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joekeeryswife · 4 months

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arranged marriage 2 - f.c

hello angels! oh my goodness thank you all so much for the love in the last chapter, i cannot express how grateful i am to all of you! Felix is 22 and reader is 20.

here is chapter 2 (there may only be 1 or two chapters left 😔) of my short series! here is y/ns ring, if you don’t like it you can change it, there is also going to be a link to a few dresses and again if you don’t like them you can change it!! there will probably be some mistakes so bare with me lol, enjoy reading🩰

taglist🩰 (add yourselves here): @hummusxx @lalademie @kikiandbella @anamiad00msday @saltburntt @livvy256 @gee72sstuff @edogiscool @real-lana-del-rey @cel3stel0v3r

it had been almost three months since your engagement party and a lot had changed. you and Felix were not getting along at all. your parents had thought it was best if the two of you moved in together and it had been the worst decision they had ever made. all you would do was fight and argue.

today, luckily, your mum, Elspeth and Venetia had decided that it was best for you to start trying on wedding dresses which meant you wouldn’t have to see Felix. “how are things with you and Felix going?” Elspeth asked, the three of you were sat in the back of the car almost at the wedding dress shop.

“not good. all we do is fight, i’m seriously considering not following through with this marriage” you rolled your eyes at the mere thought of Felix. “he’s being a dick head. sorry about him y/n, it’s like he’s on his period” Venetia apologised for how her brother was acting.

“oh no y/n don’t think like that, it’s just nerves. the two of you are going to have a very extravagant wedding and he gets nervous with those sorts of things” Elspeth said as she ran a hand through her hair. “it will get better i promise” she finished, showing you a sweet smile.

“surely you’re excited to try some dresses on? you might even find the one today” your mum finally spoke up. she loved the idea of you in a lovely white ballgown, walking up the isle arm linked with your fathers.

she had been dreaming about you getting married for years. “i hope so. how do you know if it’s the right dress for you?” you questioned, both women had been married and been through this exact same experience as you.

“you just have a gut feeling. i mean with me i had two dresses. i had one for the ceremony and then one for the party, god i wish i could relieve my wedding. it was the happiest day of my life” Elspeth said and your mum hummed, agreeing with what she had said.

“you’ll know if it’s the right dress, don’t worry about that sweetheart” your mum grabbed ahold of your hand and squeezed it gently. you nodded, giving her hand a squeeze back. “oh look, we are here” Elspeth said as the driver pulled up outside a fancy wedding boutique. “well, here goes nothing”.

-♡-

“oh that dress is ravishing” you heard Elspeth say as you looked at yourself in the mirror. “it’s elegant, fits your body nicely, you look beautiful. what do you think?” she continued as she looked at the dress. this was the fourth dress you had tried on and you were beginning to think that this bridal shop didn’t have anything for you. “well, it’s a pretty dress. but i think it’s a little too plain” you mum agreed “it is a little too plain. very pretty but you need some sort of design on there” Venetia nodded her head, indicating that it was time to try on yet another dress.

you walked back to the changing room with the stylist and she helped you get into the next dress. this one was beautiful, it looked like a princess dress and that was something you loved. however, the dress was still plain. you walked out and stood in front of the three of them, their gasps were loud. “oh my goodness, this dress looks absolutely perfect on you y/n” Venetia said as her eyes trailed over the dress.

“y/n, you look so beautiful sweetheart” your mum said as she looked at you in awe. “i love it but it’s still plain, i want some sort of pattern on the fabric. i love the way the dress is and i would have picked it if it had a pattern” you said as your hands brushed over the dresses skirt. your bridal stylist Amy spoke up “you do look gorgeous in this dress style but i think i have one similar to this with a pattern. why don’t you go to the dressing room and i’ll bring it through?” you nodded, a smile appearing on your face.

you made your way to the dressing room filled with nerves and excitement. hearing that she had a dress similar to this made your heart beat fast. after a few minutes she came into the dressing room with the most perfect dress you’d ever seen. it was exactly what you wanted.

she helped you put the dress on and your heart fluttered, this was your dress. you walked back out your mums eyes filled with tears and both Elspeth and Venetia gasped, i’m awe of how beautiful you looked. “y/n i seriously have no words. you look so radiant and elegant, i am praying that you have picked this dress” your mum said, the dress was absolutely perfect.

“i can’t see any flaws in this dress, i think if i was to ever design my wedding dress this would be it” you turned to face the three of them, you’d never felt like this before. “that dress is just absolutely gorgeous. you look like a bride” although you were mad at Felix, you were excited to get married. not because you were marrying him but because you could party like no other in the most beautiful dress with your family and friends.

“i think my brother might fall in love with you when he sees you in this dress” Venetia somewhat joked, she knew her brother would at some point fall in love with you and this dress would make it 100x easier. “i think it’s time we buy this dress and go celebrate” Elspeth said which you all agreed too.

-♡-

you had been out all day and it was now 7 at night. you hadn’t heard from Felix at all and you were not looking forward to seeing him. you opened the door to your house. “Felix, are you home?” you called out but got no response. you walked round the house saw him sitting on the sofa watching the tv.

“hey” you spoke as you sat down on the sofa next to him, you put your bag next to you and sighed. it had been a long day and finally sitting down felt amazing. he ignored you, his eyes still fixated on the tv screen. “how’s your day been?” he shrugged at you and you sighed, rubbing your forehead in frustration. “we can’t live like this Felix. this is no life” you looked over at him.

“y/n, have you ever thought that maybe i don’t want to live here with you?” his tone didn’t shock you, he had been in a bad mood for weeks. “i’m sorry but this wasn’t my decision either. do you really think i want to live here when you’re in a bad mood all the time?” he was silent.

“maybe think that i’m trying to work this out for the sake of our parents and whatever this relationship is and you’re just throwing it back in my face” he stood up, his tall frame towering over you.

“y/n. this isn’t a relationship. we are being forced to marry each other” you stood up, you weren’t going to let him intimidate you. there was an uncomfortable distance between you both.

“what is your problem Felix? why is there such an issue with you marrying me. i get we don’t love each other but am i really that bad?” you hated to admit it but even though Felix had been awful to you, there was a part of you that was falling for him.

there was some days where he was okay and the two of you got along, having Felix be nice to you was what made you somewhat fall for him. “don’t try guilt trip me y/n. you hate me just as much as i hate you” he scoffed but you just shook your head.

“what? i have been nice to you since after that talk we had in the bathroom at the party. i’m sick of you blaming me for absolutely everything when i’m reality it’s you who is the problem. i don’t think you realise how you make me feel when you treat me like shit” you could feel yourself getting upset.

“don’t pretend like you really care. you never cared about how it made you feel before so what’s changed now?” you shook your head, embarrassed that you were even about to admit this.

“what do you think Felix?” he looked at your confused. “there has been some days where you’ve been so sweet and it’s hard for me to not catch feelings for you” his eyes widened and you looked down at the ground, way too embarrassed to even look at him.

you could feel your eyes welling up with tears of embarrassment and frustration at the fact you had just admitted to Felix, the one person you’d thought you’d hate for the rest of your life, that you had feelings for him. and you knew that he didn’t feel the same. you could tell by his energy when he was around you.

it was silent, it felt like an eternity waiting for him to say something. when you felt like you’d been standing there long enough you decided it was best for you to leave, you’d embarrassed yourself enough and you just wanted to be alone. you grabbed your bag and started walking away from Felix who was still trying to process everything you had just said.

“y/n wait, don’t leave” he noticed that you were heading for the front door and was quick to follow you. Felix was never good with expressing how he felt and spending this time with you, living with you, made him realise that he was falling for you and that scared him. he’d been in love once before and it ended horribly and he didn’t want the same thing to happen with you.

“i’m going to my parents house don’t follow me. i want to be alone” you continued walking and looked for your car keys in your bag, he could hear the waver in your voice as you tried your hardest to keep your tears at bay until you weee away from him.

Felix continued following you and when he was close enough he grabbed your arm and turned you to face him. in one quick motion Felix pressed his lips against yours. it took you by surprise, it was filled with passion and love.

you quickly kissed him back and dropped your bag on the floor. your arms found their way around his neck, pulling him in closer. you’d been in one relationship and had your fair share of kisses in the past but it was nothing like this.

he pulled away, both of you breathless “please don’t go. i’m sorry i upset you. i am just scared” his eyes looked deeply into yours and you felt your heart flutter. “i’m scared that one day you’re going to find someone better than me because let’s be honest we haven’t gotten along, well, ever” his cheeks flushed a bright shade of red as he confessed his feelings.

“at first i didn’t want to do this marriage but now, it’s all i can think about. i see us getting married, travelling together, having kids together and growing old together and i’ve never felt like this before” you couldn’t believe what you were hearing, Felix Catton the one boy who truly hated was confessing his feelings for you.

“do you think maybe we could start over and try make this work? not like we did the last time in the toilets” you semi-joked which made him smile, you hated to admit it but his smile was beautiful.

“come on, let’s go back inside it’s freezing out here” he said, pulling away from your hold but he grasped your hand and squeezed it softly. “i can’t believe you dropped your birkin bag for me” you picked it up and looked it over. “you’re lucky, it has no marks on it. looks as good as the day i bought it”

the two of you made your way back inside hand in hand, happy that you both finally expressed your feelings for one another. the only thing left was for the two of you to get married.

#fanfiction #imagines #jacob elordi x fem!reader #jacob elordi imagines #jacob elordi imagine #jacob elordi x reader #jacob elordi #felix catton series #felix catton x fem!reader #felix catton imagine #felix catton imagines #felix catton x reader #felix catton #saltburn imagine #saltburn x reader #saltburn

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thelov3lybookworm · 3 months

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Remember me? (Part 17)

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13 Part 14 Part 15 Part 16

Summary: Under the Mountain, Y/n met the High Lord of the Night Court, Rhysand. She was scared of him, but soon she found out that he wasn't who he pretended to be. Despite her efforts at not falling in love with him, she fails. It's not that bad as he loves her back.

But now he's gone, and she's left alone with nothing.

Except for a very adorable reminder of him.

•○●⛦●○•

Tw: secret pregnancy, none more that I can think of, so let me know if I need to add anything.

A/n: eh. i dont know. this was going to be longer, but then i decided to let it be. kinda filler i guess. not much happening.

enjoy!

•○🌑○•

The gasps and looks Eris and Y/n's third dance had received would forever be embedded in her mind.

Y/n would have given herself a judging look if she could if she was being honest. She didn't know what she was thinking when she told him she wanted to continue dancing.

Almost an hour after their dance ended, she was still wondering and chastising herself.

People were still looking at her strangely, but that she could not care less about.

Was he asking me to marry him?

Y/n ignored the thought the moment she had it.

Despite her attempts to quell her questions, though, one question kept coming to the forefront of her mind.

Am I in love?

She did not know how to answer, so she either kept trying to stop thinking, or tried to think if she did love him.

Butterflies kept erupting in her stomach, and she desperately tried to stop them from taking flight by washing down several glasses of wine.

Not much help, if she said so herself. But still nonetheless effective in that it made her feel freer. And she felt like she could ignore the others better when she was busy trying to lick the dregs from the bottom of the cup or having a staring match with the few droplets that for some reason refused to leave the cup.

She was not drunk, not by any means. She was just trying to pretend that what happened earlier was planned. Or that it did not matter to her.

A gentle touch to her shoulder brought her out from her current staring match with those bastard droplets that for some reason hated her, and she turned her head around to see who had the audacity to disturb her.

Roland grinned at her, nodding his head towards the raised platforms at the end of the gigantic room where long tables stood with high backed chairs surrounding the length of it. Steam wafted up in tendrils from the food that had been set on them by the servants who now hurried to get out of the way of the haughty autumn court nobles.

There were two platforms, one for all the court nobles, and a higher one for the high lords who would dine together. Only the high lords and a chosen member of their court would sit on the table on the higher platform.

Since Y/n's arrival, two balls had been held. Eris usually chose his highest and most trusted advisor to sit with him in these things. Y/n usually sat at one of the chairs on the lower platforms.

She began to move towards her usual spot when she felt Roland stopping her again. She scowled at Eris's personal guard and oldest friend.

His grin only widened, completely unbothered by her glare, as if she was a harmless little female. She was just about to give him a piece of her mind and show him exactly what she could do when he glanced behind her, trying to contain his smile as he jerked his head to behind her.

She glanced towards where he had nodded to, and found Eris staring at her as he stood next to his chair at the head of the table, his hand on the chair on his right.

Her brows furrowed when she realised his advisor was nowhere nearby.

She glanced around, wondering if he was not attending, but to her surprise, she found him sitting on one of the table on the lower platform, muttering in low tones. By the looks of it, he was not very happy with the seat arrangements.

She turned to Eris questioningly.

He simply pulled out the chair to his right, one that was always reserved for the highest ranking official after the high lord himself.

Only after a moment did she realise that he was waiting for her to sit in it.

Her eyes widening, she looked behind her to Roland, something akin to panic festering under her skin.

He simply nudged her lightly with a hand to her back, and Y/n turned forward again, telling herself she would kill him the first chance she got.

She clutched at the soft, velvety fabric of her skirts as she walked forward, a hush falling over the room as everyone again stared at her as she passed the empty chairs, and then continued on until she stepped onto the higher platform.

At this point, everyone had definitely realised that the high lord had removed the advisor from his normal seat to have someone who was not even a member of the court sit next to him.

She stared at Eris the whole time, wondering what he was playing at.

He did not look away either, simply moving away for her to sit.

He pretended as if nothing happened, toasting to unity of the courts against all evil and things Y/n did not bother to listen to. It was only some courtly bullshit, she knew.

