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#its no longer there during the death of the first born
phoward89 · 2 months
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Based on this ask
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Coriolanus Snow knew firsthand the deadly risks of childbirth, considering he watched in horror as a young child when his own mother and baby sister died, but he knew that he needed an heir to carry on the Snow name. When he planned on marrying for hate, well, he could care less what happened to his wife during the delivery.
But, somehow, all his plans and views on marriage changed when he met you. You were hired as his secretary, so you spent a lot of time with him. Coriolanus never planned on falling in love with you, but he did. Hell, he even killed your boyfriend in order to make you single again so you'd be able to go out with him.
And when you accepted his offer of dinner, which came with a single white rose, a few months after the death of your longtime boyfriend, he did everything in his power to make you fall in love with him. Coriolanus was successful, you fell hard and fast for him. He was too charming not to let wiggle into your heart, and into your bed.
The president needed a first lady, so he proposed and married you. But it was a bit scandalous, considering you were his secretary. After a couple of negative articles in the media, well, Coriolanus got rid of the writers and made sure that the studios and printing presses in the Capitol (all of Panem actually) knew that if another foul word was printed about his relationship with his wife then he'd kill every single person in the media office.
Safe to say, only articles praising President Snow and First Lady Snow’s love and glamorous life hit the press after that.
And then, of course, came the subject of children. After discussing it, you stopped taking birth control. And you ended up getting pregnant right away.
Seeing you so round with his child gave Coriolanus joy. Gave him an ego boost because he was the one to plant his seed in you. You were carrying his child. His precious baby.
The baby was no longer looked at as an heir, but as a baby to love.
And it was all because of you.
“Coryo, I have my top list of baby names finished.” You told your husband, who was lounging in bed wearing only a pair of sleep pants.
Coryo watched as you sat across the room, placing his fountain pen back into its holder after writing down the final name on your baby name list.
After discussing it, you both decided to wait until the baby was born to discover the gender. You wanted to be surprised and Coriolanus just wanted you to be happy.
“Are you going to let me see it, my darling?” Your platinum blonde husband asked as you slowly stood up from his corner desk.
Placing a hand on your large belly, you smiled, “Of course I'm going to let you see it.”
Grabbing the list, you slowly walked over to the bed. After getting into bed, you handed the list to your husband. “Tell me what ones you like, Mister President.”
Coryo kissed your cheek and smiled. “Of course, First Lady Snow.”
He read over the list, only to discover that you had more boys' names than girls written down. After giving it some thought, he told you, “Cassian Xandros is perfect for our son. It's a strong name.” Mulling it over, he pointed to a name on the paper and announced, "Cersei sounds nice for a girl.”
“It's not nice, Coryo, it's beautiful.” You countered, pulling the list out of his hands. “Looks like the baby has a name; all we need to do is wait for it to come.”
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The day your daughter Cersei Snow was born was the day that your husband decided to hate her.
The day didn't start out with him hating his baby girl.
No, it started with your water breaking and a trip to the hospital. Coriolanus canceled all of his meetings, briefings, and work for the day just to be by your side.
He was very supportive during your labor. Letting you hold his hand during painful contracts, smoothing your hair back away from your sweaty face with a damp rag, and buzzing the nurse multiple times for both ice chips and pain medication for you.
The nurses all gossiped amongst each other about how President Snow was the perfect doting husband and and father to be. That he'd make a very good father.
Little did they know.
Little did anyone know what would happen once the doctor came into the room and announced that it was time to start pushing.
Coriolanus was by your side as you pushed and pushed. With every push he noticed you were getting weaker and it worried him.
Looking between your weak, pale form, and the doctor that was sitting at the bottom of your bed, Coriolanus asked, “Dr. Wellock, my wife's growing weaker. Is there something you can do to get the baby out?”
“There's nothing to be worried about, President Snow. Labor’s a strenuous event; many first time mothers grow fatigue and can push for a while before the baby crowns.” The doctor told your husband, more or less blowing off his concern.
You were exhausted but determined to have your baby. Even tho you were feeling dizzy, you continued to bear down and push every time you were told to.
Then, when you felt that you didn't have any more strength coursing thru your body, you gave birth to your baby.
You saw Dr. Wellock hold up the baby and announce, “It's a girl.” Suddenly, your vision began to get fuzzy as you heard the doctor ask your husband, “President Snow, would you like to cut the cord?”
Coriolanus was about to answer whenever he saw you faint, paired with blood pooling around your legs and staining the bed.
“What's wrong with my wife?!” Coriolanus asked, fear filling him as the doctor quickly cut the baby's cord and tossed her to a waiting nurse. “Dr. Wellock, is my wife dying?!” Coriolanus asked in a panicked scream, while the nurse quickly cleaned the baby and wrapped her into a blanket.
“Your wife's hemorrhaging, President Snow.” Dr. Wellock told your husband, only to point to the nurse and tell her, “Give him the baby and get him out of here.”
So, the nurse dumped the baby in Coriolanus' arms and pushed him out of the door. Before the president could blink, the door was slammed shut I'm his face.
As Dr. Wellock and his nurse worked to staunch your bleeding; save your life, your husband stood outside of your room with your newborn baby girl in his arms.
Coriolanus looked down at the tiny baby wriggling and crying in his hold, only to look at the door of your room and realize that you're dying because of the thing in his arms.
Cersei’s what the two of you decided to name her, when she wasn't a danger. Wasn't the reason you're dying.
Coriolanus felt disgust and hatred for the newborn in his arms. He didn't want to hold her anymore. She was the reason why you're knear death right now.
So, your husband found a nurse to pawn the baby on.
Coriolanus swore to himself that he'd never touch that evil little creature ever again. That he'd never love her.
It didn't matter if you lived or died, he was going to hate your daughter until the day he died.
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You didn't die in childbirth, but it was a close call. The doctor explained that you had bad hemorrhaging due to your uterus not contracting correctly after the birthing process, causing uncontrollable bleeding. You were given a blood transfusion, once Dr. Wellock managed to stop the bleeding, due to your blood pressure being too low after such a large blood loss.
You were out of it for days, but you survived.
You were happy to be alive and with your family. Coriolanus and Cersei.
But it didn't take long for you to notice that Coriolanus never picked up your daughter. He never held her, hell, Coryo never seemed too interested in her.
Unless it was for a photo op. Then he turned into the perfect hands on dad that would pose for pictures. But as soon as the cameras stop flashing, the president stops caring about his daughter.
You thought that Coriolanus would get over it; would come to accept your daughter in time. But…sadly…your daughter's first birthday is fastly approaching and your husband still doesn't seem interested in her, unless it's for a photo op.
It saddened you, knowing that Coriolanus was offish to Cersei because she wasn't the son he probably wanted to carry on the Snow name. You loved your daughter and you were sure that your Coryo loved her too, but was just disappointed that she wasn't the strong son he probably had his heart set on.
He did pick out a boy name right off the bat when you handed him your list of baby names last year.
Maybe if Coryo had a son to carry on the Snow name, he'd be happier in his role of fatherhood?
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Coriolanus walked into the sunroom only to cringe when he saw you coddling Cersei. The damn little creature nearly murdered you during the birthing process, but you were holding her as she napped on you.
Goodness, there was a portable cradle in the room for a reason.
“She's nearly a year old, you shouldn't be letting her sleep on you like that.” Coriolanus told you, taking a seat at the small tea table. He never even tried to hide the disgust in his voice.
“There's nothing wrong with holding her, Coryo? She's my baby girl.” You responded, causing your husband to just shake his head while reaching for the teapot that was in the middle of the table.
“She's a toddler now, darling. She's not a baby anymore.” Coriolanus scoffed, pouring himself a cup of tea. “Do you want to have afternoon tea with me, or are you going to coddle Cersei all day?” He asked, grabbing a macaron and placing it onto the small plate that was in front of him.
“I'll have tea with you, Coryo.” You thinly smiled, only to rise from your spot on the sofa and place your daughter into her portable crib.
As you made your way over to the table, your husband fixed you a cup of tea and plated you macarons. When you sat down, you decided that now was the time to bring up the subject of having more children.
Little did you know, after your near death experience, Coriolanus got himself snipped. So…it was impossible for you to have any more children.
But he wasn't going to tell you that.
Reaching for your teacup, you told your husband,“Coryo, I think we should have another baby.”
“No.” Was Coriolanus’ quick and cold reply.
“But, we could have a son this time “ You pressed, knowing that your husband wanted a son. Wanted the Snow name to live on.
But you were wrong. Coriolanus didn't want a son to carry on the Snow name, he wanted you alive to be by his side. He loves you to the point of obsessive possession. The love Coriolanus has for you is all consuming, like a plague of locusts devouring an entire field of crops in District 11.
Coryo took a long sip of his tea, only to cut eyes with you over his teacup and firmly say, “I said no, Y/N.” placing his teacup down, he gave you the lame excuse of, “I'm a very busy man, my little dove. Being president takes much of my time away from my fatherly duties; we can only handle raising one child. More than one would be too much for us, considering you refuse a nanny.”
“I told you when I was pregnant with Cersei that I want to raise our kids. I don't want somebody else raising them, no matter how it might be easier considering your role in politics.”
“My role in politics?” Coriolanus chuckled, biting into his macaron. “I'm the President of Panem, that's more than just a role in politics.”
Sipping on your tea, you sighed, “Fine, Cersei’ll be an only child.”
Grabbing your hand in his, Coryo promised, “Our daughter will never want for anything. She'll be showered in a life of luxury.”
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That wasn't true. Your daughter grew up wanting her father's love, but she never got it. Coriolanus was always so distant and cold with Cersei.
She hated him, but that was fine with your husband since he hated her right back.
You always thought that your husband resented your daughter for not being a son, for not being able to carrying on the might and noble Snow name.
But that wasn't the case at all.
Coriolanus Snow hated his daughter, Cersei, because you nearly died in childbirth with her. Nothing would every change that. He'd hate her til the day she died.
At least when your daughter died, it was bringing your beautiful granddaughter into the world.
A granddaughter Coryo named Celeste Snow, since your daughter was unwed at the time of her unexpected death.
Your husband was a better grandfather than he was a father. You thought that he might've felt guilty for being so distant and busy during Cersei’s childhood, that he decided to right his wrongs while you raised Celeste.
Little did you know, Coriolanus loved his granddaughter because she killed her mother in the birthing bed.
President Snow was a horrible, heartless man with a soul darker than a black hole. But at least he loved you and loved his granddaughter.
Too bad he hated his only child her entire life.
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Tags: @kuroosbby001, @purriteen, @poppyflower-22 @meetmeatyourworst, @whipwhoops, @bxtchopolis, @readingthingsonhere,@savagenctzen, @ryswritingrecord, @erikasurfer, @tulips2715, @universal-s1ut, @thesmutconnoisseur @squidscottjeans, @sudek4l, @wearemadeofstardust0, @mashiromochi, @gracieroxzy @belcalis9503, @shari-berri, @aoi-targaryen, @whiteoakoak @spear-bearing-bi-witch, @gisellesprettylies @loverandqueenofdragons, @qoopeeya, @mfnqueen1, @permanentlyexhaustedpigeon88
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withoutyouimsaskia · 2 months
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Sometimes It's Fated (Sandman Short Story Part 1)
Part 2 | Part 3 | Part 4
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​GIF: Originally posted by @tavners
Pairing: Morpheus/Dream of the Endless x AFAB reader
Summary: Reader Self-Insert. After restoring the Dreaming and locating the missing dreams and nightmares, Morpheus turns his attention to finding you, the human he believes fate has chosen for him. (Title inspired by Placebo's "This Picture".)
Warnings: Minors DNI. Dark!Morpheus. Soulmates. Angst. Obsessive and possessive behaviour. Tension. Home invasion. Voyeurism. Implied masturbation. Dream manipulation.
Word Count: 2.6k
A/N: Wow, this took way longer to finish than I had originally planned. My head's been all over the place with trying (and thus far failing) to find a new job. The themes are very different to what I've written before; I hope it reads okay. Please let me know what you think. All my love, Saskia xx
Sandman Masterlist
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Fate.
A phenomenon that governed every particle of matter within the known universe and even those beyond.
Some considered it a comforting concept that excused them from the burden of decision making, citing: "I'll leave it up to fate." For others the phrase was a cursory, throw-away comment or a romantic line they heard in the lyrics of a song.
The real truth of the matter was that Fate was a trio of immortal beings, goddesses, with sight so potent that they knew the past, present and future of every individual to have lived. The mythology of the Greeks, Romans and Norse hadn't been too far off with their stories of the Moirai, Parcae and Norns but of course, no humans really believed there to be any realism in myths. They were just stories. It didn't matter either way; they existed and had influence regardless of what the majority believed.
For beings such as The Endless siblings, the presence of Fate in the cosmos was not only real, but also something that affected even themselves.
For the King of Dreams, an eventuality had been prophesised long ago by The Kindly Ones that spoke of a bond that was to be forged between himself and a mortal.
