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#its qrow again
dissonantharmony · 2 years
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@incorrectozfamily you ever just--
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maskyartist · 10 months
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add this to the list of goofy ass personal aus for me and me alone
au where everythings the same but Ozpin's blind thats all
#masky says#again its called SELF indulgence for a reason#im simple i like blind characters who use their blindness to their advantage#ozpin wouldnt be able to rely on ozymandias or any other past lives for sight since they'd need to use HIS body's senses to detect anything#no one can see. its a new experience for almost ever life i'd imagine#but ozpin's grown up without his sight so he knows how to navigate the scary world#hes not totally blind. he can see...vague shapes. very vague.#but thats it.#long memory works as a normal cane and ur usual blind cane#hes memorized beacon's halls along with the usual rush of students and which way they'd come and go to classes so he doesnt get lost in the#-rush if hes ever goin from one place to another alone#glynda usually sticks by his side to act as his guide if hes goin somewhere super crowded#tho i mostly like it cause the vibe of ozpin bein one of those characters who keeps their eyes closed all the time is a VIBE#hes still a top huntsman. hes still the headmaster. hes still one of ozma's many lives#but hes blind. thats all that changes and it changes nothing and also everything#qrow acting as a seeing eye bird when ozpin asks for his help#sitting on his shoulder and cawing if oz nearly bumps into a wall or someone#i know its not real evidence but i do like ozpin memorizing the feel of qrow's facial features#the scruff of his beard the way his skin dips in places where scars linger#he likes touching people hes very touchy. its the best way he knows to see in his own personal way#he wouldnt notice ruby's silver eyes. he'd need to be told later. glynda probably mentions it making ozpin interested even further in her-#-progress and acceptance into his academy
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marshmelonfluff · 1 year
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also i have doubts that they would have tai feature heavily in a volume again but i really want him to meet up with the gang in vauco bc i want ruby to get a hug from her dad. please. just let this girl get a good cry in about everything she's been through and have her dad hug her afterwards
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jinxedcrow · 10 months
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guess who finally watched v9
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b0bs0ndugnutt · 1 year
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I just really love Jaune so much and I hope he makes it out of there okay.
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thewickerking · 1 year
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you changed it to the opposite of your url
yesss i got the url bc it ended up being cooler than i expected and i asked a group chat if i should change it and everyone started talking about wyverns and cotton eyed qrow so i figured id just do it after special milo birthday url :3
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drunkscythmaster · 2 years
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Day 1 - New Beginnings
Qrow took a deep breath and looked around the room. Compared to the tents he and Raven had been living in for as long as they could remember, it was luxurious, even if it would be shared with two strangers. He knew their mission, their purpose for going to Beacon, but he couldn’t that he was looking forward to getting the hell away from the tribe. He looked over at Raven. He was likely the only one who could see the apprehension under her cold façade. She wanted to be strong, powerful. He wanted to survive the next four years.
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qrowsofafeather · 1 year
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Talking with my therapist and we got on the topic of my anger issues again - family drama.
Shoot the shit and we meander back on topic. He says - essentially - that he sees a “wrathful angel” in me. I managed not to bust out laughing for more reasons than just this blog/fandom.
The explanation he gave - based on my history - make perfect sense but that doesn’t mean I was expecting it. Been dodging around the topic of my various fandoms and I’ve given hints about this one but he’s not enough of a weeb nor dating-sim-player (had to explain what that was) to know of it.
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tumblingxelian · 1 year
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Yang & Ruby's Childhood
Oh how I wish, I wish that people would stop ignoring canon and pretending Yang & Ruby had functional adults who were good parents in their lives after Summer died. 
Because the fact of the matter is that they did not and canon has spelled this out again and again for the audience with increasing clarity every single time.
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In Volume 2, Yang overtly states that Tai shut down following Summer’s to the point where his neglect became so pronounced a 5 and 3 year old who were grieving were left alone for hours and could disappear into a Grimm inhabited island looking for a different parental figure. 
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Its re-established again in volume Five when Yang spells out to Weiss in no uncertain terms that after Summer disappeared, Yang, a five year old, was the one who needed to keep the family together and the trauma this inflicted on her alone is obvious. Let alone Ruby, because she was both being neglected and being raised by someone only two years her senior. Something Ruby fully acknowledges was the cast. 
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There’s a multitude of other things I feel Tai has done wrong as both a teacher and a parent, but these one’s are undeniable, openly stated facets of the household. 
And Qrow doesn’t get an out by being the uncle either, oh no. 
