#its just ones relevant to how they interact with each other

[theduckeminence]

I can’t stop thinking about Eddie Dear y’all.

First off, the probable reason behind what had occurred to him is most likely due to him being scrapped/taken off the script of the show is just both saddening and dreadful on his part. Like he exists within the realm of the Neighborhood, but considering his absence throughout the recent update, aside from him giving the viewers a decoder + clips of him throughout the Home-warming ad compilation, its safe to say that Playfellow Workshop had most likely taken off him of the show, or at the very least, lessening the amount of screen time he receive (in this case being the ads/commercials).

And now onto the actual possible reason why Eddie Dear would be taken off script. Now thinking back to the fact that Eddie & Frank being a couple is canon, it’s also safe to say that because of their connection in the show — even though Playfellow Workshop attempts to have them be distant or lack any sort of significant interaction onscreen — Eddie & Frank’s relationship, or at least Eddie’s love for Frank, could certainly be the reason why the he was taken off script.

After all, if two male characters are shown to be gay for each other in a kids show from the 1970s, chances are Playfellow Workshop would rather scrap the homosexual (derogatory) mailman character than have Welcome Home be taken off the air entirely just because of said mailman character.

Furthermore, what’s more interesting and ironic about Eddie being a prominent character who became intensively aware of his situation is the fact that he first appears to be a character who could be considerably perceived as“insignificant” or “irrelevant.” Of course I don’t actually think he is, but from the way Playfellow Workshop and the Homewarming commercials are framed Eddie, it can be interpreted that Eddie is seen as a rather character of little relevance.

It is partially due to him being taken script, but it’s also the fact that his only thing going on for him is being the mailman for the neighborhood — as well as a bit of a comedic relief. Eddie said himself in the Homewarming video from the secret site — if I’m correct, he feels that nobody appreciates him enough for his work (though correct me if I’m wrong). And that since there’s no one there to ask him to deliver something, or call, or check up on him, he feels as though that — somewhere inside of him — he feels both left out and “irrelevant.”

His one role is to be the neighborhood delivery man, and without that, then what exactly would he be good for?

(this could further be emphasized when Sally told him that they made the deliveries for him to give him a day off — even though no one told him that, and chances are this is perhaps Sally trying to reassure him when in reality, he was just scripted out of Homewarming hence why no one came to talk to him. Getting lil off topic oops—).

Recircling back to the original topic, yada yada yada Eddie just being a mailman and besides that he views himself to be irrelevant so on and so forth.

One thing I would like to mention, relating to Eddie being the probable first of the group to become aware other than Wally, is that I find it surprising that Eddie Dear IS the probable first to become aware like Wally.

To tell y’all the truth, I didn’t think he would play such a significant role in the Narrative (and thus probably doomed by it too). I would have least thought Frank or Julie would have been next to become the more Self Aware.

But Eddie Dear? Our loveable, friendly, and reliable mailman — Eddie Dear? Suddenly depersonalizing right on the spot with a pea plate and becoming aware of both his sentience, the weirdness of his setting overall, and how he could hear Home’s heartbeat? How he knew that the moment he comes to this revelation of self-awareness, he can’t go back? That everything he has ever known is most probably not real and/or all a lie?

It just has me stopping for a second on why and how him, but after thinking about it furthermore, alongside reading analysis posts, it would make sense for him to be next on why he had become Aware.

And I can only assume that from here on out, things are bound to change. And I for one fear these colorful lil puppets — particularly Eddie in this case.

Lets just hope the existential dread doesn’t drive all of them over the edge.

#welcome home #welcome home spoilers #welcome home eddie #eddie welcome home #eddie dear #this lil mailman is jingling in my head like a marble #poor guy :(( i have a feeling smth bads about to happen to him and frank #but at the same time IM EATING THIS SHIT UP

[doorhine]

One of many things I like about Blue Eye Samurai is how it portrays its disabled characters. There's a lot to talk about with each of them but for this post, I want to talk about, not the step dad, but the dad who stepped up, Sword Father!

*Spoilers below

Him and Mizu's relationship is one of my favorite dynamics in the show and seeing how that developed over the years was one of my favorite things about the pilot. It felt very symbiotic and good for the both of them emotionally to have that company and support, especially on Mizu's end.

I really liked seeing how the two worked together and how Mizu accommodated to his needs. I also liked the respect given to Sword Father's ability to take care of himself as an adult even without Mizu's assistance. He's been blacksmithing for years and he's respected in his line of work. Losing his sight did not and does not change that.

I personally think the show does a good job at balancing the reality of him being blind and the accommodations he needs while also respecting him as an autonomous individual and talking about his blindness in a way that feels natural and respectful when it's relevant.

But my favorite thing about this dynamic and Sword Father as an individual is probably the use of audio design in the show in relationship to them. As we see the two of them become a family, and develop this language with each other/way of interacting, sound becomes a key element and that carries over into the entire show.

Being blind, Sword Father relies a lot on his hearing. But we as the audience don't just see this aspect of his character. We're actually made to hear from his perspective and apply that sense to how we perceive the entire season even when he's not present.

The most obvious example is the sound of metal which is used to indicate things like:

Mizu revealing to Sword Father that she forged her sword from the meteorite they found before the camera pans up to the space it used to occupy

The symbolism around Mizu and mixed metal in general

Sword Father realizing that Mizu's at his front door when Ringo brings her and Taigen there which revealed to us, the audience, where Ringo brought them before we see Sword Father come on screen (I loved that moment so much)

and emphasizing the moment of shock the characters in the show had when they heard the sound of gunshots for the first time in the finale in contrast to the clang of swords that we as the audience have gotten so used to hearing.

But the reliance on hearing doesn't just apply to that. In the second episode Mizu encounters Chiaki, a man from her past who she defeats in the present. And you know the biggest tip off the show gives us to recognize him before he reveals himself? His laugh. A noise we would've recalled from the flashbacks he was featured in.

LIKE I JUST THINK THAT'S SO FRIGGIN COOL XD

There's a lot more that can be said about Sword Father and how the show portrays him and his blindness. I personally can't speak on this as a blind person so I'd love to hear what people who are think about it. These are just my 2 cents that I felt like sharing.

#this show is just *chef's kiss* #blue eye samurai #blue eye samurai spoilers

[shigayokagayama]

incomplete list of weird/interesting manga-anime discrepancies

-you know the bit where they break into the girls highschool in episode 2? yea thats chapter 56. spliced into the middle of chapter 4. its supposed to go before the bit with the ghost family as a lead up to the mogami arc with mob starting to consider evil spirits as just as much “people” as living humans are. all things considered its kind of weird how well it fits its anime placement

-ritsu in the manga gets introduced in the same chapter as teru. you dont see mobs family at all for the first few chapters. infact i dont think his parents appear until like. chapter 25????? every interaction you see between mob and any of his family is completely made up for the anime

-in the manga during the claw arc instead of reigen sending them away all the lackeys just stood there awkwardly during the fight w the scars fdnjksndkjgnd

-mogami arc got GUTTED my god. the part where the fake psychics tried to murder minori got removed, shinras role in the arc got reduced to basically nothing, they move mogamiland ritsu to a bridge like 50 feet away instead of having him walk right over mob, mob only gets beat up like twice, the cat lives, the boxcutter bit is totally removed, the fight with the spirits is made a lot more abstract and less graphic. like im glad this one took the hit instead of the separation arc bc i cant imagine that arc ever being effective as one episode but wow.

-putting the “mob finding his family dead” thing at the end of the episode instead of in the middle of a chapter where it originally was was an objectively hilarious move

-rip the scene of teru outsmarting all three claw guys and saying “say old man have you ever been tortured before” unfortunately all scenes of teru being competent are not plot relevant and must die. also teru can make shadow clones

-hey remember those weird satellite people in claw keeping the viewer updated on where all the characters were in that infinite arc?

-mob with a gun.

-mob getting briefly knocked out while fighting toichiro and dimple possessing him then getting kicked out was replaced w toichiro just throwing him out the window or somethhing???

