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#its his punishment
batcavescolony · 9 months
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People who say "Batman was better without his kids" must really like the whole ELEVEN issues that Bruce had before Dick was introduced because that's the only time he didn't have a kid. Bruce Wayne/Batman was introduced in ’Detective Comics' #27 and Dick Grayson's Robin was introduced in 'Detective Comics’ #38. Dick was around before Alfred existed, if we can have Alfred why can we have the Robins?
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tinkkles · 5 months
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I really do love the fresh take on the dead wife aspect in scavengers reign like. She didn't die in some terrible accident or at the hands of an evil third party, she died because of you. Because of your ambition and carelessness and because you didn't prioritize her enough to even look for her as the ship was going down. You will carry this guilt for the rest of your life. She will haunt you forever. Pray that her ghost is enough to change you for the better.
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bigcatbulges · 6 months
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Source - Darkgemrawr
(Artist's FurAffinity and Telegram Art Channel)
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ruporas · 7 months
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on the run!! (ID in alt)
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bookshopbentley · 7 months
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crowley’s love for humanity has got be my favorite thing . he’s seen it all . he’s seen the absolute worst side of it , and he loves it anyways . crowley , you beautiful soul . what a terrible punishment it must be to have a heart that bleeds as much as yours .
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isawjamfirst · 3 months
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the two anime woofwoof
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7cfc00 · 4 months
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home is where the heart is (and yours is gone)
#happy holidays#dndads#dndads fanart#dungeons and daddies#dndaddies#dndads s1#glenn close dndads#dndads season 2#dndads odyssey#dndads glenn close#im so sick and fever rn so forgive me for any mistakes in this drawing or in my following explanation#background is covered in crosses for the bad day book. the chains represent his time in meth bay prison#the three swords are a reference to the three of swords tarot card which means like heartbreak or smth#also can be taken literally because his heart exploded#the swords themselves are modelled after the sword of justice to bring in themes of justice and punishment as well as referencing the trial#i also drew the same sword in the blackjack thing.#bottom left is his funeral pyre (referencing his death) and nick jr (representing his son's “death”)#the door is the door to his apartment its number 48 because ep 48 is carry on my wayward son#christmas decor cus of course hed had them up all year round#the plant is a peace lily representing death and funeral s again#headstone is morgan's the crysanthemum represents her death. this is because its also featured in the “remember death” thing i drew once#also i just associate flowers w the close family because it very easily represents both mortality and love#anyway. fuckin. his heart (loved ones + literal heart) are gone and its like. can he ever return home#idk smth about not being able to go back to the way things were smth about having the comfort of a home anymore. leaving all that shit behi#d. i feel so tired#sorry for the long explanation i think i may have went a little too hard on the symbolism but i didn t know how else to#express the feelings of glenn's conversation w darryl in that one episode
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stewykablooey · 4 months
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i hate this fucking show why does it looks like he’s being yelled at. he looks like he’s being yelled at when actually his best friend is begging him to talk to him. mr kendall roy. its both the shame of the grip logan has on him right now the shame of the humiliation logan is putting him through right now and also the. its the love. the love is violence. mr kendall roy thinks the love is violence!!
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vaguely-concerned · 11 days
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could not have happened to a nicer gul, fs in chat
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so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.