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Ruby makes it expressly clearly despite how much she loves and admires her Uncle she is very much used to him dropping back into her life shit faced drunk and being carted home by a stranger and needing to be taken care of. 
Again, by children! 
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He has his reasons and his problems, but amazingly that doesn’t stop this from being a shitty way to grow up. No matter how much Tai & Qrow might love these two, they were not ‘great parents’, I wouldn’t even call them good. 
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These two adults were negligent and damaging to the children under their care despite how much they may have loved them, and the fact that is ignored really burns me up inside. 
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anthurak · 25 days
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Takeaways from the Volume 9 Epilogue:
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One thing I really like about Oscar’s ‘If there was anything I wish I could borrow from you…’ monologue is that it laid out/confirmed something I’ve always felt was a major aspect of Oscar’s dynamic with Ruby that I nonetheless feel a lot of the fandom has missed: That Oscar very much sees Ruby as a mentor and an example to follow, and how their dynamic is specifically a foil to what we saw between Ruby and Ozpin. That Ruby acts as a mentor and example to Oscar in the same way Ozpin was to Ruby, and that Ruby is a far BETTER mentor and example to Oscar than Ozpin ever was to her. Which, as an aside, is a dynamic I can’t help but feel a lot of people have been misinterpreting as ‘ship-teasing’ and is one of the main reasons I’ve simply never been able to see Oscar as any kind of viable love-interest to Ruby. Frankly the dynamic of ‘Ruby is the mentor and example to Oscar that Ozpin couldn’t be for her’ is simply so much more INTERESTING than any kind of romance could ever hope to be.
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Even in animatic form, Winter basically going overdrive on the maiden powers was a sight to behold. And her own monologue had all the self-deprecation we were expecting. Our girl is clearly holding on by a thread and it’s going to be REAL interesting seeing how she reacts and adjusts to her sister not actually being dead. As in, I can imagine a situation where Winter tries to throw herself into a heroic sacrifice with the belief that Weiss would make a better Maiden than her.
Also, Winter’s monologue giving major focus to how Penny is super-super-dead-dead-and-definitely-not-coming-back-for-really-realsies, as she is talking to the sister who she ALSO believes is DEFINITELY also dead? Specifically with the words that Penny is gone, when Penny’s last words to her were that she’d be ‘part of you’?
Yeah, there is no way in hell we’ve seen the last of Penny XD
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The CROWN. Like it was only a few shots, but as someone who read the CFVY Books (which you totally should if you haven’t, they’re great), holy shit I was NOT expecting them to pop up here.
I mean, in hindsight it makes perfect sense that they’d be involved in Volume 10. They’re basically Vacuo’s equivalent to Vale’s criminal element and the White Fang splinter faction as Salem’s co-opted insurgency group, with Jax and Gillian joining Roman, Adam and Jacques as the latest of Salem’s unwitting patsies. It’s definitely going to be real interesting seeing the crew deal with them. Like it’s really fun to imagine Team RWBY in particular being kind of exasperated at seeing Jax’s probably doing a whole ‘With Salem’s help I shall be King!’ shtick after everything they’ve seen with Roman, Adam and Jacques.
Oh and if you don’t know, Jax has a mind-control semblance, so him trying to use that on Yang could actually lead to a sneaky callback to the Justice League crossover, ie; Yang doing a ‘Yeah, I’m not doing THAT shit again.’ XD
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Qrow’s whole vibe through this is fascinating. Like his section may have been the one we already saw, but after seeing the abject depression and growing despair of all the other characters, Qrow actually being OPTIMISTIC hit so much harder.
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Raven showing up at the end is… interesting.
I’ll admit that ever since we saw that specific clip a few months back, I’ve been rather conflicts about Raven showing up to deliver RWBY+J to Vacuo, particularly after Ruby’s tree vision. Like for one it felt a bit random and unnecessary. The tree already deposited the Ever After team outside of Vacuo so they didn’t exactly need help getting there. Not to mention that it kind of clotheslines the story-thread set up by Ruby’s vision; that she now has a reason to track Raven down to get the ANSWERS to what happened to Summer. Finally, it’s just kind of… random? Like where did Raven even come from to get the team?
But now having seen the clip with its intended context, I’m definitely more on board with it. Particularly hearing from Kerry and Eddy that the original ending for the penultimate episode had RWBY+J going through the portal to arrive at their memorial stone, and met by a ‘Mysterious Figure’, ie; Raven. Here it feels like were getting more set up to get answers later as to what Raven was doing at the memorial.
