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#jack: hmm
cowardlycowboys · 10 months
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buckttommy · 3 days
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ok but buck fawning over tommy’s chin, kissing it and complimenting him on it every chance he gets bc he just finds it so cute 😔
i know this is not technically what you asked for, but. well.
"you like... my chin."
there's absolutely no reason for tommy to look as skeptical as he does, if buck is being honest. tommy's face is gorgeous in an old hollywood way. not perfect by any stretch of the imagination, and subsequently perfect because of it.
"well." buck reaches for tommy's smoothie and takes a sip. raspberry vanilla. buck's favorite. god, he wants to marry this man so badly some day. "i mean. the rest of your face has a lot going for it too, but. yeah. it's interesting. it makes your face nice to look at."
he watches tommy's face go from amused to straight up joyful, watches the column of his throat as he tips his head back and he laughs out loud, cheeks flushing pink, and god if that isn't the most beautiful sound buck has ever heard? made even more beautiful because buck knows how hard he had to work for his joy, his ease as he moves through life. tommy kinard is a weightless being and it shows in the way he navigates the world, deliberate in his intention to experience everything about life to its absolute fullest.
it's unfair.
it's unfair for one man to be this handsome.
moments like these, he wants to look around, see if anyone else in the cafe is as aware of tommy's beauty as he is but he always decides against it. number one, he already knows from experience that no one is actually looking at him, at them, and, number two, even if they were, it wouldn't matter. he's all buck's anyway.
tommy shakes his head, laughter quieting. "you're ridiculous. of all the things to lust over."
"oh, okay, laugh it up."
but tommy's eyes are soft and fond, despite the teasing. or, okay, maybe partly because of it. buck's boyfriend is a bit of an asshole, after all, but that's okay. he'll happily be the butt of every single joke if only tommy would keep looking at him like that, keep smiling at him like he's the answer to every question he's ever had.
tommy leans across the table into his space, voice lowering like they're the only two people in the world. he hums, eyes searching buck's face, and leans in, pressing a gentle, brief kiss to his lips.
"god, i love you."
buck's voice goes breathy like it's the first time he's ever heard it. "yeah?"
"mmm," tommy hums again. "i love you, you beautiful..." kiss. "...ridiculous..." kiss... "...hilarious..." kiss. "...kind of odd..." kiss. "deeply intelligent..." kiss. "...overwhelmingly sweet man."
he finishes with one last kiss to buck's mouth, and buck has honest to god butterflies in his stomach when tommy pulls away and sits back in his seat. eight months in and being kissed by him still feels the same as it did the first time—still feels warm, and safe, and beautiful, and loving, and... how did this happen?
how did buck become the guy who gets butterflies in his stomach over a kiss?
"uh." he blinks a couple times to clear his head, to focus his thinking. not like it works, not when tommy is looking at him like he hung all the damn stars in the sky. buck clears his throat. "well. yeah." a beat. "but i'm your idiot."
and it's so cheesy. if given the opportunity, buck probably could have thought of a million different sweet and sexy things to say, but, at the end of the day, it's true. he's tommy's in the same way tommy is his.
tommy rolls his eyes, but he's smiling, his nose scrunching up even as he takes his drink back. he takes a sip from his straw without blinking, swallows the rest of the thing down like he didn't order it specifically because he knows buck likes to steal his drink, and. god. buck is so in love it fucking hurts.
tommy reaches across the table and takes his hand, the last traces of humor smoothed away and replaced with nothing but aching sincerity. "yeah," he says softly. "yeah. you're my idiot."
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onelungmcclung · 21 days
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- Wasn't my idea. Huglin recommended you. - Then you're both sons of bitches.
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fatalism-and-villainy · 11 months
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Rewatching season 2 had me really struck by the sheer amount of time Will spends performing for other people, and how few fully authentic interactions he has. In fact, I’d say one of the biggest through lines between the first and second halves of the season is Will learning how to wear masks, and then actively deploying that for the purpose of catching Hannibal.
(And how fitting is it that the promo for season 2 had Will wearing the iconic hockey mask? Not just a franchise in-joke, but a reflection of the fact that he “becomes” Hannibal in this season, begins to symbolically merge with him, to the point in which his own goals become clouded to him.)
