people who think clem surviving makes no sense are so funny. "they were literally foreshadowing her death the entire season" let me introduce you to the concept of a red herring. she tells lilly she isnt lee and shes right. the narrative was forcing her down that path, a path she saw as an inevitable fate waiting to take her too, but its a narrative broken by aj, who is also his own person and not S1 clem
"it happened to lee, and itll happen to you" lilly tells clem she'll die protecting aj from some mistake he makes, when in reality his defiance of her will is what saves her life after she had already accepted her fate. he breaks clem free from the lee cycle and they get their relatively happy ending. good for them
127 notes
·
View notes
Okay my crack theory for Lucy’s god situation:
What if instead of dying Lucy’s god became an archfey and fucked off, forsaking all of their followers. I could see that as justifiable for a minor god—maybe you don’t want your personality and existence to be dependent on a group of people small enough for a really big hurricane to wipe them out. Maybe you want to try your hand at self actualization, which you can’t really do as a god. Whatever.
But that would still mean Lucy’s grades would be screwed for the year, and the whole group would be switched to pass/fail.
Whatever god they’re trying to bring back seems like they want to stay a god, but would also only have a single living cleric so their nature would be heavily influenced by who that cleric is, and could still be controlled. Bringing back an established dead god with living followers probably reduces the risk of the god immediately dying or completely sucking ass/not being powerful like what happened with YES!(?), and we know the Ratgrinders LOVE minimizing risk. And choosing a dead god that represents something Lucy is actually passionate about preaching and proselytizing would make her work as a cleric much easier for her emotionally than, say, switching to Helio and just going through the motions, and bringing back a god would probably look good on college resumes.
Idk, that’s just an alternative theory to Lucy’s god dying based on what’s been established this season.
53 notes
·
View notes
Completely unrelated to anything I have ever said or reblogged but I genuinely love the way they handled Fontaine. While some things could've been made even better, the way they handled this was so good. The fact Arlecchino was a genuine threat and Furina actually fooled EVERYBODY (including me) about her true nature is fantastic. While I know Genshin is a game that makes good looking characters for the specific factor of revenue, this fits in Furina so well and also her struggles. 500 years of fooling everybody and the only thing separating her from the common folk was she was unable to die of old age or age at all. Like, that implies she has had to work to look like a god. To act like one and fool everybody is already hard, but taking into account that Furina has to upkeep her appearance while not only stressing over the prophecy and helping her people? She had it rough. She was a genius through and through to the very end that even now people are downplaying her smarts. Not only did she have to do all of this, but also the fact she had to regularly participate in trials and oversaw all of them? This means even more research and studying into her already packed schedule and the fact she can perfect her appearance so flawlessly despite all this stress is absolutely impressive. Truly shows her hard work. It really payed off. Anyways, Fontaine in general was such a good patch and definitely a refresher from what was previous.
When Genshin first came out and they released the trailer for all the nations and Masquerade of the Guilty showed up, I was so excited for that one because it made me imagine something similar to Piltover and Zaun with Rococo fashion inspirations. Ruffles and roses alongside gears and machinations and overall a very dark premise with oil and golden lights and very much French revolution viva la revolution kinda pizzazz. Of course it's not what we got but I still love both ideas. Also, I remember seeing an idea where Furina wasn't suppose to be the Hydro Archon and she was the youngest of three and the middle became what was the giant god killing machine we see at the end. Anyways, I had a lot of ideas and honestly? Both are great and I loved how they handled Fontaine, and especially their women in the cast because we haven't seen such good handling previously.
I love how they made Clorinde a very head strong person that can keep up with Wriothesley of all people and of course Arlecchino who does bad things for the sake of her nation (and also has questionable morality because of her while child soldier business but yeah). I could go on a whole talk about Clorinde because I really like how they handled her character and also the fact she is genuinely serious about the ongoings of her nation and not someone who just cares because it makes them look good morally.
