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#it's time that you get dying
greyias · 8 months
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Oh look, it seems everyone has been opted into the unfortunate "experiment" now. For everyone who has been blissfully using the old UI up until now, welcome to hell :)
Do you not like hell? Do you want to leave and crawl back up into the sunlight of the old UI? Well, have I got a link for you! A beautiful tumblr user (who is not me) has gone and fixed things beautifully for you already: https://github.com/enchanted-sword/dashboard-unfucker
You will need to have Tampermonkey installed on your browser of choice, and once that's done, just go to the github link above, and peruse the readme to install. And voila! You have your old dash back!
The authors of XKit Rewritten said during the experiments that at the time, since this was an "experiment" they weren't going to implement anything to revert to the old UI (although who knows if they'll do it now). And the dashboard unfucker has worked beautifully enough for me to where I genuinely couldn't tell if they had ended the experiment or not.
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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while teen while goblin while aroace while injured while doing your best
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lastofgallifrey · 7 months
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twelve spending 4.5 billion years punching through a 20ft thick wall of azbantium, a material apparently 400x harder than diamond, dying repeatedly in the process, all so he could get clara back... like whether you see them as platonic or romantic you cannot deny that he quite literally loved her to death
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tiffanyachings · 7 months
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it would have been very beautiful. camilla would have had to cook (horrible bone soup)
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inkskinned · 9 months
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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puppetmaster13u · 4 months
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Prompt 171
Danny would like everyone to know it was a complete accident. Look, normally he was really good at not altering the timeline! He was! 
But the dude was definitely not in the right Time, and he had to get his trust which took so long, like damn he thought he had anxiety. Seriously though, kevlar in the 1700s? Yeah that wasn’t right, and Peepaw always complained about the messes that the speedsters caused, so he was trying to prevent a mess by tugging the dude away and helping him out. 
Falling in love maybe a little, was not in the plan. But honestly the man had a worse sense of self preservation than he did as a teen and was also straight up adorable, in a wet cat  who could kill you sort of way. 
So maybe he helped the dude grab a child that was going to be drowned. It wasn’t like anyone else saw them! Even if similar situations might’ve happened a few different times. 
Still, no one saw them! 
So why is there now a small cult who worships the Shadowed one and Radiant one, aka his companion (who would not give his name save for B, which, fair, probably didn’t want to accidentally wreck the timeline either) and well, him?! At least they worship them as guardians of children, but uh. Should he maybe, perhaps, fix this…? 
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aroaceleovaldez · 2 months
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It's honestly wild to me that ToA went through so much trouble to emphasize the fact that Will did not magically fix all of Nico's problems and was explicitly not Nico's only doctor.
Only for TSATS to have Will fix all of Nico's problems and have Nico be entirely reliant on him the entire book and literally helpless without him and LITERALLY have Nico's problems be magically removed.
#pjo#riordanverse#tsats crit#nico di angelo#solangelo#it doesnt make any sense too cause. in HoO we KNOW Nico was fully capable of handling himself in Tartarus#we already knew he was explicitly on his own. we know he had it worse than Percy and Annabeth did#because we are explicitly told that Nico saw Tartarus' true nature the ENTIRE TIME versus Percy only getting a tiny half-glimpse of it once#and Percy acknowledges that he would not be able to withstand actually seeing Tartarus more than he did without just dying on the spot#and Nico was down there for as long as Percy and Annabeth at least. on his own. flying blind and explicitly having it worse.#so it doesnt make sense to totally retcon Nico's ENTIRE experiences with Tartarus to make him sopping wet and pathetic about it#needing to be helped and only being down there for twenty minutes and crying the whole time#and then all of the book he's literally functionally helpless without Will for some reason. despite being in his element.#could not get more in his element than being in the Underworld. my guy literally lives there. that's his HOUSE. that's his YARD.#and he's still just totally sopping wet and pathetic in Tartarus the second time around#like im sorry. no. we literally have previously established canon indicating this is absolutely not the case#that is not something you can retcon. that is an entire major event. it was not glossed over.#unless you are doing time travel and it's a canonical retcon a la Homestuck im sorry the events of TSATS just could never occur#(not to mention Damasen is just never acknowledged in TSATS and him and Bob were absorbed by Tartarus the god and ergo dead in HoH)#(so Bob and Damasen are like. *Gone* gone. they didn't just die to be reformed later they got ERASED.)#(and Nyx sure as hell isnt gonna be the one to have Bob trapped for whatever reason. definitely not cause she hates light/change/whatever)#(nyx is literally the mother/sister [depends on version - sometimes a mitosis situation] of the personification of day? and sky?)#(and FRIENDSHIP? and the nymphs of sunset? sometimes also CHEERFULNESS? and THOUGHTFULNESS? and old age)#(ah yes the mother of concepts such as love/friendship and aging and. day. would HATE [checks notes] love/friendship changing and light)#(she INVENTED THOSE) < anyways thank u for coming to my aside rant in the tags#in parenthesis to indicate this is an aside/tangent rant. anyways i have so many problems with this plot. it just DOESNT WORK#on NO LEVEL DOES IT WORK AT ALL WITH ESTABLISHED CANON
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come get yer Laughin'stock! get it hot off the press! free Laughin'stock right here!
