Firstly, thanks so much for your patience with my ramblings haha, it's always an absolute pleasure to read your responses even if I get more unhinged with each one of mine! Of course, I'll continue to do my best with the wiki! (Actually, I think it's because of you that I noticed Daigo's age(s) were a year off haha, so thank you for that as well.)
I think you hit the nail on the head, and I adore how his relationships were executed in Y7 as well! I was initially a little bit apprehensive when trailers for 7 were coming out since RGGJo (and Mine, of course) were my favorite antagonists, and Jo is by far the character who's changed the most between games, but I can safely say both… Joes… are right up there for me.
I think a strong early subversion/conversion/something is that RGGJo really does just go and shoot up a rival office for attacking Arakawa (even though Arakawa was fine?). With Y7Jo, even though he's covering for Masato, the fact that's still the story Ichi gets told and he doesn't question it sort of speaks to Y7Jo having a similarly "protective" streak even if it's not actually what happened in that instance. That's also demonstrated in The Eye Scene as you mention later.
Like, I think that story is fairly clearly something he and Arakawa discussed. Masato got in contact with Jo first, and the mess Ichi tries to clear up when he comes in the morning after is indicative of a very long, stressful conversation between two people. Given Masato absolutely should not be smoking, process of elimination would suggest it's Jo. And it's a story they would've aimed to make as believable as possible, so the fact it is believable (Ichi being a bit gullible notwithstanding) says something to me.
For two characters who hardly even speak to each other onscreen (criminal btw), there's a lot to dig into when it comes to Arakawa and Sawashiro's relationship. That aside, I'm super excited to see you analyse Jo's psyche, and I can't wait to read it! I've been reading Japanese psychology texts myself and noticing a number of concepts that apply to Mine, but may apply to the Arakawas as well. There's a great deal I want to share once I get my thoughts in order.
I totally agree Mine's influence on RGGJo was the strongest of the three! I mean, y'know, that's why I acquired brainworms for RGGJo/Mine specifically. (Still 1000% going to commission you by the way when I've got my refs together + am not in danger of being unable to afford Gaiden and 8 lol). Sort of like with Masato and Daigo, I think characters who are clearly based on each other work quite well together even if it's seen as crack. You can come up with pretty compelling ideas trying to rationalize those similarities from a Watsonian perspective.
The devotion is absolutely the strongest point (having the exact same relationship tag for Arakawa and Daigo respectively + similar wording for it in the 15th anniversary book is a nice touch), but for me it's also what's done with it in terms of presentation. For both Mine and RGGJo you're supposed to believe they're actively working against Daigo and Arakawa's interests for most of the story.
And they probably kind of are, but they're convinced the pros outweigh the cons (as with the resort gambit, which you're remembering correctly!) Though it may not have the same effect nowadays for various reasons (spoilers, plot points becoming predictable on account of other games, etc), the devotion was originally supposed to be a twist.
There are other things, of course; they're both the "treasurers" of their respective organizations, they're both third-in-command of the Tojo and Omi, they're both talented people who possess overwhelming strength and influence and are regarded as geniuses (despite scenes to the contrary). If I wanted to reach design-wise, they've got mirrored ahoges, and Mine's "Legend" costume is probably based on characters like RGGJo and Nishiki. Their first cards were even officially stated to have synergy on account of their very similar skillset.
You end up noticing a lot of things like that if you're clinically insane like I am, but the one thing that's really stuck with me is that the render used for RGGJo's office is specifically a new render the Hakuho Clan office. It's missing the stuff that's supposed to be missing, the stuff Kanda broke, but only that. Mine's art collection, which is very personal to him as is also revealed in RGGO, is preserved in full.
There are a number of newly-rendered locations in RGGO and they could've just done that, or they could've picked any location that's not (imo) one of the most iconic, but I don't know why they didn't. And I don't know whether it was just convenience, whether it's simply meant to be reflective of them having similar tastes without being the same office, or whether it's just honest to God the same office. I mean, it's not like there's any reason to acknowledge it in-game.
