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#it's about death
mood2you · 6 months
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After dinner, Phan found her alone by the swimming pool. He sat down beside her. The night sky was a dark plum color and in the distance it glowed from the streetlights. "I bought three," he said. "Three what?" "Three plots." His voice was gentle, always asking a question. It grew softer every day he was sick. Phan's hair, so black and beautifully thick, had turned gray in a month and he wore it cut close to his scalp now. "We should all be together. That is the truth, the three of us are family. I don't want you to be alone." Sabine kept her eyes down. Throuhg the gneerosity of the offer she saw that she was alone. Even in death she would be the third party, along for the ride. It got darker every minute they waited. The birds were almost quiet. Phan patted her hand. "It is a very difficult thing to discuss. I imagine that when we are gone your life will only be beginning. You could marry, have a child still. You have so far to go before you'll know how things will end. So this plot is only insurance. It says that Parsifal and I love you always, that we want you with us; and if you don't come, it will always mean the same thing. It will stay for you." Sabine nodded, her eyes filling with tears. Thoughts of their deaths, her life alone, an amendment to twin plots, over-welmed her. Though she and Phan had very few moments when they could be close out of a true fondness for on another, instead of their mutual fondness for Parsifal, she dipper her head down to his shoulder.
Hey! Don't make me
cry so early into the book!
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captainjonnitkessler · 5 months
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Sometimes I wish we would start calling out the performative radicalism on this site for the poser bullshit it is. "Remember, it's always morally correct to kill a cop!" "Don't forget to firebomb your local government office!" "Wow, it sure would be a shame if these instructions on how to make a molotov cocktail got spread around!"
Okay. But you're not killing cops or firebombing government offices. You are posting on a dying microblogging website to a carefully-curated echo chamber that has radicalized itself into thinking that taking the absolute most extreme position on any subject is praxis but that anyone discussing the most practical way to effect actual change is your sworn enemy. You do not have the street cred OR the activist cred to be talking about killing cops, babe.
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being a student during peak pandemic was so fucking surreal like. "it's not an excuse to fall behind" I cannot stress enough to you how much A Worldwide Plague Upending Life As We Know It is literally one of The Top Three Reasons to fall behind
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feluka · 2 months
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oh god shut up. you didn't even know the damn kid.
"The children are always ours, every single one of them, all over the globe, and I am beginning to suspect that whoever is incapable of recognizing this may be incapable of morality." — James Baldwin
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wolfspaw · 24 days
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ghost-bxrd · 1 month
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Headcanon that when Jason so much as says “ow..” on the comms the rest of the batfam immediately assume he must be dying.
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hansoeii · 7 months
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when 2022 me thought it would be fun to draw stede with a beard and a silly little curled up mustache and start calling him steard for the fun of it
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AND NOW IT'S REAL
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THEY DID IT
MY CREATION.
IT IS REAL. HOLY FUCK
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dykedarling · 4 months
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I’m going to get pissed
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mpekamitzii · 1 year
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Tfw your shapeshifter friend forgets how to turn back into a human and has a crisis
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elizabro · 2 months
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please consider how you engage with aaron bushnell's death. you may react to it as you will, but it's crucial to remember that his death was specifically a call to action. it was not meant solely to shock but to draw attention to a vast moral hypocrisy: that to many, a soldier dying in a campaign backed by the U.S. government is noble, even if the soldier kills innocents to do so, even if the cause is morally bankrupt--but this? this is insanity. a man taking his own life, on his own terms, in an attempt to help others while hurting nobody else, is somehow less rational and more horrifying than the mass killing of civilians.
of course aaron's death was horrific. but as he said beforehand, it is realistically no more horrific than what's happening in gaza. if we can't stomach this, then why can we stomach children being bombed? thousands being starved? for all that self immolation is, it brings death in a matter of minutes. it is a fraction of the amount of pain, fear, and grief that people in gaza are experiencing. it's just that we are able to quantify it. and this tiny, quantifiable sliver of horror is still so unbelievably awful. how can anyone bear to think about anything else when this horror is happening a millionfold in palestine? this is the question aaron bushnell was asking. and he wanted you to face it, head-on, watching him burn to death.
