Tumgik
#its good for the soul to have a ship that are a little toxic sometimes lmao
poopingonthefloor · 9 months
Text
Davesport is Toxic NOT abusive
(((WARNING: PRETTY LONG POST UNDER THE CUT.))) I've seen some people making the claims that Davesport is comship/proship (ok well i've more seen people bitching about it) and im tired of the Davesport slander so this will be an analysis of their relationship. My motive isn't to force anyone to ship it or anything- i really dont care what you do with your life, my frustration is just when people try to make up REASONS why they don't like the ship, even though its literally canon (and not badly written). My main point is -- You can hate what you want. You don't need a reason, and it doesn't need to be bad just because you don't like it. But I will not take any slander on their ship nor any slander of people who like davesport. Davesport is absolutely toxic-- No DSAF fan would disagree. They are literally child murderers with little to no souls and literally are physically disfigured to the point they don't have the capacity to feel proper humanity anymore. You cant expect 2 men who live their lives willingly murdering and then partying in vegas to celebrate on repeat to be gentle and kind to themselves or anyone else.
However, its NOT abusive. I've seen multiple people (mostly from twitter screenshots) claim that Davesport is abusive or the way people portray it is in a fetishy or romanticizing way of abuse, when that's just not the case. I don't blame a lot of people, since a lot of it comes from reading context and intent of the artist, which not everyone is good at-- BUT I'm here to assure you that MOST people don't intend to do that much and just like to portray how their dynamic is canonically like or portray Daves obsession with Jack. Another argument I've seen (by a twitter screenshot...) is that people are comshipping Davesport because people draw Jack annoyed a lot at Dave when...thats not true? That's just Jack's personality, first off:
Tumblr media
(From the Dave x Reader fanfic by Directdoggo)
"Jack is a bastardman not very touchy-feely. We can see this in many scenes, where Dave more or less says “I love you” and Jack responds with deflecting humour, or outright scorn. When Dave says it for the final time, this time, Jack tries to say it back, but can’t outright, only getting out: “Why is this so hard?” and “I hope you can find peace with what you’ve done.” Which Dave understood the meaning of. (Hey, better than Henry (LEGACY Jack) hearing “I love you” and proceeding to tear Dave limb from limb, huh?"
(Directdoggo describing Jack's personality)
I know it can be a little confusing to some people, but as someone who struggles with similar issues, just because he struggles to express intimately doesn't mean he can't love anything. Sometimes people are just different and communicating like that doesn't come as easily, even to the people you're closest to. To make it as easy as possible to comprehend-- He's quite literally a tsundere. (Minus the exaggerated ridiculousness in anime) He loves Dave, he just cant bring himself to say or act like it. The dismissiveness or rudeness in response to Dave's affection is not abuse, it's just a defensive response since he doesn't know how to say it back. (His way of being "shy") -- Also note its important that Dave UNDERSTANDS this about him by that point.
However Jack isn't the only thing I've seen regarding the claims that their ship is abusive-- and to debunk all of those I'm going to explain the three points that keep Davesport from being abusive, and I'll use Henry x Dave (which is what I'll call it to prevent it getting confused for FNAF willry) as an example alongside it since its super obvious why that one is messed up. Firstly, They are both bad people. By this point, Dave and Jack are murderers. It's just not surprising that they will be willing to kill each other at at least some point, considering they are willing to kill 5 year olds without remorse- and they'll both deserve it. It's only their own faults that they teamed up with the other, and it's meant to be the ultimate irony when Jack becomes even worse than Dave by "An ending". My point is- they're bad people. It's not like they're owed perfect company or would choose wholesome people to hang out with when they're literally both child murderers. Dave wasn't evil and didn't want to kill by the time he teamed up with Henry (and even after it was Henry's fault), so by that point his suffering was absolutely undeserved.
Secondly, They're lacking any specific power dynamic. Unlike Henry and Dave- whom have several levels of "Age, Father figure, and Employer", the most important one is that Henry is Dave's abuser. He manipulated him and purposefully harmed him both mentally and physically, whereas Dave never had any intention of doing either because Dave loved him and didn't want to lose him (because he had nobody else) This obviously much different with Dave and Jack, whom other than being taller and several years older than (which you can argue their 6 year age gap is weird but they didnt get to know each other till they were both older than 30 so by that point age difference doesnt rlly matter and (also theyre "mentally" like 24 and 22 canonically anyways (as much as I usually hate that argument)) Other then that they are only co-workers. This is a bit more arguable during DSAF 1, where Dave comes across more threatening and comes across like he's manipulating Jack, but I don't exactly count that because I wouldn't say theyre "shippable" or in their "situationship*" by that point (but also because them even being a ship was barely considered by the creator at that point obviously)-- whereas Dave is certainly more easily recognized as sincere to Jack in DSAF 2. Jack also is not someone who is afraid to defend himself against Dave, as shown by the fact he's willing to call out Dave's ridiculous behaviors (which is reasonable of him to do).
Tumblr media
(Also from the Dave x reader fanfic) (I just think this specific screenshot debunks any sort of "power dynamic" claim)
My Third and Final point: There is a CHOICE involved I haven't really done much Dave defense in this post, but his defense is very simple: He is literally physically unable to comprehend guilt or conscience. Dave didn't want to murder anyone in the first place, but it was Henry who fucked with his (literal) head so much to the point he stopped being able to feel guilt. He doesn't care about murder and doing wrong because he CAN'T care. You can't really let that reflect Dave as a character when he's really not in control of himself in the first place. Now with that, that doesn't change the fact he could certainly affect and hurt people, and it's fully up to Jack as to whether or not he wants to deal with this purple man's freakish life choices and hobbies or not. And that's honestly super dependent on the ending you decide to base Jack on. Most people see the 'canon' endings to be: Gnarly ending (DSAF 1) -> An ending (DSAF 2) -> Good ending (DSAF 3) Where in all of these, Jack DOES choose to deal with Dave and basically is completely cool with murder. You don't have to follow those endings if you don't want to, but that's just typically what the modern "Davesport" is known for, but its what I'm using for my defense (considering this is a defense of both fandom and canon Davesport.) Though as opposed with Henry and Dave- Dave had no choice. Henry only ever manipulated him into thinking he did, and Henry made sure to feed this whole 'we will be a family' ideal into Dave (who never had one) so that Dave would be terrified to lose him. Jack never manipulates Dave (when teamed up with him), and Dave never manipulates Jack (tho arguable in DSAF 1 as well). They stay with each other despite all of their issues, and I believe its due to some co-dependency (imo I think Jack is also obsessed with Dave just in a different way before DSAF 3) Which isn't healthy, but not...inherently abusive.
I believe my main three points kind of cover the most of why I dont consider Davesport to be inherently a bad ship, but like I said- if you don't like it, none of that matters anyways. You dont NEED a reason to like something, and I wont try to convince you why you should ship something because I like it. Just don't hate it just because of what someone else says-- 90% of the dsaf fandom aren't comshippers, and Davesport isn't gross or "toxic /neg" just because it's not healthy. I think "Don't fetishize/romanticize literal abuse like its normal or sexy" and "We should explore more complicated and unhealthy dynamics" can and SHOULD coincide with each other!!!! I think Davesport is great because of how bittersweet it is that these two people finally found solace and acceptance in each other but couldn't get past the self-sabotaging nature of what Henry turned them both into, ultimately making it impossible to work out forever. I think embracing the Davesport makes the (kind of aged) trilogy a lot more enjoyable of an experience and I DO encourage any davesport skeptics to keep an open mind. [Pretend I wrapped this up super nicely I can never do that--- Also this is open for conversation and/or debate, and also yada yada my bad if i said something randomly terrible I have extremely poor social skills lol let me know so I dont do it again yada yada] *Also if anyone doesnt know a situationship is (at least in the context im using it in ive heard other definitions for it but its not a real word so i actually dont care) when 2(or more) people basically treat eachother like lovers but they never communicate this outright and dont technically officially date but like they treat and commit to eachother like a partner would) (So its kind of what all those people who playfully flirt and call each other their spouses as a commited running joke are in)
304 notes · View notes
Note
Hello, I was wondering if you have any prongsfoot fic recommendations?
I’m pretty new to the ship (and fan fiction) and it appears to overrun with literally ever other ship. So I hope you don’t mind my asking.
I appreciate any help you willing to give me.
💜💜💜
Hi hayati <3333 yes ofc with pleasure. fair warning: my taste in fic (and especially prongsfoot) is sometimes very questionable so check the tags before reading anything.
Pioneers (134k, complete) is like. one of the most popular legendary longfics in the fandom. if toxic/unhealthy codependent dynamics is your thing, it's a must-read. the atyd of j/s except its actually good
On Fire, But We Can't Feel A Thing (100k, 20/?) by @benjamin-ovich is my most re-read fic ever, i am obsessed with it. also a little unhealthy but they're trying lol. amnesia, getting back together, lots of pain for the soul, can not recommend this one enough, seriously. (make sure to subscribe bc i was promised that more fucked up prongsfoot is coming our way)
the ghost of you, it keeps me awake (50k, 12/?) by @gracelesslady23 is a james comes back au set during ootp that I really really love, it tackles all the important issues in this timeline.
Em also has another new wip called you'll see me in hindsight which is an age gap fic where Sirius accidentally time jumps 22 years forward when he is 18. and it's just. soul crushing and drool inducing all at once. mwah.
Anything at all by @padfootastic on the blog or AO3 because I'm obsessed with the way Pen writes them. Some personal favs of mine are i fall to pieces, we should be lovers instead, this unholy smut drabble that's still stuck in my head.
KaiSkitty (@roalinda) has a lot of great works, including the on-going Heaven fic, which is an age-gap, james-comes-back au with a really great premise and amazing worldbuilding.
@siriuslystarbucks's AO3 is an absolute goldmine for anything Prongsfoot, whatever you might want. I aspire to reach this level of dedication one day. The most recent one I've read is Just Come Home, with a s/omc toxic relationship and pining James and a happy ending.
@mycupofrum also posts amazing prongsfoot both here and on AO3. check out Bathe with me for some hot prefect bathroom smut.
@prongsfoot-microfic is an on-going event of daily j/s microfics.
And if I may humbly suggest :)) my own AO3 works as well. My most popular one is Benefits and my most fucked up favourite one is little do you know. + i have lots of things in progress for this month, so [pewdiepie voice] like and subscribe for more.
108 notes · View notes
jupitersrising · 7 months
Text
JWCC Characters’ Daemons
PART 1, PART 2, PART 3, PART 4
Kenji Kon: 
Kenji’s always been pressured from his Dad to be better. He was supposed to take over the company someday and as seen in S5 Daniel only finds faults in Kenji. 
When he’s very young he replicated the daemons around him. Seemingly trying to blend in with everyone else. As he gets older he likes daemons like chameleons because they can both blend in with the crowd (ie being what he’s supposed to be) and stand out with striking colors. 
He wants Kenji’s daemon to be something big and predatory as that looks good for a head of a company. Someone who is brave and can take charge. If he has a small daemon people will think to take advantage of him. Pushing toxic masculine views onto him (men don’t cry etc…) 
For most of his teenage years his daemon is something large. Often a lioness or some other large cat-like animal because they’re relating to regality. 
After the island falls apart he learns to be small again. His daemon has always been too big for him. A burden put on him from a young age that he doesn’t know how to support. After Ben “dies” and they find out they missed the boats. His daemon become a pygmy rabbit, something both small and soft that he was never supposed to be. 
But over time that ideology comes back. He doesn’t want to be seen as weak and incapable next to the others whose daemons are gradually settling into large predators. Just before they leave the island he realizes that it’s their souls that look like that and he was never able to support something large. 
They had to be small before they learned to grow. 
So his daemon becomes a pygmy marmoset, one of the smallest mammals in the world. Maybe it’s a little overboard, but Kenji never did anything halfway. With it the weight of Daniel’s expectations fall away. 
On Manta Corp Island Ben gets attacked by a saber toothed tiger and his daemon moves fast than he can. Shifting in a golden jackal, a medium sized animal more closely related to dogs than large cats that he used to try to be. 
In a way it fitted Daniel’s expectations. Jackals are opportunistic hunters and scavengers. In many folk stories they’re considered liars and tricksters. Another piece that confirms to his friends that he betrayed them for his dad or that he was never loyal to begin with, he was only hiding it before now. While they hunt in packs they are often described as disloyal creatures. 
In the end a jackal is a plain animal. It’s more like a wolf than a lion. They’re common animals, though golden jackals are more rare. In the end it shows that he doesn’t have to be something large or special looking to matter to his friends, unlike what it means to matter to Daniel. 
In the face of opposition they either take the role of subordinate or superior in the situation. Kenji, right before the threat is revealed to be his father, is taking the role of “superior”. He’s ready to fight with his friends though he’s scared. Immediately after he finds out its Daniel he takes the role of subordinate, following at his heels without question. 
Still…jackals are supposed to be disloyal. When he sees what happened to Bumpy and how it effected Ben he switches sides and apologizes. Jackals are also loyal to one partner throughout their whole lives. Which is entirely a ship thing, not a character thing. 
(Fun fact: Golden jackals and tigers have what’s called a commensalism. The jackal will follow a tiger and eat the scraps of their kill and the tiger is neither gaining or losing anything from this relationship. Sometimes its been said that jackals alert tigers of prey so they both gain something but this isn’t seen at large. (Yes Ben’s daemon is a tiger. Yes, Kenji’s daemon is a jackal. They may not be together in this fic but I always manage to add something.)) 
5 notes · View notes
koolkat9 · 1 year
Note
DenEng 5, 16, 23 and 38
Send me a ship and a number and I'll tell you
I haven't really thought about this ship or Denmark in general and I'm running on four hours of sleep but I'll try to figure something out.
5 - Nicknames? Pet names? Any in-jokes?
I always make Arthur call his partner "love" "darling" "dear" regardless of ship
Denmark...Hmm...I always love Arthur's partner calling him bunny in their native language so "Min kanin" and probably babe tbh.
16. - Do they keep secrets? Lie? Cheat?
