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#its so well written and thought out!
crowsgrudge · 7 months
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fionna's world being represented by a dandelion makes so much sense ... they're weeds. yet people make wishes through them, changing their whole meaning from something meant to be destroyed to something hopeful.
dandelions are also resilient and it makes sense that something associated with them would. you know. perservere despite the destruction caused by the scarab.
but ultimately i think what REALLY made me tear up over this is that dandelions are really boring plants. when you're a kid you blow on them and make your wish but they're not eyecatching or anything but still, fionna's final wish was for her old world to still exist as it was when she left it (> plain and simple. boring even).
like the moment she realized she would lose her friends, and that her friends might forget each other if the world got its magic back, she immediately decided she didn't want it and I think that ties back to the dandelion metaphor so well... like, do you really need magic to be real to find it everywhere? or can you turn something boring into something magical?
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mortyenthusiast · 4 months
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In theory i like the idea that rick is growing and developing as a person. In practice it ends up falling short though, because no one balances him out. rick is getting better while no one else is getting worse, and it causes the whole thing to end up feeling a bit stale. The biggest draw, at least for me, has always been rick and morty's shitty dynamic, but it barely exists anymore because rick has been so watered down.
The ideal solution is literally just to make morty into a bigger asshole. Essentially flipping the main characters' personalities would offer a wide variety of conflict into the show, and would also help keep it "fresh".
Instead it feels the writers are pretending that they can't possibly do anything with morty's character, that they have to keep him the same anxious idiot he was in season one. I've said this before, but it's incredibly frustrating to watch the show have no problem with expanding rick's character while struggling with keeping morty's heavily stagnated characterization consistent. Where rick has space to develop between multiple seasons, morty is constantly forced into one of two boxes (smart/stupid) depending on the episode.
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stackslip · 17 days
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actually i do have something to say about this chapter and it's quite critical of it but also i'm tired tonight and i've been talking about it long and hard on discord already and putting it all together in a coherent post feels like too much of a task tonight. all i'm gonna say is that part 2 was very obviously going in a certain direction from the start, and i loved that direction, and to an extent it is still going in that direction but now very obviously missing a huge chunk of what stirred it in that direction. and i'm hesitant to simply say it's fujimoto that's dropped the ball on this (though it might the idealization, who's to say) because from the actual shape of the writing + slump in paneling/art + recent bitter interview by fujimoto + japanese audience is apparently vocally not a fan of asa + my own cursed knowledge of shounen jump and shueisha editors and how they react to a fall in sales = i think the lack of focus on asa has really hurt the themes of part 2 when she was an integral part of it + i think this wasn't entirely fujimoto's doing and it's very likely because she is apparently strongly disliked in japan and there's good reason to believe that fujimoto was told to not focus on her nearly as much bc sales slump and people complain as soon as she shows up. which sucks. becaue what made part 2 work as well as it did was the synergy and parallel between the two protagonists' paths, and the absence of asa's path in the past few months (both in universe and by real time in the comic) feels like a genuine writing and thematic and emotional hole in the comic that to me shows that she WAS supposed to be there. fujimoto had fully intended to write her in there bc there's a hole in the shape of her where she is very obviously supposed to fit. it isn't simply a question of "author forgets his female character" it's a question of "this crucial part of the manga is missing and the author is painfully aware of it and bitter about it too"
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waitineedaname · 1 year
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I really love how much mp100 stands out against other shows of its genre with its finale. there isn't some final boss, there's no grand fight between good and evil. it is, like the show has always been, about emotions and self acceptance. the finale barely involves fight scenes in the traditional sense, like I wouldn't call the encounters with teru and ritsu fight scenes since neither of them intend to hurt him, and even the fight with the suzukis ends not with someone being defeated but rather with an emotional break through. the final conflict is resolved not with violence and defeat. it's resolved with honesty and compassion and self-love. I can't get over how deeply kind this series is
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skitskatdacat63 · 7 months
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Boy King AU | Vettonso + Martian | 1.3k
There's something about putting the future emperor of the Holy Realm on his knees like this. About how easily he goes, how willingly, how obediently. What would his adoring public think if they could see him now. If they saw their beloved king pressed down like this, in the cramped space between Fernando's legs. When they realized their little boy king took it like he was a little concubine instead. 
Fernando's bitterness is lifted away in moments like these, like taking off a heavy cloak on a winter's day. It was hard to feel humiliated about his own situation when watching Sebastian debase himself like this. 
He always gives himself up so easily. When Fernando threaded his fingers through his thick curls. When he pulled them, and then when he pressed his face down further down into the vee of his legs.  Sebastian rubbed his cheek into the coarse fabric of Fernando's breeches and blinked up at him. Fernando had to smother an embarrassing sound; he was just like a little cat!
Sebastian quirked his lips up into an odd little smile and slightly rose up on his knees, "What's funny?" Fernando swallowed lightly and schooled his face back into being impassive, "Nothing. As you were." Sebastian simply smirked at him and let himself be pushed back down by the fist clenched in his hair. 
Fernando scoffed internally, there was only so much pleasure in putting the other man in his place when he instead acted like this, this degrading action, was his birthright. He took to ruling and indulging in carnal pleasures as if they were of equal gravity. To be privileged to hold such high station and also let himself be taken apart like this…Fernando felt embarrassed for him.
He is dragged away from his musings when Sebastian moved to settle his hands in Fernando's lap, clutching his hips over the fabric and slightly squeezing; Fernando fought against the urge to shiver. Sebastian pushed up the skirt of Fernando's waistcoat and smoothed his hands over the opening flap of his breeches.
His eyes darted up at Fernando again, a daft smile on his face. Fernando scowled at him, "What?" Seb's grin sharpened, "You could stand to be a little more gracious. This is your future emperor, and future husband might I add, kneeling for you on this dirty, depraved, derelict- ah–" Fernando tugged on his hair again and hissed, "Well then, why don't you show me how eager you are to perform your marital duties?" 
Seb licked his lips, completely unconcerned by Fernando's annoyance, and unbuttoned one side of the closure to Fernando's breeches and moved to open the other–
The door to the carriage flew open, arrival announcement dying on a wheezing breath as the servant took in the image the two kings made. One splayed across the seat, exuding power, the other kneeled, debauched, between the former's legs. 
