u are dick grayson and there are two wolves inside u. one is bruce wayne’s devotion to control above everything and ur uncompromising, debilitating loyalty to him. the other is the titans love for u and how u conflate that with lacking trust in ur judgement and their own attempts at control. u cannot win. u will be eaten alive.
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The way people write John in fic bothers me so much sometimes. Not to judge other people’s writing specifically, just the general fanon characterization of John Winchester. Yes he’s bad a father. Horrible. So much to unpack there. Yet I find it so disappointing when I go to read a fic and he’s like. Cartoonishly villainous. Excluding the fans that actually like John (which is even more crazy), it feels like everyone treats him as like this big bad one dimensional monster which imo is a disservice to the complex relationship Sam and Dean have with them. It’s also a symptom of a broader pattern in media, or even real world events. It’s so much easier to flatly paint anyone bad as inhuman, one dimensional, and just plain evil. Monstrous. But the reality is, every horrible person is still a person. Humans are capable of the evil we do, not monsters.
So when it comes to John, like yes, he is deeply deeply flawed. He really hurt his kids. But often when people write him, it feels like he makes all of his terrible decisions for the sake of being mean and terrible and abusive, which undermines the dynamic because the reality is people can be abusive or neglectful or toxic without being a complete monster 100% of time. It would almost be easier for Sam and Dean if John had actually been like that. But he was their father, who did what he thought was best, and loved them even if he didn’t show it. They have fond memories with him. He’s their father. Which is what makes it so hard for them to actually unpack the trauma they have, because it is so so difficult to realize a person you love is actually actively hurting you. Harder than realizing a villain in your life is just being a villain.
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bumble wc is just a piece of writing from this series that TRULY astounds me. like the characters do not acknoledge that shes a living person whatsoever once she becomes a "nuisance" (she is fat and a house pet). and on top of that, to have turtle tail turn her back on her as well??>?? because gray wing has it bad for her and so we have to exterminate the "obstacle" in the way of their straight romance???
like i expect gray wing and clear sky to be dicks but..why would TURTLE TAIL rationally allow her friend (who lived through the same abuse as she) be shunned away from the moor group??
its some of the most mean spirited shit in this entire series and it only exists as a plotline...for what reason??? cause "kittypets are bad you dont want to be a kittypet"?? its not like you remind us every fucking arc erin hunter. because we're supposed to like gray wing and they really wanted him to serve as an adoptive parent to turtle's litter?? like..what???
i dont even have a real point to this post i just want to express my confusion cause what even was the goal. it does nothing but make the entire cast abuse-enabling discriminatory assholes who are willing to send outsiders to easily preventable deaths. and we're supposed to agree with these jackasses??? ERIN HUNTER WHAT ARE YOU TRYING TO SAY TO YOUR ELEMENTARY SCHOOL AUDIENCE???
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"The newly widowed Elizabeth (Woodville) was exceptionally vulnerable. Several of the trustees responsible for her jointure refused to hand over the manors that were meant to sustain her in her widowhood. Moreover, her brother-in-law, Edward Grey, had seized estates that her son Thomas should have inherited from his paternal grandfather, while her mother-in-law’s new young husband, Sir John Bourchier, had prevailed on Lady Ferrers to settle her principal properties on them jointly for life, ensuring that Thomas would have to wait far longer for this inheritance too. Rivers and Scales were pardoned in July 1461 and swiftly moved into the Yorkist establishment, which perhaps explains the success of the chancery suits Elizabeth launched to regain her jointure. Her son’s inheritance proved harder to recover. By 1463, Rivers was often in (Edward IV's) company and on his council, but Elizabeth needed someone with much stronger influence over the King. She turned to a distant kinsman, William, Lord Hastings, the King’s chamberlain. Hastings drove a very hard bargain for his aid but it was probably amid these negotiations that the King’s desire for Elizabeth was kindled."
-J.L. Laynesmith, "Elizabeth Woodville: the Knight's Widow", "Later Plantagenet and Wars of the Roses Consorts: Power, Influence, and Dynasty"
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So I don't know if it was ever revealed how Duncan felt when we killed Malistaire all three times but I'm wondering if maybe some part of him could hate us for that too. Like you hear that and you go "but why. Malistaire was terrible and even Duncan knew that(?). Why would he hate you for getting rid of him."
But like I think it's so....... interesting in a very, very, very sad way how Duncan so easily latches onto anyone who directly feeds into his delusions of grandeur. And that's no fault of his own that he was manipulated by the nasty Schism but when you think about how desperately clung to the idea that Malistaire, easily one of the greatest necromancers any of us had ever heard of (at that time), somehow actually recognized Duncan's talents (even when canon supports that Duncan wasn't all that talented, at least no more than the next necromancer) and then praised him for it so often that Duncan believed that he would be the next Death Professor is. I mean ☹️
So like with that mindset I unfortunately feel like it would be quite easy to twist even Malistaire's death as something that's horrible and awful and all our fault. ESPECIALLY if the Schism was feeding into Duncan's already broken mind and shattered ego and was constantly telling him that everything bad that ever happened to him ever in his life was Our Fault. That's like a realistic conclusion that someone like Duncan could come to
And like, at this point in time, are Malistaire's crimes even a factor in how he thinks????? Was Duncan ever able to separate Malistaire's talent and skills and prowess from the terrible and awful things he did? If Duncan wasn't able to consciously tell that distinction in the first place I can't imagine it would be any better during the years he was being manipulated and isolated and lied to
Like in Duncan's mind it probably isn't, "maybe I shouldn't idolize a national criminal, or idolize anyone at all for that matter, and aspire to be like someone so harmful when I can recognize my own talent and build from there" it's probably more like, "you (the wizard) permanently got rid of a brilliant mind, an innocent person who just made a few mistakes, and someone who believed in me no matter what just so that you could be the better than me and loved by everyone else" and that's! very sad actually!