Arthur hates being honest with his feelings or letting himself be vulnerable, so he lies and hides to avoid it. But Denmark has probably got good at telling. After all, "eyes are the windows to the soul" is very true for Arthur.
Denmark...Nowadays he's probably more willing to be open, but he's a nation as he's been through a lot so in the past yes he's lied and kept secret.
They wouldn't cheat because I like to think most, if not all nations, are non-monogamous. So if they have more than one partner it's all consensual.
23. - How do they hug? Kiss? Tease? Flirt? Comfort?
Denmark is very affectionate and eager to be so. Always kissing and hugging Arthur whenever he gets the chance. Often times its a quick peck or squeeze in passing. But when he has a time, he will press fully into his Arthur in a hard kiss or embrace. Sometimes it's a little tight but also oh so warm and secure feeling. These physical intimacies is his main way of flirting
Arthur is a bit more timid. He's only just getting used to embracing love and being open about it. So his kisses and hugs are slow build ups, carefully pulling his partner towards him and then just melting into a kiss or embrace. Arthur's main source of flirting is through gifts and love notes.
I don't think either are the best when it comes to feelings. Denmark isn't good at emotions other than happy (I don't know, I see him boarding toxic positivity sometimes because he refuses to let himself feel anything else). But if Arthur's upset, he'll hold him because he knows contact is a way to relax Arthur even if it's only slightly.
Arthur may be emotionally constipated, but he will step up to comfort his loved ones. He may not always have the right words (though sometimes he does, having a lot of experience boost morale at least in a military sense), but he is always there with a warm mug of tea and a nice knitted blanket. Oh and cuddles. Lots of cuddles.
38. - What are they like in the bedroom? Any kinks/fetishes/turn-ons? Anything they won’t do?
Arthur is a kinky bastard. I don't know what Den would be like in bed, but he'd at least indulge Arthur if he isn't as keen on it. I've talked about Arthur's kinks a lot on my spicy blog so I'll try to keep this short: he likes to be choked, he likes both tying up his partner and being tying up, seeing his partner in lingerie, degrading his partner and being degraded. There is more but these are the top ones.
Um...I really can't come up with any thing for Denmark. I'm sorry. He'd probably like Arthur decked out in leather, makeup and piercings.
6 notes · View notes
Text
MEMORY_002
The Memory Farm. Today was my twelfth anniversary here.
           I watched the spotlight of the departing ship scan the town as it hovered away over an empty ocean.
Headed Home to Mars.
           The square, clay buildings and brightly lit ruined skyscrapers were the shining evidence that people still lived here. Rolling ash choked the walls and barricades outside. I liked staying inside the walls. When I was a younger man, card hunting for this long-term contract made sense.
But nothing of it remains after twelve years. The company I worked for no longer exists, for instance; the byproduct of two centuries of war crimes tribunals finally wrapping up.
The contract got handed over to someone else, and then someone else again. Then the NTO picked it up, and that was it.
The people still living in this hellhole and their ungrateful descendants on Mars had no physical record of why and how the planet became a bio-toxic mess two centuries ago. Everyone has a pretty good idea--something-something megacorporations, something-something androids--but no one’s story is concrete evidence. The kids are taught hearsay and old war stories.
And to clarify, Earth is doing…Fine. It’s fine, I guess. Nothing fucking grows and the sky is either gray or black but we’re still kicking, fuckin’ ay.
People live and play, go to school, get jobs, fall in love, get drunk and scream and hit each other all the same. The clouds just rain poison sometimes and the once cramped, disgusting, sprawling mega-cities of old have largely crumbled in on themselves, leaving behind patches of life.
And in my Ancestors’ trash is an interplanetary ticket off the heap. At least out of this box next to the tech dump.
Oh but of course, my job and what little resources I was first given were administered by a hellishly bureaucratic central council on another planet. I didn’t even know that the Dinosaur Committee was still around, but there they were, administering refugees.
Little red stars on the hats and everything. Can’t make that shit up. The contract was of severe cultural significance, according to a newly appointed handler I only spoke with once.
I stayed on. I still believed in the NTO then. That was six years ago, with no luck finding anything significant since. But hey, they still raise my ration card limits every year without question, so either I’m still worth something to them or they’ve decided this is my retirement plan, either way the lights are still on. It only makes me feel worse, though, like I really owe them and everyone else something.
           Maybe two months ago I caught myself going nuts in my own physical archives in the back of the shop; rampaging through my glass neurocard cabinets like a chip fiend, hunting for that little sliver of data that held the next piece of my puzzle.
           A Neuro-Digital nightmare, I had tens of thousands of hours of peoples’ memories, and barely an idea of what happened. I’ve cross-referenced and debunked every corporate lie and it doesn’t mean very much because half of these greaseball megacorps don’t even exist as some kind of liquidating trust anymore, let alone a single soul that was ever employed by them. Of course the ones that left Earth in shambles had no archival backup of what happened.
Of course! Me being the naive little prick that I was at the time, I thought I would scorch a cauterizing path to knowledge in the wounds of sacred Mama Terra. I thought I’d be the one to bring back the record of just how we ended up here like this, to educate the rest of the inheritors of what appears to be some tacky ring of Hell.
           So we started really getting out into the Ruined Earth, out into these steel corpse Mega-Cities. And everything just blew up in our faces. Expeditions started disappearing, the myths became true tales of horror beyond the walls. Thompson-Jaeger’s original expedition of two hundred thinned out to three people, with one of us ending up a living casualty.
           This poisoned land and its last city, a watchful dot upon the planet, devoid of heroes. Here I was cleaning out the childhood house. You have to stay cynical, in a twisted way it makes me still care about this place despite it being long gone before I was born.
“They owe us a planet, cousin. Don’t ever forget that.”
Someone I knew once said that to me. Bastard’s still on Mars, what does he know?
           Live in the trash or live in a tunnel on Mars. Get high underground, under a retina-melting cold white light, or get high and watch the tuner ships race around in low orbit. Watch the corporate shipbreakers make fireworks cutting up tethered orbital habitats, abandoned by the same companies a century before. The same people are now pitching the between-planet stations as the next hottest real estate. It’ll fizzle out, with a trail of body bags following, like always. You tell yourself you’ll get used to the smell here, just wear your mask every day, with options like those.
6 notes · View notes
Text
I rewatch Miraculous—The Evillustrator
Titled “The Artist” in it’s original French cuz Evillustrator sounds ridiculous.
Once again--this post uses screenshots from the French Dub version of Miraculous, translated by the good people at MiraculousSubs on tumblr. Yeah, I like the French version. FIGHT ME!!!!
“You march yourself down to the principals office! And show him that chicken scratch!”
... Bitch😒😒😒 What a tasteless, insensitive thing to say, Mrs. Crocker.  You’re setting a fine example for someone like, say, Chloe who bullies just about everyone but Adrien on a daily basis. Luka, Nathaniel, Nino and eventually Adrien—Marinette is popular with the boys.
“Artists can be so emotional.”
...Riiiiight, like you’re never not emotional.
“This is a group presentation, not pairs. Deal with it!!!”
Well at least Mrs. Crocker isn’t intimidated by Chloe’s status... like a certain principle i could mention.
...Marinette brings something important to light tho. Sabrina has no concept of what a healthy friendship is like since she’s never really experienced one. As far as she knew Chloe’s form of friendship was ideal. Which isn’t hard to understand. Sometimes it’s hard to see how bad a situation is when you’re too close to it. Sometimes you need to get some distance and take time to grow into yourself to really understand just how awful a toxic relationship is. 
me: slowly looks in the direction of Adrien.
Tumblr media
Well as far as graffiti goes, it could be worse. One of the thing’s i love about Ladybug and Chat Noir’s partnership is how Chat Noir isn’t afraid to politely say something when he disagrees with Ladybug’s actions. Queen is usually a very responsible superheroine, but every once in a while she gets worked up and can act irrationally. Like with this episode: leaving Chloe unprotected in a fit of rage wasn’t cool. Or the whole Lila situation in Volpina.  It’s fair to note she usually owns up to it herself and apologizes at some point before the episode ends. This whole thing deserves a post of its own tho so more on that later
Ladybug: “Her name is Marinette. Really cute isn’t she?”
Marinette isn’t just cute, she’s BEAUTIFUL! Now if only she’d wear her hair down more often... Ladybug trusts Chat Noir to handle missions by himself <3<3<3
Chat Noir: “You’re out of danger. So see ya! Later.” Chloe: “Later? What about my presentation?!”
.......Do it yourself.
Tumblr media
He’s so fucking cute I CANNOT. I LOVE HIM TOO MUCH HALP!!!
Tumblr media
Explodes with laughter at Marinette’s f***ing face in this screenshot. 
Ah yes, the famous “princess” moment which never made it into the English Dub. How many marichat fics have I read where they have Kitty calling her NOTHING but that? Too many, unfortunately.
 I’m not saying I hate his use of “princess” here. I just don’t like how it’s overused in fics, is all. 
Tumblr media
I love this moment--and all the little details.
Chat Noir casually pulling Marinette close to him in a way that clearly shows he is comfortable doing so. 
Marinette leaning away as he leans towards her whereas she’d be a puddle of petrified goo if this were Adrien. Here’s proof: 
Tumblr media
Her pulling his hand off her waist with one hand and pushing his chin away with the other.
Him letting his arm drop and allowing her to put her arms around his neck before he lifts them away to safety.
Really, we can’t blame Marinette for not understanding Chat Noir loves Ladybug after this episode. He’s quick to show off to Marinette, not Ladybug, even tho he doesn’t know that’s her. Between that and the way he flirts with Ladybug, he’s kind of given her the impression that this is how he behaves around every pretty girl. Even though that couldn’t be further from the truth.
he immediately backs off when she shows she isn’t okay with this, because he’s a good boy and he’s not going to leave his hand there when she clearly doesn’t want it there.
To quote one of my favorite proposals ever, perhaps his “soul” understands what his “heart and mind” don’t yet know. That he’s held this one girl before. That he was meant to hold her. That they are meant to hold each other.
Hawk Moth: “Once I have them all in my grasp... I shall rule the world!”
That’s not even what Hawk Moth wants. To be fair I can see how the English Dub Team would make that mistake. Here’s what Hawk Moth said in the original French:
Tumblr media
It’s not an unreasonable conclusion to assume Hawk Moth means “world domination” when he says “absolute power.” We don’t learn until season two that his true goal doesn’t so much have to do with the world as it does with changing history.
 I kinda am hoping he’ll succeed, at least partially. I can see an “alternate timeline” episode being the result of Hawk Moth actually managing to make his wish--and Marinette and Adrien working together to fix the timeline. Kinda like the scenario we got in “Shera” when Catra managed to pull the switch. Hopefully no one gets “trapped between dimensions” though...
Sabrina: “Chloe lent [this beret] to me! She really is my BFF!”
I feel sorry for Sabrina...
Okay Adrien...
Tumblr media Tumblr media
Where the heck did you come from?
 Were you hiding inside a locker? 
Did you bunny-hop over the top of the lockers?
 Did you phase through a wall?!?!?!
Adrien: Hey! Marinette: INTENSE AND SUDDEN SCREAMING Adrien: is unfazed and carries on with the conversation
Me:
Tumblr media
Adrien: “So what did you think of Chat Noir? Did you think he’s awesome?”
He wanted to know what she thought of him. My heart....!
In conclusion...! Adrien clearly has some sort of ninja skills, Marichat is a wonderful ship, and some of the mistakes made by the English translation team are understandable.
Sometimes.
63 notes · View notes
pageofheartanalysis · 2 years
Note
If it's not too much trouble, could you analyze a Sylph of heart?
Its not trouble at all!!! I don't think I've done a Sylph ask before! If I have then my memory is poor but still!! Should be fun!!
Tumblr media
Sylphs! Kanaya my beloved.. aranea... but now Sylphs are super cool.the sylph class is thought to be more on the healing side of things, its inverse being prince who destroys it only makes sense the Sylph is to heal. Which makes sense, I mean Aranea did restore Terezis eyesight (not that it was entirely..wanted though). Sylphs are thought to heals their aspect or heals through their aspect for others! We see this primarily with Aranea, who educates the trolls on the history of everything's that's happened, healing and tying up lose connections and why broken bonds might be the way they are, history repeating. Sylphs are about more than jsut healing. Their about creating and improving. There'd alot we haven't seen tho as Kanaya didn't God tier and Aranea is all we really have to go on but that's not too restricting we work with what we got! Makes business fun.
Heart is all about emotions, desire. It's about soul. Heart is heart! It's empathy it's feeling sits that drive and PASSION!!! Heart is about as human as you'll get. It's being irrational and running on nothing but you feel in the moment. This can be both good and bad, wearing your heart on your sleeve but it can also be bad if you don't think before you act.
(Take a shot everytime insay the word heart)
Anyway! Heart players are not always good and bouncy. Alot of them seem to be good at giving advice, as we see in Nepeta dn Meulins shipping , but they always seem to fall short romantically. This is seen in every case of Heart so far: in Nepetas one sided pining for Karkat, Meulins broken matepsritship with Kurloz and what happend with him that caused her to go deaf, and Dirk with his messy and two sided toxicity of his relationship with Jake! Heart players are sweet and open, very steady ! But they can also be unchanging, impulsive and erratic. Heart is focused on soul, and Dirks traight up fucks Araneas soul up as a Prince of heart (as prince is a destructive class but shows dirk isn't automatically bad LOOKING AT YOU HS2). It seems that Heart players have sort of of connection to different versions of themselves as seen in Dirks splinters, his little Hal, waking dreamselvrs while he is also awake and also seen in Nepetas role-playing characters. But also that might be a stretch. The inverse of Heart is Mind.
So the inverse of a sylph of heart would be a Prince of Mind! That would be cool and interesting.
Sylphs are calm and collected, even if they are really pushy sometimes. A sylph of Heart is no exception!! A sylph of heart would very likely be a relationship therapist, guiding their friends on what feels like what and why it feels like that. Though it's also very likely they may try to tell people how to feel in an atempt to guide them without realizing. They are a hopeless romantic trying to help their friends, maybe playing match maker but def maybe a wannabe therapist. They jsut want to help and may become resentful if someone critiques their opinions and advice, even if it wasn't meant to be taken personally. But that's just how these heart players are.