And really, now that I’ve thought about it more, this method kind of puts the thread of Ruby going to Raven for answers even MORE into focus. Like the story reintroduces Raven in the present right after Ruby got a vision basically saying ‘hey, Raven is important’. And now going into Volume 10, we’re pretty much perfectly positioned for Ruby to pull Raven aside for those all-important ‘Why were you fucking my mom? What happened to my mom?’ questions.
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Finally… yeah that ending hit me a LOT harder than I was expecting. Like that ending was HOPE in its purest form and it was honestly beautiful to see. Particularly right now with the future of the show seeming so uncertain. I’ve personally been optimistic about RWBY’s future (in a manner not unlike Qrow’s vibes I suppose lol), but damn the hopefulness of that ending hit especially hard, and was something I’ll admit I needed. And I imagine the rest of us could use as well.
We'll be getting Volume 10. And 11, and 12, and however many more it takes to finish this story. At this point, I have no doubt of that.
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bestworstcase · 3 months
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"There is no victory in strength."
"And Yang was strength."
I wonder if this is some "subtle" foreshadowing for something later?
oh i have some THOUGHTS about this
first: see this post regarding salem's V1 monologue. the key point to keep in mind for this discussion is that she begins by naming several qualities of mankind—strength, wisdom, resourcefulness, passion, and ingenuity—so her concluding statement implies its own inverse: 
"mankind was strong, wise, and resourceful, but he was born into an unforgiving world […] in time, man's passion, resourcefulness, and ingenuity led them to the tools that would help even the odds […] but take heed: there will be no victory in strength," i.e. "victory lies in these other four qualities." 
so what does this have to do with yang?
in V2: yang gets slapped by the paladin prototype, and when blake calls out to her in a panic, ruby stops her: "don't worry! with each hit she gets stronger, and she uses that energy to fight back. that's what makes her special."
in V3: after her disqualification from the tournament, qrow passes on raven's message to yang ("she saved you once, but you shouldn't expect that kindness again") after she tells him she saw her mom ("i- i was in a lot of trouble, took a pretty hard hit"), then follows up with "you're a tough egg, kiddo; shouldn't let this tournament thing get you down."
in V4: tai tells yang that she, like raven, "act[s] like the easiest way to tackle an obstacle is through it: that strength is all that matters in a fight," which he implies is the fatal flaw of raven's that "tore our team apart and […] did a real number on our family," even though "raven was great in so many ways: her strength, her ambition, her dedication." 
in V5: blake describes yang to sun as "[the embodiment of] strength."
also in V5: yang confronts raven in the vault under haven academy and, when raven calls herself strong, snaps back: "oh, shut up! you don't know the first thing about strength! you turn your back on people, you run away when things get hard, you put others in harms way instead of yourself! you might be powerful, but you're not strong."
in V6: blake reassures yang by telling her "adam's strong, but his real power comes from control."
also in V6: adam taunts yang: "moment of truth, yang! do you think you're faster than you were at beacon? …heh. me neither," and after catching his weapon she retorts, "i may not be faster, but i'm smarter." (<- put a pin in this one, it's important.)
in V8: yang falls, blake fails to catch her, and it's the hit she can't come back from—it doesn't make her stronger, it just plunges her into the void to her apparent death.
in V9: when they catch up with yang, she's performing strength ("i said i wasn't done with you yet!") but in reality she's exhausted, barely able to stand. later, blake describes her like this: "you're an extraordinary person. you're always the first to lighten a situation; you act bravely when you're afraid; you do what you say."
ok. 
there are a few threads to unwind here.
first let's unpin what adam says to yang during their final duel: "do you think you're faster than you were at beacon?" not "stronger." not "tougher." faster.
ruby tells blake that strength is what makes yang special. qrow tells yang she's too tough to let one "slip-up" bring her down. her father thinks she relies too much on her strength. before their reunion, blake sees yang as the living personification of strength.
but just as a younger blake was wrong about adam being "justice" or "passion," she's wrong about yang being "strength," and adam is actually—ironically enough—the first character besides yang herself to notice that strength is not what yang is about. he taunts her for not being fast enough. 
speed. agility. not just in the sense that yang is a very nimble combatant, but she's emotionally agile—look at how she handles herself and her feelings during fraught confrontations with blake in V2 or raven in V5. she's a self-described thrill-seeker, but she also worries about being too rootless. her biggest setbacks all come from rushing—and her big wins all come from outmaneuvering her opponents, whether physically or emotionally. she's strong, but strength is not what she is.