But I think, in a weird way, that this is one of the things that carried over to Y7Jo alongside the devotion and The Eye Scene. A lot of people don't notice because there's so much going on in Y7's finale, but the Arakawa Family office the finale takes place in is specifically Y7Jo's office. And if you examine the Hakuho Clan office and the Arakawa Family office as spaces Mine and Y7Jo have created for themselves, there are very few aesthetic similarities other than being pretty tasteful two-storey offices, but both are, in their own ways, designed for companionship.
There is the obvious fully-stocked bar and main seating area in both, but that's sort of whatever, that's entertainment and hospitality. What really catches my eye, at least on the first floor, is that every piece of gym equipment in Mine's office comes in pairs; similarly, there's the pair of armchairs that are just by themselves behind Y7Jo's desk.
The second floor of Mine's office basically consists of only a TV, a table, and a set of couches, but I think the second floor of of 7Jo's is the more telling of the two. You walk upstairs from this very snazzy, richly decorated first floor (btw, like Mine's gym equipment and art, I would like to think the fact it's decked from top to bottom with books isn't just for show) to a second floor that consists of… absolutely nothing.
Nothing except another pair of armchairs, echoing those on the first floor, facing out into this gorgeous (RGGJou would--and has--said "romantic") view of Kamurocho. Maybe it's just to have this dramatic, spacious arena for the very last fight, but I just think that visual is potentially such a strong bit of storytelling via set dressing.
I also think with RGGJo being split into Y7Jo and Masato, some of the Mine influence kind of ended up with Masato too, specifically as Aoki. At least insofar as all the catastrophizing about not truly being cared-for despite evidence to the contrary, and I kind of felt like the moment where he shoots at and narrowly misses Ichi's head, then throws his gun away for a good ol' fistfight was Something.
Completely agree on your assessment of the link to Nishiki as well! There's the surface level design similarities with young RGGJo back when he had long hair and accessorized less, but yeah, no notes. I definitely think Y7Arakawa's line applies perfectly to the dynamic they were going for, too.
I thought the implication was that Masato wouldn't have survived at all in RGGO on account of Arakawa being unable to open the locker, but it's super interesting to think about how things might've turned out otherwise! A Masato who's Just A Guy and treated sort of like RGGO Mitsu's offscreen wife and kid is such a concept.
I really do hope there's a continuation to the story; as it stands, it literally ends with Jo in a coma lol. But I'm grateful RGGO is still accessible and actively updated, in comparison to the previous mobile titles, which also had original stories that are all gone now.
Jo was actually in a very recent event, even. The event spent its whole runtime talking about how cats are sensitive to smell, and evidently, according to the ending, Jo is incredibly sensitive to smell himself. I'm not sure which Jo it was even supposed to be since he was offscreen, but uh, catboy confirmed? Nyawashiro…? It's fun trivia.
Mentioning Arakawa's "sons" line in such close proximity to talking about Tsutsumi reminds me! There was this Y7 interview with all three actors (that has since been privated and that I kick myself every day for archiving) where Nakai and Tsutsumi were talking about how they usually play father and son.
So there's this very, very long history of them co-starring (as I'm sure you're aware lol), like from way back when Tsutsumi's voice was actually higher. And I think the casting choices absolutely are informed by the history and context there, both as individuals and as co-stars, both in terms of filmography as you say and not.
One particular anecdote that just Gets Me is that this was Tsutsumi's first time voice-acting, and he honestly wasn't even sure he'd take the role, but he accepted once he heard Nakai was on board. And he went on to actually enjoy it so much he read the rest of the (gargantuan) script, far beyond his own dialogue, and ended up forgetting the lines to the play he was doing at the time.
He also went on to voice-act a second time in The Deer King, where he plays… another iintimidating man with a violent reputation and a "soft"/deeper side (who is of course a reluctant father), actually. I actually have seen most of his other roles, and Jo really is almost one-of-a-kind. Though it's hard to find any one character he's "like," I can absolutely see what you mean with regard to Oda Nobunaga and Kanda.
