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#its all happening again
zennyzach · 10 months
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This is MY ouroboros, I decide to self sabotage myself
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fuckingwhateverdude · 2 years
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IM SORRY I'LL DO ANYTHING PLEASE DONT LEAVE ME I'LL BE AS SMALL AS YOU WANT AND I'LL SHUT MY MOUTH AND I'LL ACT LIKE IM HAPPY ALL THE TIME AND THAT SOUNDS LIKE IM BEING SARCASTIC BUT IM REALLY NOT I REALLY WILL TWIST MYSELF INTO ANY SHAPE YOU LIKE THE BEST AND I'LL PRETEND THAT ITS COMFORTABLE AND I'LL SMILE AND STOP TELLING YOU ABOUT HOW SAD I AM ALL THE FUCKING TIME AND I'LL BUY YOU SOMETHING ANYTHING YOU WANT JUST PLEASE PLEASE PLEASE DONT LEAVE ME FUCK IM SORRY-
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inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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majunju · 8 months
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egg
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fumifooms · 3 months
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The world must know about french Chilchuck’s chuckles
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wasyago · 8 months
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something incredibly self indulgent
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callileonn · 7 months
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reunion post-tragedy
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ik i’ve talked about it before, but isn’t it so funny how so many of us on here don’t show our faces, but we can still recognise each other’s bodies, birthmarks, tattoos & scars, maybe our hair, our hands, our bedrooms, our mirrors, photographic styles, or even just our words & the way we write. i love the intimacy of that. i don’t know your real name or the colour of your eyes but i love how the light hits your skin when you laze amongst your sheets. i don’t know what your laugh sounds like but the words you use and the way you articulate your deepest thoughts is so unique. i don’t need to see your handle when scrolling my dash to know that those curls or hips or muscles belong to you. i may not ever have the privilege of sharing your company in the flesh but oh, i’d know you anywhere
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willczek-art · 3 months
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The real nightmare of Nightmare Time is that there's so little of it
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atomicradiogirl · 3 months
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house md is in a way extremely groundbreaking and no show has gotten even close to what it managed to do. house is a disabled character who stays disabled for the whole series and yes he is a flawed and damaged person and his bad actions are in line with his character and dealing with chronic pain. he changes even though he is adamant for the whole show that people don’t change. house becomes self sacrificing and learns to love in his own flawed way. he goes to therapy and seeks help and support and he is 100% not the same person he started out the series as. there are canon queer characters that aren’t only treated as jokes and have actual three dimensional character arcs. there are unhealthy relationships and healthy relationships. there is loss but it’s not treated as shock value. actions have consequences. characters stay and go. house md is just as real as it is outlandish at times. it skirts the line with absurdity and realism. it’s beautiful and tragic and at it’s core it is a story of love and becoming a better person despite your trauma and flaws. it doesn’t treat house’s trauma and disability as an excuse for his actions but it’s why he is who he is. and despite all of this, house is happy at the end of the show even though the one person he truly loves, his male best friend, is dying. they could have gone the conventional route and gave wilson a female love interest who is actually good for him at the end of the show and yet they choose to have him run away to spend his final days alive with house. and this show ended before gay marriage was legalized. oh my god.
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librarygf · 6 months
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thinking about iwtv like damn it's really that good. it's an adaptation about adaptation, a story about story and memory and lies, an interview about another interview which reveals how entrenched we are in our own perspective and how we deceive ourselves and others and how much we convey anyway without meaning to. it's a vampire story about vampire stories, oscillating between the other as a villainous soul-sucker or as someone defined and tortured by their outsider status. it engages with its own history and predecessors and cultural context with every choice it makes. oh and also it fucks
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zer0point5ive · 5 months
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“But what do voyeurs see when they look into the mirror?” // saw (2004)
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suntails · 5 months
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⚔️👑
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birdricks · 3 months
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the final phrase of my last sentence / hangs in the air, sounding stupider and stupider
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haunted-xander · 1 month
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Shadowbringers is about learning how to live.
Your enemy is stasis- everything and everyone is stagnant, they wait and wait for something to happen, but don't do anything to make it so (because the ones who tried before failed, because they don't know what to do/how to do it). People don't change, they don't try, not really. The crystarium is doing well, it's independent and sustainable, but it doesn't have the reach or power to do much outside of Lakeland. The Exarch is more-or-less confined to the city (because of the tower, because he's waiting for you), so even if he had power elsewhere, he'd be limited with how much he, personally, can do.