It's a natural extension of season 1's establishment of his empathic abilities, where he begins to more actively use his ability to read other people and discern their motivations as a tool, or weapon. Simply telling the truth about his innocence doesn’t serve him - so he adapts a façade very quickly, in his faked tears for Hannibal and Alana. All of his interactions with others while in prison - Chilton, Lounds, Matthew Brown, etc. - are very deliberately engineered, and lean into what Will knows (or thinks) each person wants to hear - all setting the stage for him doing the same thing to Hannibal. Every word, everything about his intonation, is so precise - something that specifically struck me in this stretch of episodes was when he talks to Gideon and very carefully leans forward as he’s trying to drive his point home:
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(And the body language, interestingly enough, is not just persuasive, but also mirrors the way Gideon sometimes leans/dangles his arms out of the cage when talking to others - and it reminds me of Will also mirroring Hannibal’s body language during the “not now that I finally find you interesting” scene, when he bites his lip in the way Hannibal so often does.)
It really highlights how so much of how he interacts with others during this entire stretch of the plot is a very carefully crafted performance, with so many of Will’s actual feelings and motivations subsumed into his manipulations. I remember watching the DVD commentary on Su-zakana, and they talk about how Will’s visible surliness with Hannibal was meant to stem from the fact that he didn’t want to be too friendly with Hannibal right away, because it would look suspicious. And I think that gets at something that’s present with how both Will and Hannibal manipulate others - they’re not necessarily lying about their feelings, just consciously using genuine feelings or motivations as a method of influencing others. With Hannibal, he frequently does feel genuine affection for others, and his care for them stems from that, but it’s also often used to put them at ease, serve his own ends. Will, for his part, is genuinely angry with Hannibal, but actively uses those feelings to fashion an aura of standoffishness. And of course, Hannibal has a genuine pull for him, and he deliberately leans into and cultivates that enjoyment for the sake of entrapping Hannibal. …Which of course leads to a situation where he has to put on a show for Jack as well, in which he downplays how deep into it he’s getting.
So it’s entirely fitting that the opening of Mizumono features the two halves of Will’s face - the front he’s presenting to Hannibal, and the front he’s presenting to Jack - merging, mask-like, in the middle of the screen.
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They’re both the real him, and they’re both masks - and he gets so subsumed into his performances for others, the modulation and accentuation and sublimation of his feelings that they require, that he gets lost to himself (and is also terribly lonely and isolated). No wonder he’s confused and unmoored in early season 3.
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birbwell · 1 year
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all the season 1 columbo villains (excluding the pilot episodes!)
kind of want to make a series out of this hrmmm
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Will Graham fantasizing about dinner with Hannibal.
2x1, 3x4, and 3x6.
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loving-jack-kelly · 3 months
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davey jacobs in the "pleasure to have in class" to college dropout pipeline. davey jacobs realizing three semester into his bachelors that actually he doesn't like school and being good at something isn't enough reason to keep on going through it when it makes him miserable. davey jacobs finding more purpose in doing a job to get through the day and going home to pursue his passions after work without worrying about what they will get him.
also davey jacobs in a leather jacket on a motorcycle because I say so.
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solarkarii · 10 months
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Meat mountain is officially one year old today
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chemiicalbride · 5 months
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nothing to post so how about a sketch dump
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dennisboobs · 5 months
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squeezy
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shubbzebubs · 11 months
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Thank you Jack very cool
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cairavende · 6 months
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Worm Arc 11 Interludes thoughts:
AAAAHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!
Ok. Just in order I think. Sorry for the chaos.
Started off with puppies. I was happy.
Then the puppies started getting a little more violent than needed. I was less happy.
Then Victoria got clowned on a little and I was little bit more happy.
Then the unkillable naked zebra lady showed up everything kinda went downhill. For everyone.
Bitch do not join the supervillain serial killer group, please and thank you.
Seriously though, The Siberian is a bit scary. Just, completely invincible as far as anyone can tell. And super strong.
Theo is having a bad day. And unless someone takes care of Jack Slash for him he's gonna have a bad few years.
Jack Slash is such a poser oh my god. Dude. Come one. You aren't all that.
Also. Jack. Do not toss a loaded baby! That baby had a full diaper. You toss that baby and you are liable to have a containment breach. Speaking from experience, you do not want a containment breach. (Also just don't throw babies of course.)