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coyoteclan · 5 months
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I'm a little late to the party but man. What a cool cat huh
@fallenclan's Lee as a (not so quick) warm-up :)
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potatobugz · 3 months
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happy dreams
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I relate to Will Graham because I too am being gutted (period cramps) and I too am crying on the floor bleeding out.
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3vocatio · 2 years
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he's never gonna give you up never gonna let you down never gonna let you down never gonna run around and desert you never gonna make you cry never gonna say goodbye never gonna tell a lie and hurt you~
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We're only at the begining of this one way dream🎵
Sort of inspired by @tornado1992's post from a while back.
Figured these two needed some comfort in between, uh, all that torment they're going through recently. Tails had a nightmare and Sonic can't sleep, so he busted out the good ol' guitar to put a smile on his brother's grumpy face.
Happy Wednesday y'all :]
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abooklover · 9 months
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Lines/things in the red white and royal blue movie that make me scream and laugh hysterically (bear with me cause there’s a lot):
‘an urge I currently share’ (Ellen)
‘Making it was one of the most depressing moments of my career and I once saw Mitch McConnell eating a banana’ (Zahra)
‘You can hate prince Henry all you want but the minute you see a camera you better act like the sun shines out of his ass and you have a vitamin d deficiency’ (made even funnier cause of how literally this turned out) - bonus ‘what if I set myself on fire’ (Alex), ‘we’d ship the ashes to Heathrow’ (Zahra)
‘That’s perfect, you can kill me and I won’t have to go’ (Henry)
‘That’s what makes you so charming. That and your eyelashes.’ (So fucking glad they included at least a reference to this. Taylor’s lashes were working fucking overtime in this movie.)
Henry’s text with the attachment and ‘but we were ever so careful, dear’ (One of my favourite texts in the book and I’m so glad it made it into the movie)
‘Can you think of anything more wasteful’ (Alex), ‘Perhaps this conversation’ (Henry)
Henry’s weird little attempt at dancing while chugging out of a champagne bottle with on fist pumping weakly into the air (he is so me it hurts)
‘He grabbed my hair in a way that made me understand the difference between rugby and football’ (Alex)
‘Princes aren’t allowed to be gay, you should know that’ (Nora)
Alex trying to look cool for when Henry walks into the red room (we love an awkward boy)
Alex and Henry jumping apart to do the most unnatural things (Alex inspecting flowers like it’s his job and Henry perusing the bookshelf) like the idiots they are when Amy walks in on them making out
‘Are you still…’ (Alex) ‘Like Stonehenge’ (Henry), ‘or Big Ben’ (Alex)
‘Henry and I are much happier against walls’ (Alex)
‘Are they known for their homosexual tendencies’ (Alex)
‘And I thought Alex Gabriel Claremont Diaz was a mouthful’ (Alex), ‘He is’ (Henry) - and the fucking looks that followed it (kill me now)
‘I went to an English boarding school dear, trust me you’re in good hands’ (Henry)
‘Once, unsuccessfully’ (Henry)
‘Oh gee kid I’m sorry to interrupt your process of becoming but you’re the one who decided to put your dick into the heir to the British throne’ (Zahra), ‘Technically I’m the spare’ (Henry), ‘Not talking to you sir’ (Zahra)
‘Every time I see you it takes another year off of my life’ (Zahra)
Alex’s ‘Noooo..’ and the little laugh he does
‘If I’d had more warning I could’ve made you a PowerPoint presentation’ (Ellen) - another incredible callback to the book
Oscar Diaz’s affectionate ‘you little shit’
‘I’ve been thinking’ (Alex), ‘I seriously doubt that’ (Henry) and Alex’s mimick of it (absolute gold)
‘Or find herself at the top of the staircase with Phillip around’ (Bea, you literally had no right)
Zahra’s face when Alex starts mooning over Henry after his speech, then Zahra saying ‘oh my god, I just have to do everything round here’ and do not get me started on her whole speech to Shaan (greatest thing ever)
‘You might be lousy at keeping secrets kiddo, but I’m not’ (Zahra), ‘Zahra, I could kiss you’ (Alex), ‘Touch me and die’ (Zahra)
‘They can’t keep you locked away forever’ (Alex), ‘We really need to get you a book on English history’ (Henry)
The way Stephen Fry says ‘homosexual’
‘You still haven’t noticed my tie’ and Henry’s little smile afterward (oh how far we’ve come)
BONUS: ‘Do you think anyone noticed?’ and Henry’s exasperated sigh afterward
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no-where-new-hero · 5 months
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omg I need your thoughts on the terminally o line author culture bc ngl it makes my eye TWITCH, there are authors I deliberately avoid even tho I've heard their stuff is good bc they're like that 🙈
HHHHH oh good lord, okay, from how I see it, there are two angles on this, both aggravating and sad: the official decree one and the spontaneous ecosystem one.