She knew she could not listen and focus even if she tried. She was too busy thinking about what he had done.

After a few moments, everyone dug into the dish. It was a small piece of spiced chicken placed in a crunchy and edible bowl like structure, drizzled with a slightly sweet and sour sauce.

The high lords chatted among themselves. The couple from winter court sat next to Y/n, the lord simply staring at his wife as she chatted with Morrigan, who sat next to her.

Directly across Y/n sat the high lord of day court, his boisterous laugh at something Eris said echoing slightly from the high walls and ceiling of the room. Y/n simply waited, chewing slowly as she contemplated how she would talk to Eris about it.

Eris gave his signature cruel lord smirk to Helion when he said something. Then Helion tuned away to say something to the High lord of dawn court, and Y/n took that as he chance to give Eris a piece of her mind.

She slowly ran her heeled toes against the nearest leg she could find, trying to see if it was Eris. She was sure it was Eris, she was just making sure.

Eris paused his chewing, his eyes moving from his half eaten plate to her. He rose a brow.

If Y/n didn't know better, she would have thought he began blushing too.

She then pulled back her leg, and after waiting a moment, she kicked him. He jerked and jumped in his seat, biting his lip. He tried to recover by pretending nothing happened and taking another bite of the chicken on his plate. After he was sure no one had seen him caught off guard, he glared at Y/n, betrayal swirling in his eyes.

Y/n smiled at him, wide and unrestrained, before she turned back to the last bite that was left on her plate, the sauce having smeared all over.

Eris said nothing as the servants scurried out from their places against the wall to clear up the tables and then bring everyone a bowl of soup. They were silent, their feet hurrying to get their work done and then go and stand in the shadows again, to not be a bother to the elites of the court who already had a problem with the lower faeries existence.

Y/n smiled and softly thanked the bark skinned fae that placed the soup bowl in front of her. The fae seemed shocked for a moment, before they ducked their head and hurried away.

After the people resumed their eating, Y/n turned to Eris, who glanced at her.

She leaned close to him, and he put his head next to hers to listen to her amid the chatter in the room.

"You might as well marry me right now. Or have you already planned to do it?"

A small smirk made its way onto his mouth, and Y/n chided herself for giving him the chance to tease her. "If that is what you want, I would declare my love for you and marry you, right here, right now, my dear."

Y/n's face heated, and she sat back, avoiding his eyes.

For the rest of the dinner and until all the high lords save for the spring high lord and the night court inner circle left, Y/n avoided him like the plague.

•○🌑○•

General Taglist: @bubybubsters @eos-princess @nightless @harrystylesfan2686 @cassie6392

Eris Taglist: @kennedy-brooke @hnyclover @minnieoo @sidrapotter @tele86

Remember me Taglist: @holb32 @awoa1 @cleverzonkwombatsludge @luvmoo @we-were-beautiful @eerievixen @zoe2 @fussel9913 @j-pendragonx @thesnugglingduck @jesssicapaniagua @devilsnightz @esposadomd @littleffawn @mandowhatnow @bubybubsters @eos-princess @nightless @bigcreatorwombatdreamer @princesslolaasworld @asemkta @cat-or-kitten @txzii @bunnyredgirl @theofficialmadman @leeknows-wife @aria-chikage @amygdtjhddzvb @azriels-mate123 @inky-clover @kemillyfreitas @12358 @justdreamstars @cuethedepession @princessvesta @fides25 @nocasdatsgay @acourtofbatboydreams @stained-glass-eyes0708 @glaciuswduo @wallacewillow0773638 @cassie6392 @quackitysdrugdealer @txzii @anuttellaa @coisas-da-dani @hnyclover @sassyslytherinshai @historygeekqueen @why4anne @mybestfriendmademe @going-through-shit @thisblogisaboutabook @thehighlordishere @hells-sluttiest-new-arrival

#eris x reader #eris vanserra x reader #eris vanserra #eris acotar #a court of thorns and roses #acotar fandom #acotar fanfic #acotar fluff #acotar series #acotar writing #a court of mist and fury #mating bond #sarah j maas #acotar headcanon #pro eris vanserra #acotar

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cod-sins · 9 months

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𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐊ö𝐧𝐢𝐠 𝐇𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬

.ೃ࿐ Ratings: SFW

.ೃ࿐ Reader: Undisclosed

[A/N: I didn't proofread this so if you see a mistake no you did not.]

[Edit: I can't seem to add a read more option fellow mobile users I am so sorry]

𝐎𝐕𝐄𝐑𝐕𝐈𝐄𝐖

𝙰𝙿𝙿𝙴𝙰𝚁𝙰𝙽𝙲𝙴 ‣. I see König standing at a whopping 6'10 (because I say so) meaning he's a big guy. He has trouble finding clothes that fit his size (especially pants). He gets alot of his civilian clothes tailored or he just has his Oma [ :')] do it for him. I imagine he wears a size 49 in European shoes (16 for Americans) and he prefers boots and sneakers instead of sandals and loafers. His usual outfits include plain colored tees, a jacket (usually dark colors; black, navy blue, hunter green), sweatpants [show off that dickprint] and combat boots. König doesn't wear his hood out in public, so he settles for black or blue surgical masks. He doesn't want to draw anymore attention to himself so dressing casual is his way to go. He's got big meaty thighs and hard abs with a sharp prominent v-line (mwah) to tie it all together.

‣. König has a cleft lip! It's on the right side of his mouth, he hated it as a child but grew up to realize it was apart of him. He has scars on his forearm from a hostile trying to slash him. They run deep and it was a pretty painful experience for him (he hates talking about it and he tries to wear long sleeved clothes but sometimes the weather ends up winning). He also has a bullet scar on his thigh as well. He keeps his nails short except one or two just in case he needs to pick something or scratch. I imagine his hair to be a soft strawberry blonde color. Something like this, this, and this. Because of the military he keeps it very short but he likes when his s/o styles it around. It looks similar to these styles. Despite what canon says I say his eyes are deep green.

‣. König is a Libra! His birthdate is August 22, 1995! [I know Libra's aren't born in August but for the sake of fanfiction shhhh let's pretend it is!] Making König 27 years old; He's very mature for his age!

𝙿𝙴𝚁𝚂𝙾𝙽𝙰𝙻𝙸𝚃𝚈 ‣. König suffered from anxiety/social anxiety since he was 17 and still suffers till this day just not as much. He's able to turn it off in the field but once he's on leave and is around other civilians it comes crawling back. It has stopped him from making friends, hanging out with his fellow soldiers and even dating. He's still a virgin because of this (and because of work and him finding the right person but that's a later issue). However once you get past that shy exterior he's pretty cocky. He's proud of the fact that he is a colonel and he enjoys secretly flexing on his s/o. "Ja, I took down a group of terrorists and saved all the hostages by myself. No big deal (👀)." He's one of those quiet people who talks alot of shit in their head and sends side eyes instead of starting shit.

‣. König is relatively good at hiding his anger, especially since he wears that mask 24/7. He'll quietly brood in the corner--arms crossed giving off an aura that spooks the new recruits. He's very quiet not speaking unless spoken too or if he needs something. König is so sarcastic! He'll roll his eyes (secretly) or mumble smart comments under his breath––mocking whatever superior that pissed him off. If you're close to you him you'll notice when he's happy. He has a slight bounce in step and he walks with his chest puffed up proudly. It's a real cute sight honestly.

𝙿𝚁𝙴𝙵𝙴𝚁𝙴𝙽𝙲𝙴 ‣. König's favorite colors are earthy tones. He likes dark woodsy green, russet and navy blue. I imagine he loves the ocean and water. Especially creeks! Winter may not be his favorite season but he loves hiking through the snow in his hometown's nature trails. He enjoys hearing the sound of the snow and dead leaves crunch under his footsteps. Speaking of hometown his favorite dishes are things like beef stew or anything meaty and hearty. He really likes homemade jams and jellys. He prefers going to the farmers market and picking up his fruits and vegetables fresh.

‣.This man's house is HUGE. It would look maybe something like this. It's super spacious with a few spare rooms for guests. König showers more than he bathes. He's legs are too long to fit which makes him have to awkwardly scrunch himself up. He isn't around much because of his work so he never took to the time to properly decorate. If you're his s/o he gives you permission to decorate. Make it look really pretty for him please. He lives somewhere a little distant from the city; closer to the country but not too far. He still wants to be close to local shopping markets.

‣.I think König would prefer a fat/chubby partner over a thinner partner. He enjoys grabbing onto their body, holding them closely feeling the warmth radiate from their body. I see him liking a partner who is quiet. Not as quiet as him because he likes when your chatter fills the silence. But someone who's able to relax and enjoy the ambience of their surroundings. Someone who is able to point out the little details in things. He wouldn't mind an outgoing s/o, someone who speaks for him when he doesn't feel verbal that day.

König was once stationed by an ocean for half a year and it was the best moments of his life. It was so calming for him. Every night he could hear the waves gently crashing against each other it always soothed him. It was favorite lullaby (after the one his mom sings).

König always has his hands held behind his back or he holds them in the front. He enjoys grabbing parts of himself it helps keep him stable and grounded. He also fiddles alot. Like he constantly stretches and wiggles his fingers. Or he lightly traces his thighs up and down with his fingers.

One of his favorite genres of music is Electro Swing. His favorite band is Caravan Palace. He loves all their albums.

100% picks people up. If you're his s/o and you're in his way he's grabbing you by the waist and gently moving you over. If you're on the battlefield god knows he's treating you like a football; bro is slugging you over his shoulder if you get injured or he's tackling you down to protect you from grenades.

If he's stutters too much in a sentence he gets really mad. He doesn't find it funny when people mock his accent. Also!! There are certain English words that König just doesn't know. He's fluent in English and can write well but there are times he gets stuck on words he doesn't recognize.

Has a thing for chubby cheeks. Also really likes chubby fingers. If you have fat fingers please give him a massage, he would love it so much. It's such a nice contrast too; his rough calloused hands compared to your soft round ones.

Looves chocolate. Especially dark chocolate, he really enjoys candy bars with nuts and toffee in them. He adores American super-sized candy bars. He also really likes twizzlers and licorice.

He doesn't outwardly smoke but if you offer he won't refuse. He's makes sure not to make it a habit (his grandmother was very upset when she caught him smoking once), he'd rather die by a bullet than slowly kill himself.

I know I said he's 27 but I imagine him to be 35 in canon.

NATURE LOVER! Bro is enamored by the beauty of his home country. He loves observing the wildlife on walks. He has a journal where he keeps different leaves from different places he was stationed at.

Good friends with Horangi. Not like BFFS (they are) but they're drinking buddies. Horangi helps König with his social anxiety and König helps Horangi not fall back into gambling.

König's favorite meat ever is lamb. He fucking loves a tender lamb roast. Gets annoyed as hell when the meat get stuck between his gums but he thinks it's worth it for the delicious food.

Pretty particular about his beers, he doesn't drink anything he's a man of class! He'll go on this super long lecture about how German brewing is so much better than other countries and that non-German beer/alcohol can't compete. Him and Soap got into an argument about this.

He keeps his area as tidy as possible. He isn't a slob but isn't a complete neat freak. If he has a bunch of random items out he'll try and keep them in a organized pile.

Sometimes he leaves his guns out around his house.

Lowkey likes being needed. There are times when his fellow soldiers ask him for help carrying extra stuff or when children or the elderly ask him to reach stuff off the top shelves. Especially likes when his s/o ask him to carry them. He'll start to puff his chest out and walk around with a dumb grin under his mask.

Type of guy to see people down an asle and wait for them to move instead of saying excuse me. [Projecting fr fr]

A real crafty individual, his hood is just a tee-shirt with holes in it. His helmet is literally a bicycle helmet he modded with military gear. König knows how to sew and he can tailor a little. He prefers taking his clothes to a seamstress or tailor because his hands are very big and sewing can a take a long time and he doesn't have that much patience for it.

He LOVED arts and crafts as a child. He would make so much shit to bring him to his mom and grandma. His grandmother still has his things till this day.

His favorite English speaking bands would be The Smiths, Boâ and The Cranberries. He likes to quietly sing to himself it makes him happy. He also enjoys 70-80s music. I also think he likes the sound of nu metal/rock instrumentals.

If he had an s/o he would love to dance with them. He would/could never dance in public but behind closed doors god knows this man would shimmy with his partner. He doesn't care if you can dance well because he can't dance well, he just wants to let loose and have fun with you.

Broke a guy's ribcage once. It was during sparring and König was pretty pissed with the man because he did something cocky and stupid that caused them the life of another soldier. He didn't receive proper punishment because they successfully completed the mission but König decided he should deal his own form of justice. By putting so much pressure on his chest until he heard a satisfying crack sound.

I think he likes apple cider.

He was raised by his mother and grandmother so he has a softer spot towards woman. He enjoys being in their company.

Smells like one of those fireplace candles or something with sandlewood and cinnamon. On the battlefield thought he reeks of blood, sweat and gunpowder.

Absolutely hates when there is dirt under his nails (or anyone else's). He thinks it looks so gross it makes him wanna vomit.

His favorite animal is probably either a bear or fox. He also likes pigs, he thinks the little piglets are so cute.

König is texter not a caller. He'll send his s/o paragraphs of texts instead of small individual ones because he thinks the notifications would be annoying and the last thing he wants to be is annoying (please convince him he's not).

He always plans out conversations in his head. Before going to check-out he's going through a mental rundown of what the total is gonna be, how he's gonna pay and what the cashier is going to say. Being in the military lowkey made this worse. He's always over analyzing conversations because he's afraid of messing up and embarrassing himself.

He likes drama movies and psychological horror. Midsommar is one of his favorite horror movies.