#jrwi fanart#jrwi show#jrwi prime defenders#jrwi prime defenders spoilers#jrwi pd spoilers#jrwi pd#william wisp#vyncent sol#THIS ONE IS FUUUUCKIN OOOOOLLDD RAAAHHHHH i made it like. a year ago. but didnt finish it for so so long bc i just wasnt happy w it.#BUT LIKE A CENTURY EGG the decades of being encased in salt n lime n ash have done WELL to bring out the flavores of this piece#i sorta recently cleaned it up and posted it onto twitty. didnt tag it bc it was SO OLD AND SCUFFED(i see so many MISTAKES NOW)#that i didnt want to expose it to the open air just like that#if i show smth to my small circles then it shall only be understood in those small circles.#open air and open interpretation from minds i cannot predict are NOT something i enjoy the thought of. usually. i am brave tho#BUT EVERYONE ON TWITTY WAS SO NICEEE i was like damn... i guess it IS good enough to be enjoyed by the masses...#lets work on being nicer to our art together. THAT BEING SAID. i really love my colors here HELL YEAHHHH#FIRST TIME IN A WHILE COLORIN THESE BOYS.... i dont use proper color enough..I ALSO RLY LIKE MY BACKGROUNDS HERE#i LOVE when the bg is hyperrealistic (i frankestiened stock photos) and when the subjects are all flat colored n cartoony#recently rewatched Making Fiends and they do that similar thing!! soft shading! lotsa details! almost painted? ill paint one day#ive already rambled so much abt the art im runnin out of ROOm to ramble about WWWIILLIAM GODDAMN WWIIIISP. its been a minute since i saw-#-this episode..but i DO remember the funny smoke trick that will did to his funny brother. EVERYTIME U GIVE AN ORDER. THAT BRINGS HARM-#-INDIRECTLY OR NOT. YOU WILL HEAR THOSE SCREAMS. YOU WILL FEEL THAT PAIN. OHHH WHAT A COOL PUNISHMENT THAT IS#its still an olive branch in a sense! a final chance for big bro bell to show that hes NOT an irrideemable piece o shit. and if not#well. to the wolves of psychosis with him!!! i really think william did the best he could here. if i was in his shoes i have no doubt i-#-woulda done the same. IM ALSO GLAD THAT VYN DECIDED TO STICK AROUND N SUPPORT HIM! thas character development baybe!!#i loooove prime defenders.. its been so long since i watched any eps of it but i KNOW it still has such a grip on my heart..GOTTA rewatch i
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five-flavor-soup · 1 month
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This is technically in response/as an addition to a post on the supposed ‘double standard’ in the fandom between Zuko and Jet as Katara’s love interests, but it’s been so long since it was posted and I figured the OP would be entirely uninterested in my word vomit, especially after like one and half years—so, separate post. I added a link for those interested. There's a cut because this got quite long lmao.
In short, the post supposes the argument that though Jet would’ve made Katara kill people (something Zuko very much Did Not Do, no matter what you think about The Southern Raiders), he cleaned up his act after this. Zuko, on the other hand, did lots of Really Bad Things to Katara & Co. with far more frequency than Jet did and got redeemed after a multitude of episodes doing Various Things Moste Evile. To then slap Jet with The Toxic Ex-label and see Zuko as the ‘healthier’ and ‘better’ option creates a Double Standard(™) within the fandom, which is supposedly bad and not an arguably incorrect reading. 
But the differences in fandom perception between Jet and Zuko as Love Interests for Katara (one of which canonically, and the other potentially and apparently talked about in the writer’s room) are easily explained, as can the Supposed Double Standard—just by thinking about it from Katara’s viewpoint, or even the audience’s. Because, well, the worst things Jet ‘almost’ ended up doing didn’t happen because of outside interference only. 
That’s the important bit here. He 100% would’ve drowned an entire village just to get rid of a handful of Fire Nation soldiers, had Sokka not managed to evacuate everybody. He 100% would’ve grievously injured two people who, as far as Jet and everybody else were aware, were refugees who might not even be firebenders — considering nobody else saw Iroh heat up his tea, he could’ve been wrong — in an attempt to prove his own hunch. Had the guards not been there, had Zuko not been able to fight back with swords, Jet would’ve genuinely attempted to wound them for as much as a puff of smoke. And Jet consistently involves bystanders (innocent or not) in his desperate quest to harm and defeat the Fire Nation: the Gaang (and particularly Katara, through explicitly manipulative means) and the villagers in Jet; Zuko, Iroh, and the people in the teashop in City of Walls and Secrets. Additionally, we don’t see more violence from him because he’s not a main character like Zuko is—though it’s implied that Jet beats up villagers who are supposedly in cahoots with the Fire Nation often, only agreeing to turn over a new leaf when he, Smellerbee, and Longshot decide to move to Ba Sing Se. 
Zuko explicitly and frequently doesn’t harm people: that, or it isn’t important to the plot. He doesn’t burn down the village on Kyoshi, he literally only manages to lightly singe it. He threatens people with violence frequently but never actually goes in for the kill. I’d argue that the most explicitly violent thing he does in Book 1 is breaking Aang out of the Pouhai Stronghold—for his own ends obviously, but if it’s spelled like treason and sounds like treason, it’s probably treason. When he thinks of robbing the pregnant couple while he’s on the run, he stops himself of his own volition; when he considers using Appa to catch Aang (this was a point made against Zuko in the post), he’s unaware of what Appa’s been through prior to that point and sees him as no more than an animal used for travel, much like the ostrich horse he stole earlier in the season. 