A fully realized sylph of heart would be a powerful one, almost able to sway their teams emotions from one end to other for their benefit, or maybe for worse. They'd want to keep them happy and motivated, but sometimes anger and drive is what's needed to boost their strength and capabilities. Getting to their quest bed would be either all or nothing. If it's what they want, they'll do its no hesitation but luck if they don't. You ain't getting that ascension babe deal with it.
Hope this was shelpful!!
Tumblr media
5 notes · View notes
Text
A little something I whipped up for @heamatic​ with her Shinnok in mind.
No timeline alignment stuff here, just pure gift work based on a thread we’ve got on my RP account @bastardsunlight. Ft. Shinnok being creepy because that’s kind of his thing. Shinlao, because we haven’t come up with a ship name and I am appalled at our laxity. 
Also like, I can’t believe I’m saying this but neither writer is in any way under some fucked up impression that this is a good, safe, or non-toxic ship. We use the term to describe people who are involved IN SOME WAY. That way is not necessarily healthy. 
This story features no NSFW instances.
The dimly lit corridors of the Bone Temple are familiar passageways to Kung Lao as he moves effortlessly toward the audience chamber where he will soon be needed. Shinnok does not often offer his time, but today, he evidently feels generous. It is therefore his favorite creature’s duty to attend as well. Lao has long since stopped thinking of himself as a monk or even a former one, though his spiritual power is still formidable. That life is behind him. Netherrealm is—if not his home—his territory.
Emerging from a massive double door at one side of the infernal hall, he surveys the emptiness of it, the cavernous opulence of the mad god’s particular tastes. Deeper, under vents in the floor—Shinnok appreciates the screams of his captives—is the dungeon proper, though the audience hall very much resembles it. The high pillars are of dark reds, shining obsidian, and shot through with veins of other colors difficult to distinguish in the Stygian light of the realm of dishonored dead. Everything is bone and sinew and suffering here, fire and brimstone and ugly deception.
“You have kept me waiting, little one,” purrs the Elder God of Chaos from his throne. It is, naturally, constructed of bones—not all humanoid. He leans to one side and regards Kung Lao with those inscrutable eyes characteristic of his kind. “Do you wish to bring punishment down on yourself?”
“No, master,” responds Kung Lao, approaching the dais and then ascending to within reach of the massive entity’s long arms. If Shinnok wishes to pull his guts out and toss him back down like a used doll, he may do so from anywhere; why inconvenience him?
“Yet you offer no explanation…” The Elder God’s finger came out and lifted Kung Lao’s chin before sliding down his neck, over the pretty young man’s Adam’s apple, and down to collar bone and chest. He has left this one alive, appreciating the responsive heat and goose flesh of living skin. It bruises so prettily.
“I offer no excuse, my lord.” Kung Lao meets his eyes with an impertinence he loves and hates and oh he has made the right choice in this one. He had known the moment they met upon the field of kombat that Kung Lao would, indeed, make an excellent addition to his collection.
“You are wise beyond your years, it seems, if a bit pert.” Shinnok retracts his hand and waves it about. “Well, get on with it. I’ve better things to do.”
Quan-Chi materializes presently, late as well, though his arrival receives no acknowledgement whatsoever. His dark lord spares not a glance, instead watching the retreating back of the foolish monk who exchanged his own freedom for the life of his friend. Sentiment is worthless in Netherrealm and soon, the arrogant boy will learn this, if the old soul sorcerer must show him the way with his own two hands. His fists clench with the thought, imagining themselves about Kung Lao’s throat, squeezing until something breaks. The pleasure that arises from the thought sends a shudder down his spine.
Meanwhile, Kung Lao, unaware of this contemplation—or if he is aware, he cares so little, he doesn’t bother sparing the man, if a thing like Quan-Chi can be called a man, a single glance—turns to descend the dais. An oversized bone arm which has sprouted from the stone and bone floor of the mad god’s receiving hall offers itself, open-palmed, to the fallen monk. Kung Lao accepts it gracefully, laying his hand in the much larger one, knowing he has not displeased his lord on this day. The dry, brittle-feeling digits wrap gently about the young man’s hand as he makes his graceful retreat to discharge his duties.
Quan-Chi scowls at Kung Lao’s back until Shinnok actually turns his attention on his favored sorcerer—really the only sorcerer who will competently serve him with true, deep loyalty. It really is pathetic to watch, but sometimes a whipped dog is better than no dog. Shinnok has not even had to whip this one. He’s done it of his own accord. 
A strange Netherrealm native (as native as anyone can be in a realm of dishonored souls and demonic constructs born of the mad god’s fits of rage), it had been he who had approached the Elder God of rot and chaos to serve him. If Lord Shinnok could be said to be grateful for anything, he might have chosen that moment when Quan-Chi’s power had drawn him to his lord and master’s prison and set about events which would eventually free and embody him. Of course they have greater plans, but for the time being, this will do. 
This will do very nicely indeed, he considers, regarding his little pet’s taut backside as Kung Lao makes his way through the hall, the bone arm now sliding along with him, digging a furrow in the ground which seems to knit itself together just a few feet behind the abomination which now has its hand on the curve of Kung Lao’s lower back. Every sensation the bone arm feels, he also feels and the warmth of living flesh is delightful; he wants to grasp it hard, make the boy squeal with pain, make him bleed a little. Just a little.
Perhaps later.
“You have some… news?” Quan-Chi has been scheming—he is always scheming—to manifest his dark, mad god in Earthrealm and he clearly believes he has hit upon something. Shinnok can see it in the sparkle of the man’s eyes. Oh how he loves me, contemplates the Elder God with absolutely no reciprocity of that feeling.
“I do, my lord,” responds the sorcerer, bowing to one knee and standing to deliver his findings. Shinnok listens patiently, mind elsewhere as it must always be. He is chaos incarnate. There is little order to be had in Netherrealm beyond his absolute rule. Not much can hold the attention of an Elder God, in general, but Shinnok in particular has always allowed his mind to wander where it will. Aside from grand machinations of upset and overthrow which delight him endlessly, there is almost nothing of such magnitude in all of existence—no single object or concept which can so fascinate him. What could possibly be of such import that he, a deity, might need to focus his energies on it for any length of time? The boy, some part of his thoughts remind him sweetly. You’re quite captivated with your new toy, aren’t you? Ah but toys come and go. He will tire of this one… eventually.
That boy is now crossing the threshold of the temple’s audience hall, the doors gliding open before him. The dry heat of Netherrealm has ceased to move him and he walks out into it, ushering in the first petitioner, wondering if his lord and master will listen to this one, or slay it on sight. Any creature, demon, or lost soul who is bold enough to approach the Bone Temple and beg favors of the lord of the Realm is desperate, addled, or too cocksure for their own good. An obliteration by the death god is permanent, it is nothingness, non-existence. Somehow, that void is more terrifying by far than the screaming, burning, howling dimness of Netherrealm.
The first demon in line—he is first by virtue of having killed his way up the queue; the corpses of those before him are littered in pieces here and there as a testament to this, all still twitching and flailing as the death he grants is only pain—is a truly imposing figure, easily ten feet in height, with massive, twisted horns like a ram and a maw full of jagged teeth. His eyes ablaze with contempt. This expression does not soften when it lays its burning gaze (with all four eyes) upon the pretty, behatted monk—Kung Lao may not think of himself as a monk, but they do—but rather hardens to something bordering on obscene. The thing licks slavering lips with an exaggerated motion, clearly aiming to upset the small, soft-looking mortal, who does not respond, only gestures to the hall.
“The master will see you now,” he says in a neutral tone that betrays nothing. “Please, follow me.”
As they enter, the beast’s three-toed feet hit the ground much harder with each step than might actually be necessary, as if to emphasize his weight. Shinnok leans back upon his throne and assumes a semi-attentive posture. There is no real reason for him to pretend he cares; even the pretense is worthless, but for now, it entertains him. Some of the denizens of his realm wait the Netherrealm equivalent of months, even years, if Shinnok is indisposed and simply does not care. Lately, he has been taking more audiences, but then he has only lately had a… secretary. Kung Lao moves swiftly ahead of the demon, braid swinging tantalizingly behind his shapely back. The boy is an hourglass, upon close inspection, broad of shoulder, narrow of waist, and thick of hip and rear-end. The demon is inspecting.
“This is far enough,” instructs Kung Lao. “What are you called?”
The demon splutters with indignation. How could they not know him, the greatest general of the northern armies of Khadul, the god-king of the demons, the true creatures of Netherrealm! He has severely overestimated his importance, a grave error in the Bone Temple. The silent hall rings with its silence. An audience chamber ought necessarily to have an audience, but Shinnok prefers the cavernous immensity. It reiterates just how small his petitioners truly are. He eyes the demon, but has yet to speak. A bone arm sprouts near Kung Lao and it makes a twirling motion with its forefinger.
“Lord Shinnok bids you speak,” says the shapely boy through plump lips that look like they ought to be bruised and bloodied and used, in the creature’s foul opinion.
“I will speak,” he snarls, reaching out toward Kung Lao with the intent to brush past, “but with the lord of this Realm, he in whose temple we stand, not you, little slut. There are things I would do with you, yes, but speaking… it is not one of them.” The demon’s laughter rings out boldly into the hall, bouncing off the skulls and femurs and ribs and myriad other bones which make the walls, floor, and ceiling. Quan-Chi flinches minutely, though more at the brazenness of it than the sound. Shinnok is a statue. The bone arm has dissipated, crumbling like ash and ruin, leaving Lao alone. His lord is watching.
“No,” says Kung Lao, the syllable sharp and clear as a pretty bell rung in a mausoleum—and equally as incongruous next to the obscene, guttural speech of the demon. “No,” he repeats, “you do not speak. You bark like a mangy cur begging for scraps. Heel.”
He rushes the demon with lightning speed as it swings for him. There is a brief moment when it seems he might make a try for the beast’s sizeable testes, which swing visibly behind the scant loincloth one might say he is “wearing”. The idea occurs to him and a strange flash of melancholic amusement jolts Kung Lao’s spine before he disappears beneath his hat in a flash of red light and lotus petals. The creature, having never encountered this particular mortal, looks baffled and squats to examine the hat. Quan-Chi’s mouth opens to warn the beast of its insolence in his master’s presence, but a sharp gesture from said master silences him. His face heats with rage. How dare the boy show off this way? He will be punished—perhaps disemboweled or flayed. How delicious that would be!
As the as yet unnamed demon reaches toward the object to pick it up, the flash occurs once more and the deadly piece of headwear flips upward, turning vertically, its far edge held by the owner, the only man in any realm able to master such a strange weapon. The creature barely has time to cry out as Kung Lao draws the hat up its entirety, bisecting the thing and spilling its steaming insides along the floor. Midair, Kung Lao flings the hat, hard, toward Shinnok. Once more, Quan-Chi blanches, but the mad god catches it easily and holds it, bottom facing downward, toward his knees where he sits. This, he thinks, is the most fun I have had in millennia.
Kung Lao’s form plummets toward the gory mess he has made and for a brief, shining moment, Quan-Chi thinks perhaps he will fall and snap his neck and that will be that, one last escape attempt with the final spark of the monk’s spirit left to him. Lord Shinnok has no need of a broken doll. Of course this is a flight of pure fancy. Shinnok will find a use for that beautiful body, even broken.
Alas, rather than crashing to his death—or maiming, at least—Kung Lao’s body dives into a circle of blood, red light, once more accompanied by a flash and flurry of lotus petals. It takes only half a moment for him to repeat the trick, falling out of the hat and into his lord and master’s waiting lap. Shinnok allows the hat to settle upon Kung Lao’s head and once more tilts his chin upward so that their eyes meet.
“Far too impertinent,” he scolds, shaking his head, running his thumb over his little doll’s full, perfect, soft lower lip. Kung Lao is flushed with the pleasure of his accomplishment and hasn’t a spot of blood on his person. “Who are you to decide who I do and do not address, hmm? Is this not my domain?”
“His master would pretend it is not. One cannot serve two lords and you rule this Realm.” This is not a question, nor is it simpering. Kung Lao speaks cold, hard facts. “I merely saved you the trouble of hearing a dog bark.”
So bold, Shinnok thinks. I must curb this. But he does not punish his little favorite. The unpredictability delights him. Quan-Chi senses this misplaced delight and recedes from the receiving hall unseen, glowering over his shoulder and now hellbent on perfecting his machinations to bring his master to Earthrealm.
9 notes · View notes
ibelonginthepast · 3 years
Note
Hunk for the character ask thing??
AHHHHHHHHHHHHHHHH HUNK!!!! FINALLY!!! I am such a ho for him sorry
Sexuality Headcanon: i have no particular fixed pref, he could be straight, but i like to think he's bi throughout. I think he is a believer of fluid sexuality, so he doesn't really fits himself in a label. He goes along with whoever he likes.
Gender Headcanon: I sometimes like to hc him as a trans man (ftm). He/him pronouns. He was cultured into toxic masculinity. He has had his struggles with it. He was teased for being soft because of his anxiety issues. His tendency to be emotional and expressive. He has had been a victim of toxic masculinity constantly, even adopted it and perpetuated it further for a while before giving up. He is passionate about healthy masculinity and really understands it now. He is a fierce feminist and in for breaking the patriarchy.
A ship I have with said character: the thing is i hate Canon. I dont like the first sight first meet fall in love kind of thing they did with hunk and shay, but with what I headcanon shay as, I think she is perfect for him. He would balance her head on approach to stuff, and she will balance his tendency to ponder. He is a total simp for shay. He's a sucker for a simple calm life, while shay is on the ambitious side, and he fully supports her.