I've been seeing people make fanart. minimalist graphics to sell on t-shirts. to commodify his death, to mythologize it not a day afterwards, is not only in poor taste but a hindrance to his message. the answer is not commodification, nor is it defeatism, nor is it rejoicing in his death. if you want to honor aaron's legacy, take action. channel your horror and your outrage into making a material change. this wasn't about him. this was about palestine. remember that it was always about palestine.
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plaguedbyvisions · 1 year
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there’s just something about the weight of a hammer in your hand. feels so right
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mwagneto · 6 months
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FUNNIEST WAY TO DESCRIBE THIS SHOW
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casmick-consequences · 6 months
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literally the king of oneliners
[part 2]
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troutpaws · 6 months
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the flesh will persist (graphite & digital, 2023)
print
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azuremist · 10 months
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“Unfinished Painting” — Keith Haring
This painting was left intentionally incomplete. Haring began it when he was dying due to complications from AIDS, and knew he didn’t have much time left. The piece represents the incomplete lives of him and many others, lost to AIDS during the crisis.
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“AIDS Memorial Quilt” — Multiple
This quilt is over 50 tons heavy, and one of, if not the, largest pieces of community folk art. Many people who died of AIDS did not receive funerals, due to social stigma and many funeral homes refusing to handle the deceased’s remains, so this was one of the only ways their lives could be celebrated. Each panel was created in recognition of someone who died due to AIDS, typically by that person’s loved ones.
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“Untitled” (Portrait of Ross in L.A.) — Felix Gonzalez-Torres
This pile of candy weighs the same amount as Gonzalez-Torres’ partner, Ross Laycock, did. Ross Laycock had died due to AIDS-related complications earlier that same year. Visitors who see this piece are encouraged to take some of the candy. As they do so, the pile of candy weighs less and less, like how AIDS had deteriorated the body of Ross Laycock.
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The SF Gay Men's Chorus
This photo was taken in 1993. The men in white are the surviving original members. Every man in black is standing in for an original member who lost their lives to AIDS.
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“Electric Fan (Feel it Motherfuckers); Only Unclaimed Item from the Stephen Earabino Estate, 1997” — John Boskovich
After the death of his lover, Stephen Earabino, from AIDS, Boskovich discovered that his family had completely cleared his room, including Boskovich’s own possessions, save for this fan. An entire person, existence and relationship had been erased, just like so many lives during the AIDS crisis. Boskovich encased the fan in Plexiglass, but added cutouts so that its air may be felt by the viewer, almost like an exhalation. In a sense, restoring Earabino’s breath.
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“Blue” — Derek Jarman
This was Jarman’s final feature film, released four months before his death from AIDS-related complications. These complications had left him visually impaired, able to only see in shades of blue. This film consists of a single shot of a saturated blue color, as the soundtrack to the film described Jarman’s life through narration, intercut with the adventures of Blue, a humanization of the color blue. The film's final moments consist of a set of repeated names: “John. Daniel. Howard. Graham. Terry. Paul". These are the names of former lovers and friends of Jarman who had died due to AIDS.
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“Untitled” (Perfect Lovers) — Felix Gonzalez-Torres
Created by the same man who created the previous untitled piece, this piece was also inspired by his lover’s deterioration and death due to AIDS. This piece consists of two perfectly alike clocks. Over the course of time, one of the clocks will fall out of sync with the other.
In a letter written to his lover about the piece, before his lover’s passing, Gonzalez-Tourres wrote, “Don't be afraid of the clocks, they are our time, the time has been so generous to us. We imprinted time with the sweet taste of victory. We conquered fate by meeting at a certain time in a certain space. We are a product of the time, therefore we give back credit were it is due: time. We are synchronized, now forever. I love you.”
Please feel free to reblog with more additions
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the four horsemen of Queer Agony
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