Lord Morpheus, in his pride, had tried to be above such a foretelling, even questioning its validity because the notion of a mortal accepting his version of the universe seemed wholly implausible.
But he could not truly stop himself from wondering about you, reaching out to see if he could feel your presence in the minds of the dreamers he hosted.
It wasn't something he indulged in with frequency. More of a once-in a-decade interval. Enough to appease his curiosity.
Of course, this was put on hold during his imprisonment at Fawney Rig.
Morpheus had had much to contemplate during this period. The damage his absence caused to the collective subconscious, the decay of his realm, the loss of freedom and dignity. There was also a chance that you had been born and died in the 106 years he spent in captivity.
What if he was too late and had lost the chance of discovering who you were?
It was a nauseating prospect that scraped and scratched a space deep within his being; bleeding him of his remaining stores of hope that were so significantly depleted after the death of beloved Jessamy.
Despite the nasty emotional wound, finding you was a charge that he assigned at the end of his priorities after his escape.
Recovering his scattered tools, restoring the Dreaming, locating his absent creations, unravelling the mystery of Rose Walker and confronting Desire all had needed to come first.
The latter interaction had left Morpheus with a seething rage that was currently propelling him down the boards of the dock that sit above the Ocean of Dreams.
The dense mist in the air is buffeted by his movements and the only sounds are the tread of boots, the creak of wooden slats and the lap of water.
With each step, the liquid becomes choppier as it reacts to its master's mood and by the time he has reached the end of the dock, the surface of the water roils fervorously, completely in line with Morpheus' dangerous temperament.
The words of Desire's final silken-toned taunt echo in his mind with grating persistence.
"Oh, poor Dream. I really got under your skin this time, didn't I?"
He is loathe to admit there is truth in the question.
There are moments where Morpheus ponders the turn that the relationship between them has taken. How Desire went from being his favourite sibling to someone one shade shy of an adversary. Their faultless adeptness at provoking his temper and manipulating the events that encircle him would be impressive if not for the danger posed to humanity.
The agitated water eventually draws focus to how out of control he and his emotions have become. Morpheus knows he must get them in check, and quickly, for he knows the consequences all too well should he ignore it.
He clenches his fist and swallows it all down, pushing it deep inside his belly until the crackling entropy of the anger is fully dispelled.
Morpheus then sweeps his coat out behind him as he sinks lithely into a crouch. Trepidation nips at his heart and tugs his attention to a sobering thought.
This foray into the water may be fruitless.
You may be long gone and there would be no way of ever knowing you.
His nostrils flare as he takes a deep breath; he has run out of excuses to not look, even if he is afraid of the outcome.
Long, delicate fingers dapple the surface of the inky ocean. The waves still at the touch, obedient to him with instancy.
He repositions to full height and reaches into his coat to find the pouch of sand stashed in the pocket. A handful of twinkling grains slip off his palm into the ocean, lighting the water it touches to a luminous green.
"Find my soulmate," Morpheus commands silently.
The intention is set. He steps off the dock into the water.
At first, like every other prior attempt, there is no sign of you. Morpheus floats submerged in the tepid liquid, filtering through the hubbub of countless other dreams and nightmares.
Then there is a pull.
It is faint yet indisputable. Warmth explodes in his chest and he groans inwardly from the delicious sensation of relief.
You are alive, and you are dreaming.
A path of radiance appears in the water, a line that shows your connection, and provides a location for him to hone in on.
Morpheus dives deeper without hesitation.
As he reaches the edge of your subconscious, he rejoices that he got a handle on his emotions. He wouldn't want your first perception of him to be one tinged with rage, however unaware you were of him, with your soulmate being the source.
He hesitates for a moment before entering the dream you are in and is somewhat taken aback by what he finds.
A room comprising of four blank walls, a floor, a ceiling and a door. There is but one other feature; a window, and its view is as non-descript and inoffensive as the internal space.
You stand by said window, head turned from him.
Despite being unable to see your face, he sees your anxiety with immediacy. It is an aura hovering about your body, being sucked into your lungs with every fast-paced breath.
You begin to throw glances towards the door. Morpheus filters through the layers of the dream. No one is scheduled to come across the threshold.
The more he observes, the more questions arise in Morpheus' mind.
What was making you so affected? What were you expecting to happen?
There's nothing in the scene that is intended to be unpleasant yet you are reacting in a way that most observers would characterise as unsettled.
Morpheus, despite not yet knowing you, doesn't like to see you this way. His dominant instinct is to end the dream but he quashes the desire to review the bigger picture.
The empty room dream was symbolic of a beginning.
It clicks into place.
What you were feeling, even if on a purely instinctual level, was the anticipation of meeting your soulmate and starting your new life.
Morpheus steps into the frame, just a couple of paces behind you.
You feel his presence instantly, eyes full to the brim with tears as you whirl around with a soft gasp.
You see him.
The tears spill and patter onto the white floor.
Morpheus reaches out, overcome by his need to provide comfort.
You disappear.
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Morpheus is sat on his throne. He pores over the book he had located in the Dreaming's library a little over a week ago that contains the details of your life. It is something he has taken to doing when the impatience of waiting for you to fall asleep becomes too keen.
Your subconscious has him enraptured, watching it every night as if it is a stage show. Each dream he delves into is like the tug of fingers on a loose thread, your psyche has begun to unravel before him.
Everything from whims to cravings, hopes to fears. Your temperament, the things that delight and irk you. What drives you and demotivates you. He consumes it all with an insatiable hunger.
Based on the projection of yourself that he sees, there is no doubt that he is attracted to you.
All that prior haughty disregard for the Fates' prophecy has been cast aside like a negative thought in a meditation session. Morpheus is a romantic. A believer. He is ashamed to have even doubted your coming.
He wonders if it would vex Desire to learn of him finding his soulmate and by extension, the prospect of companionship, perhaps even physical intimacy or love.
It is all too easy to imagine the sickly sweet grin they would smile at him, shown to be fake by the almost imperceptible contempt glinting in their golden eyes.
Would his triumph drive them to distraction?
It is this smug sentiment that spurs his next decision. He wants more. The next logical step is to find you in the waking world.
He rises from his throne, a sure hand ready to bring forth his pouch of sand when he falters.
Tears pool in his eyes.
His mind is suddenly marred with the memories of what happened in 1916. The agony, mortification and rage that followed. He couldn't go through that kind of treatment ever again and the waking world expanded the risk of it transpiring.
"No," he says resolutely. His sadness turns to resolve, the hard line of his grimace matching those set in his brows.
He will not let the actions of a group of mortals dissuade him from going to you. And besides, he has researched everything he can about you from within the safety of the Dreaming.
He takes a measure of sand and uses it to materialise within your bedroom.
It is obvious from a quick scan of it that deliberate attempts have been made to ensure the space is cosy and calming.
Two marshmallowy pillows support your head. The cotton sheets have been meticulously tucked to avoid drafts. A lavender reed diffuser fragrances the air with a subtle scent. There are no devices or screens visible.
Everything has its place. A coaster supported glass of water within reaching distance. Touch activated lamp in case of emergency. The diary lined up with the back left corner of the bedside table, pen placed parallel in the spine dent. All clothes are in the wardrobe or stashed in the laundry basket.
Morpheus moves to the curtain-shrouded window and delicately moves the dark, heavy fabric to catch a glimpse of the outside world.
The scene is sepia stained from an old streetlight positioned right outside your home. It explained the choice of curtains.
You stir slightly from the change in environment and Morpheus allows the curtain to fall back in place. He remains stationary until your breathing returns to its previous pace. It is imperative that his presence remains undisclosed. He knows that mortals do not take well to home invasion.
Then, your right hand slips out from the duvet cocoon revealing a cushion cut ruby ring on your middle finger.
He smiles exultantly. The similarity between the jewel and his own now-destroyed dreamstone was undeniable.
The Fates were making it transparent.
You were the one.
Morpheus approaches the side of your bed now. In your momentary discomfort, you had moved your head, making your whole face visible to your uninvited guest.
He bends gracefully so his face is closer to yours and observes you with an intent fascination.
Even in the gloom, Morpheus asserts that your features are even more captivating now that he is able to look upon them in person and is certain that if he could guarantee an absence of fear then he would fall to knees and worship you right there.
Fingers stroke a lock of hair splayed across the pillow and his thoughts turn darker still, imagining what he would do with you if he could get you alone in the Dreaming. How he would seduce you with words, and then pleasure your body with his own until you were senseless.
Getting you there would be so easy, all he needed to do was move his hand up and touch your skin and -
Morpheus stops himself, deciding that now is not the time for an introduction. He will wait until tomorrow. You need to rest. It will be quite the revelation for your sweet mortal heart.
Morpheus whispers a promise, "We will be together soon, my precious soulmate."
He leaves after taking one last look at your peaceful form.
When he returns to the Dreaming, Morpheus discovers that the visit has riled him way beyond what he thought possible.
It was supposed to sate his curiosity and answer some questions.
It has done the opposite.
His craving for you is sublimely intense, opiate-like in its ensnarement.
He needs to possess you. To have you all to himself. Everything would fall into place. Loneliness, disillusionment, jealousy; they would never darken his outlook again. You would heal him, he is certain of it.
He paces restlessly in the low light of his private chambers as heat ripples beneath the surface of his being, charging him with pure sexual lust.
He hungers for the moment when you feel the same about him.
For now, all he can do is stand and touch himself while thinking of your face, an act that has been carried out repeatedly in the days since he found you in the Ocean of Dreams.
An erotic idea enters his mind.
Your subconscious is still in the Dreaming; he knows the feeling of it intimately.
Perhaps he could bring you a dream mirroring his own current fantasy.
To give you a taste of what was to come.
A gift that only he could bestow.
The mere thought of it turns him on even more. His back arches and his eyes roll back as he choses the words through which he would deliver the offering.
"Dream of me," Morpheus murmurs breathlessly. "Dream of me."
He repeats the phrase until he is unable to continue, moans taking over the darkened space around him.
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It is dusk the next day when Morpheus returns to the waking world.
The instant he touches down on the Earth's surface, he knows exactly where to go. The metaphysical connection between you is as strong as the energy pulsing through a ley line.
The city he is directed to is thrumming with life but the side street he stands in has been spared from the furore.
It is fortuitous that he is permitted to be unobserved for Morpheus is struggling now with the urge to get closer.
Providence is pulling him in and also locking him out.
He walks up to the door and then an invisible force makes him back away.
He doesn't even try to fight it.
The Fates hold all the cards. Morpheus is beholden to their each and every whim.
It is surprisingly liberating.
He is dancing in the cross hairs. Blinkered by the tie the universe has fashioned for you.
All he has to do is wait.
The door to the building is pushed open.
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Taglist: @herfantasyworldd
"Fate. Up against your will. Through the thick and thin. He will wait until you give yourself to him."
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aevumgames · 9 months
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✦ | To light the darkest of paths.
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Those Long Dead is a medieval fantasy interactive fiction story, with angelic imagery and themes worked in, and a focus on romance. It is rated 18+ for depictions of swearing, potential sexual themes, violence, and death. More warnings may be added as development goes on.
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Three generations.
That's how long it's been since this kingdom was conquered. In a time of great upset, the First Queen led a rebellion against reviled rulers and oppressive laws. Waging war with unmatched cunning, she rallied many powerful soul mages, known as angels, to the cause. From that conflict, the kingdom of Calcherth was born, built on the bones of the old empire. The First Queen ruled with great compassion and wit, but not all sins are forgiven with time. For the deaths she had caused during the war, the First Queen was murdered by the very people she had endeavored to lead.
The loss of its ruler did not spell the end of Calcherth, however. The coup was quickly suppressed, and the First Queen's son took the throne in her place. Now, many years later, the scars on Calcherth's short history have faded, and advances in soul magic improve lives for many within its borders. However, those same advances are viewed as a threat by Calcherth's neighboring kingdom, and many fear war is on the horizon once more. To make matters even more dire, the Second King has suddenly passed away, leaving his youngest son to succeed the throne long before he is old enough.
The effects of these events are so far-reaching, than even you are beginning to feel them, far to the southwest in the remote town of Lest. You are the child of a retired knight of the kingdom, who traded in his sword for the deed to Lest's tavern. The Fool's March, your father has named it, and the humble, but beloved tavern has been the center point of your entire life. But now, with rumblings of war, your father plans to pick up a blade once again, heading to the capital to enlist and leaving you behind in your childhood home. With him no longer by your side, what will you do when a threat to the entire kingdom comes for you? What will you do when you find out you may be a soul mage, yourself?
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Medieval Fantasy setting with angelic imagery and themes, and a focus on romance.
Adult characters, with the main cast being mid twenties to early thirties.
Customizable MC. Select your first name, last name, pronouns, appearance, orientation and manifestation of powers.
Five romance options of varying gender and personality, who you can interact with as you choose.
More to come as development continues!