I think that actually really works with regard to audiences having an idea of what to expect from his character and to an extent from Y7 if you look Jo as more of a culmination of Tsutsumi's career up to that point. In addition to what you've mentioned already, I also detect a lot of Koda (Good Luck!!) and Ogata (SP)'s themes with regret and making amends and vengeance in particular.
There's a little bit of Appare (Kagerou Touge) and Shibata (Keiho) too, I think, in terms of presenting yourself as worse than you actually are. And I think Tsutsumi's own struggles with mental health lend a lot of gravitas to characters like Ishigami (Suspect X) and Jo, who you can't really argue Isn't Depressed, especially at present.
And of course, y'know, he's played yakuza (to great effect), he's played dads (to great effect; btw, I would say the worst fathers/father figures he's played are probably in Fable II and My Blood & Bones in a Flowing Galaxy, Jo somehow doesn't even compare lol). Also, pretty much every Tsutsumi character either ends up dead or in jail, being a villain in an RGG game notwithstanding. There are often very strong critiques of police and politics present in his work as well, Y7 being no exception.
It's similar with Nakai, maybe to an even greater extent than with Tsutsumi, since Y7 borrows more heavily from his works and his personal life aligns surprisingly well with Arakawa's. They're both actors who are sons of actors, lost their fathers at a young age, were raised by abusive mothers, and ended up with a sort of unlikely father figure in adulthood. So I think it's sweet that Nakai ended up enjoying Arakawa as much as Tsutsumi did Jo. It's kind of funny being more or less typecast as a dad without actually having any children (unlike Tsutsumi), though.
I touched on it a tiny bit before but that's a really insightful take on RGGJo's splintering, as well! And you're most welcome. I've always found it fascinating just how closely their backgrounds tie in to who they end up being. I completely agree having his dad around did a lot for Arakawa in terms of having the confidence to stick to his guns.
But yeah, you know, it's just tragic. I think it's also one of the less talked-about ways abuse can perpetuate itself. Because Jo treating Ichi the way his father may have treated him is sort of the tip of the iceberg when it comes to the topic, but Jo's learned avoidance also goes on to make Arakawa a scapegoat for Aoki's abuse.
I'm always a fan of your takes and insights, so I don't mind the wait: thank you so much for writing as much as you have, it's really wonderful being able to discuss Jo and RGGO v. Y7 as a whole! (I have to be embarrassed about the Daigo's-Age bit though: I'm glad I was able to help point it out, but I remember being so sassy and rude in the post where I mentioned it 😭)
It's great that despite their differences, both Jo's are still incredibly enjoyable; the roles each Jo fulfills, although different, are still executed in ways that keep the character in a close beat with each other, but of course effectively fill out their new purposes in new interesting ways!
As a bit of an aside, I've always been curious and nosy about the full details about New Years Day, 2001 and what happened after that. Anything I can say about the night tiptoes more into theory territory than anything solid, but if we're to go off the notion Masato really did head straight home afterwards, then it is fair to assume Jo had to have met with Arakawa that same night not long after the call in order for Arakawa to be ready to talk to Ichi the same morning (it must have been the biggest shock afterwards for Masato to hear he's gotta run to America if the three of them didn't talk about it together- which I'm assuming is what happened since, as you said, Masato shouldn't be anywhere near cigarettes, and the ash tray is definitely indicative of a stressful discussion). BUT Jo's preexisting devotion to Arakawa (plus the nod to/rework of RGGJo actually attacking a rival gang) nonetheless definitely helped in making their story digestible to the people they had to tell.
The fact Jo and Arakawa interact so little on screen really is unfortunate, even if it's understandable as to why. At the very least, I'm grateful there's so many bits of context clues through the game/s that can at least offer a peak into their dynamic! Segwaying away from that though, I can't lie I was already thinking of some bullet points regarding Jo's brain as I was falling asleep, so it's definitely something I want to put to paper when I get to: I'm glad to hear I have your interest on it when I write it! In that same vein, I'd be more than happy as well to hear about these notes you've seen that can apply not only to Mine, but to the Arakawa family. As you note later on, Mine and Aoki share similar philosophies, so I'd love to see your full take on that if you get to it!
