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#its a special game to me. same with deltarune but undertale came first
curioscurio · 2 years
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I don't know if I really can pick a favorite Undertale song since I love them all but every single boss theme goes so hard... Death by Glamour is definitely up there though. Also this post was supposed to end here but I started infodumping in the tags and reached tag limit AHAHAHA
#i cant listen to Undertale the song because it makes me cry i get so emotional AHAHA#its a special game to me. same with deltarune but undertale came first#being able to experience the undertale to deltarune development in real time has been such a special experience#like when toby fox released chapter one on halloween and i just remember playing it with my friends in college#and then chapter 2 last year#i love finding new secrets in the game and in the code its so fun and i love the characters and everything#and yeah maybe some of the fandom is cringe but god tge normal people about it are so fun to be around and talk with#the fucking orchestral concert !!!!!#also seeing temmie change start streaming on twitch and her own gorgeous game#im just so excited for whatever toby fox does next. i will always be nostalgic for undertale but deltarune is so!!#like i love seeing the new stuff. i love that deltarune is a different game than undertale with new characters. like we get cameos of old#ones and a mysterious connection to the other game but its still its own thing and really is starting to find itself as something uniquely#separate from undertale and earthbound and tobys halloween hack and other pixel games#also unsaid but its funny as all shit#not to mention how the guy puts his whole tobussy into musical motifs#every note and harmony of every song feels intentional like one big song split into different parts#not to idolize the guy like hes still a guy and these games were undoubtedly supported by amazing creators and artists like temmie and patr#patrons#i do highly respect his anonymity though#gosh i try not to be all (foams at the mouth) parasocial relationship whatever with microcelebrities etc etc but i really am just a big fan#for all my shitposting about undertale haha#its the simple things in life. cassie is allowed to be buckwild about undertale and come up with the silliest game theories as a treat#also i just like papyrus . what a guy#sans too#like i obviously goob on him whenever i possibly can but my favorite character is without a doubt papyrus#also since im going insane in these tags can i just say that on youtube The Second Narrator composes some of the most amazing . amazing.#AMAZING orchestral covers of undertale and deltarune music. megalovania is so good but my current fav is his comp of smart race#its like a remix of smart race and berdlys theme and queens stuff but fuck fuck fuck its so good its so good it has ACCORDIAN#the composer adds in little flares of ? idk the music term for it maybe meleodies but theyre new strings of melody in the songs that fit#fit so well imo like they have a specific style that you can hear in every cover
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huecycles · 2 years
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Secret Bosses and Human Souls
a lot of folks were surprised by the sudden appearance of the yellow soul in Spamton Neo's fight. it did seem very random at the time, but now i think this is done to solidify Spamton's story arc, like the final nail in the coffin.
the yellow soul's trait in Undertale, as we see in the ball game, is Justice. if we get the yellow flag, we're greeted with a description of how the soul acts in battle, and its characteristics. this is done for every soul.
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"sure-fire accuracy" fits the souls theme of shooting at a target, which is tied to the yellow soul's weapon, an empty gun. the description is reminscent of a western movie where the heroes and bad guys fight, if we consider the armor which is the cowboy hat.
how does this relate to Spamton?
aside from the obvious "KRIS! WAS THAT A [[Big Shot]] JUST NOW??" comment he makes when using the special ability which i call a "booster", i wanna show you this dialogue at his shop:
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"heaven-piercing" "shoot for the sky" ...alright
Spamton's whole quest about becoming a big shot also reminds me of old western movies in a way. "get on the path to the big one" sounds very much like a character from this setting shooting up other "big shots" to take their place, kind of like a list you cross names out.
Spamton using the big ass firing weapon that came with the neo body is also very telling in my opinion. lol
but what's even more interesting is how the Justice theme applies to Spamton. we don't see much of this in the pacifist/neutral route but in genocide? Spamton goes absolutely power mad, even going as far as to aid two teenagers forced into mass murder just to sneak into the palace in a very villainesque way. Spamton feeling like he has been betrayed is nothing new. we get this vibe in pacifist from the way he talks about his former friends and Mike, and we see how hypocritical he is because once he got his hands on the neo body, he outright betrayed the one who helped him get there in the first place.
it's clear that he craves justice for everything that happened to him. and even more fitting is how he acts when taking over the mansion like a megalomaniac, he twists and warps the concept of justice into revenge. there's an additional layer of betrayal when Kris goes to seal the fountain, as he gets furious with you and likens this situation to whatever happened between him and Mike/the tv character.
it's only fitting that Spamton Neo evokes the yellow soul, the very symbol of justice in his fight. it's what he didn't get.