One would be hard pressed to determine which was higher on the totem of power and titles. 
There was something gratifying about this to Fernando, about being caught. He had been humiliated enough throughout the entire courtship, what was one more thing? And, certainly, what was one more thing if he could drag Sebastian down into the dirt with him. 
"Oh Mark, don't act so abashed! It's nothing you haven't seen before, in fact, we have been in this very position not even a fortnight ago!"
Oh. Yes. That. 
It was hard to be completely pleased when he remembered how Sebastian had already spent years prior to their engagement sampling the palace's ample selection of fellow high-born men. And how all those men seemed to be completely and utterly wrapped around his little finger.
Fernando released his hand from Sebastian's hair as if it had burned him. He did not understand why he felt ashamed with Mark looking in on them like this. Fernando was the one marrying Sebastian, not Mark; Mark was just a lowly courtier who had the esteemed duty of spending practically every waking hour with the brat…something he himself was decidedly not looking forward to. 
Sebastian stayed kneeling, staring impassively up at Mark, still fiddling with the clasp on Fernando's breeches. Fernando gritted his teeth and looked up from where he was watching Sebastian's clever little hands; Mark stared back at him placidly. 
Mark's indifference made the entire situation worse. Fernando now felt as if he was not doing anything unique, not doing anything particularly new. How many other men had Mark caught Seb with in this exact position? Fernando felt like he was just another plaything of the boy king, soon to be boy emperor, except his position was forever, permanent. He was the "Kept King", the king who only kept his throne due to the whims of a boy who doesn't even understand what power is.
Mark coughed, "Well," he says, "Your Majesty, I do believe you have a meeting to attend." Seb pouted at him and whined, "We were just getting to the main course," but still braced himself on Fernando's thighs and got up off the carriage floor. 
Seb pranced down the steps Mark had placed next to the carriage, miming tripping sown the stairs, snickering when his action made Mark reflexively reach out to grab him, and then playfully skipped off the final step. 
Fernando couldn't help but stare as Mark made the weirdest grimace in response, and he inexplicably felt all his mortification seep away from him. Huh. Maybe Mark is-
Seb then turned around and frowned at him, seemingly disappointed, but his eyes are deceivingly sharp, "Fernando, I regret to inform you that I have other duties I must attend to, you will simply have to wait." He then grinned up at Mark next to him and giggled as the other man stiffened when Sebastian looped both of his arms through Mark's. 
He leaned all his weight on the other man, Mark not so much as shifting his weight, "Oh Mark, won't you carry me back to the palace? I'm so very tired after all the horse riding," Seb looked up at him imploringly.
Fernando observed as Mark rolled his eyes and shrugged off the man, though notably not pulling his arm from Seb's grasp, and he got the distinct feeling that this exact scene had been played out countless times before. 
Fernando clenched his jaw as he watched Seb turn and saunter off, Mark trotting alongside him like a loyal dog. Fernando was supposed to be the unaffected one in this partnership, the unflustered one, the unconcerned one. And yet here he stood, in broad daylight, in a foreign kingdom, on the steps of a carriage with his breeches half unbuttoned and his cravat in disarray. 
He heard a cough from beside him, jolted and looked to the side. Sebastian's loyal Horse Master stood there, lounging against the side of the carriage. Fernando had forgotten who had even been driving the carriage in the first place. After Seb has let himself be pushed down, his hair still windswept from their ride together, everything else seemed to fade away. His thoughts were reduced only to how he could mess up the younger man's hair further. 
Jenson grinned at him wolfishly, and casually crossed his legs,  "First time?" he inquired. Fernando glared at him. The other man laughed openly at him, "What? He's a busy man with big prospects. You're not his majesty's only conquest, you know. Now your throne on the other hand…"
Fernando seethed, it was one thing to be humiliated by the future emperor, but to be patronized by the king's horse boy? No. It would simply not do. He closed his eyes in annoyance, pinched the bridge of his nose, exhaled, and prepared a speech about how he was not about to be talked down to by a man who didn't even have a throne to speak of! 
But when he opened his eyes again and opened his mouth to begin his tirade, Jenson was already wandering away to tend to the horses. Dios mío, Fernando was not mentally prepared to spend the rest of his life with all of these impertinent morons. 
#i love how i kept saying to people: no no i shant write any fic for this. only art.#me like two weeks later: hey guys :)#this is just: i was sitting in class and had a drawing idea but then im obv not drawing *this* in class so my brain went into narrative mod#not exactly 'baby's first ficlet!!!' but moreso ive not written in a while so i hope its alright???#but aaahhh this was actually pretty fun!! idk i think it was bcs i was also being brainrotted by the image of seb kneeling....#maybe ill draw it. but it felt like something that needed the context of narrative and not just oo here is a drawing!#anyways you can always ask me for a directors cut-(PLEASE PLEAE BEGGING PLEASE)#see this is why im not cut out for writing fic#its not like i dont think it can speak for itself. more that im just an overly reflective person who wants to explain all my thoughts#if i wrote fic itd really be just: chapter 1. chapter 1.5 chapter 2. chapter 2.5#anyways i think its pretty obvious but this is before their wedding and just like peak bitterness.#well not peak. peak would be the first year- first few months of their marriage#but this is fernando who is only just realizing how naive all his expectations of seb were and getting a glimpse of his future#but mostly: mindgames and power play and: whos actually really winning?#also my god jense is literally the best chara in this au. he is vibing and basically just witnessing ye olde reality tv#mark and fernando are always in a weird powerplay with seb(even if seb isnt even consiously doing so) and jense is just free from it all#hmm now how does one go about tagging fic#vettonso#f1 fanfic#formula 1 fanfic#f1#formula 1#martian#sebmark#also idk why im always so concerned abt tagging when im basically just writing this for my little boy king following i have somehow formed#hahaha! it is art to me!:#catie.art.#boy king au
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staryarn · 10 months
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I like how all of the project moon games are tied together by cycles of pain and suffering and learning how to end your own cycle of suffering just to get a breathe of fresh air (or at the very least, attempt to end the cycle).
