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pissanddie · 4 months

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Jakob Kudsk Steensen, Tongues of Verglas / Les Langues de Verglas, 2022. Simulation of digitized glacial Arolla cave

#Jakob Kudsk Steensen #glacier #nature #simulation #extinction

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thiessoz · 12 days

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youtube

Jakob Kudsk Steensen

Artist Worlds

#Youtube

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haarlemupdates · 8 months

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Vanaf 17 november is in Teylers Museum de hedendaagse tentoonstelling Voorbij de gletsjer van kunstenaar Jakob Kudsk Steensen (Denemarken, 1987) te zien. Het is de eerste expositie gemaakt door conservator hedendaagse kunst Rieke Vos. Zij vroeg de Deense kunstenaar een zintuigelijke en maatschappelijk actuele presentatie te maken in het historische Pieter Teylers Huis. Teylers Museum stimuleert vanaf de opening in 1784 eigentijdse kunst. Met de recente aanstelling van Rieke Vos (voorheen Het HEM) geeft het museum gevolg aan de ambitie om meer ruimte te maken voor deze traditie. In Voorbij de gletsjer dompelen 3d -animaties en geluid van krakend ijs en vallende druppels je onder in een smeltende gletsjer in de Zwitserse Alpen. Arolla-gletsjer Jakob Kudsk Steensen bouwt digitale landschappen, gebaseerd op daadwerkelijke landschappen die vanwege klimaatverandering op het punt staan radicaal te veranderen. De videoinstallatie die in Teylers te zien is, documenteert een gletsjergrot in het Arolla-gebergte in zuidelijk Zwitserland. Steensen bezocht de grot in het voorjaar van 2022 en legde hem minutieus vast met digitale scans van de gletsjer, planten in de omgeving, uiteenlopende aardlagen en micro-organismen. In het resulterende kunstwerk zweef je langzaam door de ijsgrot, over de ruwe boomschors van de Arolla-boom, tot in het microscopisch kleine korstmos. Als een dromerige herinnering waarin alles is verbonden door tijd, taal en een multidimensionaal ecosysteem. In september 2022, negen maanden na het eerste bezoek van de kunstenaar, stortte de gletsjergrot volledig in, waardoor hij nu enkel nog als digitale bestemming bestaat. Jakob Kudsk Steensen Jakob Kudsk Steensen creëert poëtische interpretaties over vergeten of verdwenen natuurverschijnselen. Zijn zintuigelijke multimedia-installaties vertellen gelaagde verhalen over natuur, ecologie en de daaraan verwante cultuurhistorie. Naast de scans die hij tijdens zijn expedities maakt, spreekt hij met bewoners uit het betreffende gebied, tekent hij oude volksvertellingen op en neemt lokale liederen op die hij samen met een componist tot ruimtelijke geluidinstallaties maakt. Deze elementen brengt hij samen in een virtuele omgeving, te beleven als kunstinstallatie. Kudsk Steensen toont zijn werk internationaal in musea, op festivals en biënnales, waaronder recentelijk bij Halle am Berghain in Berlijn, in opdracht van LAS, Serpentine Gallery in Londen, Luma Foundation in Arles en ARoS Museum of Art in Aarhus. Een eerdere versie van het werk over de Arolla-gletsjer was dit voorjaar te zien bij Copenhagen Contemporary. Voor Teylers Museum maakt hij een geheel nieuwe locatiespecifieke installatie. Voorbij de gletsjer De studie van gletsjers in de Zwitserse Alpen was in de achttiende en negentiende eeuw in West-Europa een belangrijk wetenschappelijk onderzoeksgebied. Het leidde destijds tot radicaal nieuwe inzichten in de oorsprong van het menselijk leven. Als toonaangevend wetenschappelijk instituut verzamelde Teylers Museum veel belangrijke boeken, fossielen en mineralen die met dit onderwerp te maken hebben. Een negentiende-eeuwse illustratie in de collectie van de recent verbrijzelde Arolla-gletsjer biedt een aangrijpend perspectief op Kudsk Steensens artistieke observaties. De tentoonstelling Voorbij de gletsjer toont hoe de transformatie van onze planeet uiteindelijk ook een diepe transformatie in onszelf teweegbrengt. Rieke Vos: “Teylers Museum is uniek. De historische context en rijke collectie op het gebied van zowel kunst als wetenschap bieden een uniek perspectief op urgente kwesties van deze tijd. Als museum zijn we enorm trots dat Jakob Kudsk Steensen de uitnodiging heeft aanvaard om de potentie van het oude museum als podium voor actuele gesprekken en hedendaagse kunst te verkennen.”

