anything; what i mean is, we all read at different skill levels and for different reasons, and we all get different things out of the stories we read. we’re all at different places in our reading lives, and we all have room to grow.

i hope i explained this clearly enough! hopefully one day i’ll be able to write a formal essay on this, because booth wrote about it in the 60s and a lot has happened in fiction since then. 

#implied author #writing advice #Anonymous

[savoryscribbles]

Staying At the Wangshu Inn

A/n: Haha how long has it been since I’ve written something???? Idk? Anyways I’m in a new fandom… again,,,, anyways enjoy the fluff

Paring: Diluc x gn!reader

Tags: fluff, only one bed trope, mutual pining, lots of blushing(sorry, you and Diluc be awkward)

Warnings: none? Kinda suggestive???

It’s easy to understand how you got here, but it certainly wasn’t the outcome you hoped for.

Sure you liked Diluc, romantically speaking, had you told him yet… no. There’s no problem with that, only it became increasingly difficult to hide said feelings when you had to be inches apart from said person you were totally not crushing for.

Diluc was confused, he remembered reserving two rooms at the Wangshu Inn, yet only one was available. Had he know this prior, he would have made sure to ask for two(2) beds. Knowing this, and now knowing that only one of the two rooms he asked for were open, made Diluc a little flustered. Sure Diluc was stone cold, and very good at hiding his emotions, but things still catch him by surprise, not to mention his feelings for you was something he had not yet discussed with himself, opting for pushing them away, hoping they’d stay there.

“Are you sure there arnt any rooms available with two beds?” He muttered, hoping you wouldn’t point out his slightly pink face.

“I apologize Master Diluc, but I’m afraid not.” Verr said with a frown. You both sighed at her response, but were to tired to push the matter further, instead accented the stairs to your room.

When entering, the first thing your eyes were drawn to was the bed, which was reassuringly large.

“Umm so…” you started, not sure where you were going with your sentence.

“I’ll sleep on the floor.” Diluc responded curtly, somehow knowing what you wanted to say.

“Are you sure? The bed is quite large, I’m sure you’ll hurt in the morning if you sleep on the floor.” You questioned.

“I’ll be alright” he responded with a nod “you should wash up, we’ve had a long day, and another one tomorrow.”

You decide to listen to his words and headed towards the bathroom, before stopping and turning around.

“If you’re really going to sleep on the floor, at least take a nap on the bed first so you get some semblance of sleep.” You suggested, smirking to yourself as you locking yourself in the bathroom before he could protest.

‘I guess a small nap couldn’t hurt’ Diluc thought to himself ‘they are right, my back is going to hurt like the devil in the morning’ he decided he was going to take a nap, and settled on the bed, not bothering to pull the covers down.

You hadn’t realized how much time you’d spent in the shower until you reentered your shared room, only to see the dark star filled sky in place of the orange hues whom were there when you entered. Your eyes fell to the bed, seeing Diluc sleeping peacefully. You cringed as you saw him laying atop the covers. ‘How am I going to get under them? This was my plain, but I expected him to actually use the blankets…’ you didn’t like seeing him still fully dressed in his combat attire, which was Lilly uncomfortable for lounging, but… you also didn’t want to wake him up, because likely he would refuse the bed, and instead let you use it, which is exactly what you didn’t want to happen.

You’d finally devised a plan, decided your best corse of action was to just sneak into the bed, and hope he doesn’t wake up. But first, you quietly exited the room, and asked Verr for an extra comforter, which she happily let you barrow.

You still were upset that Diluc would be sleeping in his uniform, but decided it was better than him sleeping on the floor, and carefully put the extra comforter over him, tossing your fingers he wasn’t that light of a sleeper.

You looked down at his face as you finished tucking him in, he looked peaceful, free of worries, so unlike his cognizant expressions. You justified that a little forehead kiss wouldn’t wake him, seeing at you’d already layered a blanket atop him without trouble.

You gently pressed your lips to his hair covered forehead, but froze as you heard his sharp intake of breath, you waited a moment, not realizing your lips were still on his skin, before pulling away, hoping to find his eyes closed. Only luck wasn’t in you hands, because his eyes were very much open, and his cheeks quite red. He looked at you as he sat up.

“Sorry, I didn’t mean to fall asleep.” He said, adverting his eyes away from you. “I hope you weren’t going to sleep on the floor.” He added with a scowl.

“I wasn’t” you responded, giggling a bit, “I was going to sleep on the other side, I just wanted to make sure you were comfortable first.”

“Oh, you didn’t need to, you should have woken me up.” He whispered as his blush darkened. At this point you wanted to see how flustered you could make him.

“And let you sleep on the floor? Nonsense. You should get changed into something more comfortable, I truly don’t mind sharing the bed.” You smiled, resting you hand upon his shoulder, making him take a sharp breath.

“Are you sure? I really don’t-“ he tried

“Yes I’m positive, now go change.” You said sternly with a squeeze to the area you were holding, before letting go.

Diluc sighed as he stood up, following your directions and grabbed his night clothes. He was almost to the bathroom when your voice interrupted the silence.

“You can change in here, I’ll look away, I promise.” You truly wanted him to be comfortable, but didn’t realize until after, how suggestive it was. You didn’t even try to retract your words, just sat there flushed with your eyes wide.

He was taken aback but smirked at your flushed face. “You don’t have to look away.” He responded, pulling his shirt off. Your eyes widened further as you covered your eyes. E he himself was surprised with his boldness, but continued changing nevertheless.

You slowly open your eyes as you feel a dip in the bed. “Are you sure you want me to sleep in the bed?” He asks you once more, making you roll your eyes. “For the millionth time, yes I’m fine with it, just stay on your side.” He nodded at your response and turned away from you, scooting to the far side of the bed. You did the same, falling asleep peacefully.

Diluc was the first awake, which wasn’t surprising, however what he didn’t expect when open his eyes was the sight of you, inches from his face, sound asleep on his chest. He flushed red, and stood about as still as a tree on a clear day. His mind raced, not sure what to do. Should he stay still? Should he wake you up? Should he move you as gently as possible? Should he kiss you away? He had no clue what to do, but opted to just stay where he was, you needed your rest, and he was likely going to disturb that if he were to move. However he couldn’t just do nothing, so he reached to run his fingers through your hair, he loved the texture of it, and he loved the little scrunch your face made when he did it. Diluc let out a light airy laugh, ‘you are so cute’ he thought to himself ‘if only you truly liked me back’

You and Diluc had been friends for years, often doing missions together, and you even aided in his quests to protect Monstat. And that’s all Diluc thought you saw him as a friend.

You were gently pulled from you slumber as your pillow, which you didn’t remember being this soft, rumbled, wait- rumbled? You open your eyes only to see that you were not in fact laying on a pillow, but rather on Diluc’s chest, it was embarrassing, but so comfortable, he had the perfect body temperature, which is presumably why you were drawn to him in your sleep. You wanted to stay here for longer, so that’s what you did, you closed your eyes once more, hoping for a little more sleep.

“Why do you gave to be so… cute? And you’re just laying here, I shouldn’t love you as much as I do, but I just can’t bring myself to not,” Diluc muttered to himself with a sigh. This confession of sorts cause you to open you eyes in surprise, right as he looked down at you.

“I- thought you were asleep.” He quickly explained. “Please ignore what I just said.”

That is the exact opposite of what you did, instead you pulled yourself up to hover over him before leaning down and kissing him.

“I love you a little bit to much too.”

#rainbowwritings #gensin impact #diluc ragnivindr x reader #diluc x reader #genshin impact x reader

[sokayisaidiot]

Why Tommy is one of THE BEST written characters in existence.

Alright, that’s it

Here I give you my fuckin Take on why Tommy is one of the best written characters out there and can easily compete with best-selling Novels like Percy Jackson and Harry Potter. I’m sick of a trashing that doesn’t even make sense. So buckle up. Here I will tell you why Tommy has one of the best written characters in history of Books and Movies. Remember, I write this all in my perspective and take many examples of other character books as well

Before this all starts, I will also talk about the main characters of some series, since Tommy has the reputation of being a “main” character.

When I look at the books I’ve read, I see a large range of characters and there way of making the story interesting.

Now, to establish a good character, we need key points of motivations, to make them relatable and bla bla blub:

Personality

Part of the story

Their Powers

Flaws

Relationships

Prized Possessions

History/the backstory

The moral and story the character tells

First tho, I want to explain some words I’m going to use here!

Mary Sue/Gary Stu:

Those are characters who are flawless, have missing chunks of personality and mostly one way written. They are easy to achieve when you are trying to make your character look badass.

Examples in some Fandoms are

·      Rey Skywalker (Star Wars Sequels 7-9)

·      Hermione Granger (Harry Potter Movies)

·      Bella Swan (Twilight)

Tree-System:

Imagine a tree. You plant something small and soon you have something giant with many branches, roots and connections. You have the seed you plant and with caring and care you let it grow. Then you have somewhat a sapling. The tree grows with the care and soon you have a tree with many branches.

~~~~~~~~~~~~~~~

Personality

Negative:

Tommy’s personality is very brash and out of control = He’s barely containable in fights, going off to do his own risky plans and starting two or so fights. He can’t forgive a person very easily like Eret, who took it a long time to get forgiveness and Techno, as he shot Tubbo at the Festival. He makes decision that also cost his life like the duel because he hates losing

Tommy can be very lazy, giving the thought he wouldn’t have to do the hard work = Shown when he tries to steal the hearts of seas from Eret or potions from Techno, bargain with “drugs” by Puffy and Ponk or gives other people the work he doesn’t want to do like he did with getting cobblestone

Like a child, he often clings to close people and annoys others for attention = His desperate attempts to have company or someone praising him shows, when he tries to get Philza’s approval (or a pat on the back), constantly looking out, if Tubbo’s either okay or where his is,

He doesn’t like to wait or doing things in the long run = He constantly asks when something is finished, when they could go or in his exile, when he was allowed to go back to L’Manburg

He doesn’t show often his cooled down, scared and vulnerable side = He often overshadows his trauma with a facade of jokes and bad hidden hurt he brings out. When he talks about something bad, he’s clearly confused, not really knowing on how to understand it. Also he runs away from things he can’t control a panic attack like visiting the final control room or looking away from the holes in Logstedshire

He runs without head into a battle so often as possible = Only when they had their final showdown for the disc, Tommy was seen preparing in story, thinking it would be his last fight

---

Positive:

But as he has negative traits, his positive shows to many people clearly.

His unwavering loyalty to the closest of people = His loyalty to Tubbo, Wilbur And L’Manburg are, were and always will be a part of him. He stands against anyone who goes against that, even if it means pain in many ways.

Passionate about dear projects of his = You can see Tommy talking about his discs or see an video where he would spent days getting different discs. Those things are very known to be rare things, so for Tommy to possess it gives him somewhat power. L’Manburg was the same passion, even a bit more, as you can see he was ready to give up his most prized disk. The last and in the moment is his hotel

Bravery like no one makes him as one of the dangerous person on peoples hitlist = He stands up for others. He stood up to L’Manburg. He in the end didn’t care that he lost a life. When he sees a foe, he won’t stand down and submit, he will fight against the oppression and tell them that in the face. During the mission to get a visa, he stood against Schlatt, even if they were clearly in the loose of people and disadvantage. Or getting an apology of Sapnap for killing Niki’s fox. Fighting against 5 people with just one ally while the other is a hostage.

His leadership = There are not many people who can take it up, but Tommy is an exception. He can coordinate people with his loud voice and somewhat thought plans. He is charismatic, even if he’s not so good at it like Wilbur, he still can motivate people to fight for themselves or others. He’s seen to lead others into battle and taking in the fighting part a leading role

Unselfish. That’s one of the most arguable things about Tommy`s character = You can´t look at a kid and say he is selfish because he wants to get something dearly back. Especially Tommy, after he gave the things up, he cared about. But if something is happening again, he will lay it down to do the other thing. As seen by the egg, he had a hard time thinking what to do. He, in a long time, didn’t want to be catalyst for something to happen. Not when he in the moment could have stopped it. So doing this act for himself ones, was a good decisions, since they clearly weren’t ready for war

 ~~~~~~~~~~~~~~~

Part of the Story

Outside of the story:

Let’s all just get something “straight”. What would Dream SMP without Tommyinnit. Now. Don’t get me wrong. All the creators on the SMP are amazing. They are all wonderful and deserve every bit of Attention and fame they get. But just imagine.