I hope Theo gets cool powers and is able to become a super amazing hero like he dreams of. On the plus side, probably gonna be lots of opportunities for trigger events coming up. On the minus side, he didn't trigger when Jack Slash was planning on killing him so I don't know if he's gonna be able to.
They were obviously going to go for Labyrinth. She has such amazing powers for mass terror. Though I guess Burnscar never tried to actually recruit her. I assume that was the plan though.
Also Burnscar needs to stop excusing her actions. Just be evil or don't be evil. You don't get to be evil and say it's not your fault (that sure will come up again in these interludes).
I fucking LOVED the description of how Labyrinths powers work. Just the details of everything. So good!
Fucking Colin. Of course they had to go for you. Why can't you just go away and leave my robot daughter alone?
Mannequin is fucking WILD. Like, god damn. Those are sure choices you made. Helps you be creepy as shit though. And get through air vents.
Mannequin writing out "U ME" to Pocketknife Man by laying keyboard keys down on the table one at a time has cursed meet-cute energy.
In the end, Colin survives cause my robot daughter saves him. And I guess she's gonna tell him the truth about being an AI. Fiiiiiiine. I will be polite to Colin if he comes over to dinner. He still needs to apologize to my other daughter though.
Also I'm sure glad the Slaughterhouse Nine won't have any use for the magic pocketknife that can cut through anything that Mannequin took. No worries at all I'm sure. It won't do jack shit for them. Might as well just slash the idea and toss the knife out.
Cool. Some Nazis died. That's great!
Not enough though. Disappointed in Shatterbird.
But if one good thing can come of this whole Slaughterhouse Nine thing, maybe Hookwolf can die. I'm not holding my breath though.
Shatterbird has a very interesting power set. Being specifically glass focused like that. Definitely can see how she would terrorize a city.
Dinah PoV. DINAH POV!!!!!!!!!!!!!!!!!!!
Ok well first off, I obviously hated Coil for Dinah already. Enough that I don't really know if the Dinah PoV can technically make me hate him more. But that said, I hate him more. WTF.
The description of her power was so NEAT though! Had a minor moment of "oh hey this paragraph of this precog talking about her power works inside her head is an almost perfect description of how my brain works" which was wild. I don't actually get to see the future though, which is a major difference.
She can actually just full blow see a possible future holy shit! Wow. Like it hurts and she hates it but it's still crazy.
Also I guessed that Crawler was going to come for Traveler in a Vault (that is Noelle's cape name until I am told different) after the Bitch interlude. I was very happy I got that right since I really knew almost nothing about either.
So Crawler just basically can't die and gets stronger every time he gets hurt. I wonder how long it will take him to reach Endbringer level power?
And Traveler in a Vault is just a large monster that is always hungry and can be driven to the point of eating people. That sucks a lot for her.
Also Leviathan came after her too huh? Well that's probably fine and won't matter in the future.
Regent's sister is worse than he is. That's impressive! Like, not good impressive. But impressive.
Getting real close to the "can't exist" physic power set. I guess it's not quite it though.
She should keep a better eye on her phone battery.
AMY DALLON! I knew it would be you.
I knew you were destined to be a tragedy from the moment I met you. You were always going to become a villain. So once I knew the Nine were recruiting it was a guarantee that you'd be recruited.
Specifically, that you'd be recruited by Bonesaw. She is an artist and obviously she is obsessed over the art you could make together.
Holy shit though that chapter.
Lets see. FUCK CAROL. Victoria gets some excuses, she's a kid, she's following her mom's example, etc. But FUCK CAROL. You are partially responsible for what Amy is about to become.
Despite being terrified, Amy seemed to have a dark fascination with everything Bonesaw was doing and saying. Really listened as Bonesaw explained things.
The more detailed view of what Amy's power does is crazy. She really can do just about anything to someone.
“Why not fix your dad?” is where Bonesaw won. It's about 3/5 of the way through the chapter. And she won at that point. That was the killing blow. The rest of the chapter, the remaining 3.5k or so words, is watching Amy bleed out to drive the point home. It is Panacea's death monologue. It is beautiful and tragic and amazing.
All that said, since she is losing anyway, is it bad for me to want more of Bonesaw's notes? SHE HAS LORE! GIVE IT TO ME!
