Ive actually been trying so hard at trying to figure out why people think qphil doesn’t care about qtubbo, and I mean specifically care nothing else. Cause you can argue tubbo’s not one of his most important people that’s fair, but also you don’t have to be at the top of a list for them to care. It’d also be really hard to argue that he doesn’t trust tubbo, and in that same vein not respect him at all. Their relationship is very complicated, and it is true that it’s way more onesided than people like to admit, but it’s not like Phil has just shown Tubbo zero attention or love. My best guess so far from all I’ve seen it’s because Phil fundamentally doesn’t understand who Tubbo is as a person, and has this very shallow view of him. So people have taken Phil’s mischaracterization of Tubbo as a sign that he doesn’t actually care for the real Tubbo? Idk I like to figure out how fandoms think… (oh also if you have your own ideas why just like tell me I’d love to know)
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Day 2: Maglor of @feanorianweek
Kingship
Poppy = Sloth | Manipulation
I do think Maglor mourned when Maedhros got himself captured, I just also read Maglor as a manipulative power hungry character.
He probably convinced himself that Maedhros had died and ignored everything that proved otherwise, both as a poor coping mechanism and, subconsciously, seizing the power of being a king, although he never named himself one as that would give him trouble. He differently enjoyed the power and mourned, when Maedhros came back, for the power loss. He was happy to have his brother back of course. I don´t think he spoke against Maedhros choice to give the kingship to Fingolfin, even if he wanted it himself, as he did except Fingolfin to do something stupid and get himself killed eventually, and by agreeing he seemed more "civil" and the friendliest of his brothers, which would end up giving him political power, giving people the illusion that he´s the innocent and harmless of his family.
Maedhros | Celegorm | Caranthir | Curufin | Ambarussa | Nerdanel and Feanor
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thinking abt what you said with house viewing Benny as a son and I’m obsessed. Like. The man spent most of his life before the war presumably alone, and then after the bombs fell he was alone again, save for AI he himself devised. Then he decides to pull in some Tribes, and one kid shows promise! So sure, treat him well, train him, groom him to be his protege, then next thing you know UH OH he’s got developing paternal feelings towards this guy. Wanting some semblance of a family when the time has long since passed, yet fostering that feeling all the same seems so accurate for him. Benny meanwhile only views him as a boss, and not a particularly good one at that. makes me wonder how House must’ve felt when he found out about Bennys plans
I view it as House blames only himself for this, cause he kind of does in canon (strap in this is a long one).
When reflecting on the issue of Benny, House chastises himself first and foremost for not acting quickly enough when it comes to priming Benny. He describes Benny as being ambitious, ruthless and capable; compliments coming from a man like House. House has an ego and while he is logical enough to understand there was never any evidence Benny saw him as a father-figure, he lacks the humility to admit he let his own views on his relationship with Benny blind him to the activities happening behind the scenes.
I doubt that House was as aware as he makes out about what Benny was doing, he knew early on but certainly not early enough to stop Benny from hacking and obtaining a securitron along with getting the chip in the first place. I take it he was distracted by all the possibilities he was calculating of Vegas' success and growth with him steering and Benny as the new figure head, not because of any normal affection for Benny but the admiration of his capabilities. It's to be noted that House believed menial incentives (likely caps, booze, basic needs, etc..) were enough to keep Benny tame like the other Chairmen but, as evidenced by the Omertas and Mortimer in the WGS, this is not enough when it comes to more driven Vegas citizens. This implies he still undervalued Benny and created a space in which Benny felt the need to rebel.
House in my eyes is not sentimental in the traditional sense. I can imagine his pride was severely scorned as someone he certainly deemed dumber than him was, albeit only for a little, able to out-gambit him. It would definitely hit home seeing how his brother also betrayed him but I feel like that's why he's so apathetic when he tells the Courier to do as they see fit with Benny. I doubt the way he terrorized his brother brought him any emotional satisfaction other than a "Now who's in charge!" ego boost. Putting that same emotional intensity towards Benny isn't worth it because who does it benefit? Wasted time, wasted planning, and most importantly wasted potential are all he gets from continuing to be hands-on with Benny. I say the closest example is not being able to throw out old toys due to the memories attached but knowing it's necessary as they are broken or just taking up space for new ones, and then asking someone else to do it so you don't need to get caught up in the feelings of throwing something you put so much effort into. It's not Benny House cares about in my mind, not in a way that sounds healthy to any non-emotionally constipated individual, but what he could've represented for him, which is why he so quickly offers the same position to the Courier.