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Kaine Breckem (he/him) - The blacksmith's former apprentice, who your father took in and hired at the tavern a few years ago. A kind, but mischievous individual, Kaine cares about others a great deal, but that doesn't stop him from being full of snark. Kaine can be your closest childhood friend, or someone you unfortunately work with; the choice is yours to make. Regardless, he's rather protective of you... but who will protect him when he needs it?
Vermillion "Millie" Lousat (she/her) - A descendant of a noble family, Millie has extensive education and combat training... and is also quite the social butterfly. It doesn't matter if it's the docks or the Gilded District, if you want connections somewhere, Millie has them. She wears her heart on her sleeve and doesn't care about the consequences. Maybe you'll catch her eye, somewhere amidst the mass of other's trying for her affections?
Leon Calcherth (he/him) - Technically a prince, Leon is the standoffish older brother of the Young King, Caleb, but is no longer considered to be in line for the throne. He greatly regrets the situation this has put his younger brother in, as they're very close. Leon is not easy to get close to because of the way he acts, but maybe the prickly prince has a softer side underneath the thorns?
Milo Lance (they/them) - The commander of the Order of Light, and they absolutely live up to the position. Practically raised in Gilramore's guard barracks, Milo's personality tends to come across as stiff and business-like, but in actuality they simply enjoy being effective and to the point. A truly gentle soul in a warrior's suit of armor, if you can persuade them to let down their guard.
Clementene Fairwreight (she/her) - Celementene is a talented soul mage for the Order, but she is a researcher at her heart; field work isn't particularly for her. A slightly nervous disposition and bad eyesight really only add to her penchant to stay within Gilramore's white stone walls. Her surprisingly daring experiments with magic captivate most of her attention, but maybe she'll find something in you that can capture her focus as well?
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arabellasleopardcoat · 3 months
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Pyrite - Chapter 1: Gold Crown
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Series Masterlist
Pairing: Daemon Targaryen x Reader.
Chapter Summary: During your first week as the Queen's handmaid, you overhear something you shouldn't have.
Warnings: Discussions of death, grief, abortion, and scheming. None of those happen to reader.
A/N: Alysanne Targaryen, you feminist icon. Mostly context.
As you walk towards the Queen's chambers, you fight a yawn. Despite the excitement you feel, you are still tired, unused to waking up as early as this.
So far, you have led the life of a girl. Playing around the gardens with the other children, running errands for your mother. But today, your life will change. You will go from girl to woman.
Today will be one of the most important days of your existence. The only other event that could surpass it will be the day you finally meet the lady you will serve.
It's a labor of love, your mother says. To serve faithfully next to a Queen is to be strong and loyal, but most of all, loving. You will get to know all her secrets, only you will see her bared body, and all its imperfections. You will learn to love this woman as if she were your little sister, for you will be the only one to know her as she is. Past the crown and the jewels, and down to the very mortal flesh that a Targaryen Queen has.
The Red Keep is where your family has served for generations. Your grandmother is full of tales about the cruelty of King Maegor, and his various wives. Your mother has served Queen Alysanne faithfully, ever since both of them were mere girls. You come from a lineage of handmaidens, born to serve the greatest Queens Westeros has ever seen.
In your family, being born a girl is a blessing. When a boy is born, the family weeps for the opportunity lost. Your mother had been the only girl out of her siblings, and now you, an only child, get to learn her trade.
One of your earliest memories comes with being taught to read and write. A handmaiden must know all the recipes for beauty, and create her own. Never for embellishing herself, but rather her lady. Every woman in your family keeps her own book, tailored to the lady she serves. As a child, you dreamed of the day you would be handed your own journal, and today is the day it will finally happen.
You will get to meet Queen Alysanne today. She is the most loved and kind Queen your family has served. Your mother has always spoken highly of her, telling tales of her beauty and grace.
Her story is the story all little girls dream of living. She had married for love, defying her family, and ended up being the Queen of the Seven Kingdoms. She had it all, once. Riches, beauty and a loving family. But as of late, you know her life has not been the fairy tale it used to be.
One of her sons, Prince Aemon, passed away a few years ago. The loss of her daughter had made the Queen even sadder and morose, and now, her other son was rumored to be running himself ragged with the responsibilities that came with being Hand. He worked so much, his health was debilitating.
The Queen walked around the Red Keep as if in a stupor. Your mother said that she had left her changed. No longer, the Queen had a thirst for life, nor did she care much about anything. The only thing that had broken her out of her sadness had been the fact that her granddaughter, Rhaenys, had been declared unfit to be heir to the Iron Throne.
“If your Grace truly believes that women lack the wit to rule, plainly you have no further need of me.” The Queen had said to the King, that time. Everyone found her words so surprising, but not you. Your mother had always said she was a champion for women, noble and commoners alike.
The succession issue was not only the royal's, but yours too. On it depended whom you would serve, which Queen you would tend to for the rest of your days.
Prince Aemon left only one heir. Princess Rhaenys, a beautiful woman who inherited her father's eyes. It should be her who should be Queen, your mother says. It's only right. But she has already been passed over already, the King declared Prince Baelor his heir. Now Prince Baelor is weakening, and the issue resurfaces again.
You think that Princess Rhaenys would make for an interesting lady. She is married already and she has a young son. She would be the first Queen in her own right in the history of Westeros and that would make you at least noteworthy to your family history.
The other option is Prince Viserys. Prince Viserys is said to be peaceful and not very gifted with the sword. That's alright, though. He has a brother to do that for him. Prince Viserys is married to a young girl, around your age. Princess Aemma. They are said to love each other very much, despite having married as children. To her, you could be an older sister, you think. She is said to be very kind and royal, despite being an Arryn by birth.
Both of them have their advantages. Prince Viserys would no doubt bring stability, but Princess Rhaenys would implement changes that would surely benefit women.
It would be exciting to be part of such changes. Your mother always remembers fondly her first days as Queen Alysanne’s handmaiden, when she had convinced her husband to abolish First Night. A terrible northern custom that hurt people like you.
It had made waves, your mother had said. The Lords had not wanted to abolish it. But Queen Alysanne had interfered and saved thousands of young girls just like you.
It's difficult to think of the weak old woman laying on her bed as that same fierce Queen. You are allowed in her rooms at sunrise, with your mother and your journal. You watch as she prepares the room to rise her lady, and you sit quietly with the Queen's jewels on your hands and neck. It's one of your new duties, to warm them for your lady.
She looks frail, sleeping between the covers. Aged. Your mother draws the curtains of the room open. In the morning light, antiques and silks shine like jewels. It's ostentatious, and it makes you sick. Only the gowns in this room could feed three or four families for a year.
“It won't be long before now.” Your mother whispers to you. She opens the door and picks up a tray. On it, sits a grapefruit cut in half, eggs, tea, and bread. Your stomach growls. It smells heavenly. Your mother places it on the vanity where you sit, warming your Queen's seat and jewels. It's the worst kind of torture. Your stomach hurts with hunger and you think of your breakfast, a cup of broth that was heavily diluted with water.
As predicted, the Queen slowly starts to stir. She moves, long silver braid whipping around. She has very thin hair, and you wonder how your mother makes up for it. Your journal is ready to note down any tricks she deems to share. You are supposed to note times and other useful things for when the time comes for you to have a lady of your own.
“Good morning, my Queen.” Your mother curtsies, and you hurry to do the same.
“You brought your daughter.” The Queen rasps, eyes still cloudy with sleep. “Come closer.”
Your mothers urges you forward. You obey, unable to believe such an esteemed lady would want to look at you.
“You are a pretty thing.” The Queen says, brushing your cheekbone with her thumb. You lower your eyes, not wanting to offend her by gawking at her. Queen Alyssane's hands are like nothing you've ever felt before, made of the softest velvet. She has never worked a day in her life and it shows. Your mother's hands and yours feel rough by comparison. “Are you married yet?”
“No, my Queen. I wish to settle into my duties first.” You answer, demurely.
“Your duties.” She smiles. “You are a good girl.” Then, to your mother. “I suppose it's not only Rhaenys’s future at stakes, isn't it?”
“It seems like it, my Queen.” Your mother exchanges a look with the Queen. You would never dare gaze upon her like that, but they share a bond after so many years together. Almost a friendship. Or the closest thing to one that a commoner can have with a noble.
“Well. Hopefully, things will speed up soon. I doubt I have many years left, and Jaehaerys…” The distress can be heard in her tone. It makes you feel sad, too. What must it be like to love someone your entire life, and then being parted from them? If you had been in love with someone since you were a child, you wouldn't know how to live without them. It was that fear what had kept the Queen abed. After losing so much, she was afraid to lose even more.
Even if you were not a noble lady, that was a motivation you could understand. Losing your family would devastate you. Fear of it happening again would paralyze you too.
“The King will live longer, your Grace. There is no need to worry.” You said, softly. You weren't too sure it was your place to say so, but your mother's encouraging nod seemed to approve.
“Isn't it? When he insists on her not being Queen. He would rather bypass her rights again instead of naming her Queen.” The Queen said, sharply. Suddenly, she was sitting up straighter on her bed, eyes blazing with fury
“I do not presume to know the King's…” You tried to appease her, but she only became angrier.
“Do you not think it's a sign? Baelor will soon be struck down. I know it. His son is not fit to be King. Rhaenys can rule as well as any man, and she has her husband's support. He rides a dragon too. She also has a strong heir. Why would be Viserys be better?”
“The Lords would…” Your mother interjected, trying to save you from her wrath.
“A cock. He has a cock, and the Lords do too. It is time I show them it doesn't mean what they all think it means.”
And suddenly, Queen Alyssane was alive once more. She got up from her bed and started barking orders to her maidens, you included.
Your mother rushed to clothe her, draping silks over her. The Queen threw them all away, reaching instead for a black dress.
“Get me a quill, girl.” She screamed. “And summon Ser Otto. We have much to talk about.”
So you did. Everyone knew Ser Otto. He was the younger brother of Lord Hightower, and one of the most trusted men in the council. Tall and haughty, he did not take kindly to being summoned in such a way. But once he had a private meeting with Queen Alysanne, his mood greatly improved.
Many more meetings began to take place in the Queen's chambers. Another man had been asked to come and see her. Corlys Velaryon. The Queen said, loudly, that it was about him retaking his position as Master of Ships, but you could tell that was not it.
There was nothing to back your suspicions, though. You were not privy to what happened inside the Queen's chambers, and you only knew so much because you had been tasked with reading outloud her pending tasks each morning.
It was only when Queen Alysanne sent you to pick up some meat pies from the tavern she enjoyed that your suspicions were confirmed.
With your basket and borrowed gold from the Queen, you had gone to the tavern most highborn enjoyed. It was not a real tavern, in your opinion. You had been to a couple of those, with other serving girls and stable boys. Lowborn like you were not allowed here, just as they weren't allowed in the expensive pleasure houses of the Street of Silks. There was no explicit prohibition, but the prices said it all.
What it was, was a good imitation, for young lords to pretend to be having the real experience, and feel adventurous. It was also a good place for seedy meetings among the highborn.
You were making the queue towards the counter to purchase the meat pies, overpriced and made with much better ingredients than any tavern grub when you heard them.
“And you have a daughter, right?”
“A newborn. Alicent.”
At first, you didn't pay much attention, letting the conversation drift over you. It contained nothing out of the ordinary. Just a new father bragging.
“Alicent is a pretty name. Queen Alicent.”
“Laenor is…”
“Barely a few years older than her.”
But then, you realized. You knew those voices! They belonged to the men who often met with the Queen. The one with silver hair was Lord Corlys Velaryon, and he was the husband of Princess Rhaenys. The other one, you could tell, was Ser Otto. There was a third man with them, that you did not recognize. He wore a hood over his head.
“It has a certain ring to it, Hightower.” Lord Corlys laughed.
“We have to move quickly. Before the news spread.” The unknown man said.
“News?” Ser Otto asked, frowning.
“Aemma is pregnant. I fear, if she manages to carry to term, some might prefer Viserys over Rhaenys. If she births a boy…” Lord Corlys grimaced.
“A line of Kings, uninterrupted.” Ser Otto grimaced too.
“She will not birth a boy.” The other man said.
“We can't be too sure about that.”
“I should leave. I have to meet with the Queen in half an hour.” Lord Corlys got up and walked out, passing near you. He spoke the truth. You had read so this morning, on the Queen's itinerary. You tried hard to look very focused on counting your gold coins, despite the Queen having handed you the exact amount.
The silence stretched. Now, you could not hear them as clearly, but you were curious. So you stepped a bit closer and asked the cashier to warm your meat pies, trying to hear more.
“Make sure she does not give birth to a boy.” Ser Otto ordered.
“Trust me. She won't even announce it. I will make sure of it.” The hooded man's voice had a dangerous edge to it.
“We can't have threats to Princess Rhaenys around.”
“And future Queen Alicent, either.” The hooded man replied, his tone turning more teasing. You wondered who this Alicent was, and how they planned to place her on the throne. You did not know any Targaryen by that name.