A BROTP I have with said character: hance is a given. heith! I will fucking die for this. I love thinking up stories of how Keith, despite being the one to struggle to open up, will inevitably fall for hunk. Hunk is just so approachable, so welcoming, so loving. I see hunk as also very fierce. He will stand in front as a literal physical shield to protect the ones he loves. He is dedicated when he loves and he never gives up on anyone. This is something he will share with Keith. One of the only people who will relate with Keith on a soul level on this. Punk!!! I love it. So much. Hunk is just amazing at platonic relationships. Hunk takes care of pidge a lot, they are his sibling. They simp on tech together ofc!! Even tho Shiro is everyone's dad, hunk cares for him, brings him his energy drinks and blankets all the time cause let's be real Shiro is low-key wishing death all the time and does not care for himself. Hunk is one of those peeps who scream SHIRO! NO! everytime Shiro makes a bad joke about death. Hunk's caring nature extends to everyone. Allura again is bad at taking care of herself, and he helps. He defo teaches allura samoan box braids!!! Coran too. Hunk bakes with coran sitting beside, chatting unrelentlessly but here's the thing, Hunk doesn't tolerate it. He genuinely likes listening to people and knowing them. One of the reasons he goes so well with Lance.
A NOTP I have with said character: humph he could go with anyone ngl. Shunk is extra weird to me, Shiro is a dad through and through i ew shaladins.
A random headcanon:
Despite what people think, hunk thinks he struggles with words. He uses food to express love. If he feels distant with anyone, he cooks for them.
Hunk does get tired after caring for people so much, but he has healthy nice fam around him who he lets take care of him too. He knows he needs to care for himself, and after some time of struggling with it, he now proudly take care of himself as well.
Hunk has struggled with severe anxiety. He has had panic attacks, complete meltdowns. His family was a bit pressurizing in terms of his career and all, and he has always felt responsible to get an excellent job in the stem section to make his parents proud.
He got into stem because of his parents, but he developed his love for it later too. He genuinely started finding STEM very interesting.
He contributed in making of fun robots in school's stem centres all the time. He had a teacher who was obsessed with making anime monsters, and even though hunk himself hates gore and shit he had fun making those and sometimes watched those weird ass animes and talked about how those wild ass writers were defo on weed while writing the script. He bonded over weeb stuff surprisingly with Shiro ;)
He hasn't been the smartest forever, like pidge. He actually worked his way to it. He is very dedicated, hard working and passionate.
He has undiagnosed ADD, but it hasn't interferred with him fitting in much. He has been able to do his work, and he recognized some tricks to focus early in life. His anxiety drives him to work as much as it distracts him. he just discovers his ADD later in therapy.
He makes pretty notes. He has an unhealthy obsession with pastel yellow highlighter.
Hunk is very well equipped with samoan tattoo art designs and understanding them. it's something his grandparents taught him since forever. His grandfather did tattoos and he saw them when he was little. He wants to get atleast some sort of soga'i miki. He's been always conflicted about wanting Pe'a cause its so beautiful and masculine in expression and not wanting it because it's so painful and permanent.
Because he has lived in America his whole life, he has struggled with his national identity a lot. He gets taunted by by family in samoa for being American and for speaking english better than samoan. He doenst always fit in well in america either for obvious reasons. He has struggled with feeling like he belongs. Its something he bonds with Lance on.
He is passionate about dismantling the social organization in samoa and its ill effects. He understands the systems and talks about their unfairness. This is something his distant and traditional family members get annoyed at him for.
He talks passionately about the freedom struggles of samoa and the samoan civil wars. He likes listening to stories of freedom fighters of samoa and great leaders. He is very critical of European colonization and takes no shit from europe apologists.
He is low-key a Satanist and likes to tell people about how God was super sexist to Lilith and how absolutely bullshit her banishment was,, how Satan is the coolest first feminist and made her the queen she is, and how Satan is the coolest dude for being the first rebel and equalist. He talks about how he gave us knowledge, and it created the world we are in rn or else we would still be all dumb and naked in the garden. His family is Christian and religious, he has read stories from bibles and come to the conclusions himself.
General Opinion over said character: i am horribly sad but I swear to God one cuddle from this cinnamon roll will cure me of everything
IMP NOTE: I am not samoan, but I read about countries where my favorite characters are from sometimes. I have started reading about che and communist Cuba for Lance too ;) All this info is from the internet, and I cannot say for sure its all good and true. If I am wrong with anything, please point it out.
THANKS FOR THIS! Now go drink water <3
11 notes · View notes
aahsokaatano · 3 years
Note
King I would love that essay about Changing Channels
Fjdjshjdhdjd thanks for reading my tags Jesse you're the real VIP here.
Okay SO "Changing Channels" is the 8th episode of the 5th season of Supernatural. I give this information bc it's important in looking at the context of the episode - now I've complained a LOT about how SPN is terrible at giving us canonical timeframes within the episodes (y'all i was SHOCKED to discover the first season is supposed to cover a little over a year's worth of time, I thought it was like... 4 or 5 months) so I can't say for sure how long before and after the other episodes happen in-universe around "Changing Channels" BUT
The episode before is "The Curious Case of Dean Winchester" where Dean and Bobby bet years of their lives in a game of poker with a witch. The episode after is "The Real Ghostbusters" where Sam and Dean end up at a fan convention for the in-universe Supernatural novels.
Why am I pointing this out? Because it's important, please, no audience participation, this is like a Brian David Gilbert panel.
[under a cut bc this got...... STUPID long. Who knew I still had this many opinions about SPN in 2020?]
Okay first of all I wanna talk about the cinnamon topography of this episode - I love the way the first 5 seasons are shot because you really feel the americana gothic horror aesthetic they were going for (I have a whole ‘nother rant about the first 5 seasons vs the last 10 but thats for another time). Everything is a little washed out and grey-toned, the camera angles generally serve to make Sam and Dean appear even taller than they actually are (larger than life - again, another post for another time), and there’s honestly a LOT of shots from the ‘monster’s’ perspective, which is really neat! I’ve said it before (on another blog - YES i have a dedicated spn rant blog, don’t @ me hdjfhfjfh) but the episode that really got me hooked on spn back in the day was the second one, about the w*ndigo. Yes, it’s a racist, culturally appropriating shitstorm, but the way its SHOT is fantastic. I’m honestly not a horror fan, but that episode could have easily relied on jumpscares and they DIDN’T and it was scary as all fucking hell and just - fuck okay getting off topic. 
In “Changing Channels” we get that distinctive grey-washed tone in the beginning and the very end of the episode, but the middle? When they’re in TV Land? Everything is bright. Almost comically so, I mean - okay look at these two shots of Sam (apologies about the crappy phone pics, netflix won't let me screenshot)
Tumblr media
This one is from the start of the episode, in the "real" police station
Tumblr media
And this is from a little later in the "TV" hospital
Ignoring that my phone is washing him out a lot in both pics, you can still see the warmer tones in the hospital shot as compared to the cold greyness in the police station one
Okay, now look at this picture
Tumblr media
Dean inside the Impala, and those warm tones are back. Why? Because even though Sam and Dean believe that they’re back in the “real” world, they aren’t - so instead of the grey-washed shots that we’re used to, its the bright and warm shots that we see in “TV Land”! So the viewers pick up, even if its just subconsciously, that the boys aren’t out of the woods yet - everything is still too bright to be the in-universe reality we’ve come to expect from SPN by season 5
Which is also why i love this shift so much
Tumblr media Tumblr media
These shots are literally SECONDS apart. The first is in "TV Land" and the second is in the "real" world. I have some red strip lights behind my bed, which are reflecting off my laptop screen - notice how much brighter they seem in the second picture? That’s because literally all of the warm colors have been drained out of the shot. As soon as Gabriel snaps them all back into “reality,” things get so much colder.
Okay, so the second thing I want to talk about is some of the very pointed dialogue choices within the “shows” the Winchesters take part in. Not between Sam and Dan and Gabriel, but from the, for lack of a better term, NPCs within the shows.
In the hospital, Dr. Piccolo tells Sam that he is “the finest cerebrovascular neurosurgeon I have ever met - and I have met plenty! So that girl died on your table; it wasn’t your fault. It wasn’t anybody’s fault. Sometimes people just die.” Standard cheesy soap opera dialogue - but lemme just swap some words here and - 
“You are the finest hunter I have ever met - and I have met plenty! So that girl died on your hunt; it wasn’t your fault. It wasn’t anybody’s fault. Sometimes people just die.”
Or even - 
“You are the finest hunter I have ever met - and I have met plenty! So Jessica and Mary died above you; it wasn’t your fault. It wasn’t anybody’s fault [but Azazel’s]. Sometimes people just die.”
Keeping in mind that the NPCs are basically Gabriel’s mouthpieces, its easy to see why so many people ship Sabriel. I’d actually love to see a fic that explores them talking about this moment in particular later on and the kind of gentle forgiveness that Gabriel can give Sam... getting off topic again.
In an abrupt about-face, the herpes commercial (much meme’d within the fandom) is straight up Gabriel shaming Sam. Because if you replace “genital herpes” with “demon blood” it’s.... dark. And very intentional.
So that’s what I did! (I combined all spoken lines to make the message easier to read, rather than splitting them up across 3 speakers as in the episode)
“I’ve drank demon blood. I tried to be responsible... did I try. But now, after being forcibly detoxed, I fight my addiction every day to reduce the chances of passing back into that toxic mindset. Ask your loved ones about a demon blood intervention today. [...] I am doing all I can to slightly lessen the chance of drinking demon blood again. And that’s a good thing.”
Like... the subtext throughout this episode sure is. Something.
Okay this is getting ridiculously long so I wanna wrap up by talking about The Best Scene In The Whole Goddamn Show
I’m talking, of course, about Gabriel’s Confession
“Max,” you might be saying, “there are so many better scenes out there, even within the first five seasons!” and to that i say, again, no audience participation, please. Also, you’re WRONG and here’s why!
Gabriel’s confession hits every goddamn emotional chord that the fandom begged for on this show - fear, rage, grief, pain, guilt, and even, yes, absolution. 
Okay, here’s the scene again for those of you who don’t think about it at least once a week like me
youtube
Now this video is missing some of the conversation, but most of it is there, enough for you to see what I’m talking about. Gabriel up to this point has been, essentially, a nameless antagonist - this is the third episode he appeared in, and before this, we didn’t even know he was going by Loki. He was just referred to as ‘The Trickster’. But here, not only do we get a name (a real name at that), but we also get a glimpse of his backstory and a hell of a lot of character development in less than 5 minutes. I mean, Sam didn’t get this much character development throughout the entirety of season 1! There’s a good reason Gabriel has been a fan-favorite for a very long time, and I think a big part of it is this particular scene.
Because here, we get to see Gabriel being vulnerable. And we even see Dean show a little vulnerability, as he can empathize being the third party to explosive arguments between the two people who mean everything to him.
I mean... okay, it will never see the light of day, but I wrote a little bit of a Reverse ‘Verse fic (because I’m a sucker for Reverse ‘Verse) and this was the scene I started with. Not s1e1, not even the resurrection in s4e1, but this scene. Because this scene, more than any other, is critical to the way not only Gabriel’s (first) arc plays out, but also to how Sam and Dean conduct themselves for the rest of the season (and maybe a bit beyond, it’s been a hot minute since I watched s6 and later). Dean is angry but determined, he has a point to make, he is going to save Sammy and if he can’t do that, then he’s going to damn well die trying. But Sam... it’s after this episode that we start really seeing how bone-achingly tired Sam is. It’s after this conversation - where one of the other archangels, one of the few beings who can truly understand how powerful Michael and Lucifer are - says that there’s no other way around this that Sam seems to start inching towards giving in. Saying yes.
Sure, in the actual episode, he seems outraged by the idea, practically scoffs at it - “you want us to say yes to those sons of bitches?” - but it’s after this where Sam really seems run down.
I mean, look at the episodes before and after (HAH you thought I forgot about that first point I made at the very beginning of this post! I did, briefly, but I’ve circled back to it, thanks for being understanding). In “The Curious Case of Dean Winchester,” Sam behaves much as he did since the start of s4, which is to say, ‘annoying little know-it-all brother tossed into the middle of the apocalypse and just trying his best’ and it works well for the mad scramble for any scrap of information that’s happening in s4/early s5.
But in “The Real Ghostbusters” it’s different. This is another funny meta episode - except, while Sam and Dean are technically aware of the joke, they aren’t as amused by it as the audience is. And it’s not because of the ghosts. It’s because they’re just... done. Especially Sam. Dean has that nice little moment with the cosplayers at the end of the episode, but Sam... threatens to shoot Chuck. Sam ‘goes darkside’ more often than pretty much any other character in the show, but that moment is different. It’s a flat promise, not a threat. He’s not being an asshole, like he is after losing his soul. He’s just... done. And it’s obvious to see.
Gabriel’s confession is the turning point for Sam in s5, and it informs a lot of his behavior through the rest of s5, and possibly beyond! Like I said, I haven’t watched past s5 in a very long time, so I don’t feel confident enough to analyze that specific sort of character line, but I feel confident in saying that hearing one of the most powerful beings in the universe basically say “it doesn’t matter what you do - your destiny is unavoidable” and then he’s proven right (Sam says yes to Lucifer, and Dean eventually does say yes to Michael down the line!)... like, that’s really gotta fuck up your world view that was built on free will and throwing off the shackles of fate. Sam managed to avoid his ‘destiny’ in s2... but then it turns out that that wasn’t ever his destiny. Lucifer was his destiny.
Talk about an obscured view of the inner self.
36 notes · View notes
charmedseoull · 3 years
Text
The Aftermath of Fanfiction Authors with Reba Interview
Before You Read the Interview
I contacted Reba after she posted a Reddit thread titled “When a fic becomes too popular and the author deletes their account and/or work. Explained.” on a throwaway account. We discussed details of the interview during December over email, then started the interview in January. This interview is not associated with a project and is its own independent work. Reba has chosen to remain anonymous.
She provides insight on potential reasons to why fanfiction authors abandon their work from the perspective of a fanfiction reader. She also answered general fandom questions and questions about herself so readers could understand her background.
Charmedseoul is a BTS-focused anonymous historian who documents fandom history using Fanlore. If you would like to be interviewed to help document perspectives in fandom, please contact her on Twitter @charmedseoul or on Tumblr @charmedseoull.
Parts of this interview have been edited with links to Fanlore and Wikipedia pages for understanding. Any information in [brackets] serves for further clarity for readers and elaboration of information.
Now presenting the interview with Reba, long-time fanfiction reader and participant in fandom:
When did you first join fandom culture?