As for Benny's view on all of this, it was a long time coming. Benny didn't and doesn't believe House is a completely shitty boss. He admires what he's been shown and admits House knows how to run the strip, but disagrees with the directions. Ideologically, House is an anarcho-capitalist while Benny is just an anarchist. House wants to run the strip to profit, though money is not what he's concerned with being rich with anymore. Benny wants a free state that he wishes to become a place for the people, except for the Chairmen who would be on top (I like to remind people that Benny's motives were selfish but not for personal gain/power as was it for the people he actually saw as family). Benny was never looking for a father but a future. He was not interested in being adopted, or having the chairmen adopted, as bigger names still overshadowed in House's legacy.
Truly, it's easiest to summarize as House feeling strongly and thinking positively enough of Benny to start incorporating him into the future of Vegas (a huge honor actually) while Benny was so disillusioned by House's ego and indifference that he thought the only way Vegas could be the future is with House gone.
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God every day I think about Akane’s breakdown in door 3 because there really is no correct way to interpret that and every possibility makes me crazy. Like she sees this fucked up corpse whom Junpei (and the player, depending on how they play) believes is their friend Snake, but she knows that it’s Guy X. It’s a man she very intentionally put in the game for this very purpose, so that he could die horrifically and be displayed for everyone to see. And she has a full mental breakdown over being trapped in this room with the corpse, being trapped by Junpei, to the point where she rips out her hair and starts bleeding from how much she bangs on the door screaming to get out. And fuck, there’s so many possibilities like
Akane could be feeling genuine terror over the sight of the body, and with that remorse. She made this happen, she wanted this to happen, and now she’s forced to quite literally watch the damage she’s caused unfold. She can detach herself from his murder easily in other timelines where she doesn’t have to look at it, and she can sleep easy knowing that her hands are technically clean because she didn’t do the literal killing. But she can’t do that here, and she has to face the fact that not only did she happily cause this death, she failed her mission. She isn’t going to survive, and now this man is dead for nothing and everything is her fault
On the other hand, her entire breakdown could be completely fabricated in order to keep playing the role of the damsel in distress who is so innocent that the very sight of blood drives her to insanity. The interesting part about this is that if she could fake such a horrific breakdown, just how much of her personality a facade? We know she wants revenge, for everyone from Cradle to feel even an ounce of the pain she and so many others went through, but we don’t get to see the extent of how much she feels this way. We never hear directly from Akane about her feelings on any of the original organizers, just her note about her desire to punish them. She hates them, but does she see their deaths as a necessary evil, or does she feel joy and satisfaction at watching them go? It’s absolutely horrifying not knowing, not being able to see her true feelings, not knowing just how real or fake she is, the extent of her madness. Perhaps she doesn’t even know that herself
IN OTHER WORDS, it’s fucked
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Nobody understands Daniel Ricciardo Like Red Bull do
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fucked up in the club thinking about how the elpis flower turns hope colored when everyone is excited about the warding scales but the moment the wol is alone in their room it's black again. and how only a few hours with their friends have it blazing so brightly colorful again
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Yall haha, my dad made it so I have wifi access for one hour a day. which I can use from like 14 to 21 german time. So once my mobile data is dead, I will not be active that much ig. So please dont think I'm abandoning yall.
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thinking about Shang Qinghua as a calamity again...