About Mine though, it was really hard for me not to joke about the two being similar whenever the chance arose: I mean, two men who lose their fathers (admittedly, Jo chose to leave his dad but Dad Lost is still a bullet point on the venn diagram... that now I actually feel like taking the time to make later...) turn out to become their respective clan's most trusted asset (and handler of assets) who are volatile when it comes to the ones they care about (I don't have to clarify Mine, but as for Jo, aside from The Eye Scene and even the book wording, he definitely overreacts to Ichi having Masato's money. Of course, part of his anger could be due to his belief in the honor of being a yakuza, but I wouldn't say it's a reach to also assume that the idea of Ichi pestering Masato- if not assuming the worst for whatever reason from Ichiban of all people- might have irked him) and ironically act out in ways that would go against what the ones they care about want (more so strictly about RGGJo, of course)- it's hard not to see the notes borrowed from Mine to make Jo. In that, I do really enjoy their devotions being twists; even if that twist might not work nowadays as efficiently, I'll still enjoy it for what it's able to provide and how it can deepen a character.
To continue on to visual similarities, I actually did notice RGGJo's office being the same as Mine's (I stopped reading for a bit just to make a mini thread about it on my private Twitter)! Whether it was intentional or a simple reuse of assets, it's a great nod to Mine's influence on his character.
As for Y7Jo's office in comparison to Mine's- if I may accidentally go on a bit of an analytical rant- it's a little funny how different they are despite being tangential in wanting a space for companionship (like you mentioned for Jo's case, it might have been for dramatic purposes, but it wouldn't hurt to try and examine the room at face value for a second).
Mine's office is comparatively brighter and more apparently inviting, and it's not just due to the nighttime setting of Jo's office as his office's walls are painted black- but at the same time, the contrast almost feels intentional. Mine's apartment, even if spacious, has the social pieces close to each other, especially in relation to his personal desk. On the flip side, Jo's desk is considerably isolated away from the grand table in the side of the room. In these differences, I think it does lead to a great representation of their relationships with people and what they wanted out of life: with Mine, despite wanting people to be close to him and in his proximity, he's ultimately alone and by himself. On the contrary, Jo appears satisfied with- at least- only having Masato in his life, the second chair undoubtedly being honorary to Arakawa in a similar vein. He isn't too concerned with getting close to anyone else, thus no need for his table set to be so nearby. I could just be talking about nothing though- yet I think these differences is a great way to show how despite inspiration from Mine, they divide off into different characters still (honestly I might steal from this ask and make a separate post about this because now I've gotten myself invested in set design- it can go in the same post as my venn diagram I guess lmao).
Nevertheless, RGGJo and Mine borrowing from each other design wise is also another fun bit- it's as if Yokoyama's grabbing people by the shoulders and practically begging us to realize Jo's influenced by him (don't worry Mr. Yokoyama, I see you). Ergo, Y7Jo and Masato being split from RGGJo is such an interesting take of the two characters: it not only helps highlight Jo's traits it really also heightens Mine's extended influence on Masato (their inability to shoot people standing still is probably going to be a new favorite comparison I hadn't noticed before LMAO).
Moving on though, that lost interview with Nakai and Tsutsumi's going to haunt me now: I'd love to be able to see it, I love actor interviews, especially when the actors featured are already so familiar with each other! It's so sweet how connected the two are- it's what makes it a little more unfortunate that we didn't get to see Jo and Arakawa on screen together more. On that note though, I actually had a similar conclusion that Jo was a solid representation of Tsutsumi's career thus far: his ability to play deep and sentimental characters that have a rough exterior while also possessing some action to the role that he initially sought after in his career really encapsulates his ability as an actor! All in all, I'm glad that Nakai and Tsutsumi were able to have strong connections to their characters in Y7- and I can't really argue against Nakai's dad-typecast: there's just something about him that screams 'father' to me even if, ironically as you said, he isn't a father to any kids.
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Drops these thoughts in exchange for absolutely mauling your art.
Saved catnap would be down right horrifying to encounter in the woods-
If your just going for a quick walk, I think he’d just stalk you, ensuring you never get close to Angel’s property.