I joined fandom culture in 2014. I feel like fandoms really peaked during this time. [Presence of SuperWhoLock and other Tumblr specific fandoms.]
What fandoms are you in? How have your experiences in them been?
I will be honest and say fandom culture isn’t for me- so I can’t say I’m active in any fandoms (I’m just a silent consumer) but growing up I was a fan of music artists mostly; Justin Bieber, Ariana Grande… I loved the IT 2017 movie adaptation for a long time (I still do), and early 2020 is when I got into BLACKPINK, then BTS. My experience with all of these has been good, and maybe that’s because I don’t see any of the drama and arguments online- but I don’t regret any of my past interests because they all made me happy at one point in time.
What do you like about fandoms?
 What I like about fandoms is how happy it can make an individual; getting excited for a new music video, smiling at behind the scenes photos… it can bring someone a little joy if they are having a bad day.
What do you dislike about fandoms?
I don’t like stan culture at all; fandom drama, arguing on twitter with strangers to defend an artist who doesn’t even know you… it all seems toxic. While I'm sure healthy stanning does exist, I don't think it's easy to achieve at all.
How long have you been an ARMY? What are your opinions about the fandom? How has your experience in the fandom been? 
I became an ARMY in early 2020 when Map of the Soul: 7 was released, so only a year. I really do like the fandom; ARMY is the only fandom I’ve seen where there are so many fans worldwide of all different ages, and that just shows how BTS and their music really is for everyone. There is so much BTS content that there’s never a dull day, so my experience in the fandom has been enjoyable!
Did you ever leave ARMY and take a break then come back?
 I’ve never left ARMY, that being said, I’m a newbie and haven’t been here for long.
When did you first start reading fanfiction? 
I have been exposed to fanfiction since 2014, but I wasn’t in any fandom back then and started reading fanfiction in 2017.
What do you think the purpose behind fanfiction is?
 We mostly read for entertainment but there is definitely a purpose to fanfiction, as for all art. Fanfiction is a great thing for both reader and writers, it can be an outlet for many people, a way to experience things that you don't have a chance to experience in your own life. It also can be a good base ground for people who want to start writing, or for someone who finds reading huge paperback novels difficult. Fanfiction is so easily accessible, you can pull up a story to read or share your work at the press of a button.
As you’ve read fanfiction over the years, do you feel like anything about fanfiction has changed?
Yes! Fanfiction is taken a lot more seriously now, people who write fanfiction treat it like an actual novel with plotting and editing- the quality of fanfiction in general is a lot better. Fandom ships have also changed; when I was a teenager Harry Styles fanfictions were crazy popular, now the fanfics that seem to be more popular are BTS! So that just shows when music evolves, pretty much everything else does too.
As a reader, how do you view authors?
I'm always amazed by fanfic authors because they practically write whole novels for free. Writing can be such a personal thing, and it does take talent; there is a story the author wants to convey, and when a story is told in a beautiful way, it leaves a lasting impact on the reader. I’m sure that must be a euphoric feeling for the author- it means they told their story, and they did it well.
Do you think many other readers share the same view as you?
No, not at all. There are readers out there who don’t really think about the time and effort authors put into their stories. I’ve seen readers expect so much, and criticise something so little. It’s sad- people should be able to write whatever they want, writing is supposed to encourage creativity. Authors shouldn’t have to fear backlash for doing just that. Being creative. 
Why do you think so many authors delete/orphan their work after it gains popularity?
When a story gains popularity- it attracts good and bad attention alike. Unfortunately the negative affects us a lot more, it’s just human nature. While authors do put their work out there, I don’t think they are ever prepared for their stories to become so popular. I am sure it is overwhelming and that’s why authors feel the need to distance themselves from it all and delete/orphan their work.
What stories prompted you to start thinking about why authors delete/orphan their works? 
I read a story called mixtape (IT movie) and I was around long enough to see chapters be uploaded each week. I also saw the struggles the author went through when their fanfic began to rise in popularity, which eventually led to the story being completely deleted from the internet. So I thought this could have been a one-off since I hadn’t read many fanfictions. I then moved onto BTS fanfiction and decided to read the most talked about ones first, only to see a lot of them were by orphaned accounts (so not just a one-off occurrence!). House of Cards by sugamins was the one that got me thinking, I thought “why would somebody not want to be associated with this amazing writing?!” That’s when I began to do some research and stumbled across your interview with the author!
How do you think backlash for a work harms an authors mental health? 
An immense amount of feedback, positive or negative, can take a toll on one person. A lot of authors can be reserved people and they write because they are passionate, as an outlet or just a hobby. So when their work does receive backlash it can be very upsetting- it could make them doubt their reasons and capabilities and affect an author so much they might stop writing all together.
How do you think some authors manage their mental health and not delete a work? 
This is a hard question because everyone deals with backlash differently. I know some authors who are not bothered by backlash and they choose to ignore it and move on with their day, and then there are other authors who are more anxious and have to put a lot of measures in place to protect their mental health; from your interview with sugamins they explain how they didn’t want to destroy their work, just distance themselves from it, so that’s always an option.
Taking time away from social media and getting enough rest, it is important to not neglect your well-being. Finding a way to cope when you feel low; animals tend to ground me and improve my mental health- they are loving and don’t judge you for who you are. Maybe you cope by talking with friends, or listening to your favourite song. It doesn’t matter what it is, as long as it helps. 
At what point with mental health do you think authors start to consider deletion/orphaning?
I think an author starts to consider deleting/orphaning their work when it completely consumes them. It is not healthy to be fixated on something that is no longer bringing you happiness, you need to let it go. If you are an author reading this, just know you are not your feedback, it doesn’t define your existence, okay? Fanfiction should add to your life, not take away from it. 
Why do you think some readers invade an authors privacy?
Sometimes, people care more about the author than the work they have created. So when a fanfic has deeply touched a reader and helped them through so much, they want to reach out in any way and tell them so- this can be invasive if the reader is not careful about their approach.
How do you think authors manage this privacy invasion?
Stopping it before it happens; not using your real name, having a separate account for writing, don’t link social media accounts in your works etc. If privacy has already been compromised and a reader is making the author uncomfortable, then disabling comments on their works, making a new social media or changing their accounts to private would be smart. Just knowing how to keep safe online.
At what point with privacy invasion do you think authors start to consider deletion/orphaning?
When you are at risk of being doxed. I think when readers are going as far as finding authors’ personal accounts and messaging their friends- anything along those lines is scary and the reader is going from a supporter to an intrusive stranger real fast.
Why do you think anonymity is important for fanfiction writing?
When your full name is attached to everything you do, people have a very easy way to get back to you. This is why authors keep an anonymous profile, and it is important readers respect that.  Most authors don’t want their family, friends, employer etc to see that sort of stuff. It is completely okay to remain professional and keep fanfiction writing separate from personal life.
Do you think fanfiction writing should stay free? Do you think authors should be paid for their work? 
I do think fanfiction writing should stay free on the sites they originate from (AO3 for example). However, if the author wants to take their work elsewhere to earn money then I don’t see an issue in that. I am glad you mention copyright law with fanfiction in particular because the author of mixtape (the fanfiction I mentioned earlier) tried to self publish their work while keeping canon names, the author tried to justify it as a parody work and everyone was so concerned that they reported the book until it got removed. I have seen stories on Wattpad become published books to purchase, however, the names had been changed to original characters- I think this seems like a much more logical move to avoid any legal repercussions.
As a reader, how has an author’s work connected with you personally? 
I have had works connect with me on a personal level, one in particular is Somebody To Love by LOVERVMINS (orphaned). My standards are impossibly high after reading that fanfic and I don’t think I will ever come across something so beautiful again. Somebody To Love is a taekook fic that was uploaded to AO3 in 2019, the author ended up deleting all their works but thankfully left this particular story up. I was immediately captured by the incredible writing and unique plot; the story of two lovers who were never meant for each other, but destiny found its way anyway… I apologise in advance for how long this summary (with spoilers) is, but I think my thoughts are proof of how this story has connected with me so much!
(Spoilers for Somebody to Love by LOVERVMINS. Please feel free to scroll to the next bolded question to avoid spoilers.)
In this story, Taehyung is a successful lawyer while Jungkook is just a student, despite the difference in status and wealth, they are intrigued by one another from the very start. After meeting Taehyung, Jungkook is left feeling confused about himself, the internalised homophobia is strong to begin with but as the chapters progress Jungkook goes from someone who is afraid of society and what people may think, to strong and outspoken. Taehyung plays a fundamental part in this, because if Jungkook were to never meet Taehyung, he wouldn’t have realised who he really was, he wouldn’t have been brave enough to discover his sexuality and fall in love in a time where it was so unaccepting. Taehyung is bold and confident on the surface, giving little regard for anybody other than himself, but his concern for others soon changes after he meets Jungkook, he becomes a better man. He could have had his heart desires- but Taehyung was no longer selfish from those few months he spent with Jungkook, so he stayed with his wife to be a good father.
Taehyung makes Jungkook promise him he will find somebody to love (hence the title), and he does, Jungkook finds somebody to love and he is happy- Taehyung finds this out when they unexpectedly meet a few years later, this is the final time Jungkook and Taehyung see each other… but knowing Jungkook is happy, leaves Taehyung happy.
There are different kinds of love, some last forever, and some just for a chapter of your life. It is clear Jungkook was Taehyung’s forever. And I don’t think Jungkook’s love for Taehyung ever went away, he just found another kind of love like he had promised. Jungkook had to live his life; he couldn’t wait for Taehyung, to leave his marriage in the unforeseeable future, or watch him raise his kids from afar, this shows that even if society were accepting, their circumstances were too far gone- if only they met sooner, or in another life. It makes you imagine a world where they could have been together, it makes you think beyond the story even when it’s ended.
It has been a month or two since I read LOVERVMINS work, and I still feel a pang in my chest every time I think of Taehyung’s letter for Jungkook in the epilogue.
Why do you think others think they have the right to know an authors personal information?
I think in this day and age, everything about a person is on show, so people just expect that sort of information from you. Authors appreciate feedback- but they don't know the reader, their family or what they do for fun. Vice versa. You only see a small glimpse into the authors life, and the stuff you see is what they feel comfortable enough to show. That should be enough.
Do you consider writing an art form?
  I do consider writing an art form. Writing is like painting an image in the readers mind. I think it is better than visual art because when you are reading a story, not everyone is going to envision the exact same thing, it is up to the imagination. I think that is what makes it so beautiful- we all collectively love a story, yet, we somehow interpret it differently.
Why do you think Archive of Our Own is the ideal platform for fanfiction writing?
I think Archive of Our Own is ideal for fanfiction writing because they give you many options with your work so you are comfortable- it is easy to remove comments, delete an account, or orphan works while keeping your account etc. It is important authors get control of what happens to their work if they want to leave and go in a different direction.
Do you think other fanfiction writing platforms like Fanfiction.net and Wattpad are ideal or lacking?
I think Wattpad is ideal for younger audiences; it’s more visual with book covers and the layout in general is more appealing, I also feel like the stories on there are targeted for pre-teens. When I first got into fanfiction, I did start on Wattpad because it was easier to navigate. I look back now though and do think it is lacking in terms of quality, a lot of the stories are written for shock value and don’t really make much sense because of that. It is hard to find a story on Wattpad that ticks all the boxes (but not impossible). Wattpad also had a breach with data last summer and everyone’s emails got pwned so that made a lot of people move to AO3. I have never used Fanfiction.net so unfortunately I can’t speak for that one. Overall, AO3 has much more content, you can find a story with ease once you know how to use the site.
How has fanfiction writing affected the people in your personal life?
How did you find out that your sister is writing fanfiction?
My sister wrote a Harry Styles fanfic in 2014 which gathered around half a million reads on Wattpad, she got comments from people telling her how much her fanfic has impacted their lives pretty much every day. My sister and I are close and we share the same friends, I noticed when we would have sleepovers she was always on her phone and never paid attention to the movies we were watching. I think all the numbers did affect her for a moment and it wasn’t until my sister started her exams that she realised she had to put her concentration into those to pass, that’s how she came to the decision to delete the story. I asked her recently if she regrets deleting it and she told me she doesn’t at all, she now looks back and doesn’t think her writing was good back then. So I think that shows authors do know what they’re doing and what is best for them in the long run. 
My sister had a one direction fan account on Instagram that had 100k+ followers (insane!), she was always open with her interests and I found out she started writing fanfiction through that account.
What personal reasons do you think authors have for deleting/orphaning works?
The list is endless; maybe the author wrote the story in a bad time in their life and they want to delete it because it reminds them of that time, they could have left the fandom, or they simply do not like their story anymore- they grew up and know they can do so much better. It is okay for an author to grow apart from their work, it shows they are growing as a person too.
Why do you think authors get backlash from writing dark themes?
I think authors receive backlash from writing dark themes because it can be triggering for some and can bring up unpleasant memories.
What do you think are the responsibilities of an author when writing dark themes?
 A safe bet would be to tag anything relating to abuse (physical, emotional, etc), mental illness (eating disorders, self harm, suicide, etc), graphic violence and rape/sexual assault. That’s what comes to mind. And if a trigger occurs only in a certain chapter, then having an additional warning in the chapter notes would be helpful.  
What do you think are the responsibilities of a reader when reading dark themes?
If dark subjects are included in the tags, don’t read the story if it could trigger you. It is as simple as that. People decide to read the fanfic then get mad at the author for triggering them. I am not trying to insult anybody who has triggers, maybe they read a story and their specific trigger was never mentioned in the additional tags… this is what the ‘chose not to archive warnings’ box is for, with this option, it is handled in AO3’s FAQ that major tags are not necessary. In shirt, this means there may be triggering content in the fic that is not disclosed by the author. Plus, there is usually a pop up banner before you click on a story which reads ‘this work could have adult content. if you proceed you have agreed that you are willing to see such content’. There are so many warnings, you can’t miss them. It is a case of reading at your own risk, you can’t blame the author if you do not like the result.
Do you think authors are facing too much pressure from readers about what themes they write?