Jevil is the same way. one could argue that Jevil has no soul mode, and yes, his fight defaults to the red soul.
as we know, the red soul is kind of an anomaly in Deltarune (and maybe in Undertale too). in Asgore's flower shop, we have a golden flower in the center right next to a yellow flower while the other ones have the same colors as the rest of the human souls. there's no red flower. Kris treats the soul as some kind of anomaly in their body, too, snatching it out of their chest and violently throwing it somewhere to keep it in place. i have a few theories regarding the red soul and the player, though that's not what i want to discuss here.
do you ever notice how the red soul's theme or "trait" seems to be freedom? which is painfully ironic given Kris's puppeteering, and how it affects their life. Spamton wants the soul for himself, thinking it would set him free and let him see past the dark, and even if he did get it, it wouldn't help him at all. the soul's theme being freedom (and control) ties into how it has free movement in the arena. it was made specifically to dodge bullets, that's its main characteristic. see the description of what the red represents in the ball game:
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considering the fact the green soul's movement is focused on the shield mechanic, the blue soul is bound by gravity and the purple soul moves in horizontal lines (restricted movement) makes me think the red soul is special.
how does this relate to Jevil? well, for one, Jevil constantly goes on about how he's the only free one due to his self awareness and how he's locked away from the narrative in a way. you only find Jevil if you go to him, the fact his cell is located in a floor named "??????" feels like some type of bait for the player's curiosity. isn't it interesting how Jevil's freedom speech falls flat due to the very knowledge he has? even if he finds a loop hole ("if nothing matters, then than means i can do anything") it doesn't take him too far. he got rightfully imprisoned for attacking people in the kingdom, or as he says, playing games with them. he failed just like Spamton did, though his case is a bit different.
he fights the red soul, the symbol of freedom and control.
the secret bosses' soul modes are a clear reflection of what they desperately want and fail to achieve.
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maxsmusicmacrology · 3 years
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Artist Profile: Toby Fox
Many of you may be most familiar with Toby Fox as “the guy who made Undertale”, or maybe as “the guy who made Megalovania”. The latter is actually a surprisingly useful way to think of the man, as the journey of Megalovania is wound very closely to the journey of Toby Fox. Just trust me on this part.
In the mid 00’s, Fox was a teenager frequenting Starman.net, a popular forum for the game EarthBound and the other titles in the Mother series, under the username “Radiation”. He created two ROM hacks of the game, releasing the first one in 2006, but his much more successful and influential hack was the EarthBound Halloween Hack, a submission to a 2008 Halloween-themed competition run by Starman.net.
After Fox rose to popularity, he went on to say that he’s not very proud of the hack, and in a deleted 2016 tweet he referred to it as a “bad rom hack with swears”. Having played through it, it’s an apt description- several of the fights are incredibly unbalanced and the villain drops a few slurs- but I don’t believe the hack should be entirely written off either.
In 2008, hacking new music into EarthBound was incredibly difficult, so both composing original music using the EarthBound soundfont and getting it to play in the game was an impressive achievement. While the game certainly has the usual Halloween aesthetic, full of pumpkins and zombies and ghosts, the real horror of the game is psychological, creating a much more fascinating story than a traditional halloween slasher. The final villain is consumed by grief after the death of his son and the estrangement of his wife, becoming a broken man who turns to violence— which are the exact same themes that would later be explored through Asgore when Fox would go on to make Undertale.
Anyway, this was the first and original appearance of Megalovania.
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In 2009, Andrew Hussie launched his webcomic Homestuck on mspaintadventures.com, his fourth and final work to be published on the site. It ran until ending 2016 (with Epilogues launching a few years later), and is best known for having possibly the worst fandom in modern history until people started losing interest in 2013. Its second most notable characteristic is how heavily it embraced its online medium, including not just text and images but also gifs, animations with music, and even little interactive games. Over the comic’s seven year run over 500 pieces were written as part of Homestuck’s discography by a variety of artists, and while only a few dozen were included as part of the comic, all of them were made available online through Bandcamp under the Homestuck umbrella.