We heard from Tubbo, he was the one, who got him into the SMP. Schlatt and Wilbur came because of a “visit”. Quackity was added because TOMMY said he was bored. And from that, we got somewhat of a tree system. As Tommy was invited and drawn into conflict by Sapnap (shoutout to best boy!), he got more people.

He also has the highest viewership and kind of shortest streams, since he is doing college next to Youtube and Streaming. He can’t give up his high viewers since all of those 200.000 (average) – closing 650.000 People (doing something like a big lore stream in prison or the disc final), choose to watch him.

Also a reminder again, Tommy has his storyline as does everyone else. When we saw Tommy and Techno during the partner up arc doing something with the dogs, they saw the start of the red vines arc BUT said they were on the wrong storyline. Tommy was asked by the eggpire writers if he wanted to be a part of the story and he said yes. Why do you think he nearly says nothing about the egg. He leaves it to the writers. Also, it was said by one of Wilbur’s Character descriptions, that Tommy was okay with others doing something with his character, while Techno was more reluctant with his.

Let me say it again, every creator is awesome and individual! Nobody should be compared to others. But with Tommy coming to the Dream SMP, there really was a change in the game.

Remember, that’s because we also have a BT (before Tommy) and AT (after Tommy) Timestamp in the wiki!

Inside of the story:

Now, with Sapnap, Alyssa, Ponk and Tommy in the first ever big conflict its shown the importance. People assume Tommy is one of the conflict bringers, even though he was dragged in it by having something stolen by Sapnap and then forced to fight with him, to get it back.

The Consequences he’s got where having his discs get stolen. This is what Tommy’s biggest character motivation was the first two seasons. Those discs are known on the server and when you think about gifting something to C!Tommy, it would be a disc.

Techno = Disc Wait

Badboyhalo = Disc Pigstep, Chirp

HBomb = Disc Pigstep, Wait

Tubbo = Stal

LazarBeam = Far

Tommy is a openminded boy who longs for funny little adventures and pranks, since he is just a young person. It’s in his nature.

So why, when he does something, are people looking on him?

Because the things he was and is a part of some of the biggest events. And him being so loud and brave and rash lets him stand out. If you look at the old (hah) Revolution of L’Manburg, who can you hear talking the most and the loudest? Tommy and Dream. They were the most outgoing about the war with Sapnap, Tubbo and Wilbur following. Fundy was more quieter (thankfully he has so much more lore now).

Tommy’s character is known to fall or be dragged head first in almost every conflict. He has connections to who? Mostly everybody. So of course he’s connected big parts to the stories.

~~~~~~~~~~~~~~~

Powers

Okay. Every “main” character or character with huge importance to the story has some kind of power. Looking at Dream, who is a “demigod” or Ranboo who I don’t even have to talk about. So what about Tommy?

Well. He doesn’t have any. Tommyinnit is one of the people, we get to have as an “human” character

Hannah = nature “Spirit”

Karl Jacobs = Timetraveller

Antfrost, Technoblade, Ranboo, Fundy = Hybrids

Dream = Something something green blob

Awesamdude, Puffy, Philza, Sapnap, Eret, Schlatt = Adding Features (wings, eyes, body parts)

Badboyhalo, Skeppy = completely different species apparently

Tommy has, as we know of the moment, a not confirmed power. The assumptions of the egg are not clear, since we haven’t seen those interact in a while. All we know is, Tommy didn’t get hurt, destroying a part and not feeling anything, while being in contact. That in canon considered.

~~~~~~~~~~~~~~~

Flaws

As talked before in personality and also in an assumption, we see the pattern of loyalty and brashness repeating.

Flaws are the most important parts of a character. It shows the struggle of their adventure and learning how to live with it.

Percy Jackson learned loyalty is nothing, if you don’t have someone to project it on.

Harry Potter and Luke Skywalker learned being a hot head didn’t really bring him forward and it’s important to have a plan

Frodo Beutlin learned that it is okay taking care of yourself and what attachment means

Anakin Skywalker learned fear is controllable and it shouldn’t be a remaining part of your life

Tommy learned over the time that his rashness could hurt others, loyalty couldn’t come back to him like he gave it out and he learns even more in the coming future.

~~~~~~~~~~~~~~~

Relationships

Tommy’s relationships is a mess of strings. Some are badly knotted and some are very clear.

A characters connections is an important part for the character himself.

Relationships in life are

·      Enemies(-figure)

·      Rivals(-figure)

·      Friends(-figure)

·      Family(-figure)

·      Lover(-figure)

·      Complicated family(-figure)

·      Complicated friend (-figure)

Relationships are a part of everyone’s life. Not with everybody is a good relationship holdable. Either it’s because their hurting each other or another person. People change and that’s a part of life.

Tommy realized, even tho it hurt, that Techno wasn’t good for his mental state and health. It went against everything Tommy ever stood for.

And Tommy and Tubbo’s relationship wasn’t really that broken. It’s normal for friends to fight. Normal for them hit their heads in. Tommy and Tubbo were surrounded with people who were, at the time, a terrible addition to their mental life.

The Dream SMP doesn’t talk it out, hell the talking club was just destroyed because they preferred fists over words. So why do you think everything is going out with a fight, if it’s all they learned.

~~~~~~~~~~~~~~~

Priced Possessions

Every character has to something a connection.

Might it be Percy Jackson and his sword

Might it be Harry with his glasses, broomstick and wand

Frodo and his stupid ring

For Tommy we all know it’s his ender chest inside and secret chest. He keeps many belongings in his chests and always has been one for those things. He kept flowers, compasses, Friendship signs and most importantly, his discs.

The care for something of items are important. Might it be a teddy, old photo or jewelry. People get protective over it, because it holds sentimental value to the person.

If you ask me, to let go of my teddy bear, I will show you my middle finger. Probably beat you up too.

You can’t just throw out your memories into a fire or pit of lava. This is just showing you never had a care and everything you had a memory with it before would have been gone.

~~~~~~~~~~~~~~~

History/Backstory

We don’t have much here, but still something to work with.

A Hero doesn’t have an easy live. And it’s an said thing that every Hero needs an origin Story.

Tommy, said not really anything about his past.

All we know is that Tommy didn’t have anyone, presumably an Orphan, he knew the sleepy bois already a long time ago and he never learned on how to ride a bike, saying he never really had a family.

Signs that he didn’t even leave half a good life are:

·      his knowledge on stealing and preferring this over working for it

·      Liking to live in weird spaces like carved out holes in sides of hills (his hobbit hole or the basement by Techno) or living in his tent over a hole house

·      His liking of cobblestone and dirt, which are easy gettable blocks

·      Holding his goodies and friends close to him

·      Craving for attention or contact in general

And now for the part with the dream SMP.

We saw how it changed him. We saw his trauma and all the bad things that happened to him.

And that’s why we say his actions came from those past experiences and things. We are NOT excusing them, but showing. Past trauma CHANGES a person. It brings experience and a heavy amount of pain and anger. ESPECIALLY at a young age, you will change due to your experience in life. You will grow worried and anxious. Tommy did that. He grew more anxious, angry, scared and also experienced.

Stop saying trauma doesn’t explain it. Yes. It does. His lashing out came from his past and negative experience. Imagine growing up in a world where this is the norm. War and banishing. As well as death. Tommy has reasons why he is acting and does stuff.

Understand it. You don’t have to forgive him or anything. But understand it.

~~~~~~~~~~~~~~~

The moral and the story the character tells us

When we see Tommy, we see a boy who went nearly through it all. Mental/Physical Abuse, Abandonment, War, Suicidal thoughts, betrayal, Death, etc…

He doesn’t show forgiveness for his abuser. Still has signs, that he fights with the past abuse, but he tells us a story of learning from past mistakes, that even in the darkest hours, there’s a way out. Things will, can and be ugly and those are dark hours, but in no way should you think that it’s over. Life is more than one way and can always turn into a new direction.

Life takes something old away from you. Life gives you something new. You lose someone, you find someone new. Friends can turn into enemies. Enemies can turn into friends. You can meet the weirdest people. You can meet the most amazing people. You can be alone and in the next second, you’re not. You will often lose, but you also can win if you give everything.