“That, too. You will be rewarded handsomely, of course.” Ser Otto’s reputation did not indicate him to be humorous, but there was a hint of mirth in his words that could not be faked. He was pleased by the exchange.
“I would like to be Maester of the Red Keep, I think.”
One of the men laughed. The cashier knocked the counter in front of you, annoyed. He was handing you the heated meat pies, and expecting his gold. You paid him without a word. And as you walked towards the exit, bundled pies under your arm, you heard them toast.
“Hear, hear. To Grandmaester Mellos and Otto Hightower, Lord Hand.”
“And baby Queen Alicent.”
“And baby Queen Alicent.”
Your walk back to the castle was troubled. You were smart enough to know the implications of their talk. Did the Queen know? Considering they were meeting outside the Red Keep, it was doubtful. Besides, it didn't fit with what you knew about her. She may have disagreed with the succession, but she would never hurt her granddaughter.
Corlys Velaryon had left before the discussion took place. While as ruthless as his companions, the others seemed wary of involving him. Perhaps because, if the plan was discovered, it would affect Princess Rhaenys claim.
Your mind was racing. You had to tell someone. They were talking about murdering a babe not yet born! Would the Queen believe you? You knew her enough to know that she would not hurt you for speaking, but you doubted she would heed your warning. Instead, she would go straight to Ser Otto. A lowborn girl’s word against the word of a Maester and one of her advisors? The joke told itself.
Your other option was telling the Lord Hand. But Lord Baelor scared you. He was deeply protective of his children after the death of his wife. You didn't know him enough to know he wouldn't murder the messenger.
But you could not keep the memory tucked away either. It burned at you, when you were brushing the Queen's hair. When you were bathing. When you were attempting to fall asleep.
The hooded man said that Princess Aemma would not even get to announce it. Your time was running out. You had to do something.
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majosullivan · 8 months
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Since it has been on my mind lately and I’m in the mood to ramble, I present to you: why I believe Lenore’s spectre is going to be a Phoenix/Phoenix themed.
Before I go more deeply into this, I want to cover the most agreed upon detail of Lenore’s possible spectre: Lenore having wings. This really seems like a slam dunk at this point. Lenore so far has had a clear association with birds, specifically ravens; with one of the Poe works she is based on being The Raven, her talking to and seeking out the Raven in Nevermore, the cane we see her using in her and Annabel’s memories having a Raven skull as the handle and her family crest having a pair of black wings a part of its design.
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Additionally, there’s also the detail of Nevermore’s logo. Nevermore’s logo is comprised of a beating heart and a pair of black wings. Since Annabel’s spectre has a heart shaped hole in her chest, Lenore’s spectre having wings would make up the rest of the logo, with the logo symbolising our pair of deuteragonists.
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Furthermore, there is also the scene with Lenore and The Raven, with him mockingly asking Lenore if she has a pair of wings under her blazer after she tries to stop him from leaving in episode 35.
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Honestly, this panel might as well have a massive sign titled ‘FORESHADOWING’ in blinking lights attached to it when we take into account everything that we’ve pointed out. So, while it seems very likely that Lenore will have wings, why do I think she will be a phoenix specifically? With her connections to ravens, surely it make more sense for her to be a raven? Well, this is because of one word: rebirth.
Just to have a quick explanation for the basis, a phoenix is an immortal bird that cyclically regenerates or is otherwise born again. Being associated with the sun, a phoenix obtains new life by rising from the ashes of its predecessor. Some legends say it dies in a show of flames and combustion, others that it simply dies and decomposes before being born again. Throughout the comic, there has been a lot of links to Lenore and the ideas of rebirth. Specifically, there are three examples where Lenore has gone through a death of some form, before being reborn/brought back to life in some form.
The first time we see this after the accident with the tree. With the death of Theo, who was seemingly the only person in Lenore’s life at the time who genuinely cared about her, and being locked away in the attic for years after being deemed as never being able to recover from her injuries, along with her parents no longer seeing her as any respectable use since they wouldn’t be able to marry her off, we see Lenore go through her first ‘death’. Forced to live a lifeless existence hidden away in shame, with her ripping away the wallpaper being the only real change that occurred during her time in the attic. All of this leads into first time Lenore is reborn/brought back to life when she first meets Annabel, which allowed her to be freed from the attic and form a genuine connection with someone in years. Lenore even says so herself, describing Annabel as the one who brought her back to life long before she died.
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The second time, and the one that arguably has the most obvious link to the ideas of Phoenixs, is when Lenore faked her death to go after Annabel. Here we see her in the process of disguising herself as a man, before finishing her packing and setting the house on fire so everyone will assume she died in the fire and she can assume her new identity without suspicion. Here, I don’t think I have to go too in-depth to point how through her actions, Lenore arose from the ashes of the house fire as Leo Vandernacht, leaving her life as the disgraced daughter of the Vandernachts to burn away in the house fire, just like a Phoenix arising from the ashes of its predecessor (side note quickly but Lenore I swear to fucking god you better actually have a cousin named Leo or I’m coming through the screen to shake you like a maraca). The parallels here are pretty clean cut.
Finally, we have her actual death and her appearing at Nevermore. While we don’t know the full details behind Lenore’s and Annabel’s deaths, whatever they are only have the possibility to strengthen the links to rebirth that have been clearly shown from the start. The whole conflict in Nevermore is the competition for a new life. With Lenore’s death and her arrival to Nevermore placing her in a competition for a second chance at life, she has once again been placed into a position similar to the cycle of a Phoenix, with this time following closer to legends where a Phoenix simply dies and decomposes before being born again. Additionally, Annabel’s complete faith in Lenore can also fed into this. We see in episode 41, how no matter what awaits them, no matter challenges they have to overcome, Annabel has absolute faith that Lenore will find a way to get them out of Nevermore. Not herself or any complex plan she has, Lenore is the one who will ultimately be the key to their escape. Lenore is the key to their second chance at life, to their rebirth.
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Speaking of Annabel, the way she describes Lenore in episode 66 can add onto this line of reasoning. During the episode, we see Annabel describe Lenore as ‘ash the moment we met’, before going on to talk about how all madwoman die at least twice. First off, describing Lenore as ash already brings her back to the idea of being a Phoenix, with Pheonix rising from the dead through the ashes of predecessor. Secondly, the idea of all madwomen dying at least twice in relation to Lenore is yet another link to the concept of a Phoenix, with them going through multiple deaths in their cycle of rebirth.
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To focus on some of the smaller details, the colours associated with Lenore can also strengthen the idea of Lenore’s spectre being Phoenix themed as well. As we all know well at this point, in very Romeo and Juliet fashion, Annabel and Lenore have clear colours associated to them, with Annabel often dressing in blue, in addition to other cold colours, while Lenore often dresses in reds, in addition to other warm colours. Considering this and Lenore’s already clear association to fire, like Lenore’s spectre having wings, it seems likely that Lenore’s spectre will also have fire powers. Now, what is something that has wings and it linked to fires? That’s right, a Phoenix. This small point can be strengthen by what we know about Annabel’s spectre. Annabel’s spectre is freezing to the touch, which matches up with the colours associated to her. Since White Raven’s spectres are definitely going to parallel each other, this detail increases the possibility of Lenore’s spectre having fire based abilities, and as a result, increases the possibility of Lenore being a Phoenix.
While there are still loads of other ideas about what Lenore’s spectre will be going around, to me at least, Lenore’s spectre being at least Phoenix themed is definitely the strongest theory I’ve seen so far. If anyone else has any other ideas about what Lenore’s spectre will be, or if you have any other evidence supporting the idea that Lenore will be Phoenix themed, I would love to hear it!
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In honour of 4/13x15 I'm posting (a very slightly edited version of) the paper I wrote on the Unofficial Homestuck Collection for one of my classes last term. The language/tone is a bit more academic than what I would usually put up on here, but it's exam season so... 
Don’t Turn Your Back on the Body:
The Resurrection of Homestuck After the Death of Flash
Digital media is, broadly speaking, very difficult to preserve. The rapid pace of technological development means that obsolescence and decay present a consistent threat to the availability of natively digital works. Most computers produced in 2023 no longer have built in CD drives, and I feel fairly confident in asserting that none are being produced with floppy disk readers outside of hobbyist spaces. Issues with the accessibility of physically stored digital media can be mitigated (at least for now) by the use of external readers, but the preservation of fully digital media, born and hosted in its entirety on the Internet, is a different beast entirely.
This is, in part, an issue of pure volume; no one organization could ever hope to archive the vast amounts of stuff that the Internet is constantly producing, let alone organize it into a resource that could be used effectively. Like Borges’ cartographers who created “a Map of the Empire whose size was that of the Empire,” to fully archive the Internet would be to replicate it in its entirety. Thus scope becomes a central question of fully digital archiving. 
The Internet Archive, which also operates the Wayback Machine, answers that question with a resounding and all-encompassing ‘yes’ — their stated goal is to “provide Universal Access to All Knowledge,” but even this comes with caveats. The organization freely permits members of the public to upload files to the archive and save pages on the Wayback Machine, but the work carried out by its official volunteers is more curated, and prioritizes webpages which have been identified as particularly important.
The Internet Archive is very effective within its own space, yes, but it has its limits. When the piece of work you are trying to archive is composed of not just static text and images, but longform animations and complex browser-based games, where do you put it? What do you do when the software necessary to access these elements of the work has been taken offline? And what happens if the people who were supposed to safeguard it fail to do so?
These were the issues that the fans of Homestuck faced in 2020 as the impending deactivation of Flash loomed on the horizon.
But first, before I properly explain what the Unofficial Homestuck Collection really is and why it is so effective as a digital archive, let me tell you about Homestuck. 
Frustrated with the poorly implemented official preservation of the comic, and with a lot of free time on his hands, one fan began the Unofficial Homestuck Collection as a personal project during lockdown, during the “depths of 2020.” As the project changed hands and more fans became involved over the following years, its true scope came into focus: the Collection would preserve not only Homestuck itself, in its entirety and with its Flash-dependent pages intact, but also as much of its contextual material as possible, thus making it a prime example of the effectiveness of fan-driven digital archiving and preservation. Because the people who created the Collection are long standing fans of Homestuck, they know which pieces of peripheral material will provide the context the comic demands. The Collection preserves Homestuck as a text in a way that would be impossible in an analogue format, creating an archive both of the work and of the experience of reading it in a serialized format.
Andrew Hussie began* Homestuck on April 13th of 2009, and published it serially on mspaintadventures.com, his personal website at the time, until its conclusion on April 13th, 2016. Prior to beginning Homestuck, Hussie had been publishing short webcomics and pieces of fiction for several years on his older website, Team Special Olympics, since 2004, which had gained him a small but very loyal following. This following was centered mostly around the forum attached to the TSO website, which hosted the first of Hussie’s ‘MS Paint Adventures,’ Jailbreak, in September of 2006. Jailbreak was a short comic which Hussie produced as a collaborative writing game on these forums, in the style of early text adventures.
Beginning with the prompt, “You wake up locked in a deserted jail cell, completely alone. There is nothing at all in your cell, useful or otherwise,” Hussie then wrote the rest of the comic according to the first comment posted after every page. This, perhaps predictably, resulted in a barely coherent mess of a story.
Following the conclusion of Jailbreak after a short 134 pages, Hussie would produce two more comics prior to beginning Homestuck: the unfinished Bard Quest (June-July 2007) and Problem Sleuth (March 2008-April 2009), which was his longest work so far at the time of its conclusion. Problem Sleuth in particular represented a substantial increase in production quality and general coherency over Jailbreak, as Hussie gained experience using the MSPA forums as tools for collaborative storytelling, reigning in the meandering narrative by allowing himself to be more selective about which forum responses he followed.
Hussie would continue this more controlled style of forum collaboration throughout the first three Acts of Homestuck, which followed a much more focused story than any of his prior work, thanks to his decision to use reader input only in specific parts of the comic. In the introduction to the print edition of the first Act, Hussie described his own role during the production of these first Acts as “dungeon master, a game engine responding to input, and an improv comic all in one.” During the process of writing Act 4, Hussie stopped taking prompts from readers entirely, and would construct the rest of the comic ostensibly as its sole author.
‘Okay,’ you might now be thinking, ‘you’ve given me the context, but what the hell is Homestuck? And what’s it about?’ Well, to wildly oversimplify a very complex piece of media, Homestuck is a webcomic about four young online friends who play a video game that causes the end of their universe and grants them the power to create a new one as they see fit. It is a story about growing up and realizing you’ve been forever changed by your experiences, a story about leaving behind the life you knew and constructing a new one. It is also a story about time travel and paradoxes, genetics and cloning, a large number of aliens, a possibly larger number of puppets (at least one of which is sentient), and an unfortunate amount of clowns. 
This story slowly unfolds over the course of 8126 pages, 817,929 words, and 166 animated panels, 95 of which contained some degree of interactivity and all of which total over four hours in length. Most of the comic’s pages consist of a main image, usually a short looping gif, accompanied by a text description or dialogue, which is almost always written in the format and style of online chat-logs between characters. As mentioned previously, however, these simpler gif-and-description pages are interspersed with longer videos, animated in Flash and soundtracked by one of Hussie’s several collaborators.