Toby Fox joined the music team in 2010 with two contributions to the comic’s fourth album, and from there he went on to be their most prolific contributor. From 2010-2016 Homestuck published roughly 90 of Fox’s songs, and he also hosted and managed a contest that led to nearly 60 fan contributed pieces being published. After Homestuck ended, Toby Fox went on to be one of the composers for the various spin off titles: Hiveswap Act One, Hiveswap Friendsim, and Pesterquest, so it seems he has no intent to leave the Homestuck universe anytime soon.
Undertale’s soundtrack was highly praised through its use of leitmotifs (and trust me, I’ll be talking about that plenty later on), but some of his tracks written for Homestuck make even better use of their motifs and reach some fairly complex heights. This video goes through Descend, which ended up during a critical moment during the early comic, and lists the twenty seven songs sampled during.
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Of course, these aren’t just empty motifs for fun. The characters introduced thus far all have various themes associated with them, each motif bringing to mind the characters, their factions, and their histories. This is musical storytelling done through completely instrumental songs, and it is fantastically done. Several of his tracks do this, Jade’s medium entrance theme Umbral Ultimatum samples three songs she’d already appeared in, and his final track for the comic’s main run was a glorious melody of several prior battle themes.
Anyway, in 2010 he published the second appearance of MeGaLoVania, which was used during the [S] Wake animation and appeared on a 2011 album.
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In 2012, Toby Fox contributed to an EarthBound fan album called “I miss you”, organized by bandcamp user sleepytime Jesse. He contributed four tracks, including Fallen Down (which would later feature in Undertale) and a remix of Megalovania. This isn’t a major milestone in his career like his EarthBound hacks or Homestuck, but I think it says a lot that he loves EarthBound and its community so much that he’d compose songs for a small fan album.
In 2015, Undertale came out and took the internet by storm. Like it or hate it, it was everywhere you looked for a while, from every gaming channel covering it to endless quoting on Reddit or Tumblr. Fox made the majority of the game himself, which of course includes making the soundtrack. There are a total of one hundred and one songs, and it would not surprise me if every single one of them (except Megalovania) was tied to all the others through some web of samples, remixes, and motifs.
Oh yeah, the third version of Megalovania is here, once again featuring as a final battle theme.
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Once again, Fox uses motifs expertly as a form of storytelling. Let’s take a look at the track ASGORE, which is entirely created from other songs. The opening is bergentrückung, the intro theme that plays before the battle starts. That flows into Heartache, the battle theme of his ex-wife Toriel, showing that even after she left him, she’s still important enough to be part of his main theme. It also includes the Game Over theme, guiding the player to remember that it was his voice encouraging to continue playing when they failed, urging them forward only to reach him, as well as Undyne’s theme, who looks up to and idolizes him without knowing the truth of who he is.
The entire game is like this. If the player decides to turn evil, they gain a genocide motif that appears in some of the genocide-only bosses. The true final boss is foreshadowed through His Theme during important moments. Undyne and Alphys end up dating in the true ending, and in the genocide run Undyne resurrects herself from the brink of death while Alphys’s melody plays.
Fox’s music makes itself special by being so connected. His songs call back and call forward to other songs, making each of them important in some way or another. The Homestuck and Undertale soundtracks feel holistic, they’re not just “songs that happen to be written by the same guy”, they’re united soundtracks where every song has a greater meaning than just the scene they play over. Hell, even the Homestuck and Undertale soundtracks reference each other, and not just through Megalovania. Another Medium from the latter soundtrack samples Doctor from the former, and the final battle theme Collide samples Death By Glamour.
He’s currently working on his new game Deltarune, the first chapter of which (and its soundtrack) are available for free on PC and various consoles. The music already slaps, and I’m looking forward to seeing where it goes.
Anyway, the fourth and (as of now final) version of Megalovania was included into none other than Super Smash Bros. Ultimate, added into the game alongside a Sans costume for Mii fighters.
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This, in my opinion, is nothing short of incredible. Toby Fox went from a Nintendo fan who made a “bad rom hack with swears” for a game he liked, and now his music is appearing in one of the largest gaming franchises of all time. Shoot for the stars, everyone.