König has stretch marks on his thighs and legs and a little on his stomach. His growth spurt was crazy as a child.

Requests: OPEN

Reblogs and feedback are greatly appreciated!

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chanswifey · 9 months

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Seventeen as your boyfriend | Woozi

The cool boyfriend

Like he tries so hard to keep his 'tough-guy-scary-producer-genius' image on the outside

But when he's with you he is the softest boy

I've said this before and I will say it again, this man is very much clingy

Don't get fooled by the disgusted face when presented with pda, that's all an act, baby

And most importantly it's about intimacy

For him, it's just something very special and personal that he likes to keep private

He loves to be hugged and kissed and spoiled. Sometimes he doesn't know how to initiate it but when you see him following you around like a lost puppy or when he comes and gently places his hand on your lower back, that can only mean one thing

He would DIE if the members caught these moments tho, that would begin the endless teasing

But at home or when it's just the two of you in his studio...

He often waits for you to get there when he's working late nights so you two can nap together

And no, he is NOT the big spoon here

He is the one laying on top of you, the one that needs to be hugged to fall asleep

He loves when you play with his hair and when you give him forehead kisses

He is also SUCH a tease

He likes to make you mad just for shits and giggles

Like, he will avoid a hug or wipe a kiss just to mess with you

Regrets it and apologizes really fast when you threaten to leave or give him the silent treatment

His idea of dates is just getting take out and eating on the couch in your pajamas

If you really want him to go out you have to actually tell him

It's not that he doesn't care or doesn't want to make an effort, he's just a bit clueless on this kind of social cues so he needs you to lead the way

He will happily agree to do whatever you want, it is a very rare occasion for him to ask to do something else or nothing at all

And it's usually because he either got caught up on something at work or is just really, really tired

He will make sure to make it up to you later, like getting you breakfast in bed or buying you something you said you wanted

SPOILS YOU SO MUCH!!!

We know he doesn't really care about money but he loves that he can spend it on you

All dates, gifts, traveling tickets, bills, that's all on him

It's like being married-but-not-married

He literally handed you his card one day and refuses to get it back

He can get a bit reclusive sometimes, he's very hard on himself when it comes to his work

So you have to take care of him just as much as he takes care of you

If you don't step up and do something he will refuse to eat or rest for hours

It's a common occurrence for you to order his meals and get them delivered to his studio, or just show up to clean around a bit and drag him out of the computer

"You need to rest your eyes, do you wanna go blind?" You complain to him daily.

"What am I? Your child?" He says teasingly.

"Shut up and come cuddle me, grumpy"

*he then proceeds to fall asleep within 5 seconds*

He's a HUGE show-off

He WILL try to turn you into a gym rat just like him

He will say it's because it's good for your health but deep down he just loves to show off to you

And if you can't make it to the gym he will make sure to send you a gazillion pictures of him flexing because he knows it will turn you into a blushing mess

I do believe he writes songs for you, but he would rarely release those, they are too personal and dear to him

He does it for you, and you only. He knows he's not the best with spoken words so he adds a melody

He will also gift them to you randomly, whenever he needs to say something. It's like saying 'I love you' is not enough and can't contain what he really feels

But in all honesty, as much as you adore and cherish all the songs he has given you, you can feel his love even when he's silent

It's in the way he looks at you, with stars in his eyes. The way his voice softens when he talks to you.

The way he touches you, so gently and carefully as if you're gonna break. The way he hugs you after a stressful day and you can feel the tension leave his body as he exhales.

It's in the way he listens to you, so attentive and interested like every word that comes out of your mouth is poetry and it's in how much he trusts you to share his deepest thoughts and struggles and his weirdest interests

And finally, it's in the way he makes you feel safe, secure, and taken care of.

×××××××××××××××××××××××××××××××××××××××××××

2023 © chanswifey — do not repost or translate

author's note: can u tell I'm biased?? Cause I am, I love this man with all my heart it's ridiculous!!! I could talk about him all day and never get bored 🥺🥺🥺 please like and reblog if you like it 💗

mlist | request here | what I write

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pebblethestone · 3 months

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One Wrong Action ²

Vox x Reader /Alastor's sibling

Summary - going out for a walk what happens when someone shows up and ruins your day?

Masterlist

One Wrong Action Masterlist

part 1, part 2, part 3

Words - 1100

Warnings - swearing

A/n - hello yet another chapter I've made a Taglist so if you would like to be added just send a comment and I'll be sure to add you

─────────⊹⊱✫⊰⊹─────────

Your ears twitch hearing Charlie as she starts to rant about the hotel to Vaggie, angle dust nagging your ear off as you try and be patient as you can with him.

“Well, I would never have of guessed that you and that strawberry pimp are even related, I mean you are both deers~~ bu-” As you hear him say strawberry pimp you burst out laughing not that you did that much as Angle moves back a little surprise with your sudden outburst. Wiping the edges of your eyes as you feel tears.

“Oh my I have never heard anyone call him that, it's great, I will be using it at some point” A lazy smile falls on your face as you hear that Charlie has stopped talking, you look at her as her eyes widen as well as Vaggie's.

“What? Can I not laugh at something so stupid? Am I really that scary to you?” you asked as your lips fell back to a line, you know that being an overlord and people didn't trust them very much but you do try and gain the sinner's trust unless you just dislike them in general for example Val like who wouldn't hate him.

“No, no it's just we didn't expect you to laugh, you're always so serious. Plus we've never seen you react like that before.” Charlie explains to you.

“ah I see, it does not mean that am always serious its just a resting face I seem to have. And you all hardly know me” you say to her as she nods at you and then carries on talking to Vaggie.

“So anyway, sugar do you have a tail? Like a little one? Like deers?” he asks as he tries to take a look.

“That for me to know and you to find out, Angle Dust” the corner of your lip moving up.

“Ugh, you're just like your brother with more words than just an answer,” he says to you annoyed.

“well, we are related so would it not come to you, that I may have similar attitudes to him” you say watching him as you give him a little wink. getting up from where you were sitting and started to head towards the door.

“Y/n, where are you going?” Charlie says from behind you turning your head to look at her she looks a little worried.

“Just on a stroll hon, and to get some cooking stuff, since I do want you all to taste my fabulous cooking for tonight's tea” you say opening the door and heading out, not waiting for Charlie to reply to you.

---

As you walk down a street to get your supplies you hear a car slow down to your walking speed you stop and turn your head to look at it as the window of the car rolls down, the first thing you see is a TV head. Your face scrunching up.

“Vox, I would say what a surprise but it really is not when you do this 'every week'” you say to him the tone of your voice deepening as the end of your words. Watching him open the car door and stepping next to you, you let out a pitiful sigh.

“but we haven't talked in days, and you never use the brick of yours to reply” You roll your eyes at him as you walk he walks along with you. As you walk into a restaurant that you own.

“Well, you seem to forget that I am not very good at using technology and all the buttons are too close to each other, it's a real pain to type with.” as you side-eye him, those years ago his TV head was much larger, but now it was thinner much be lighter, still looked good in his suit maybe change a little and the way he walked. Wait what are you saying? Shaking your head as you pin your ears back annoyed at yourself.

“Well, I thought that using an older version of a phone would make it easier for you, how about I make you something easier to use?” he says to you.

“no, am fine with the technology box that I have” you say your ears still pinned back. as you walk into the back of the restaurant where all the supplies are. You see him turn his head towards you.

“ah, I remember those ears, always pinned back when you're pissed as something,” he says his hand moving up to pat than that he once did. As you quickly grab his hand.

“Remember that last time you did that I broke your screen am sure you don't want that to happen again” you say as your grip on his hand tightens and your sharp teeth appear as he takes that sign to step back.

“Well you didn't say that to me when we first meet, I only touch one hair and all I saw was a fucking first punch me, but you did like it when we were together~” he says to you a little smirk dancing on his face. Oh how punchable it looked. As your face turns into a snarl.

“You dare say that to me on my turf?! We are not together anymore you have to let it go vox! I'll be at that meeting only because it's a deal and I have to go!” you half shouted the tone of your voice going funny as it cracked.

“Wait Y/--” Before he could say more you click your fingers together as you appear in the kitchen of the hotel with everything you need as you put stuff where it's meant to go.

You go over to the door to lock it, heading back to the counter in the kitchen leaning your elbows on the counter as bring your hands up to your face and drag your hand down your face unsure of what to do with what's happening with Vox. Grabbing a glass on the side as you throw it on the floor leaving sharp shards of glass on the tiled fool.

--Vox 3rd P.O.V--

“Wait Y/n” before he could finish what he was going to say you had disappeared like you always do exactly like your brother, he let out a sound of anger.

“Fuck, how the fuck do i all ways mess this shit up” he says to as if he's talking to someone his face feeling into all sorts of emotions, all he wanted was to be with you again but he had managed to mess that up as well...

---

Part 3

---

Taglist - @hxzbinwrites @22carolina08

#x reader #reader #hazbin hotel vox x reader #hazbin hotel vox #hazbin vox x reader #vox x reader #alastor x sibling reader #alastor x sister reader #hazbin alastor #alastor x reader #alastor x brother reader #hazbin hotel x reader #hazbin hotel #hazbin x reader

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adobe-outdesign · 16 days

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Kung Fu Panda 4 Rewrite Thing

Been chewing on this movie for a while now and wanted to take a shot at improving it. Some parts are a bit rough but I think this gets the general idea across.

As a rule, I'm trying to keep most of the characters and elements/plot beats in place rather than spinning things off in a completely unrelated direction. I also am aware of the restrictions placed on this movie, such as an unwillingness to rehire high-profile VAs and runtime limitations. This is just meant to be a "what if" kind of thing. That said:

We open with a stylized sequence of Po telling the story of his and the Five's latest battle. As it ends it's revealed he's at the grand opening of Mr. Ping's brand new bigger, better noodle shop location, talking to the customers.

As one of them asks where the Five are now, Po explains that they got summoned to their own individual missions, but they'll be back soon.

(Yes I am still having them be MIA, as Po needs to be alone with Zhen for part of the movie. However, they'll only gone for the first part of this rewrite and for a very specific plot-related reason.)

(The thing with Po needing to give up his title of Dragon Warrior makes no sense for multiple reasons, so let's just drop that plot point entirely. I get that it's meant to tie into the "change" moral, but I'd rather have Po imparting this lesson onto Zhen instead of learning it himself, as otherwise it undermines the character growth he had in 3.

Also, Po isn't carrying the staff around with him constantly in this rewrite, as it looks a bit silly and isn't plot relevant here.)

A messenger shows up to report that the Jade Palace is under attack. Po decides to rush over just in case Shifu needs backup... which he does, because he's being kidnapped in a small one of those magic-proofed cages from the actual film.

(Shifu being kidnapped was tossed around in the writing room originally and I want to keep it in this rewrite because it A) gives Shifu something to do, and B) I want to allow Zhen to openly be working with the Chameleon in order to help flesh out her character and avoid the lackluster plot twist, meaning she'll need new leverage against Po later on.)

The figure behind the kidnapping appears to be Master Elephant, which confuses Po as he's been missing for several months. Right as he's about to land a finishing blow, the figure shape shifts into Master Chicken, throwing Po's attack and resulting in him getting a bad head injury. He does his best to pursue the attackers, but can't keep up. Dismayed, he returns to the Jade Palace...

...And finds Zhen trying to steal something, using the commotion outside as a distraction. Po fights, but he's still badly injured and can't give it his all, resulting in Zhen being able to slip away with her prize—a dust bunny from under the furniture. Po is baffled.

(Side note: I would probably redesign Zhen so she actually looks like she matches the other characters' style, but I digress.)

Feeling dismayed, he returns to the noodle shop, where both his dads work on treating his wounds and comforting him. As Po explains what happened, Mr. Ping mentions that customers have been circulating rumors about a shapeshifting sorceress in Juniper City. Po decides that that's where he needs to go, promises his dads he'll be safe, and leaves.

(I'm cutting Mr. Ping and Li's subplot, because as much as I love them they don't really add much to the plot. It also feels like it goes against Mr. Ping's characterization in KFP 1 and 2 in particular.)

This is where we can have the scene of the Chameleon vs. the crime bosses. This can mostly stay the same except one of the bosses attempts to attack her when she shape shifts, causing her to retaliate with a magic-based attack. She also needs to straight-up kill the guy to establish her and her sorcery as a legit threat.

Po arrives at the Happy Bunny tavern to look for a ride to Juniper City. As he talks to Fish and Chip, he notices Zhen nearby doing some black market trading with Granny Boar to obtain a white feather. Po confronts her and she tries to run out with the feather, causing the boar family to pursue in a big fight scene.

Po and Zhen manage to escape, Zhen stashing the feather. Po threatens to have her sent to jail, but Zhen confirms she's working for the Chameleon and can lead Po to her so he can rescue Shifu. Po dislikes this situation, but has no choice but to agree.

(Unlike in the actual film, I would make it so her lair is hidden in some fashion; magic that keeps it camouflaged would be appropriate for a chameleon, or it could be underground or hidden behind something. Regardless, it should be impossible to locate without Zhen's assistance.)

On the boat ride over to Juniper city, Zhen says that she has to "obtain" one more item from the local history museum or she'll be in big trouble with the Chameleon. Po doesn't like this detour, but once again has no choice in the matter.

Po asks why Zhen would want to work for someone so obviously evil, and this is the point where Zhen admits she was adopted by the Chameleon and we get her backstory.

(I would establish that the Chameleon has an actual name, but only Zhen uses it. It shows that Zhen is closer to her than most, not quite seeing her as a mother but not fearing her enough to use her preferred title. Also, the Chameleon's the only KFP villain without a proper name and that bothers me.)