Life can be weird and that’s okay.

~~~~~~~~~~~~~~~

My Fazit (that’s german)

The thing is, he is very real for many viewers such as myself. He acts like how many teenagers his age reacts.

He doesn’t be “baby”, because he shows the “ugly” sides of trauma. He shows that attachments are good and you shouldn’t forgive your abuser. In no way. He shows that acting out and lashing out are two things that happen, when you have been in wars for many times and nearly just know that.

He has many flaws and mistakes but those make him even more real. He is showing how he is growing.

As a person, friend, (pseudo-)family.

He is real to many of the viewer since he doesn’t have any powers that are existing in our world to solve their problems. He knows that nobody would have helped him and Tubbo against Dream if he didn’t pay others.

Also that you can’t be friends with everyone and that it’s okay that not everybody likes you.

Tommy´s character is the most human and realistic character in a way of how we would react. We are humans who are lashing out and who are having ugly sides.

And also please stop saying that, since I really can relate to Tommy and I don’t want to be feeling like a “bad-written Character”…

And Don’t even get me started on Tommy’s acting dude!

He is one of the best actors and that one livestreams! In from off 200.000 – 600.000 People!

On the face cam alone is so much to see…  

·      You can see his face with each emotion shifting,

·      when something funnily weird happens, he looks dead eyes in the camera

The voice acting…

·      His breathing,

·      the stuttering in his voice,

·      THE GODDAMN EMOTIONS IN HIS FACE

HIS MUSIC CHOICE!

·      He changes the music fitting for the situations as in fighting scenes or funny moments.

·      He also has some funny bits with his music.

·      Like a goddam DJ!

The ingame character

·      His movements and head stares

·      The jumping around when he gets overactive

·      Long stops when he thinks or is sad!

You can see, I am a person from Tumblr and saw way too much bullshit around tommys character.

Stop critiquing him so badly.

You could say, I woke up and chose violence

>:D

#tommyinnit #mcyt #dream smp #character analysis #dream smp character analysis

[rantrambles]

Ever get so upset you make a Tumblr account to vent?

I haven’t even listened to The Penumbra Podcast yet but it’s on my list because it’s insanely popular and the cosplays I’ve seen are hot as hell (A+ to all the cosplayers I’ve seen you’ve done great work). Now, with the recent news surrounding the podcast, I’ll wait till it’s done if I ever do get into it. I’m Asian and part of the LGBT community but I’m not nonbinary so I can’t say much about the trans represention in the art but I wanted to add my two cents on the matter as a person of color and someone examining the situation from the outside. Also, before I get deeply into it, I’m not the only person of color with opinions on this matter so if people have their own frustrations and criticism with the racism in The Penumbra Podcast and/or the new artist they hired, definitely listen to them too. These are my own personal opinions, and I’m sure other people will disagree and that’s fine. We’re all going to have different views on this so bear that in mind. Also, feel free to correct me or add anything if I’ve missed some information. Here’s a great breakdown of the whole situation for those that don’t know what happened. Finally, I was very hesitant to post this, but I felt it was important because I make a statement at the end on how race should be presented in a podcast format so if you are interested in making a podcast and want to have a diverse range of characters, please skip to the end to read those thoughts.

I’ll start off by saying, I’m not even that upset with the new artist that The Penumbra Podcast hired. I know that statement alone is controversial but I don't personally know them, and I’m not going to judge who they are as a person by a few pieces of art they’ve made. They are the least of the problems that I have here. Since the announcement and the backlash, I’ve been scrolling through the artist’s Instagram account and I can tell why people find the designs offensive, but I’m also comparing the designs to the artist’s other work, and I honestly believe that’s just their style. They’ve exaggerated the features of just about every character they’ve made, regardless of race or gender. From what I’ve seen the sharp angles and overly round curves in the anatomy that make some of the character’s features more jarring are how they prefer to draw. I’m sure they’re capable of drawing more realistic proportions but for the most part they’re art aims to call attention, be bold, and create distinguished features. Not inherently a bad thing on its own.

And yeah I’d understand the issue if this were a scenario where the artist heard how these characters acted in the podcast and thought “hey, obviously this character is a black woman because they are super strong and therefore must have big muscles, no other woman could look like that” or “hey, this character has to be Asian because they act super seductive sometimes better draw them as such.” But from my understanding the race was already decided by previous official artists and a general description of the characters were already generated by the audience, similar to how The Magnus Archives leaned towards drawing scrawny Jon with black, greying hair and dark skin. The new artists couldn’t really change those features even if those features aren’t described in canon because a depiction that strayed too far from popular fandom interpretation would make the character’s unrecognizable to the fanbase. 

I think the reason this became such a big issue for most people is because the new Penumbra artist used their exaggerated art style when making these characters and people of color and nonbinary folks already see themselves drawn as these exaggerated caricatures all the time (with those images being used to further discriminate against them). I’m sure the artist didn’t mean for their art to be offensive, but that of course doesn’t change how it was received. 

According to some, the poses and expressions the artists chose did not fully represent the characters entirely and only served to further perpetuate harmful stereotypes, and I’ll have to take their word for it because I still haven’t listened to the podcast so I have no idea how the characters act. But again much of the criticism is based on the one line-up and doing a deeper dive into the artist’s work I managed to find artwork that was much less offensive. Here some art where Vespa is depicted in a non-violent pose and one where Vespa is in a threatening pose but not an overly violent one. Here is Peter drawn in a non-seductive pose. Hopefully, the artist truly does keep the criticisms in mind as they work on the new official art. I’m just not the type of person that wants to get the pitchforks out and cause this particular person to lose a job they seemed really excited about over their old character line-up, especially when that person is also part of a marginalized group.

Again, that’s just my opinion on that particular artist. Those who are offended by their art are still valid in how they feel, and the artist should absolutely take their criticism to heart to better how they represent the characters.

What I’m more upset about is that I think The Penumbra Podcast should never have released official art for their characters in the first place and that’s their mistake that they refuse to own up about. They have made it clear that the story was never meant to portray characters of colors, a fact emphasized by the fact they hired mostly white actors from the start. They only started releasing art of the characters to get a profit. And the thing is they know what they did was wrong. All I had to do was search Penumbra Podcast racism and there is a note on their website saying that they archived some old official art.

“We have discontinued all Penumbra merchandise that uses the original character designs, and in the meantime, any profits on the sales of that merchandise will go to the For The Gworls project. We also realize that the depiction of these characters as POC, while not appropriate for us to use in our marketing and merchandise, has nonetheless become personally meaningful to many POC listeners. For that reason, and because we do not wish to distance ourselves from our mistake, we are keeping these images on our website for archival purposes. Though we do want to make it clear that many of the main/featured voice actors are white and that we did not write the characters to represent any specific POC experience, you are, as always, free to imagine these characters in any way that you like.”

I went to their shop and they still sell posters and pins with the character’s faces on them, but they are donating it to a good cause so hopefully that stays the same. However, I still find it a little uncomfortable that they are still selling character merch and have plans to continue selling character merch. They have no right to dissuade the fans that already found representation in the characters, but they also have no right to profit off the representation that was built, regardless if they made the story. 

Let’s compare this to another piece of popular media. I love Avatar the Last Airbender and, I liked the ATLA voice actors just fine but there should have been more people of color doing voice acting behind the screen too. The voice actors for that show were mainly white too, however, the creators knew that they would be making poc characters. That’s what makes the difference. Did they still choose to go with mostly white voice actors? Yes. Could they have done better and pay more people of color? Also yes. But I’m not as furious at them because they did their research on the cultures they were basing the ATLA world off of and intentionally gave us a show where Asians could see characters that looked like them represented on the screen. The Penumbra Podcast did not do any of that. Again, they openly admitted that it was never their intention to make the character’s people of color when they made the podcast so that goes to show no research was made to properly represent specific cultures. The color of the character’s skin in their official designs therefore became more of aesthetic choice rather than representation, and it wasn’t even their aesthetic choice to begin with!

Race isn’t a color you can just throw onto the character because you feel like it. So I want this to be a lesson to anyone that wants to make a podcast: if you want to include poc characters please do some research into the cultures you plan to represent the way you would with any other form of media. Just because the audience can’t see the characters and just because it’s harder to smoothly introduce the character’s appearance doesn’t mean you’re allowed to be lazy on how you present the characters. Do research before you start writing the first episode and take the time to hire poc actors. Hiring poc actors is actually the least that can be done to show representation. Also, since the audience cannot visually see the race of the characters on a podcast and it can’t typically be described the way you would in a book, you’ll have to be creative. It’s not my job to say how, but my suggestions would be, before the fans come up with their own image of the character, you need to establish race in the first few episodes or release character profiles on a website so that the fans know you canonically intended the characters to be of a certain race even if you aren’t able to mention it in the actual podcast. If you are unwilling to do any of these then the best route is to avoid stating race at all and allow the audience to build their own representation into your form of media. However, once this happens, you are not allowed to profit off popular fan interpretations. You lose all rights to create official art or images of the characters. You cannot use “we have a diverse cast of characters” when you market your story. It doesn’t matter whether you created the content or not, you did not create the representation for those minority groups.

It’s one thing for fans to build their own inclusivity into a form of art like a podcast, but it’s another thing for the creators who never worked to make the representation happen to take advantage of the representation that the listeners built for themselves. Thank you for attending my TedTalk.

#the penumbra podcast #podcast #race #the magnus archives #diversity in podcasts #diversity #tpp #tpp fanart

[toss-a-coin-to-your-stan-account]

Whumptober No. 3: Sticks and Stones May Break My Bones But...

Taunting | Insults | “Who did this to you?”

Summary: Nothing could’ve prepared Geralt for Jaskier being brought to Kaer Morhen, nor for the sight of the bandages on his injured hands. Despite what happened on that mountain, Geralt wants to know who did this - who took away something so integral to the core of Julian Alfred Pankratz. But he doesn’t get the answer he thought he would.

Words: 2k

A/N: DAY THREE LET’S GOOO! And after two and a half months, I’ve finally gotten another witcher fic out! It feels good! I missed writing for this fandom so much (and it’ll help me ease back into Spider’s Thread), and this was SUCH a fun prompt fill for today. This was inspired by some of That Jaskier Content from the latest s2 trailer, and it’s... implications about the state of his hands. I hope you enjoy!

[CW: Hurt/No Comfort, Torture Aftermath, Hand Injury]

--

Nothing could have prepared Geralt for this.

No, there was nothing in this world - not even a miracle - that could’ve prepared Geralt for the moment he sensed a portal - one of Yen’s portals - outside the keep.

For the moment he ran out to a balcony and saw her there, having somehow - despite everything he believed, everything he thought he knew for certain - having survived the Battle of Sodden Hill; for the moment he’d lay eyes on a very much alive Yennefer… with a bard’s arm drawn over her shoulder to support him.

His hair was longer now, down to his jaw, and a burgundy leather jacket - adorned with ribs and folds just like that red doublet he wore as he looked down at him on that mountain, heart shattered - lay in tatters on him, bandaged hands peeking out of it’s sleeves…

He didn’t look the same - Gods knew he didn’t look the same - but Geralt still recognized Jaskier.

He was shuffled into one of the many, many spare rooms almost immediately, and Geralt tried talking to Yennefer. Of course, she’d been tense with him, but that was alright. At least she was alive to be tense with him. He’d take that over a particular alternative any day.