In lobotomy corporation Angela is going through her loops over and over until the script progresses. She's only 'free' when she decided to start white days and dark nights and take the light for herself. (Same can be thought about the Sephirah and their meltdowns)
In library of ruina both Roland and Angela are in another cycle of suffering and hatred (though from Roland's stance its moreso a cycle of suffering and hatred towards Angela for White days and Dark nights, along with the Pianist incident.)
Eventually the cycle is broken by forgiving eachother (because Dying only perpetuates it) and freeing the books of the library .
And so far limbus has shown us the sinners each confronting their past and (more or less) deciding how to move forward with their lives.
(This is especially evident with how canto iv is worded and how Yi Sang wants to choose the road he walks rather than wandering aimlessly)
(Bonus to what I said in the tags about connecting each sinner to a Sephirah (minus dante and whichever sinner decides to backstab, making it 11 which matches tye Sephirah.
The Will to Stand up Straight (Malkuth) - (???)
The Rationality to Maintain Discretion (Yesod) - (???)
The Hope to be a Better Person (Hod) - (???) (I'd personally want to say someone like Sinclair)
The Fearlessness to keep on Living (Netzach) - (???) (Personally I connect this with Yi Sang)
The Expectation for the Meaning of Existence (Tiphereth) - (???)
The Courage to Protect (Gebura) - (???) ( I think Don Quixote would fit this one)
Those who are Faithful and Trustworthy (Chesed) - (???)
The Eye Facing the Fear; Breaking the Cycle (Binah) - (???)
The Eye Embracing the Past; Building the Future (Hokma) - ???
The Knowing I (Angela) - (???)
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moonshine-nightlight · 10 months
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Snapped - Part 4
Mech’s not sure why the aftermath of this mission is hitting him so hard, but he’s doing his best to calm down when Gwen’s presence shatters his control. Now it’s a count down to see if he can figure out how to put a stop to the instincts and hormones that are running wild inside him—before he does something they’ll both regret.
Science fiction, alien romance, male alien x female human, (4 / 4)
Story Status: COMPLETE
AO3: Snapped Chapter 4
[Part 1] [Part 2] [Part 3] Part 4 - NSFW
“Who else could it be? There’s no one—” He shakes his head and glares at her, unable to help himself. “There’s only you. Always you.”
Her eyes are wide as she looks at him, genuine shock evident. “Mech…”
The silence that echoes through the room is deafening, even the vents seem subdued in the wake of Mech’s most recent confession. 
It’s only broken when the synthesizer machine beeps, signaling that the compound has been mixed and is ready for use. Mech darts over to it with speed. It’s not going to do enough, he already knows that based on the limited ingredients he has on hand, but it should stabilize the reaction and ideally shorten the duration. 
He refuses to think about anything but the chemistry as he dully loads the dose into a syringe. Shame and fear has crystallized into a shield against the lust raging through his blood that’s proving surprisingly effective. How could he have told her how much he—the sharp prick of the needle as it enters his skin cuts into his train of thought and he lets it. He immediately sets the machine to rigging up another dose. He won’t be able to take it for twelve hours, but hopefully G—hopefully, it can be brought to him wherever he’s isolated.
The diagnostic machine buzzes next and he dutifully walks back over to where it’s been compiling a list of least dangerous medical concoctions to simply knock him out cold. Given how today has gone, he shouldn’t be surprised that nothing has a particularly high chance of either success or safety. As much as he hates this situation, he’s not quite at the level of self-destructive to truly consider taking most of these. Even if he wishes for nothing more than to stop thinking since the ground hasn’t managed to swallow him up.
Movement out of the corner of his eyes causes him to turn sharply. Gwen’s been silent since she said his name in that quietly devastated tone in reaction to his confession. Now he sees she’s taken a step closer for some gods forsaken reason out of her self imposed corner.
“Stay back,” he hisses even as she walks even closer. And gods, is this dose even doing anything? He swears her scent is heavier, more enticing—richer and more appealing in every way. It reaches him with no trouble despite the vents still pulling air out and away from him and her downwind. She looks even more beautiful, her eyes dark and her blue skirt fluttering around her enticingly. “I told you.”
“Hush,” she chides gently. She walks even closer, with a look in her eyes he can’t fathom. Her hair dances in the breeze too, looking thick and touchable, her figure inviting him to see how soft her skin likely is, to imagine it yielding to–
Frantically, he reaches for outrage or worry or anything other than arousal in reaction to her approach. Where is her sense of self-preservation? He backs up, spines hitting the door behind him. “Do you want to leave?” he asks, grasping at straws. Why wouldn’t she say so? They could find some way to shift around the room while maintaining proper distance. He’s told her what state of his mind is. She can’t expect him to understand what she wants from him when his instincts have such a strong hand on the controls of his imagination. He doesn’t understand what’s happening. 
“Do you want me?” she asks, her eyes intent as she takes another step closer. “Without all this,” she gestures with her delicate hand in a circle as if to encompass the room or his heightened state, “do you want to be with me?”
There’s no point beating around the bush anymore, is there? Even if he thought he’d been plenty clear before, he supposes she wants to hear it outright. “Yes,” Mech admits, hanging his head because now she knows it's his fault his instincts picked her. If he hadn’t already thought of her like this, when she saw him only as a friend, then maybe this, this break wouldn’t have happened. “For…” He shakes his head, unable to remember when his feelings became something other than platonic. “I don’t know why today pushed me over the edge, but I promise I can get back under control.” He can’t lose her, not from something so abrupt and uncontrollable. “I can,” he insists desperately.
Her face softens and she must feel some sympathy for him. Gwen’s one of the most compassionate people he’s ever met, surely she can forgive him for this. “Oh, Mech, you silly alien.” She steps even closer and before he can react, her hand lands on his cheek. It feels electric, each point of contact. His worry and frustration and shame all war with his hormones with her so close. His claws dig back into the wall, venom pools in his mouth, every nerve and muscle in his body straining for her held in check only by sheer force of will. “I don’t want you to.”