#Haarlem #JakobKudskSteensen #museum #RiekeVos #tentoonstelling #TeylersMuseum #VideoInstallatie #VoorbijDeGletsjer

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iiiiiiiiiinterface · 1 year

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https://www.siteinspire.com/websites/11191-making-of-berl-berl-world-jakob-kudsk-steensen

#siteinspire #new

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alvinkyk · 2 years

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Weekly Video Review #7

RE-ANIMATED: ARRIVAL by Jakob Kudsk Steensen :

Video starts from up high in the sky showing ocean and slowly comes down and zooms into island. when it comes to the ground level the voice narrates about situation and changes of the island from perspective of island. Using Cgi to narrate the story of an island and, what it seems like an extincted bird. It gave me a new perspective of using 3d technology to express the story in video format.

WE ARE OPPOSITE LIKE THAT, PART 2 by Himali Singh Soin :

Glacier shows up at the beginning and from seeing surroundings it seems like it is Antarctica with dirts under Ices. Person with mysterious outfit comes out of glacier and travels around different places where human seemed to have occupied before. When the person comes back to ice it disappears in to the ice. In the video, showing the surroundings of a glacier and transitioning to being from the ice seeing the traces of human shows big contrast between situations of us humans and nature where ice belongs. thus the title "We Are Opposite Like That".

Artist : Aki Sasamotoin Art 21 :

Artist comes to bar and stares in to the bar table. Then artist starts conversation with bartender and talks about the control, and how state of perfect control is what enables us to embrace the uncontrollable aspect of pure chaos. From that sentence artist said, i felt confirmed by someone by having similar thoughts about control, or at least concept of trying to control. Personally when creating videogames when you put full control of details of your work and shape it how i exactly want it, the game itself tells me what it wants to be and finishes itself. This video personally feels like confirming my way of creating games and arts and guiding me through my future creative work.

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jenn-art-station · 2 years

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Weekly Video Review #7

1. RE-ANIMATED: ARRIVAL by Jakob Kudsk Steensen

https://vimeo.com/291992820

I saw the island and the interior of the island made with 3D modeling. The voice continues to tell you the correct height. For example, the distance between the island and the sky above where I am located, or the distance from the ground to the top of a tree. The image was very monotonous because of the neat but not bright island atmosphere and accurate figures. And not long after humans arrived on this island, the birds suddenly disappeared. Perhaps the author wanted to inform about endangered animals?

2. WE ARE OPPOSITE LIKE THAT, PART 2 by Himali Singh Soin

https://www.youtube.com/watch?v=FnqAam25kVI

In this video, I saw a glacier, its broken appearance, ice crystals, and an alien in tinfoil. She seemed to represent the feelings of Glacier. There are ice and glaciers in the North and South Poles and they are melting at a rapid rate. What are people obsessed with? What do nature and man each pursue? I asked myself many questions. I think it is a work that can give deep meaning to the public by combining social issues with artistry.

3. Artist : Aki Sasamotoin Art 21

https://art21.org/watch/new-york-close-up/aki-sasamoto-an-artist-walks-into-a-bar/

If a human falls from an object, how will the object behave? I watched the glass spin alone on the table. At that time, the artist says that he finds an object that has found his own rhythm and space. I felt as though the object was given personality. And I focused more on the thing keeping spinning, rubbing against the air and making noises. What really surprised me was that the artist asked, 'Why do objects rotate in a circle when they turn in place?' This work gave me another artistic perspective. I would recommend this to anyone.

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abstracteddistractions · 3 years

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Jakob Kudsk Steensen, Berl-Berl, 2021,

Halle am Berghain, Berlin, Germany,

Commissioned by art foundation Light Art Space (LAS),

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bookishtheories · 4 years

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Map of the Soul: 7 CONNECT, BTS Explored: LONDON (CATHARSIS by Jakob Kudsk Steensen)

#connect bts #bts #map of the soul 7 #mots 7 #connect bts london #catharsis #connect bts catharsis #jakob kudsk steensen #bts comeback #bts theory #bts comeback theory

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itmightrain · 4 years

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"These are the kind of enriching interactions and exchange of ideas BTS craves,to be asked about their enormously diverse and profound discography and to explore more interesting subjects.I wish the interviewers can step up their damn game and not ask the same old stupid questions" - riseot7addict

See Catharsis here

#bts #connect bts #catharsis #jin #namjoon #jakob kudsk steensen

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mauve-moonbeam · 4 years

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korean vocab 20.01.15

because i am deeply in love with “connect, bts”, i want to learn vocab through the series. so today’s vocab list is from bts’ interview with danish artist, jakob kudsk steensen.

here are the links: connect, bts; the interview; jakob kudsk steensen’s work

vocab from “connect, bts @ london”, part 1:

1. 작가 (n.) - author

2. 프로젝트 (n.) - project

3. 계기 (n.) - chance, opportunity

4. 궁금하다 (adj.) - curious

5. 첫 - first

6. 질문 (n.) - question

7. 다양하다 (adj.) - diverse, various

8. 장소 (n.) - place, spot, scene, location

9. 자연 (n.) - nature

10. 기술 (n.) - technology

11. 연결 (n.) - connection, link

12. 무적 (n.) - invincibility

13. 흥미롭다 (adj.) - interesting

14. 유형 (n.) - type, category, pattern

15. 예술가 (n.) - artist

16. 관점 (n.) - point of view, perspective

17. 창조하다 (v.) - create

18. 작품 (n.) - piece, work

19. 설명 (n.) - explanation

20. 숲 (n.) - forest

21. 공간 (n.) - space, room

#kr21 #korean vocab #korean vocab list #korean #bangtan #bts #connect bts #art #artist #Jakob Kudsk Steensen

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graphics-atlas · 5 years

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Primal Tourism, Jakob Kudsk Steensen

#Jakob Kudsk Steensen

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is71076acs · 5 years

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Week 5 Computational Art and Postphenomenology

Phenomenology is the “philosophical study of the structures of experience and consciousness.” I had first encountered this term with the writing of Maurice Merleau-Ponty and his seminal work the Phenomenology of Perception. I found his account of the body (simultaneously existing as both subject and object) to be fascinating and worth revisiting when analysing ourselves in relation to the world.

So, this week we looked at postphenomenology which is defined as a “revised form of phenomenology that aims to overcome the limitations of subjectivism.” Within the context of Computational Art Theory, this tool can investigate technology in terms of the relations between human beings and technological artefacts by focusing on the various ways in which technologies help to shape relations between human beings and the world. Like Heidegger’s less romantic view of technology, postphenomenology combines philosophical analysis with empirical investigation which is a useful framework within the field of computing.

Our key philosopher within this area is Don Idhe who came up with four mediating roles within human/world/ technology relations that he believes deserve philosophical attention.

1. Embodiment relations: (human - technology) —> world. 2. Hermeneutic relations: human —> (technology - world). 3. Alterity relations: human —> technology (world). 4. Background relations: human (technology / world).

So far, I have personally found Embodiment and Hermeneutic relations to be most relevant to my creative practice. Virtual reality is interesting to look at through the lens of postphenomenology as embodiment is useful for investigating the human body in relation to technological artefacts. But also, how technology can alienate us by shaping our relations to the world itself. Helen shared a great example of these indirect relationships with Aquaphobia by Jakob Steensen which seeks to reconfigure our relations to technology and nature through embodiment in the VR experience.

Another great example of Hermeneutic relations she shared was Pierre Huyghe’s installation at the Serpentine gallery earlier this year entitled UUmwelt. This piece analyses brain activity from a fMRI scanner against a deep neural network of images presented with a community of flies and sanded walls as a commentary on the flexibly of human, animal and machine relationships.

Ultimately this has been a fascinating week which has gifted me with many ideas for the research report. Admittedly I have neglected the virtual reality aspect of the project but now feel more inclined to consider the human within this technoscientific loop as ultimately there needs to be someone to experience it.

References • https://en.wikipedia.org/wiki/Phenomenology_(philosophy) • Merleau-Ponty, M. & Landes, D.A., 2012. Phenomenology of perception, • https://en.wikipedia.org/wiki/Phenomenology_of_Perception • https://www.yourdictionary.com/postphenomenology • https://vimeo.com/67744883 • https://www.futurelearn.com/courses/philosophy-of-technology/0/steps/26324?fbclid=IwAR1MiQElHcNJ-O7GkoUZJFLDbGX2-YqdnQZYCQhiddxXOJQaVj8gf9Xnw2c • https://vimeo.com/244699310 • https://www.serpentinegalleries.org/exhibitions-events/pierre-huyghe-uumwelt

Image of AQUAPHOBIA by: Jakob Kudsk Steensen https://vimeo.com/244699310

Image of UUmwelt by: Pierre Huyghe https://www.serpentinegalleries.org/exhibitions-events/pierre-huyghe-uumwelt

#phenomenology #postphenomenology #ponty #Phenomenology of perception #don idhe #virtual reality #jakob kudsk steensen #neural network #pierre huyghe

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bangtan · 4 years

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제이콥 스틴슨 Jakob Kudsk Steensen Serpentine Gallery, London, UK 2020.01.14 ~ 03.06 https://connect-bts.com/london/index.jsp #CONNECT_BTS #LONDON #CONNECT_BTS_LONDON

#bangtan #bts #p:twitter #p:official #200115 #connect bts

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olliesblog1 · 3 years

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deviisblog · 4 years

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BTS AS ART ; A THREAD ;