Zuko’s schtick throughout Book 1 and 2 is that he doesn’t want to think of the consequences of his actions. His plans are never fully complete. He doesn’t think of how he’s going to get a chained, notoriously slippery little eel of an Avatar to the Fire Nation, and he doesn’t think about what would happen to twelve-year-old Aang after they got there—which is horrible of him, but it also shows an odd, ignorant kind of innocence that you’d associate with a kid who’s got a hard time telling right from wrong. Like, I love Zuko dearly, adore him even, but kiddo doesn’t think ahead until the Book 2 finale and even that’s debatable. He’ll eventually start thinking ahead a little bit but for the most part, he doesn’t. Not saying that takes away responsibility, because it absolutely doesn’t, but it is telling of Zuko’s character: he’s an ‘act first, think later’-kind of guy, all ‘fuck around; find out; maybe success’. His sole goal throughout Book 1 and 2 is going home, without even thinking on how to get there beyond like, Avatar in my custody => back in Fire Nation with Avatar => dad loves me again. And he says that his only intention is to go home too, in Ep 2 of Book 1:
Aang: If I go with you, [He holds his staff in front of him as an offer, making sure Zuko understands that he does not wish to continue fighting.] will you promise to leave everyone alone? [The camera cuts to a side-view of the area, Zuko's men still surrounding him, spears poised. After a brief moment of hesitation, Zuko erects himself and nods in agreement. Aang is apprehended by Zuko's men, who take his staff . . . ] Zuko: [Boarding the ship up the walkway. Determined.] Head a course for the Fire Nation. I'm going home.
(Added emphasis for my point)
Zuko is not the Big Bad. He’s not The Largest Threat. He never is. In Book 1 it’s Zhao, in Book 2 it’s Azula, and in Book 3 it’s Ozai. Zuko is a consistent threat, yes, but not a particularly large one no matter how good of a fighter he is. Because he’s presented to us as a disastrously hurt and traumatised little brat who we, the audience, are supposed to feel sorry for, and slowly grow fond of. Because we learn in The Storm that the notion of “caring for others is weak” has literally been branded into him. Because he keeps getting back up to fight, but consistently holds back. We are shown that he knows, on some level, that what he’s doing is wrong: the text suggests that Zuko is actively suppressing his morals. And by the time Zuko hires an assassin to ensure the Avatar is dead, we know that Zuko is incredibly unhappy with his choice(s) and is desperate to be safe; that he’s uncomfortable but wants to be comfortable; that he’s incorrect about the source of his fear while he’s back in the palace. The audience is shown this explicitly. 
By contrast, we’re shown that Jet is fully aware that those villagers will die. He’s fully aware that, if he manages to prove the two refugees are firebenders, they’ll be arrested and probably mutilated (if the hand-crushing is any indication). I love Jet and his character, but he’s supposed to be the example of poisoning yourself with your hatred, anger, and hurt. He’s revenge that goes too far, because he doesn’t allow himself closure. He knows the consequences and isn’t shown to care for them, as long as his goal is furthered.
And there is the small, but significant, difference between the two characters: Zuko initially just wants to capture the Avatar, is purposefully remaining unaware of what will happen when he does so, and is clearly shown to change, while Jet just wants to punish firebenders and is very aware of what will be necessary for him to do so, with a handful of lines of how he ‘stopped being like that’. And honestly, Jet is far more mature than Zuko is for quite some time, regarding the violence of war—basically as mature as Zuko eventually becomes at the tail-end of his redemption arc. But Zuko’s maturity is at that point healthier, because he doesn’t want to genuinely do harm. 
In regards to their separate relationships with Katara, there’s these fantastic points that @sokkastyles made in reply to the post:
The fact that Zuko actually did change and Katara actually forgave him makes ALL the difference. [ . . . ] The thing about Jet is how manipulative he was with Katara. He not only almost made her kill innocents, but he lied to her about the man he attacked having a knife when he was called out, so that Katara would see her as righteous. Someone who is willing to lie in order to make themselves seem good and someone who says they are going to change but then does the same things doesn’t have a good track record, and that’s a more troubling relationship dynamic than someone who acts as an upfront enemy but then sincerely changes.