I do think authors face unnecessary pressure with the themes they write; they are put on such a pedestal that when they write something that isn’t what the audience want, they receive a lot of negative criticism. Authors, no matter what themes you are writing, there is no need to worry if you are writing for yourself and putting out the content you set out to create.
Why do you think authors write dark themes?
 Dark themes are simply an exploration of difficult emotions along with unpleasant events or consequences. Authors write dark themes because it serves a narrative purpose. And authors don’t have to be ‘dark’ people or experience all of these unsettling things to write such content. 
Why do you think readers read dark themes?
Dark themes are not for everyone, I personally don’t think there are enough dark works out there. I read dark themes because it interests me more, I want to know how the characters are going to cope with the consequences, or heal from the trauma. Other readers might prefer dark themes for the graphic content, this is fine too. Fictional violence is not real- we all know this, so there is no reason to be terrified. 
Why do you think so many authors want to have their work get popular?
 People may disagree, but I think it has a lot to do with validation. Subconsciously, authors want people to like their work- a rise in popularity means readers are seeing the authors work, and hopefully taking enjoyment from it. This isn’t a bad thing as long as you realise validation does not equal self-worth. There are people out there who write and do not gain much attention, but that doesn’t stop them from posting their work anyway.
Do you think a work’s popularity is important?
I personally don’t. I read a range of fanfictions- some are super popular, others are not. It is the content I am more interested in, not how many hits/views it has.  
Should we judge authors for deleting/orphaning their work?
Not at all! I am sure authors have thought long and hard before coming to their decision.
How should we view situations where authors delete/orphan their work? 
For a reader, it can be upsetting when authors delete/orphan their work, especially if there is no possibility of reading that story again. However, we need to show compassion and view the situation from the authors perspective; gaining popularity on a fanfic isn't as pleasant as it might seem, it is much more complicated than that. A lot of feedback, both good and bad, can be overwhelming. Mental health is important, and if that means distancing yourself from something so popular, then it must be done. Privacy can be compromised, people in your real life might find out you write these stories and not be accepting, or readers become invasive which is a scary situation to be in. And a mixture of personal reasons, people are allowed to grow and change and want to distance themselves from things they are no longer proud of. 
What do you think authors should be aware of in case their work does get popular?
This is a good question… I think authors need to be aware that with good feedback, also comes bad feedback. You cannot please every single person on this earth, but that is not your job- so do not take it personally. 
Do you have any last messages to readers of this interview?
 I want to thank you in particular, Charm. This interview is probably the coolest thing I’ll ever get to do for the BTS fandom and I’m so grateful that our paths crossed so we could create this interview together. You are such a kind soul and it has been a pleasure from start to finish. 
For the authors reading this interview; I am just a reader, but I do understand how it can be hard for you to continue on when you are going through so many struggles readers don’t get to see. Just know you are appreciated, and you are supported no matter what you decide to do with your works in the future. Having popular works shouldn’t feel like a burden, there are blessings hidden in there- you have made readers feel a rollercoaster of emotions with your talent, you are able to engage with readers around the world, and you have created a beautiful story from nothing… you did that! 
For the silent readers like myself: let the authors of your favourite work know how much you loved it (in a respectful way) before it is too late! I so wish I had the chance to tell the author of Somebody To Love how their story broke my heart then healed it again. Treasure the fanfictions you love because they very well could be gone tomorrow!
Thank you for reading this interview. Further below are reminders and information about this interview and Charmedseoul’s Fanlore projects.
Reba has chosen to remain anonymous. No social media or information about her will be released publicly.
This interview was conducted through email from January 31, 2021 to February 1, 2021 with Reba’s consent and protections under Fanlore’s Identity Protection policies and the posting website’s privacy policies. Unauthorized reposting of this interview is forbidden. 
Due to the casual nature of this interview, repost of this interview is strictly prohibited. Linking and sharing is appreciated. Translation and unauthorized repost of this interview is forbidden.
Thank you for reading. If you have any questions, please feel free to ask and I will do my best to answer them.
Tumblr media
15 notes · View notes
missstar-gazer · 3 years
Text
My OCs hospitalized:
Ash: For her mental health. Ash couldn't remember when she started seeing them again. The wispy shadows of her past lovers had made themselves comfortable in her life again but it wasn't very peaceful nor loving. Each time they came around, they were quick to remind her of how she had failed each and one of them. This brought on severe depression, anxiety, and guilt causing the young woman to stop taking care of herself completely. It wasn't long before her daughter had to check her in to the hospital.
Lucifer: For his mental health. The demon had always struggled with his bloodlust but once he met his darling it was easier to control. However, one night it all seemed to slip out of his control and it took every ounce of his will power to not slit her throat as she slept peacefully beside him. It was that night he checked himself into a ward with the hopes of being taught how to control himself again.
Nicholas: For his mental health. The immortal had fallen for a being who died and came back with no memories whenever she decided she didn't like where the future was heading. Having to hold her body as she died over and over again naturally ate away at his mental health. Ash checked him into a ward after the tenth time as he paced around the room and considered the ways to bring back his mortal soul.
James: For his physical health. Being on a pirate's ship, one should familiarize themselves with wounds and how to properly attend to them. However, James was far too busy tending to his lover's wounds to tend to his own and before long such wounds turned him ill enough that Nicholas feared for the young sailor's life and brought him to a hospital.
Celestina: For her physical health. Celestina had finally had enough and attempted to walk out of her singing career. However, such bold actions nearly ended her life and Nicholas found her struggling to survive. She was quickly brought to a hospital where she still fights.
Chaviva: For her physical health. The young angel had pushed herself much too far to protect the one she loved and paid a hefty price for it. Broken wings are difficult to heal and she didn't have high hopes.
Haneul: For his mental health. Being a successful singer didn't necessarily mean a happy life as Haneul learned the hard way. However, not even he realized how much stardom weighed on his shoulders until he realized how high up he was and how quick he could reach relief. Thankfully, the young singer stepped down and checked himself into a ward.
Nasya: For her physical health. The young demon had nightmares ever since she was little but when the nightmares got longer and longer and she couldn't wake up it wasn't long until her mother had her taken to the hospital in hopes of returning her daughter to her from the coma.
Jaeyeong: For her physical health. The dancer had always been careful about her physical health. If one got sick they couldn't dance. However, she tended to push herself to her limits often and one night she pushed past that. A fellow member had to take her to the hospital after she passed out and injured herself badly.
Adeline: For her physical health. Being a actress, Adeline took good care of her body and took great pride in that. The only issue was that she never considered how toxic a jealously understudy could become. Before she understood it she was on the ground and her director was calling 911.
Mei: For her physical health. Mei had always been a bit of a sickly child and for that her father made sure to spoil her. Mei appreciated her father but as she got older she wanted to be by herself. She was fine for quite some time before her childhood illness reared its ugly head and she became extremely ill rather quickly. She could barely check herself into the hospital before she collapsed.
Irene: For her physical health. The young track star made sure to practice hard but with hard work sometimes comes pain. A shooting pain started but she ignored it. That shooting pain would not like being ignore and would become so powerful that she would injure herself at her next met causing her coach to call 911.
Bridget: For her physical health. When someone has been through so much in such a short time, its common to see them reach for a drink. But a drink wasn't the only thing Bridget reached for. Hours into the party was fun until a guest had to call 911 for overdose for the young woman.
Dmitri: For his mental health. Dmitri had lost many people throughout his life but he always found a way to move forward. Or so he thought, it wasn't long before the flashbacks of losing loved ones came randomly and often causing himself pain and suffering. Such pain and suffering caused him to go searching for those lost and were unreachable. Nicholas would bring him to a ward in hopes of easing his pain.
Sherlock: For his mental health. Having been a guardian angel meant lost. A painful lost in fact of a small child. At first it was just memories of the child then the child would send him messages and he would respond... Ash would bring him to the ward to try to silence the child in the angel's head.
1 note · View note
ngame989 · 4 years
Text
SVTFOE: A Retrospective
Happy Mama Star Day!
Tumblr media
OK, first and foremost, a quick update on TGG: I plan to have something ready for at least one of the major anniversaries coming up, and hopefully will resume slightly more regular updates from then forward. Thanks to everyone for your continued support, it’s been a rough year so far for me personally and for everyone in in the current pandemic situation. The anniversary of both STH and Mama Star seemed like a fitting time to get some things off my chest, both good and bad, so I’ll do that now and get it out of the way to focus on bigger and better things in the future. Fair warning, this is gonna be long and rambly and personal more than it is any sort of serious show analysis. If you’re looking for fun, feel-good celebration of what definitely were some of my favorite moments in the series, I’m not so sure this is gonna be the post for you.
It goes without saying that Star vs the Forces of Evil, for better or worse, is incredibly important to me and has been without fail for years. How are you supposed to feel when something that important lets you down so hard? Is having such strong, mixed emotions and attachment better than having nothing you care about at all? The past year hasn’t answered these questions for me, and this post certainly won’t either. There’s no thesis or likely any kind of closure here, just me baring a bit of my soul here on tumblr dot com.
It’s been a rough year or two for me. I don’t want to get too much into the specifics, but let’s just say I hit a crossroads where the entire path I’d envisioned for myself in life came into serious question, and I had been spiraling into depression and paralyzing anxiety over a complete lack of any fulfillment in my “professional” life for months before I even recognized it for what it was. Season 3 finished airing around the last few months of my undergraduate degree, which (while obviously it significantly emotionally impacted me) was a generally happy and stable time in my life. As things started to change and get worse for me, SVTFOE S4 was my ray of hope. I’m not kidding when I say that some days in the hiatus leading up to it, the thought of S4 delivering on its potential for emotional fulfillment and Starco goodness (consistently, not just at the end) was the only thing that got me out of bed in the morning and the only positive thing I could see in my future. 
When we got the S4 we got, it shattered me, utterly and completely. This isn’t an attempt to dunk on S4 in some “objective” manner - hell, I even like a lot of the things about it that the fandom despises (the ending prioritizing character closure over lore, the upheaval of the political structure rather than just having Star become the Goodest Queen, etc). I’d still make the argument that a lot of the character development was very flimsy and poorly paced, a very clear effort to force the relationship resolution to be delayed until the end at all costs, but that’s not the point here. Life felt dull and lonely and warm fluffy Starco was my vicarious escape from that, and the season we got left me so completely hollow insid that it felt like I couldn’t breathe for its first more-than-a-dozen episodes, and I was so burnt out that I couldn’t even properly enjoy the parts that were genuinely good.
Even earlyish on, I was already fearing that things wouldn’t be resolved till the end and that there’d be almost none of the content I actually longed for from the show. As I’ve mentioned before, The Greatest Gift was born the morning after Lake House Fever’s late night release, out of salt and spite and a need to give myself something good to look forward to, even if it would be something I’d be making myself. I completely removed myself from even passing conversations with my best friends in the fandom because it hurt too much to even think about. I even had Seddm give me summaries of episodes before I watched them so I could take some time to emotionally prepare (at least until the 2nd to last week). And to the show’s credit, its last few weeks of episodes (with some exceptions) tried their absolute damnedest to right the ship (pun intended) and bring back the sorts of things I wanted with a vengeance. I was smiling like a complete fool for 12 hours straight after Here to Help. The ending didn’t fix my issues with the show, not by a fucking long shot, but it at least left me on a positive enough note that there was a feverish enthusiasm to continue it further on my own.
But it’s been tough. Have you or a family member/friend ever gotten bad food poisoning from a restaurant you really liked, and the smell of it makes you queasy afterwards even though you do really like it? That’s probably the best analogy I can draw to a lot of my relationship with SVTFOE since it ended. PLEASE NOTE I’M IN NO WAY TRYING TO EQUATE THE MAGNITUDE OF MY IRE WITH A CARTOON WITH SERIOUS DISORDERS THAT PEOPLE SUFFER FROM, but I’d almost be tempted to liken it to PTSD. Seeing reminders of the painful parts can put me in a bad mood for hours, and on some days even just dwelling on the show in any way will invite creeping negativity and “why the fuck couldn’t it have just-” types of thoughts taking over. There have been some days writing TGG where having to draw inspiration from or reference events/dialogues in S4 was so emotionally taxing that I had to stop writing for the night. I blocked Seddm’s entire askbox tag because I’d find my own emotions frothing into a rage over things in the show people would bring up. I’ve lost acquaintances and potential friendships over my bitterness. I instantly block anyone who posts even a hint of Tomstar/Kellco content in the Starco tags on any site because it induces such palpable negativity in my heart - I think I’m up to 1000 accounts blocked on Instagram right now, which is why Toxic runs the TGG page over there. If you’re one of the people out there that tried to strike up a conversation with me over a shared interest in the show and I vomited bile into your DMs, I sincerely apologize. And to anyone who got wrapped up in the brazen high hopes I put forth here every day as S4 approached and came crashing down with me as a result, I’m sorry for that too.
And yet... I can’t say there’s not a genuine love I still have for a lot of it. I still have my little shrine of stickers and pictures that I’ll sometimes just get let myself get lost in. There was a recent postcanon fic started by someone who just caught up on the show that brought such a depth of warmth into my chest that I’m smiling like an idiot just now thinking about it. I haven’t watched even a clip (let alone a whole episode) that Star and Marco’s voices in my head feel distant and abstract, but when I’m writing chapters I can still get emotional imagining them saying and doing things out of their devotion to one another. I’ve made no secret that I (to put it very very very lightly) have a strong distaste for the vast majority of this fandom, and yet the joy of knowing I could make people’s days or lives brighter gives me a satisfaction I can’t put words to. Don’t get me wrong, writing quickly just isn’t my thing normally anyway - I’m not trying to suggest that the sole reason for TGG downtime is that I’m driving knives into my own heart and pouring my blood onto the page. Just that that’s part of it, and it takes its toll. 
The last few months, although I have missed the joy of brewing up fluff ideas and seeing them come to life, have admittedly been a welcome reprieve just not having to think about this stuff so much. In the last few weeks I’ve finally been coming around to a bit of a better place where the good bubbles up without bringing as much of the bad with it. It will likely still wax and wane, and I can’t guarantee if or when TGG will fully finish. And this isn’t my entire life - I have MMOs and card games and all kinds of other hobbies that suck up lots of my time, so don’t worry about me just lying in bed sobbing over S4 for 12 hours a day. I don’t know if the day will ever come when I can truly be at peace with it all, but I don’t want to toss out the good with the bad. All I can ask is for your patience as my own journey evolves alongside my writing, until the day comes when perhaps this story can finally come to a close. Thanks for reading, and stay safe.
