Giambattista Piazzetta, Portrait of a Young Woman in Profile with a Mask in her Right Hand, ca.1720-1730 (detail)
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The Arts; Drawing
Title: The Arts Drawing
Artist: Gaspare Traversi
Date: 1755
Movement: Italian Rococo
Medium: Oil on canvas
Genre: Genre painting
To continue from the extersize yesterday in how paintings lead their viewers visually through out the painting, let’s take a look here.
The painting naturally leads our eyes in a circular motion back to the woman in the center with a pink dress. We naturally start with her as she is contrasted with her bright pastel dress and skin tones against the dark vibrant background. From there we follow her gaze to the man sitting across from her, and then we go to the man in red, who’s robe leads us down to the floor where we follow the dog and the light line to the man and the child, back again to the woman in the dress.
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Pompeo Battoni (Italian, 1708-1787) • La Vérité Et La Pitié (Allegory of Mercy and Truth) • 1745 • Montreal Museum of Fine Arts
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Corrado Giaquinto, Angelo annunziante, mid-18th century, oil on canvas, 89 x 65 cm, Museum of Fine Arts, Budapest
Source: Wikimedia Commons / Museum of Fine Arts, Budapest
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Italian Rococo lacca povera commodino
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Campo San Giacomo di Rialto, Venice, Canaletto (Giovanni Antonio Canal; 1697-1768)
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Rosalba Carriera (Italian, 1673–1757), "A Young Lady with a Parrot" (detail), 1730
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Rosalba Carriera (Italian, 1673-1757)
Estate
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A Muse by Rosalba Carriera. Italian, mid-1720s. Pastel on laid blue paper. In the collection of the J. Paul Getty Museum.
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Venus on the Waves
François Boucher (French, ca. 1703-1770)
This Rococo era piece is a part of a set of six mythological subjects commissioned by Jean-François Bergeron de Frouville for his house in Paris.
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Self Portrait of Angelica Kauffmann
Title: Self-Portrait
Artist: Engelica Kauffmann
Date: 1780-1785
Movement: Italian Rococo
Medium: Oil on Canvas
Genre: Self Portrait
Around the 1780s, The rococo started shifting to what art historians call Neo-classic. Unfortunately the truth of history is that every era is more of a loose gradual shift and trying to make rigid rules of when something began and ended is pointless. While some art historians would call this painting Neo classic because of the time frame it came out, I choose to argue that the color, style, and shape keeps it as a Rococo piece.
The Baroque introduced a brand new idea that people had never thought of, women painters!
While there were always women in every movement making beautiful art that out lived them, The Baroque was when women started being established as part of the movement, some of them even being corner stones that progressed the movement forward.
Engelica Kauffmann was arguably one such artist in the late Rococo early romantic era. Due to her traveling around, she was familiar with more than her national style of painting. She was even able to produce history paintings, the highest level of painting an artist was able to achieve in her time.
As there were many roadblocks for women to become painters in her day, the fact she had been able to create such works was unbelievable for her time.
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Neptune and Amphitrite, Sebastiano Ricci, circa 1691-94
Oil on canvas
94 x 75 cm (37.01 x 29.53 in.)
Museo Nacional Thyssen-Bornemisza, Madrid, Spain
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Girl with a tambourine
Federico Andreotti
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...soar to new heights...
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