Dad at least seems pretty good. He made the perfect response after getting healed. Unfortunately she was already gone.
AND THERE IT IS. THERE IS THE THAT FINAL STEP. Fucking rewire your adopted sisters mind to have romantic feelings for you. No you don't get to say it was an accident! You chose to do it. Holy shit Amy. You are going to be an amazing (terrifying) villain.
Callback to Burnscar and blaming her power for her actions.
If Worm was a Disney movie Amy would end up with the best song, 100%. Hellfire or similar levels.
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buckttommy · 6 days
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JACK! I am deeply curious to know where YOU stand/fall on the poll you posted?
Objectively speaking? Yes, they have endgame potential.
But a lot—and I mean A LOT—of work would have to go into moving that potential from a theoretical possibility to a genuine reality. Some of that work has already been done, what with Tim being intentional about developing a love interest for Buck that's not segmented away from the rest of the firefam, but that's the easy part tbh. They'd still have to 1) establish Tommy's character as a character unto himself, 2) define Buck and Tommy's relationship outside of the shadow of Buck and Eddie's relationship, 3) introduce a character that would be Eddie's endgame (because that's something you'd have to consider now that you're intentionally severing this will-they-won't-they bond between Buck and Eddie), and 4) convince the audience that these are the two endgame ships they should be rooting for without making them feel like they're being convinced, because that would blow the whole thing up in their faces instantly... all in a limited amount of time (9-1-1 isn't going to last forever).
So. Yeah. A lot of work.
All that to say, it's not impossible. I have a tentative idea for how it could work (a thought exercise, if-not-this-then-that)—what kind of character would need to be introduced for Eddie, what kind of archetypes would need to be in place for Tommy + Female Character, what kind of plots and tropes would need to unfold on-screen in order to not just neutralize the die-hard fans, but sway their opinions toward these two ships, etc. all by taking into account 9-1-1's existing and brand new audiences. But the writers/Tim would really need to sit with the decision and decide whether or not it's worth the effort to establish TWO endgame ships for their most popular characters when said characters are already six seasons deep into an accidental marriage with each other.
This is why I say that Buddie is only thing that makes sense. It's the only ending that does the characters and their journeys justice, sure, but it's so much more than that. There are layers—complicated and tangled layers—that would cost (literally!) more money to untangle than it would to just say "thank you" to the writing gods for hand-delivering an endgame ship on a silver platter and just going with the flow. You know? Yes, Buddie makes the most sense narratively. Of course, it does. But technically? It truly does not get much better than this.
You don't have to like it. You know? You don't have to like Buddie at all. But you have to recognize that this is the dynamic that most shows dream of—accidental or not. How they started—what was intended for their relationship—doesn't even matter now. What matters is where they are, and where they are is at a crossroads where they can either go with the flow, or do a complete overhaul that would run the risk of shattering everything. And, I have to give credit where credit is due—if anyone could pull this off, the 9-1-1 writers could. They are incredibly strong and skilled at what they do. But Tim et. al. need to make a choice, and they need to make it now, because if they wait too much longer, the story is going to start to drag. It's going to start to feel lazy. People aren't going to be satisfied with the "Buck and Eddie are getting their shit together so they can be ready for each other" excuse forever.
Now. Me personally? I'm in it for the long-haul. I love Buck and Eddie, I love Buddie, so whatever happens, I'm here for it. I've already said a thousand times over that their relationship could go canon at any point, even in the final episode (though I want there to be at least two seasons of them together before the show ends), and I would be completely satisfied with that. But we're rapidly approaching the point of no return, wherein Tim etc. need to make a firm decision and stick with it. If they've decided Buddie? Great. Good. Can't wait to see it. But if they've decided on something else, they're the ones that need to get their shit together and kick it into high gear quickly.
TBH.
But anyways.
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The emperor writes, "How should you be? You should be like a rocky promontory against which the restless surf continually pounds. It stands fast while the churning sea is lulled to sleep at its feet. I hear you say, 'How unlucky that this should happen to me.' But not at all. Perhaps say instead, 'How lucky I am that I am not broken by what has happened and I'm not afraid of what is about to happen.' For the same blow might have struck anyone, but not many who would have absorbed it without capitulation or complaint."
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lexyscross · 1 year
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👀
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mystery-star · 3 months
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More memes for you, dear Aubreyad fans!
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