The backstory can be the same, but the part about her living on the streets and meeting the Chameleon for the first time should be merged into a single flashback.

Zhen says that Po couldn't understand, but Po reveals that he's also adopted, and that he probably would commit some noodle-related crime if his dad asked him to. Still, Zhen insists that people don't change, and that includes her.

They arrive at Juniper city (Po is impressed at its size but he very much is not acting like he's never seen a city before). Zhen covers up her muzzle and tucks her tail under her clothes so she won't be recognized.

Zhen is ready to break into the museum, but Po says that he's got this and goes up to the guards to tell them that he has some official Dragon Warrior business to take care of and will need to borrow some ancient artifacts.

Unlike in the actual film, everyone ready acknowledges him as the Dragon Warrior. The guards are more than happy to loan him whatever he needs... until Zhen's tail pops out and the guards recognize her, prompting them to attack.

During the scuffle, Zhen uses a chi blast to knock back one of the guards, but almost gets taken out by the other guard coming up behind her. Po defends her but gets mildly injured as a result.

After the fight, Po asks about the chi move and Zhen states that the Chameleon taught her the basics.

Zhen confirms that the Chameleon is a master of chi, and that the sorcery she uses is a specific type of chi manipulation.

(The reason I'm connecting chi to her powers is that it makes them feel a bit less out of left field, and helps 4 feel like a logical progression from 3.)

Zhen admits that she's not very good at using chi, but Po points out that it took him years to use chi in battle. He also compliments her on her kung fu, and she confirms she's self-taught.

(In this rewrite, Zhen is good at fighting but not quite at the level she is in the actual movie. This is to address the issue of who taught her if the Chameleon doesn't know kung fu.)

He takes a moment to give her a few pointers, which causes her to ask why he took that blow for her earlier, figuring there's a catch. Po just says it's the right thing to do, but Zhen is skeptical, figuring he only did it because he still needs her to lead him to Shifu.

The reminder of Shifu prompts Po to move on, and they grab the item Zhen was after, a 500 year old set of blades, then run for it.

Po and Zhen arrive at the Chameleon's lair, and Zhen shows Po how to get inside and tells him where Shifu is being held. She says that she'll take the items to the Chameleon, which will distract her while Po breaks him out. Po thanks her, and the two separate. Zhen warns him of booby traps on the way out.

There are indeed booby traps, such as those saw contraptions from the actual movie and a bunch of guards. It takes Po a few minutes, but he eventually gets through them.

Po finds Shifu being held in a dark room. Shifu is glad to see him, but warns him to be careful as the Chameleon's likely not far away. Po explains Zhen's distraction and moves to free him... only for a cage to fall down and trap him as well.

"Shifu" is then revealed to be the Chameleon in disguise, who slips through the bars via shape shifting into a mantis and thanks Zhen for her help. Zhen apologizes to Po, who's naturally upset ("I mean, I know you were evil, but I didn't think you were THAT evil").

Zhen hands over the three items she collected, and it's confirmed what they are: a dust bunny that contains a clump of Tai Lung's fur, a feather from Lord Shen, and a pair of blades once wielded by Kai.

Po mistakenly interprets this as the Chameleon being a collector of kung fu memorabilia and tries to chat about the Jade Palace's collection, much to her bafflement.

The Chameleon explains that a trace of a person's chi remains long after their death, and demonstrates by doing The Tongue Thing on Kai's blade, stripping its chi, and immediately taking his form.

(As you may have picked up on, this rewrite removes the spirit world elements entirely. While they are really interesting, I think cutting them is the best option because:

1. There is so much plot involved with bringing Po's old enemies back that you could make that an entire movie in and of itself. It's hard to do it justice when you're cramming it in around the edges of this movie.

2. It makes the Chameleon too similar to Kai in terms of abilities.

3. Having her rely on stealing other's kung fu makes her come across as weak despite being a powerful sorceress.)

Po asks her if her goal is to take over China, but she says no; she just wants to end the practice of kung fu for good, and prove that sorcery is the superior option. To prove it, she has Shifu brought in.

While having your chi stripped does not remove one's kung fu abilities in this rewrite, it is still removing part of one's life energy and thus weakening them severely for a period of time—ergo, Shifu is still unable to fight at his best. Still, he manages to hold his own.

Instead of using kung fu, the Chameleon relies on the brute animalistic strength and inherent abilities of the forms she takes, switching whenever she's loosing to keep her opponents on her toes and even transforming into Shifu himself for a period. She also uses a few chi-based attacks.

Just when it looks like Shifu is about to win the fight, she uses her tongue to strip the chi from the fur clump, taking the form of Tai Lung. Shifu is so shocked and distraught that he fails to attack, allowing the Chameleon to land a serious blow.

She returns to her original form and states that when the blood moon has risen, she will battle and take down every master in the middle of Juniper city, where everyone can learn just how useless kung fu and the people who teach it are. She leaves Po in his cage panicking over Shifu, who's unresponsive.

Zhen follows the Chameleon outside, where we get the "does the blood moon always rise so slowly" gag. Noticing that Zhen looks troubled, she asks what's wrong, and Zhen talks about how Po encouraged her to do the right thing. Even though she's been told that kung fu masters are elitist, selfish people, she couldn't see any of that in Po.

(Side note: I want to establish in this rewrite that while the Chameleon will claim up and down that Zhen is only a pawn for her to use, she does care about her to some extent, even though probably loathes the fact she does. For example, when talking to Zhen here, she might pick some rubble out of her fur or something to show there's a teeny tiny bit of actual affection hidden there.

The reason for this is that all other KFP villains have had an emotional anchor—Shifu for Tai Lung, Shen's parents for Shen, and Oogway for Kai. The Chameleon being abusive but having some real love for Zhen and Zhen struggling with her gaslighting adds a lot more depth to both of them.)

The Chameleon finally reveals her backstory, which should be told in a hyper-stylized way à la the flashbacks in KFP 2 and 3. Just like Zhen, she grew up on the streets as an orphan, broke and starving. She admired kung fu greatly and wanted to learn it, but everyone turned her away for having no money to pay for lessons.

One day, she found a shiny jade amulet on the streets that someone lost, finally giving her a much-needed break. She is able to use that money to enroll in classes.

The problem was that while the money changed her financial status, it didn't change the way people saw her. Her master still considered her a lowly gutter rat and treated her as such, verbally insulting her and beating her down during training sessions. It's very much like how Shifu treated Po in KFP 1, except worse, especially because the Chameleon is a small and fragile animal.

Finally, during one training session she became too injured to move. Her master told her to quit and started to walk away, only for her to grab his leg with her tongue to trip him up. However, at the peak of her self-loathing, she instead discovered her chi stealing abilities and transformed into him. It's not shown, but it is implied she killed him.

As the flashback ends, the Chameleon shifts into Zhen and tells her that no matter how much you change, you can't change the way other people see you. Siding with Po, she says, will only get her hurt. Zhen nods and unexpectedly hugs the Chameleon, telling her she knows, and runs off.

Cutting back to Po, we see him frantically trying to break the bars of his cage. Zhen comes forward and drops down on her hands and knees, apologizing for everything. Po says that she came back, and that's what matters.

She reveals that the "hug" was actually just a way for her to get the key off of the Chameleon, and she uses it to unlock Po's cage. Po runs over to Shifu and he and Zhen heal him with chi, and we get a callback to the "I'M NOT DYING YOU IDIOT" scene from KFP 1.

However, while Shifu's not dying, he is very badly injured and can barely walk on his own. Po asks how they can take on the Chameleon and her army with just three of them, but Zhen holds up the key and suggests they get an army of their own.

Running downstairs, Zhen reveals where the other masters are being held. To Po's shock, the Furious Five are among those captured. Tigress confirms that the summons they received were traps laid by the Chameleon, and she already has their forms.

Also down there are the other crime bosses, as it feels like they just disappear in the actual film after their scenes.

Zhen only manages to unlock the Five's cages before before the Chameleon snatches the key back with her tongue, revealing that she knew Zhen was lying to her. Behind her, her army assembles.

Tigress confirms that that the Five will take on the army, and Po faces off with the Chameleon one-on-one. She strips the feather and uses Shen's form to fly up and take the upper ground, trying to kick a cage onto him. Zhen helps deflect it, and the Chameleon tells her to stay out of the way. Po and her continue to battle.

Despite Po's best attempts at blocking it, she does finally stick him with her tongue. He grabs it and throws her a distance in her fragile base form, injuring her but still giving her some of his chi in the process.

The Chameleon takes on Po's form next, and we get a fight similar to the one in the movie, though once again with her using less kung fu and more magic and physical attacks.

She mentions how she was rejected and tries to tell him that he should be on her side, because a bit fat panda like him must have been treated just as badly as she was. Po denies this, but Shifu admits it's pretty accurate. Po says he's not helping.

Po admits that she has a point, except she forgot one thing, and we get a callback to the "I'm THE big fat panda" moment from KFP 1.

The two attack at the same time. As the dust clears, it's revealed that neither are doing great—Po has gotten a lot of little injuries and the chi stealing has weakened him. The Chameleon is struggling to shapeshift at all, with the attempt causing her pain, and instead settles for trying to blast him. Zhen steps in and manages to redirect the attack back at her.

The Chameleon takes the blow and ends up back on the floor as a parallel to her flashback. Zhen reaffirms that she disagrees with her worldview—people can change, and she's going to prove it. If the Chameleon wants get to Po, she'll need to get through her first.

The Chameleon kind of laughs this off at first before realizing she's dead serious. She states that Zhen isn't even good at fighting, but Po disagrees, giving Zhen a confidence boost. The Chameleon struggles to her feet as if readying an attack, everyone braces themselves... and she surrenders, too injured to fight and unable to bring herself to hurt Zhen.

(There are a few reasons why I think her surrendering makes for an interesting defeat here:

1. There's no spirit realm portal to yeet her into in this version;

2. There's only so many times Po's enemies can be yeeted directly into the spirit realm before it gets old;

3. It adds character depth, and;

4. It ties back nicely in to the theme of change and that it's never too late to do the right thing.)

Zhen helps the Chameleon up, Tigress does the same for Po, and Monkey does the same for Shifu. The five reveal that despite being exhausted, they still managed to wipe the floor with the Chameleon's army, which Zhen thinks is incredible. Po introduces Zhen to them formally, and Shifu asks if they can save the introductions for after they get medical treatment.

Later on, Po (carrying the staff Oogway gave him) approaches Zhen, who's sitting under the peach tree by the Jade Palace. He asks her if she's doing okay after everything that's happened. She says she's alright, but is pretty scared of what's going to happen next, given that the Chameleon's in jail and she has nowhere to go.

Po reveals that him and Shifu have been talking, and he plans to open a new school as part of the Jade Palace that will offer free kung fu lessons to anyone who's interested in learning. Zhen asks if there are any spots open, and we end similar to the actual movie, with her training alongside the five.

the credits still end with the Jack Black cover of Baby One More Time because it slaps

#kung fu panda #kfp #kung fu panda 4 #kfp 4 #po #shifu #zhen #the chameleon #outdesign posts things #outdesign attempts to write #been chewing on zhen and the chameleon's characters like a dog with a new toy #apparently tumblr removed the ability to add sub bullets so sorry if this is a wall of text. hopefully the images help a bit

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dracobrooklyn · 3 months

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|| MDNI 18+ ||

Did anyone ask for Vox x Female!Reader headcannons? No? That's fine. As Thanos said "Fine, I'll do it myself." and I just did.

This is a Cannon x Female!Reader just a heads up. I do take some cannon stuff from the Show, but I also add my own things in their, these are just guess's since we don't know what's gonna happen in Season 2.

CW: There is NSFW stuff in this, Sugar Daddy x Sugar baby theme, pet names, P in V sex, spanking, biting, scratching, and a bit of Age-gap.

Word count: 777

Vox is very much old fashion so dating him, he very much can be a gentleman with his lover. His sweet little sugar baby. Opens the door for you, pulls out the chair for you and gently slides you back in. Kiss's your knuckles as a token of affection and greeting. Vox I like to think absolutely would sometimes sends flowers if he is inspired or saw them thinking about you.

I mean why are you dating him? Isn't he dating Valentino and Velvet? Well yes he is, but why not have more in the circle. Also yes you are probably in your middle to late 20's and he probably in his late 30's Early 40's... But he also offered a good price to be his arm candy. $5,000 Dollars. Welp time to put on that makeup, and cute heels he likes.

Vox isn't into much PDA but he will wrap an arm around you to keep by his side. Sit on his lap in a club or even when he's working onto his chair. May run his Blue neon claws through your hair just to get a good feel of them while listening to someone talk or reading something. Maybe smell the shampoo you used in your hair.

Vox will SPOIL you! And I mean it. The Man will buy you so much Jewelry. Nice new clothes, dresses, shoes, and yes sexy lingerie. Or he will get Velvets stuff for free cause yeah they work together. He likes to dress up his lil Sugar baby. The Lingerie he likes black, anything with black and some blue in there, he will lose his mind! In a good way that is. You see the red blood of the corner of his mouth seeping as he grins at you wearing that delectable outfit.

Vox will want you to call him daddy. I am not kidding he will look at you smirking as he hands you a gift you say "Thank you." to him as he wiggles his brows at you as he asks "How about thank you daddy~?". You're not sure if you like to say the nickname, it's in a way degrading to yourself... but at the same time you can't help but blush and mumbled it out making him grin showing his sharp teeth, and the blood seeping from the corner of his mouth again. Vox is a Switch, I am sure he very much bottoms when it comes to Valentino or maybe Tops the Moth man when Valentino feels like taking it up from the ass. But with you, you're the Sub, and he's the Dom. He will want you to call him daddy while he is thrusting into you. Resting your knee's onto his shoulders trying to bend you as much as he can so he can thrust deeper inside your plush wet Pussy.