“W-” Her lips on his silence whatever protest he was going to attempt to utter. His whole brain skitters to a halt, unable to do anything except stay perfectly still and process what’s happening with every sense. Her lips are warm and soft, pressed with perfect pressure against his half-open mouth. Was he saying something? Her wonderful, delicious scent envelops him completely until there isn’t anything except Gwen. Her hand on his cheek is the comfort of home and hearth. The little stroke of her thumb on his cheek is everything he’s ever wanted.
This perfect moment is all his raging hormones need to take over. Mech has Gwen pushed up against the door within a second. He splays one hand around her hip, holding tight as his other hand laces with her free hand to pin it to the wall. He sucks her lower lip into his mouth as he presses every inch of his body he can manage to keep her there. The ache of his cock finally has some friction to satiate it. His whole body sings with relief, the itch and pull and desperation blissfully satisfied with the contact with his mate. Or rather, his soon to be mate. 
With that thought in mind, he skillfully takes control of the kiss, needing to show her exactly why she should choose him. Why he deserves her regard. He shall prove his worth as a kisser and therefore a lover so she’ll have no doubt in her mind that he should be hers. He can’t resist a more substantial taste of her regardless. Mech slides his tongue carefully and deliberately between her lips to slide against her own. He loses himself in the kiss, in giving and taking in as equal measure as well as he can handle when confronted with the reality of her hot, inviting mouth.
Mech distantly remembers humans' more limited lung capacity and pulls back to trail kisses down her neck, questing for where it meets her shoulder. His jaw opens, fangs dripping and scraping along her heaving body. Gwen whines and pants as he touches her and he never wants to be anywhere else doing anything else ever again. He can only think as far into the future as to picture her with his marks on her and his blood boils with desire.
“Mech…” It’s his own naked wonder at hearing Gwen moan his name that breaks through the haze of lust and hormones and instinct to remind him of exactly what situation they’re in. How nothing he’s ever done with his life would have granted him such bliss.
He wrenches his mouth from hers with all the self-control he likes to pretend he has. Panting, breathing in lungfuls of her scent with her still pressed tight to him nearly undoes that, but he holds fast. He can’t get himself to break from her further, but he just needs her to tell him, needs her to reset the boundaries before he goes too far, before he ruins her and himself in the process. 
A puff of fresh air from the vent above allows him to latch back on to his more rational objections. “I don’t need your pity,” he practically spits, doing his best to find something that can force him to back off and salvage their relationship before he’s doomed it with his rash actions and clouded judgment. Luckily, it is an almost sobering thought—the idea of being with Gwen only to have her reveal she put up with his advances solely in an attempt to help him. That would destroy him.
Instead of helping him, Gwen’s eyes flash with incandescent, fierce anger. She shifts in his grip, not letting go or trying to escape his grasp as might be sensible, but to maneuver him where she wants him. She hitches herself up and then grinds down against his thigh now between her legs. She practically growls in relief as the thin skirt she wears and even the thicker fabric of his trousers do nothing to disguise the heat and wetness he feels against him.
“Gwen,” he gasps in true shock even as his body quickly angles his thigh to an even more advantageous position. His instincts are hyper-focused, straining to satisfy his mate in any way she wants him to.
“Does that feel like pity?” she demands, groaning as he moves and tightening her grip on him. “I want you,” she says plainly and everything in him comes to a halt for the second time in a minute. His eyes faintly glowing red ones frantically meet her own. They’re dilated, black swallowing up brown, but her sincerity, the raw honesty in them is crystal clear. “I want you bad. Have done for a while now.”
“Fuck, Gwen,” is all he can manage to almost whine as his mind frantically tries to make sense of the impossible.
She smirks in response, head ducking close to manage a nip at his lower lip and a lick to one of his fangs. Her eyelids flutter at the taste of his venom as she breathes, “Yes, exactly. I need you.” 
He can’t help but give her what she asks, what she needs. Why in the universe that's an ornery, suspicious, antisocial bastard like him, he doesn’t know. But he’s lost the will to keep fighting her. He chases after her mouth, his chest an iron wall against her own slighter, softer one. She doesn’t seem to mind being caged in by his hand, still pinned as his thigh has her hips. She just grinds closer, releasing hitching little breaths and moans as his venom mixes with her saliva. 
His silvery venom is primarily deadly only on his planet, but plenty of other species have reactions to it. Some it numbs, some it hurts, and others it heals. Humanity seems most varied in their reaction, but his understanding is that it tends to fizzle, to buzz. After all, theirs is a race that poisons itself recreationally, sought out toxic plants for the sting to add to their diet, and regularly ingests powerful drugs most races take in only the smallest of doses. However Gwen’s personal chemistry might feel about it, at least it's nothing terrible enough to break their kiss.
In fact, their kiss only breaks when she runs out of air and tips her head back to breathe. He lets go of her pinned hand, an absent minded extra push before he does to tell her to leave it there, and skims his hand down her flank, strokes across the swell of her stomach. She’s so plush and warm under his fingerpads especially through the cutouts of her dress. His claws snag in the material that does cover her. He can’t retract them. He resists the urge to cut through the fabric still keeping the rest of her lovely skin from him, resists the urge to dig his claws in enough to leave a lasting mark, showing any who might look upon her that she had allowed him the luxurious indulgence of touching her.
It reminds him he still might lose sight of his strength, of everything until it was too late. And Gwen doesn’t deserve this, rutting against the medbay wall while he’s out of his mind. She deserves to be courted and treated and to be laid down reverently in a bed of silk. He should be able to touch her without worrying his darker impulses will overtake him and hurt her. “Not in a sane state of mind to do this right,” he growls out in frustration. His head nuzzles into the crook of her shoulder as even in his irritation he can’t resist the allure of the comfort Gwen offers his soul so effortlessly.
“It's you and me,” Gwen replies, her voice sure, “‘course this is right.” She pulls his face out from where he’s hiding so she can meet his gaze. “You think I don’t know what I’m asking for?” her voice is cajoling and challenging, “I dreamed of you, pressed against me just, like, this.” She punctuates each word with a roll of her hips.