-toichiro saying that he only kept the super five around as spare batteries and draining serizawas power getting cut was a personal affront to me

-every single emotion mob cycled through in the anime got a 100% meter. the kid was super emotionally unstable in that fight

-that old man whos house they went to whos wraith made everyone asleep that they exorcised? yea they anime team made that up. they never went to his house in the manga, he just went to spirits and such for a shoulder massage

-manga reigen got 0 money for helping the yokai dude. it wasnt on the table. also most of the stuff he was saying was lifted from a video game serizawa played which he pointed out. also serizawa thought getting arrested was a type of spell

-takenakas general meanness was significantly toned down manga takenaka was a huge bitch

-in general the alien arc was a lot funnier in the manga? like the scene where reigen crashes they had reached a dead end on an extremely narrow path and were driving in reverse while tome and takenaka were screaming at each other in the back and inukawa was 5 seconds from snapping and killing everyone in the car. these might be my favorite pages in the entire manga they as so fucking funny

-originally when tome said she wouldnt keep climbing reigen suggested mob carry her with telekinesis (which horrified her) and mob said he was too motion sick to use his powers (obvious lie) but could carry her instead which got her to get up

-mezato asking mob to sign a t shirt for the psycho helmet cult in exchange for relationship advice got cut

-i cry every day that the sequence of ???% waking up didnt get animated it set a very different tone than the anime did. the anime was like. slow build up of dread. the manga was immediately bone deep horror i was literally sitting in my room yelling “WHAT???” over and over again at my computer as i clicked through it

-shigeo and mob conversation cut down significantly, all the references to the body improvement club being mob making a new self rather than embracing who he really is and being scared that all the friends hes made wouldnt like the real him removed </3

-the scene where reigen takes his shoes off is made a lot less somber and depressing. it feels less like “oh he knows hes going to die” and more like. triumphant? in the anime

-100% shigeo kageyama is an anime addition they added specifically to ruin my “the first time we see mob 100% is to fight dimple and the last time is to stop himself from fighting dimple” observation

-anime teru generally seems like hes in a better place than manga teru? manga teru seems very melancholy and like he doesn’t really know what to do with his life or his place in the world (which seems to put shigeo off) but anime teru is like wanna go shopping ^_^ *sips tea happily*

-manga shigeo deliberately threw the cake directly in reigens face and my fury over them making this ambiguous will last until i am dead

#maybe someday ill go through and do my simultaneous rewatch/reread #but for now take the ones i can presently remember #mp100 #mob psycho 100 #long post #pic

[zedleaked]

[APPARENTLY PEOPLE HERE WANTED TO KNOW THE HUMAN AXIS LORE SO IM JUST GOING TO COPY MY TWITTER POST HERE…] BASIC GIST IS THAT THIS IS JUST A GENERAL HUMAN AU. MONSTERS AND HUMANS SWAPPED. WOWIE!

ANYWAYS READ MORE FOR AXIS

AXIS ORIGIN IS STILL A BIT FUZZY. HERE HE'S LIKE CHUJIN'S ADOPTED SON [GENDER NEUTRAL],, CATGIRLTRICKSTER ON TWITTER SUGGESTED CHUJIN JUST FINDING YOUNG AXIS IN A PIPE OR SOMETHING AND I THINK THATS REALLY FUNNY... THOUGH HIS ORIGINS WOULD BE VAGUE. IF ASKED HE'D SAY HE DOESN'T REMEMBER.

ALSO NOTE BEFORE I FORGET. AXIS WAS JUST BORN WITH ONE LEG. THERE IS NO LORE REASON TO WHY ITS MISSING, IT IS JUST THE WAY HE IS. CHUJIN MAKES HIM A ROBOTIC LEG SO HE CAN HAVE AN EASIER TIME.

SURE I COULD GIVE A FUCKED REASON AS TO WHY HE DOESNT HAVE IT BUT I DONT FEEL LIKE IT.

AXIS WOULD BE AN APPRENTICE UNDER CHUJIN SIMILAR TO MARTLET [I NEEDA DRAW MARTLET EVENTUALLY] PLUS IN GAME THERE'S FLAVOR TEXT ABOUT HIM FLIPPING THROUGH THE ROYAL GUARD HANDBOOK IN HIS MIND. HONESTLY. MARTLET AND AXIS BEING FRIENDS THROUGH SHARING THE SAME INTEREST IS SILLY...

HE'D WANT TO TRAIN HIMSELF TO BECOME A ROYAL GUARD OR AT LEAST A PROTECTOR TO PAYBACK CHUJIN FOR TAKING HIM IN. HE'S GOING TO PROTECT HIS FATHER AND HUMANKIND. IT'S HIS BIGGEST GOAL IN LIFE.

STEAMWORKS STILL EXISTS. ITS JUST CHUJIN HADNT BUILT THE AXIS MODELS IN THIS AU BECAUSE. YOU KNOW.

MAYBE HE SAW POTENTIAL IN HUMAN AXIS, SEEING HOW DETERMINED HE IS TO GROW STRONGER AND PROTECT PEOPLE. CHUJIN WOULD WANT HIM TO HONE HIS SKILLS TO BECOME SOMETHING... BIG.

IN A WAY. AXIS WAS A PEEK INTO WHAT HUMANS COULD BECOME AND WHAT THAT COULD DO FOR HUMAN SOCIETY UNDERGROUND.

MEANWHILE AXIS IS ENAMORED BY STEAMWORKS AND JUST CHUJIN'S WORK IN GENERAL. HE REALLY ADMIRES ROBOTS, HE THINKS ABOUT WHAT ITS LIKE IF HE HAD ROBOTIC MODIFICATIONS.

AND LESS LORE RELEVANT BUT HE ALSO HAS CONNECTIONS TO KANAKO TOO! THEY ARE THE SIBLINGS EVER. THOUGH IVE BEEN WONDERING HOW CEROBA NOT KNOWING AXIS IN STEAMWORKS WOULD WORK. IT'D BE KINDA WEIRD FOR CHUJIN TO KEEP A WHOLE ASS CHILD SECRET FROM HER.

THEYVE PROBABLY SEEN EACH OTHER AND NEVER HAD MUCH SIGNIFICANT

INTERACTIONS FOR THEM TO FULLY REMEMBER EACH OTHER. AXIS SPENDS A MAJORITY OF HIS TIME AT STEAMWORKS OR DOING ROYAL GUARD SHIT, AND WHEN HES NOT DOING THAT HES PROBABLY PLAYING WITH KANAKO [WHEN CEROBA ISNT AROUND]

AND WELL. WE HAD TO GET TO THIS PART EVENTUALLY. ONE DAY A MONSTER MAKES ITS WAY INTO THE UNDERGROUND AND STARTED KILLING PEOPLE. DALV [WHO I ALSO NEED TO DRAW] GOT CAUGHT UP IN THE FRAY WHILE PLAYING WITH KANAKO [AND AXIS TOO]. UPON SEEING HIS FRIENDS GET HURT. SOMETHING CLICKS.

AXIS HAD TRAINED UP TO THIS POINT. THIS WAS HIS MOMENT. HE HAD TO SAVE THE PEOPLE FROM THE THREAT IN FRONT OF THEM. INSTINCTS KICK IN AND HE GOES IN TO FIGHT THE MONSTER WHILE DALV TAKES KANAKO TO SAFETY.

THIS MONSTER WAS TOUGH. HE WAS ALMOST KILLED. BUT HE HAD TO PERSEVERE.

SOMETHING JUST ACTIVATED IN HIS SOUL.

HE FELT A SURGE OF POWER. THE ONLY THING HE KNEW IN THAT MOMENT WAS TO.

GET. RID. OF. THE. THREAT.

IN FRONT OF HIM WAS JUST. A HEADLESS BODY THAT SLOWLY FADED INTO DUST.

THAT... HE DIDNT MEAN TO GO THAT FAR.

SIMILAR TO CLOVER IN GENOCIDE, AXIS HAD RAPIDLY LEVELED UP AND SHOT A POWERFUL ATTACK AT THE MONSTER IN RESPONSE TO ALMOST DYING. HE NEEDED TO KEEP GOING NO MATTER WHAT.

STILL. THE CONSEQUENCES OF HIS ACTIONS LAID HEAVY ON HIM.

HE HAD KILLED A LIVING, BREATHING THING.

SOON AFTER CHUJIN WALKED IN ON THE SCENE COMPLETELY HORRIFIED. AXIS, ASHAMED OF WHAT HE HAD DONE RAN TOWARD STEAMWORKS TO ISOLATE HIMSELF, SIMILAR TO DALV.