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here's the thing about writing villains-
you're never going to get ppl to stop writing villains who want to control everything, who are evil for evils sake, who are manipulative and liars or whatever. who are just bad people who seem irredeemable- most peoples idea of a villain is whatever they fear most.
and just because there might be stereotypes about certain demographics surrounding these ideas doesnt mean they are inherently bad to have in your writing in general. the reason those stereotypes exist is because people wrongfully assume that a certain demographic is a certain way either through their own fears or from propaganda/conspiracy theories they're cooking up or have consumed-- which are all built around fear.
its normal to fear someone who wants to control everything. the problem comes in on whom you're projecting that on to and whom you think wants to do that. it's prolly not a good idea to make a villain- who wants to control the world and all of its money- jewish. its probably not a good idea to make a villain- whos a controlling manipulative abusive liar who will do everything to get their way in spite of who they hurt- someone with npd. it's probably not a good idea to make a terrorist-y type villain a muslim or of middle eastern decent. it would probably be a good idea to try to avoid adding stereotypes surrounding whichever demographic you're concerned about your character being misread as to your villain if you're already worried they're gonna be misinterpreted by uncharitable people online.
in my case, im making a vampire villain who wants to control everything. it would probably be really fuckin dumb of me if i added a bunch of jewish stereotypes to him along with that, considering theres a lot of antisemitism in how a lot of vampires in different forms of media were conceptualized and a whole ass conspiracy theory that jewish people already do control everything.
i dont think "wants to control the world" or even "secretly does control the world" is necessarily a bad place to start when creating a villain, it's all about what you do after that point. and its also all about keeping in mind different stereotypes/conspiracy theories/tropes/etc. around that idea that have harmed different people. it only becomes antisemitic if you draw the character the way antisemites draw jewish people, or add a bunch of conspiracy theory fueled ideas to the character, or add a bunch of jewish iconography around the character, or just make him in some way readibly jewish or just straight up make him jewish. the more you educate yourself on stereotypes/conspiracy theories/harmful tropes/etc. surrounding whichever demographic you're trying to avoid making your villain be misread as and actually avoid trying to make that character that way, i think the better off you'll be.
remember that those stereotypes/conspiracy theories/tropes/etc. all exist because someone wanted to make whichever demographic into a villain. those fears already exist in peoples minds, they just want a place to put them, and a lot of people will find a scapegoat to place them on to. it's not that those fears at their basic level are wrong or bad to have or wrong to use as a jumping point in your writing, it's that people sometimes project those fears on to other people, typically marginalized people, and again, for propaganda's sake or bc of their own fears of other people or whatever. if you avoid projecting those fears on to demographics targeted by said fears and thus avoid making your villain of said demographic in every way that you possibly can, the better off you'll be.
people will be uncharitable and read things in bad faith no matter what you do. if you're a creative, you already know the internet spends no time (and hardly any actual critical thought) in dismantling something they've deemed problematic, likely because they dont even like the thing they're critiquing but need to make it seem like its somehow a Moral dislike of the thing. ya gotta ignore it and have faith in at least some of the people viewing what you create to actually hear what you're trying to say. you also gotta take into consideration actual constructive criticism of what you create, because you might have a blind spot in this regard. try to avoid listening to people who seem off the bat antagonistic and demanding bc they likely dont even have a justified reason to be mad at you over if they're acting that way. if they have something they want to say to you bc they actually wanna change your mind, they're not gonna approach you apathetically, dismissively, passive aggressively, as if they know everything and are above you and are the most moral person in the room- people like that dont actually care if you change whatever it is you're doing and just want a self-justified reason to be mad at you that makes them look good for critiquing you, if they did want to change your mind they would try to approach you in the least confrontational way that that particular individual can manage.
ultimately, listen to people actually effected by these things so you know what to avoid and figure out how to not hurt them.
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Something i find fun, if Adrien and Félix are sentimonsters, is Adrien's feather allergy. Aside from the dramatic irony.
An allergy is where the body incorrectly labels an object as a threat, and the immune system reacts, or even dangerously overreacts, in ways which could be threatening to the person it's trying to protect.
If Adrien is a senti, then he's made from a feather, that's his soul. His allergy is targeting something that is already part of his being and biology. That means it's not an allergy, it's an autoimmune disease.