Ngame
59 notes · View notes
siobhanlovesfilm · 4 years
Text
Celestia & Clyde
For: @celestiaelisia, as part of @kylosupremeimagines Valentine's Day Fic Exchange.
words: 2,434
Tumblr media
When Celestia had moved too West Virginia a few years back, she was trying to start fresh on her own, moving away from the past, one she wished would become forgotten memories and never return.  
Over the years getting used to letting people knowing her from her red hair and then her name, she stopped being a stranger, who had shown up in a warm spring day. Having met many strange, but kind characters around the small town, Celestia began making friends with people like  Earl from the garage, even the purple lady whose main job seemed to be telling gossip, wherever she would find someone to listen to her, but her favourite person was Mellie Logan, who quickly became a close friend. Shy at first seeing this woman Celestia saw. A woman who wore bright coloured outfits and had a loud personality. The more she learnt about Mellie, the more she realised that she was someone who would always fight for what she believed in and would always be there for her older brothers. Something Celestia admired. 
While this was happening, Mellie was noticing in Celestia, that she was so grateful finding another woman in this small town that she could find an interesting conversation with, instead of all these customers with their small talk and gossip. After having some drinks in and car rides. Mellie found a woman that she could trust and maybe see as a sister. As they became more comfortable together Mellie found that not only was Celestia great to have in her life and totally ignored Jimmy’s constant flirting with her friend and the fact she had gotten louder and more confident in her self over time and would accidentally shout in excitement, to Mellie’s great surprise.
As Mellie had gotten closer to Celestia, she found that she wanted her closest friend to meet her brother. As she had already met Jimmy on several occasions.  The only family member left to meet was her brother Clyde the owner of the ‘Duck Tape’, so as they were both going to meet up for drinks that night anyway, she thought this was the perfect opportunity to get two of favourite people to meet.
“He’s not a duplicate of Jimmy is he? I like Jimmy, but I don’t want to listen to that all night, I want to just spend time with you Mel”
“Don’t worry Clyde is a much more a quieter soul, except when he’s being protective, or being threatened and his cocktails are to die for too and I know how much you love those fancy drinks”
“Okay Mel see you in half an hour” Celestia said before hanging up the phone.                                                                              
That night when Mel picked up Celestia they talked all the way to bar, with Mellie telling Celestia about what the purple lady had said at her hairdresser’s business that morning, giving her a friend a big eye roll, making Celestia laugh with ease.
“Okay we here darling, it shouldn’t be too busy tonight” Mellie said with a wink, walking towards the bar door “Hello Earl” she said while guiding Celestia in, noticing the middle-aged guy just past the doorway. Earl nodding too the two ladies as they walked into the bar.
“Remember you need to talk to Earl, as you know how great he is with cars you defiantly need to ask him about yours soon, but that can wait for that, meet my brother Clyde he’s over there behind the bar” Mellie expecting some response she turned around to see that her friend had become a statue at the door and was staring at her brother with wide eyes and a blush on her cheeks.
Not hearing whatever Mellie was telling her, Celestia had noticed that the bartender was beautiful. With warm chocolate eyes, shoulder length, ebony hair and moles that where sprinkled onto his features. Not ever being someone to hold crushes, not even childhood celebrity ones. She was shocked that she wanted to know this man’s story and didn’t know how to start the conversation. Her confidence fading for a moment.
“Hey are okay there, that’s my brother the bartender” Mellie said, while waving her hand in her friends face and repeating her question. Gripping her friend’s hand and pulling her towards Clyde. Causing Celestia to shake her head and try to put on a calm expression, confident front to meet this new stranger.
“Clyde” Mellie basically shouted when finally reaching the bar counter and giving her brother a tight hug, before gesturing her friend to stand beside her.
“This is Celestia the friend I’ve been telling you all about”
“Hello she has been telling me about you for weeks, nice to meet you, could I get you something to drink?” replied Clyde.
“emmmm … nice to meet you … I think I might need to go to toilet before that” Celestia her cheeks going from pink too a bright red against her hair line. Then suddenly sprinting to the door opposite the bar.
“I’m not sure what that was about, she been great with new people recently, Clyde are you okay?” finally noticing that her brother was staring at the spot that Celestia had just stood.
Over the years Mellie had seen the insecurity and his obsession of the Logan curse, making him not binge interested in starting a new relation ship friendship or otherwise. So seeing how intense he looked softy at Celestia, as she came back to the bar. Mellie’s mind started to do cartwheels.
“Clyde!”
“what Mel?” grumbled Clyde.
“I haven’t seen you look at someone like that since high school, when you would hide in the Library, every moment you could”
“Mel!” Clyde blushed and watching Celestia blush in return, against his gaze.
“This doesn’t mean anything, you no one been interested in me for years because of my hand” he whispered.
“The only people who care about your hand in a negative way is you and drunk arseholes” Mellie announced just before, her friend had reached the bar again.
“Okay so my friend here loves a cocktail, what about make her your special” quickly Clyde nodded and then got his equipment ready, measuring his ingredients and pouring them before throwing a few cubes of ice in, shaking and putting it in a glass and pushing it towards Celestia, without making eye contact and moving onto the next customer at the opposite end of the bar, in haste.
“Does he dislike me?” Celestia asked in a soft tone.
“Don’t worry he always been soft spoken and pretty girls sometimes make him nervous, so what do you think of him?” watching the question flicker over Celestia head and her then causing her face to go bright red again.
“hmmm interesting” catching her friend looking at Clyde when she thought no one was looking.
“… Yes interesting”
Over the next few months Mellie carried on bringing Celestia to the bar every week. Celestia still couldn’t talk to him without blushing, always turning into a failed attempt of small talk. Over this period, she noticed the little quirks that made up Clyde. The way he would listen to the people in bar and smile when he heard parts of their conversations that amused him and laughing at Earl’s random jokes. The way that the skin by his eyes would crinkle when he laughed. How protective he would get over anyone looking at his sister or his brother Jimmy the wrong way. She got so angry when anyone laughed or talked when his back was turned, her small fists turned white from anger, the more she leaned about his daily nature.
What she didn’t notice was that when she would turn back to Mellie or when she would play pool. He would always be taking glances at her, to make sure she was alright. She was beautiful, he knew that from the moment he first saw her.
The way that Mellie had talked about Celestia, made him feel like, he had known you for years. That like his family he would protect you no matter what. He loved that Celestia made his sister feel heard, because even if Mellie put up a front, she was used to be only seen as someone who was pretty and knew about beauty and hair. That she had a past of some toxic friendships and needed someone like Celestia in her life.
Sometimes when a certain song he could see Celestia start to dance in her seat. Never comfortable enough to stand up, except when Mellie wanted her to join in. Twirling each other around, causing a big grin to beam on both of their faces. Celestia her eyes shining bright, something that he could see from behind the counter in the dim light of the bar. He did sometimes notice that your face grew a shade of crimson, when you where stood by him, but he thought that might just be the heat, even though Jimmy would sometimes tease him about it. The thing was he did really want to talk to her, but he was never good at words, he could kick customers out of his bar, no problem. But being honest was so difficult. It was so difficult to be vulnerable; he knew what it felt like to lay yourself open and for someone to just shred it too pieces.
Everyone that knew Celestia, would say how kind she was how she would always offer help, but knew when to step back a bit, when someone needed it. She was a mystery her a past something unspoken. All that mattered to him was who you were right now. He knew that, he had made mistakes in the past so how could he judge someone who made everyone around herself happy and would brighten up his day, like a lovely flame, that was full of warmth and compassion.
“You should speak to her, you should she the way her eyes light up when I talk about you” said Mellie one day.
“What if I’m not good enough for her, I don’t what to say to her” Clyde replied.
“Clyde talk to her, you might see something, I’m not saying she will jump in your arms, I think someone or something from her past hurt her” Mellie announced growing more serious.
“Does this thing have a name?”
“Nope sorry, we can’t go on a road trip and find them, but you know how I’m with trusting people, I’m rubbish at it, but I know I can trust her and I know you too need to give each other a chance, I know its always been hard for you, but both of you deserve to be happy”
A few months passed, including Christmas and the new year was already here.
As it was hitting the new years countdown, Mellie and Celestia where taking sips of there drinks, that Clyde had personally made.
“You know that Jimmy has finally got with Sylvia?” announced Mellie
“Jimmy did tell me, even gave me a big hug and said I had to meet her”
“Well that means, as I have decided to be pickier and more single for a while at least, that means my other big bear of a bother needs to find someone”
“He does deserve to be happy”
“I also know my best friend has been staring and trying to talk to him, for months now” this then causing Celestia face to heat up.
“Mellie you can’t be serious!”
“Have I ever lied to you? now let’s drink and dance”
Soon after fireworks and after saying bye to Mel, Celestia had started to write a, something from her past, that had happily come back to her and had even started writing articles for the local paper. She had started to feel that she was at home and she had a family. So many people cared about her and she cared about them in return. When she had arrived in the spring, she had felt so lonely for a long time and now she walked down streets on her own saying hello to locals, on her own or with Mellie linked in her arm. At Christmas she had gotten gift of a lovely outfit for her to wear for occasions, from Mellie and she felt beautiful in it.
After fairy lights and tinsel where put down, slowly paper hearts and pink sweets started showing up everywhere and everyone began to rush and make cards, to show how much she cared. She had even started to make been making one for someone, who she admired but wanted to know on a more personal and wanted to see his smile with his slightly crooked teeth, that always lite up his face.
So when valentine’s day came, she decided to focus on putting one foot in front of the other. With her new dress that Mellie had given, her only a month before and she began to walk up to Clyde and ask him, if he wanted dinner. It was an simple question “do you want to have a dinner with me?”,but when she stood before him and she looked into those warm chocolate eyes, the words froze on her tongue.
“Clyde ... I wanted to ask … you something”
“Darling did you want a drink or something, is Mellie about, haven’t seen you on your own for a while”
“Clyde would you …” Clyde noticed that she was blushing, and it was quite cold with the air conditioning, but her face didn’t seem to agree.
“Clyde would you go on a date with me, I wanted to ask you this for a while, but I would too see as more than friends, I want to learn everything about you, I want you to know that I see you and that if you don’t feel the same way it’s fine” rambled Celestia
“I …”
“I care about you and I know this may not work out, but whenever someone says your anything less than, I want to punch them in the face” she continued get more nervous.
“Darling hold on a second, breathe, I wanted this since I saw you entered this bar, with Mellie and I don’t think, I would spend tonight with anyone but this intelligent, beautiful woman stood in front of me right now”
Celestia grinned and pressed her lips to his cheek, causing them to grin at each other. Completely forgetting the card, that was in her bag. Before pecking him on the lips and blushing.
Tomorrow Celestia would tell Mellie, but this day was theirs.
 Happy Valentines week, I hope you enjoyed it xx
12 notes · View notes
danyllura · 5 years
Text
Be cautious child, the Queens are at war.
Word Count: 1791
Chapters: 1/1
Relationship: Sansa Stark/Daenerys Targaryen
Fandoms: Game of Thrones
Notes: Implied death/sexual content
They are deranged, sick, twisted; they are out to destroy the world. They fight, fuck, then forgive; they are out to ruin one another.
Read on Ao3
Together they are unstoppable. A marriage between darkness and devastation that sways together in a unified dance. Weaving across the floor in a flurry of steps and twirls, uncaring of the blood and bone that lingers behind them.
They are a storm of chaos, an immovable object and an unstoppable force. Wreaking havoc with not a lick of consideration for those unfortunate enough to land themselves beneath their feet.
The Mad Queen and her Cruel Lady. The Dragon and the Wolf. Fire and Ice. They had many names and even more tales of their endeavours- all sealed within history, a future story to frighten daughters into obedience for fear of becoming heartless creatures.
Both of them had once been good people, kind, just, honourable; women that had been beloved. But they were beaten down- again and again- disrespected and undermined until that virtue that had once had the strength to brighten a room, flickered into darkness.
All that pain, and cruelty, and misery- it couldn't have been expected for their innocence to have endured, for their kindness to remain unfailing.
They took the seven kingdoms with fire and blood- they took it with the wrath of a never-ending winter storm.
A lover-turned-kin burned, a burst of flames under the eye of a sister-turned-cousin; was all it took. A simple command to an attentive beast and their only threat died encompassed by fire and calling for their mercy.
They were Queens of the ashes, the monsters who had won.
The Mad Queen and her Cruel Lady. The Dragon and the Wolf. Fire and Ice. Targaryen and Stark. Daenerys and Sansa.
A girl with a heart shrivelled and burnt from the blaze of betrayal. The other with a heart hard and frozen from the cold of loneliness. Kissed by ice and fire.
It is Daenerys violet eyes filled with venom like that of a serpent and her burning touch that makes Sansa weak. She’s suffocated in those eyes and melted at that touch more times then she can count. Those moments she is weak, she will beg and whine like a spoiled little lady, and then mewl and smile when she gets her way. After she always resents it, behaving like a fool too desperate to restrain herself, but the thought of never experiencing the sensation of pleasure at Daenerys call is a thought far more repulsing to her.
It is Sansa's auburn hair that trails down her head like a river of blood and her chilled touch that can bring Daenerys to her knees. She’s drowned in the red of the blood and has trembled at her touch in the darkness of their chambers more than once. Sometimes she wonders if it’s killing her, for nothing good as ever come to her without consequence. The risk is one she is prepared to take, for death is a price worth every penny, if not just for another taste of Sansa.
Lips crashing together bites dirtying their body’s and scratches marking their backs. They are out to destroy one another to consume the others mind body and soul. But it is a losing battle.
The muffled screams and whimpers are not cries of victory.
They are destroying one another all the while losing themselves in the process.
Rebellion is futile- you cannot kill chaos. Destruction cannot be slain. They rule without question- on their own grounds, it would take a madman or just an idiot to challenge that.