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Should we care about actor’s lives outside of their careers? E.g. if an actor you like watching gets a DUI, would you feel obligated to not watch any of their further works.? Or is there a separation between their work, their lives, thru political opinions, etc? sorry idk if that made sense
I think this is a matter of personal conviction. Personally, I tend to draw a pretty stark line in the sand between an actor and his work, for a few reasons:
There is a lot more that goes into a production than a single actor's work. Someone wrote it, someone directed it, multiple other people acted in it, someone scored it, someone edited it, etc. A Hollywood film has hundreds-to-thousands of people working on it, and the majority of them do not make more than 6 figures.
The actor is going to get paid for his work whether I watch it or not. The contract has already been signed. Sure, there are royalties, etc., but the lion's share has already been paid.
If I were to boycott all movies with pervy, crooked actors, I'd never watch another movie again (and that includes the old classics).
That's not an exhaustive list. But just off the top of my head, Harvey Weinstein, Lena Dunham, Armie Hammer, Woody Allen are all super wack people, but I still watch their movies. Why? Because Midnight in Paris is a genuinely good film about a genuinely good story. Because The Man From U.N.C.L.E. is a gorgeously created caper, and Hammer's performance in it is particularly captivating; why? Because we forget it is Armie Hammer we're watching and not Ilya Kuryakin.
The reason the best stories get passed down through generations is that they transcend the flaws of the people who first told them. We know well enough that Shakespeare was a flawed man, and some have decided to do away with him entirely on that basis. Those people would like to pretend that the course of history is innately virtuous instead of depraved. The sane way to view history (and art), is to seek the good where it exists in spite of the people or culture who created it.
That said, I can understand some folks' urge to boycott a certain movie due to the wicked actions of certain of its creators, and I'm not going to call that wrong. It's a threshold for each person to decide for themselves, but it is a threshold. You're not going to find a perfectly pure movie.
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I love your art so much, especially the context and comparatives you make! I read Plutarch bc of your art, but unfortunately, I also read the sixth book in Colleen McCullough's Masters of Rome series and was so upset by her portrayal of Cassius and Brutus that I've crawled over to lick my wounds via obsessively scrolling through your blog.
!!!! I'm absolutely 🥺 that my art inspired you to read Plutarch, but also I'm cackling a little bit because it sounds like that Masters of Rome book was an Experience ™ (I've never read them, but I can relate to books being Experiences™) I'll pull a comic of Brutus and Cassius out of my vault of unpublished Cassius&Brutus comics and post it for u
in the meantime tho, if you don't mind a bittersweet ending and a secondary love interest for brutus, might I recommend The City War by Sam Starbuck 👀
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Headcanons on.... being justified? sorta
I threw a couple of headcanons in a salad so I could rate the Soulsborne men that messed with the things not meant for humans and got ridiculously big body count, from most justified to least
#5 Laurence - He genuinely cared for betterment of humankind, even if that meant great sacrifices and risks, although he took things to such a far point that these actions on themselves destroyed his humanity and defeated the purpose. He is a tragic villain! Good intentions road to hell all that.
(I will note though, I feel like BB was a bit TOO subtle on how things sucked so Laurence would have the need to change them - there are multiple evidences that are yet so scattered that on superficial level it can look as though everything was awesome and perfect and Laurence simply ruined everything! I really don't see it, especially considering how many things could've been wrong in Victorian era... Eileen, for one, arrives from plague-ridden place if her mask is of any indication.)
#4 Aldrich - He lives in the world that is rotting and doomed no matter what you do, he saw the only thing that offered at least some hope for escape and better era and seized it, no matter what it took. He is like.. in a position where moral principles are losing their effect, so everything goes. Similar insight to Rykard's, actually. (I can honestly give him a pass on enjoying his methods a bit too much like sadistic shit that he is, because how you he is feeling besides the point in this context)
#3 Micolash - His world likewise got fucked but what Micolash did was not simply going 'fuck this shit I'm out' and giving up on human values, but also provoking the process that accelerates the humanity's ruin and it can not even escape beasthood WHILE his ritual is ongoing, all so he (and anyone who """understands""") could evolve past human mind. Micolash has more choice and more hope than DS cast, he decided human values (and lives) were not really worth it!
#2 Allant - Not only he gave up on humanity and this world in his despair, but also ensured that everyone else feels this way too deep down and no one's lives matter, so he had to "open their eyes" lol. He is just willing to destroy everything through the same logic in which I used to agree with Frenzied Flame ending - that existence is fundamentally broken, as a concept.. And like, if other people still want to exist regardless of suffering, decay and existential loneliness? Well they're just "dumb" or something.... Very selfish stuff.
#1 Shabriri - The fucker thought the world had it too good and just could not live in peace knowing there was all-destroying power sealed, he saw "No tresspassing" sign and was not able to stop, so now even without Lord of Frenzy, the world still got inflicted with irreversible sickness that someone could get just by fucking being too sad or something. Basically I think he did not face crushing depression and dread that simply 'resonated' with the power of universal despair, but just, like they say, "did a little trolling". Partially I think that because of how his yearning for chaos sounds like manic wish to just see everything burn and not like despair. Partially because I feel like at least one time everything could be ruined by simple curiosity and not sympathetic motivation? But yes, Shabriri is THE worst.
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Also there are complications of 'they unleashed it' vs 'the force beyond humanity called them and of course a human would not be able to resist' with some, which I tend to just write off with the "the call means nothing without the receiver" (so, even if you like saw a dream or found frenzied fingerprints, you could still just say no... so yeah, I did not use this factor in rating)
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