The first of these animated panels was uploaded a few weeks into Homestuck’s publication — an animated opening title-card for the comic, scored ominously with sounds of howling wind and windchimes. This first Flash panel was relatively simple, but the next would introduce a bespoke soundtrack (“Harlequin” by Mark Hadley), and the third would include simple interactivity. These soundtracked animations and interactive segments increased in scope and complexity over the course of the comic’s run; the final animated page in the comic, “[S] Collide,” comes in at nearly twenty minutes in length, and some of the larger interactive segments can take upwards of two hours to fully explore. 
While some of the later interactive pages were developed in an engine based on HTML5, most of Homestuck would be built using Adobe Flash, and would depend on the program for basic functionality. This would prove disastrous for the comic’s long term preservation. Flash was very popular, and had become ubiquitous by the early 2010s, but it had security issues which were easy to exploit, its range was fairly limited in terms of what kinds of animations it could produce, and, as its most fatal flaw, it couldn’t run on mobile. Thus with the expanding use of smartphones and tablets, Flash became less and less practical as a tool for web developers, and Adobe began slowly preparing to kill it. On December 31st, 2020, Adobe sent Flash off to the farm where it could frolic and play in the digital sunshine, leaving many online communities facing a crisis. How do you preserve a text when its foundations have crumbled?
With Homestuck using Flash in such an integral way, the issue of preservation was an important one. After the finale, Hussie would post some short post-credits stories to Snapchat from October 2016 to August 2017, as well as a longer epilogue in April 2019, before stepping away from any formal involvement with the comic in 2020. In 2018, Hussie had given the distribution rights for Homestuck to VIZ Media, which primarily handled the English-language publication of several manga series, and had left the rights to the IP and the freedom to produce new work to former collaborators. Thus it was VIZ who took on the task of officially preserving Homestuck against the death of Flash.
To say their efforts were unsatisfactory would, I think, be paying them too great a compliment. The complex and highly detailed Flash animations were replaced with embedded YouTube links to low-quality screen-captures of the originals. The hours-long walkaround games were not translated at all, replaced with ‘choose your own adventure’ style pages of text and links. The official version of Homestuck as it currently exists fails to capture a lot of what made the comic work, because it removes a lot of the gamified elements of the comic that are so integral to its storytelling.
There are many snapshots of the website from before the walkaround games were taken down on the Wayback Machine, but the Flash emulator that archive.org uses is very inconsistent, frequently becoming stuck on looping loading screens or failing to process assets correctly. While the dubious preservation of the long Flash animations is a real issue on its own, the lack of any attempt to replicate the format of these longform games represents the loss of something essential to the comic. Homestuck is, throughout the whole of its story, intertwined with the visual and cultural language of video games. The loss of the complex interactivity of these panels fundamentally changes how the reader is permitted to engage with them and, by extension, with Homestuck’s narrative as a whole. The official version of Homestuck that exists online is no longer complete. 
This incredibly poor preservation was the impetus behind the creation of the Unofficial Homestuck Collection. In its most basic form, the Collection is simply a preserved and restored version of Homestuck, intact and in high quality, accessible through a downloadable client, rather than online — reducing the Collection down to this basic description does it a disservice. The Unofficial Homestuck Collection includes not just Homestuck, but all of Hussie’s prior work: Jailbreak, Bard Quest, and Problem Sleuth are in there, but so are the full contents of his first website, Team Special Olympics, alongside archived versions of his now-deleted accounts on various social media platforms, and copies of threads from the MSPA forums that he would later reference in the main comic. The Collection also includes material that Hussie released alongside Homestuck, like the in-fiction blog of one of the main characters, various short comics written by guest authors, and a full episode of an in-universe childrens’ cartoon.
These peripheral materials are interesting and provide context for some of the more obscure references throughout Homestuck, but many of them were not produced until well into the comic’s run, and assume an audience that is caught up with the most recent update, making them dangerously full of spoilers for the unaware new reader. This issue is solved by the appropriately named ‘new reader mode.’ One of a variety of useful accessibility tools included in the Collection, the new reader mode tracks which page a user has reached, and implements a universal spoiler cloak over the whole program, hiding all materials that were released after their most recent page’s publication. This tool is what transforms the Unofficial Homestuck Collection from an archive of a text, into an archive of an experience.
De Kosnik argues that fan-driven archiving serves as a way for fans to mediate their own temporal experience of a text, describing websites hosting fanworks as mechanisms which “maintain the possibility of individuals joining fandoms… long after a media text has ceased to air.” While De Kosnik’s focus is on archives of fanworks and their function in ongoing fan spaces, I would argue that this framework, which centers the impact of serialization on the dynamics of fan communities, fits extremely well when applied to the Unofficial Homestuck Collection. Homestuck was published serially over the course of seven years, accompanied by blog posts, side comics, music, and other pieces of peripheral media that were released in tandem with the comic itself.
Updates were highly anticipated events, and fan communities were structured around them — one user on Tumblr found an unlisted part of the MSPA forums where Hussie posted new pages before they were published, and this “MSPA Prophet” became a fixture of the fandom for their ability to predict when the next update would come. The event that was an update (or upd8, after the typing style of a popular character) was a central aspect of the experience of reading Homestuck during its publication, and it is one that is very difficult to recover now that the comic exists as a static, completed work. The Unofficial Homestuck Collection, through its new reader mode, functions as a solution to that absence. It does more than safeguard the reader against unwanted spoilers: it temporarily transforms Homestuck back into an incomplete text. 
Homestuck makes use of the assumed preexisting knowledge of the reader, and their “intuitive familiarity” with various types of digital media and culture, especially ones which are inherently participatory. The story’s use of narrative motifs and referential easter-eggs allows Homestuck to function, in Hussie’s own words, as “both a story and a puzzle,” but that “There [are] a range of ways to interface with it[…] Failing to grasp everything shouldn’t preclude basic enjoyment, nor is it a symptom of failure by either the reader or the story.” In the most frequent example of repeated symbology in Homestuck, Hussie peppers the text with references to the number ‘413,’ simplified from April 13th, the day the comic began.
The story follows four friends who are all thirteen years old, many of the songs on the comic’s soundtrack are exactly four minutes and thirteen seconds long, and the timestamps on chat-logs show that characters frequently begin important conversations at precisely 4:13, to name just a few of the number’s appearances. The combination of puzzle and story in Homestuck extends beyond these kinds of motifs, however, and into the way Hussie employs referential humour.
Some of these references are fairly easy to catch; in Act 4, one of the main characters is gifted the Warhammer of Zillyhoo — a brightly coloured weapon which originally appeared in Problem Sleuth. Others, however, are much more obscure. The older brother of another main character runs a business creating bizarre, semi-ironic puppet pornography. Most of the audience read this as an absurdist joke about the internet’s love for offputting porn; the subset of fans who had been following Hussie for several years, or those who looked into Hussie’s early activity on the MSPA forums, however, would find themselves with new understanding of a long-running joke. This element of the experience of reading Homestuck is something that the Unofficial Homestuck Collection not only preserves, but makes readily accessible to the comic’s readers in a way that would not have been possible during the comic’s publication.
On a purely theoretical basis, I would argue that the Unofficial Homestuck Collection is valuable not just in the context of contemporary fan activity, but as a potentially valuable resource for future research. Homestuck is a foundational piece of the current cultural landscape, its influences permeating both digital and analog media in subtle (and sometimes not so subtle) ways.
Undertale, titan of online culture that it is, was created by Toby Fox, who was the composer behind a large amount of the music in Homestuck and was, during the game’s production, living in Andrew Hussie’s basement. Tamsyn Muir, author of the Locked Tomb tetralogy, began her writing career as a prominent figure in the Homestuck fandom on Tumblr and Archive of Our Own. Although the reach of her original work has thoroughly outgrown her fandom roots, Muir includes sly references to Homestuck in several places in her books. Hell, one of the animators working on Bluey, a cartoon aimed at very young children, included references to Homestuck in the backgrounds of episodes they worked on, as easter-eggs for the benefit of parents in the know. All of this is to say that Homestuck has its hooks deep within the culture of the Internet, and its impacts will, I think, be felt for a long time yet.
The Unofficial Homestuck Collection is certainly not immune to digital decay or link rot, but it is resistant to them, since it is hosted on a large and well established website (GitHub), and, once downloaded, can be accessed without an internet connection, and shared freely. For the hypothetical future researcher, the Collection contains resources to mitigate the frustration of trying to hunt down pieces of contextual or peripheral material by packaging them with the text itself — it functions like a sourcebook. 
Bibliography
Bamboshu, and GiovanH. The Unofficial Homestuck Collection. 2020. https://bambosh.dev/unofficial-homestuck-collection/ 
De Kosnik, Abigail. Rogue Archives: Digital Cultural Memory and Media Fandom. Cambridge, Massachusetts: The MIT Press, 2016. https://doi.org/10.7551/mitpress/10248.001.0001.
Glaser, Tim. “Homestuck as a Game: A Webcomic between Playful Participation, Digital Technostalgia, and Irritating Inventory Systems.” In Comics and Videogames. Edited by Andreas Rauscher, Daniel Stein, and Jan-Noel Thon. 96–112. Routledge, 2021. https://doi.org/10.4324/9781003035466-8.
Hussie, Andrew. Homestuck. MS Paint Adventures, 2009-2016. https://homestuck.com. 
Nakhaie, FS. “Reproduce and Adapt: Homestuck in Print and Digital (Re)Incarnations.” Convergence, 2022. https://doi.org/10.1177/13548565221141961.
Read MS Paint Adventures. “Statistics.” Last modified April 7, 2018. http://readmspa.org/stats/.
Veale, Kevin. “‘Friendship Isn’t an Emotion Fucknuts’: Manipulating Affective Materiality to Shape the Experience of Homestuck’s Story.” Convergence 25, no. 5-6 (2019): 1027–43. https://doi.org/10.1177/1354856517714954. 
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spopsalt · 1 month
Note
Just gonna drop this one off here. We can all agree Hazbin and Helluva are dropping balls and fumbling bags left and right.
So, I’m gonna recommend a few GOOD series that discuss life, death, and religion.
1. Dead Like Me. It’s an early 2000s show about George Lass, an 18 year old woman who’s life was cut short when she died on her first day of the job. No longer a part of the living, George gets a new job, reaping souls before they die and helping them pass on. It’s admittedly dated, but much better at handling it’s more progressive themes than Vivziepop. The soundtrack and fashion is pleasing aesthetically. And as for writing, there are some things left to be desired, but its still incredibly ambitious with an amazing cast of characters. Lots of nuance. DO NOT WATCH THE MOVIE. Also, if you like Hannibal, this was created by the same guy.
2. Good Omens. You’re on Tumblr, you’ve probably heard of it, so I’ll keep it short. It’s essentially The Omen, with a twist to it. Due to a series is mix-em-ups on the day he was born, the AntiChrist was mistakingly raised by a normal, loving family. Having had a rather not-so-complicated friendship since the creation of man, a demon and angel must team up to stop the end of the world as we know it. Taking the well know Omen story, and adding its own humorous twist to it alone makes the story fun. But it’s also fascinating seeing the representations of angels, demons, and horsemen alike. The overall take on religion was fun in and of itself. It was also a book.
3. Hellboy. During WWII, the Nazis opened a portal. A baby came from that portal. That baby was Hellboy (yes, that’s his name.) Hellboy was raised by the US government organization BPRD (The Bureau for Paranormal Research and Defense). He’s supposed to bring about the end of days, but HB is a brawler with a heart of gold and a hand of rock. And maybe a taste for alcohol. The series hosts a ton of fascinating characters, with all sorts of different backgrounds, lore, and species. There are many cues takes from world mythology, Abrahamic religion, and even H.P. Lovecraft. It’s mainly a comic franchise. The first two movies were great. There’s also a mini comic series called ‘Itty Bitty Hellboy’ that’s cute.
Never watched those before, but I'm sure those did them better than Hazbin Hotel and Helluva Boss (It's not hard) I might check those out!
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yuesya · 2 months
Text
Xiao straightens, and flicks his spear.
The downed form of the man-shaped demon before him fades slowly, crumbling motes of darkness drifting up and gradually vanishing in the air. It’s not dissimilar to the demons of Liyue that he’s familiar with –the demons that Xiao has spent so many centuries hunting and slaying in an endless, eternal cycle– but at the same time, he is able to discern the difference.
This demon was not one born of the restless grudges of fallen gods that refused to accept their own deaths. If anything, its origins seemed more… but no… no, that was preposterous. Surely it couldn’t be–
A monstrous roar sounds behind him; Xiao whirls around. There’s another demon left, struggling futilely in a pool of its own blood. The signature of its energy is far weaker than the one that he’d just fought, and all four of its limbs have been broken… and yet it’s still alive, and struggling to crawl forward on its belly.