I think this is the part where I’m supposed to give a track listing, but come on, you’ve been reading. 90 Homestuck tracks and 101 Undertale tracks, plus everything before and after and in between. Fortunately, his page on the Undertale wiki has his entire discography listed, so I’m going to take the easy way out and link that.
https://undertale.fandom.com/wiki/Toby_Fox#Discography
He has done and has planned a few other projects, but I think the right place to end off is by mentioning his contribution to Pokemon Sword and Pokemon Shield, the Battle Tower theme. This is notable not only for being an awesome song that he composed for a massive franchise, but because it samples one of his early contributions to the Homestuck fandom. I am of course talking about The Baby Is You, an “opera” he wrote as a fan contribution to protest forum rules, which was subsequently banned from even being mentioned on said forum. Not only is this another example of all Fox’s projects fitting in with each other, it’s also a nearly decade-old callback to an obscure edgy joke he made and then hid as an easter egg (or an afikoman for you Jewish folk) in an official Nintendo title.
And I think that’s beautiful.
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knifehecker · 5 years
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undertale day [long post]
it’s the 15th!! happy 4th birthday undertale!!! normally i try to do a little art or something but this year i decided to do something a little different. there’s a lot of content that’s become core tenets of my experience with the fandom -- changed the way i thought about the characters, how i engage with the fandom, opened my eyes to new ways of writing -- and i thought it’d be neat to compile some of those into one post to share with other people. so without further ado!!!
40-minute Deltarune Piano Medley - FaceImplosion [MUSIC]
ok, i know this is deltarune and not undertale, but this medley incorporates songs from both games so i’m gonna say it counts. and honestly, i could say a LOT about this piece!! i’ve watched and listened to a lot of ut/dr medleys, and this has to be the most lovingly crafted of its type that i’ve ever seen. Ever. a lot of care has been put into the order and combination of the songs (some funny, some sad, some mindblowing, ALL amazing) and the art is so good that every time i listen i find myself watching along. there’s a lot of easter eggs, especially for the attentive listener/watcher, and this medley deserves far more than the 6k views it’s gotten so far.
Undertale Album Project - Various Artists [MUSIC]
Songs From Mt Ebott is a collaborative album project that contains dozens of tracks from a score of different artists. i have a lot of favorite tracks from this album, not to mention the individual track art created for each, and if you’ve never heard of this project before, i really recommend giving it a listen! (FaceImplosion also did a piano track for this album, by the way, which i’m linking separately because it’s one of my aforementioned favorites.)
Chara - tigerblossom [MUSIC]
im not gonna lie. this was my favorite piece of fan music for a long time. it’s a medley mashing a few different songs together, short and sweet, but it comes together in such an incredibly heartfelt way at the end that whenever i end up listening to it i find myself wishing the track was about five minutes longer. they also have an underfell version of your best friend that i recommend giving a listen!
Photographs - FuriousPoplar [FIC]
in terms of “post-paci everyone lives au”s, there’s been a lot of ground covered by a lot of different people, and after a while the concept feels almost a bit...same-y? but this fic covers a sorely-needed conversation between an alive chara and asriel in a way that i’ve never seen approached by anyone else before. it’s cathartic, it’s extremely well written, and it doesn’t shy away from the ugly sides of trauma and recovery, which is so greatly appreciated. it also hit me...REALLY hard, which i think is a testament to how amazing this piece is.
Turn Back - foxsgloves [FIC]
i read this one pretty early on in my time in this fandom, and it’s continued to influence me long after. the premise: frisk keeps loading over the brief time asriel has his body in the epilogue, and simply spends time with him as they both prepare to move on towards the end. it’s sad. it’s cute. it’s amazing. it’s something i go back to reread sometimes late at night when i want to reread something friendly and familiar and a little sad. and its been one of my favorites ever since i read it.
You Wear Your Grief Like a Badge - Draikinator [FIC SERIES]
how do you even TALK about ywyglb? do i talk about nate’s impeccable voice in their writing? how true to character they are with the kids? how they set the scene of a post-pacifist world still shaking with the echoes of the past? the series starts with flowey taking frisk’s soul captive while chara and sans form an uneasy alliance in order to get them back, and then spirals into a tense, sweet, funny, awful, heartbreaking experience that reshaped how i viewed the boundaries of my own writing. draikinator’s writing has been and continues to be a huge inspiration to me, and i heartily recommend giving any of their stuff a try.