Speaking of tense...

The keep had never felt so cold as right now, when Geralt of Rivia stood in the doorway of Jaskier’s impromptu room. Here, the bard sat in an old chair, in front of a desk he did not look like he’d use to write on anytime soon. No, he looked at the wood slab despondently, not even seeming to notice Geralt.

So, he spoke up, speaking to Jaskier, his companion of twenty years, for the first time since that mountain.

“Jaskier… you’re here.”

Jaskier didn’t look at him, but he did speak.

“Wasn’t my idea. I didn’t know where else to go, and even if I did, Yennefer insisted - didn’t think I’d be safe anywhere else. Can you believe that? Yennefer of Vengerberg has a soft spot for me. The end of days may very well be upon us.”

His voice was hoarse. Geralt knew it must have been from screaming. His eyes drew down to Jaskier’s hands, where patches of horrendous blue and gods-damned purple peeked out from slivers of space between the bandages that showed his open skin.

“Your hands…”

“Oh, these old things?” Jaskier looked down at them,  “Well, Yenny did her best, but they still hurt like a bitch to play with. I won’t bestow new ballads on the world for a while yet. Sorry if you expected me to sing your praises…”

But his tone made it clear that he wouldn’t do that even if his hands were as good as they were that day in Posada, or in Cintra, or on that mountain…

Geralt pursed his lips, trying to hold back his question. He didn’t deserve to know, he knew that, but he had to…

“...Who did this to you?” he spat out.

Jaskier lifted his gaze to meet the Witcher’s, and he laughed. It wasn’t like before - like the sunrise in the spring, like the bloom of buttercups, like love and joy and all the things he came to equate with Jaskier’s laughter, however unconscious, unadmitted these comparisons were. No, it was an empty, sardonic, quietly angry thing.

“Wouldn’t you like to know?”

“That’s why I asked.”

“And for what?” he asked, “So you can tear some fucker to shreds for laying a hand on me? Because you think I’m still your naive companion that would swoon at the thought of you exacting revenge on him for my sake? So you can make some grand gesture of brutality?”

“I’m not the one of us enamored with grand gestures.”

Jaskier tilted his head back and huffed. The shift in his movement made his hair move a bit, and Geralt realized he missed that little swoop - the little… floof, even - of hair that went down his forehead before, when his hair had been shorter.

“I think that’s the first time you’ve ever said “us” about me and you.” Jaskier remarked, “Twenty years, and you acknowledge that I was something to you. Not sure what, but something.”

“You were…” 

Jaskier’s eyes widened as if he remembered something, “Oh! Right! I remember - a shitshoveler. The catalyst for all your plights, something life would bless you by taking off your hands.”

Guilt sliced into Geralt like a kikimora’s claws.

“Looks like life heard “taking” and “hands” and went straight to me…” Jaskier huffed with the ghost of amusement with himself, looking down at his hands.

“Of course you can still joke.”

Jaskier shrugged, “Not much else to do. They took my lute, and my ability to play it, but they haven’t taken my wit.”

He crossed his legs.

“The funny thing is…” he said, staring down at the cracks in the table in front of him, “There was a little bit there where, if you’d apologized, I would’ve forgiven you. But… there wasn’t a trace of you to speak of after that hunt. Nowhere I went. Not that I went looking.”

“I didn’t have time to look for you, either.” Geralt said, “I was with Ciri.”

Jaskier snapped his gaze up.

“Oh, come now, Witcher.” he said with venom Geralt only ever knew from bigoted villagers that Jaskier had tried to change the minds of with his songs before, “Does your prolonged lifespan render you timeblind, or has your head been so far up your ass for so long that you can’t even properly tell time anymore?”

“I-”

“Two years, Geralt.” he said, “A blink of an eye for you, maybe, but that’s how long it was between that damned dragon hunt and the fall of Cintra. Two years you could have found me, before Cintra fell, before-”

He snapped his jaw shut.

“Before who?”

“No, Geralt!” he snapped, slamming his hands on the table to help him stand up. It seemed that his anger stopped him from realizing how bad that would hurt, and he hissed through gritted teeth. Geralt tried to step forward, but it was like the ground between them was covered in hot coals, and Geralt’s feet couldn’t have been more bare.

Once the pain seemed to quell, Jaskier’s eyes opened, and he glowered at the Witcher.

“You don’t get to know. You don’t get to make that bastard beg for mercy and act like that fixes anything - as if it does anything but conflate your ego that is so, so massive despite how much you hate yourself. You don’t get to take revenge on my behalf. You don’t get to act like this,” he held up his hands, “is anything compared to what you did to my heart.”

“I’m sorry-”

“And you DON’T GET TO SAY THAT NOW.” he screamed, killing Geralt’s words before it could leave his lips.

Geralt saw tears in his eyes as he huffed shaky breaths.

“You don’t get to say it like some off-hand statement, only brought up since it’s relevant.” he said with a wavering voice, “You don’t get to only say it now that I’m here, fallen right in your lap because Gods knew where else Yennefer could take me. And you don’t get to say it like it means anything now.”

“Now?”

Jaskier lowered his gaze.

“...I sort of figured you were embarrassed. That you were too scared to get your head out of your ass, like you are with a lot of things, but once you did, I would’ve…”

He sighed.

“But I heard you went to Cintra. Heard you went to claim your child-surprise.”

“What does Cirilla have to do with this?” he asked.

“Who do you think he asked about with each bone he broke?” Jaskier asked, snapping his gaze back to Geralt, “You? If it were just you, I would’ve…”

He sighed.

“That isn’t the point. When I heard that after twelve years of running from your claim, you hauled your arse to Cintra to protect her, I realized that you were always capable of going back to unfinished business, to scorned places of the past - you could always do it, if it was for the sake of something important enough to you.”

Jaskier lowered his gaze again, smiling sadly - smiling bitterly. It was an odd thing, a bitter smile, but Jaskier, like a fine doublet, wore it well.

“I just wasn’t.” he said, “I’m not your destiny, or your djinn-bound soulmate. I was just a bard.”

My bard. Geralt wanted so badly to say.

“What could I have said?”

Jaskier’s lower lip quivered as he looked at the Witcher near-dumbfounded, as if his incredulousness were a dagger that cut him deep. He leaned back against the table.

“You tell me.” he shrugged, “For those two years, I was still stupid enough that anything would have worked. Really, I wished some of my eloquence rubbed off on you, and I could’ve gotten a plea that, in a spur of irony, I was one of the few blessings life ever granted you, but anything that sounded remotely like an apology would have worked.”

He put his hands on his hips. Geralt could tell how hesitant he was.

“...At least, it would have made me think I was worth an apology in your eyes, and I was worth all the work it could have taken, tracking me down to say it.”

He rubbed a patch of cloth on his trousers with his thumb. Geralt didn’t miss how the corner of his lip twitched.

“At least, I could’ve known that what you said really was just a product of the heat of the moment, sprung forth by a misplaced attempt at levity, and there was no truth to it. I was so desperate that I would have taken anything if it meant I’d stop missing you.”

“You obviously stopped missing me eventually.” 

Jaskier threw his head back again, “Wrong again, Geralt.”

He stood up straight again and walked across the floor, which, to Geralt, was still littered with hot coals he couldn’t dare step over.

“Do you really think that the venom in your words - the spit from your lips - the fury in your eyes could clear you from my mind? From my heart?” he walked right up to Geralt, though the space between them felt like it was pushing the Witcher away from Jaskier like a magnet.

“Do you really think that anything but the Gods themselves could’ve made me stop missing you?”

Geralt couldn’t say anything. Hearing Jaskier’s words… it was like a vocal hex, like someone had sewn his very lips shut.

(Perhaps if he had done so himself before that day on the hunt, things wouldn’t have gone so bad…)

(No, no, he still would’ve found a way to ruin things. He was Geralt of Rivia, after all.)

Jaskier was only inches away from him now - a distance like something from a dream, after they’d been distant for so long… but even though this was the closest their bodies had ever been to one another, the Witcher knew that Jaskier’s mind - his heart - was as far away from Geralt as it could ever get.

Jaskier was the one to break eye contact - as if he was still terrified of giving the Witcher the chance to break anything - and he looked down to his feet.

“...If you want to know who broke my hands, Yennefer knows more than I.” he said, “She’s the one that found me, told me more of who he was. All I have is a name for a face.”

Geralt turned to leave. Jaskier grabbed his wrist.

The touch burned.

“But…”

Jaskier lifted his head and looked Geralt in the eye.

“...You want to know who did this to me? Who ruined me? Who broke me?”

Jaskier’s eyes bore into Geralt’s soul, the ice blue of his irises piercing him like shards.

“Go look back on that mountain.”

#whumptober2021 #no.3 #''who did this to you?'' #fandom #fanfic #broken hands #torture #torture aftermath #hand injury #the witcher #jaskier #geralt of rivia #geraskier #my writing #mine

[darkcircles4lyfe]

retrospective & predictions

Since we're on a hiatus week (between 320 and 321) I feel like waxing poetic about the depth and growth of bkdk for a bit. Especially because it seems like we’re right on the edge of their biggest development yet, I’m getting the urge to lay all my perspectives and insights I’ve picked up from others out on the table. This is ultimately only my subjective interpretation of subtextual material in canon, though. If you’ve never quite understood what people see in their dynamic and you’re actually open to hearing me out, maybe from this you can at least see where we’re coming from. And if you don’t like my takes after all, well, we’ll see who’s right in the coming chapters, won’t we? What I have to say can be taken platonically or romantically; I appreciate both. 

putting it under the cut, since it’ll be long:

At the risk of projecting, I want to start by examining a couple things based partly on personal experience.

From many different directions, I often hear people expressing that Deku’s persistent attachment and admiration for Bakugou is baffling at best. Despite the bullying, despite Bakugou’s loud, rude, and uncompromising personality, he still puts effort into their relationship and frequently describes him as amazing. It seems like Deku himself is aware of this as he’s said things along the lines of how he’s difficult, BUT... etc. Although I don’t think it’s exactly that Deku finds Bakugou’s personality hard to be around, but that he’s deliberately expressing patience for Bakugou’s emotional turmoil. 

I have to say I know what this sort of patience is like, as I went through it with someone I love. I only chose to put up with their behavior because I decided the possibility of what our relationship could be was worth it. I wasn’t blind or submissive to how they treated me, and I wasn’t coerced. I simply expressed myself and established my boundaries while still allowing them the opportunity to join me in my world once they got over their own hangups. And guess what? It worked out in the end. That doesn’t mean there aren’t circumstances where it’s better to cut ties, but I want to stress that true reconciliation is possible sometimes. I used to worry that other people around me thought I was delusional for seeking it, but what really helped was my therapist reminding me that I’m smart and strong. So I think Deku deserves to feel the same. In a way this is his whole mission in life, his approach to being a hero as well as his personal relationships.

Let me also be clear though that I don’t mean Deku is only tolerating Bakugou’s personality, his mannerisms, the parts of him that will likely never change. I’m drawing a line between those things and his emotional state (they so rarely align anyway, but I’ll get to that later). In fact, I think Bakugou’s general attitude is part of what Deku admires. This is gonna be hard to explain without inserting personal experience too, sorry. As a writer myself I’ve noticed I’m drawn to writing characters that are brazen and bold and don't mind telling people off. Really it’s because I operate in the world in the polar opposite way. I try not to draw attention to myself, I’m quiet, and I’m a people-pleaser. People who project confidence, especially in an impolite sort of way, fascinate me. It’s good to take cultural context into account, too: I've heard people who’d know better than me that part of the reason Bakugou is the most popular character in the Japanese fandom is likely because he contradicts a lot of their social norms. His disregard is refreshing and cathartic. I can speculate that Deku has a similar point of view based on what he thinks but does not admit about Bakugou being his image of victory and how this sometimes makes him mimic Bakugou’s speech and mannerisms: 

There’s also the bit in this fight where Deku realizes he's the only one able to receive Bakugou’s emotions. This is because he’s the most intimately familiar with him and his situation, but I think there’s another layer. Deku, as we know, has a self-sacrificing tendency, and in the current chapters we’re seeing the worst side of that. But let’s also not forget that to an extent, it can be a positive trait: resilience. When it comes to Bakugou, he has an almost comical ability to dodge the potential fallout of his outbursts. The example we all jump to (and fight about..) is how in ch1, apart from the initial shock of Bakugou suggesting he jump off the roof, the most he reacts is to criticize him for saying such a ridiculous thing. However, I think their interaction post- sludge villain is a lot more interesting:

Note two things: 1, in his head, Deku is practically making fun of how Bakugou’s acting as he stomps away without waiting for a reply. It doesn’t faze him. 2, Deku thinks, optimistically, that he can now focus on a different career choice. This is astonishing really. Up to this point, none of Bakugou’s attempts to put him down have worked; he just kept pursuing his dream. The only reason Deku concedes in this moment it because for the first time, he has been shown that he really couldn't do anything in a fight against a villain. All Might told him he couldn't be a hero (although he’s literally about to take that back in the next few pages lol) and the other heroes at the scene gave him a lecture about it too. It was those experiences, and not Bakugou’s words, that truly affected him. And when All Might tells Deku he can be a hero after all, it’s not thinking of Bakugou’s bullying that makes him sob and fall to his knees, it’s the memory of his own mom never telling him those words he so desperately needed to hear. Having spent most of their lives together, Deku must have been aware all this time that Baukgou was influenced by larger societal forces rather than a core judgement, so he didn’t take it personally. He separated the person from the action, and because he’s resilient and patient, he is thus equipped to handle Bakugou’s emotions. It’s a testament to his maturity and emotional intelligence, really. 

But I can almost hear some of you saying, “that doesn’t mean Deku should have to be the bigger person here!” Correct! Just because Deku is perfectly alright bearing all of that, doesn’t mean atonement-era Bakugou sees it this way. We can track his awareness of Deku’s care and selflessness as follows-

The bridge scene, when they’re little kids: Bakugou conflates Deku’s heroism with pity, and subsequently thinks Deku is looking down on him because Bakugou’s own insecurity makes him defensive.

The Sludge Villain, and also Deku vs. Kacchan Part 1: Bakugou witnesses first-hand how easily Deku jumps to risk his own life, but still thinks he’s being looked down on. 

The Sports Festival: Bakugou fights Uraraka and recognizes her endurance strategy and refusal to give up as very Deku-like. He’s half right. He thinks Deku advised her in the fight, when in reality she just mimicked Deku because she admired him. I want to draw attention to his very sober comment about her not being frail. It’s a great endearment of Uraraka’s character and Bakugou’s respect for her when others didn’t take “fighting a girl” seriously, but it also reflects on his opinion of Deku. Deku isn’t weak either. He never was.

Deku vs. Kacchan Part 2: Deku finally corrects him about the whole looking-down-on-him thing, and Bakugou is informed that Deku’s selflessness is in fact the reason All Might chose him. Since Bakugou had been in search of what he himself was “doing wrong” for All Might to favor Deku over him, he now has to reconcile the fact that selflessness is a heroic trait, and moreover something he lacks. This is also possibly the first time Bakugou is able to see his past actions toward Deku as bullying since he previously thought it was more mutual. Additionally, Bakugou can now link Deku’s selfless behavior to what he perceived as pity/contempt, and realize that Deku has been giving him A LOT of grace. Maybe too much. Maybe more than Bakugou deserves, and definitely more than Deku should have to. Holy heck- now Bakugou has to figure out how to live up to all the faith that’s been placed in him. 

Subtextually, we can see Bakugou’s feelings about atonement reflected in the Todoroki family:

1, Shouto is another example of Deku growing a friendship using his selflessness (since their fight in the sports festival) and their relationship is being acknowledged here where it hasn’t been in Bakugou’s situation. Perhaps Bakugou is wishing it could be so simple for him, to be able to thank him for being his friend like that. Deku saying the pleasure is all his also probably calls to mind how a mere apology from Bakugou would probably be dismissed because that’s just the kind of accommodating person Deku is. Bakugou has to operate more quietly in order to actually make up for their past. I personally don’t interpret this scene as Bakugou being jealous of Deku and Shouto’s friendship, exactly, just the lack of emotional baggage. Side note, Deku and Fuyumi are kinda similar in their desire to repair relationships. I like that she’s the one to give him some credit. 

2, With the common terminology, this can be interpreted as Bakugou receiving a model for atonement, one that is about action, and nothing to do with receiving favor or forgiveness. It’s a sense of duty. 

Many of the above sentiments are repeated in the flashback conversation between All Might and Bakugou right before Bakugou’s sacrifice. 

Bakugou acknowledges his bullying and that it happened because of his own insecurities, but aside from that, it’s interesting he neither confirms nor denies All Might’s suggestion that he’s trying to atone, or that Deku doesn’t see it that way. All Might is a bit of an unreliable mentor sometimes, but I don’t think he’s misreading here. Rather, Bakugou is displaying his tendency to hold back when talking about things that would make him really emotional. Besides, admitting to what he’s doing kind of defeats the purpose. He isn’t seeking acknowledgement. All Might has gotten to the crux of the issue here when pointing out that Deku doesn’t recognize the atonement, likely because Deku doesn't think Bakugou even needs to atone. Am I reading into it too much to say Bakugou looks wistful at this? It’s kinda frustrating sometimes trying to interpret Bakugou’s actions because he’s so paradoxical. Loud and in your face, but also extremely reserved. Sometimes I feel like I’m grasping at thin air, but hey, being hard to figure out is part of his intrigue as a character. The simplest way to look at him is to assume that unless he’s really showing vulnerability, he’s probably deflecting and hiding something.

Speaking of Bakugou’s tendency to to hold back emotional stuff, there’s his apparent lack of issue with Deku calling him Kacchan. Maybe to begin with, in his warped perception of things where he thought they hated each other, Bakugou saw it as Deku’s way of getting back at him for calling him “useless,” and didn't dare give any indication that it actually bothered him. However... consider how betrayed Bakugou has appeared when he was noticeably thinking Deku was looking down on him- the bridge scene, and the beginning of their first year at UA when he thought Deku was hiding a quirk all along. He looks shocked and hurt. That kind of emotion couldn’t be invoked by someone Bakugou didn’t actually care about his relationship with. “Kacchan” comes from a long time ago, before their relationship was strained, so it’s connotations are pure. Maybe somewhere deep down, Bakugou has always been hoping that Deku’s continued use of the nickname was not simply a matter of habit or teasing, but a vestige of friendship they’re both clinging to, and Bakugou himself was too afraid to admit to himself that he felt this way about it, so he mostly ignored it. (These are not original thoughts I am having here lol, this is a common interpretation. I’m just laying everything out like I said.) 

And now we turn to the current situation. Personally, I’ve been looking frantically back and forth between them wondering who’s going to break down first (Deku vs. Kacchan Part 3, this time it’s just a fight to get the other person to cry? ha.) Both have looked like they’re approaching a breaking point for some time. Also, I’ve addressed this before, but I think it’s significant that Bakugou is no longer wearing his mask with his hero costume, in contrast to Deku recently donning his own. It feels symbolic of Bakugou about to be upfront about how he feels.

The question is, what is it going to take to get Deku to accept help? If you ask me, Deku has dug himself so deeply into the I’m-doing-this-for-everyone-else’s-safety-and-smiles hole, no common sense argument can possibly reach him. By the end of 320, Deku’s mask is off, and we can see how desperate he truly is. But he has not cried, yet. I predict we’re going to see a bit more of his defiance, this time on full display on his face as the remaining class members and his other friends take their turns. But then I think Bakugou has to be the one to break down so Deku can witness his actions having the opposite effect he intended. People have been pointing out that Deku is currently ignoring Bakugou, and oof, that’s gotta be intentional. Regardless of what Bakugou says, it’s going to be wrapped up not only in his understanding of Deku’s self-sacrifice, but also the betrayal Bakugou feels at being ignored/left behind that ironically echoes his previous perception of being looked down on, as well as a need to express how much he cares about Deku before it’s too late. He must show that the two of them are inseparable because they both act to save each other without thinking, and both feel like losing the other would be like dying themselves. All Might may have been right when he told them they could learn from each other after Deku vs. Kacchan Part 2, but he didn’t fully realize that idea by making sure they stuck by each other for support and balance. 

I can’t wait to see what it’ll be like when they do finally get to that point, totally in synch and in tune with each other. They’ll be a powerful force no one is quite prepared for. Who knows when that will be, or even which chapter will be their big showdown, but I know the day is coming.

To speculate even further, I think the 2nd user is going to be really important really soon. And no I don’t mean to suggest that the 2nd user is Bakugou. But I do think their resemblance is key. Okay this is gonna be convoluted...

See how 2nd is the only one still standing? I think that’s symbolic of him withholding his quirk. Deku may not even know what it is at this point, let alone have unlocked it. Given that 2nd approves of Deku’s strategy at this point, it seems odd for him to withhold his quirk based on lack of faith. I think if his quirk was something that would help Deku in combat, he would have shown it to him already like the others did. So what if those gauntlets of his are support items that are meant to make up for his lack of a combat-oriented quirk, rather than to augment it? Mind you, I still have no idea what his mysterious power might be, but I’m dead set on it not being explosion-y. Regardless, I think 2nd looking like Bakugou is more about aiding some grand visual parallel, so! You know how 2nd and 3rd were probably intending to do away with Yoichi but 2nd changed his mind as soon as they made eye contact? This is really a long shot, but I wonder if 2nd’s quirk has something to do with that exchange. Maybe it’s something psychological, or some 6th sense about people he meets. So... in that way 2nd’s quirk could play a role in bkdk reaching a deeper understanding? Idk! But it could be significant at least that 2nd left Yoichi’s question about why he reached out to him unanswered. 

One more thing- while I was gathering screenshots I found this. I think “you’re the last one I’m telling” might be foreshadowing for Bakugou revealing his hero name to Deku and it being a Big Deal:

As for other lingering threads in the overall plot right now, such as the UA traitor, Stain, whatever Tsuyu is apparently about to do, All Might’s car maybe in the background of the last page of 320... man I have no idea. All I know is there’s literally 320 chapters’ worth of build-up to this confrontation that can’t be interrupted. 

See you next week <3

#phew that was a lot #I just wanted to show how things are aligning #I know a lot of this has been said #bnha manga spoilers #bnha 320 #bnha 321 #mha #bakudeku #bkdk #bakugou katsuki #midoriya izuku #bnha meta #lin speaks

[charlietheepicwriter7]

Hey, Little Songbird

Chapter 15 - AO3

If asked, Felix would deny it.

No one did, of course. His classmates rarely spoke to him, and the day after the spray pain incident, Marinette was still giving him the silent treatment. It did put a damper on his plans, and it wasn’t like he wasn’t used to silence.

So really, he didn’t need her at all.

Cesaire was the last one in before the morning bell rang, much to everyone’s surprise. The class gossips—not that he wanted to listen—had claimed that the girl was suspended for sure. She hesitated before sitting down, staring up at the back of the class over her shoulder with an expression of longing. But the final bell rang and Cesaire sat, sitting next to her boyfriend.

In full view of those above them, Rossi placed a hand on Cesaire’s shoulder, a calculated consolation, only for Cesaire to move before they could touch. Whatever Rossi said clearly set Cesaire off, the recent akuma snapping at the girl, though they were quiet enough that Felix couldn’t hear them.

At least, they were quiet until Rossi immitted a siren-like wail.

“Alya!” Rossi sobbed, drawing out Alya’s name into an irritatingly high pitch. Her face was dry. “How could you say that!?”

The Class’s attention was immediately drawn to the confrontation as they jumped to Rossi’s defence. Although, not everyone. The redheaded boy kept his head down, and the short blonde looked away.

“Alya, what did you do!?”

“Are you bullying Lila?”

“You should apologize!”

Cesaire’s eyes flickered around the room as the class berated her. They landed on the ack and Cesaire straightened. She spoke loud enough for the class to hear her. “I was willing to keep this between us, but since you want this to be public, Lila, that’s fine. The fact that you got out of your detentions by saying that you were volunteering after school all week is extremely manipulative and exactly like Chloe.”

There were gasps all around, some horrified that Rossi would do such a thing, others shocked that Cesaire would ever say anything bad about their precious Lila.

Rossi’s voice hitched. “H-How—” her voice warbled—“How could you say that, Alya? I had already made those plans before you stole Felix’s project!”

“Don’t act like I worked alone,” Alya said. “I may have been the one to steal the project—which I plan to apologize for doing—but you were the one to say it was made from your notes. Not only did you know I was going to steal it—”

“I didn’t know!” Rossi tried to protest.

“—But you encouraged me!”

I didn’t!” Rossi whined, her voice hitting a pitch only known to dogs. “B-Besides, after yesterday, everyone knows who’s really to blame. Since you painted Marinette’s locker.” Marinette froze beside him.

“Then why am I not suspended?” Alya shot back. “It wouldn’t be the first time this school gave me a hasty suspension, so why am I free?” Her eyes narrowed. “I had evidence that I wasn’t the culprit, so they couldn’t touch me. Where’s your evidence?”

Marinette looked startled, like the idea of asking for evidence was foreign to her. Or perhaps, it was the fact that Cesaire was the one asking for evidence. Together, they watched the back and forth until Mme. Bustier finally entered the room and broke the argument up. Pity, it was just starting to be amusing.