SURE, HE HAD SAVED PEOPLE FROM THAT MONSTER BUT DID HE HAVE TO BE SO GRUESOME?

CHUJIN RAN AFTER HIM, TRYING TO GET HIM BACK

CHUJIN FINDS HIM AT STEAMWORKS, WALLOWING IN JUST. EVERY EMOTION.

HE TRIES TO COMFORT HIM THOUGH AXIS IS STILL INSISTENT ON NOT GOING OUT.

THE TWO REACHED THE COMPROMISE THAT: AXIS WOULD GUARD AND PROTECT STEAMWORKS AND THAT CHUJIN WOULD CHECK UP ON HIM EVERY NOW AND THEN.

SO THATS WHAT HE DID. HE STAYED AT STEAMWORKS, WATCHING OVER THE PLACE AND ITS ROBOTS FOR….. AGES.

EVENTUALLY CHUJIN'S CHECK UPS GET MORE SPARSE UNTIL JUST. NOTHING.

AXIS NOTICES TOO THAT LESS AND LESS SCIENTISTS ARE PRESENT AT STEAMWORKS. UNTIL THERE IS NO ONE THERE.

WHEN ASKED IF HE WAS GOING TO LEAVE

TOO HE SAID

"NO. MY FATHER AND I HAD REACHED THE AGREEMENT THAT I WOULD STAY AND PATROL THIS AREA, AND THAT I WILL DO." THERE WAS NO CONVINCING HIM TO LEAVE. SO THE OTHERS RELUCTANTLY LEFT HIM BE.

DAY BY DAY HE WATCHES STEAMWORKS FLOOD AND DECAY. WHILE HE STAYS THERE TRYING TO KEEP UP THE AGREEMENT BETWEEN HIS FATHER AND HIMSELF.

NO ONE HAD TOLD HIM.

ONE DAY THOUGH HE FINDS THAT STEAMWORKS SUDDENLY ACTIVATES RIGHT BEFORE SEEING A MONSTER ONCE AGAIN.

OH HE REMEMBERS THE PAST WELL. IN THIS AU IT WAS IMPOSSIBLE FOR HIM TO GET HIS MEMORY ERASED.

WHILE THE EVENTS PLAY OUT MOSTLY THE SAME COMPARED TO NORMAL UTY.

AXIS SEEMS MORE HESITANT THAN USUAL. AND PROBABLY MONOLOGUING A LITTLE SIMILAR TO WHAT DALV DOES

BEING A HUMAN. HE POSES LESS OF A THREAT ON HIS OWN. HOWEVER. MY GUY SETS UP HOME ALONE TYPE TRAPS N SHIT TO TRY AND CATCH CLOVER INSTEAD [PART OF HIS ROYAL GUARD TRAINING!!.

ONLY RESORTING TO USING "ROBOTIC MODIFICATIONS" HE HAD FOUND WHEN CLOVER REALLY [ticks] HIM OFF.

AND YES. HE STILL GETS A ROBOT SPOUSE IF A PACIFIST PLAYTHROUGH HAPPENS. HUMAN AXIS IS OBJECTUM. ITS REAL.

SO YEAH THAT IS ALL THE THINGS I THINK.

HOLY SHIT THIS THREAD IS LONG. FEW PEOPLE WILL READ THIS I THINK BUT I STILL WANTED TO GET STUPID AU THOUGHTS OUT. UH. YEAH HOPE THAT IS GOOD OR SMTH.. FEEL FREE TO ASK QUESTIONS 🥺

#undertale yellow #undertale yellow spoilera #uty #axis #axis 014 #axis undertale yellow #axis uty #gijinka #Zed’s art

[54bpm]

Tips For Vtubers

Howdy there, I’m Liv and I’m a vtuber much like you, but I’ve been here the whole time so I’m here to compile stuff for you to help make your transition less scary.

To start, here’s is a post with a lot of tips for general tumblr use and here’s one for giving your blog a custom theme.

Beyond that here’s other things that aren’t mentioned but are gonna be relevant for you:

If you’re coming back to tumblr know that you can’t follow from your sideblog, if you want to follow back it will be from your main, as will your likes, replies, asks. Decide what to do with this information now before you settle into a blog.

Fully explore the settings, there's a ton of stuff hiding in there. AND do it on PC at least once, some stuff is not in the app.

Blogs have individual block lists, no idk why either. So if you want someone banned from everything you need to do that manually.

 Also enable tumblr Labs! It’s got reblog graphs which are rad (my beloved orbs) And alternate dashboards, the Blog Subscriptions one is my fave because it means all you have to do is turn on notifications to get all your fave guys in one dashboard.

Contrary to popular belief there is still a porn and adult content community here, if you want to get anywhere near them you have to have age in bio or they’ll smite you. EDIT: I posted more about how to navigate lewdposting here.

Tiktok embeds don't play nice with tumblr for some reason, if you also do tiktok then just reupload your videos and link your account there underneath.

The link post type will show up for your followers but there’s a chance it won’t show up in any tags, so don’t do going live posts like that.

BUT you can straight up embed your stream into your posts! As long as you're using the New Post Editor you should see this menu:

Click the video camera, link to your twitch and bam. There it is. You can also do this with the video post type! If you're ever worried about your post format getting bonked just go through the tags and see what posts that DO make it are doing. Together we can overcome spaghetti code.

General "tumblr culture" is to not comment on posts but its not one thats set in stone, your fellow small vtuber account is probably dying for interaction so comment on posts! scream in the tags! send funny asks! Getting interaction right now is going to be a big comfort during a weird time.

Oh yeah we have ask boxes built in, no marshmallow needed.

ALSO we have pinned posts just like twitter, but as long as you want! Put your ref & socials & art tag (yes you can keep your fanart tags) & your minors DNI & a picture of your cat if you want.

OH I do suggest picking out tags for your personal content if you plan to also do reblogging, makes it easy for newcomers to find what you're doing.

#vtuber and #indie vtuber are full of fanart for the big guys. If you wanna find each other use #vtuber uprising

Okay this post is getting so long but final tip: check out custom pages. They're on the custom theme menu and they're basically mini webpages on your blog that can have their own coding. You can do Literally Whatever. Lore! Credit page! Ref sheets! I once put a choose your own adventure where you navigated by clicking specific parts of a picture on tumblr pages. I Mean Anything.

That's all for now, please add other tips if you want. And please reblog! Not just this post but other peoples too! This will all be way less of a drag if we can find each other. 💖

EDIT: One more thing, lolisho shit Does Not Fly here. They are some of the only tags that tumblr has actually shadowbanned and there is a reporting criteria for it to get taken down. It also doesn't fly on my blog! Begone!!

#vtuber #indie vtuber #vtuber uprising #envtuber #livs words #i felt like a specific to us post would b good #since we have specific stuff to worry about like going live posts n etc #also please do themes i wanna see yall go apeshit #post edit #while i doubt that tumblr has the vibes that makes people think lolisho would be welcome here #the post is starting to get big enough that its worth mentioning #resource #tutorial

[sanjisboyfie]

one piece smau: vacation edition

— strawhats being a cute friend group once again

— male reader, everyone having the tiniest crush on him too but thats only if u swuint (im a very selfindulgent writer sorry)

— also i imagine robin, franky and brook to be older than the rest of hte crew, but not like crazy older. its probably not really relevant, but like mid twenties insead of their thirties and forties LMFAOA the rest of the crew is young twenties

liked by ._.[name], princesanji, and 10k others

dni_nami: pre-7hr flight question, how long until we all start killing each other? everyone place your bets

tagged: ._.[name], freeluffy, and princesanji

uso_pp: we barely made it through the airport without losing luffy, so i'm placing my bet on one hour.

[liked by ._.[name], roro.zoro, and 20 others]

-> dr.law: i'm surprised you even made it through airport security....

-> freeluffy: TOORRAOO YOU SHOULD'VE COME IT WOULDVE BEEN SO FUNNNN!!!

-> dr.law: hard pass. good luck everyone else.

._.[name]: i think it's gonna be fine !!! what's the worst that can happen tbh

-> dni_nami: i could list 100 reasons why this is gonna go bad and all of them involve luffy.