Xiao exhales, raising his spear–
–and pauses.
There’s a pale hand that rests upon the bladed edge in a clear gesture for Stop. Xiao looks up sharply.
“You intend to let it live?” The girl –yet there is no doubt that this is no mere mortal girl– doesn’t say anything, but presses insistently upon his weapon. Please stand down, is her unmistakable, unspoken request.
The only reason why Xiao doesn’t point his spear at her in turn is because he knows that she actively fought the demons long prior to his arrival. It’s the only reason why there are humans who managed to escape this catastrophe.
Her appearance… Xiao does not recognize her. He admits that she looks similar to the snow women yokai of Inazuma, white hair and pale skin and clothed in Inazuman dress as she is. But she does not bear any powers of ice nor snow. If anything, the way the sword in her hand cuts through every obstacle without pause reminds him of the whispers of kunado-no-kami. But to his knowledge the last of them had died along with the Watatsumi Omikami that they served.
Regardless, Xiao does not intend to allow the current situation to go unanswered. If she was present here, fighting those strange demons that were decidedly not of Liyuan origin, then surely she knew how this incident came about in the first place.
“Explain,” Xiao says. He banishes his weapon, allowing it to dissipate into motes of golden light. “How did this situation come to be? Has the war in Inazuma worsened to such a state that it’s no longer able to contain malicious spirits within its own borders?”
The girl opens her mouth–
Oh.
Xiao blinks, genuinely surprised and caught off-guard. Her words…
“That’s a dialect I haven’t heard for quite some time.” He doesn’t have a perfect understanding of what she’s saying, especially given that the last time he’d heard this was… during the time of the Archon War, perhaps?
Xiao tilts his head. Is he looking at a survivor of the kunado-no-kami? … So far from the shores of Inazuma?
I apologize. I don’t understand what you’re saying.
Luckily for them both, Xiao is also old enough to know of the dead language that she speaks and discern the general meaning of her words, if not the precise details. Although Xiao is a Liyuan adeptus who has never once left the land in the thousands of years he’d lived, he has encountered gods of other lands, so he is not unfamiliar with other tongues.
That she is apparently unfamiliar with the language that is spoken in the present…
“Thank you for your assistance,” the kami bows. Polite, graceful. Xiao folds his arms across his chest and waits for her to explain. “… I’m afraid that this also came as an unexpected situation to me. I didn’t think that there would be a long-distance transportation array, and the barrier should’ve… no, I suppose that’s unimportant.”
She shakes her head.
“I was investigating a matter that was entrusted to me by my cousin, and ended up being ambushed by cursed spirits. Four total, the last of which you just slew,” she nods towards the fallen demon beneath him. “There was also a curse user, but he doesn’t seem to have been transported along with us. Ah, he would be the one responsible for teleporting us here. He needs to die.”
The words are spoken calmly, serenely. Xiao is aware of the dissonance here, but it’s not as if he disagrees. The regrettable casualties and wanton destruction around their current surroundings speak for themselves.
“And the demon you wish to spare?”
“Demon?” The kami blinks, then instantly understands what he’s referring to. “Ah, Muta-san? I’m afraid I can’t allow him to die yet, he’s the one I’m supposed to investigate. Although, given his current state I’m not sure how much I’ll be able to interrogate out of him…”
“I cannot allow such threats to remain within these lands.” It is his contract, and the duty that he must uphold as one of Rex Lapis’ adepti and his last yaksha.
“I understand,” she nods. “We will depart as soon as possible. If I may ask a question of you, where… are we?”
“You are within Dihua Marsh,” Xiao answers. Pauses, upon the uncomprehending way she looks at him, and elaborates, “Located upon the Bishui Plains.”
“… Did Not-Geto teleport us to China?” the kami mutters. “An entirely different country?”
Xiao stares at her. “This is the country of Liyue.”
The kami falls silent. Then, proceeds to take out a small pouch from her sleeve, and procures a strange device from it –a rectangular piece of metal that lights up with an artificial glow when she taps at it. There’s a small frown on her face, before she wipes the expression from her face with a long sigh.
“By any chance, do you have a name for this continent?”
Continent?
“… If you mean this world, it is named Teyvat,” Xiao says slowly.
Going by these questions… this is very likely not a kami of Inazuma who stands in front of him.
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blues-sues · 1 year
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It had been a year.
Though part of her suspected it had been longer. It felt like an eternity.
Sometimes she felt like the only peace she could truly find anymore were these night walks with her son.
He'd been born a few months before it happened. Yet he didn't understand a thing, of course. He was merely a child.
One who tugged now on her wrist, with a distressed whine as he looks over his shoulder, brows furrowed.
"Stain? What's wrong?" She turns her head to look down at him in concern. She knew her son was extremely prone to having sudden rushes of anxiety. She'd hoped the soothe bell around his neck would improve it, but it had only lessened a small amount.
"Scarf!" Once the word escaped him, Pigment had never turned as fast. Looking back on it, she's not sure why. Perhaps part of her hoped her father remained out there. But she knew the answer all too well.
It had been a year.
Fate was a despicable thing, taking her father. She'd thought maybe she'd stop having hope that he'd come back. She knew he was gone. And she knew she wouldn't see anything as she turned around.
"Stain, there's nothing there. You needn't worry." She tries to comfort him but the young Mewtwo doesn't take his eyes off the tree. Her frown depends.
She gives his hand a gentle squeeze, but he still doesn't avert his gaze, instead beginning to wave one of his arms, his legs beginning to bounce as he rocked on his feet. "There! There!" He squeaked out, scrambling to hide behind her hip. Pigment breathes out.
"I'll check, okay? Just to be sure." She offers. Stain looks up at her, his eyes wide before his chin lowers in the tiny symbol of a nod. Releasing his hand lightly, she glides herself closer to the tree, peering her head around it.
"I told you, nothing's there."
And nothing was. She wasn't sure why he'd been so panicked. He's rather skittish, but still, not enough to be startled by well..air. She decides to come to the conclusion that perhaps he saw some sort of other 'mon on its night route.
"Ma! Saw Scarf!" He's waving both hands now, his fur spiked as he looks around with nervous glances. A strange detail to keep bringing up. Her heart sinks as her own mind recalls a scarf, her hand drifting up to clasp at the bandana over her shoulders.
A swift shake of her head as she leans down and lifts Stain into her arms, tucking his head against her chest.
"It's alright. I'll protect you."
And so, a hum emerges from her. A tune that once it reaches Stain, it causes his eyelids to flutter downwards, a tiny yawn escaping him as his trembling slowly starts to cease.
Perhaps she should've checked behind the tree twice.
A shadow looms there now, his eyes narrowed as his fingers grip the fabric he wears. The blue was now much darker. His fingers now claws.
He'd changed after death, he'd noticed. So had the world, it appeared. After all, it had been a year.
How foolish of he to think it could all stay the same.
_______
End.
Woop that was a long one. I came up with this during school.
I'd had the general idea for a while after seeing some of Tc's asks about what if Scarfy died and decided to do a little something.
My backgrounds aren't top tier but the flowers in the front are Forget-me-nots.
For clarification: this isn't supposed to be bashing on these characters for not recovering in a year after Scarfy's death. It's meant to show that grief lasts a long time. And sometimes it takes time to completely settle. Pigment is still sort of coming to terms with it, part of her struggling to believe he's truly gone.
These characters belong to @xxtc-96xx !!
Also, in this, I made the choice that after a Pokemon dies, they become y'know a ghost. Or in Scarfy's case, a ghost fusion. He became a Haunter fusion since Pig technically has Gengar blood and I'm pretty sure Stains would-be fusion is a Gastly.
I might do more doodles and such about this, but here's the first! I genuinely really like this idea and may or may not have gotten some inspiration from Ghosting by Mother Mother.
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veronicaleighauthor · 7 months
Text
Banned Books Week 2023
It’s that time of year again, when we honor and focus on the books out there that have been banned. And boy, it seems the last few years that book banning has been on the rise. You know if you don’t like a book and you don’t agree with it, no one is forcing you to read it. I’ll even go as far as understanding parents taking books out of their own kid’s hands. My objection is when parents take books out of some other kid’s or adult’s hand. Growing up, if someone had taken “The Diary of Anne Frank” off of my library’s shelf, I would have been lost.
This year I’m focusing on… “Anne of Green Gables,” by Lucy Maud Montgomery. Yes, you read that right, our dear old unromantic Anne Shirley was banned!
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Description:
Eleven-year-old Anne Shirley has never known a real home. Since her parents’ deaths, she’s bounced around to foster homes and orphanages. When she is sent by mistake to live with Matthew and Marilla Cuthbert at the snug white farmhouse called Green Gables, she wants to stay forever. But Anne is not the sturdy boy Matthew and Marilla were expecting.   She’s a mischievous, talkative redheaded girl with a fierce temper, who tumbles into one scrape after another. Anne is not like anybody else, the Cuthberts agree; she is special, a girl with an enormous imagination. All she’s ever wanted is to belong somewhere. And the longer she stays at Green Gables, the harder it is for anyone to imagine life without her.
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Author:
Lucy Maud Montgomery was born in Clifton, Prince Edward Island, in 1874. Educated at Prince Edward College, Charlottetown, and Dalhousie University, she embarked on a career in teaching. From 1898 until 1911 she took care of her maternal grandmother in Cavendish, Prince Edward Island, and during this time wrote many poems and stories for Canadian and American magazines. Montgomery’s first novel, Anne of Green Gables, met with immediate critical and popular acclaim, and its success, both national and international, led to seven sequels. Maud Montgomery also wrote the popular Emily of New Moon in 1923 followed by two sequels, and Pat of Silver Bush in 1933 with its sequel. L. M. Montgomery died in Toronto in 1942, but it is her early years of lush, green Prince Edward Island that live on in the delightful adventures of the impetuous redhead, the stories Mark Twain called “the sweetest creation of child life yet written.”
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Why It was Banned:
You’re probably asking yourself, who on earth would ban something as adorable, and funny, and innocent as “Anne of Green Gables?” (Who on earth bans any book?) Well, let’s find out!
After “Anne of Green Gables,” was published in 1908, it wasn’t long before it was translated into other languages, that way others could fall in love with Anne Shirley. In 1912, it was translated to Polish and it found a captive audience amongst the Polish people. Soon, Lucy Maud Montgomery’s other works were translated, and she grew very popular there. Anne’s individuality was endearing. In 1939, when the Nazis invaded Poland, Polish soldiers were issued copies of Montgomery’s novels to take to the frontlines, as a means to raise the moral. When the Nazis occupied the country, “Anne of Green Gables” and Montgomery’s other works were banned, but that didn’t stop the Polish people. Copies were sold on the black market; resistance members carried them. Anne Shirley had become a beacon of hope. The war in Poland ended in 1945 and I’m sure the Polish people were looking forward to being free…unfortunately, they had been liberated by the Soviets and a Communistic government was put into place. Similarly, because Montgomery’s works were so beloved and “Anne’s resistance to authority” was a threat, the Soviets viewed it as “subversive” and banned “Anne of Green Gables” in 1953 to 1956.
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My Thoughts:
I first read “Anne of Green Gables” when I was thirteen or fourteen. My family and I were visiting family up north and we stopped by this huge warehouse that sold old, used books for cheap. I stumbled across “Anne of Green Gables” and from the title I was intrigued, and it was one of the ones we bought. I devoured it and soon fell in love with odd, weird, red-haired girl. She turns her hair green, hits a boy with a slate, gets her friend drunk – what’s not to like? I had no idea it was Classic Lit – to me Anne Shirley felt modern and realistic. I went on to read the rest of the series, and re-read them off and on over the years. Then, I found the miniseries! Imagine my surprise when I learned it was a banned book.  
So, you see, the Nazis and the Communists banned and censored books…Those who are on the side of good don’t ban and censor books. And I’ll leave it at that.
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eletricheart · 14 days
Note
Hey, can you do a Donna beneviento x long lost child, he/she is a bsaa agent (member of the hound wolf squad) that has a mission on the village and got captured then the lords were surprised that he/she has Beneviento last name and then it turns he/she is Donna's child and they met and then Donna try to say sorry for abandoning him/her and eventually the two make up. Also make the story longer if you may plsss
Purple Hyacinth
(Donna Beneviento x child!reader)
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*pinterest: hideandsiek
Word count: 1703
I am so sorry this took so long😭i tried my best to make this good so it'd kinda make up for the time but idk, hope u like it😔🫶
ps: i changed a few things but not like the main idea yk, lmk if its okay😔✌
ps: pls lmk any spelling mistakes😬
----------------------------------------------------
It was your first official assignment at the BSAA, there would be no “babysitters” on the field with you, which you were glad. It was supposed to be simple, go in, gather information on the cult’s activities and get out.
Of course there was some danger to it, such as getting caught by the village leader leading to endless torture and experiments. Just light consequences if you make a mistake.
𓍊𓋼𓍊𓋼𓍊
You arrived at day time, a few hours past the morning sermon. You believed that pretending to be a lost traveler during the day was less suspicious than at night.