The officious one is that the nature of publishing nowadays demands an author have an online presence. You need Twitter/X. You need to let every potential reader know your book is coming out. You need engagement through reviews and pre-orders incentives (if you buy now you’ll get a special keychain!!) and word of mouth assurances from your peers that yes your book is as cool as you say it is. You need a newsletter with links (more buying! more voting on lists that are simply popularity contests!) and promises you’re still working on the next thing, don’t forget about me in the morass of everyone else doing the same thing. You need an Instagram and TikTok now to post pretty pictures and videos because one or two authors made it big off this kind of promotion and now everyone thinks it’s the ticket to the bestseller list (sadly, it seems to be working). You need an OnlyFans (a joke but I do recall a twt spat that was a joke/not joke about how rupi kaur will always be more beautiful than her critics and people who took issue with the conflation of beauty with talent). At the end of all this, you’re basically an influencer, a content creator creating content for the content you should be focusing on creating, the finished novel. And the novel itself seems to be disappearing behind the masks used to promote it (fanfic-style tropes, moodboards, playlists, memes) until I now no longer trust the book that I’ll pick up to have any resemblance to the enticements that brought me here. I’ve seen an author or two complain about the stress all this self-promotion generates, but it’s become such an entrenched part of the industry, I think people just accept it. And thus spend too much time online hoping that if they tweet just a little more, produce just one more reel, maybe that’ll be the difference between a sale and no sale.
The other side of this, distinct but obviously connected, is the ecosystem created by this panic of being perpetually visible coupled with the fact that so many of the new authors came of age during the rise of internet fandom culture. That opinionated community mindset that blurs the line between anonymity and friendship is the lens they bring to their own work. I mean, it makes sense I suppose—if you love yelling about characters and words, why wouldn’t you do that once you start to produce your own? This really came home to me hearing about that reviewbombgate “scandal” and how people involved were in reylo circles and that was used to provide receipts. You’re interacting with your readers and peers about your intimate work but they are also all strangers. They will not always give you the benefit of the doubt, and now—as opposed to the past when maybe the worst that could happen was a handful of bad reviews in newspapers—you will either be tagged in hate reviews, sub-tweeted, explicitly called out, demanded to atone for your sins. It’s no longer the morality of consumption but the morality of production. Of course, the easy answer is just log-off, touch some grass. But that can work only when you and everyone else are separated by anonymous accounts or when you have no platform to maintain. As an author trying to make your livelihood from this, suddenly it’s do or die. We’re in a strange moment of authorship bringing the Internet’s echo-chamber and claustrophobic into the real world (this is a lie: publishing now is no longer the real world. But it looks like it) and thus you can kind of no longer escape things.
Will the average reader who isn’t aware of all these machinations care about reviewbombgate? Would a reader browsing at Target think about the controversies around Lightlark? Very likely not. But the impression I’m getting more and more is that the average reader isn’t the one buying all the books. Or shall we say—a bestseller’s status relies on bookstore stock. Bookstore stock is only huge when they know a book will be a good investment. They’ll only know a book is a good investment if it and its author has street cred based on booktokkers, bookstagram, bloggers and reviewers (have you noticed how many books out these last maybe 1-3 years have these kinds of accounts thanked in the acknowledgments? Yeah), and THESE are also chronically online people who will Know. And decide the cast of fate.
Honestly, @batrachised, I see why you avoid these kinds of writers, though I wonder how long it’ll be before the disease becomes epidemic.
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