If you’re there for other reasons……well….CatNap has been debating making a new shire for Angel….(much to everyone else’s dismay and horror…)
And if the person sneaking onto the property has features resembling Angel (hair, eyes, clothing, etc), it gets a little…..off putting to into the barn….
(Also the image of CatNap just licking poor Angel while they’re sleeping beside him is so strong. Even more if he’s doing it to annoy DogDay and rub his scent on angel. Gotta lay your claim to your savior somehow!)
(oh god...catnap barn shrine.... consists of some stolen shirts, a comb, perhaps a throw blanket and some pillows, a picture (with anyone other than y/n scratched out) stolen from the mantle, a spare hairtie or two...anything catnap can get his paws on while the others are distracted or out of the house)
and the idea of catnap occasionally "borrowing" his savior has been on my mind. like, he'll get just close enough to them, quietly from behind, to subtly breath a little red smoke on them. just enough to knock them out. then he'll gently carry them up to his nest in the barns' hayloft. he just wants to hold them, but knows y/n doesn't trust him enough to really let him close.
he spends that time where they're knocked out nuzzling them and purring up a storm. he knows the stupid dog will be breaking down his door to retrieve y/n as soon as he realizes they're gone, so....catnap makes the most of his time with them.
–
ive also been imagining a scene where y/n leaves dogday and the girls inside to make dinner, and goes out onto the back porch. it's dark, and they can't really see much beyond where the porch light can reach, but...they know catnap is out there. they can see the barest trace of his lanky silhouette in the trees beyond the barn.
his white pupils glow through the gloom. his heavy stare pins y/n in place.
with no better ideas, y/n sits, legs dangling over the edge of the deck. they maintain eye contact with catnap. after a beat of silence, they make the one noise no cat can resist.
pssp pssp pssp.
catnap is confused, if the perk of his ears and small tilt of his head is anything to go by.
but, he does take a slow step out of the trees, recognizing the sound as a summons. he begins to cross the yard, getting closer, never taking his eyes off of y/n. his slow stalking gait is anxiety inducing, but y/n tries to keep it together. they have a plan.
they want to get catnap more comfortable with them, with the house, to help better integrate him into their little family. perhaps a little TLC will make the stray cat more personable.
he looks ready to run despite his intimidating facade. his long tail flicks from side to side. curious, but cautious. his eyes never leave y/n.
catnap slowly gets closer and closer, eventually coming into the light. y/n always forgets how big he and dogday actually are; that sheer size is less threatening on dogday, who y/n knows won't hurt them. they're not so sure about catnap.
the massive toy looms over them in spite of his cautious, low posture.
y/n slowly raises their hands, palms upturned. an invitation.
catnap's eyes flicker to their hands for a second before returning to their face. y/n can only hope he understands what they're inviting him to do.
the feline slowly, carefully, steps forward. he sets his heavy head into y/n's palms. he begins to purr when they ever so softly begin to scratch his chin and behind his ears.
moving out of y/n's space, catnap backs away. quiet and uneasy, y/n lets him go. they know that the process of "rehabilitating" him will take time and patience. getting him used to them and the others will be a struggle. but for now, they're just happy that they could get him to accept touch at all.
he knows that the small, tentative smile on their face is...proud, perhaps. happy that he's accepted their care. despite his hesitation, he soaks in the feeling of his savior's hands on him. he can't remember the last time he'd felt a gentle touch. catnap leans into the motions, eyelids drooping a little in contentment. his white eyes remain locked on y/n's face, his pupils dilating a bit. they seem more at ease with him like this. he basks in their simple affection for several minutes, his purring the only sound; he's thoroughly enjoying the peaceful moment between the two of them.
however, a crash from inside and the raucous voices of the other toys startle him into alertness. his eyes widen, pupils shrinking back to slits and his ears lay flat against his head. he hears y/n gasp in surprise, pulling their hands back. catnap's a bit disappointed at the loss of their touch, but knows that it's better not to invite the ire of the other toys by lingering too long. the moment has passed, and he can feel y/n's unease growing again.
the large toy stalks off into the darkness. y/n waits until he's safely beyond the trees to stand and open the door. they cast one last look into the night before heading back inside to mediate whatever accident just occurred.
catnap, as standoffish as he appears, treasures the small gesture he's just received. he returns to the woods, pleased and purring to himself; thinking about the scrap of affection he's been granted from the hands of his beloved savior. he'll be sure to seek them out for more.