Allergies are genetic, as are predispositions to autoimmune diseases, and Adrien and Félix are genetically identical, though we don't know if Félix shares his allergy. It's possible it hasn't been activated yet. His odds of developing this could be heightened by a bunch of factors; illnesses, food, sunlight.
I'm excited to see if he'll share it or not, if being around duusu will be good for him (someone who understands, to befriend and vent to like Plagg is for Adrien) or bad for him (y'know, a health hazard).
Adrien having an autoimmune disease, maybe he's on immunosuppressants, maybe he's not. I think that could further explain some of Gabriel's actions, not justify them but make them make a little more sense.
After all, the feathers are in the rings, maybe that's a small part of why he hasn't been given his yet. Maybe it's part of why Gabriel has so little physical contact with him, he could give his kid a rash or worse.
If your kid has a weakened immune system and your wife is dying or gone, trying to keep that kid inside, reducing his and your own contact with people, especially other kids - because kids spread diseases like wild fire. I get it. It makes me feel really bad for them. Adrien doesn't even understand what his father's protectiveness is about, besides just losing Emilie. And Gabriel can't even begin to have that conversation with him without everything coming out. About why his feather allergy is such a big deal, about papillon and his wife.
Anyway I'm just thinking about how he ended up letting him go to school. About how he let Nino give him a party but absolutely would've been advising for it to be outside in the open air rather than letting a load of strange children into his clean house.
He really wasn't that bad of a dad at the start. But Nathalie's right, he's getting worse and worse. And I'm worried about how he'll cope and what he'll do without her, now that Adrien is the only close person to him that he has left. Beyond whatevers going on with Tomoe anyway.
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i want malenia to have unbreakable poise… and all her attacks one shot you.. and she heals back to full, so to add insult to injury as you’re dying you see her health bar go back to 100%.. and then she tea bags you as the “you died” screen pops up and a laugh track starts playing
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As someone who is aspec myself, I love the idea of aroacespec Ford within the context of billford. *Especially* Ford grappling with a lifetime of bafflement about romantic and sexual attraction, and then feeling *some* kind of powerful emotion about Bill and getting excited about it like "this is it! This is the attraction thing that everyone always talks about! I'm finally experiencing it for someone, I'm doing 'humaning' correctly!!!" and maybe he's correctly identified it, or maybe its something else, such as queerplatonic attraction, or scientific fascination, but either way, feeling something like this for someone for the first time that feels more genuine than any of his attempts to feel heteronormative love in the past for an *eldritch god* is a whole other thing for him to grapple with, like, the internal confusion of "Why am I feeling this for the first time for a non-human entity? Does that cancel out the increased normalcy of me feeling This Kind of Love? Does it outweigh feeling Love and make me even weirder??"
And maybe, with any luck, this could end with Ford realizing that it *doesn't matter* what kind of love and/or affection and interest he and Bill have towards eachother, and it doesn't matter how much he conforms to society's ideals for what a human being "should be like." It doesn't *have* to be romantic for them to want to be together from now til the end of time. And even if sometimes their relationship might seem like it crosses into romantic and/or sexual territory, *they're* the ones who get to define it, and the multiverse is the limit. They don't *need* to confine the way they see their love for eachother to the human definitions and expectations for how people should feel and act within a long term relationship. And if humanity thinks that makes Ford less human, well, he doesn't fucking care, because what has the seemingly-always-just-out-of-reach ideal of "being human" that society has pushed upon him ever done for him except make him feel intensely isolated and unworthy? It doesn't matter if society hands him the title of "human" that they've cruelly dangled over his head his whole life or not. He is living the life he wants to lead, in the company of the person he cares for most, and that is all that truly matters.
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Just started watching hannibal and i dont see what this guy is doing wrong. as far as i can tell he's just a gay man who loves to cook fancy meals for his friends
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Joshua, Probably*: Life is pain and I’m under no obligation to make the afterlife any better. In fact, it would be cruel of me to send you back without making sure you’re properly prepared for it, I’m doing you a favor. A humanitarian like me loves people, after all.
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