They test each other though. Quarrels that sizzle with tension and leave the court clutching those closest to them in despair, as they pray to the old gods and the new that they live to see another day. Their battles send the keep into silence as the people wait with bated breath for an eruption to rip them from their beds or for the Keep to once again be engulfed by flames.
The clashes between them never end in an explosion, never result in their palace crumbling. It brings them to their chambers- in a flurry of ripped clothes and loosened braids.
They are toxic, a lethal poison that is slowly killing them both. Sansa may have once referred to the toxin as love but she is no longer the stupid little girl that believed in songs. They continue this way for what seems like forever; executions, disputes, tangled sheets. It becomes a cycle that they cannot break- a routine as reliable as the rising of the sun.
Some days Sansa wonders if this will kill her- if Daenerys will ruin her- and most days she doesn’t have an answer. This doesn’t change anything- for she is destroying Daenerys in turn, and they are destined to share their deathbed.
Occasionally their fights linger- even after they’d lost themselves to the sensation of the other's skin- the piercing words from earlier can still be felt profoundly cut into the skin.
Daenerys is like wildfire after those fights. Irritable, uncontrollable and utterly crazed. Anything has the potential to set the Mad Queen off and the palace knows to stifle their coughs and not to shuffle in the halls.
A squire, no older than eight, had once stumbled during a court session and a coin had escaped his pocket- it hit the floor with a soft ting no harsher than a whisper- but deafening throughout the throne room.
He hadn’t even managed to sputter out an apology and beg for forgiveness before a guard had been ordered to silence him for good.
The Dragon Queen was easy to anger and wore her wrath like a fine string of pearls- displayed proudly on her breast for all to see. In comparison her beloved she-wolf kept her fury tucked neatly within her pocket like a handkerchief, hidden from view.
Her demeanour was as cold as the land she hailed from and her mask of indifference rested on her face securely- as steady and unbreakable as the wall had once been.
The thing about the she-wolf was she was just as quickly angered- just as likely to be consumed by rage at the wrong move, no matter how minor. Where Daenerys would call the guards and end it before it barely began- Sansa would wait.
A smile, sweet and sickly that did not reach her eyes. A tilt of the head and the thrumming of her claws against her seat. Those were the warning signs and when she spoke light and melodic almost lyrical- your fate was sealed.
“You are excused, sir.” Or an “I must retire my lady”
And they would be dead by morning. Often it was poison, seldom a proper execution. Many tried to escape, or to plea- but it always ended the same. The sun rising to the shuffle of guards removing a body. It was unclear if she too were mad like her lover, but her calculating gaze and controlled actions were too logical to call her entirely unhinged.
Dragons and wolves were not creatures to trifle with.
The tenth body in a sennight was carried through the servants quarters as the Kingswood was scorched with dragon fire. The Dragon and the Wolf had been at each other’s throats once again- neither willing to yield as the screams from their chambers ceased as Lady Stark refused to warm her Queens bed.
It had been a battle of words and tongue lashings at every meeting. Shouts of rage and spiteful silence that came to its climax when their hands wrapped around each other's throats within the throne room. Amongst the nobility and the members of the court, they strived to finally consume one another. For a fleeting moment, it had seemed as though they would kill each other- hold the other tightly until breath escaped them both and sent them tumbling down the steps of the throne and landing at the feet of the Lords and Ladies who fearfully watched the spectacle.
They growl and hiss, nails breaking the skin and leaving bruises. The air had crackled with electricity, the tension was suffocating. For a moment it seems another mad ruler is to turn purple and suffocate- this time accompanied by her cunning bride.
As quickly as it began it is over. Releasing one another they gasp for breath, easing the stiffness of their hands with the cracking of their knuckles. The court is dismissed and the Dragon and the Wolf are left to finish their battle.
It was a dance of sort, they circle one another- eyes locked with the promise of destruction. Teeth bared- they really do resemble monsters- like dragons and dire wolves. They howl and roar in turn and future tales would recount how the Queen and her Lady morphed into monstrous renditions of their houses sigils.
It’s a whirlwind of skirts and skin as they collide on the battlefield.
Like any battle, blood is shed and cries are let out. The blood comes from scratches and bites, and the screams- almost animalistic- come from pleasure. On the very floor of the throne room where they’d slaughtered so many- they destroy each other with the movements of their skin against one another and the collision of their lips. It’s violent and determined. They are out to consume one another.
They belong to one another and are doomed to die together. It’s a sweet poison- but it is not love.
The Red Keep burns and the court is left a pile of ash by the time the sun rises the next day. The common people rush for shelter and seek refuge in their homes- for the Queens are at war. And whether that war shall rage beyond the Red Keep has yet to be decided- but the burn marks that litter Kingslanding from flea bottom to the burning castle had not faded, and the people know to hide.
They watch the fires from the Blackwater, savouring the breeze. The wind is chilly and is refreshing against the heat radiating off the blazing keep. They stand together on one of the few ships left in the Targaryen fleet, a modest vessel that once carried less influential nobles who did not have the ranking to spend the journey on the Queen's voyager. The sea is the only noise above the loud crackles emitted from the burning castle. They say nothing as their hands intertwine, an apology, for they come to forgive each other once again. A new court will need to be created and the keep will need heavy repairs once again- but those are trivial matters. The Mad Queen and her Cruel Lady have reconciled and blood on their hands will not be what keeps them up at night. Ash rains down and like a Phoenix they are reborn, returning to routine- awaiting their next battle.
33 notes · View notes
thetygre · 6 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
30 Day Monster Challenge 2 - Day #16: Favorite Evil Weapon/Object
1.       Stormbringer (Elric of Melnibone)
The Black Blade. Daughter of Arioch. The Stealer of Souls. One of the single most legendary swords in all of fantasy, present in every universe in at least one form or another. A demon of chaos bound by the Lords of Law into the shape of a weapon. Whoever wields it can drain the souls from whoever they stab and sustain themselves with it, but is driven by a terrible hunger. The Black Blade has a will of its own, and it howls for blood as it is swung. In short, the definitive evil weapon.
What makes Stormbringer stand out from its later imitators, and even previous legendary evil weapons, is how it affects its primary wield, Elric of Melnibone. As an albino, Elric is sickly, and usually uses medicine and dark magic to stay alive. But abroad in the Young Kingdoms, Elric has to rely on Stormbringer to survive. Even as Elric connects with people outside his home kingdom, they are bound to die whenever he needs to stay alive, no matter how much Elric tries to fight it. Stormbringer is essentially a manifestation of Elric’s burden as the Champion of Balance, but also his greater isolation that distances him from being able to make connections. Elric makes it clear that Stormbringer isn’t some kind of ultimate weapon, it’s a crutch, a drug that ultimately consumes its user. And in the end, that’s what happens to Elric; when the entire universe is consumed by chaos, Stormbringer finally turns on Elric before disappearing into the apocalypse.
2.       Soul Edge/Soul Calibur (Soulcalibur)
So this is honestly cheating, but I just can’t pick between the two swords. Soul Edge is the clear Stormbringer descendent and looks rad as hell to boot. Even more that Stormbringer, Soul Edge looks like a living, breathing monster. It can even shapeshift into weapons that aren’t sword, and it had an entire life cycle in Soulcalibur 2. But Soul Edge never really stopped being the ‘bad’ sword. It’s counterpart, Soul Calibur, on the other hand, started off as the ‘good’ sword. But as the series went on, Soul Calibur began to change. In Soulcalibur 4 it was hinted that Soul Calibur might have a mind of its own as well, and it might not have the purest intentions. By Soulcalibur 5, the plot hook came to fruition; Soul Calibur is just as dangerous as Soul Edge and wants to trap the world in a perfect unchanging state. The swords have become the embodiments of Law and Chaos; the Michael Moorcock reference comes full circle. All we need now is a game where Soul Calibur is out of control and the only thing that can stop it is Soul Edge.
3.       The Terror Mask (Splatterhouse)
The Terror Mask has sass, the Terror Mask has a personality. Half these evil artifacts are just kind of generically malevolent; they won’t yell at you in Jim Cummings’ voice and call you a pussy when you notice one of your arms is missing. There’s a surprising amount of lore invested in the Terror Mask. An entity from the space between spaces, it fled the cosmic horror gods until they bound it in a bone mask. Now it’s out to settle the score, and whoever is wearing it just happens to be along for the ride. Granted, the wearer of the mask turns into a hulking slasher ogre that is almost impossible to kill. The Splatterhouse games are a gateway into the video game id, replete with monsters, ultra-violence, and a hero so buff he puts the ‘masculine�� in ‘toxic masculinity’. The Terror Mask, like in the game, is just a way to get to that special kind of hell.
4.       The Necronomicon Ex Mortis (Evil Dead)
The Necronomicon Ex Mortis is probably the most famous evil book in the world, probably more so than Lovecraft’s original Necronomicon. (Frankly, I could do an entire list on favorite evil books, but we’ll get there when we get there.) The Ex Mortis really doesn’t have a lot to do with Lovecraft besides the name, other than that they are both old, sanity-rending, and bodies of literature. But, being honest, the Ex Mortis is just the more fun of the two. The Ex Mortis is the party-boy of evil books to the original Necronomicon’s Ivy League scholar. It’s such an embodiment of Sam Raimi horror; gory, campy, with a bit of slapstick thrown in, and its mere presence causes weirdness to happen. The Necronomicon Ex Mortis contains knowledge of things man was not meant to know, and it knows it. It’s mischievous, and it’d almost be lovable if it wasn’t also full of immensely powerful black magic.
5.       The One Ring (Lord of the Rings)
I’ve always been interested by the concept that the One Ring can think for itself. The One Ring is, ultimately, an incredibly loyal evil artifact, and is only interested in new yielders insofar as they can deliver it back to Sauron. The Ring really is an apt counterpart for the hobbits; a little thing, defenseless, almost useless at first glance, but capable of changing the world. The Ring also has a pedigree, of course. It shares more than few traits with the Ring of Nibelung from the Wagnerian cycle of operas of the same name. The Nibelung Ring, like the One Ring, can grant the wearer power over the world, but only if they renounce love. In time, the covetousness of men and gods for the ring destroys the world and brings about Ragnarok. The One Ring is a reflection of the Ring of Nibelung, but also vastly different in many respects. It brings about the end of the gods and immortals, but only because they were staying to try and destroy it. The end of the Ring and of Sauron grants the world the ability to move into the next age, the age of mankind, which reflects not only Tolkien’s notions about divinity and its place in human existence, but I think also his faith that people can rise to their best in the changing times.
6.       Rubilax (Wakfu)
Rubilax is the only evil weapon here to have a character arc. Granted, that’s because he’s actually a demon bound to a sword, but whatever. Rubilax starts out as your typical evil sword, trying to possess the (idiot) paladin bound to guard him. Not to make it a contest, but he gets pretty far, to the point that said paladin has to release Rubilax and fight him in a bare-knuckle fist fight into submission. After that, things get kind of complicated. People die, souls are displaced, there’s a colosseum death match, and Rubilax has to make some calls about his moral character, so to speak. In the end, Rubilax decides to side with the good guys, and even gets along with the paladin’s kids. So he’s less of an evil weapon and more of just a demonic one, but he’s definitely the most nuanced character here.
7.       The Event Horizon (Event Horizon)
The Even Horizon is pushing the definition of ‘evil object’. It’s really more of an evil place, which might also be worth a look sometime, but for now a ship counts as an object. There’s plenty of sci-fi stories that try to do the cursed spaceship deal, but I feel like Event Horizon is the only one that really captures the gothic horror aspect. I think we tend to forget that architecture, aside from its practical usage, is also meant to convey ideas and thoughts as much as any other form of artistry, and was one of the more important forms of public communication before the spread of reading. The architecture of the Event Horizon is the words to a spell, the three-dimensional incantation that opens the gates of Hell. It was a morbid, dark temple to man’s ignorance even before it went into other dimensions. Once it returns, it hungers for more; a cursed ship bound to always return to its home port on the other side. Something about the Event Horizon reminds me of the Rime of the Ancient Mariner; the way the ship is warped and changed by sailing through strange waters, and how the survivors are bound to relive the curse over and over again. That’s why the Event Horizon is my favorite ghost ship in science fiction.
8.       The Marker (Dead Space)
The Marker draws directly from Event Horizon, and they both share the concept of wordlessly communicating a kind of madness to the people who view them. The Marker, though, takes it to a new extreme, in that it has a literal insanity aura that causes hallucinations, paranoia, and aggressiveness. An interesting way that the Marker is more ‘alive’ than other evil objects is that it is self-propagating; part of the madness it transmits is the formula necessary for its replications. But what I find most fascinating is how the Marker can transmit information that changes DNA, altering people on the cellular level to turn them into Necromorphs. That kind of power, to change biology through information, is nothing short of magic in most other settings.
9.       The Berserker Armor (Berserk)
You can’t fight demons if you ain’t cute. The Berserker Armor was forged by dwarves for the explicit purpose of fighting demons and monsters. It draws on the rage and negative energy inside a person to give them incredible strength and agility, but at the price of slowly draining their senses. The Skull Knight originally made it for himself, but even he was scared off by the armor’s power. Now Guts has it, and he has a lot of rage to give. I think the most fascinating thing about the armor is how it changes and molds itself to how Guts’ uses it. It didn’t start off with a giant wolf helmet; that’s just Guts’ personal totem representing his inner darkness. But when the armor drew on that, it changed shape, and when Guts holds himself back, it stays restrained. Still, the armor takes a lower spot because it itself isn’t evil, it just draws on a person’s internal negativity; it’s all up to the wearer on how much they use it.
10.   The Gonne (Discworld)
Discworld is full of anachronistic magical devices, and they’re all usually cause for some kind of concern. The Gonne was at the center of a fairly elaborate murder plot involving the Assassin’s Guild and the Night Watch, but was finally put a stop to. Like any good evil weapon, it whispers promises of power to whoever happens to be holding it at the time, and is also a little trigger-happy. But the Gonne and its metaphor for firearms gets kind of overshadowed by everything happening around it, and it even gets acknowledged as a powerful and worthy weapon in its own way by the end.
134 notes · View notes