And: 
I do think it makes sense to focus on manipulation being worse than being a cartoon villain when we're talking about personal relationships. I think many people can relate to having someone like Jet in their lives who seems nice but who lies and manipulates to justify their own bad behavior despite repeatedly claiming that they will change. Not that many people will experience being tied to a tree by someone who wants you to tell them where the Avatar is, and it is completely reasonable for people to be more forgivable of things Zuko did as a villain than things Jet did to Katara when he claimed to be a friend.
I actually don’t have anything to add to this, lol. It’s succinct and well-worded.
Lastly, in addition the relatability and the relationships being different (the manipulative, emotionally hurt, and self-proclaimed anti-hero versus the initially childish, explicitly confused and desperate cartoon villain, plus the girl they hurt horribly), there’s also the problem of Jet not being a main character. Jet is a relatively well-written side character, whilst Zuko is very quickly established as a main-ish character with his own POV (as the writers decided during the conceptualisation that he’d be joining Team Avatar eventually). Zuko’s troubling, self-destructive nature that has been forced upon him and his Tragic Childhood is shown in high definition. The audience is supposed to eventually be okay with Zuko and hopefully like him, slowly adding puzzle pieces to complete the picture of a horrific earlier youth and treatment by nearly everybody he knows except Iroh. Something like this isn’t necessary with Jet, not just because he was already incredibly likeable and understandable from his introduction and onwards, but also because he’s neither a villain nor a main character. 
There’s multiple reasons as to why Zuko is often seen as the ‘better’ option, just like there are multiple reasons why Jet and Zuko are compared so frequently—they’re both traumatised teenage boys who ‘rebel’ to get some semblance of control back, but we see Zuko change into a kid anyone would be a little bit proud and fond of and that doesn’t happen with Jet. Double standard or not, Zuko and Jet are different characters who the writers also treated very differently, on purpose. It makes sense to me that the audience would think Zutara is the ‘less bad’ or far better option. We know far more about Zuko than we know about Jet; and Jet’s redemption arc, if we can even call it that, halts permanently when Zuko’s is reaching the height it for him to go into a freefall, ultimately culminating in a genuine redemption. We, the audience, know this. So does Katara.
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houseswife · 3 months
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one of my favourite things that the house md writers ever did was balancing out the overwhelming Heterosexuality™ of huddy’s getting-together episode by adding in whatever the fuck you call this
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stinkythehutt · 4 months
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also. something about palpatine being so adept at seeing into the future that all of his successes feel completely joyless by the time he achieves them because he’s just going through the motions… how fucked up and nihilistic and brutal that would make you…
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kylejsugarman · 2 years
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im trying to articulate how heart-wrenching it is that jesse gets punished for being vulnerable and open all the way through the series but i think it’s best encapsulated by the fact that hank forces jesse to film a confession tape where jesse has to relive the trauma of shooting gale and todd killing drew sharp, crying and in clear mental anguish the entire time, and that experience accomplishes literally nothing in the end. the tape doesn’t protect him or get anyone responsible convicted or punished. hank still doesn’t see him as anything more than a resource, a disposable junkie, even as jesse’s sitting on his couch sobbing. the neo-nazis find the tape and sit around literally mocking this footage after they enslave jesse, laughing at his display of emotion. he’s constantly exploited and punished for being open about his feelings. i guess that’s why its so effective and beautiful that jesse doesn’t ever let this stop him from continuing to show emotion. why it feels so cathartic when he sobs and screams as he speeds away from the compound: they didn’t take that part of him away from him. he was laughed at, tortured, used as a bargaining chip, but he still cries and shows his cards and is a messy, emotional human all the way to the very end. they could’ve ended el camino with the shot of him driving into alaska with that kind of peaceful, but not super emotive expression, but they didn’t. they ended with him looking over and imagining jane with him. one final show of his love and emotions and how it has caused him suffering and pain, but didn’t ever break him. 
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razberrypuck · 6 months
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holding finn tidestrider in my hands. why are you SUCH a whore.
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violent138 · 8 days
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Bruce Wayne is the one parent who cannot reasonably ground his kids because they have contingencies for that. If outright banning them from patrol even works, they'll just start shit from the Cave. So he bans them from the Cave, only for them to invent something in their bedroom/crack a case with paper copies of files they've kept just in case. If he somehow bans them from doing any detective work, they train for the next opportunity they have to go out and do crazy things. Or they come up with strategies for their superpowered friends to bring them things by taking out the power for the perimeter alarms.
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