-> robinkills: [name]'s right, i think this trip is going to be very fun !

liked by roro.zoro, robinkills, and 11k others

freeluffy: [name] rented bikes for us, but he won't let me drive :/

tagged: ._.[name]

SUPERCOLA: good job [name] for saving his life, much appreciated

dni_nami: i'm begging you two to not crash and make the expenses of our trip go up even more

-> princesanji: always thinking logically, nami, this is why i love you so much <333333333333333

roro.zoro: pick up some sake otw back

-> ._.[name]: yesyesyes we all know thats the only reason why you came anyway, i'll pick some up

-> roro.zoro: what. no way. i definitely wanted to be sat on a hours long flight next to luffy and be living in a small apartment with all of my friends who dont know how to speak quietly and wont let me sleep even when its already early morning. what. i am so excited to be here.

-> uso_pp: alright we get it please stop

liked by princesanji, SUPERCOLA, and 8k others

robinkills: thank you [name] for winning me the prizes :)

tagged: ._.[name]

._.[name]: anything for you robin <3 aka the person thats keeping all of us sane right now <3

princesanji: HOW DARE THIS BAFFOON STEAL YOU AWAY ROBIN PLEASE LET ME TAKE CARE OF HIM, I WILL MAKE SURE HE NEVER BOTHERS YOU AGAIN

-> uso_pp: when is sanji going to accept the fact that [name] is actually apart of this friend group and that he is also more favored by the women we interact with

-> ._.[name]: dw usopp he only puts on a hard front, he ltr begged me to room with him so he could cuddle w me at night. he's just being shy rn

[liked by dni_nami, roro.zoro, and 40 others]

freeluffy: [NAME] [NAME] DID YOU GET ME THEONE I WANTED TOO??!?!?! REMEMBER I SHOWED YOU

-> ._.[name]: yes luffy :) we are otw back and i have the one you asked for as well.

-> SUPERCOLA: [name] the absolute goat in dealing with luffy and his absurd requests so the rest of us dont have to

liked by freeluffy, roro.zoro, ._.[name], and 9k others

uso_pp: morning debrief where we all share embarrassing stories, like how [name] almost stripped completely naked drunk last night because an ice spice song was playing on the karaoke.

._.[name]: alright genuinely why the fuck did that have to be the caption you put on the internet for the whole world to see

-> roro.zoro: no dont be embarassed [name] it was funny watching you try and copy her signature pose

[liked by dni_nami, robinkills, and 90 others]

-> dni_nami: don't think about even crossing me in the future, i have a video of the whole thing bby

-> ._.[name]: GOD FORBID A GUY HAS FUN

skullnsoul: i found [name]'s dancing and singing quite endearing

-> ._.[name]: thank you brook :') you're so sweet

-> skullnsoul: yes, although i feel like you're much too old to be wearing underwear with hearts as the print, [name]. i suggest buying new pairs of boxers :)

-> ._.[name]: what the actual fuck

liked by princesanji, uso_pp, and 11k others

dni_nami: i really wish you could hear sanji cursing [name] outin this photo

tagged: princesanji and ._.[name]

._.[name]: me when im literally following the instructions that hes telling me and i somehow still get yelled at

-> princesanji: do you even understand hwo cooking meat works? everyone would have gotten salmonella and food poisoning if i didn't teach you how

->._.[name]: yelling is never the answer sanji

-> freeluffy: I THINK [NAME]'S COOKING TASTED REALLY GOOD

uso_pp: they acc cookeedddd tho like our food was so tastyyy

[liked by princesanji, ._.[name], and 9 others]

robinklills: sanji almost shoved [name]'s head into the griller, it was funny

-> ._.[name]: HE WHAT ??!?!?! I DIDN'T EVEN REALIZE THAT HE TRIED DOING THA TWHAT THE FUCK

liked by princesanji, ._.[name], and 12k others

roro.zoro: [name] told me to post this photo he took.

tagged: princesanji and ._.[name]

dni_nami: awww look all the boys finally getting along

[liked by robinkills, uso_pp, vivi, and 50 others]

-> princesanji: i would have much rather been in your presence my queen, i love you so much

-> ._.[name]: sanjii give up the bit for fucks sake

uso_pp: where was me and luffy's inv ??? ig its like that now ....

-> roro.zoro: you guys were playing mermaids in the pool at the apartment and explicitly told us to not interfere with your serious business

-> princesanji: and then you started getting mad at us for invitig you again right before we left

._.[name]: damn zoro u lookin mad fine in this photo shiiiitttt #smash

-> roro.zoro: i need you to make sure your door is locked later tn or else i cant promise you will wake up the next day

liked by dni_nami, vivi, roro.zoro, and 12k others

._.[name]: thank u nami for the photos

tagged: dni_nami

._.[name]: btw nami made me post this w that caption so it could "scare away the hoes"

-> dni_nami: im doing them a favor, they just dont know it yet cuz ur fucking insane

-> uso_pp: LMFAOAO

purrrona: can i bite it?

-> ._.[name]: BITE WHAT?????

-> purrrona: so is that a yes or a no?

-> uso_pp: professional dick rider alert !!!!

roro.zoro: why is your thirst trap the first thing i have to see when i open this app

-> ._.[name]: why are you acting like you weren't the first person to like this post???

[liked by dni_nami, robinkills, and 57 others]

portgasace: WHY THE FUCK WAS I NOT INVITED ON THIS TRIP?????

dr.law: id also like to thank nami for the photos

#≡;- ꒰ ° smau series ꒱ #one piece smau #one piece imagines #modern one piece #modern au one piece #smau imagines #one piece x reader #one piece x male reader #x male reader #male reader #male reader imagines

[nebmia]

Reviewing every rpg book on my shelf: 1, Dungeon Crawl Classics

Everything about this game is absolutely dripping with bonkers maximalist bombast that makes me excited to play. To start with book itself is nearly 2 inches thick. Is that practical? No! does it feel like you've got an ancient tome full of roleplaying possibilities? Absolutely.

In a world tending towards minimalism and 'polished' production its so good to have somthing thats just big and fun and unapologetic about not being what it is.

DCC's dice are a microcosm of everything great about it. Not only do they come in shapes they never taught you about in maths class but they also all come with a fun little bonus. One of my sets comes with a stat block for a monster, while the other has a ridiculous table of reality warping effects on which you roll ALL the dice in the set, and inevitably send your campaign careening off into madness. (and it has a frame story about a stoner wizard in a magic van).

And then there's the actual contents of the book, which is probably about 80% spells and ridiculous tables. And the spells are just so good. Each one takes up a a least a full page on average and gives a range of results according to how well you roll, from 'it missfires and things go horribly wrong' at the bottom, through 'it does about what you would expect' in the middle result ranges, to 'actually, this is almost too much' if you manage to get a roll in the 30s.

Alongside being sick as hell, this also has a satisfying effect of keeping low level spells relevent and interesting as their effects scale with the strength of the caster on a variety of axis.

related to spells is the 'spell duel' procedure. I have no idea how well it runs at the table, but the idea that when two (or more) wizards fight their spells can interact and you can use any appropriate spell to try and counter another spell is so increadibly compelling.

Ok, enough gushing about vibes. what about actually playing? So far what I have run is the 'level-0 funnel', which is probably what you have heard about if you have heard anything about DCC. The premise is simple: randomly generate 2-4 level-0 peasants for each player, send them into a dungeon, and then take whoever survives and level them up to become your characters for a campaign.

Not only does these lead to much hilarity as a mob of townsfolk bungle their way through danger but also really fun problem solving as the players work out how best to navigate problems with a shoehorn, a bundle of wood and a live chicken.

Specifically, what I have run is Sailors on the Starless Sea, which is correctly recognised as THE introductory module to use. Its a nice sequence of somewhat open investigation followed by a excellend sequence of bombastic set pieces, all the while giving the players lots of scope to come at things ininteresting ways. It can get a bit unwiedly trying to manage such large number of characters when they do run into combat but if you plan ahead a bit and use various tricks (it would be useful is more of that advice was in the book rather than coming from forums) it is manageable.

And to return to vibes one last time: the art in these books is just so good. We could not be further from the slightly stiff generic highly rendered fantasy art of wotc era d&d. Its all fantastically old school fantasy, so full of character, and just the right amount of rough around the edges. My only slight complaint is that this does include a little too much of old school fantasy art's treatment of women than I would like...There are still prenty of sensibly dressed women and i'm not about to decree that no sexy fantasy women are allowed but the dial is a little further in a direction of objectification that I would like.