Will the man electrocute you sometimes during sex? A little yes, I like to think his blue tongue does lick onto your skin and you feel a little shock. Causing goosebumps onto your skin. Even more so he will do it to your nipples as well. Vox also is a Biter, I mean with those sharp teeth, He leaves marks. The Bite marks glow neon blue but they slowly fade away over night only leaving the bite marks.

Vox's pet names towards you is "Kitten, Sugar Tits, Princess, and Sweet heart." and sometimes "Brat." if you act up because this man is a Brat tamer. He will grab you and give you a soft spank as a warning. If you continue, he will later at night give you a punishment worth deserving.

Vox loves lip play. Gently takes his blue claw thumb gently flicking your lip lovingly tracing his thumb onto them as he licks his teeth slowly. He loves looking at your lips, just thought of them kissing something to vile as he is. Or even sucking him off.

Vox cums neon blue cum... I'm not sorry and I was not the only one who thought that, don't lie.... *squints eyes* Vox uses Sex toys?.... Honey.... the man is the vibrator... XD JK but he does yes, he will get creative though as long you like it of course. I like to think he communicates with his partner, unlike Valentino the rat. And Yes use Aphrodisiac's if you're alright with that. Give you a better sex experience.

His Aftercare is meh, it could be better but he at least make sure you have something to drink after fucking you. Makes sure you didn't get hurt from his claws cause he do have those sharp claws. They hurt guys... ouch.

#Hazbin Hotel #Vox #Hazbin Hotel Vox #Hazbin Hotel x Reader

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two-white-butterflies · 11 months

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you're losing me (one)| ja. velaryon and am. targaryen

Description: Being a popular popstar is a tiresome job, it's a good thing that you have someone to go home to. Seven years together and he still hasn't proposed. In which, you realize that letting go is one of the smartest thing that'll lead you to each other. (Aemond needs a fake-girlfriend and he accidentally bumps into his nephew's ex-girlfriend [but he doesn't know that] so he invites her to a family reunion]) (slight angst) (will have a pt. 2) Rating: General Audiences Author's Note: not at all related to mom (taylor) and dad (joe), just taking inspo from the song 💗

"When are you getting married?" a late night host asks, leaving you laughing awkwardly.

You were a traditional woman in a sense - longing for marriage, a white picket fence, and children but Jace was different from that. He wanted to be a disruptor - an enigma for change. Marriage was never on the table with him.

"There's so much more to life than getting married." you lied, trying to convince yourself that it was what you wanted - that you didn't want to get married, but deep down - you did.

"I agree, but can you see yourself getting married in the future?" the man insinuates, holding the deck of questions on his right hand. The audience begins laughing at your awkward reaction. "Personally - I don't." you chuckle, you don't see yourself getting married because Jace didn't want to get married.

" - and if I did, I'm not telling you Jimmy." you add with a giggle, taking a long sip of the coffee beside you.

(your first name)

In a recent interview, a question was asked about something in my private life. I took a while to answer because I wasn't prepared to show people that part of my relationship yet. I just wanna say that when I'm interviewed, I wanna talk about my work, songs, etc.. the things that I've given my entire life for.

You placed your vintage bag loudly on the table - taking a mammoth stride towards your boyfriend who was in the process of writing his new book. You haven't spoken to each other in three-weeks, and he didn't even seem to be bothered by the distance. "I missed you." you hummed, burying your face on the crook of his neck. "I watched your interview," he answered, taking his hands off the laptop - placing them around your waist and pulling you to his lap.

"I was caught of guard honestly, my PR manager didn't warn me." you complain, trying to see if he was mad. Jace was the heir of a jewelry company. They came from old money, and he was very private with his life. There was an era in your relationship where you weren't allowed to say his name in public.

"It's fine babe - I hope they stop asking you about it though." he answers, pressing a soft kiss on the top of your head. "I mean, we haven't spoken to each other seriously about the topic." you point out, wanting to change his mind about marriage. It was wrong to force him into something - but you didn't want to force yourself into loving someone who might not love you enough.

"You've already articulated on my behalf. Marriage is for dummies, we have to do a thousand things like prenups, and planning the wedding." he rambled portraying those things like they were bad things, but to be honest - the thought of planning a wedding and choosing a wedding dress made your eyes sparkle.

Almost everyone dreams about their wedding day.

"I want to settle down." you reply with a sad face. He was working on his career - and he had no time to settle down. He was silent for a moment - thinking of a million things he'd reply to you. "I've already got my life handled - my career is flourishing, marriage and babies are the only thing left, Jace." you explain.

"What about me?" he questions, pointing at his laptop that had 30,000 words for his new series. "You can write while being married to me." you scoff, and something in his eyes shifted.

"I'm sorry - I don't think you're getting the point. I don't want to get married because everyone who gets married fight all the time." he pointed out, now raising his voice by a few decibels. The calmness that flooded his features were gone now - and he was fuming with rage. "We're not gonna be like your parents." you argue.

"How do you know that?" he interrogates, his grip around your thigh tightens. "How can you promise me your everlasting love? How can you promise me that you'll love me everyday?" he repeats, there was a storm hidden behind those honey irises. Your eyes soften as you began to realize that there wasn't love between you anymore.

"I can't promise all of that - but I promise to choose you everyday." you profess, but he refuses to believe you. "Babe, we're fighting all the time - I haven't seen you in a month. If we can't agree in this marriage thing, then maybe we should break up." his voice softens, tears brimming his eyes.

He still loved you - but he knew that it was going nowhere. He wanted a relationship that lasted and agreed with him. You were too different - too interesting. You take a deep breath, standing up and releasing yourself from his embrace.

He was expecting you to say 'no' like all the other times before. But you walk silently - grabbing your bag and heading for the door.

deuxmoi

(your name) is allegedly broken up with nepo-baby Jace Velaryon. (he's the son of model/heiress Rhaenyra Targ who was popular in the 90's and the hippie who made a cult, Laenor Velaryon)

archiebald22: omg why?? didn't she just have an interview a few weeks ago with jimmy fallon?

(a year later)

He was undressing you with his mere gaze. His name was Aemond, a popular businessman in Europe and Asia. He was handsome in person, with long blonde hair and a purple eye that glimmered in the moonlight. You shouldn't be horny just by staring at him - but you are, because he oozed with sex-appeal.

"Aemond Targaryen," he introduced himself with a smile, and you shake his hand. "(Your name)" you greet, smiling in return.

This could be something new.

He wasn't anything like you've had before.

"What are you doing in this small country?" you inquire, walking beside him on the small gardens of the hotel. It's been a while since you've stepped foot in America, everything about New York reminded you of your West Village. "I heard that a beautiful singer was going to be here," he teased, ignoring the paparazzis that were chasing you around. He's heard your name a few times - mostly because his niece was a big fan of you.

"I don't think Beyonce's here" you joke in return, earning a soft chuckle from the man. "I'm talking about you." he answered. He reaches for the calling card inside his wallet, "I'd like to take you out on dinner sometimes." he smiled, walking away - realizing that his business-partners were calling him.

ynandjaceworld: the day that music died...... its been a year guys.

129 comments 450 likes

chamalamabingbong: mom and dad didn't even have a proper picture together 😭💔

ynfanbase: i kinda feel bad because dad's books suck - queefburger: yeah bcuz they're non-fiction 🤬

" - you look like a/an (your nationality) singer." the waitress points out, and you resist the chuckle that wishes to come out of your mouth. "I get that a lot." you smile, and she nods - walking away. Aemond laughs, seeing that you looked like a deer caught on headlights.

"It must be hard being famous," he converses, twirling the pasta on his fork and bringing it to his mouth. You lick your lips - his food looked delicious, meanwhile - you were stuck with a salad. "I've been famous since the dawn of time - I can't remember living life without the cameras." you answer, piercing the lettuce with your fork.

All you could think about was that creamy carbonara he was eating. Why do men always have that instinct that lets them know if food is good? Damn, you wanted one of those. " You've been famous for so long, but you still owe the IRS $6 Million" he opened his mouth to speak, and the world began to still around you.

Shit.

"Hey, that's not cool." you complain with a pout, still continuing to eat the salad on your plate. It was the cheapest thing in the menu. "I'm not here to shame you about the money that's in your pockets, I need your help - and I think you're the only one that's willing to help me." he calmed you down.

"Here's the thing, my father is going to give his entire inheritance to the first person that gets married in our family. Of course me, my brother and my nephew are fighting for that spot - seeing that my oldest sister doesn't want any ties with us." he whispered. He pushes the carbonara to your side, seeming to realize that you wanted it.

"- and trust me, I can fake a wedding." he added, in a low tone.

"What do I get in return?" you inquire, with an ambitious nature.

"$10 Million - I know that you're good with money. You just lost all of it trying to help your con-artist father." he stated, and you nod.

"Okay, I can play your fiancee." you hum.

part two

my first time writing in this style.

@beaconofthehightower @casualheartadorable @glame @yentroucnagol

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0yuri-chan0 · 7 months

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~ Don't leave me ~

Wait.. Wait Sally Face fandom isn't dead? YES! No, because I love sally face like he a murderer but hes my murderer 💅 So you guys like demolished Levi Ackerman and I'm not mad about it. I know this is basic but he's gonna show you his face for the first time. Fluff with a pinch of romance because y'all eat that shit up anyways no more ranting. Enjoy!!

Paring - Sal Fisher (Sally face) x Gn reader

Warnings - None

Genre - Fluff

Yes it was true you and Sal knew eachother for the longest. It also wasn't a secret to the group you liked Sal, well everyone knew. I mean who wouldn't fall hard for the blue haired boy he was sweet and gentle, caring, selfless. Basically near definition of perfect in your eyes. But in his, not so much he didn't see himself like you saw him. He knew he fit the description of a kind soul but definitely not a beautiful one. It was all because of his face, sure you never saw it only Larry, Ash, and Todd had. And if your honest it bugged you a lot, not just because he didn't show you his face no, no, no not that. It was the feeling that he didn't trust you enough to do so. The feeling of sadness that washed over you every time you thought about it. He told you before that it was a hard topic for him to talk about. And you respected that; you really did, it just confused you why you hadn't seen it in all the years of knowing Sal Fisher. So of course you had to find out.

It was a normal day, well not so normal Larry couldn't hang out with you and Sal because he was with Ash at the towns oh so very small mall. Todd said he couldn't hang out because he had a science project which was fine before, you and Sal would hang out all the time doing whatever without the gang. You didn't know why this time was any different. It was awkward you both sitting in his room watching TV as gizmo layed on the bed next to you. Sal on your other side playing on his gear boy. You couldn't help but look at him stealing a couple of glances his way.

Not wanting to get caught staring at him like so many times before. You averted your gaze back to the TV. Now acting like nothing was wrong, it was eating at you and on top of that you didn't think he'd trusted you to show his face. You usually were a outgoing person, a person who voices their concerns. Being quiet was unusual for you and of course Sal noticed, I mean if he did he didn't say anything. You couldn't just blurt out "Sal why don't you show me your face? Do you not trust me?" That would make him anxious and you didn't want to do that to him. I mean who would do that do him? Not you. You looked back at him playing his gear boy. His long slender fingers pressing buttons skillfully might you add. A soft sigh escaping your lips. Trying to hype yourself up to ask him or at least express your feelings. Basically in that moment you were trying to grow a pair as fast as you could.

You opened your mouth and closed it. You needed something to say it could be like 'Sal I need to ask you something' then ease you way into telling him. That was your best option and only option, so you really didn't have a choice. "Sal." You called his name in a soft manner. He only hummed in response not looking away from his gear boy. "Why don't.. Am I the only one who hasn't seen you're face, Sally?" His fingers stop moving in result his character died. His screen showing a red 'Game Over' his head turned to you his eyes focussed on yours.

Did you mess up? Maybe but you really can't think at the moment. You turned your gaze to the floor and exited a deep breath through your nostrils. "What I mean is like. I feel like.. I know I'm. Probably the last to see your face in the gang and I know it takes a lot of trust to let me see it." And there you go, you were rambling nervously because he was looking at you. Your stomach doing flips and heart beating so fast it might give you a heart attack. "You want too see it.. My face?" Now those seven words stopped you from talking. Lifting your head up you looked him in his one good eye the other a prothsic. You nodded your head slowly. "I don't want to force you to show me your face. I want you to be positive you want to." You started picking at your hang skin on your pointer finger. "I want to" Was all he said before he uncliped both the buckles. He held the mask up on his face with his hand and looked down. The gear boy clearly discarded on the bed.

"Don't be scared of me [Y/n]" He said in a shaking voice already very nervous. You sat on your knees facing him on the bed you raised your hand slowly hooking your fingers under his mask. Your pace slow giving him time to pull away if he wanted. He didn't "I would never be scared of you Sal. Your my best fucking friend." He let out a sharp breath when you lifted his mask. His heart was pounding his plams sweaty. He quickly grabbed your wrist with his free hand. "Promise me you won't leave me.." His voice wavered while he spoke. Your gaze soften and a pleasant, calming smile appeared on your face. "I wouldn't dream of it." You truly did love Sal. You looked him into this eyes while he retracted both of his hands back to his side.