You took mental notes of everything you’d see, the architecture, the clothings, language. Soon enough you knew exactly what to say and to whom.
However, your good luck couldn't last forever. And that's how you find yourself trying to argument your way out of Heisenberg's factory.
You knew he wasn't fully in agreement with Mother Miranda, from what the villagers said.
Unfortunately for you, he needed a favor from the priestess, hence you now being dragged to the Lord’s meeting.
Donna didn't recognize you at first, in all honesty the dollmaker was barely paying attention to the meeting, choosing to get lost in thought while staring at the ground.
However, you had a birthmark near your right eye, noticeable enough that the moment Donna looked up she knew it was you. Suddenly the room felt as if it closed on her, her breathing started to get inconsistent, her hands tightened around her dress while Angie quietly tried to calm her down.
You weren't supposed to be here, you were supposed to be safe, she tried so hard to keep you safe.
The minutes passed in a blur, the Lord’s voices were almost unintelligible, until Mother Miranda ordered Lady Dimitrescu to choose your fate. Donna was quick to rise to her feet and quickly whisper a request to the priestess, who distrusted her eagerness to keep you but accepted nonetheless.
1989
You were born four weeks before winter, so quiet and pale that for a moment Donna worried you were sick. You brought a joy that she hadn't felt in a year since her parents died.
Until winter arrived, and then suddenly you were both trapped inside the Manor.
The voices became too much, her fear was too loud. There was so much death in this house, Donna feared you would be just another victim of it, so she let you go.
The Lady spent the entire winter loving you the best she could, memorizing every laugh, every cry.
The Duke was the one who helped in getting you to a good foster home, away from Romania, away from her, away from her curse.
During that year, spring didn't reach the Beneviento Manor
Present day
The walk to the Manor was quiet, especially since you knew of the dollmaker’s ability, annoying her would do nothing but get you killed.
However, you remained observant, noticing how anxious Donna seemed, even though she was in her territory and you presented no threat.
Once approaching her house you chuckled at the sight of a few daffodils blooming. Donna quickly stopped in her tracks and turned to stare at you.
You smiled awkwardly. “Sorry, just saw some daffodils.”
The dollmaker nodded slowly, scanning the garden looking for the flower. “It means rebirth.”
You made a noise of agreement. “I was just thinking of a song.”
Donna made a low “oh” and continued her walks towards the house.
𓍊𓋼𓍊𓋼𓍊
It took two weeks for you to talk to each other. Donna was overwhelmed with the need to care for you but simultaneously afraid of telling who she really was and end up with you hating her. You, on the other hand, carried on the mission, quietly investigating the house and its inhabitants, Donna’s constant disappearance only made it easier.
It wasn't a long conversation, just small talk during dinner, but for Donna it was everything.
𓍊𓋼𓍊𓋼𓍊
Only one week later and you overheard a phone call of intruders. Your first thought was a rescue team, you hadn't found out much regarding the village’s routine but knew enough of the Lords.
You had been with the BSAA since you were a child, they picked you up in an orphanage claiming you had great potential to protect the world. You believed in them, they were the only family you knew.
Therefore, you took your chance and ran away from the Manor in the middle of the night, trying to find the team.
Donna noticed a few minutes later, rushing off of bed, praying to every god that nothing happened to you.
She found you in a clearing, sitting on the floor surrounded by who Donna believed was the intruders. You barely moved when she approached you, slowly sitting down beside you.
There were tears streaming down your face, your gaze locked in the bloodied knife in your hand. “They came to kill me.” You said, not turning to look at her.
Donna took a deep breath, keeping her hatred for those men hidden while trying to comfort you. “Mother called me to warn that they may stop by at the Manor, they always do this when one of their spies fail.”
You turned to look at her, trying to hold a sob. “But I didn't fail, I swear I didn't! Why do they not want me anymore?!” You could barely breathe, the tears were flowing freely, the knife long forgotten while you held yourself. “Why does no one want me? What did I do?” Your voice no louder than a whisper.
Donna could feel her heart break at every tear that went down your face, she knew it wouldn't be fair to tell you now, so she pulled you close and held you while you cried.
𓍊𓋼𓍊𓋼𓍊
Afterwards you willingly stayed with Donna, being more talkative towards the woman, even sometimes participating in Angie's game.
Even though the dollmaker was definitely happier, her anxiety still took a toll on her. The other Lords and Miranda kept questioning why she’s protecting the girl, even you were confused but decided not to test your luck by asking her.
It was during a sunny day when Donna decided to tell you the truth. You were both under a tree, you were laying with your eyes closed and your head in her lap while she read a book.
You looked so peaceful that she almost gave up but she couldn't keep this hidden forever, despite the others attempt at secrecy, she knew they were already investigating.
Donna gently tapped your shoulder, silently asking you to sit down, to which you did.
The dollmaker took a deep breath, picking her nails as a way to destress and strongly avoiding your gaze. “I-I was just wondering if you’ve ever wanted to meet your mother.”
Your eyebrows shot up in surprise but quickly turned into confusion. You had never told her your past, in fact it took you weeks to tell her your first name. “I’m sorry, what?”
Donna could feel her heartbeat getting faster, she still refused to look you in the eyes. “Mother was investigating…” The dollmaker thought back into lying, shaking her head. “That was a lie, I’m sorry. I just-I-”
You stopped her mid sentence and held her hand. “Breathe. It’s okay, you’re okay.”
Donna quickly nodded, wiping the tears that started to fall. “I’m your mother.”
You furrowed your brows, trying to control your breathing. “You’re lying.”
The dollmaker shook her head, gripping your hands tighter. “I’m not, I swear. I-I was so scared I didn't want to let you go but it was the only option I had. Please, please, don't hate me.”
You felt confused, you stared at her for a while, hoping that it’s just a stupid joke, but it wasn't. And then you felt betrayed, sad, angry. You wanted to scream at her, to forgive her, to cry. But you did none of it, you only removed your hand from hers, and wiped the few tears that slipped. “No.”
Donna’s eyes widened and before she could say anything you spoke again. “I’ll pack my belongings and leave.”
You rose to your feet slowly, afraid that your legs might give out, and walked towards the Manor.
The dollmaker quickly followed you, gently grabbing your arm and turning you around. “I’m sorry, I’m sorry. Just-I-please give me a chance.”
You scoffed. “Why? No offense but I don't want to be abandoned for a third time.”
You tried to release your arm but Donna kept her hold. “I know you have no reason to trust me. But let me prove myself to you, I won't make the same mistake, I promise.”
You stared at her hands trapping your arm. “Your promises mean nothing to me.”
Donna nodded, attempting to not break down in front of you. “I know.”
You took a deep breath and looked at the woman in front of you. “I can't take it again, so please don't ask me to stay just so you break me again.”
“I won't.”
𓍊𓋼𓍊𓋼𓍊
You waited a year to tell the others since you needed more than a few words to believe the dollmaker and officially meet her family.
Alcina was extremely happy to have another child in the family, even though you constantly reminded her that you were an adult.
At first Karl was awkward, especially with being the one to have kidnapped you. Sometimes Donna regretted the time she introduced you two, most of it was when you’d show up back home covered in coal.
Moreau was glad to have a new friend, but mostly confused as to when Donna had a kid.
And Miranda…well she tried to kidnap you once she found out the pregnancy was during the cadou’s implant. However after a lot of talk and some threats she agreed to only a few blood samples.
𓍊𓋼𓍊𓋼𓍊
For all the following years, wherever you were she was. Donna took her promise to never leave you quite serious, of course you both learned boundaries after a while.
Even though you were an autumn child, you brought spring back into her life. And in return, she gave you a family.
----------------------------------------------------
requests are open but know that i may take a week to six months to answer them🤪: masterlist
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aha-chuu · 8 months
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I'm still thinking about Fontaine and the previous Hydro Archon, Furina & Neuvillette.
Because, like, we know Nahida is the youngest Archon, being born during the Cataclysm when Rukkhadavata died. Which means Furina must be older than 500 and must have existed at the same time as the previous Hydro Archon (I'll call her "Amrita" for simplicity's sake). Now I kind of think that Furina was a part of Amrita, since we know from the Oceanids that water can combine and disperse and maintain consciousness between these states. But that feels pretty similar to the Nahida situation so I'm not sure if Hoyo would do that.
In which case I'm free to headcanon that Furina was Amrita's problematic little protegee. Just a full on spoiled kiddo under the Archon's care, who got flung into authority unexpectedly after the cataclysm (explaining why she sucks so bad at it).
And if Furina did have a student-teacher relationship with Amrita, then it makes sense that the dissolving prophecy would be purposefully be left to her as a "conundrum" to be solved. Like Amrita realised Furina was a spoiled brat and wanted to leave a lesson to be learned behind.
Which then I think we need to talk about how Neuvillette fits into this dynamic. He's referenced as being at least a few hundred years old, and he's been around in Fontaine longer than Melusine records, since its rumoured that he's their creator when it was actually Elynas. So he probably also knew Amrita; yet I doubt he knew her for all that long.
In addition, it's pretty obvious that Neuvillette is the Hydro Dragon.
So here's my thought: Amrita is the Hydro Archon. She is pretty beloved by the people, but she doesn't believe a single person can ever be truly "fair and just" - one leader will always be coloured by bias. So she either splits off her consciousness to create Furina, or selects her from some other group as a student. She begins training Furina in the ways of balance and justice. During this same period, the Hydro Dragon is reborn in Fontaine as Neuvillette.
Now, whether Neuvillette is born to a human family or simply in human form doesn't really matter. I enjoy the idea of an egg appearing in the court and hatching out a tiny baby with elf ears, so let's say that's what happened.
Amrita recognises him as one of the dragons and becomes captured by a new idea - the dragons had previously been usurped on Teyvat, and Amrita is interested in fairness above all else. Rather than herself and Furina becoming Fontaine's dual leaders, it would be much more just for an archon and a dragon to rule together. It had all the benefits of defeating bias, while opening the country up to a new perspective.
So Amrita takes Neuvillette as a student too. Furina is still around and continues to be treated as Amrita's charge, yet she loses the responsibility of leadership before ever finishing the training. Neuvillette is instilled with the measure and countenance of a Justice, while Furina is allowed to watch along, worshipped as the Archon's companion.
She was there first, but Neuvillette is the "golden child". Furina resents the lack of attention.
Amrita still desires Fontaine to have co-leaders. When she must head towards her death during the Cataclysm, she leaves both Furina and Neuvillette in charge. When given this opportunity, Furina selfishly pronounces herself as the Archon upon Amrita's death. It's this act of treachery that drives away the Oceanids.
Neuvillette, being younger and less experienced, does not stand up to Furina. He is dedicated to carrying out justice, not leading the nation.
Furina quickly realises that she does not know what she is doing. She basks in the attention at first, but then crumples under the pressure. And so, she gives Neuvillette the title of "Chief Justice". In name, Furina remains the authority over Fontaine. However, in reality, all of the responsibility is placed upon Neuvillette's shoulders.
It was only in Amrita's prophecy, therefore, that Furina would be "left alone weeping" after her people dissolved. In every other matter, Neuvillette could deal with it. But for this utmost challenge to face the Nation, Furina alone carries the burden.
Neuvillette never gets the chance to exist outside of his role, but that helps clarify his connection to the people. He's their reliable Chief Justice, and that gives him an avenue to understand them through. Meanwhile, Furina does everything to remain popular, understanding her people only far enough to ingratiate herself to them. When it comes to how the people of fontaine will all dissolve, however, it's a problem she investigates behind closed doors, terrified of being seen struggling with her single duty to her nation.
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read the torchwood archives book today, and felt like sharing some things because this book gave me a headache (ft the ages of tw3 members and when they allegedly got recruited. "allegedly" because the consistency is bar to none and must be taken with a very large grain of salt).
tldr: information is very inconsistent and i would trust information given in the show more than from this book about timelines any day. i apologise in advance if none of this makes any sense lol
explanation under the cut cause this turned out to be much longer than i thought it would be lmaooo
reblogs always appreciated, helps the post circulate 🫶
these are all documents in the torchwood archives book where it says each member's date of birth (among other info) where it does state clearly that ianto is the youngest (1983) but what i Wasn't aware of was that owen was born only a year (+ 6months) before him
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here is also a note from the margin on owen's page
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now this is where it gets confusing. because s1 came out in late 2006-early 2007, i assumed that that would be more or less when they were set (me when im Wrong). s1e10 (out of time) is very clearly set during/around christmas, despite coming out before christmas, and e11 coming out on christmas eve, which obviously throws the timeline off. we know s1 of tw occurs sometime during 2007 before doctor who s3e10/11 (when jack runs off to the tardis and briefly comes back to the main series), so that matches up with the dates written in the margin of the document page.
in s2e12 (fragments), it says that by that point ianto had been working for tw3 for 21 months (or it had at least been 21 months since the first time he met jack, but i feel like its safe to assume those two didn't happen that far apart), and if that happened in early 2007, it would mean that the end of s2 would be set sometime in late 2008-early 2009 which also matches up with when doctor who s4 was set, when again jack leaves and goes to the doctor (we know this is after the end of tw s2 because the only people in the hub are jack, gwen, and ianto, therefore happened after owen and tosh's deaths. also other pretty obvious things im almost definately forgetting about).
anyways all that to say that during owen's fragment (ha) of fragments, it says he met jack 4 years before late 2008/9ish, and then had spent "months" looking for jack which would set katie's death at around 2004/5, and his torchwood recruitment at mid-late 2005 but. that doesn't make any sense if in the note in the margin it says 2006.
yk what Also doesn't make any sense? tosh apparently joining tw3 in 2005 (and other things mentioned in the tw archives). because we know fragments was set in 2009 at the latest, where it states that tosh got arrested by UNIT 5 years prior, which would mean at the latest in early 2004, which again contradicts the tw archives.