#ttrpg #dcc #my stuff #Reviewing every rpg book on my shelf

[raven-at-the-writing-desk]

I am STILL waiting for Rollo to burst into Sage Island out of sheer anger and spite. Come on, you can't prove the man right after GloMas and NOT let him make a cameo in episode seven!!

While I do love Rollo and I'm all for vindicating him (especially as both JP and EN servers dropped book 7 part 1 right after initial runs of GloMasq), I want to make it clear and reiterate that I 100% believe Rollo will NOT be showing up in the main story, cameo or otherwise. I'd advise everyone else to not get their hopes up as well, just enjoy the fan works that come out playing with the idea 💦

Here's a compilation of why this couldn't happen, as I have spoken about this topic a number of times in the past:

Rollo showing up would imply that the events of Glorious Masquerade (which takes place around Halloween time) are canonical to the main story, even though this would create many continuity errors. For example, Deuce's UM, which is very important to GloMasq, is not gained until book 5 (which occurs in late winter, early spring). GloMasq cannot take place autumn after Deuce gets his UM either, as the third years would all be gone on their internships. Another continuity error that is recently created by book 7 part 7 is that Silver + Sebek and Idia do not seem to know each other (they have to introduce themselves to one another), meanwhile they seem quite familiar in GloMasq.

There is no reasonable way that Rollo would even KNOW what is going on or be able to breach Malleus's barrier. Only high-level officials such as Briar Valley royalty and those in STYX seem to be aware of the ongoing situation and even they have trouble trying to break into Sage's Island. Why and how would Rollo have this same knowledge, then somehow get inside Malleus's barrier?

This could set up a precedent which puts more unnecessary pressure on the devs and the direction they take future stories. It's not fair if Rollo is the ONLY Halloween character that gets to show up in the main story (especially this late into it), that would be favoritism. This creates the expectation for devs to somehow find ways to give Fellow and other future Halloween characters cameos or some relevance in the main story.

Not everyone has played GloMasq or read its story. For the people who have, it's a nice treat I guess? But for those who haven’t (even with the new feature that lets you read missed events, there is no guarantee that everyone has), this is coming out of left field and makes zero sense if they don't have context for who Rollo is. There is little gain from having him show up for the risk of alienating late or casual players, no matter how brief the cameo.

A simple summary of who he is and what he did could be implemented, but it really detracts from the experience of going through it yourself and disrupts the pacing of book 7 in order to "make space" and "play catch-up" for this other character that was NEVER previously mentioned or alluded to in ALL of the main story. This is just... not good writing in general. This would read as a convenient deus ex machina for anyone unfamiliar with Rollo. It's not the same thing as the dorm members from the previous book coming to help you save the day in the current book. At least in that situation, there is a shared understanding of the main story campaign and a practically guaranteed bond with those characters. The same is not true of Rollo, whom you as Yuu barely get to interact with that much even in his event.

To summarize, it's just not pragmatic, especially when you consider all the implications of bringing an event-only characters into the main story. There is a good reason why vignettes and events were indicated to NOT be in the same timeline or canon as the main story: to avoid contradictions and issues such as the ones I have listed above.

#twst #Rollo Flamme #Malleus Draconia #Deuce Spade #twisted wonderland #disney twst #book 7 spoilers #glorious masquerade spoilers #notes from the writing raven #disney twisted wonderland #twst en #twisted wonderland en #Silver #Sebek Zigvolt #Idia Shroud #Fellow Honest

[she-posts-nerdy-stuff]

Hey!! What do you think about the recurring joke in the SOC duology, of Kaz asking a question, everyone giving answers, and usually a quip at the end? Do you think there's significance in it, or is it just a fun way to show the crows' dynamic?

Sorry if this is a stupid question.

Rule one: there are no stupid questions.

Although these conversations might seem like a relatively surface level aspect of the novels, I think that their significance is in the very way they teach us about the Crows dynamic and tell us so much about the characters. The duology’s biggest success comes from the intense vibrancy of its characters, and it’s these types of conversations that not only help us understand who they are and how they interact with each other, but also that make us laugh and therefore care about the characters all the more. Take the parallel from soc to ck about Matthias’ character development - in six of crows Kaz asks the group what the easiest way to steal a man’s wallet is, and the replies consist of “gun to the back” from Jesper, “knife to the throat” from Inej, and “poison in his cup” from Nina, before Matthias cuts them off and says “you’re all horrible” then in crooked kingdom Kaz asks where the group think he spent the money Pekka gave them for the sale of the Crow Club and 5th harbour, getting “guns” and “ships” amongst his answers and after a pause Nina says to Matthias “this is the part where you tell us how awful we are” but he simply replies “they all seem like practical choices”. This tells us so much about the characters and how they think!!! In the first instance, we don’t yet know the characters very well, so it’s important that we begin to associate the guns with Jesper and the knives with Inej, as well as understand that Nina works with subtle but violent tactics. We learn from this brief interaction that they’ve reached a point in their lives where murder or threatening murder is the easiest way out in every option, and we’ve also arguably learned that they are eager to please Kaz because they are all instantly searching for the answer that will impress him even though he’s sure to just continue on and explain his own thought anyway. We also have no response from Wylan, if I remember correctly at least, which shows the time it takes for him to mesh with the group and his heightened anxiety at the start of the first book. In the Crooked Kingdom interaction, we have a clear transition in Inej’s character from the association of her and knives to the association of her and her dream, a ship and crew of her own, and I’m pretty sure Wylan does reply in that one so it shows his personal progression and how he’s been able to mesh with the group and because more comfortable in his own skin. Matthias’ character development between the two is more obvious and openly commented on in the conversation, but what’s also interesting is that Kaz is there both times with a genuine answer and explanation. Even though he never seems the last to enjoy a joke or quip, when he’s discussing his plans Kaz almost entirely loses the ability to think beyond the job; everything is entirely black and white and categorised by whether it’s relevant, which means it’s what he’s saying, or inessential, meaning what the others are saying.

And what’s possible even more interesting is that you can see this in almost every one of these interactions Leigh Bardugo loves to include (and we love her for, of course). For example, in one of my favourites of these little formulas Kaz asks the group if they know what Van Eck’s biggest problem is. The responses are “no honour” (Matthias), “rotten parenting skills” (Nina), and “receding hairline” (Jesper). This never fails to make me smile; Matthias’ is so quintessentially himself, everything he values and such good summary of why he would be so willing to support anyone, even these thugs and thieves, against Van Eck, Nina’s showcases her dark humour and protective nature, her hatred for Van Eck is sourced far more in his treatment of Wylan and Inej than anything else, and Jesper’s is funny, witty, a genuine ongoing joke (such as Nina thinking that Wylan may need to invest in a hood tonic when she meets Van Eck) and just emphasises his sharp-wit as well as showing growth beyond the desperate need to impress Kaz that he harboured for so long before he properly got to know Wylan. But Kaz’s reply is simply returning to the job, stating that Van Eck’s problem is that he has “too much to lose” and that he revealed exactly how to destroy him by bragging about Alys and their unborn child.

I hope this made sense, it can be hard to tell whether I’ve actually translated my thoughts into the right words haha. Thanks so much for your question!!

#grishaverse #leigh bardugo #six of crows #crooked kingdom #inej ghafa #kaz brekker #nina zenik #jesper fahey #wylan van eck #matthias helvar #soc kaz #soc analyst #soc matthias #soc inej #soc nina #soc wylan #soc jesper #soc meta #six of crows analysis #six of crows meta #book analysis

[carionto]

An idle mind invites the unseen guest

This one became a bit of a hub for tying and referencing other stuff I've written in this little verse of mine. Every underscored bit links to a different relevant story for context.

_________________________

Us Humans have always been... active in our endeavors, whatever we pursue. For as long as we have studied ourselves, the one constant remains true - we want to do something. If we don't have a crisis to solve, we cause one. If there are no more mysteries to solve, we invent new ones. If we are left alone, we make someone.

Well, that last one has a new alternative now.

Ever since we slipped back into the universe, out of our pocket in-between dimensions and saw -- it -- stare at each and every one of us for the briefest moment, we can't forget, no matter how hard we try by distracting ourselves with everything imaginable.