You slowly pulled his prosthetic away from his face. Once you saw his face your grip tightened on the plastic mask. His face had a lot of scarring. His nose was deformed as well as his jaw. His jaw was crooked his cheek torn showing some of his top teeth. You could tell chunks of meat were removed from his cheeks. You could clearly tell his left eye was a prosthetic, it being more dull and only staring straight ahead instead of looking at the ground like his other eye was. You brought your hand to his cheek gently. His flinched soon his eyes finally meeting yours. "You're beautiful.." Was all you could say your thumb stroking his cheek gliding over his scars gently. Tears falling from his eyes with ease his hand grabbing your wrist once more. "You really mean that?" He asked in disbelief once you muttered out those two words.

You nodded and leaned forward your lips connecting with a bit of difficulty. You knew this man was touched starved so you let him get use to it. His lips were kinda chapted and the kiss was kinda clumsy but it felt so good at the same time. You felt him visibly relax as you pulled away with a small smile on your face only to be pulled back by his hands behind your neck reconnecting your lips to his. The kiss got more desperate, and more needy.

You finally pulled away with a airy chuckle. "I mean it." He smiled it honestly amazed you how you never saw him smile but it was better then you imagine. "I want... Will you be lover?" You grin and kissed his forehead. "You don't know how long I've been waiting to hear those words." He laughed and grabbed your waist pulling you closer to him. "How long?" He said with a raised brow. "Too long" you mused and kissed him again.

At least you finally know what's under the mask and its beautiful...

Its finished! I had a hard time with this for no reason. Thank you for reading. I have another problem the you guys can solve 🙏 I have no clue what to write next so my request are open to you! Please use it 👀

#sally face x reader #sal fisher #sal fisher x reader #sally face #sal fisher x y/n #Sal Fisher x Gn reader #larry johnson #ash campbell #fluff #sally face game #sally face fanfiction #sally face fandom #x gn reader #i love him so much #my beloved

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piracytheorist · 7 months

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FINALLY

Thoughts on episode 2x01!

I'm so making a crack recap out of this. Idk if it's going to be this week, but I may have to skip all the other episodes up to this point XD

Ok for those of you who don't know, the bullet-in-butt date (which I can finally mention openly as it's not manga spoiler anymore!) was the only manga chapter that hadn't been adapted that I read from very early on, way before I decided to stay anime-only so I knew everything about it. So I expected the beginning. I actually like that we don't see Yor do her slaughter at that place. She's like a ghost, or a legend, as the short-lived survivor calls her.

Look at her! So cute, covered in the blood of her victims 😌

I do have to say, I was surprised by the amount of blood they showed. I think they actually put the violence up a notch in comparison to the previous season, bringing it much closer to the manga levels of violence.

It's also a bold choice to like, actually open the season with this. It's serious business and I appreciate that. I'm not too big on violence but I also don't like it when it's "purified" or whatever. We're watching a show where two of the main characters kill people left and right. Blood is a prerequisite at this point.

Anyway! GRANDE upgrade on the animation, oh my god! It's all in the little movements and additional "swerves" of the characters' forms. I don't have the time to make a gif now showing that but it's obvious they took the money they made the previous year and put a lot of it on animation budget! Love it!

Aaaaaaaand new music! Most of the new stuff is quirky and funny, perfect for Anya and Franky's shenanigans :D Looking forward to see what new pieces we'll get with this season!

I had some frail hope they would have titled the episode "Date with a Bullet in the Butt". Can you imagine. We were robbed. Robbed!

Ever since I read that chapter I went like, Yor says she treated the wound... does that mean she got the bullet out? Or is she actually walking with the bullet in her buttcheek all this time? I mean... it is called the "bullet-in-butt date" after all...

The way all of this could have been solved by Yor going like "I tripped down the stairs and fell on my butt and now it hurts to walk and sit". But then we wouldn't have this! It's the funny miscommunication that makes them, really <3

The way Anya worries about her! I felt a little sad for her because this is the first time she sees her mama so beaten down by a job, I think?

One of the ways you see the upgraded animation: the way Yor trembles as she straightens up after reassuring Anya, and then the dizzy walk to her room as she goes to rest. Awesome.

Yor just walks it off and Anya is like "Mama is actually immortal, wow" meanwhile Loid is losing his absolute shit

"WIFE IS SAD. THE WORLD IS ENDING. I SHOULDN'T HAVE ASKED HER TO GO GROCERY SHOPPING. I AM A HORRIBLE HUSBAND."

Oh, I adore the different colouring on the memory scene. I also love how the gossip trio just falls on Yor the moment she slips out that oh no they don't do all the conventional couple things!!

Dude is genuinely confused. BestTM SpyTM of WestalisTM, flabbergasted by a woman with social skills in the negatives.

It was eight in the morning. On a weekend. Yor was way too excited for the date she ran to get ready and they were out all day. My god. When am I gonna get my learning date with my emotionally constipated fake husbando

Twilight has a smug grin on his face as Franky accepts the cheque as payment to do chores. I love that addition!

As I love this

Franky grabbing Anya's hand and waving to them for her. They really knew how to handle an already funny chapter and use animation to add more humor to it!

Look at him, starting off so smug but then

He's truly an intelligence agent, trying to work with the information he has on hand. Since he doesn't have the information that Yor is injured, his plans are doomed to fail.

The way Franky is down with everything crazy Anya proposes. I love that duo.

I also liked the way they allowed Bond to sit this episode out, since that manga chapter takes place before the Doggy Crisis arc and Bond is not yet part of the family. I do have some thoughts about the timing of this episode but I'll get to that later.

And here we have the angst punch in the gut, as others talked about it, it's a point in Twilight's character to not see anything fun about the spy work that it's not even fun to play spy. Since one of the moments adding to that is an anime only scene (from the part where Anya makes secret codes) and the dialogue here is just slightly different from the same scene in the manga, it looks like it's a deliberate choice to make anime Loid more sensitive about this specific thing. Interesting!

I gotta say, it would be so easy to objectify Yor and her body with where her wound was. But even though they showed her in a pants-tight-enough-to-hurt-your-butt-wound situation, it was still pretty clear what the focus was. I really appreciate that.

Yor says no to the tight pants and Loid apologizes??? Why wasn't that in the translated version of the manga??

Like here especially, with the face they gave him and the way Eguchi delivered that line it was pretty clear that Yor's reaction made Loid feel like he crossed a line with what he told her. What happened in the manga translation???

VERY interesting picture choice for the movie poster! Ostania gots propaganda to do, after all!

I love how Anya fell asleep during the film while Franky cried his eyes out. Poor sap XD

And LMAO Anya seeing her parents leaving from the spa and trying to get Franky to move but he's too busy getting a massage! And then some added wackiness with Yor being so tense from her wound that she made a murder glare enough to scare a bear!

And Loid is still like DAFUQ AM I DOING WRONG

I like though, that he is not blaming Yor at all. He doesn't consider her irrational or ungrateful for the date, he just sees it as him not having done enough research... and in actual reality, he doesn't have all the data needed, specifically the whole "bullet-in-butt" thing. I'm sure he would have planned differently had he known that XD

Poor Franky XD at least he's finding ways to vent XD

The way they animated Yor's reluctance to sit was great, lol. I'm not sure it was clear she was "hover-sitting" but it was funny in any case.

I loved the tension when we saw the surviving Red Circus member! It was handled so well dropped right in the middle of a funny episode.

This had no right being this funny. But also. Anya is imagining a "default" kind of guy because even though she's reading the guy's mind she doesn't know how he looks like, so she's just making up a face to play out her imagination. Great detail from the manga already.

Anya imagines Loid saying he'll abandon her if he finds out about Yor being an assassin. That's another angsty punch in the gut but also for another post probably XD

The timing here feels a little weird. This chapter was supposedly long ago, when the family was still getting used to living together. Franky sees Anya worried and goes like "Even though they're a fake family, she worries so much?" and seeing that in the anime, practically two episodes before this one he went like "Hey do you love your dad and mom" and she said she does... idk maybe in the adaptation process some things could be left out so that they can make more sense.

How did neither Yor nor Loid suspect something wrong with the suddenly very thick and muddy cocktail she was offered?

Once again, upgraded animation as Yor drinks the pufferfish poison! I love it! Hopefully it'll keep being that good for the rest of the season :D

I remember the tension I felt when I first read the manga in that moment. I was like oh no! And then I was Anya

Gremlin Anya is back and I love it

Anya goes ahead and Home-Alones too close to the sun and fucking makes a bomb. That's a whole other level. You really don't want this girl turning evil, she'll take over the world XD

She should have seen her entrance as Thorn Princess' ally! She was epic!

There was some violence censorship there, as the bad guy in the manga is shown a little burned and bleeding after the explosion, but in the anime he's just... ruffled or whatever.

Idk they probably decided it would be too much to show that a child caused such violence XD

So does Loid go on thinking that Yor was in a super bad mood and then everything went away as soon as she downed a glass of cocktail? I also just realized she just went bottoms up on it, lol.

The episode was great and the date was funny and cute at the end. But.

GIVE ME BLUSHING LOID YOU COWARDS. SHOW ME THAT BLUSH. YOU GAVE US "HIS SMILE HIDES A HINT OF REAL EMOTION" YOU CAN AFFORD GIVING US A BLUSH. *screams* *eats drywall*

The date ends well and with fun! Then the monster wakes up again the next day.

Loid's got a lot to learn. Who knew humans can be complicated!

Overall, a great introduction to the second season! I'm happy we got the bullet-in-butt date and I'm so excited to venture into new stuff that I know next to nothing about :D

#Spy x Family #sxf reaction #maybe I'll start using this tag?#idk we'll see lol

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michaeljoncarter · 7 months

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ok for real though, i am on my hands and knees BEGGING superboy fans to read the whole Superman: Mon-El/Man of Valor storyline thing. it is wild to me that i've never seen a single other kon fan talking about this because while, no, it's not about kon, the whole thing reads like one big love letter to 90s superboy comics. this was written by someone who's read Superboy (1994) in its entirety at least a dozen times, and it shows, and it's SO good

you don't need to know anything about mon going into it (and if you know of him via the cursed cw supergirl version, please god forget everything). this is his post-crisis (re)introduction & origin, and the thing that makes it so fun from a kon fan perspective is that it reworks his origin to basically be like this weird, upside down, backwards version of Reign of the Supermen

the basic premise of struggling to fill clark's shoes as the "new" superman in his absence is the same, but the reason it's happening is pretty much the exact opposite of RotS, and mon is a near-perfect opposite of/foil to kon. it's good enough on its own, but it's even better if you're familiar with kon's comics. it draws heavily from 90s superboy, and there are little references/inspirations scattered throughout that are soo fun to pick apart

kon himself only shows up a couple times, but those couple times are magnifique. this version of mon hasn't just been reworked to reflect early/RotS kon. this takes place very shortly after kon was resurrected after being killed in Infinite Crisis, which adds a whole new level to the opposite nature of their stories because this starts with mon finding out the illness he thought was cured wasn't, actually, and that he's only got a few months left to live

so it's kon struggling to come to terms with the fact that he came back to life at the same time mon is struggling to come to terms with the fact that he's about to die, and it is SO good. it's such an interesting dynamic, and they are just... so cute

(Superman #694)

(Superman #697)

i don't mean to oversell it, but man, there's really just something about stories where you can feel how much a writer loves the characters. this is definitely one of those, and it deserves way more recognition than it gets!!!

(here's a little reading order below the cut in a shameless attempt to try & entice you into giving it a go)

(this all happens as part of the whole New Krypton saga. mon's story is pretty self-contained, so you don't have to, but i do have a reading order for the whole thing if you're interested)

Action Comics Annual #10 (second story is mon's origin)

Action Comics #874

Superman #685 - 690, Annual #14

Superman Secret Files 2009

Action Comics #880

Supergirl (2005) #44

Superman #691 - 695

Action Comics #885

Superman #696 - 697

Adventure Comics (2009) #8

Superman: Last Stand of New Krypton #1

Supergirl (2005) #51

Superman #698

Adventure Comics (2009) #9

Superman: Last Stand of New Krypton #2

Adventure Comics (2009) #10

Supergirl (2005) #52

Superman #699

Superman: Last Stand of New Krypton #3

Adventure Comics (2009) #11

Superman: War of the Supermen #4

#long post #mon el #kon el #conner kent #CRIMINALLY underrated (like nobody's even bothered to add kon's appearances in it to his dcuguide chronology levels of underrated‼️)#i need more people to get insane about mon (and mon & kon in particular) with me. literally begging

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dnp-pet-rectangle · 1 month

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WAD reflection from the perspective of a theatre director

Inspired by @/calvinahobbes who did an amazing job breaking down the show’s metaphors & using her English degree in this post, I wanted to share my perspective on it (even a month later) & get use out of my theatre degree lol. Also, warning, this will be very much a long, long essay with run-ons. I have ADHD & I love when my frequent hyperfixations intersect 🤪 There are major spoilers.

My Background:

I am a semi-professional theatre director, but more broadly, a theatremaker. I have a theatre degree from New York University’s Tisch School on the Arts (NYU Tisch), where I did a conservatory program with one of their studios which focused basically on those who wanted to do a little bit of everything and create new works & was the only studio training directors & playwrights. I originally went into the program as a performer. I did not mean to end up concentrating on being mainly a producer & a director, but that’s a whole other story. I also through that program had to take theatre/performance studies courses, which I loved for the most part & is an interesting interdisciplinary field. But I will try to define terms just in case since anybody reading this may not know any or all the specific terminology I might use. In short, I have a fancy degree that apparently should cost $300k 🤡 & I’m gonna actually use it with doing this lol

Setting the Tone:

While Dan might call this a comedy special or comedy show, and thereby comparing it to other comedians, I actually think he is doing himself and We’re All Doomed (WAD) a disservice. I saw folks compare him a lot to Bo Burnham in the chat (who was actually was accepted and almost went to NYU Tisch for a different studio that focused on solely experimental work), which makes sense considering the theatrical nature of both of them. However, Dan actually goes further into the realm of theatre because of how he utilizes his crowd work (I’ll go into that later). I recognize traditional comedy specials/standup as having jokes or stories, when doing you know like late night talk show interviews, that can be made outside of the context of the show & slip into a conversation. Or with Burnham’s Inside Out, the songs & other parts can be done or understood mainly out of context, as seen through Bo uploading them to his YouTube channel. Comedy specials have the sections of their comedy stand-up thread together, but what Dan has done is weave his sections together. The length along with the intermission/interval being a part of WAD, adds to my point that he is not treating this as different material he tested out at different comedy clubs, but as something cohesive storytelling pieces. I think in terms of testing, Phil was the main sufferer audience member of the initial materials being created.