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need your attention » nakamura kazuha
pairing ⥬ kazuha x f!reader
genre ⥬ fluff
summary ⥬ you pay the le sserafim girls a visit after one of their stages and your time spent with a certain member was misunderstood by kazuha
sorry to my dear anon who requested this, ive been neglecting this for so long 😞
the attention of the le sserafim girls was caught when a member of the staff quite loudly questioned you, asking who you were and why you were trying to get inside.
the first one to recognize you was eunchae, she was surprised to see you and got the attention of the leader sitting beside her, telling her to tell the staff to let you in. "unnie! look it's y/n, tell them to let her in!"
the other girls heard your name and turned to see you standing at the door with a face mask on being talked to by some staff. chaewon got up and rushed to go and assist you while the members all smiled at each other.
she pulled the face mask off your face and grabbed your wrist, dragging you to where everyone had been sitting and she sat you right beside sakura before claiming her spot beside yunjin.
"y/n!" the eldest cheered as she hugged you as tight as possible, making your face turn a shade of red as you felt the air leave your lungs. "hey, stop hogging her!" eunchae yelled as she also lunged toward you and you yelped when she squeezed you too.
"guys stop! look at her, she's gonna pop!" they both let go of you to take a peek at your face and you gasped for air. "one more second and you may have actually suffocated me." you say in between small breaths, smiling at the affection of your friends.
"not our fault, where have you been? we missed you!" sakura said, going in for a much softer hug. you took your eyes off her and glanced at kazuha who was crossing her arms, looking disinterested. did she not miss you at all? you looked away and coughed as you noticed that the rest were all patiently waiting for your response, wondering if they saw you peek at the ballerina.
"w-well, i've been busy working at this new company and i actually got paid yesterday, so i was hoping that i could treat you guys out for dinner!" when you made the offer, the girls all got up and began squealing in excitement. it was nice finally seeing them again, you enjoyed watching them be so up and active, just being so cheerful. especially zuha.
but she didn't get up like the rest of them had. she just kept sulking in her seat. you could tell something was off about her and that she was thinking really deeply, but you chose not to say anything. you knew that she would tell you what was bothering her sooner or later, she always let you know what was on her mind.
they began discussing places to go and what foods they were craving. you watched them happily, ecstatic that you were able to treat them after all the times they treated you. you continued sneaking glances to kazuha, hoping to catch her looking at you as well, but her eyes were locked onto sakura. you turned to sakura and realized she had been talking to you.
"mm? sorry, say that again i wasn't listening." you laughed nervously and rubbed your neck.
"oh i was just asking if you had any preferences like what kind of food you wanted, or if there were any restaurants you were interested in going to."
you shook your head in response. "no, it's up to you guys. i'm not picky." sakura nodded and went back to chatting after you gave a small smile.
you looked back to where kazuha was sitting, but she was gone. you searched the room for her, eventually spotting her sitting at a vanity, mindlessly going through her phone. thinking back, she didn't have any input about food. was she not hungry?
you got up and walked over to her, hoping this was the chance to talk with her one on one and hopefully ask her to go out sometime, just the two of you. she didn't look up from her phone when you stood there awkwardly, sort of ignoring you.
"hi." you were going insane on the inside, your braincells going into a code red as you lost the ability to think of what to say. she put down her phone and made eye contact with you through the mirror, waiting for you to continue.
you cleared your throat. "so... did you not have any food suggestions? where do you want to go?" you asked, your voice a little shaky.
"hm. i don't know, why don't you ask kura unnie?" she said while she broke eye contact, picking at a thread on her shirt.
"what?"
"you should ask kura unnie, sure seems like she has a lot to talk to you about." she mumbled the last sentence, but you heard it clearly. you spun her chair to face you directly.