Eulemore is filled with mindless indulgence, there's no hardships or labour or anything but luxury for the free citizens, and the bonded only have to worry about fulfilling the task(s) they were brought for. The outside world doesn't matter, hard work doesn't matter, personal fulfillment beyond indulgence doesn't matter, everything exist solely in the moment. The people out in Kholusia have pretty much given up, they stay close to the city in the hopes that this time they will be picked, this time they will be saved. They wait and wait and do nothing but wait. The ones who try to live on are dying out or eventually give up and join the rest in waiting.
Ahm Areang, Rak'tika, even Il Mheg are all just waiting for something, anything to happen. They go day to day, surviving simply because it's all they can. Nothing changes.
Until, of course, you should up. You, who causes a ripple of change simply by existing, who can move the immovable by sheer will. You showed them that things can change, that things can, and will happen, if they just try. You show them that they can make things better, that there is an option besides waiting for a slow death, if they'd just grab fate by the neck and tell it "No. We are doing this my way".
And they do. They rally up together and do what they thought impossible. Not all their efforts succeed(not immediately), but they tried. They tried, they failed, and they got up and tried again and again until it did work. They take the chances, not knowing how it'll turn out (because it's not about whether it fails or succeeds, it's about having tried).
They learn how to try, little by little, and every step they learn what it means to really live.
Endwalker is about learning how to love life.
Your enemy is nihilism- the idea that nothing matters, that there is no real joy to be found that isn't snuffed out by misery. A concept that denounces greys in favor of a black-and-white view where black is all encompassing. Everywhere you go, people are doing what they can to survive, but refuses (or maybe are afraid to, or maybe never knew they could) try to actually save themselves. The Forum plans for escape, to leave their homeworld behind and take whatever they can afford. They will live on, but they won't be saved, no one is saved(and even with escape they aren't safe, Despair is everywhere and She will not stop until all has become Nothing).
The Loporrits love Etheirys, but in the way Winter loves Spring. They know about it, they are so close to it, but they are distant. They're strangers, they've never met. It's love, and it's pure and true, but it's also just love. It's surface-level(because the surface is all they had). Their love is pure but it's instinctual. Programmed. They love because they don't know how to not love. They want to save it's people, save us, but they don't know what it really means to save, so they create refuge instead(because that's what She told them to, because this is how love works for them).
The people of Garlemald are terrified, they are victims of extreme indoctrination, the (deserved) push-back their army got proved them "right"(that we are savage beasts to fear, that they are but prey in the maws of rabid dogs). They want to be build-up again, but what's left for them now? The world hates them(and it's all their fault, the ones who see past the propaganda know this, but who will listen to them?) and they are dying. It's so cold and the fuel is running out. They won't accept help, because they've been filled with the idea that there is no such thing as pure kindness from "savages"(and they are too prideful to question it, to break apart from the illusion that they are surperior, because they're terrified to face the truth).
The sky screams, the earth wheeps and the foundation of existence is overtaken by Despair, misery is around every corner and who knows what will happen now? Where do we go? What do we do? We live and live but for what?
What's the point of it all?
That's the question, and the answer is everything. We live because there is joy to be found. Because there is beauty in the world. Because there are stars in the sky. Because flowers bloom in spring. Because cats purr. Because waves crash against the shore. Because of every single little thing we can see, hear or feel. Because we love and are loved. Because there are things to do and discover. Because why not?
And you tell them this, by letting them see that there is more to life than the little they have seen. The Forum has closed it's eyes to anything but it's own kith and kin, everything outside of Old Sharlayan is irrelevant(non-intervention, always non-intervention) and it takes the entire world coming and telling them "We are here. We are alive, and we will make tomorrow happen." for them to realize they have slowly been killing themselves and what they stand for(you pride yourself on knowledge, but where is your wisdom? What do you truly know of things outside your own bubble? You do not know that which is lived because you refuse to aknowledge anything but the written word).
The Loporrits see Etheirys itself, they experience it's corners and valleys and learn what love can really be. They want to save it, truly save it, because they love and this time it's informed, it's personal(I love you, I love you, and I want you to know I love your loves too).
In Garlemald everything is slow, unsteady and complicated, but it's changing. They're changing. With every person who accepts help the illusion of supremacy and "purity" melts away just a bit, and the wall standing between them and us breaks a little(it will never vanish completely, years upon years of oppression and subjugation and conquest don't disappear like that, but it's a start).
Shadobringers is about learning how to live, but Endwalker is about learning how to love life.
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lovetown by nigeltde (sam/dean)
spill your guts.
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