Navia I was expecting to be a bit more noble in etiquette and kind of somebody who bit off more they could chew with trying to find out who murdered her father and it's kind of her coming to a realization and growing as a person but I like how they took her character as well. How I imagined her character was someone who was sheltered and had that bubble break when their father was murdered and despite her people's wishes decided to try and figure it out. It would make sense then why she would need help figuring it out because she doesn't have experience. Sure, she has good etiquette and knows her way around society but she has never dealt with this. This would lead to scenarios where the MC/Clorinde would help her with the case and getting closer while she helps them work around high society so they can achieve their goal. It'd end with Navia coming to a realization how naive she has been while talking with Clorinde because she blames her for his death. Anyways, Navia is super cool and I'd love to see them use Navia's upperclassmen status more because that can be so funny and also sosososo stressful. Especially in a place based off of France where the fashion changed every month or so and you had to play hot potato with your words.
Also, Lyney and Lynette were such good starts with the Fontaine story. They were introductions. Bright and beautifully talented people with a very dark heart beneath. I would've liked them to be more morally ambiguous because that would've been so cool and also bad moral intrigue to the story instead of definite evil vs good but I understand why they went that route. Anyways, I would've loved to see them develop Lynette and Freminet more as children part of the House of the Hearth as well as more lore on House of the Hearth in general because Arlecchino is very suspicious with her morality right now with it and I am loving it.
Neuvillette is probably among my favorite characters because Hoyoverse actually made a strong male character who is allowed to be vulnerable and emotional?? Woah. Anyways, Neuvillette is such a good character and the way they handled him is phenomenal. I would not change anything. Actually, I'd like to see him cry more in the story it's great.
Wriothesley is certainly interesting! I was totally expecting him to take a more antagonistic role in the prison but he didn't. I would've loved to see him be more against the traveller and people above (Like Navia or Neuvillette for instance) to show that class gap because France and Fontaine both have those, do not @ me. Anyways, I would've loved to see Wriothesley go more in depth on the class divide in Fontaine as well as how prisoners are treated down there as well. However, he was definitely a good character and I enjoyed how he bounced off of Clorinde like colleagues.
I could go on on on and on but I will NOT and save it for ANOTHER DAY
58 notes
·
View notes
NEW RELIGION, or AU WHERE ADDAM SURVIVES TUMBLETON AND CHOOSES A DIFFERENT PATH FOR HIMSELF GOING FORWARD
Fight Club, Chuck Palahniuk // Captive Prince, C.S. Pacat // Cat’s Eye, Margaret Atwood // Fire & Blood, George R.R. Martin // The Five People You Meet in Heaven, Mitch Albom // Interpretation of Dreams, Sigmund Freud // Angel on Fire - Halsey // Sun Bleached Flies - Ethel Cain // Adonis: Selected Poems, Adonis (tr. Khaled Mattawa) // The Sun Is Also a Star, Nicola Yoon // Three - Sleeping At Last // How’d Your Parents Die Again?, Fatimah Asghar // @tagdevilish // The Five People You Meet in Heaven, Mitch Albom // Gusty Island by Listening Point Foundation // Prayer, Jorie Graham // Loss, H.D. // Crush, Richard Siken // H of H Playbook, Anne Carson // Fifteen - Taylor Swift // The Art of Drowning, Billy Collins // unknown // TOUCH (2019) by Alina Pronskaya // Crush, Richard Siken // In A Week – Hozier // Litany in Which Certain Things Are Crossed Out, Richard Siken // Solve for Desire: Poems, Caitlin Bailey // @ghuolboy // Truce - Twenty One Pilots
12 notes
·
View notes
i can't stop listening to the 'purpose is glorious' track from this season's ost and thinking about how lovely the title and its meaning are. it's just such an amazing underlying theme in this show, and - while i do have criticisms about some of the choices made for the series finale - i really do feel the writers wholeheartedly delivered in sending that message home. for me personally, loki's ending is so gratifying and a large part of that is solely from viewing their arc's conclusion with the perspective of this theme in mind. to have spent years watching this character i hold very dear to my heart struggle to find belonging, to feel as though they matter and there is reason in their existence, finally get a chance to show - and recognize - their worth was so, so