If our minds, touched by this incomprehensible malice, are ever left alone, with nothing to do, nothing to ponder, nothing to fear - it emerges. For some it feels like a memory, others behave as though it were a hallucination, some even can't shake the sense of it being within their mind. Even the youngest who were alive during the slip, even in the womb, exhibit signs it haunts them as well.

We don't know yet if this phenomenon can be inherited or if you had to be alive in even the simplest of forms to be "marked" with this "curse". What we do know is that as long as we continue to engage ourselves in any and every activity, it is kept at bay.

Certain animals seem to also experience this, but currently this is merely a theory. Is this something anything with enough sentience can suffer from? Does it pursue any kind of advanced enough mind, or was our slip a trigger. If others slip in-between, will they too be exposed to it and it's rageful and hungry gaze? While we want to know, we also have sworn to not give it any chances. Unless we have to, nothing and nobody will ever utilize slip technology again.

The trouble with coming to any solid conclusion is our natural inclination towards mental disparity. Studying the Human mind is one of the oldest of fields, doubtful we'll ever fully crack it. Learning that the other sentient races across the Galaxy also have never reached a "conclusion" with their equivalent to psychology suggests it is an endless journey. Good. A fallback option. But not everyone is inclined towards such study or thought. Hence our seemingly chaotic spread.

There are as many ideas as there are people, plus one more for whenever two people interact. - Want to tear open time-space to teleport planets? Sure, here's unlimited funding. - Want to bring back pre-historic dinosaurs on a dubiously habitable planet? Hell yeah! Permission granted. - Want to build a deadly race track in the Oort cloud? You didn't ask and we probably couldn't stop you anyway.

As long as we stay active, pursue every idea, create chaos, cause problems, maybe even find an enemy to war against, it doesn't bother us. We hope we will never have to deal with it. We hope it is just a mirage, a nightmare, anything other than what we instinctively know to be true: It is real. It is angry. It is hungry. It has seen us. It haunts us. And It hates us.

_______________

(Its perspective)

#humans are space orcs #humanity fuck yeah #humans are deathworlders #humans are space australians #humans are space oddities #carionto #space horror

[davidfarland]

4 Tips for Writing a Positive Relationship

Writing a relationship plotline is key for almost any story. Most narratives will feature a relationship that arcs positively through the book–whether the characters are love interests, friends, family members, allies, coworkers, or what have you. While it’s possible to highlight a negative relationship, audiences typically crave a meaningful one that brings the characters closer together at the end.

To help you write a greater positive relationship, @septembercfawkes​ is here with four tips.

1. Write a Relationship that has Foils

I’ll start this one with something you shouldn’t do (and then go into its opposite).

Do not make your characters too alike.

Often writers think that the way to make a relationship great, is to have both or all the participants be very similar. They may have the exact same interests, opinions, goals, and dreams. Nearly all of their conversations are positive. They don’t argue. And they understand one another, always. They may be prone to complimenting and sharing their love for one another.

None of these things are wrong here and there.

But too often, writers think great relationships in fiction come from only likeness and agreeability.

In reality, you’ll find that the best, most powerful relationships have characters who foil each other in some significant way. They are opposites. Sherlock Holmes is super intelligent, and John Watson is more ordinary. In Good Omens Crowley is a demon and Aziraphale is an angel. In Parks and Rec, April loves the dark and sinister, and Andy loves being playful and positive.

This can work in trios and groups as well. Frequently the characters have different worldviews or methodologies. Consider how Harry, Ron, and Hermione each have different perspectives on homework, or perhaps, more relevant, the wizarding world itself.

The most interesting interactions tend to play off how the characters are different.

And actually, it’s the fact these characters can be friends/colleagues/significant others despite these differences that makes the relationship feel more powerful.

When you smash characters who are opposites together, a couple of things happen:

It’s easier to brainstorm interesting and entertaining exchanges

It makes the relationship more dynamic—you will have both positive and negative emotions to play with in the relationship. The contrast of that makes the reading experience more powerful.

Make sure you find foils that will be easy to put in the story. Sometimes people pick foils that aren’t very relevant, so it’s hard to get that opposition on the page.

2. Give the Relationship a History

Great character relationships have a sense of history. Now, how you approach this will depend a bit on where your story starts in regard to the relationship. In some stories, you will be working with relationships that are just beginning, like in Harry Potter, or relationships that are ongoing, like The Office, and sometimes some of both, like with the kids in Stranger Things.

If your characters are just meeting, you’ll be developing or building a sense of history as the story progresses.

In any case, to use this technique, you just need to refer back to something, whether it happened on or off page. If you refer to something that happened on page that the reader knows about, it can build on itself and sort of work as an inside joke.

On the other hand, if you refer to something that happens off page, it makes your story and the relationship feel “full”-er–like the relationship, story, and characters are bigger than what can fit in your book. Often the referral is told with a humorous tone, where the characters are remembering the event together, but that’s not a hard and fast rule.

Sometimes you can imply a history fairly easily. In the first episode of The Office, Dwight says, “He put my stuff in Jello again!” The “again” says plenty. Other times the exchange may be longer.

If you are working with already established relationships, make sure to convey what is typical or normal in the relationship. Often when people talk about established relationships, they talk in absolutes, “Jasper always liked to remind me of my age” or “Kaden pulled pranks on everyone, but never on me.” It might also be helpful to touch on how the relationship has changed over the months or years.

If you are working with new relationships, it can be effective to signal to the audience how this relationship will grow. In Raven Boys by Maggie Stiefvater, Blue talks about how much she hates Raven Boys, but in doing so, we get a strong sense that her opinion is going to change.

3. The Characters Know Each Other Too Well

Audiences love it when characters know each other too well. In fact, one character may know the other person better than that person knows himself. It’s like with Harry, Ron, and Hermione. As the series progresses, whenever Hermione is about to have a “Hermione moment,” where she goes off to inform Harry and Ron about something she read about, Harry and Ron exchange smiles. They know Hermione so well that they can sense where she is going, and they share in it. They actually both come to find her scholarly moments endearing. In the movies, we hear them finish her sentences.

Hermione: I had some questions, so I decided to go to– Harry and Ron: –the library. Interestingly, some of these things they find endearing about her, they found annoying in the first half of the first book. This sort of thing can be fun to play with. Maybe you have a character who is really good at picking up others’ ulterior motives, and your protagonist likes that about her . . . until she uses that skill on him. Then he finds it annoying. So sometimes you can flip-flop what they like or don’t like about each other, and that can be entertaining and make things complex.

In real life, we often predict how friends, family, or coworkers will react to certain things. Sometimes we even imagine conversations with them. Your characters can make predictions and have these fake conversations too (just make sure to use this in moderation).

Because these characters know each other so well, they know exactly how to be there for one another, how to help, and protect each other, when it counts. (Or, alternatively, get under the other’s skin when they need to.)

4. Write a Relationship Where Characters Grow Together

These characters need to grow–together. They need to grow as individuals in front of each other, and they need to grow closer.

In Good Omens, we see how Crowley and Aziraphale’s relationship grows throughout all of Earth’s time.

In Guardians of the Galaxy, we see how the guardians become family. While they are each unique individuals, they also begin to function together as a more cohesive unit (and hey, they all like Peter’s music).

Don’t be afraid to take a moment near the end of the story to drive home how this relationship has arced. Make sure to validate the personal journeys these characters took. How has this relationship changed them? How is where they are now different than where they started? What has been gained and lost?

In Guardians of the Galaxy, the characters move from attacking and even trying to kill each other, to holding hands (something Peter wouldn’t even do with his mom when his own personal “world” was ending) in an effort to save the galaxy.

There are plenty more ways to make the positive relationships in your stories meaningful. Hopefully, these four tips will help you write yours.

#writing tips #writing tips and tricks #writing help #nanowrimo #fanfic #writeblr

[caffstrink]

playing omori is legit like. a worse version of any yume nikki fangame. the game design is so poor and considering how long it took to even come out, with allegations the creator used the kickstarter money for personal purchases… it’s kind of insane and inexcusable how bad it is. idc how much you like the story if it takes 25 miserable hours to get there!!