keeping that in mind, the second thread to follow is the difference between strength and power. yang tells raven "you might be powerful, but you're not strong." blake tells yang that adam is "strong, but his real power comes from control," from getting into people's heads and making them feel small. when ruby and tai and blake talk about yang's strength (and when blake talks about adam being strong), they mean raw physical strength—but that's not what yang means when she talks about strength. in yang's terms, raw physical strength is just power. her semblance makes her powerful; it doesn't make her strong. 
yang defines strength as the choice to put others ahead of oneself, even and especially when it's hard. 
in the ever after, blake says that yang uplifts others (always the first to lighten a situation), that she's brave, that she has integrity. between V5 and V9, after reconciling with yang and going through the harrowing experience of of fighting adam with her, blake sees the vulnerability behind the brave mask yang puts on for her loved ones. her perception of yang at beacon was colored both by her adam trauma and by the way ruby saw yang as invulnerable, unshakable. since then she's come to see yang as she truly is: caring, brave, and honest. she sees and loves the kind of strength that yang values.
third thread: the really crucial piece is what kind of strength is salem referring to? 
and the answer is that she's talking about power, explicitly in contrast to what she sees as humanity's true strengths: wisdom, resourcefulness, passion, ingenuity, and hope. in V1, salem credits hope as the reason mankind was not wiped out (again) by the grimm and names "passion, resourcefulness, and ingenuity" as the qualities that allowed them to find a way to survive against the odds. then, "nature's wrath in hand, man lit their way through the darkness, and in the shadow's absence came strength, civilization, and most importantly, life."
in this story salem tells about the beginning of the world, strength is one of the fruits of mankind's triumph, something that could only develop after the darkness had been beaten and pushed back. when she gives her warning—"there will be no victory in strength"—she names "your guardians" and "your monuments" explicitly. 
to be precise, she is talking about the maidens ("a guardian is a symbol of comfort"), amity coliseum("it was decided that the tournament would need a stage equal in greatness to that of its competitors. amity coliseum was the culmination of four kingdom's efforts: a technological marvel and a shining symbol of harmony, capable of making the journey to all the kingdoms of remnant"—but note that menagerie is excluded from the vytal festival), and atlas ("the people of mantle needed a sign of a brighter future, and that sign was atlas; a city in the clouds is as bright as it gets").
those things represent ozpin's definition of strength: technological marvels, shining symbols of harmony and comfort, a girl who is "strong, caring, and intelligent" enough to make the people feel safe. and of course outside of these soliloquies, the word salem uses is power—and she warns cinder, twice, in no uncertain terms that power will not make her strong: "it is because of the maiden's power. […] your newfound strength brings with it a crippling weakness" and "you will have the power i promised you, but remember that it comes with a cost."
now back to yang: she and salem share this mindset, this clear delineation between true strength and mere power. salem tries to impress it upon cinder; yang's power blinds her family to her true strength, which blake learns to see clearly as they become partners, and she is placed in juxtaposition with adam, raven, and cinder—all of whom are powerful but not strong. 
and, like salem, the way yang is perceived (that her power is what makes her special, and she thinks physical strength is all that matters in a fight) does not align with how yang sees herself or what she values: yang takes pride in being able to face her fears, speak the truth, put others before herself, and outwit her foes; she likes that blake has never been intimidated by her, and she admires blake's dedication and willingness to forgive. 
salem values wisdom, i.e. experiential knowledge—yang tells her past self that her losses and failures "more than anything are what have shaped me into who i am, showed me how i need to grow." salem values passion—yang is passionate in everything she does and likewise admires the passion she sees in blake. "you know what matters to you." salem values resourcefulness and ingenuity—yang revels in outsmarting people who underestimate her, as they often do, and flat out tells adam that she may not be faster than him, but she is smarter, then throws his weapon to bait him into running right into blake's punch.
yang values courage—salem fomented rebellion against the fucking gods and vowed to keep fighting even after they crushed her like an ant, and rewards cinder for defying her, and disdains lionheart for being a coward. yang values honesty—salem explodes when people lie to her and loathes ozma for his deceit. yang values compassion—salem built her whole rebellion on the premise that no one else should have to suffer as she did. yang values cleverness—salem cultivates spies and meticulously prepares to stack the deck in her favor before making a move.
"the ability to derive strength from hope is undoubtedly mankind's greatest asset," says salem. "even the smallest spark of hope is enough to ignite change."
"look, blind optimism isn't great, but no optimism means we've already lost; we need hope. we need to take risks," says yang. 
aside from blake, all of team rwby repeat salem in some way: weiss is the girl who frees herself from her tower, ruby the idealist who sees how broken the world is and takes it upon herself to fix it, inspiring the world to strive with her. (blake repeats ozma: the warrior who fights for justice, but her journey is the inverse of his: her ideals are corrupted by adam's spite in the beginning and she leaves him behind in pursuit of true justice.) but yang is salem's heart. 