A Numbered List of Things That Aren't as Badass as They Sound (ex. Monsters, Suicide, Burning in Hell) - rosyy [FIC]
a brief glimpse into chara and asriel just before It Happens, While It Happens, When It Happens. the prose here is the sort of flowery delirious feverdream you’d expect from a kid dying of buttercup poisoning, and i love it to bits. i also want to mention a dr who crossover by the same author, because it has kris as the doctor and frisk as the stray they adopt, and its also the perfect antidote to the angst the first fic provides.
Risen Up (or, Of Fallen Children and Mountain Kin) - paradoxpangolin [FIC]
oh jeezums, how do i even start with this one? post-paci, frisk comes to the conclusion that the best way to ease the tensions between human and monsterkind is to put on a musical about their time in the underground!!!!.....except this leads to its own host of complications, and things get a bit Messy. this fic hasn’t updated in a bit, but it contains so much in its 140k of already published writing that i feel the need to urge you to read it anyway. i’m really partial to autistic frisks, and this fic has what’s got to be my favorite portrayal of that in ... probably the entire fandom? honestly, most (if not all) of the characters in this fic are autist, and it’s just. very good. i love.
you’re like a mirror, reflecting me - batterytriplicate [FIC]
a daemon au exploring what frisk and chara’s journeys might have been like with the extra distinction between monster dust and daemon dust. i completely forgot about this fic until i was trawling through my ao3 history for this post, and i’m really really glad i found it again. i think i was in the middle of trying to figure out this exact au when i first found this fic, and it did everything i was thinking of (and more) so much better that i felt more than content leaving it at that. so if you like his dark materials and want to see a fantastic little daemon au, give this a shot!
soulless-pacifist - vsemily [ASK BLOG]
soulless-pacifist..... if you’ve never heard of this askblog, you’re in for a treat. i wasn’t with it from the very beginning, but i started reading towards the  middle of its main story arc and stuck with it to the end, and suffice it to say, it has to be my favorite fandom askblog to date, purely for how well its written, how well its drawn, and how it’s one of the....only askblogs i’ve ever seen come not only to a FULL conclusion, but to a satisfying one! the mun also worked with a programmer to create a fangame for its final arc, which is so above and beyond that im still kind of in disbelief. in short: this askblog followed frisk and their passenger after the events of a soulless pacifist route, and continues on with them as they grow together and find their place with a whole host of twist and turns in store.                also, memes.
Shine your light with me, chase all the dark away - FancifulRivers [FIC]
this au follows frisk and chara after the events of the game. unlike most post-paci runs, though, chara has their own body back, while they and frisk are hiding back in mt ebott after the monsters have left to avoid the complications of being runaways and also.... incredible guilt and trauma. things don’t really work out like that, though, and i really recommend this read. fancifulrivers has also been an incredibly prolific writer who’s uploaded a lot of really good ut fics, so this is a great starting point to jump off of for their other stuff!
repercussions - proximally [FIC]
this fic... i think this one fic is the one that’s impacted me the most during my early days of this fandom. it’s short, and sad, and is a twist on the soulless pacifist ending that i was left thinking about literally for months after i first read it. instead of saying any more and risking spoiling it, i’ll just leave the author’s desc:  “You made a mistake, and you pay for it with your life. “
The Great Boondoggle - Masu_Trout [FIC]
the premise of this fic is pretty simple. post paci, frisk is walking home. they come across a Bad Guy. hijinks ensue. but what sets apart this fic from others for me is the way frisk is written here. when this fic was published in early 2016, most frisks i came across were the...sweet harmless woobies that were pretty typical from the fandom. this is one of the first frisks i came across that was kind of mean, and a little cold, and had very obviously had a long upward climb to being the sort of person who chose mercy instead of fight. this portrayal is a lot more common nowadays, which i’m super grateful for, but since this is one of the first fics i came across that really nailed this portrayal, i felt i should leave this here. i also recommend their pokemon/ut au, which is toriel and frisk centric and i also love to bits.
and....well, i was gonna say “that’s it”, but i honestly had to cut quite a few things from this list to keep it from stretching the dash too much. there’s been a lot of incredible content created by this fandom over the years, and this is by no means a comprehensive list of my favorites. but these are some of the ones that impacted me in a really special way, and if you were kind enough to check them out and maybe even liked them, please consider leaving a kind comment for the creator! if you’re the author of one of these pieces reading this right now: thank you so much! im looking forward to finding even more favorites in this year and the next.
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