EXACTLYYY and honestly playing through it, it felt so... passionless. I think its kind of obvious that omocat only expected to have a few backers instead of the kick-starter blowing up and overfunding her rpgmaker game.

For some comparison:

Undertale : USD$51,124 kickstarter budget, took 2 years to release

Hollow Knight: A$57,000 kickstarter budget, took 3 years to release

Omori: USD$203,300 kickstarter budget, took SEVEN years to release

It was a known fact before omoris release that omocat took the money and spent it on their clothing line and shop (in fact one of the promos for their shop opening was that visitors would get to play a demo for omori, which enraged the kickstarter backers who had been left in radio silence for years and were apparently not even going to be able to play the demo unless they went to the shop, and then the demo was released on a fucking dropbox link.) And for a while a bunch of backers fully believed they had been scammed. Plus one of the funding goals was to make omori available for the 3ds, which not only is impossible for the rpgmaker engine, but also by the time the game released the 3ds was defunct.

And you know, maybe its just because omocat is an artist who didn't really know much about game design. Maybe that's why it got so messy. Sure! It could be that! But even then, by art standards, omori lacks A LOT. only the main characters get to have face portraits despite there being many reocurring relevant characters both in dream and real world, and ALL the main characters have the same head and bangs like they were made on a fucking picrew. The monsters and npc designs were absurdly lacking (like come on look at the sprout moles) and as much they bragged about slime girls composing the ost it was actually pretty damn mediocre. The pixel art too, for the most of the dream world its repeated assets over and over (the forest is SO ugly with all the reused trees) when it's not referencing yume nikki imagery

Also sorry but i have to mention again how hideous the forest areas look with the same trees copypasted everywhere. Like damn dude at least change the colors a little.

Not to mention the gorgeously made pixel part with that mspaint spray effect (its ugly. Im saying its ugly. What the fuck is this dithering.)

And the funny thing is that the (real world) story is actually pretty solid for a horror game. But in order to experience it you have to sit through extremely cringy, annoying and excessive dialogue written by adults who don't really know how kids talk and interact with each other. The dream world segments take up 80% of the game and every single arc in it SUCKS. They're overdragged, uninteresting, unfunny and obnoxious. But haha look if you do this you get a jumpscare! Isn't this game so deep????

And after omori got released it feels like you just can't do creepy cute things anymore without being compared to it. Its tiring 😑 fuck poomori

[lnkedmyheart]

I don't know, I think its weird that so many people are trying to blame soukoku shippers for imaginary problems and acting like skk shippers have a gun to their head forcing them to do things.

Like I dont understand how Hoshikawa drawing 15 is a bad thing just because the same artist made beast just because YOU made up some headcanon in your head. I dont understand why any exploration of Dazai and Chuuya's dynamic in the past gets written off as Asagiri being forced to pander to the "yaoi loving fetishizing" skk shippers as if those two aren't major parts of each other's past and don't have a complex and deep bond. I get being overwhelmed by too much skk content when you dont like it. But to actively make up lies so it can justify your hateful narrative against a bunch of people just trying to enjoy content through made up non existent scenarios is weird as hell to me.

And it just rubs me really weird that skk shippers get written off as yaoi fangirls like many of us aren't queer people interacting with a queer ship. Or is yaoi fetishizing only limited to skk or other popular ships and not whatever ship the anti fixates on?

The number of times I have seen the mildest interaction between skk be written off as cheap fanservice and pandering to the skk shippers is insane. Chuuya appears and doesn't talk about Dazai? Cheap fanservice. Chuuya shows up for a plot relevant role? Cheap pandering. Dazai has a nice moment with any other character? Character development. Dazai is nice to Chuuya? Cheap fanservice. And the moment we got light novels and side manga adaptations of said novels for skk everyone just started raging at and bashing skk shippers and Chuuya stans like we were personally offending people that Asagiri decided that 1 of his many bsd pet projects happened to be about the past of a character who is a major part of Dazai, one of the main character's past. As if stormbringer, fifteen, dead apple and the dragon head prologue parts didn't add anything to Dazai's established character.

I am so tired of skk haters acting like they are the victims of neglect by Asagiri or acting like Asagiri, Hoshikawa and Harukawa are sobbing in a locked room and only getting slices of dry bread when they pledge allegiance to skk nation or some shit.

#personal #rant #just the sheer amount of bashing that has been going on in the fandom of this group because c was brought back to the main manga #the rage posts about how c being brought back is a bad thing #how him so much as breathing in d's vicinty is a bad thing #its almost like you hate the idea of their dynamic being treated as anything more than surface level hate #just so you can justify mocking and harassing the shippers and acting like tragic victims when they respond #and yes I know the shippers can be fucking annoying sometimes but if I an actual shipper can avoid them via careful curation so can you #today i literally saw a massive number of antis bashing a shipper for curating their experience by muting words they didnt like

[directdogman]

hello there dog!!! firstly, i just want too say im incredibly proud too see how far you have come, dialtown is so special too me, and for not only that game to be so loved, but also for you too be so involved in the community, is amazing keep up the great work! i do have a question, i am working on a theory pertaining to my favorite characters gingi/milton, and if i may, i have a couple questions about him specifically, if you don't mind of course :) 1. what made you come up with the design/personality of gingi?

2. what are your personal feelings/thoughts on gingi? are you satisficed with them as a character? or are there anything you wish you could change now? 3. this is a wierd one but, gingi generally does not really care what he looks like/what others think, so im really curious why hes so meticulous with making his phone/type head, and if he is so bent up about it, why not try to get someone like Oliver to make him a more proper one? instead of replacing the rotten flesh over and over

4. idk if you can answer this one, but i dont think it can hurt to try...was gingi around, before callum lost his mind?

if you cant answer this, then i have another, what flower would best represent gingi?

Milton question:

ok so....did Callum just straight up cheat on his Marla with Milt?...or am i mistaking something? what i read on the wiki says that milton and Callum had a romantic...fling?

2. did norm know milt? where they friends?

3. does mingus know at least some of the extent of miltons involvement with callum?

4. are there any plans with milton? he seems like such a cool character with crazy potential

that's my questions done, again thank you if you answer! and if not, thank you for making a truly special game, cant wait too see more gingi and dialtown in the future

1)Design for Gingi was primarily based on Frankenstein's aesthetic applied to a the chupacabra. Personality was largely ripped from quite a few unpublished stories/ideas I had before making DT. There's a few protagonists in other things I'd written as potential new game/story ideas that are eerily like Gingi.

2)I'm really really happy with Gingi as a character and I wouldn't change anything that I've established. I like how Gingi starts the game and changes by the end because it's pretty vast, but also not a complete change (and it happens very very gradually.)

TBH, outside of Gingi's interactions in DT, the fandom doesn't really know anything concrete about Gingi due to Gingi's poor memory. Until Gingi formed real human relationships, there was nothing to anchor to, just fragmented and barely remembered individual interactions. Honestly, the bigger picture is really interesting and I'm very happy with Gingi as a protagonist and I'd love to make sequels to DT as I've had concrete ideas for where the character would get up to in potential sequels for years now!

3)Gingi's flesh-head is a bit of a mystery. Gingi doesn't have the same adverse reaction to rotting things that most people do, but does have a general chip in its shoulder about being judged as lesser by others. Gingi (generally) does not make efforts to change its appearance to be seen as less repulsive by others, as we can plainly see from the fact Gingi often forgets (or refuses) to wear clothes.

4)I have all the main character date of births written down, so I could tell you Gingi's exact age... but it's more fun if I don't.

FOR MILT:

1)I'm not really sure why the wiki says that. There's no canon materials that state that Crown + Milt had an affair together. I think someone just read between the lines and stated their hunch as a fact.

2)Norm and Milt met but didn't know each other well. There was a cut mention of Milt in Norm's dialogue, but after a lot of head-scratching, felt the topic was too forced. Norm wouldn't have volunteered the information unless it was relevant to the scene and Gingi would not have asked.

3)Mingus knows about Milt, though not intimately. The only person alive during Mingus' lifetime who could've talked about Milt to her was her grandmother Marla, who was a husk of a person for Mingus' whole life (and in particular, talking about Milt would've hurt too much for her given their closeness.) Mingus knows about Milt from her obsessive study of her paw paw's presidency, but not much more than any historian/social studies teacher would. A lot of information I'd consider very important about Milt was never put to paper.