rewarding. and honestly, i think the message behind the phrasing of 'purpose is glorious' is all the more meaningful because of how loki's arc finished. yes, the outcome was bittersweet; yes, we're left knowing loki didn't get the happiness they undeniably earned after everything they'd gone through. it smarts something fierce to know their journey up until they deviated from their timeline and became a variant, as well as seen their eventual intended fate. the ache is only worsened after witnessing everything that happens within the TVA and the entirety of loki's character growth leading up to a redefining moment where they willingly choose to undergo a nightmarish amount of time in the endeavor to do the right thing. of course we want them to emerge victorious when they've struggled for so long, but that's not the point. loki's final moments are them forfeiting their right to a happy ending to preserve the stories of others because all stories matter and should inherently reserve the free will to be written; as sylvie says, loki makes their choice so their loved ones and life across the multiverse still have a chance to belong somewhere and embrace their place in the world. the take away is that even burden can be glorious. even with all the hardships of life - all the inevitable heartache, disappointment, and grief we encounter just by being alive - we have meaning in our existence. there is meaning in the trials we face, and the suffering we endure in order to overcome them. our pain gives us purpose; it gives us the ability to love, to grow from and for each other, and choose to sacrifice our happiness for the benefit of another. loki's purpose was forged in the bonds of those they met in their time at the TVA and the sense of value they gained from their companionship. their sacrifice perfectly conveys how the human capacity to love is one of cosmic greatness, which can ultimately surpass our instinctual desire to preserve one's self. we can move immovable mountains and challenge insurmountable adversity in behalf of the ones we love and their welfare. if that isn't an act deserving of glory, I don't know what is.
tldr; loki's purpose is the friends they made along the way = as the saying goes, 'tis better to have loved and lost than never to have loved at all'. or: our own lives have purpose because of the connections we share with others, even when we are met with great loss.
37 notes
·
View notes
you know fake dating AUs and fics? when it comes to infinity train, you can just create a Fake Dating Train Car! rather, The Soap Opera Car, since the TV head denizens treat passenger lives like long-running TV series to which they want satisfying conclusions. they’ve seen passengers’ tapes and when they arrive at this car, they wanna see them act out something they think is fitting the passengers, some obvious development that should’ve happened long ago, something that gets a good rating from their whole bunch, a score of 6/10 at least. it’s sort of uncreatively meta.... listen. I’m indulging here....
anyway they think it’s obvious that Ryan and Min-Gi should go ahead and get married right now, since it’s where their very intertwined lives seem to be heading.
Min is freaking out because 1. he’s only like 19, he’s NOT ready to get married and he KNOWS Ryan isn’t either. 2. this would be legally void because they’re both men. 3. it’s giving him a massive heartache bc Ryan isn’t taking it seriously. for a few reasons. maybe he WOULD like marry him. eventually. but for that there needs to be honesty and it’s not like HE’S gonna open up first to find if these feelings are mutual.
Ryan is taking it easy because 1. it’s not real. 2. seriously, it’s a fake marriage on a pocket dimension train, why think about it too hard?? homophobia doesn’t even exist here? 3. he’s slightly enjoying the attention and putting on a show and was hoping Min-Gi would too. he’s heard it said that “being in a band IS like being married, in a way.” so it’s probably nothing new right?
235 notes
·
View notes
I feel like the Mona Lisa discussion is kinda like if after knives out people decided actually there's no visible difference between the drugs in real life so Martha did kill Harlan
120 notes
·
View notes
Year of OTP ⟢ MAY: "Who Are You"
Along their number collecting journey, Astral and Yuma witness someone dueling with strange XYZ cards. The duel captures Astral’s interest in particular, and he becomes shocked to learn of this stranger’s ability to perceive him.
The mysterious duelist escapes as quickly as he was found. Leaving the envoy with a blaring, unanswered question...
AKA. Guess who decided to participate in this challenge after all! (pls ignore the four months I missed, we’llgetbacktothose﹣)
30 notes
·
View notes