He tries to claw back a hold on his senses. He knows he should, knows no matter her words, Gwen doesn’t know. But she’s intent on wrecking him. “Need you to fuck me now, Mech.”
He snaps his teeth together, baring his fangs as his whole body tenses with the urge to do just that. “Gwen,” his voice is strangled. “For graviels, you don’t know what mating—”
“But I do,” she insists. 
“No,” he shakes his head. “You don’t.” He tries desperately to find the words to explain, but there’s only Gwen. His hands clench tighter in the fabric of her dress and he dares not look down for the tears that have to have accompanied the ripping sound. The fabric is no longer covering her well, but hopefully it’s still enough to keep his claws and venom away from her skin. His eyes track a bead of sweat that drips down her neck. He longs to stop it with his tongue. He longs to sink his teeth into where it pools on the curve of her shoulder.
“Yeah, I do.” Gwen finally sounds serious. “I looked it up.” His eyes snap to her own. She raises an eyebrow. “You think I’ve wanted you this long and not investigated what it would be like?” No, he hadn’t. He’d never even thought she might feel the same, might want this too. Had she really done so? He can almost picture her in her bunk, hair twirled around one finger as she scrolls through articles and stories about the rare couplings of human and graviel. He knows they’re out there because he checked too. “How compatible we might be? I want you and all you come with, no matter the scars. Want you so damn much.”
“Gwen.” There’s awe in his voice he can’t control. Even when humans aren’t put off by the venom and how it feels, many are at how it factors into graviel mating. How it seals over the scratches and bites and marks his kind like to leave on their mates, not too deep, but guaranteed to leave permanent marks. 
Her only reply is to grind against the thigh still between her legs. His tail winds itself up her leg to stroke her upper thigh before adjusting her to an even more advantageous position. There is a fearsome look on her face, as if she feels like she’s made more than enough allowances for his anxieties and fears. Like she’s done waiting. “Gonna fuck me, Mech?” Her smirk is wicked, the look in her eyes even more so. Her hair is spread in a messy halo around her head, her skin starting to sparkle with sweat, her body never ceasing its movement, its gentle undulation against his own. He’s never seen her eyes look so dark or so appealing. She looks edible. She arches with the motion of her grind  and one of her hands reaches blindly behind her, finds the doorpad. “Or do I need to find someone else to?”
Something inside him roars at her direct challenge. Maybe it was more than an internal roar because she shudders in response. There’s triumph in her eyes at his reaction. If she’s aware enough to provoke him… The last piece clicks into place and he finally takes her at her word, That she wants him. He’s got no resistance left. 
All he has is a need to make her his in any way he can. In every way he can. 
“Mine,” he growls as he takes her mouth in a ferocious kiss, hands already ripping her dress to shreds and stripping her of it. He barely notices her own hands scrambling at his shirt except that the feeling of her hand splayed over his stomach is nearly as euphoric as his hand closing around her breast. 
“Wanna mark you,” Mech warns. The urge to properly mark his mate as taken, as his is pure instinct. To leave physical evidence of everything boiling over inside him on her skin is overwhelming.
Gwen’s rucked his shirt up high enough that she can reach up, set her nails to his shoulder blades, and rake her nails down his back. The sharp pressure, the surprising sting of her nails, and lingering feeling of her touch send if possible even more blood rushing to his throbbing cock. He groans, arching into her claim. “Yes. Long as I can mark you too.”
“Perfect,” he says reverently into the skin of her neck where he presses a kiss and sucks a mark. “How are you so—”
Her moan of approval as he begins to knead to soft flesh of her breast under his hand is muffled by his lips back where they belong on hers. He grinds his palm down on her nipple and before long his eyes are fixed on where the claws of that hand just barely scrape against her skin. It becomes pink and sensitive as she squirms under his attention.
His claw finally breaks the skin right over where her heart pounds furiously. A short red scratch that he traces back over, venom running into it. She trembles in his arms with a whine as the cut seals shut, the line a subtle white against her skin. A glance in her eyes, fogged over in pleasure, is all the reassurance he needs. He latches onto her other breast with his mouth, allowing his venom to encase her nipple as he sucks. He twists his grip, claws scraping and healing as he does so around her other breat. Gwen practically screams her pleasure to the ceiling, to the whole damn ship if he’s lucky.
Mech wants everyone to know Gwen is getting the pleasure she deserves nearly as much as he wants them to know he’s the one giving it to her. He brings his fangs down to bear, gazing and abrading her soft soft skin. Gwen whimpers. He’d be concerned if the sound wasn’t also accompanied by the wet slick against his thigh increasing. 
Her hands scrabble at his back and her head thunks against the door as she arches, pressing her chest into him with another gasp of his name.
The sound galvanizes him. Somehow finally giving into his desires has helped the fog in his brain caused by this hormonal snap clear. The door isn’t going to let him ravish her the way he craves. He doesn’t want to be distracted by keeping her held up against it when there are far better things he could be focusing on.
He reluctantly lets go of her breast to grip at her hips again with both hands. She whines when he lets go of her tender nipple with his mouth to trail up to her shoulder. Her whole body tenses when the threat of his fangs are brought to bare, like she’s holding her breath. Still she doesn’t do anything more than whimper when he removes his damp thigh from between her legs, hanging pliantly in his firm hold. 
Gwen’s fingers wind their way into his hair, firm but not tugging in protest—yet. Before she can ask about the sudden stop to the way she’d been grinding herself to some sort of peek, he pulls her off the wall with a grunt. Lifting his head to remind himself of what exactly he’s working with in the medbay, he strides over to the bed in the center of the room where Gwen had been sitting only twenty minutes ago, distracting him while he tried in vain to solve this problem any other way than through.
He’ll bring her to his rooms once they’ve mated here, maybe more than once depending on their stamina and his hunger. This’ll do fine for now. She looks gorgeous, Mech thinks as he lays her out. He pulls the remaining scraps of her dress off. His eyes trace the goosebumps that spring up after he backs off with fascination as he methodically begins to strip himself. Gwen seems more than understanding and is eagerly removing the last of her clothing—her panties—with a quickness that betrays her own need. The scent that flows out of her is nearly enough to bring him to his knees. But there’ll be time for that later.