“Alright, that’s enough!” Bustier said. “Alya, since I clearly can’t trust you to be mature, I’m going to move you to the back of the class today. Hopefully you can behave tomorrow and earn your seat back.”

Felix cocked an eyebrow. Cesaire looked utterly betrayed by the teacher, but obeyed, moving to the bench next to his and Marinette’s with little fuss. Shockingly little, all things considered.

It became clear when Cesaire whispered in the middle of the first lecture of the day, “I’m sorry.” Felix could barely hear her from the other side of Marinette.

“What?” Marinette turned to her.

“I’m sorry I’ve been such a bad friend, girl.” Cesaire looked truly ashamed. “I… I should have seen that Lila was lying. I should have at least investigated when you told me something was up, but I just… didn’t. I was so invested in her lies and having an interview with ‘Ladybug’s best friend’ on my blog that I… I lost my integrity. And even worse, I dismissed you and how you felt because I thought I knew better. I’m sorry, Marinette.”

Marinette swallowed, her fists clenched. “Thank you, Alya. This really means a lot to me.” Cesaire perked up. “But… I don’t think I can forgive you right away. I believe you when you say you didn’t destroy my locker—” She glanced at Felix—“But that doesn’t mean you haven’t done things similarly horrible.”

Cesaire nodded, disappointed but understanding. “I know. And I’ll work hard to regain your trust in me. Which is why I’m going to expose Lila as the liar she is.”

Felix was surprised; he didn’t necessarily expect Cesaire to take Adrien’s ‘high road’ approach, but no hesitancy… And Marinette… nodded. “Yeah. Do you want to work on a plan after school today?”

“Y-Yeah. I’d really like that, Mari.”

Felix stifled a smile as the two friends—because they were on the track to recovering their friendship now, just try to stop them, Rossi—made up. He felt pretty good about himself until the lunch bell rang and Marinette dragged him out the door and out of school, a hard expression on her face.

They were at the side of the school, where there were no students. Felix tried not to let his nervousness show. “How rough, Dupain-Cheng. Whatever are you trying to do to me, away from prying eyes—"

“Shut up.” Felix shut up. “Felix, you… Did you keep Alya from getting in trouble?”

“What do you mean?”

“It was pretty much a given that Alya was going to get suspended because of your frame job. Yet she’s here, sending you glances all throughout class.”

“Perhaps she’s attracted to me? I’ve heard I have the face of a model.” He was not confessing this, no way. He had a reputation to keep.

“And what would Alya say? If I asked her next time we were in class.”

“She…” Damn her, she had him cornered. If she asked during class, at least some of the others would overhear, and then people would have expectations. “She would mention that there was an anonymous phone call from a potential donor for the school that reminded the principal that the locker room doesn’t have working cameras and that students have framed each other for crimes in the past. Wouldn’t it be so disappointing that the school board found out that the money that went to security cameras wasn’t used at this school?”

“The principal is embezzling funds?”

“I suspect he’s embezzling funds. But given that he immediately agreed with me and rescinded Cesaire’s suspension, my suspicion is right on the money.”

“That almost makes too much sense… No,” she shook her head. “That’s not what I wanted to talk about. Felix, have you ever had friends before?”

“Excuse me!?” What was she accusing him of!?

“Because you act like I’m the first person you’ve ever made friends with.”

“H-How dare you!? Accusing me of being some sort of… some sort of friendless wretch!” He huffed. “I might not be my cousin, but I’ve certainly had a friend before!”

“Adrien doesn’t count, Felix. He’s family, not a friend.”

“Well, I—” The nerve of this girl! “What does it matter anyway?”

“Well, I just figured… you wouldn’t have done that if you had more experience with friendships. Or experience with people your own age. Because what you did was not okay. However, you understand that now, right?”

“…I do.”

“And you tried to make up for it, right?”

“…I did.”

“Then it wouldn’t be too much to ask if you followed my plan for rehabilitation?”

Rehabilitation? What did she think he was, a dog? “And why,” he sneered, “Would I do that?”

She looked disappointed and his heart twinged. “You don’t have to, if you don’t want to. But Felix… I can’t be friends with someone who does cruel things for their own benefit. The world doesn’t need more than one Chloe.”

Had he… been acting like Bourgeois? Surely not, she’d never do her own dirty work. But… vandalizing a locker did seem like something she’d order, even if it wasn’t for the benevolent reasons Felix had. And… he really didn’t want to lose Marinette.

“Very well,” he said snidely in an effort to distract from his lightly flushed skin. “I’ll play along. Let’s be friends.”

Taglist: @graduatedmelon @novicevoice @dur55 @kris-pines04 @18-fandoms-unite-08 @moonlightstar64 @bee-a-garbage-shipper @sol-o-shade @kittyotakunoir666 @tinyterror333 @allieoftheenemy @marichat00 @xgxmxtx @two-faced-biatch @feliciakainzofspades @evil-cricket @emilytopaz @spicybelladonna @chocolateherringtacofan @user00000003 @wannajointhecrabcult @happymonster-pants @duquesapincarrasca @throneoffirebreathingbitchqueen  @sxltinette @kittydemon9000 @thetrashypanda423

#hey little songbird #felinette #felix graham de vanily #marinette dupain cheng #alya sugar #alya cesaire #ml salt #lila salt #miraculous ladybug #mlb

[sketching-shark]

I think we should start a protection squad (although they don’t need it because they can protect themselves) for Sun Wukong and Guanyin

“Begone monkie kid fandom trying to down grade these really interesting characters with interesting personality’s and backstory ( the both of them like seriously Guanyin backstory is so cool) to a villain wile trying to justify your angsty backstory (that are no where near as cool as monkey who fights gods and Person who has 1000 arms and heads to help people in need) for the actual villain”

So who wants to join

Me:*raises my hand*

Ps: sorry if I got Guanyin backstory wrong am not an expert on it.

Haha okay so some critiques on the jttw & associated media western fandom & fandom in general coming up, so please skip this upcoming text wall if you don't want to encounter my undoubtedly ~devastating~ words (i.e. don't like don't read as people love to say, & if I have to be inundated with images of my notp every time I go into the sun wukong tag then I imagine people can be chill with me expressing my opinions & giving people fair warning that I WILL be critiquing common fandom trends, but no need for you to see that if you don’t want to. Cool? Cool.)

-----

PFFFFFTTT oh man there are many times when I feel like signing up for such a protection squad...when it comes to the current western jttw & Sun Wukong fandom I do feel like I'm often swinging at a rapid pace between "well it's fandom & people are allowed to make the stories they want" & "I am once again begging my fellow monkie kid enthusiasts (& sometimes creators) to do more research into the og classic/show it more respect so you can avoid any potentially offensive/off-the-mark misunderstandings of the status & cultural context of the characters in their country of origin (I promise it's super interesting & I can provide you with links to free pdf copies of the entire Yu translation, i.e. the best one ever created, so feel free to ask!) & maybe also stop constantly stripping away all the nuance of Sun Wukong's character for the sake of either making him an entire asshole so your little meow meow can look completely innocent in comparison and/or making the monkey king's entire life & character revolve around said meow meow."

Like I get that fandom's supposed to be a kind of anything-goes environment, but one thing that honestly seems to be true of a lot of fandoms--and the western one for Sun Wukong & co. is certainly not immune from this--is that there often seems to be a kind of monoculturalization at work in what stories are created & what character interpretations are made popular. Across a multitude of fandoms, you frequently see basically nothing but the exact same tropes being made popular & even being insisted on for the canonical work (especially hasty redemption arcs & enemies to lovers these days), the exact same one-dimensional character types that characters from an original work keep getting shoved into, the exact same story beats, etc. And I get it to an extent, as fandom is generally a space where people just make art and fic for fun & without thinking too hard about it & without any pressure. 

This seems to, however, often unfortunately lead to the mentality that it’s your god-given right to do literally whatever you want with literally any cultural figure without even the slightest bit of thought put into their cultural, historical, and even religious context, even (and sometimes especially) when it comes to figures that are really important in a culture outside your own. For such figures--even if you first encounter them in a children’s cartoon--you should be a little more careful with what you do with them than you would with your usual Saturday morning line-up. It of course has to be acknowledged that there exists a whole pile of absolutely ridiculous & cursed pieces of media that are based on Journey to the West & that were produced in mainland China, but for your own education if nothing else I consider it good practice for those of us (myself certainly included) who aren’t part of the culture that produced JTTW to put more thought into how we might want to portray these characters so that at the very least (to pull some things I’ve seen from the jttw western fandom) we’re not turning a goddess of mercy into an evil figure for the sake of Angst(TM), or relegating other important literary figures into the positions of offensive stereotypes, or making broad claims about the source text & original characterizations of various figures that are blatantly untrue, or mocking heavenly deities because of what’s actually your misunderstanding of how immortality works according to Daoist beliefs. Yet while a lot of this is often due to people not even trying to understand the context these figures are coming from, I do want to acknowledge that the journey (lol reference) to understand even a fraction of the original cultural context can be a daunting one, especially since, as I’ve mentioned before, it can be really hard & even next to impossible to find good, accessible, & legitimate explanations in English of how, for example, the relationship between Sun Wukong and the Six-Eared Macaque is commonly interpreted in China & according to the Buddhist beliefs that define the original work. 

That is to say, I do think it’s an unfortunate, if unavoidable, part of any introduction of an original text into a culture foreign to its own for there to be sometimes a significant amount of misinterpretation, mistranslations, and false assumptions. There is, however, a big difference between learning from your honest mistakes, & doubling down on them while dismissing all criticism of your misinterpretation into that abstract category of “fandom drama.” The latter attitude is kind of shitty at best and horrifically entitled at worst. 

Plus, as I’ve discovered, there is a great deal of interest and joy to be drawn from keeping yourself open to learning aspects of these texts & figures that you weren’t aware of! I can say from my own experience that I’ve always really enjoyed & appreciated it when individuals on this site who come from a Chinese background--and who know much more about the cultural context of JTTW than me--have taken the time to explain its various aspects. It often leaves me feeling like woooooaaaahhhhhHHH!!!! as to how amazingly full of nuanced meaning JTTW is like dang no wonder it’s one of China’s Four Great Classical Novels. 

And I guess that right there is the heart of a lot of my own personal frustration and disappointment with the ways that fandoms often approach a literary work or other piece of media...like don’t get me wrong, a lot of the original works a fandom may grow around are just straight-up goofy & everyone’s aware of it & has fun with it, yet the trend of approaching what are often nuanced and multi-layered works in terms of how well they fit and/or can be shoved into pretty cliche ideas of Redemption Arc or Enemies to Lovers or Hero Actually Bad, Villain Actually Good etc...well, it just seems to cheapen and even erase even the possibility of understanding the wonderful complexity or even endearing simplicity that made these works so beloved in the first place. Again, I feel like I need to make it clear that I’m not saying fandom should be a space where people are constantly trying to one-up each other with their hot takes in literary analysis, but it would be nice and even beneficial to allow room for commentary that strives to approach these works in a multi-faceted way, analysis & interpretations that go against the popular fandom beliefs, & criticism of the work or even of fandom trends (yes it is in fact possible to legitimately love something but still be critical of its aspects) instead of immediately attacking people who try to engage in such as just being haters who don’t want anyone to have fun ever (X_X).   

----

Anyway, I know I didn’t cover even half of the stuff you brought up in the first place anon, but I don’t want any interested parties to this post to suffer too long through my text wall lol. I was asked to try my hand at illustrating Guanyin, but as with you I’m nowhere near as informed as I should be about her, so I want to do more research on her history and religious importance before I attempt a portrait. I’ll try my best, and do plan to pair that illustration with my own outsider’s attempt to summarize her character. From what little I do know I am in full agreement that her backstory is so incredibly amazing...just the fact that she literally eschewed the bliss of Nirvana to help all beings reach it, and even split herself into pieces in the attempt to do so (with Buddha granting her eleven heads and a thousand arms as a result)...man, I can see why she’s such a beloved & respected deity. 

----