Anyway, you cannot as easily remove it from the context at certain points, because the transitions & the order of these different sections are treated as equally important, rather than a means to move on to the next section, with some possible space for improv.

Basically, I’m bi. Sorry, my brain started thinking about BIG when I started writing “basically” at the start of that sentence. Actually, what I am trying to say is that I would classify We’re All Doomed as a one-man performance piece/show, so I will be treating it as such in my review/reflection/breakdown. The comedy of it is important and there, but I don’t think it captures what WAD entirely is.

Also, unfortunately due to where I was at mentally at the time & the location it was being performed at, I never saw this live. To be honest, how it got framed marketing-wise did not help me feel connected with the actual purpose of the show, with hope being a key element. So while this was filmed, I am as much as possible trying to remove the cinematography as an element of my analysis. However, some things might be clearer on film, as with theatrical directing, you cannot add a zoom or crop & instead are trying to ensure moments are clear to an audience by what they see and hear through drawing their attention to it. With theatre being mainly about the live output by performers and intake by the audience, at the end of the day, what my job as a director is is to direct not only how the performers share the story, but also direct the audience on what is important to catch for understanding.

Breakdown of Thoughts

Originally, I wanted to rewatch the show again, and started to, but considering I ended up writing about a whole page worth of things for each minute of the show & I was sleepy by the time I was like 5-10 minutes in, I decided to be nice to myself & stay up all night in my comfortable bed instead of staying up all night at my desk trying to take in-depth notes 🙃

I’m gonna breakdown this analysis/reflection into further sections, just to give myself some anchors & break up the blocks of text. Also as a way to just be that pretentious, maybe with an academic flair, as is fitting to be for something about Dan Howell (said affectionately 💕)

The Script/Writing

When considering the text of the show itself, two things came to mind for me:

(1) This is definitely what I would call intertext. Intertext is a piece of writing that relates to another or more other writings through allusions. WAD is an intertext which alludes mainly to other works of Dan’s on his YouTube channel. The ability to get the true impact of the show relies on you knowing Dan (as his internet persona) on some level. And as a theatre maker & longtime fan, I love that it is, it’s what the piece needed to be. As a theatre producer, the hiatus from engaging with his audience and the limited runway given to reactivate interest in him and his creative work I think made it difficult to get that audience in some venues, along with some other funkiness (mainly with promo) I am less knowledgeable on. But I think Dan has already learned/continues to learn from that, which I think may have been valuable for him. (sidenote: I need the tea on all that because I love knowing how presenting venues work with performers, as well as the lack of understanding they have of internet culture as it relates to venue leadership.)

(2) This was a work he made for himself. He mentions this both in the show & in reference to WAD multiple times. But I think what truly came to mind for me was that it is still powerful for him to write for himself. He is writing for what he needs to be hearing or wants to be processing creatively.

I think why it is powerful is that Dan has discussed before how much stress he put on himself regarding danisnotonfire, and later Daniel Howell, videos, focusing on the audience, and how he was presenting a specific style/quality of video to them. Add in the layer of being closeted & actively fighting internalized homophobia, and the anxiety he built up makes sense. And I might personally attribute that more to his need to pass as straight & catering I believe at one point to an audience of cishet men, whether actual or perceived by him. Not all videos, especially the most impactful ones in my opinion, rely on this, but it was a key piece of what he made during his rise in popularity on the platform. This catering slowly decreased with the amount of uploads he was doing, along with a more tangible understanding of his audience thanks to the tours he did with Phil. Basically I’m Gay I think was the true shift where he gave himself permission to write work that had a main audience of himself. That’s where his best work has come from, and I think since then, he’s been able to have the space to process things creatively through his writing.

The Relationship Between Performer & Audience

When I was in theatre school, my directing teacher would constantly talk about not just considering the relationship of the performers on “stage” (I did a lot of more immersive work & we only had black box theatres, which is literally a room that is floor to ceiling black) but also the relationship of the performers & the story with the audience. By Dan knowing mainly who his audience would be, the show can now play with that understanding in mind.

This leads to my point that, overall, Dan does not use the fourth wall, and I think that is what makes We’re All Doomed work. It may also be why he called it a comedy show, idk.

For those who don’t know what the fourth wall is, it is a term from theatre originally that is about the way in which a traditional theatre stage (called a proscenium) has three physical walls around it, while there is no 4th physical wall, so the audience can see the performance. If does exist physically, it is only the curtain that acts as the 4th “wall”. So, in order to keep it as a separation between the performers and the audience, the actors treat the side where the audience is as a fourth wall. When someone breaks the 4th wall, this is when they speak to audience directly, rather than to another character. Examples from English-speaking pop culture would be the asides from Hamlet or Ferris Bueller in Ferris Bueller’s Day Off. But when you are the only person on stage, the only way to have a fourth wall is when you don’t reference that you know there’s an audience there. Hence, a monologue where the character is talking to themselves or an entity that is not the audience directly (or assigned to be the audience by the director), it is the closest you can have a fourth wall when alone.

Dan in his videos and in his previous tours with Phil never were without direct engagement of the audience (obvious with the naming of Interactive Introverts). It was never not a variation on him speaking with the audience in any type of dialogue, even if done parasocially.

Some of that is not new to theatre, but I would say is that it has become more of a trend within new theatre starting in the early 2010s to have more interactivity and a more authentic, explicit message that no performance will be the exact same. I definitely saw that in the shows I saw both Off-Broadway (which sidenote, all that means is that there’s fewer seats in that theatre, not about quality of the work or how worth it is to engage with) and larger settings like Broadway and the West End. That’s what I love about theatre, and why my own work is more about immersion and direct audience engagement.

Now Dan’s creative works have never been skit only or interested in telling a story outside of the realm of connecting with an audience as a variation of himself, so again, him not using the fourth wall overall is appropriate and fits in with what I mentioned about intertext. The piece does however start with a fourth wall for the music number, which I will walk through fully sharing why I am saying that about the song & dance opening after establishing some other concepts to help build understanding.

Design Can Work With You or Against You

I just want to say out the gate that the design was done really well, and I immediately felt a need to emphasize it after watching the first 10 minutes again.

First, let’s talk about the orange & black aesthetic of the show. Dan may have simply said that the orange just looked cool, but I think I would attribute more meaning to that color. Orange brings to my mind at first instance both a bright happiness/warmth and a sense of caution and warning, like road signs (at least those in America). The themes of the show reflect these two ideas and plays with the tension between them. I don’t know if he or the team meant to have that be a conscious choice, but there’s a joke I’ve had with other directors of when they get complimented on something unexpected, they just nod and say “yes, that was a choice”, even though it was just a random thing that happened or was something that you just thought would be cool to do. Orange runs through the show’s designs and it becomes clear that it is a tool for contrast and emphasis for the points Dan & the director want to make.

Now with the design team of costumes, lights, sound, and media, I can see a clear cohesion. Good theatrical design has the designs act as a character or highlighter in the story. Bad theatrical design can take away/distract from the core intensions of the show. It was so clear to me that the design was a character. And seeing that there were two media designers make complete sense considering the labor lift of both creating the projections displayed, but also creating/filming pieces of the media itself. The music/sound and lighting work well to articulate the manic feelings it means to instill in the audience and seeing it as a director, I assume part of the creative discussion was about parts of the media played they wanted to make sure were heard, and the lights help catch attentions in service of those pulled out moments. For costumes, I think Calvina did well in her post at articulating the elements of the costume and the progression it goes throughout the show. I’d rather not take up space to say the same thing truthfully.

With all the design elements, I think three characters could be defined (not including the audience), two as main characters, and one as a supporting character. I would name the main characters as “the Circle” (the looming set piece throughout hosting the projections used throughout) and “Dan On Stage/Dan performing” (the one in the physical space) with the “voiceover Dan/inner voice Dan” as a supporting character. The voiceover only exists in the beginning, and it is only shared with us to demonstrate the way in which the Dan On Stage singing is not really that aggressively optimistic and wholeheartedly believes the words he is singing. He is not the Dan we know from the Internet, so we can cathartically laugh at the attempt to pretend everything is fine. The voiceover only has one role, and it is to force Dan to confront this breakdown has an audience.

Staging an Opening Sequence: Our First Stage Character is the Circle

In directing classes, often what you focus on is called stage pictures, which is meant to help you consider what the actual imagery you want to ensure the audience absorbs for their understanding of the piece. The first and last stage moment of each act should tell a basic story of what happened, and therefore, are heavily emphasized as important for directors. The Circle (capitalized for reference purposes) being lit up before the show starts and then again in conjunction with the light flashes and sound establishes the importance of the Circle to the show. When the projection comes into play, showing the speech of a 15-year-old Greta Thunberg before beginning to add more, we are then introduced to the purpose of the Circle to be an output/portal for the overstimulation of messages, in this case, I would claim it being what comes from the Internet.

The music/sound and lighting work well to articulate the manic feelings it means to instill in the audience and seeing it as a director, I assume part of the creative discussion was about parts of the media played they wanted to make sure were heard, and the lights help catch attentions in service of those pulled out moments. The Circle also through some of the lighting moments, mimic that of a clock, which again adds to the doomsday, the "end is near" type energy. To have the end of the opening sequence build to an explosion which then shows solid orange at the end while Dan is in silhouette begins the introduction to the orange emphasis & proposes a sort of prophet-like version of him after the apocalyptic imagery disappears as he rises to be seen. What we have opened with is setting the tone to how we should view these two characters of the Circle & the Dan on Stage.

Song Time!

Dan is such a theatre kid & I love that for him. His dramatic side shows through the moment he used a rise to start his show at the top of the stairs, first in a place of seriousness with the sharp lighting and smoke to then bring in a very happy music number. The contrast & switching of expectations is a key of comedic works, and shows through most of the phandom who did not know WAD started with that, as it is indeed funnier if it comes as a shock. The movement & music mimic what folks attribute to as musical theatre, which is campy, happy singing. Knowing he was the one who suggested the song for TATINOF, I am loving Dan clearly wanting to have that opening number of a musical moment, even if it is dripping in irony. The Circle & the lights in this acts as a supporter to the message of it being sunshine and rainbows, with literal rainbow lights included. (Sidenote: I am 99% sure the pigeon coo is Phil, so if anything, I’m disappointed he was not credited as Pigeon sound effect AND remote crisis manager. Idk why I could tell, but both times now, it’s what I immediately thought when hearing that part)

I think of the musical number as the only place where he does have a fourth wall, because the number does not directly reference the audience at the start. It’s a one-man moment and it is about the performance not the audience engagement. It starts falling away when he starts pointing out the “and you”s, but the voiceover is the real break in our understanding of the world. It is emphasized by the color inversion of the sun & sky media of the Circle. The director is saying, this is important to how you now interpret what you’ve seen & will see, this is another shift from what was established of this world.

I should mention “world” is the terminology used to name what the environment the story is being told in with consideration, especially in theatre, of how much of a need there is for suspension of disbelief. I believe this term is also referenced a lot when discussing the fantasy and sci-fi genres, since those also requires some distancing from reality for the audience. This ties into a phrase I will probably end up using a lot of “rules of the space”. When establishing this world for the show you are presenting to an audience, there is a type of logic that must be established in order to understand what is the baseline for what the audience will be engaging with over the span of the show. But the voiceover immediately changes the rules of the space, because it messes with the Dan on stage, and messes with the messaging of the Circle. It adds a new context to the Dan On Stage, as while a fan will know that this song is not in alignment of our knowledge of Dan Howell, we get confirmation that this indeed ironic and outside of the branding that Dan has boxed himself into over his time on YouTube.

But the voiceover is also not in alignment with that “branding”. It expresses concerns related to the Dan On Stage’s mental wellbeing. There is no irony or subtext in that voice, it is the most direct in speaking to Dan On Stage, because it is being said by a variation of Dan in voiceover to himself. These could be seen as questions he knows to ask himself, but as someone who advocates for mental health & shares now about being openly gay, I interpret that he may feel he cannot express that outside of his mind for fear of undermining his advocacy points. The discussion of the “wonders” of the Internet also continue building in the tension that exists throughout WAD of how Dan feels about that space. The voiceover then proposes at first a type of equal extreme, which only sees the Doom, and as someone with clinical Depression myself, I think is only a furtherance of the breakdown, rather than the reality check it started off being. Not that what is listed is wrong by any means, but the barrage of it is meant to expand the drowning feeling, not act as call to action or consideration of the intricacies for engaging in the world. With the Circle’s sun imagery & the music having been inverted and shifted to something more sinister, Dan’s movement up the stairs fits a type of circular moment from the first entry of him, where the image of the prophetic figure is questioned on how he alone will solve the climate emergency. The slap & break of character for the Dan on Stage serves to confirm our understanding of the voiceover as the voice in Dan’s head & indeed there are not two Dans.