Gwen props herself up on her elbows to watch him with half-lidded, ravenous eyes. His eyes keep straying to her chest, already bearing the red and white marks from his fangs and his claws. He’s never been more proud of anything in his life than that she let him mark her as such. He’s never giving her up.
“I don’t share,” Mech says bluntly as he places a hand next to her hip. He isn’t arguing or retreating or trying to back out anymore. This is at worst a warning, at most a promise.  “This can’t be a one-time thing. I won’t change my mind, not about you. I’ll keep you all to myself.”
“Yes,” Gwen agrees easily. She lays back down while reaching for him, the invitation in the lines of her body obvious. Her fingers wrap around his forearm, the black spines that line it, and there’s no give to her hold. “Mine.”
He vaults onto the bed, over her, without thought and she welcomes him. Her hands map every inch of his skin she can reach, no fear at the way his black spines lining back and arms are standing at attention. Gwen’s touch starts off light as he arranges himself over her, but once he brings their lips together for another mind-melting kiss, she increases the pressure. Mech can feel each point of contact, each finger tip, as she digs them in and drags her nails connecting th black splotches that litter his red skin. 
Mech pictures his skin turning from red to pink, lightning from the force she’s exerting to try to mark him and he grows harder if at all possible. He ruts against her upper thigh with greater intent, getting impatient. All the relief from this much contact finally not enough to satiate his hunger for his mate. His Gwen.  
She must notice because she hums with smug satisfaction into the kiss and those same fingers start to migrate from his back to rest low on his hips. “Gwen,” he groans, pulling back from her lips just far enough to pant her name against her lips. 
Her fingers brush his cock in a deliberate tease, one he’s past having patience for. His hips chase those fingers for a more purposeful grip. Luckily, she seems unwilling to play this game any longer either. Her fingers wrap around him. “Yeah?” her voice is rough with desire and every nerve in his body sings at the sound, at her touch. She strokes down, from root to tip, seemingly not put off by the black ridges and bumps his red cock has that he knows humans don’t. She must really have done her—Mech’s thoughts scatter when she twists her fingers, lubricated by pre-cum the same silver as his venom which leaks from his erection. She grinds the palm of her hand against the sensitive head and he arches his back with a moan that feels like it's pulled straight from the depths of him.
“Fuck, Mech,” Gwen pants, eyes darting from his face to his cock and everywhere in between, clearly unable to decide where to look while Mech just tries to keep his eyes open so he doesn’t miss a second of his wildest dreams coming true right underneath him. “You’re gonna feel so good inside me, aren’t you?”
“Yes,” Mech hisses even as he presses down on her shoulder, moving up to position himself for just that. “Need to be inside you now.”
“Yeah,” Gwen agrees, lining him up with perfect precision. “Now, now, fuck, n—”
Her words are cut off when she moans as he sinks into her welcoming wet heat. She gasps as he pulls her legs open further with his tail, lifting her ass off the bed to angle his thrust home best. He can’t think about anything except how good she feels, how hot and snug and perfect she is. He thinks he babbles some of that aloud as he pushes in. “So wet, so soft. Fuck, Gwen.”
“Ye-es,” she replies back, eyes closed to better savor the feeling of him filling her in one long inexorable movement. She hooks her leg around his for better stability and he takes advantage immediately. Pushing that much further in, massaging her ass with the hand he has on it, letting his claws dig in to her yielding flesh. She groans at the pinpricks of sensation from his claws and venom, from him finally hilting deep within her.
There’s a split second where there’s nothing but the sound of their labored breathing and the whoosh of the vents. The calm before the storm. Everything outside of them ceases to exist as every hormone is his body cries out in triumph. Mech’s eyes meet hers and he ignites once more. He pulls out halfway, but he can’t seem to exist outside of her anymore and quickly thrusts back in, adding a grind to the end that makes Gwen moan deeply. Her hands land on his shoulders as she pushes against him, matching his movements with a synchronicity he never should have doubted she was capable of.
Her palms push on his own chest for leverage and he gasps at how it feels against his nipples. Gwen picks up on his reaction immediately, her focus zeroing in on her new target. Mech bows his head, overwhelmed by all the sensation his touch-starved body isn’t used to. That of course brings his mouth within range of her delectable neck, all that lovely skin and sweat and scent, all uniquely Gwen. He laves his tongue along her collarbone, fangs grazing and mouth sucking in a random, hazy, instinctual pattern that seems to drive her wild if the way she clenches around him is anything to go by.
“So close, so close, so close,” Gwen chants, her hands moving to his spines, holding on tight to ride out how roughly he’s fucking her with his pistoning cock. The ache of her grip is sweet enough his next thrust has an extra swivel of his hips behind it. “Mech! Mech, please. Please.”
He knows exactly what she’s begging for and he’d rather die than let her go unsatisfied. His tail finds and grinds against her clit with unerring accuracy despite the  desperate motion of their coupling. Her reaction nearly throws him over the edge, the throbbing of her walls around his cock exquisite in their increased intensity. Mech preserves through the sensation, determined to make Gwen come before he does.
Luckily, it only takes a few more strokes and making a calculated tug on her clit for her to call out, “Yes! Me-ch!” The final strands of his self-control snap and he comes on the next thrust, his cock and fangs buried deep in his claimed mate. The ensuing euphoria blanks his mind from anything other than pleasure and he slumps against Gwen, satisfaction flowing through his veins.
Mech eventually comes to and finds himself carefully lapping at the bite mark he made on her shoulder, his venom already having closed the wounds, but leaving them sensitive if Gwen’s hums and twitches of pleasure are any indication. Her hands are running absently up and down his arms and limp spines, sending ripples of residual pleasure through him.
He’s never felt this content before, wrapped around this wonderful woman, still buried in her. He can still feel the unusual lust swimming through his body, but it's more than manageable at the moment. All he wants to do is enjoy this culmination of everything he never thought he would get to have.
Of course, that gratification and laziness only lasts so long. Gwen starts to stir more coherently beneath him and that insatiable desire begins to make itself known once more. 
“Are you hard again?” Gwen’s voice breaks the stillness, bewildered and still sounding a little orgasm-drunk.