(<- the reversal in how blake sees yang before/after they reunite at haven and defeat adam together is a fractal-ozlem thing, by the way: the inflection point occurs in 6.5 when yang opens up about her flashbacks and blake sees her hands shaking. the maiden's tears restore her prince's sight—yang allows blake to see how scared she is, and blake recognizes how badly yang needs blake to be there for her, to stay.)
WHICH IS HYSTERICAL BECAUSE,
"all this endless death, because something bad happened to you once upon a time? no one gets a fairytale ending! everything i've lost, every person i've lost, is because of you!"
yang is being deliberately provocative here. her intention is to redirect salem's boiling fury from oscar to herself, to protect oscar. she is trying to piss salem off, and while she succeeds in distracting salem from oscar, she completely fails to make salem angry—instead, salem calms down.
why?
the anger and scorn yang throws in salem's face here are completely genuine, but as i said before, yang's emotional agility—her control over her emotions—is unparalleled. she does not "lose her temper" (and on the rare occasion she snaps without meaning to, she reins it in lightning fast). she lets it out. so in this scene, yang makes a calculated choice to yell at salem. to get angry.
now, we've seen her do this once before—and by "this" i mean specifically the choice to get mad enough to verbally explode at somebody—and that was during her last confrontation with raven. 
"oh, shut up! you don't know the first thing about strength! you turn your back on people, you run away when things get hard, you put others in harm's way instead of yourself! you might be powerful, but you're not strong."
i think yang is not quite as in control of her feelings in this scene with raven, because the wounds are very personal and very raw, but nevertheless she is making a deliberate choice to let her anger come out because—again—she's trying to make raven mad. if raven decides she's leaving with the lamp, yang can't actually stop her. she knows that. she also knows raven isn't going to listen to an appeal to join them, so her only real option is to upset raven enough to make her abandon the lamp (and yang) (…again). 
so that's what she does! yang asks questions and needles raven on her answers until raven starts to react emotionally ("i survived because i'm strong enough to do what others won't!"), and yang pounces on that. shut up, you don't know the first thing about strength. she goes right for the throat, attacks the thing at the center of all raven's rationalizations. and raven fucking shatters.
this is what yang tries to do to salem. "why do you keep coming back?" -> "why do YOU!?"—raven says "i'm strong," yang goes "shut up, that's bullshit, no you're not." salem says "why do you keep coming back," yang hears salem playing the victim and goes "shut up, that's bullshit, your suffering isn't special" because she guesses—based on what she's been told about salem, and what she just heard salem say to ozma—that salem has built her sense of self around victimhood in the same way that raven built hers around "being strong."
only. it doesn't work this time.
because salem is just like yang.
just like yang, salem prizes courage and conviction and abhors liars. she makes the same distinction between genuine strength and mere power, and values power not at all. 
she also, just like yang, keeps her anger firmly in check. when salem yells and slams her hands down or flips a table to intimidate someone, or threatens cinder with the hound, or tortured oscar, that is a choice she is making to let her anger out. the one time salem actually loses her temper, she sends everyone else out of the room, waits for the door to close, makes what appears to be a herculean effort to hold it in (<- the air boils), and then explodes all the windows.
this tactic of yang's depends on her opponent not having her level of emotional control. but that isn't the only reason she completely fails to get a rise out of salem; look at salem's reaction:
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<- "why do you keep coming back?"—this is genuine fury. teeth bared, crushing oscar's head with her nails digging in behind his ears.
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<- "because something bad happened to you once upon a time?"—she's nonplussed. it's not even that salem's too in control of her anger for yang to provoke her, salem is legitimately thrown for a loop by this line of attack. yang misses the mark by such a wide margin that it knocks salem out of her anger altogether. she was seething about ozma sacrificing children for the god to whom he debases himself in blind obedience, why is this child yelling about fairytales. what.
it's telling, i think, that salem does not, in any way, dispute the premise that her own suffering does not justify the suffering she causes or that she is personally responsible for yang's losses. neither of those ideas challenge or threaten salem's self-identity, and in fact the only response she does make is to ask who she took from yang. (<- implicitly conceding that she is responsible for ruining yang's life, or at least that she might be.) 
she and yang are Very Alike.