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tosh apparently got arrested by UNIT in early 2005ish, which would make it a year later than possible if fragments is in fact set in 2008/9 and her arrest happened 5 years before it. her being held in UNIT makes this worse cause it would mean she joined tw3 somewhere in mid-late 2005, which makes sense with the dates given in only the book, but with nothing else outside it, since the latest it could possibly be if we followed the show would be 2004.
because of the inconsistencies of recruitment dates (and birthdays of everyone apart from ianto and suzie, but i will Not be getting into that rn), it's pretty difficult to put exact dates on recruitment, but what i've generally managed to gather according to information from the book (and other snippets of lore i can remember off the top of my head) is:
owen: joined tw3 2005 or 2006, making him around 23yrs old when recruited, but is stated to have been born in 1980 in s2e13 (exit wounds) so possibly 25/26.
tosh: joined tw3 either in 2004, or 2005, making her around 28-30yrs old, but stated to have been born in 1981 in exit wounds, so possibly 24-25.
suzie: joined tw3 anywhere between 2000-2005, making her 27-32yrs old at recruitment.
gwen: joined late 2007, making her 29yrs old.
ianto: joined tw3 early 2007, making him 23yrs at time of recruitment, would've turned 24 that same year though.
edit: ianto joined tw1 as a junior researcher in 2005, which would make him 21-22yrs old at the time.
in conclusion: the book seems pretty inconsistent with information. birthdays, recruitment days, loads of other things are off, so despite having spend almost a whole day compiling information for this post from this book, i don't think it's a very trustworthy source for timeline stuff (or much else really). i don't think the writers really bothered with making the timeline consistent and accurate because, let's face it, most fans probably don't care enough to make a complete and accurate timeline down to months and years for a spin-off show from the mid-late 2000's. if you're still reading this, you deserve financial compensation. won't be the one providing it though.
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romchat · 7 months
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My Journey to You Ep. 23 visuals: Ravens only belong to winter
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Say what you will about this show's writing for the lead characters (particularly Gong Ziyu and Shangguan Qian), but you can't deny MJTY's writing when it comes to its minor characters. I came to care for so many of them with just a few scenes, and I think a lot of that is due to the show's visual storytelling, which is used to reinforce its themes in an almost brutally efficient way.
Nowhere is this truer than with Hanya Si and the show's use of shadow and light to communicate his story.
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The death and violent secrecy surrounding Wufeng have been etched so permanently on Hanya's soul that he can't escape its darkness. He no longer sees himself as a man, but as something less than:
"[Ravens] know there are hunters and traps in the dark forest, but they can never fly to the light. They've been eating dirty mice and rotten meat since they were born. Even their screams are fearful and ferocious. They can only live in the dark and beneath the sunset."
This is communicated over and over again with how the show physically positions Hanya either against or away from light for most of his scenes. Whether at the Wufeng headquarters or in the Gong residence, he is placed in the shadows--even as other characters stand in or move toward light.
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Interestingly, he's really the only assassin we're officially introduced to who is shot like that. For example, check out the scene below where he, Hanya Qi, and two of the wangs meet. Even though the overall scene is dark, Hanya Si is the darkest as he's positioned furthest away from the overhead light. And in the final showdown at the Gong residence, the other assassins fight during the day (which Hanya Si has never been portrayed as doing until his final scene). Unlike the others who revel in killing their targets in broad daylight, Hanya has become so consumed by his sins that he doesn't believe he's worthy of existing anywhere but the darkness.
(Side Note: I found it telling that the last Wufeng attack that killed Gong Shangjue's mother and brother also happened during the day rather than at nighttime. There's a startling brazenness to Wufeng's violence.)
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The exception to this pattern, of course, is when Hanya is shot with either Yun Weishan or Yun Que. Those moments with his protégés are the only times he embraces his own humanity and dares to step out of his self-imposed prison to provide care in whatever misplaced way he can. It's only in those scenes that his face becomes awash in direct light.
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So when Hanya decides to help Weishan fight Ziyi, it's fitting that the show commemorates this character-defining moment by drenching the entire screen in sunlight.
I absolutely love this shot with the lens flare. The show rarely uses this camera effect in its outdoor cinematography so you can feel the foreignness Hanya must have felt walking into the early morning light to face his destiny. The blown-out sky is wondrous and almost overwhelming in its brightness.
And it also seals his fate because we know ravens can never fly to the light; they can only live in the dark.
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The mirroring of Weishan and Hanya’s first sunset and last sunrise together nearly took me out. Director Edward Guo clearly likes reusing certain compositional elements to establish his characters, and with Hanya's scenes that repetition not only lends itself to a feeling of tragic inevitability but also freeing closure.
"I watched the sunset so many times with you. This time, I can finally watch the sunrise with you."
What a perfect way to send off this character.
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bulkhummus · 7 months
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AAAAAA NEW NIGHT VALE EPISODE REALLY ATE WHEN THEY BROUGHT OUT WHAT IS CLEARLY THE DISTANT PRINCE AND JUST TO REVEAL HES (at least inhabiting the body of) A KID LIKE IM SORRY BUT HES JUST A LITTLE GUY!! HE CAN DO NO WRONG (hes prob here to start the apocalypse of the year but maybe they can fix him with therapy)
I need to hear your thoughts on this episode cuz it got me so so excited
Personally, I think it’d be fun if the child the personification of the Smiling God, Cal (which some people read Cal as being the Distant Prince so add that in or keep it separate from this post if you’d like) or Donovan (Charles and Kevin’s kid). But this was such an interesting take I did some reading and drew up some comparisons.
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When we first meet The Boy, he is young and constantly moving around and pretending to be an airplane. Later, when Cecil is talking to him, much of what he is saying about existing and being who he is, he is experiencing for the very first time. Sort of like a god experiencing being human for the first time. (I did think about how, if it is some random kid, and he did come from the DOW from a portal Carlos and his team opened, he wouldn’t have slept or ate, or possibly spoken to other people before too, but could have remained in perfect health but that’s a side bar.)
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His descriptors he gave to the therapist reminded me what Huntokar described as the mudwomb, where she and the other gods came from. (This also, feels similar to cecil being born from a tree, and my theory about cecil forgetting he is a god/angel.)
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The words “to do harm” are interesting to take note of. As are the words “‘No’ said the boy, in a new voice, full of broken glass and thunder clouds. “I will not talk about her.”’
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Because when we think about the Distant Prince, he is always threatening to do or actively doing harm. He and his court are also mistaken for thunderclouds and rain. (From If He Had Lived episode 92) . Lastly, I want to think about Tamika being the one to take him in, because that is the most compelling thing regarding your theory out of everything.
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I will be referencing the live show The Haunting of Nightvale. Tamika, during it, expresses exhaustion for having to clean up the town and deal with its problems her entire life. She solved problems with violence. She liked the violence. Violence was the answer for a lot of problems, and only recently did she decide that it was no longer as such.
Thinking about a child having the role of committing acts of violence to protect herself and others. And now, the Distant Prince appears, a harbinger of death and human pain and suffering, as an innocent child looking to forget. To start fresh. Tamika would want to take him in so that they could maybe learn something from each other. But also, the reverse of this, maybe Tamika’s past of violence could be a spark to further pain and suffering at the hands of the Distant Prince without her realizing. Maybe he could inspire her to become violent again, if its something she wants of her own accord this time.
All of this also makes me think about gods appearing in night vale as people due to different circumstances. The Glow Cloud (junior) is a respected citizen. Huntokar is living in the body of Susan Willman. Night Vale is in more chaos than it has ever been. The glow Cloud (senior) is dead, people have all but forgotten Huntokar, and time is moving forward once more. Not to mention that it’s still recovering from Janet and her team. An apocalypse to restart the town, as it happened so many times before in Night Vale, makes sense! Everything is coming to a head. Huntokar and possibly The Distant Prince appearing as people feels….. interesting.
Anyways this was fun to cobble together and would love to hear your thoughts on it!! this was a really fun take! :o)
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alchemicaladarna · 26 days
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Demon Royalty AU part 3
I haven't really thought that much about other characters' roles in this story, so for now the only eggs that I've fully fleshed out the story for are Em, Dapper, Pomme, and Richas :D
Empanada: Vampire
Co-adopted by Bagi and Niki and taken care of by her clan when she was a very small child (4-5)
A group of rogue and wild vampires that fed on humans, demons, etc. massacred a human village and fed on all its inhabitants
Bagi and Cellbit arrived at the village almost too late as there was only one survivor that hasn't been devoured or turned into a rogue: Empanada
The little girl's parents were dead and she was on the brink of death too
The only way to save Em was to turn her into a vampire and she had to drink Bagi's blood to complete the transformation and save her.
Niki would also often care for Em, as Bagi's right-hand
Keep the wild/rogue vampires in mind because they'll most likely be important later
Richas: Vampire
Wild vampire child that was found running in the forest by himself when he was only 4
Had to fend for himself by feeding on animals until Cellbit, Pac, Mike, and Felps found him while hunting for food
No one knows who his parents are/were- it seemed as if they just left him to survive on his own
Was missing a leg since birth and was likely left behind
Cellbit's clan adopted Richas of course- it took a while for Richas to trust or be able to communicate properly with them at first
Was found 2 years before Em
Children typically aren't vampires because they would need to have vampiric venom in their blood and they'd have to feed on blood too. If they do become vampires as children, they still grow up normally, but stop aging in their 30s.
Dapper: Demon
Son of Bad, Prince of Death
Rumored that Dapper's other father was the Prince of Diamonds from the Overworld, a gem golem- no one dares to ask Bad though, he never gives a clear answer or dismisses the question entirely
How? Use your imagination d:
Dapper loves exploring the Nether and is very fascinated by magic, alchemy, science
Encouraged by her father to pursue her studies of the Nether Kingdom
Also studying as a reaper apprentice
Rare occassion Dapper can go to Overworld when Bad must collect souls as the grim reaper and train him for the job
Gives Bad a heart attack when Dapper would wander off when they're in the Overworld
2 years older than Pomme
Demon children can be born in different ways because there are many types of demons, but regular low-class demons are mortal and age normally living up to 300 years max. Royal blood demons grow up normally but the older they get, the slower their aging process becomes because they have longer lifespans than regular demons. Dapper has a much longer lifespan because he's the son of a demon and what is basically a diamond.
Brief intermission to talk about the French kingdom/land/it's a working title XD:
Leaders aren't monarchs, but have titles called "Royal Governors" that represent the people in a council
They have sub-regions that each leader represents- but the people are also included in discussions relating to the kingdom- their respective leaders just represent them during the meetings
The Council leaders: Étoiles, Aypierre, Antoine, Baghera
All have close ties to Bad and the Nether Kingdoms
Pomme: ???
This girl's origins are a complete mystery because like. No one really knows where she came from?
She was found in an ancient city in the Deep Dark. A baby, barely one, just sitting in ancient ruins, surrounded by cornflowers
Pomme was found by Étoiles and Aypierre during an expedition into the ancient cities
The crazy part is she wasn't crying until the two found her, so they had to bring her to the surface very quickly
Brought her to the kingdom, back to Antoine and Baghera- they all loved her instantly
Soon, they noticed her powers get very out of control, and it's difficult for the Overworld leaders to manage alone- especially since she covered the kingdom in darkness and almost single handedly brought a plague upon them at one point
They know nothing about her powers so they visited an old friend who might have some answers: Bad. He has a lot of knowledge about the Deep Dark, but he's never encountered a baby just- mysteriously surrounded by cornflowers in an ancient ruin
The Four asked Bad to watch over her as well because Pomme was truly an anomaly and they needed his help
He hesitated for a bit because he already has Dapper, but eventually agreed to adopt her too
They agreed to have Pomme stay in the Nether with Bad until she was 17 and she can fully control her powers, and Antoine, Baghera, Pierre, and Étoiles would visit her regularly too
I thought about writing Chunsik as another demon child, but I remembered his parents, right now, are only Acau and Jungryeok. He hasn't met YD yet, and also something else to keep in mind is YD being a demon is still just a headcanon.
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