“Yes,” he acknowledges, pressing a sheepish kiss to her neck.
She shifts, muscles clenching and relaxing. Mech fights the urge to whimper as she asks, more curiously than anything, “Is that a graviel thing or a mating frenzy thing?”
“I can’t remember,” he admits as a few seconds contemplation where all he can think of is how good she feels and what other marks he wants to leave on her. “Might just be a sex-with-you thing.”
“Hm, good answer.” Gwen rolls her hips, mouth nipping at his neck with a promise that sends anticipatory shivers down his spines as they stand at attention once more. “You’ve got five seconds to roll us over so I don’t knock us to the floor. I wanna be on top this time.”
“Whatever you want, my mate.”
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thedreadvampy · 9 months
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btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.
having said which
as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"
which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.
like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.
like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer
and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.
but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.
personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.
idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.
#red said#not to Cancel Culture this but isabelle fall springs to mind in a lot of how folks talk about stuff like this#like she wrote a transgressive piece exploring her own negative feelings about transness and her anger around a transphobic trope#and she made something which i found really resonant and interesting#and she got torn apart for it because it Might From Some Angles Agree With Transphobia#and I'm not making a direct comparison. because i think attack helicopter is a really GOOD story and i think SGA is gratuitous and hack#but that's the thing right? transgression and discomfort and speaking about unpleasant things in an openended way are KEY#to making art that engages directly with your own pains and angers and discomforts#and that's hard to mediate tbh. but it's also very necessary.#i think as well thinking about Gaiman this is also a thought I've often had about Amanda Palmer#who over the years has written a lot of songs about things i find genuinely uncomfortable or offensive.#and i can engage with 'it's fucked up to tell your ex they transed their gender At You' or 'your partner's suicide is not about you' bc yeah#but#you can't celebrate someone for making confessional music then get mad because you don't like everything they confess#if you only take about your socially acceptable thoughts it's not really confessional is it?#if you only talk about discomforting things that people are comfortable hearing about its not really discomforting#and you can only really discern what's Good Transgressive and what's Damaging Transgressive through doing i think#so if you want challenging art you are going to have to get some art which challenges you and you go hmm no i still disagree#is what i think#so yeah you can hate the artwork but when an artist is specifically setting out to make challenging art it's weird to hate them#for making 50 pieces of art you like and 1 you hate
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saviourkingslut · 27 days
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not to be about opera again but to be about opera again. as an art form it has the reputation of being super stuffy and something for snobs who don't know how to have fun only but honestly this was one of, perhaps even THE main theatrical entertainment for centuries. i wish people knew how hard these things can go and how engaging they can be. like characters kill and die and fight wars and (almost) commit human sacrifice left and right. characters fall in love they mourn they're ecstatic they cry they're furious it's an extremely dramatic and emotional art form! and i understand that opera does not appear approachable bc of the general conventions of the art form but i promise old works can be fun and engaging if you go watch them with some preparation beforehand (reading the libretto helps) - not to mention not all operas are old bc there are so many modern operas which engage with topical events! also the music slaps.
#le triomphe de trajan (1807) out here calling for a man's execution with this banger:#point de grace pour ce perfide; que tout sons sang coule sur un autel#(no grace for this treacherous man; let all his blood flow on an altar)#this is also annoying to me when people write historical fic and the characters treat the opera as this elitist thing#that they don't know anything about.#you know when they go to the opera reluctantly and then they have no idea what's going on on stage or who the composer is.#which is. very unlikely for anyone with the money to attend an opera in certain opera houses in the 19th c. tbqh#like im more of an expert on paris and vienna idk what it was like in london#but if you were decently (upper) middle class or nobility (esp in paris) you went regularly. this was like a whole social space too#i recently read a fanfic and one of the characters was like 'oh it's in italian. i don't know that' and the other character went like#'it's by a man called donizetti what did you expect'#(this was situated in 19th century london)#like first of all. donizetti was NOT a librettist he was a composer he did not write the text#and second of all. he worked on french operas ?? so did rossini. and spontini.#opera was an incredibly international art form. also bc productions would be performed in different countries all the time#(sometimes changed and/or translated but not necessarily)#and again like i said. this was one of THE main forms of entertainment. people were familiar with its conventions! it was well-liked!#ofc bc of the seating prices it was not very accessible to lower classes most of the time#but lbr most characters that get written into an opera scene in fiction are at the very least decently bourgeois lol#i wish people knew how to properly historicise forms of entertainment whose reputation has changed in the modern era#from what it was a century or more ago#very adjacent to people 'cancelling' old lit bc of 'bad takes' like idk how to tell you this but people thought different back then#completely different world view from what we have today. that does not make lit from that era irredeemable it is just from a diff. time#acknowledging that and reading the text critically but also still enjoying it are things that go tgt here#ok rant over (it is never over)#curry rambles
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villainvillain · 7 months
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oop ALREADY seeing cold takes that are just "i thought the finale was good so if you didnt you are clearly just watching the show wrong and you missed the point of everything ever" like ok can we just accept that the world is more nuanced than that and doesnt always revolve around ur thoughts and opinions
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mgmk-daily · 23 days
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Tumblr media
they wanna GRIP the cross
CURRENT SONG: F.T.W.W.W
Word: 3/315
Day: 3/??
Location: that one page that has now been torn out of my chemistry book
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scattered-winter · 2 months
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I cannot stop thinking about that Voltron Legendary Disappointment post you made. You're so real for those takes.
Why is calling Allura "space mom" racist though I'm confused by that part. It always felt a bit weird to me so I never really interacted with the people who called her that back when I was super into this show in 2018.
first of all bear in mind that i'm a white person, so i am not really the deciding voice on this one, but imo allura being the "space mom" kind of swerves into the stereotype where black women are nurturing motherly figures (the "mammy" stereotype specifically). and while allura IS a kind caring person, i personally have never gotten any maternal vibes from her. she's not a motherly figure, she's a teenager who has been forced to take a leadership role in a war. putting her on the pedestal of "space mom" takes away from the fact that she's not an adult. too often her trauma is ignored by canon and fanon, and portraying her as an adult whose primary role is to take care of the kids only does that even more. not to mention the racist undertones of actively changing a character to make her fit a racist stereotype
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reel-fear · 4 months
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people who still make Joey the ink demon despite canon steering far away from that being the case this is for you I am sending u kisses XOXOXOXOXOXOXOXO <3
People who make Joey well-meaning, sympathetic, a lighter shade of morally grey than canon I am also sending u lots of love <3<3<3<3<3<3<3<3<3<3<3!!