(this is also why yang has such pronounced paralleling with cinder. by the way. two halves of salem's psyche. fire as hope, fire as wrath.)
anyway
the point of yang vis-a-vis "there will be no victory in strength" is to clarify and articulate the distinction salem makes between power (which neither character values) and strength (which they do, and define as the sum of many virtues). both of them are positioned in counterpoint to ozpin, who trusted only in power and symbols of power (the maidens, amity, atlas), and ruby, who mistakes power for strength and is on a journey that puts both her power (silver eyes) and her strength (hope) to the test.
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aspoonofsugar · 24 days
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RWBY Volume 9 Epilogue: The Five Stages of Grief Again
As @greenteaandtattoos's friend noticed, volume 9 epilogue has its five narrators embody the five stages of grief:
Negation - refusal to aknowledge the truth, while clinging to a preferable reality.
Anger - lashing out on others in an attempt to channel one's pain and frustration.
Bargaining - being ready to negotiate, to give something in order to avoid loss. When death already happened, it is about exploring what ifs scenarios.
Depression - sadness, desperation and refusal to engage with others. It often comes with low energy.
Acceptance - coming to terms with one's loss and finding a new stability.
This isn't surprising, as volume 9 as a whole uses this motif. In particular, Ruby herself goes through the 5 stages twice. First to grieve over Penny and then to face her emotions towards Summer. Finally, RWBYJN reach acceptance (the main theme). Acceptance of death, loss, pain, change and of themselves. All in all, RWBYJ's journey in the Ever after is a metaphor for the process of grieving. Well, the epilogue shows us how the other characters have been dealing with this emotion.
So, here comes NORWQ as the 5 stages of grief:
Nora = anger: tbf she is the most difficult to pintpoint, as she fits the pattern less than others. Still, her section focuses on how Vacuans and Atlesians are both reacting with anger at the new status quo. Vacuans are frustrated that Atlas brought its own problems into their Kingdom. Atlesians are furious nobody came to help them. Nora herself enters into a short confrontation with two angry Vacuans and clearly projects her own past into the conflict. What's wrong with orphans? What's wrong with her?
Oscar = negation: our Little Prince is the only one that believes Ruby and the others might be alive. He even looks for an answers into books (mirroring how RWBYJ is grieving through a fairy tale). On a personal level, he and Ozpin are both fighting the merge, so they are negating a transformation, which is bound to happen.
Ren = bargaining: Lotus boy is trying to replace Jaune as the glue who keeps the team together. He is conscious of everyone's feelings and problems, but is not sure on how to handle them. Moreover, his section deals with how Salem's faction goes through a bargain. Sure, it lost some people in Atlas, but Tyrian and Mercury free the Crown, so that new forces are ready to fight for the Evil Witch of the West.
Winter = depression: our Winter Maiden is dealing very very badly with Penny and Weiss's lost. She blames herself for everything and is far away from accepting Penny's final teaching: "I won't be gone, I will be a part of you". Winter is struggling to honor both Penny and Weiss's legacy. If anything, she feels she isn't the right person to do so. Her section is also the most somber on a macrochosm level. As a matter of fact through her we discover Vale was destroyed by Salem and we see how the refugees are not handling their new situation well.
Qrow = acceptance: Qrow is Winter's opposite, as he is the closest to find acceptance. On a personal level, he shows he has integrated with Clover. He has embraced his friend's optimism and has learnt to love himself through him. This is why his semblance evolved and he is now able to bring both good and bad luck. This new found balance lets him find hope even in the bad situation the world is in. He sees how people are showing kindness and realizes Ruby's message is the first step into uniting Remnant.
Of course, our five narrators all foil each other in different ways. I have discussed Qrow and Winter here, so let's see what to say about Nora, Ren and Oscar.
RENORA = LONELY TOGETHER
Nora and Ren are going through an inversion of their dynamic. Nora is now repressing her feelings and avoiding Ren's attentions and offers of support. Ren instead is grieving openly and is trying to be open with his feelings.
Nora isn't even able to speak directly with the person she lost, but narrates talking to no-one in particular. She mostly speaks about the macrochosm and uses plural forms. "We buried our friends", "I think everyone lost someone that day", "For us it was a relief, but for the Vacuans", ""What if we can't go on, what if we are too scarred?". She is in a sense the embodyment of everyone's grief. At the same time, she is so disconnected from her own trauma, that she can only read it while projecting it on the world:
Ren: Nora, she is putting the world on her shoulders.