 As for what western fandom commonly does with everyone’s favorite god-fighting primate...I can talk about this at length if there’s interest, but for this post I’ll just say that I guess one lesson from all of this is that for all the centuries that have passed since Journey to the West was first completed, literally no one drawing inspiration from the original tale in the west (lol) has come even slightly close to being able to equal or even capture half the extent of the nuance, complexity, religious, historical, and cultural aspects, and humor that define Wu Cheng'en's story of an overpowered monkey who defied even Buddha.

So thank the heavens we'll always have the original.

#journey to the west #jttw #guanyin #sun wukong #monkey king #monkie kid #fandom #fandom critical

[fandomblr]

Let’s talk about racism in Tolkien’s Legendarium

Trigger warnings: racism, (obviously) anti-blackness, possible anti-black caricatures, racism towards Asian people.

I feel like something that I don’t see addressed in the Tolkien fandom are instances of racism in his work. Now, Tolkien himself was allegedly pretty anti-racist during both war and peacetime, BUT ultimately he was still a British white man that lived in the 1920’s and his writing does show some (although very possibly unintended) racism towards Black and brown people. Note that I am a pale Latino and thus I cannot speak for BIPOC, however, I will be using my readings from HoME (The Lays of Beleriand and The Shaping of Middle-Earth) to show very valid instances of where Tolkien’s racism has been argued for, and I’ll link some research about these criticisms. I strongly encourage BIPOC to add on or correct me on this post, since I do have have a lot of white privilege from being light-skinned.

The first instance of racism in Tolkien legendarium are the race of orcs. And before I go any further, let me show a passage from the Lay of Leithian (taken from The Lays of Beleriand) in which Beren, Finrod and his men are disguising themselves as orcs in order to pass through Angband:

“They smeared their hands and faces fair with pigment black,” which shows us first of all that the color of the orcs skin is ultimately dark/black, at least of the orcs here in Angband during the first age. This also implies Blackface being done by Beren, Finrod and his men here, and while it was used as a survival tactic to pass through Angband without being killed/enthralled/tortured, it’s still pretty darn racist. Black people have also spoken about how orcs have been written (intentionally or unintentionally, we probably will never know) as anti-black caricatures, and this is one article discussing this by a Black person that I found eye-opening.

Another instance of the orcs being racist caricatures is in that in a private letter Tolkien describes them as “squat, broad, flat-nosed, sallow-skinned, with wide mouths and slant eyes: in fact degraded and repulsive versions of the (to Europeans) least lovely Mongol-types." Obviously, this is clearly racism towards Asian people, and journalists have even written about how orcs look like the worst depictions of the Japanese drawn by American and British illustrators during WW2. The same article above also speaks about the Haradrim and Easterlings in the LOTR movies clearly having inspiration from Eastern and non-Western cultures.

Next, another probably more well-known racist issue in The Silmarillion fandom is Maeglin, (Meglin here in HoME’s The Shaping of Middle Earth) who is described as ‘swart,’ aka meaning dark-skinned, and so was his father, Eöl:

Obviously this is racist because Maeglin is CLEARLY a villain of color in this scenario, (he is the cause of the fall of Gondolin plus he basically tries to rape his cousin Idril and kill her child) in a world where other “good” characters are either described as white or whose race is simply not stated. If there were more EXPLICITLY elves of color in the Silm this wouldn’t be as much of a problem, but Maeglin here is one of the few elves (besides his father, who was clearly also a villain) whose skin color we know about, and what color is that? Swart, aka brown. What’s even worse is the fact that Eöl pretty much coerced Aredhel (who we can assume to be white since she’s known as the “White lady of the Noldor” and her skin was described as pale) into marrying him and having his child, which just perpetuates the racist stereotype of men of color being dangerous to white women. Tolkien, sweetie, this definitely reeks of racism.

Next are the men of the East of Beleriand, of who we get a pretty clear description of in The Annals of Beleriand from HoME The Shaping of Middle-Earth:

Here these men aredescribed as having lots of body and facial hair (which is a trait that can be seen in people of color) and their skins are “sallow or dark.” This is probably the least incriminating piece of evidence on this post because as you can tell, not all the men of the East were evil. Bor and his sons specifically were not, and they were loyal to the Sons of Fëanor. However, Ulfang (Ulfand in HoME) betrays the Fëanorians and ultimately is responsible for the tragedy of the Nirnaeth. And even worse, Bor and his sons are even slain by him (although Ulfang did pay his treachery with his life) here in this version. And as a whole, the Easterlings are described as more being on Morgoth’s side than on the elves, and like I said earlier, they draw a lot of non-western inspiration that can identify them as people of color, especially from the cinematic trilogy. Although these men are ultimately supposed to earn redemption during the Dagor Dagorath (aka the end of time when Melkor comes back from the void and the last battle is fought) this doesn’t erase the fact that Tolkien chose to villanize an entire group of Eastern people who we can assume to be people of color. The fact that they are called men from the ‘East’ while Aman/Valinor/the Gray Havens are considered the ‘West’ just shows you how eurocentric Tolkien’s works are by themselves, but that’s another topic for a different post. At the end of the day, lots (if not most of) these men were men of color that were portrayed as treacherous, unfaithful and even “accursed” in the case of Uldor, Ulfang’s son. All traits which demonize people of color in Tolkien’s legendarium.

Now here is the question that’s worth all three silmarils: was Tolkien aware of his racism as he should have been as an allegedly “anti-racist” that was born in South Africa? I’m afraid I don’t know the answer to that, and as a person with white privilege I don’t think I’d be qualified to answer this question regardless. This is why again, I’m encouraging BIPOC Tolkien fans to come forward (as long as they want to and are comfortable of course, since this is a triggering topic) and share their criticisms on Tolkien and how he portrays race in his legendarium, add on to what I found and correct me if they think I added something wrong. The thing is, even if Tolkien was intentionally racist, the man died in 1973, and sadly Christopher passed away last January. So it’s up to us as the Tolkien fandom to not only recognize but also address and challenge these racist concepts in his work, and make sure we are creating an environment that’s safe for fans of color and marginalized ethnic groups like myself. One of the things I love about our fandom is the diversity in fanart, since I’ve seen lots of elves drawn as POC and I really want to keep seeing this, but we also have to take into consideration how racism plays into LOTR and all of Tolkien’s works so we can be mindful consumers of it.

#Adrián’s HoME posts #adrián’s posts #racism #tw racism #jrr tolkien #the silmarillion #the silm #the silm fandom #HoME #the history of middle earth #history of middle earth #the lays of beleriand #the shaping of middle-earth #middle-earth #lotr #the lord of the rings #lord of the rings #tolkien fandom #Tolkien legendarium #orcs #Tolkien orcs #the lay of leithian #lay of leithian #finrod felagund #Finrod #luthien tinuviel #beren and luthien #beren erchamion #Beren #luthien

[potteresque-ire]

This post is Part 3 of the five-part meta series on the Zhang Zhehan (張哲瀚) Incident, based on what has transpired up to 2021/08/22.

1) The 2nd Sino-Japanese War (1937-45) & the Yasukuni Shrine 2) Post-War Sino-Japanese Relations; “Every Chinese should visit the Yasukuni Shrine” 3) The Summer of 2021: The Brewing Storms for One 4) My Thoughts on Zhang’s Incident, Part A 5) My Thoughts on Zhang’s Incident, Part B

3) The Summer of 2021: The Brewing Storms for One

Parts 1 and 2 are my very rough, … kindergartenish introduction to the historical background of Zhang’s incident. For the sake of brevity (please don’t laugh), there are so many things I haven’t touched on (such as the role of the U.S., the geopolitics). There are even more things I’ve likely missed from my admitted ignorance (Sorry).

I think a fair summary of what I’ve written so far would be as follows, before we move on to other sociopolitical factors related to Zhang’s incident?

It is true that the Japanese government, while having shown signs of repentance, has yet to truly face its own past. 

It is also true that the Chinese government has been taking advantage of its national tragedy to fuel nationalistic sentiments, to spread hatred for the purpose of propaganda ...

... Propaganda that is highly sensitive to timing, the message the regime wants to send at the moment. 

In August, 2021, Sino-Japanese relations is at a nadir. The brief thaw in early 2020, initiated by the Japanese government donating masks to Wuhan when COVID first broke out, seemed to be as old as the Chinese poem printed on the shipping boxes:  山川異域 風月同天 (“Our mountains and rivers are on different lands, but our winds and moon share the same sky”)—from the 779 BCE work of a Tang dynasty monk who had sailed to Japan as a missionary, affirming the long cultural bond between the two nations. China would give masks back to Japan.

Fast forward eighteen months later, this good will is all but gone in Chinese news, on Chinese social media. The Japanese government had just vowed to join the United States to protect Taiwan, should the Chinese government furthers its military threat towards the island — the People’s Liberation Air Forces had already intruded Taiwan’s air defence zone 393 times between January 1st and August 17th of 2021 — or should the Chinese government attempts to take over the democratic island nation by force. 

Late July came, and the Tokyo Olympics presented the opportunity for the Chinese state to broadcast anti-Japanese sentiments among the general populace. 

Like USSR and the Eastern Bloc before, the Communists-ruled China saw the Olympics medal count as a matter of national pride. After the Games began, the hot search turned immediately from the Henan flood to stories of the Tokyo Games’ subjectively awful organisation, alleged cheatings by the Japanese athletes, and the perceived unfairness of, in particular, Japanese judges towards the Chinese team that cost the latter more and better medals. This fervour cumulated to the cyberbullying of Japanese athletes by high-on-nationalism Chinese netizens, who brought back Japan’s past as a reason why Japan and its people should be universally hated. Reminders of the horrific brutality of the Imperial Japanese Army eighty years before the Games surfaced in Chinese social media posts. The derogatory slangs 小日本 (“Little Japan”), and 鬼子 (Guizi “demons”), the latter harking back to the nickname of the Imperial Japanese Army during World War II, populated online Olympics discussions.

Japanese netizens are aware of the derogatory terms Chinese nationalistic netizens use against them. In 2010, they fought back the 小日本 and 鬼子 insults by designing cute anime characters for these names. (Source1, Source2). 

August, 2021 is not a good time to be accused of liking the Japanese.

August, 2021 is not a good time to be accused of liking the Japanese, especially if the accused is a celebrity in the c-ent industry. The ongoing Clear and Bright Campaign (清朗行動) includes, as its 8th aim, the “regulation of stars and the organisations behind them, internet behaviour of their official fan clubs”. Possibly as a welcome to the summer vacation for the country’s youth, on June 15th, 2021, the Cyberspace Administration of China (CAC) had announced it would spend the next two months focused on rectifying the “chaos caused by fan circles” (‘飯圈’亂象). 

The Kris Wu (吳亦凡) case that had exploded in July then turned the public’s attention (and imagination) squarely on c-ent and the alleged “insanity” of c-ent fandoms, particularly those of idols. Wu’s fans had been met with ridicule and cyberbullying, especially those who had tried to “save” their idol by attempting to perform, when the incident had first broken out, what is customary per Chinese fan circle culture—to drown the criticisms with their supportive messages, their defences of their favourite stars; with their offences towards the accusers and in some cases, who the fans point to as the true culprits accompanied by the necessary “evidences”. Widespread reports of Wu’s fans planning a prison break after Wu’s arrest, propagated by the state media despite the number of such fans could’ve numbered to no more than a handful, further fuelled the narrative that c-ent idol worship has become cult-like, with the fans being so brainwashed that they can no longer distinguish right or wrong. 

This narrative of “fans would say or do anything to defend an idol” means that if or when accusations fall on the latter, little can be said in their defence even if the defence has its merits. Fans who make the defence are accused of being “brain-disabled” (腦殘); non-fans, of being brain-disabled fans in disguise.

Political cartoon from People’s Daily, 2021/08/02, 2 days after Kris Wu’s arrest (English translations by me). The slogan at the bottom says “The Deformed “Fan Circle Culture” has turned cold”. “Turning cold” (涼了) means to lose popularity. (Source) 

Last but not least, in August 2021, the online platforms that host the content of state propaganda, of fandom talk, of c-idols’ works are also in quicksand themselves. Without getting into too much details, since earlier this year, the Chinese government has been targeting the tech giants, once considered untouchable with their significant contributions to the economy. Most international fans of c-ent are likely familiar with Tencent. Alibaba is also a major player in c-ent: it’s the owner of Youku, for example; it is also a major investor of Sina (the company in control of Weibo) and also—a piece of trivia for turtles—of Yuehua (Dd’s management company). These tech companies have been charged with antitrust violations, been the target of cybersecurity probes, accused by the state media of hurting China’s youth with “spiritual opium” in the form of video games etc, and their stock prices have been tumbling as a result. 