Also, the sparklers 🎇 showing up really make the key change for the song, but my producer brain is going, “girl, of course you lost money on this show, was that so VERY NECESSARY?” But the dramatic Gemini theatre bitch in me would 100% want this too. I just don’t have a capita£ester working to get sponsorship money in my life, so I have to be reasonable 😔 Also, the confetti with the high note is peak theatre gay so I again, love that for him. And of course, the confetti is orange.

Hints of Orange

When the song reaches its end & the Circle starts showing squares of orange, rather than a full background, this acts as a seed for the breakdown and waterfall of cubes, which Calvina speaks to the orange cube hint at the beginning in her post. The sudden cut-out with Dan simply lit replicates a moment the Circle is not present. The Internet is not present. To crawl to a microphone, the message is not “hey this guy needs two mics”, because we see one on his face, but that the wired mic (which I will now label as “The Microphone”) is a metaphor. It’s a crawl towards sharing out, not suppression. Only when the voiceover of himself points out the audience does he does a full fourth wall break. The suppression did not work, and neither he nor the audience can believe that it was the Truth.

The wire of the Microphone being orange showcases that it was meant to be seen. I don’t think it even in play in terms of the sound, like it might not even be on, considering the feedback nightmare it would likely cause. And no standard microphone used on stages has orange wires, because that would pull the audience’s eyes to it. But that’s the point here.

The rules of the space are now this: the Circle is not always active, the Microphone has significance, the Dan On Stage knows there is an audience. None of these were true before, even the Circle was on before the start. This draws the audience to know there has been a shift & to have the first words said into the Microphone be “We’re All Doomed” solidifies the song moment was a blip, that this is really where we start at. As an example, in the social media section, Dan does a deliberate wrapping of the wire on his hand at the same time the Circle scrolls to the social media icon. It is how the director & Dan are ensuring that we understand “what he is saying and what is been shown on the screen are in tandem”, so if you’re paying attention to that wire, it signals you should look up too.

Every other prop, except I believe the gavel and wig, is also orange. The bubble gun is mainly what comes to mind for me, since the cubes are not as activated as props necessarily. But if an item is to enter the stage, what I interpret it as is that it must be orange, there must be high contrast, nothing in the physical world on the stage can become blurred, only screens have that privilege(?) to have things blend together.

The Power Struggle Between Dan & the Circle

Once Dan has begun directly conversing with the audience, the rules of the space are:

(1) Dan On Stage acts, the design elements react (not including the Circle)

(2) The Circle and Dan have a symbiotic relationship, as neither have complete control over the other & react to what each other are doing

(3) The icons are our guides in understanding the sectioning done throughout the show

(4) Having “One Good Night” is the goal to reach at the end of the piece

As a person, as well as discussed throughout the show, we know that Dan has a contentious relationship with the Internet. It is what has given him his living but has also caused some of his worst moments mentally (2012? I don’t know her). It is the space in which lets him have an audience who have mainly showed him support, but also the space that has fed the cynicism that fuels his clinical depression. There lies in the way in which the Circle exists on the stage & looms over Dan in the background. It’s a necessary evil of what appears on the screen.

Why do I then say that the design elements are reacting? Well, if we remove the Circle from the equation, the lights, sounds effects, and props are all cued off of something Dan does like the clown honk. However, the Circle sometimes cues off what Dan does, but sometimes instigates what Dan speaks to. That especially is evident when video clips play that invoke what media Dan has been contending with on the Internet and the consequences of those things.

The Circle exists throughout both Act One & Act Two, but only becomes passive to the piece when Dan directly shows vulnerability & the removal of protective irony. Calvina spoke to this when discussing the costume choice of him opening the jumpsuit in Act Two to show the orange tank underneath.

Cubes as Articulators

Oh Creator did I have to dig deep into my brain for this term of articulators. So my directing instructor had some key terms that I think I don’t think are universally used, even by American theatre directors or at least in academic settings. She defined articulators to basically be elements that helped give almost like checkpoints for the progression of a throughline in a show. For WAD, that is easily those orange cubes.

When static is displayed on the Circle’s screen each time we transition to a new section, it is not the typical emulation of TV static, it is that sea of orange squares. It is an articulation of those fear, issues, concerns, all those pinpoints Dan speaks to why he says “We’re All Doomed”.

That’s why there is the culmination of the orange cubes falling on him, when he reaches the top of the stairs at the end of Act One. When he circles back to the same stage picture of him at the top, it can been considered a repetition of the prophetic imagery I pointed out from the opening sequence. What changes is that the orange squares enter the physical world, falling onto Dan. He can no longer say they live in his head. They are here and stay in the space until the end of the show. In Act One, they are the looming issues that signal the Apocalypse. In Act Two, they are the rubble that must be sorted through.

Calvina was the one who named it rubble and the cubes as representations of Dan’s problems. To have the audience actually able to take a cube home, she argued, would be symbolic of the audience helping carry that weight. While I’d love that, I mentioned in my tags on her post that I think mentally, that rubble would still be at his feet, even with taking home that visual metaphor. This is Dan we’re talking about, and with personal responsibility being a topic of the show, while it’s not his burden to bear alone, he does have to recognize it exists.

I think the repetition of the prophetic imagery comes to its climax when in the aftermath found in Act 2, voting who to fire into space can and does end up with him being sent by the audience. It represents an understanding of where he exists now from where he did at 18 in terms of social, political, and economic access and the possibilities of his influence. There is a responsibility there that ties to how he can move in the world now publicly, so why wouldn’t he have an existential crisis?

It is a Comedy Though, Right?

This is hundred percent comedy, and obvious dark humor at that. As a director, I love comedy, especially this type, because when an audience gets to laugh, the armor gets stripped away. They have no built-up resistance that let’s any uncomfortable point be heard effectively. It’s why the end’s vulnerability is effective, because we have already joked and laughed about our pains and our desire for escapism. Now we are able to move on into a place of reflection.

To underline why I say this is not stand-up comedy is that Dan has made it a stage show, just one that has comedy as a vehicle for telling this “story”. His interactions with his audience, through both quips based on audience reactions or “heckling” as well as explicitly asking for input into who to shot to space or what to add as a mad lib (generic brand for law purposes), are about being blended into the loose narrative constructed already, not actually to be reactionary like most crowd work I associate with stand-up comedy.

If anything, I could argue that it could be considered a comedy special that “Dan On Stage” is trying to make, but there is actually conflict being introduced that disrupts his set (both the comedy one and the physical one). There is clearly a showing of meta, as Dan makes sure to share thoughts on the creation of the show, the reactions from his overall show branding & imagery, the use of the lift because it was expensive to have. Dan’s comedy style can never be told without reference to behind the scenes, because if this is a creative means to process feelings, there are things about the show & its making that impact what needs to be processed too. It is also related to how his work is strengthened by acknowledging the two-way street of being in a parasocial relationship with his audience.

Can We Have One Good Night?

Another term central to what my directing teacher spoke of was the “Core”, usually a question, though not always, that motivated what was being explored over the course of a theatre piece. At the top, as Dan on Stage exaggerates that love doesn’t exist (which Dan refutes as being an actual belief of his during the afterparty) and other sardonic phrases, he also states he wants to give his audience one good night, because he recognizes the escapism his audience finds in his solo and joint content. We’re All Doomed’s Core is “can we just have one good night, even in the midst of the horrors we have outside of these theatre doors?”. But I would also say that in terms of where his writing was at the time of WAD’s inception and the naming of his mental health book as You Will Get Through This Night, it feels more like Dan himself has been grappling with a Core of “can I have one good night? Or a full 24 hours where I feel mainly happy when all I am bombarded with about the world is suffering?” I think night can be both literal, since we know he has had sleep issues, and metaphorical, as the night can represent this depressive episode he was writing himself out of.

When the mood tracker gets discussed in the last portion of WAD, to see a sea of neutral or uninterested emojis demonstrates when he took the time to do it, the answer that night was “no, not really” 😕. The main one mentioned is the ritual of “Fry Day” he has with Phil (sidenote: why are these British men not calling it “Chip Day”, since this ritual falls on a Saturday?), which is a rare smiley face. The question he likely has then is “can I ever have a good night again?”

So for him to then turn to his own videos during one of those nights, to a video where he states his famous “embrace the void and have the courage to exist,” that showcases what I mentioned of his best work being written for himself, in this case, a future version of himself.

Ending Sequence: Where Do We Land?

When the Circle does not display any media, it again shows the orange square motif, but after mentioning his own video, he turns to his audience for glimpses of what joy exists even in the face of Doom. The Circle changes into a display of different submitted clips showcasing this joy and hope that Dan was clearly looking for throughout this piece. He walks towards the top of the stairs to witness these clips. I cannot for my life at this point having now been separate from it for about a month, but I believe before the submitted media sequence, he states the famous line again of “Embrace the Void and Have the Courage to Exist”. With this last thing spoken, it gives that emphasis needed to take in the message emotionally and then witness what the Void (in this case the Circle) can offer.

A Good Director Should Go Unnoticed

When someone is not versed in theatrical directing, if the audience cannot tell what was a choice by the director or even consider the director themselves, this is weirdly a good sign. It means that it feels natural to what they are witnessing and to the messages that are meant to be communicated to the audience. As someone who also works in government, it feels very similar, as only bad work is evident to the general public. Obviously that is not true for everyone, but is an overall trait I think impacts both an understanding of public service and directing.

I am not familiar with any of the work of Ed Stambollouian, who through research, looks like he has done work with comedians like Joe Lycett (who I am also not familiar with) and directed TATINOF, but also more stripped down, exploratory theatre. Through a quick review of his portfolio, one, I am not shocked that Dan tapped him to assist with directing since there is a familiarity and two, his background tells me he knows how to direct for writer-performers, which is what comedians really are at the end of the day.

To direct for those who are doing one-person shows that they both wrote and performed, it is especially tricky to have the artist hand the reins over to the director. The director in this case acts as the artist’s eyes, because an artist cannot clone themselves. It is impossible for them to wear multiple hats at once, where they can give quality, objective feedback to themselves while also doing a full out performance. For Ed to be someone Dan has worked with before, there is already an established understanding of each other’s work styles, and a trust that otherwise would have to be built up before the work can truly begin to finalize the piece.

In short, Ed Stambollouian and the creative team on We’re All Doomed did an incredible job bringing what I understand Dan intended when he started writing this down in isolation. And @danielhowell you whole-heartedly deserve to call this your magnum opus. What can I say (sorry I can't help lovingly poking fun at you), your artistry shines throughout the show. I hope this too can be something your future self can turn back to.

🧡

(bonus) Thoughts on Orange Carpet & the Phil element

I didn’t fully rewatch the orange carpet, just to keep myself on task & not bring Phil too much into the main reflection without explicit reference in the show, but hearing Dan go “I’m alive in 3, 2…” made me laugh both times. He understands that we just want to know he has a pulse, ya know? Also them pretending it totally was live, when those fools (affectionate) cannot run a real live broadcast from their home for their lives. It just ran too smoothly, esp. in the transitions, for it to be anything but some very, very light editing on one improvised take they did. But I always support them in their acting, no matter how bad, like with DITL Australia’s opener or pretending there were not two apartments or that Google Feud being back was unplanned or Dil being pregnant with a statistically rare alien child or Phil living in a tiled, cramped bedroom or...

Also, Dan’s little laugh at the end of Phil’s sign-off is so fond it hurts. It also hurt that the VOD was hard to scrub through, so another deduction for the Kiswe platform.

Anyway, I’m glad that Dan was able to find space outside of the Dan & Phil branding of the 2010s as well as the image he was forced to manufacture for his YouTube presence, but also realize that with having a core audience that wants him to simply be happy, he can recognize that Phil is part of the things that make him happy. And can do so openly.

He is his own person, but it has been clearly emphasized now that Dan has no interest in not acknowledging that Phil always is and will be part of his present and future. He has made work like WAD & "Gay and Not Proud" to explore his way of thinking without the support of Phil present in the filmed/performed aspect. Dan acknowledges this intention, which is evident with him shooing away Phil at the beginning of “Gay and Not Proud” to process it alone.

It is also evident with the ending of “Daniel & Depression” and the WAD end credit of remote crisis manager showcasing the caretaking role Phil often plays in Dan’s life. But we know that caretaking is reciprocal, considering Phil's tactics with glue as well as his continuing health issues and anxieties. Dan has seen who he is without Phil by his side everyday in the public eye & has no interest in maintaining that Phil is absent for public projections.

I obviously do not know Dan Howell, or anything about him outside what exists on the internet. But in performance studies, there is a foundational understanding that there is no way to not be performing in some way during your day-to-day. Performing is not inherently a bad thing, as there are different roles you take on in your life, where how I engage at work is different from how I am hanging out with friends. This also has basis in gender studies, such as ideas that you can perform your gender "wrong". What has been so interesting to me in this phandom renaissance is the way Dan and Phil each perform as themselves in front of the camera now. What they share out and the layers they include--or choose to not remove--have been stated by them explicitly to be the most authentic they have ever been, without obviously removing their right to privacy. During the height of the glass closet that was their 2018 content, I remember thinking that it was going to be the most they would show us in the vain of "if you know, you know, and we know who will know". After the coming out videos of 2019, obviously that's not true, but the return of dapg has signaled a message of "we know you know, if you've been in the know" while veiled in a way that is not immediately perceivable by those who are casually engaging with their content. It is an authentic portrayal of themselves without filter, while also providing themselves space to not have to announce everything to the world. When you are in the know, it definitely targeted and causes psychic damage, but I am ready for anything and everything they throw our way.

#we’re all doomed #wad spoilers #daniel howell #danisnotonfire #dnp #dan and phil #dan howell #theatre analysis #performance studies #theatre director

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