Ren instead is the one more focused on the feelings of the people around him. Through his point of view, we discover how the other main characters are doing. We realize Nora is too focused on the macrochosm, while Oscar has trouble with the microchosm (he just isn't himself). Ren is trying to balance out the two dimensions. He is grieving for Jaune and is inheriting his legacy. At the same time, he understands that just like his friends are fighting to overcome anger and pain, so is the world. By doing this, he once again draws a parallel between Nora and the World:
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I think the epilogue of volume 9 (or the prologue of volume 10?) sets up Nora as a strong symbolic character in Vacuo. She is Vacuo itself, struggling with pain, grief and anger. She is Atlesian orphans, nameless children too scarred to go on. Ren's role will probably be to step in and remind her how beautiful she is.
OSCAR = STAGNATION
Oscar's conflict permeates both the microchom and the macrochosm. It is synthesized by this phrase:
Oscar: "You always believed in the best. You saw people for who they really were. Some of us don't know anymore."
Here, Oscar is speaking both:
Of himself, who is slowly and painfully merging with Ozpin
Of the world, which finds itself in "uncharted territory"
Oscar is uncertain. Of who he is. Of what to do. So, he looks up to Ruby, who was always certain and could "see the world through better eyes".
At the same time, Oscar's situation strongly suggests he is stagnating. He refuses to accept RWBYJ's death (he is right, but it isn't a healthy reaction). He fights the merge unsuccessfully. He can neither go back to the person he was before nor can he progress towards a better version of himself. Basically, just as Ruby is finding the path back to herself in the Ever After, Oscar is losing himself in Vacuo. This is (just like in Renora's case) an inversion to their previous dynamic. Back in Atlas, Oscar was the one progressing, whereas Ruby was stagnating. Right now, they start their stories in Vacuo in an inversed situation.
OTHER POSSIBLE FOILINGS
Of course, the epilogue/prologue offers several possible foilings that could be explored in volume 10. Here are some (but they aren't all).
Ren and Winter are both talking to the "sibling" they entered a conflict with in volume 8. Both grew distant from Jaune and Weiss, only to reconcile later on. Now, they realize how much Jaune and Weiss did to keep their respective families together. They celebrate their legacies and wonder if they might be able to live up to it. This might also foreshadow some foiling of Jaune and Weiss themselves, once they come back.
Qrow and Oscar are both talking to Ruby (to be fair, Qrow speaks to everyone, but thematically Ruby is her interlocutor). However, Qrow has managed to integrate (with Clover), while Oscar fights integration (with Ozpin (understandably so)). At the same time, Qrow focuses on how Ruby has changed the world, whereas Oscar focuses on how Ruby has changed him.
Nora and Qrow open and end the epilogue. Nora is the one who struggles to grieve the most (she is the only one who never visits the memorial, after the cerimony). She insists she must move on, but also wonders if she will ever be able to. Qrow instead is the one who deals the best with the situation. He finds serenity while at the memorial and grieves in a hopeful way thanks to the murales realized by the community. Both are very involved with helping people and the refugees. Nora is shown helping children and states she wants to help Velvet before eating herself. Qrow keeps going into meetings with Theodore, he spends time with Robyn and the kids and helps the Schnees giving out free food. Still, Nora is clearly wearing herself out, whereas Qrow genuinelly finds hope and energy. Nora is symbolically one of the orphans trying to carry the world. Qrow is instead a mentor, who has learnt he doesn't have to face the world alone.
OTHER THOUGHTS
Happy to see the Crown. I think Jill and Jax have the potential to foil Emercury to an extent, so I am happy to see them (it's them, right?) with Merc. It is also something I had always thought that Tyrian and Mercury's mission to Vacuo might have been to find some new allies there. The Crown were the obvious choice.
I feel neutral about team CFVY appearing so much in the epilogue. My guess is that they are set up to be minor foils to RWBY, kind of like the Happy Huntresses and the Ace Ops were in Atlas. I think the books give them enough set-up to solve their arc in a quick way, while commenting on those of the main characters.
I was surprised about the revelation of Salem attacking Vale. I wonder if she found the crown. I doubt it, so far and I think Glynda missing is clearly set-up as a future plot-point. In any case, we'll see. I am open to everything.
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sytokun · 10 months
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Ok but how cathartic would it have been if instead of Jaune being the famous Rusted Knight all along, V9 was written so that Ruby fell into the Ever After and became this aged warrior in a tattered cape called the Hooded Huntress or whatever, spending the last few decades stewing over her friends' death and her perceived uselessness, pushing herself to protect the Ever After as its sole guardian all this time.
Her teammates try to find and console her, but reuniting with them after so long just brings back all the bitter memories and she does everything she can to avoid them, even Yang. Inwardly Ruby is torn because the chance of meeting her team again was why she's even alive and fighting after all these years, but now... she can't even bear to face them.