4)I'm not 100% sure why the fandom likes him as much as they do, given how little of him the fandom has seen (and how little information there is about him out there so far.) I just wanted a few references to him included in canon so I could potentially reveal more about him one day without fans wondering how this SUPER important character had never been mentioned. It's incredibly likely that I'll show more of Milt in future DT stuff due to how instrumental he was in Crown's decision-making + rise to power. There would be no practical way to expand on Crown without discussing Milt more.

There's a much bigger picture that the fandom hasn't seen much of that Milt is very important to, though it isn't often relevant to the modern day events of DT. Understanding Milt isn't important to understand DT itself, but is to understand both Crown and exactly how the world (and by extension, Dialtown itself) ended up exactly the way it did. And with time, I will discuss that some more.

[a-court-of-moonlight-and-ire]

I got caught shoplifting a few weeks ago so Im gonna have a court proceeding (? if thats what you call it in english idk) in a couple hours and Im a little bit nervous but the shit I stole was only worth 7€ and it was my first time getting caught so I dont think it'll be too big of a deal. Honestly Im just glad I didnt get caught while I was stealing ~85€ worth of acotar books, because my punishment would not only be wayyyy harsher it would also just be embarrassing, imagine stealing sjm books when theres so many good books you could steal from a bookstore

Anyway, speaking of acotar books, its livebloggin time. Last time, Feyre and Rhysand came to this cabin in the woods/inn in the middle of nowhere and stayed in a room thats so small that you couldnt even have sex in it and then they had sex. not penetrative sex, they just fingered each other. Which is to say Rhysand fingered her vagina and Feyre fingered his wings because god forbid a man be on the receiving end for anything other than a blowjob. Also, I guess Mor, Cassian and Azriel are somewhere else? I didnt wanna say anything about them being gone bc I just kinda assumed they were staying with Feysand but they seem to be gone. whatever I dont care about those guys anyway

Chapter 49

Feyres internal declarations of love and wanting to be with Rhys forever feel very shallow when you consider the fact that 1) theyve only had like 3 months worth of non-traumatic interactions with eachother, and 2) she thought the exact same way about Tamlin and then she DIED FOR HIM and then she left him after barely half a year

'"You know exactly that I would do anything for my people and my family."' 'Your people' consisting of one (1) city

Feyre's pussy feels slightly raw from getting fingered hours ago?? thats not a good sign.

'"I'm not gonna turn away from you. Not from you," I promised him quietly.' honestly, i can believe that, if you can fully forgive someone for physically torturing and sexually assaulting you after like a month or two you can forgive them anything, I have no idea why Rhys would be worried about that

can you imagine if Rhysand got shot with poisoned arrows and he just died right here. Life could be a dream but alas, I live in a nightmare world

I actually really like Feyre going feral over her love interest like this (even if that love interest is Rhys) I dont we're gonna get much more of that in this series so I shall savour it

Yeah, now that she mentions it, how come one ash arrow was enough to straight up kill Andras but Rhysand gets hit by like a dozen and hes just fine after this. I guess it could be that Feyre shot Andras in the eye so it was more lethal than Rhys getting shot in the back and wings but still, afaik there are no longterm consequences from this, like hes not even gonna have to deal with idk, his back hurting at certain points or something

Im not a fan of Feyre being so murderhappy now when she was reluctant to even kill animals at the start of this book, like at a certain point Im not so much bothered by Feyre's character being retconned from ACOTAR but her character from start of ACOMAF

Damn I didnt think the sex would be anything other than a pointless diversion, but here it is, being plot relevant

How come these guys have been torturing him by just stringing him up and leaving the arrows while they whip him, if I was an evil torturer and had just gotten my hands on a guy with wings Im sawing those badboys off immediately. or should i say batboys ahahahha.hahha

Oh, just a splinter of ashwood can he deadly but of course Rhysand is gonna be pretty much fine after being impaled with seven whole arrows

'"And Elain would love [Velaris], I'm sure of it. Although she would probably cling to Azriel the whole time, looking for safety."' smth about that line feels icky to me, I think its the fact that I dont think Elain actually properly interacted with Azriel at this point and also, Velaris is a perfect paradisical city what on earth would she need his protection for there

ughhhh all this bullshit with the dresser is so unbearably annoying

I guess I'll see how this all actually pans out next chapter, but right now I gotta say I dont like the fact that Rhysand's wounds just heal on their own, I couldve used some good whump with him. And Im not just saying that because I dont like him and Im a sadistic little bitch, even though both of those things are true, Im saying this because I think seeing him in a vulnerable position for an extended time would make me like him more

#anti acotar #anti acomaf #anti rhysand #anti sjm #flames and darkness liveblog

[gendrie]

Realistically, what note do you think or hope the books will end in regard to Arya and Gendry? I don’t expect fanfic wish fulfillment but Grrm seems to have a soft spot for them so maybe a vague romantic suggestion that leaves their future open to interpretation? Which I realize is not much different to where we’re already at lol but I just can’t imagine how their relationship would develop.

when i consider what arya/gendry will look like in the end, or just the future in general, i think about whats already in the text. the elements of romance and even sexuality within their interactions are more than a lil suggestive. ie: the two of them rolling around together is not subtle lol. the phrase "between his legs" is used twice in that paragraph. grrm wrote an exclusive to a/g love song and had the singer wink as he sang it. he introduced not one, but 2 characters mostly just to fan the flames here. gendry explicitly threatens to have sex with a girl to try to make arya jealous and he visibly dislikes a perceived rival for her attention. ect! this isn't some obscure aspect of the story. its a legitimate side plot.

so i wouldn't even describe their existing canon interactions as "vague" therefore i don't assume their future ones, endgame included, would be left entirely up to interpretation either. are they going to get married on page? and consummate the union? no. but i do expect their future interactions to continue to be obviously romantic in nature. esp now that arya is older (and gendry seems to be younger)

with all that in mind here are my realistic thoughts:

when arya returns from braavos she will rekindle her friendship with gendry and realize she's attracted to him. gendry, having endured the loss of arya, will be willing to commit to her regardless of the issues that forced them apart previously. its all going to be pg-13 and tame by asoiaf standards but they will be crushing and it's not going to be a secret. not to the readers nor anyone who happens to witness the two of them together.

as i see it theres two potential outcomes: the class difference is still insurmountable and they remain apart or they end up together in some capacity. this will probably be a controversial claim, but a/g have less barriers to being together long term than any other ship imo. consistently, throughout their relationship, gendry being "too bloody lowborn" for arya is THE issue. its the source of all the conflict between them and its the thing keeping them apart. other than that? they clearly like and admire each other. arya trusts gendry, values his perspective, and confides in him things she tells no other character. she wanted him to come home with her, to be a part of her pack.

and i want to emphasis that arya values gendry's counsel specifically because thats one aspect of their dynamic that feels very relevant within the context of their potential as a grown up couple. they make a good team and work well together. they've already endured the bleakest possible scenarios by working together. gendry is presented as a really fitting partner for arya which i think is intentional tbh.

but ultimately, can the class difference be overcome? i think it can. and not only that but i think arya and gendry ending up together can be reflective of the changes we're going to see across the board with westeros' political system. they're not going to abolish the monarchy, but there will be major changes with how the kingdom is run.

the end i envision for them is fairly understated despite all my arguing that their relationship isnt all that subtle. arya asking gendry to come home with her to winterfell (again) would be enough, but thats not vague to me either. the meaning will be clear.

all that being said HEAs are not going to plentiful in asoiaf. grrm likes "we'll always have paris" type romances where two people meet and change each other, but go their separate ways. it could be that is what happens with arya and gendry. im realistic, if not bordering on pessimistic, so i want to embrace that possibility! but everything on paper is telling me they're supposed to end up together. not least of all bc in order for this romantic build up to actually come to full fruition they have to be grown which won't be until post series.

i try to keep my expectations low too but is it wish fulfillment to expect substantial pay off? idk.......grrm has been teasing love, sex and even marriage with arya and gendry for like the entire series actually. since that "arya has the hands of a blacksmith" comment in the first paragraph of her first chapter. he better do something!!!

#ask #gendrya #this got long lol #hopefully its coherent i got a lotta thoughts #i felt like i couldnt address the end without getting into a few other points