And people who generally steer wildly from the direction Bendy takes with its characters and has fun with it I hope to see more from all of ur aus and rewrites!!
#ramblez#batim#batdr#this is not me saying aus that don't do this r bad blah blah I just personally have a super soft spot for Joey being the ink demon#since I really like the idea storywise the symbolism of Joey becoming the ultimate monster of this story#joeys who also take a very sympathetic role who are more morally grey than canon also hold a special place in my heart#joeys who think what theyre doing is right not just for them but for their staff who genuinely care abt them who love them mwah#I just love to see very unique takes on these characters I kinda miss when it was only like chapter 2 so everyone had this wildly#different but very unique and fun takes on where we thought the story would head hell for a while we didn't know if Joey was evil or not#thats what spawned Encore it was originally just a collection of theories I thought would come true#esp since I dont think bendy is a particularly well written story its fun to see the fandom have such fun wild ideas on where to take#the concepts and idea presented in bendy that never really panned out into anything interesting or were discarded or retconned#yknow? I miss the days where the aus were wildly out of sync with the actual story when all we had was a few names a few tapes#and we all went wild making our versions of the story and characters and then got so attached to them we doubled down#when canon didnt deliver on em#umm oops this is long have a great new year folks! Get wild get weird with ur bendy aus and rewrites#lets have fun this year and take canon as optional bc lets face it Bendy isn't great but man is it fun and I care abt that way more than#the quality of the story tbh#it had great ideas and executed them uh badly! But idc bc I can stir those great ideas in my head all day and see others do the same <3#anyways yeah thats it love ya guys have a great 2024 <3
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cowboy-robooty · 11 months
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okay. calling all yandereheads. does anyone know any stories that has a yandere but like they have a sidekick (that doesnt really want to be their sidekick but is forced into it and decides to make the most of their situation and ends up acting like a silly friend to them) and at first they hate their sidekick and want their ass dead but keep em around bc their sidekick helps them stalk their crush but then the story does a switcharoo where the yandere realizes sidekick is their #truelove and goes yandere for sidekick
#THIS CONCEPT HAS SO MUCH POTENTIAL IDK WHY NOBODY DOING IT#LIKE THIS WOULD WORK REALLY FUCKING WELL AS A COMEDY SLICE OF LIFE MANGA I KNOW IT (except in execution the yandere probs never falls in#love with sidekick 🙄)#BUT I NEED TO SEE IF ANYBODY HAS MADE THIS EXCEPT THEY GO ALL IN WITH THE YAOI#im sorry im asking because the demons are taking over again#since this trope has had a gorilla grip on my brain ever since my depressive episode got really bad that one time so i was on wattpad right?#and i was lookin at yandere x readers because i needed to feel middle school joy again but then i found one that was Unironically Good.#i kept reading it bc the yanderes name is the name of my fucking dead grandfather and i thought that was really funny and it was well#written but kinda shitty at the same time bc it wasnt aids to read but it was japanese setting that Was Very American#and (y/n) [that i named yosuke] is actually such a good charactee bc he doesnt give a fuck about anything hes like shang qinghua HES SO#LIKABLE AND FUNNY HES EATING SHIT EVERYDAY AND FEELS LIKE A COMIC RELIEF ITS SO GOOD#oh also for this fanfic i checked the authors acc and saw they had disappeared for months and i was like lol i guess they got hit by a car#and then i found out they actually did#but anyways yeah that fanfic is my enemy though bc its so good but still so fucking shameful and i refuse to get anybody into it#SO THATS WHY I NEED SOME MEDIA TO TAKE THAT PREMISE AND USE IT TO ITS FULL POTENTIAL AGAIN#BC SOMEONE HAS TO TOP THE FUCKING YANDERE X READER WATTPAD FANFICTION#PLEASE#AUWGJSJDKSKSKS THAT FUCKING FANFICCCCC...... So GOOD.... <-(demons are winning)
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charmac · 5 months
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PLEASEE POST A NEW CHAPTER OF THE SUGAR DADDY FIC I AM ON MY HANDS AND KNEES 😭😭😭😭😭
Updating All These Nights tonight and then Sugar is next to be updated, promise promise.
#ask#sugar daddy fic#i have been in a writing rut that is known#so i needed to work out some more canon stuff to get the voices back yk? hence updating the other fic first#but also i still feel like the last chapter fell off hard cos i got like no comments#which i know is like 'who cares' but i think i majority switched the style (like for myself) last chapter and i really like it but#if people didnt respond to it#im a little stumped on where to go#(again not in the story but style-wise)#people do not respond to long chapters? people dont respond to the dennis chapters? too much time wasted on sex? idk im#yeah like just a little lost on what people enjoy in the story and what i should gut/cut down on i guess#cos last chapter is hands down my favourite ive written#content wise its close to 6..#but style-wise i know its so fucking long but i thought it flowed really well and god i love exploring dennis' weird relationship with sex#but to me like only 4 people finished that chapter#to clarify. in my head there are literally only max 10 people who read this thing#and 2 of them are my random friends who arent in this fandom and just want to read what im writing#and neither of them bothered with a 27k chapter.. lol#so im stumped trying to pace the writing and rework how i thought it would go#cos i dont know what people enjoy in the fic!!! and seemingly did not respond to in what i thought was the best chapter so far.. lmfao#sorry you caught me on 30hrs awake and way too much coffee
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transpat · 2 years
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i say this all the time but guys i miss bad buddy like i genuinely don't think i'll ever find smth so excellently done and no it isn't just about the brilliance of the script, direction or the actors it's the obvious devotion everyone on set had to the story to each character and no you don't understand ppl just don't make stories like that anymore
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