Slowly but surely her team reaches through to her. And then it all slowly clicks: Ruby and her friends figure out she's the Hooded Huntress. She's the hero in the books Ruby always looked up to. She's the fairy tale ideal Blake wished the world could be. She's the hero Weiss would think about to push herself through her training. She's the hero Yang would read to her about during bedtime. Her tale may have even been old enough to inspire Maria and Qrow to become Hunters. Summer herself.
All of this hits Ruby like a truck, knowing that she was always meant to be a hero and has still done so much good, more than she'll ever know. And Ruby learns to accept her mantle once again and returns to Remnant wiser and better than ever. She may not have been enough to save the kingdom of Atlas or Penny, but she poured her everything into the Ever After to make up for it and in doing so, became the hero the world would soon need; that it always had.
Fuck your ascension and fuck your suicide tea; Ruby chose to keep going for one more day instead of giving up, if only for the sake of others, but found not only the light at the end of the tunnel; she was the light guiding others through it, even when she was too caught up in the darkness around her to see it herself.
But I guess we needed Jaune to be the big hero again. He's canonically now a bigger and more influential hero than Ruby, Summer or almost any other Hunter in existence can hope to be - immortalised forever as an enduring tale thousands of children and aspiring Hunters would emulate, even after Team RWBY themselves are gone.
Like. Let Ruby have fucking something. Is she still the protagonist or is she fucking not.
EDIT: Also this would have been our one chance to get scruffy long-haired Ruby. Let that sit with you abit.
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what-the-heck-is-rwby · 6 months
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YAY HAND HOLDING
VERY CUTE YOU TWO
BUT THAT IS KUROYURI IN THE BACKGROUND
THAT IS KUROYURI AND THE GRIMM IS ON ITS WAY THERE AND RUBY AND JAUNE ARE THERE WITH QROW TO DEFEND AND THEY HAVE NO IDEA A THREAT IS COMING
THEIR SAD TIME EMOTIONS FEST COMBINED WITH QROW LITERALLY DYING MUST HAVE ATTRACTED THE GRIMM
GOD REN SAYING "NO..." BECAUSE HIS WORST NIGHTMARE IS HAPPENING ALL OVER AGAIN
THIS THING IS ON ITS WAY TO HURT THE PEOPLE HE LOVES AND HE'S GOING TO HAVE TO WATCH IT HAPPEN AGAIN
FUCKING SHIT
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darkmoonravewolf · 6 months
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Thinking of cute team rwby things again
Team rwby having a biiig family hang out!
Taiyang, Klein, and Ghira talking about thier little girls. They eventually start sharing cute stories and fondly remember their girls' childhood and get all "look how much they've grown!"
Willow, Qrow, and Kali having a serious discussion about Willow's mental and physical health. Kali eventually giving her a hug and it almost causes Willow to break down in tears, worrying the dads. Qrow offers some advice on how to help her addiction.
Team rwby trying to get the other schneeblings to play with them and eventually they're all sharing stories while taking turns playing a racing game.
Kali hugging Yang and Ruby.
The schneeblings seeing Willow refuse alcohol and they all at once brighten up and Qrow smiles.
The schneeblings getting hugs from all the dadly figures. (They still prefer Klein but its still nice enough that Winter almost cries and Whitley does)
Just... Everyone relaxing and having a nice time together.
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crimsonxe · 11 days
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RWBY Beyond spoilers I guess below the cut:
Love the tone so far xD
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I love that at least this episode seems to be Neptune cosplaying other characters and Kerry having fun doing so.
Ren-Neptune
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Qrow-Neptune
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Nora-Neptune
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Oh god the darkness is slipping in:
"Guys, not even Ozpin and Oscar know what happened to them (RWBY & Jaune). We were told not to fall and they fell. That's it." If Neptune is accurately portraying Nora I want to hug her T.T
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God this sends me back to Qrow's recounting about the one girl in the skirt and his "defeat"
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The X-ray and Vav style references to RT memes xD
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Oscar fans (and not the weirdos), have a screenshot:
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ngl 2D Oscar in this style looks pretty damn cool
OMFG we have Theodore!!!!!!!! I repeat we have THEODORE, he's so fucking hot wtf. Okay, fuck it: Qrow bf in the future plz cause that man is screaming bi vibes?
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I need v10, whoever needs to do the damn things in the "talks" needs to sign off cause this has me so damn invested.
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2D Qrow showing up (to meet up with future bf?)
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I LOVE this show already and its just episode 1
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"I just hope they know that we haven't given up. And I hope they haven't given up either." -Sun. Once again despite what some probably think, I love this boy; just not as a romantic option and acknowledging his fuck ups.
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