The tech giants, and the online platforms under their ownership, have therefore been extra vigilant, extra compliant to messages from the state, in attempts to gain the government’s favour. Just a few days ago (2021/08/21), Tencent vowed to donate 7.7 billion USD to the government, heeding Xi’s call for “common prosperity” (re-distribution of wealth), adding to the 7.7 billion USD it already donated in April for the government’s “sustainable social values” program. While both donations are officially philanthropic, most political and market watchers interpret the donations as Tencent trying to achieve a less-than-philanthropic goal—to get the state regulators off its back.

Following this line of logic then, these tech giants, and their online platforms, have got to be extra quick on their feet in August 2021 to sever ties with anyone perceived to have drawn the displeasure of the government. If that anyone is a c-ent idol, the loss for removing their works and fandom content is nothing compared to the price these companies may pay if the eyes of the state regulators train upon them: the latest fine Alibaba paid for breaking the anti-monopoly law, in April, amounted to 2.8 billion USD.  

All these factors considered, there are better days … far better days than the ones in August 2021, for a c-ent idol to have his Yasukuni Shrine visit become an item on Weibo’s hot search.

===

The Zhang Zhehan Incident Meta Series:

PART 1 PART 2 PART 3  <- YOU ARE HERE PART 4 PART 5

#pie metas

[collisiondiscourse]

on the wonder duo (part 1)

(BNHA Analysis Post Ahead! This isn’t explicitly romantic, but it is an analysis of the relationship between the two most popular characters in BNHA--Katsuki Bakugou and Izuku Midoriya. Split into two posts because I realized that this was gonna be long as HELL)

yall ever think about the fact that the wonder duo is perfectly set up in so that bakugou and deku together are the better version of all might?

bc like. ive been thinking.

everyone knows the win to save and save to win parallel. How they are supposedly two halves of a whole perfect hero (which, previously, was defined as all might)

but ever since bakugou and deku started working as one—growing together to win AND save and continuously reminding each other that they shouldnt try to do things alone, ive realized that its BECAUSE theres two of them that they surpass all might. its not a case of deku and bakugou both being 50% of an ideal hero, but rather i think that they are 100% of what all might SHOULD HAVE BEEN from the very beginning.

as early as the AM v AFO battle in kamino, we see the effects of all mights flawed existence. the fact that he, the greatest and supposedly infallible symbol of peace, was destroyed—society had begun to collapse. there was suddenly no pillar to hold people together and the impacts were so severe that even in the latest chapters of mha it keeps on getting worse. the truth is, all mights biggest mistake was the burden he placed on his own shoulders

with bakugou and deku... its different.

its different for them because down to their attributions, they seem like two halves of a whole person.

i think that the wonder duo are going to surpass all might because of the fact that they work together.

@bakugoukatsuki-rising @svpercraigus @tybee​ @isaustraliaathing​

(batshit crazy and conspiratorial essay under the cut !)

1. Complementary Colors

I’d like to first preface literally everything I say by the fact that I am not an expert analyzer or literary major in any way. I am literally just some random fan on the internet who has wayyy too much time and looks wayyy too deep into things, but here we go!

A common thing we see when we talk about bakugou and deku is the way they are... sort of an inverse of one another.

Down to the design of their features and the way they move, Deku is the obviously softer of the two. There’s an intentional contrast between the two of them, in the way that Deku’s drawn with round shapes and curvy hair and the way Bakugou is literally all spikes and half-mast eyes and rough muscles. Bakugou’s movements too are languid and showy, with the way he leans when he walks and splays his legs and kicks open doors. Katsuki, in a casual sense, is loud and dramatic. 

Deku on the other hand s finicky. He jitters when he walks and he’s often fidgeting and mumbling. Comparatively, the aura he radiates is energetic and frenzied, even self-conscious to a point unlike Bakugou’s calm and confident movements.

the point is, there’s a clear difference in how either of them are designed and what exactly they are supposed to represent. They utterly complement each other down to the way they behave and even their main colors (red-orange and blue-green) being literal complementary colors.

Now, moving to my more ungrounded points, this is quite a bit of a stretch so I’ll try as much as possible to make sense of these with hyperlinked sources because. yeah.

Down to their names, I think Deku and Bakugou both symbolize something deeper. I think that the way Hori expresses characters and what they’re meant to do is something that we have to pay close attention to when we talk about the Wonder Duo’s rise to success.

Izuku Midoriya (緑谷 出久), as some of us may know, does have an interesting meaning when broken up. According to a lovely fan translation of his name, ‘Izuku’--while not an actual name used commonly in real life--means to ‘Come out’ or ‘Long time’. ‘Midoriya’ on the other hand means (Midori) ‘Green’ and (ya) ‘valley’. The translator further pointed out that his first name ‘Izuku’ could be a reference to him being the first legendary hero to come out of the long-running All Might Era. (or, if you’ve been reading @/bakugoukatsuki-rising’s posts, the first significant anime protag in a long while to come out as queer, ppfft)

but that isn’t my focus right now.

We know that Hori LOVES telling stories with names, and more often than not in the BNHA universe, names alone tell us a lot of things about the characters. When referring to Izuku’s last name, Midoriya, it’s important I think to step back and realize that hey, maybe there’s something more to Green Valley than just the fact that his motif is all green.

After searching for a lil on the specifics of green valley, I’ve found out that across many cultures, the colour green and valleys in general tend to represent life. From dream analysts, to Christianity, and even old Taoist teachings, valleys are seen as areas of fertility and escape. They are seen as safe havens and often escapes for people to come to after running away from bad circumstances.

(Sound familiar?)

Deku, in essence represents life and peace. He represents being the “salvation” that the world in BNHA needed. To me, it sounds like Horikoshi is trying to say that he is the long-awaited hero in the sense. The one that people can feel will create a society that feels safe for everyone after years of All Might just saving people from themselves as a band-aid solution.

On the other hand, we have Katsuki Bakugou (爆豪 勝己), who’s name we commonly know means (Katsuki) Winner and (Bakugou) Explosion Master. He is essentially, the champion. The power. His name means success and power and all the things that make up winning.

When putting them side by side, it then becomes increasingly... interesting to me how their names almost perfectly slot into All Might’s save to win and win to save mantra, and how they are both quintessential parts to what made All Might as a hero.

2. Hero Too!

Now, I’m not even gonna really TOUCH much of what happens in canon. If you want me to do a step by step breakdown of their arcs in regards to the plot of manga and anime, feel free to send me a gratuitous ko-fi tip so I can pay for the headache I get after trying to organize my thoughts into word vomit.

What I WILL talk about on the other hand, is the subtle shift both of them slowly have in regards to how they look. Bakugou and Deku, while growing up, seem to have MANY many parallels--but before I elaborate on all of that, I wanna talk about something else.

Detour: Deku’s Red Shoes 

We all know the iconic symbol being Deku’s red shoes. For all his life, save for some outfits like his hero one, we see Deku more often than not wearing his signature red sneakers which have become a running joke in fandom.

But the funny thing is, in Japan, red shoes seem to have an interesting connotation.

In 1922, a popular Japanese nursery rhyme was written, called “Red Shoes”. The interesting part to me about this song was the symbolism that, in my tiny pea-sized brain, I could connect to the story of BNHA.

The story goes that there was a little girl with red shoes named ‘Kimi��. She was from Shizuoka prefecture (which, if you didn’t know, is most likely where Musutafu supposedly is) and was raised by a single mother. When she was young, her mother had to entrust her with a foreigner under the impression that they would give her a better life in America. The stranger is a man named Charles Hewitt (who was described to have blue eyes) and supposedly took her away. 

The singer of the song (supposedly the mother, but some argue it was written from the perspective of a childhood friend) believes that Kimi is happy and living a better life away from them, when the reality of the situation was much worse. The young girl with red shoes in actuality had Tuberculosis, and thus the foreigner whom she was entrusted to had left her to fend for herself and eventually left her to go to America while she died alone and orphaned.

“When I see red shoes, I think of her.”

A very interesting story with very interesting implications indeed.

-

Anyway, moving on to the more... “nuanced” and connected parts of this section, I have every reason to believe that Bakugou and Deku were simply MEANT to be working together down to how they dress. Now, I’d like to discuss their hero costumes.

At the start of their series, using these godawful pics for reference, it’s clear to see that neither of them seem alike in any way--reflecting the dissonance in their relationship at that point in canon.

ough. deku why. (yes we know why its because you love your mom you stupid little bunny <3)

Anyway, we see an immediate gap in how the two of them are. Deku’s first costume is one that reflects how he treated his dream of being a hero. He was still in that childlike idolization phase, the one where his dreams and aspirations were hinged on pure feelings and inspiration from All Might. Katsuki on the other hand was a lot more tactical--professional to an extent. The gap between their respective development with their quirks is something that is clearly felt in every fashion decision they’d made.

(Notice how Deku’s green is a lot brighter and less like the green accents Katsuki has all over his costume.)

As time progressed however... their costumes changed. The colors, the silhouettes, the practical functions, most things.

(Deku’s Gamma Costume and Bakugou’s Winter Costume used respectively)

we begin to notice a few similarities.

As the show goes on and we see more evolutions of their costumes, it almost seems like they begin to look like a matching pair. Deku’s green grows darker and almost teal in nature, while Bakugou’s orange is veering towards red territory. This is important to note because red-orange and blue-green as I said earlier were complementary colors as compared to simply orange and green. The minute shift is something I really wasn’t quite sure was intentional, but something I find interesting to pick up nonetheless as the colors they used to accent their costumes begin to match up.

Secondly, I think and important thing to note is silhouettes. The way that both Bakugou and Deku’s costumes are designed follow a lot of parallels that typically we don’t see with the rest of 1-A. For one, they both have a combination of tight long-sleeved tops with a bulkier set of bottoms. They also share the use of utility belts and metal pieces typically worn around their necks. Deku has his bunny-eared hood that mimics All Might’s hair, while Bakugou has his orange and black explosion ear-pieces that mimic his own quirk.

i don’t think any other people in class 1-A match each other as subtly yet strongly as these two. Uraraka and Deku and Bakugou and Kirishima do come close however.

“But Codi, you fucking knob!” I hear you plea. “This is such a reach and tells us practically NOTHING!” And yes, I’m inclined to agree with you! You’d be sort of right in the idea that this is a reach. Maybe I am looking too much into this, and maybe it really isn’t that deep--but I do think that them subconsciously matching outfits means something quite brilliant.

In the way that their costumes are designed, each aspect of either outfits have a very logical explanation. The changes were strategic and made with their fighting styles vividly in mind, so what that tells me is that BECAUSE these costumes are so complementary or similar in nature (Bakugou’s reinforcing his arms while Deku reinforces his legs), these two are implicitly showing the audience that their combat styles are complementary as well. 

The evolution of their design choices and similarities tell us that even unknowingly, their minds line up in strategy on the battlefield--a clear exhibit for why they would be INCREDIBLY POWERFUL as a Hero Duo to begin with.

When I look at their hero costumes side by side, I see a mirror. I see the way that these two are reflections of each other and are strong where the other isn’t. The point I see in BNHA repeatedly is that EVERYONE HAS A WEAKNESS. Nothing is infallible, regardless of how hard you train or how powerful your quirk is. Everyone will always have a weakness, but the significant difference I see when fandom discusses the future of Pro-Hero Society is that the new generation is finally raising itself to be RELIANT on each other. 

Observing their fighting styles and the simple use of their quirks, its obvious that they are indeed two parts of a whole hero. Bakugou, who’s quirk emphasized his arms and hands and the power that comes from it, while Deku who’s quirk now emphasizes his legs and lower body and the way he’s always running to save people.

IN CONCLUSION:

As they become heroes, it is easy to assume that if nothing else, Bakugou and Deku will cover each other’s weak spots (especially when you consider the way Deku probably won’t be able to keep using his arms with the way both the anime and manga are going...) (also chapter 285, anyone?)

-

Part Two: Interactions, OfA

kofi || commission details

#idk maybe this is obvious and im just Slow on the uptake #but yeah #delete later #bnha #wonder duo #bakudeku #bkdk #codi.txt #bnha meta #mha meta #long post #tw long post #cw long post #THIS IS PART 1 DONE ILL TRY N FINISH PART 2 SOMETIME THIS WEEK #izuku midoriya #midoriya izuku #bakugou katsuki #katsuki bakugou #kacchan #deku #dynamight #dynamite #codi.docx