"what's going on? is everything okay, kazuha? you can talk to me, you know i'll hear you out." zuha sighed and leaned back in her chair as she crossed her arms. you pulled up a stool and when you seated yourself, you were a little shorter than her. you put a hand on her knee and gently stroked it as an attempt to comfort her.
"well, she's been hogging all your attention and you didn't give any to me. you didn't even say anything to me until now." she just looked away, embarrassed to have admitted her need for your attention out loud. "but i guess i understand, she's really pretty and all. honestly, i guess i'm.. glad she feels the same." she finishes hesitantly, her words lacking sincerity.
with the way you couldn't understand what she was talking about, it was like she was speaking another language. who feels the same about what? and she just wanted your attention? you blushed at the fact that kazuha flat out said that she was upset you didn't give her attention. she was adorable.
"what do you mean? sakura feels the same? about what?" you questioned.
"don't play dumb, i can tell you like sakura!"
you tried not to, but you laughed. "i do not like sakura, where did you get this from?" kazuha huffed and pouted, annoyed by your reaction.
"you were all over her earlier! you were basically giving her heart eyes." you scoffed at her response, rolling your eyes with a smile.
"heart eyes? all over her? oh please, we had two conversations."
"what about when she hugged you? you seemed to enjoy it a little too much."
"she was squeezing the life out of me, what do you mean?! plus, eunchae hugged me as well."
"well," she thought about another argument, but she didn't have anything else to say. "whatever." she went back to playing with the thread on her shirt, feeling kind of silly because you were right after all. there wasn't anything weird about what you were doing her member, but it still bothered her. just watching you talk to her when you hadn't even tried to talk to her once this entire time affected her tremendously. she felt frustrated with all these mixed feelings.
and you could tell. you saw that she was bothered, and she was even saying it out right that she was upset about your interactions with your other japanese friend. the only thing was that you knew how she felt. "zuha, you don't think you're a tad bit jealous?"
it was her turn to scoff. "jealous? of what? the fact that you like kura unnie and not me? pshh, no way." kazuha frowned slightly because she was, and it was making her say these stupid things. curse her stupid heart and it's stupid feelings.
"oh, kazuha." you lifted her chin, initiating eye contact but she just pouted, scared to look you in the eye.
"i told you, i don't like sakura that way. in fact, it's quite the opposite." she finally gave in and stared into the windows of your soul.
"she is pretty," you observed the twitch in her eyebrow when you said that. "but i think you are the prettiest girl out of everyone in the world." her jaw just fell and she watched the corners of your lips curl up.
"i'm sorry i didn't give you any attention. i know i usually do so i understand why you were bothered. you weren't used to it, were you?" kazuha shook her head, and you smiled as she eased up the tension in her muscles. you just needed to let her know that you understood, that's all.
"how about this, i give you my undivided attention for as long as you want this upcoming saturday, just us. does that sound better?" you offered and she was dumbfounded.
she uncrossed her arms and nervously rubbed her palms on her thighs, feeling the heat of your gaze cause her to sweat a bit. "are you.. asking me out?" you just nodded and watched as kazuha's eyes lit up. she clapped her hands together and flashed her sweet smile, and it felt like you were watching an angel spread it wings for the first time. it was just a beautiful sight to see.
"then yes! it sounds much better." she took the hand you had resting on her knee and held it tightly. you swooned over her touch, enjoying the way she shined. "i don't want any other girls to have you, you're all mine."
you raised one eyebrow at her words which kazuha picked up as you teasing her, and she hit your shoulder in response. you snickered, interlocking your fingers with hers and tugging her, pulling her up to stand. you gave her another smile and brought her back to the girls who were finalizing their choices.
you sat where zuha was sitting previously and pulled her onto your lap, wrapping your arms around her waist. the four of them turn to you two and carried on with planning like it was the usual. because it was, it was always you and kazuha, kazuha and you.
everyone knew you and zuha were like two peas in a pod, and it seemed that the only ones didn't were the people in question.
literally took me so long to finish one fic, wtf is wrong with me rn😒
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